(RE)CURRENT UNREST Conceived and directed by
Charles O. Anderson
Presented in partnership with Texas Performing Arts and Fusebox Festival
(Re)current Unrest is made possible in part by the New England Foundation for the Arts' National Dance Project, with lead funding from the Doris Duke Charitable Foundation and The Andrew W. Mellon Foundation.
Conceived and Directed by
Charles O. Anderson OCTOBER 16-17 AT 7:30 P.M. VIRTUAL PERFORMANCE THEATREDANCE.UTEXAS.EDU Charles O. Anderson – Choreographer • Jeremy Arnold – Associate Choreographer Maggie M. Bailey – Director of Photography • Leah Benaim – Stage Manager Michael Bruner – Projection Designer • Iman Corbani – Scenic Designer Jon Everett – Technical Sound Designer • Eliot Gray Fisher – Sound Designer Greyland Goff – Production Assistant • Kalee Sue Gore – Production Coordinator Aurora Kenyon – Costume Design Coordinator • Mack Lawrence – Dramaturg Michelle Mann – Lighting Designer • Tiffany Merritt-Brown – Dramaturg Katie Miller – Costume Design Coordinator • Sam Mohney – Camera Operator Dorothy O’Shea Overbey – Film Producer • Diamond Rector – Stage Manager Erica Patricia Saucedo – Dramaturg • Logan Smith – Streaming Coordinator David Tolin – Technical Director • Uwazi Zamani – Dramaturg
Jeremy Arnold Hanna Bailey Lindsay Ball Evan Beek Sabrina Blackwelder Brooke Bower Rebecca Carrillo Ivana Castañeda Karina Enriquez Alejandro Frederickson Jordan Gilbertson Atticus Griffin
Allison Hamauei Lisette Hotz Andreina Hurtado Sheila Jackson Madelyn Manlove Isabella Mao Joshua Martinez Avery Moore Briah Napier Lexie Nelson Ellie Newton Mario Alberto Ramirez
Taylor Schmuelgen Brooke Shore Carolina Azteca Sirias Ashley Stone Khorii Tinson Emily Tolson Jenna Weatherbie Kayla White Heaven Wilburn Gracyn Womeldorph
Music: Steve Reich's It's Gonna Rain, Come Out and Pendulum; By arrangement with Hendon Music, Inc., a Boosey & Hawkes company, publisher and copyright owner.
COVER PHOTO: LAWRENCE PEART
CAST (IN ALPHABETICAL ORDER)
NOTE FROM THE DIRECTOR (Re)current Unrest is an immersive performance installation ‘ritual’ built upon the sonic foundation of Steve Reich’s three earliest works: It’s Gonna Rain (parts 1 and 2), Come Out and Pendulum. The piece is an investigation of legacy, authorship and the history of Black art and protest through the lens of the erasure of the Africanist presence inside of Reich’s compositions. Reich spent a great deal of time studying African music forms, and Come Out samples interview tapes of Daniel Hamm, one of six Black men (referred to as the Harlem Six) falsely accused of murder and brutalized by police in 1964. The work, which helped Reich rise to fame, was praised for its composition and political resonance. But Hamm’s voice, and the historical context of racial injustice, is often lost to the formal innovations of the composition. These facts are further obscured when the work is used as the score for Anne Teresa De Keersmaeker’s Fase and problematized further in Beyoncé’s use of De Keersmaeker’s choreography for her music video Countdown. I began creating movement from this starting point in 2016. Shortly after, one of my freshman dance students at The University of Texas at Austin, Haruka Weiser, was murdered. Between that tragedy (committed by a young African American man) and the ongoing systematic killing of Black men by law enforcement in this country, the piece took on larger dimensions than just these issues of cultural appropriation. Over a two year development period, the piece has become a meditation on the “American Dream” and Black nihilism, borne of the current racially charged moment. Choreographically, (Re)current Unrest explores the kinesthetic state of unrest–the condition of unease, discontent and social disturbance. This physical state of agitation represents “staying woke.” To stay woke refers to an intangible level of awareness about community issues and social justice. Thank you to the Department of Theatre and Dance, Texas Performing Arts and Fusebox Festival for providing this opportunity to realize this work digitally. Thank you to Maggie Allessee National Center for Choreography and the National Center for Choreography - Akron for the space to realize the work. Thank you to Gianina Casale, Johnny Chatman, Millie Heckler, D'Lonte Lawson, Shanice Mason, Johnnie Mercer and Brooke Rucker for lending your time and talent as cast members for the live iterations. Thank you to Jon Haas, Benjamin Galvan and Robert Mallin for your contributions as integrated media, sound and lighting designers to previous live iterations. Thank you to the hundreds of fundraising supporters who helped us realize this moment. And a very special thanks to Maggie Bailey, Iman Corbani and Jeremy Arnold for sticking with the project for all these years. This project is made possible in part by the generous support of the New England Foundation for the Arts' National Dance Production Grant and National Performance Network Creation Fund.
The Department of Theatre and Dance is a world-class educational environment that serves as the ultimate creative incubator for the next generation of artists, thinkers and leaders in theatre and performance.
CREATIVE Charles O. Anderson (Choreographer), a native of Richmond, Virginia, is the head of the dance program, associate chair of the Department of Theatre and Dance and producing artistic director of the B.F.A. dance company, Dance Repertory Theatre at The University of Texas at Austin as well as artistic director of the critically-acclaimed afro-contemporary dance theatre company, dance theatre X (founded in 2003). He received his M.F.A. in Dance from Temple University (2002) in Philadelphia. Among his achievements in afro-contemporary choreography and dance theatre, Anderson was selected as one of "25 Artists to watch" by Dance Magazine and is a Pew Fellowship in the Arts recipient. His choreography, set upon undergraduate students, has been nationally showcased twice at the John F. Kennedy Center for the Performing Arts through the American College Dance Association, and he has also been recognized for outstanding achievement in experimental dance theatre by the Kennedy Center American College Theatre Festival.
Maggie M. Bailey (Director of Photography) is an award-winning filmmaker, making work that explores unheard voices and niche communities. In 2018, she was a nominee for the Princess Grace Foundation Award and the Kodak Excellence in Filmmaking Award. The work she has directed and produced has screened in festivals both nationally and internationally including SXSW, Frameline, DOC NYC, Atlanta Film Festival, Cork Film Festival, BAMcinemaFest, CineKink and Sidewalk Film Festival, among others.
Jeremy Arnold (Associate Choreographer, Dancer) received his B.A. cum laude from Muhlenberg College in 2012. He is a graduate of the tap program at Jacob's Pillow under the direction of Michelle Dorrance. Arnold is a former member of the nationally touring Shelley Oliver Tap Dancers and Chloe Arnold's Apt. 33. He was a principal dancer with Tapestry Dance Company from 2014-2017 and has taught at the Department of Theatre and Dance as an adjunct professor of tap dance since 2015. Arnold has served on the faculty of Soul 2 Sole Festival, True Sound Rhythm Festival, Revive Dance Convention, Dance Olympus/Dance America, Dance Masters of America and the Cecchetti Council of America. Third Coast Rhythm Project, Tap Ties and McLennan Community College have commissioned his work. He is a recent graduate of the M.F.A. in Dance program at The University of Texas at Austin. His work and research center around African-American and Jewish intersections on the concert dance stage.
Iman Corbani (Scenic Designer) is an international multidisciplinary designer and scenographer whose practice ranges from solo gallery works to collaborations in film, television, opera, theatre and experimental work. From creating large kinetic sculptures for the stage to historical realism for film, her goal is to give voice to stories and leave the audience engaged.
Michael Bruner (Projection Designer) is a thirdyear M.F.A. in Design and Technology candidate with a focus in integrated media for live performance. His work is focused on how design and storytelling can be integrated into diverse mediums to create immersive experiences which promote positive change. Recent credits for Texas Theatre and Dance include Fortitude (2019), 39 Inside (The Cohen New Works Festival, 2019) and Marcus; or the Secret of Sweet (2020), in addition to a range of ongoing collaborations.
Eliot Gray Fisher (Sound Designer) is an interdisciplinary artist pursuing a doctoral degree in Performance as Public Practice. His creative research focuses on performance, integrating emergent consumer technologies to explore their influence on individual and social realities. He has composed music and designed sound for short and feature film, theatre and dance (described as “virtuosic� by the Los Angeles Times), created documentary and animated shorts, built interactive installations and written and directed several theatrical productions.
CREATIVE Greyland Goff (Production Assistant) is a fourthyear B.F.A. in Dance major at The University of Texas at Austin. Originally from Fort Worth, Texas, his previous dance training includes ballet, contemporary, jazz, hip-hop, tap and musical theater. Recent credits with Texas Theatre and Dance include Dance Repertory Theatre’s Fall For Dance (2018), Fortitude (2019) and Fall for Dance (2019). He has worked with choreographers Gregory Dolbashian, Dorothy O’Shea Overbey, Charles O. Anderson and Rena Butler. Kalee Sue Gore (Production Coordinator) is a fourth-year B.A. in Theatre and Dance major with an emphasis in dance performance and choreography at The University of Texas at Austin. Aurora Kenyon (Costume Design Coordinator) is a second-year M.F.A. in Design and Technology candidate with a focus in costume technology. She has extensive experience in costume construction and costume crafts and has recently worked at the Alley Theatre (Houston), Creede Repertory Theatre (Colorado) and STAGES (Missouri). Mack Lawrence (Dramaturg) graduated from The University of Texas at Austin UTeach Dance program with a B.F.A in Dance in May of 2020. She is an artist, dancer and choreographer. Recent credits include performing in ARCOS Dance's Ether Junk, as well as her choreographic work, what do you know about ghosts?, presented as part of Dance Repertory Theatre's Fall For Dance (Texas Theatre and Dance, 2019). Michelle Mann (Lighting Designer) is an Austin-based designer that creates lighting environments for all forms of live events. Her designs have been presented extensively throughout the United States and beyond. Mann has had the opportunity to light numerous A-list movie stars, celebrities and musical acts including Barack and Michelle Obama, Brad Pitt, Bernadette Peters, Bill Nye and Walk the Moon. Her credits include off-Broadway
productions at the Ailey Citigroup Theater (New York), Emerald City Trapeze Arts (Washington) and Dance Place (Washington, D.C.). Tiffany Merritt-Brown (Dramaturg) is an M.F.A. in Dance candidate at The University of Texas at Austin. The 2019 alumna of the Ann and Weston Hick’s Choreography Fellows Program (Jacob’s Pillow), she holds a B.F.A. in Dance from the University of Wisconsin-Madison. Merritt-Brown is a choreographer, performer, scholar, educator, grant writer and native of Miami, Florida. Katie Miller (Costume Design Coordinator) is a first-year M.F.A. in Design and Technology candidate with a focus in costume design. She has spent the last eight years working in various costume and wardrobe positions in the theatre and film industries. She was nominated for Best Costume Design at the 2015 Milan International Filmmaker’s Festival of World Cinema. alkaemy.net. Dorothy O’Shea Overbey (Film Producer) is a performer, producer, dancer, choreographer, musician, visual artist and filmmaker. Founder of Red Nightfall Productions and artistic advisor at Ventana Ballet, Overbey is interested in the transformation of consciousness through immersive storytelling. This is Overbey’s seventh year on faculty with the Department of Theatre and Dance. Diamond Rector (Stage Manager) is a fourth-year B.A in Theatre and Dance major with an emphasis in stage management at The University of Texas at Austin. Originally from Houston, her previous credits with Texas Theatre and Dance include stage management for Fall For Dance (2018), Spring Awakening (2019), Marcus; or the Secret of Sweet (2020), Brutal Imagination (The Cohen New Works Festival, 2019) and Fortitude (2019). Erica Patricia Saucedo (Dramaturg) is a movement/teaching artist based in Austin, Texas. A current M.F.A. in Dance candidate at The University of Texas at Austin, Saucedo's
CREATIVE perspective as an artist is deeply informed by her belief that dance is a powerful vehicle for cultivating empathy, building community and centering healing that transcends time and space. Logan Smith (Streaming Coordinator) is an M.F.A. in Design and Technology candidate with a focus in integrated media for live performance at The University of Texas at Austin. He has designed multiple shows with Texas Theatre and Dance, including Spring Awakening (2019) and Not Omaha (UTNT (UT New Theatre), 2020). Before coming to Austin, he worked for AXS TV and WeatherNation as a video director for live television.
Uwazi Zamani (Dramaturg) is a fourth-year B.F.A. in Dance major. Zamani has extensive training in both theatre and dance. His recent credits include Elements (Norwegian Cruise Line), Dancin’ in the Street… Motown & More Revue and The Wiz (Theatre Under the Stars), in addition to projects with Fusebox Festival and the Austin Dance Festival.
David Tolin (Technical Director) was born and raised in Casper, Wyoming. He attended the University of Nevada, Las Vegas where he received his B.A. in Theatre with a concentration in design/technology. In 2006, he interned with Cirque du Soleil’s Mystère (Treasure Island) and served as a stage hand for Desert Entertainment for several concerts, productions and events across Las Vegas. He received his M.F.A. in Scenic Technology from The University of Texas at Austin before teaching at Westlake High School for seven years. Tolin joined the staff of the Department of Theatre and Dance in 2017.
PRESENTED IN PARTNERSHIP WITH
(Re)current Unrest is made possible in part by the New England Foundation for the Arts' National Dance Project, with lead funding from the Doris Duke Charitable Foundation and The Andrew W. Mellon Foundation.
CAST
Jeremy Arnold
Hanna Bailey
Lindsay Ball
Evan Beek
Brooke Bower
Rebecca Carrillo
Ivana CastaĂąeda
Karina Enriquez
Jordan Gilbertson
Atticus Griffin
Allison Hamauei
Lisette Hotz
Andreina Hurtado
Sheila Jackson
Madelyn Manlove
Isabella Mao
Avery Moore
Briah Napier
Ellie Newton
Mario Alberto Ramirez
Taylor Schmuelgen
Brooke Shore
Carolina Azteca Sirias
Ashley Stone
Khorii Tinson
Emily Tolson
Kayla White
Gracyn Womeldorph
CAST Hanna Bailey (Dancer) is a third-year B.F.A. in Dance major with a minor in business. She has been dancing since the age of four and has studied a variety of dance styles. Throughout her dance career, she has worked with worldrenowned choreographers, including Kelli Barclay, Rena Butler, Miguel Perez and Marcus Jarrell Willis. She recently choreographed when we collide for Dance Action’s S.E.E.D. Bailey has performed in multiple Dance Repertory Theatre productions, including Fortitude (Texas Theatre and Dance, 2019) and Fall For Dance (Texas Theatre and Dance, 2019), as well as Evolution and Spillage (The Cohen New Works Festival, 2019). Lindsay Ball (Dancer) is a third-year B.F.A. in Dance major at The University of Texas at Austin. She grew up in Sacramento, California and spent time training with the San Francisco Conservatory of Dance under the direction of Summer Lee Rhatigan. Recent credits include Dance Repertory Theatre’s Fortitude (Texas Theatre and Dance, 2019), Fall For Dance (Texas Theatre and Dance, 2019), Repairsive Objectification (Revolve) and Denial of the Fittest (The Cohen New Works Festival, 2019). Evan Beek (Dancer) is a B.F.A. in Dance major at The University of Texas at Austin. She has a broad background in dance genres, having received training in contemporary, hip-hop and ballet, among others. Brooke Bower (Dancer) is a third-year B.F.A. in Dance major originally from Albuquerque, New Mexico. This will be her fourth performance with Dance Repertory Theatre. She has had extensive training in jazz, contemporary and ballet. She has danced in a multitude of performances during her time at The University of Texas at Austin including Fortitude (Texas Theatre and Dance, 2019), Evolution (UT Austin) and Fall For Dance (Texas Theatre and Dance, 2019). Rebecca Carrillo (Dancer) is a secondyear B.F.A. in Dance major with a minor in kinesiology at The University of Texas at Austin. (Re)current Unrest is her first performance with Texas Theatre and Dance.
Ivana Castañeda (Dancer) is a fourth-year B.F.A. in Dance major at The University of Texas at Austin. She graduated from Booker T. Washington High School for the Performing and Visual Arts and has an extensive background in different dance styles, including African, flamenco, contemporary, ballet and Latin. She has attended several Complexions Contemporary Ballet Summer Intensives and Dallas Black Dance Theatre Summer Intensives. She performed in Proving Ground, Simon Says _____ and other pieces as a part of Dance Repertory Theatre’s Fall For Dance (Texas Theatre and Dance, 2018). Karina Enriquez (Dancer) is a second-year B.F.A. in Dance major at The University of Texas at Austin. She attended Booker T. Washington High School for the Performing and Visual Arts in Dallas, Texas, where she learned various dance styles, including samba, contemporary, ballet and tap, among others. Jordan Gilbertson (Dancer) is a B.F.A. in Dance major at The University of Texas at Austin. She has received extensive training in many genres of dance. Recent dance credits include Dance Action’s S.E.E.D. and various other performances with the High School for Performing and Visual Arts in Houston, Texas. Atticus Griffin (Dancer) is a contemporary dance artist, performer, creator and educator currently based in Austin, Texas. He began his dance training at the age of 18 and received his B.F.A. in Dance from The University of Texas at Austin. As a dancer, he has worked with award winning choreographers, including Charles O. Anderson, Sidra Bell, Rena Butler, Gregory Dolbashian, Erica Gionfriddo and Dorothy O’Shea Overbey. He is currently a dancer with NobleMotion Dance and Ventana Ballet. Allison Hamauei (Dancer) is a third-year B.F.A. in Dance major. Since the age of four, she has trained in a variety of styles and genres, including ballet, tap, jazz, contemporary and hip-hop. Hamauei has worked with many choreographers, including Erica Gionfriddo, Charles O. Anderson, Chaz Buzan, Scott Jovovich and
CAST Johnathan Campbell. Recent credits include Fortitude (Texas Theatre and Dance, 2019), Fall For Dance (Texas Theatre and Dance, 2019) and Evolution (UT Austin). Her work has also been presented as a part of Dance Action’s S.E.E.D. Lisette Hotz (Dancer) is a B.F.A. in Dance major at The University of Texas at Austin. Recent credits include performances in Dance Action's S.E.E.D. Andreina Hurtado (Dancer) is a B.F.A. in Dance major at The University of Texas at Austin. She has extensive training in classical ballet and focuses mainly on contemporary movement. She has been a part of Dance Repertory Theatre since spring 2018 and has been seen in multiple performances of Dance Action’s S.E.E.D. Sheila Jackson (Dancer) is a B.F.A in Dance major at The University of Texas at Austin. She has trained in ballet and modern dance with Oregon Ballet Theatre and Ballet Austin. This is her first performance with Texas Theatre and Dance. Madelyn Manlove (Dancer) is a fourth-year B.F.A. in Dance major pursuing a minor in kinesiology at The University of Texas at Austin. She has been dancing since the age of three in San Antonio, Texas and has been seen in Texas Theatre and Dance’s Transcendence (2018), Fall For Dance (2018), Fortitude (2019) and Fall For Dance (2019), working with choreographers Rennie Harris, Gregory Dolbashian, Kirven DouthitBoyd and Manuel Vignoulle, among others. Isabella Mao (Dancer) is currently a B.F.A. in Dance major at The University of Texas at Austin. She graduated from Kinder High School for the Performing Arts in Houston, Texas in 2019 and has been dancing for over thirteen years. She has studied various styles of dance, including ballet, contemporary, West African and composition, among others. Avery Moore (Dancer) is a fourth-year B.F.A. in Dance major at The University of Texas at Austin pursuing a minor in business. Her background in dance includes attending The High School
for the Performing and Visual Arts in Houston, Texas where she trained with numerous choreographers. She has worked with awardwinning choreographers, including Sidra Bell, Manuel Vignoulle, Rennie Harris and Charles O. Anderson, among others. Her choreography has been showcased in Dance Action’s S.E.E.D. and has recently been seen in Texas Theatre and Dance’s Transcendence (2018), Fall For Dance (2018), Fortitude (2019) and Fall For Dance (2019), as well as Evolution (UT Austin) and The Cohen New Works Festival (2019). Briah Napier (Dancer) is a third-year B.F.A in Dance major at The University of Texas at Austin. Napier hails from Houston, Texas and graduated from the High School for the Performing and Visual Arts, where she trained with multiple choreographers and dance faculty members. Previous credits include Dance Repertory Theatre’s Fortitude (Texas Theatre and Dance, 2019) and Fall For Dance (Texas Theatre and Dance, 2019), and she was involved in works by Charles O. Anderson, Erica Gionfriddo and Rena Butler, among others. Ellie Newton (Dancer) is a B.F.A in Dance and B.A. in Psychology double major at The University of Texas at Austin. She has an extensive background in dance. This is her first performance with Texas Theatre and Dance. Mario Alberto Ramirez (Dancer) is a recent graduate of The University of Texas at Austin UTeach Dance program. He has an extensive dance background from Danca Azteca to contemporary dance. He was recently seen in Dance Repertory Theatre’s Transcendence (Texas Theatre and Dance, 2018) and Fortitude (Texas Theatre and Dance, 2019) and has worked with choreographers Andee Scott, Jenn Freeman, Dorothy O’Shea Overbey and Charles O. Anderson, among others. Taylor Schmuelgen (Dancer) is a movement artist based in Austin, Texas. She currently works as a dance teacher, choreographer and performer. Most recently, her artistic work has been presented by TEDx, Revolve: A Move-
CAST ment Display and The Cohen New Works Festival (Texas Theatre and Dance, 2019). She holds a B.F.A. in Dance from The University of Texas at Austin. taylorschmuelgen.com Brooke Shore (Dancer) is a fourth-year B.F.A. in Dance major at The University of Texas at Austin. Before coming to Texas, she studied ballet and modern dance with mentors and Paul Taylor principal dancers Heather Berest and Orion Duckstein. A native New Yorker, Shore also performed for four years as a principal dancer with the Lynch Ballet Company and spent her summers training with Complexions, the University of North Carolina School of the Arts, Joffrey Ballet School and with NYCDA as a Teen Outstanding Dancer. Carolina Azteca Sirias (Dancer) recently obtained her B.F.A. in Dance and B.S. in Applied Movement Science with a certificate in computer science from The University of Texas at Austin. Her choreography has been showcased at FutureTraditions Festival (2019) and The Cohen New Works Festival (Texas Theatre and Dance, 2019). Previous credits also include Fall For Dance (Texas Theatre and Dance, 2019) and development of a piece entitled 39 Inside, an immigrant story presented through collaboration with Butler School of Music and the Department of Theatre and Dance. Ashley Stone (Dancer) is a fourth-year B.F.A. in Dance major at The University of Texas at Austin. A Houston native, Stone studied ballet from The Royal Academy of Dance and has attended several summer intensives, including The American Ballet Theatre and The Joffrey Ballet Academy. She has performed a number of classical ballet variations from Coppélia, Don Quixote and The Nutcracker. Previous credits include Dance Repertory Theatre’s Fortitude (Texas Theatre and Dance, 2019) and Fall For Dance (Texas Theatre and Dance, 2019). Khorii Tinson (Dancer) recently graduated from The University of Texas at Austin with a B.F.A. in Dance. Previous credits include her work Have You Seen Me? which was featured in Dance
Repertory Theatre’s Fall For Dance (Texas Theatre and Dance, 2019) and performing as a member of the movement ensemble in Marcus; or the Secret of Sweet (Texas Theatre and Dance, 2020). Tinson plans to move to Los Angeles, California to continue her career as a movement artist. Emily Tolson (Dancer) recently graduated from The University of Texas at Austin with a B.F.A. in Dance. Her work has recently been seen in The Cohen New Works Festival (2019) and Revolve: A Movement Display. Tolson has worked with many notable choreographers including Sidra Bell, Jenn Freeman, Courtney Mazieka, Gesel Mason and Rennie Harris, among others. Jenna Weatherbie (Dancer) is a third-year student at The University of Texas at Austin pursuing a B.F.A. in Dance and a pre-physician assistant certification. Since the age of twelve, she has received training in multiple styles of dance from professionals Jonathan Guise, Patrick MacDonald, Christa Oliver and Nicole Wesley, among others. She has performed in the 2019 American College Dance Association Conference, Texas State’s Choreographers’ Showcase and Dance Action’s S.E.E.D. Kayla White (Dancer) is a recent graduate from The University of Texas at Austin, having received her B.F.A. in Dance in 2019. She has most recently performed with Dance Repertory Theatre in works by Rena Butler and Gesel Mason. Her choreography has been presented in Austin at Revolve: A Movement Display (2019) and in Houston as a part of Wanderlust Dance Project (2019). Gracyn Womeldorph (Dancer) is a third-year B.F.A. in Dance major. Before coming to Austin, she trained for many years in Dallas, Texas, where she was a member of Dallas Repertoire Ballet. Womeldorph has worked with numerous choreographers, including Dorothy O’Shea Overbey, Erica Gionfriddo, Chaz Buzan, Jonathan Campbell and Scott Jovovich, among others. She has recently been seen in Dance Repertory Theatre’s Fall For Dance (Texas Theatre and Dance, 2019) and Dance Action’s S.E.E.D.
CREW ASSISTANT STAGE MANAGERS JESSICA BORDA ANDREW PERRY
ADMINISTRATIVE ASSISTANTS AYDIN HALEFTIRAS MADISON SHERIDAN
ASSISTANT COSTUME DESIGN COORDINATOR CAMRYN PATTERSON
PRODUCTION LEADS ZOE BIHAN GABBY CLEMENTE DANIEL GELD ISABELLA HOLLIS JAKE JOSEPHI EVAN MCCLAIN JULIO MUNOZ ALEX PASSANISI
ASSISTANT LIGHTING DESIGNER AMBER WHATLEY ASSOCIATE INTEGRATED MEDIA DESIGNER ZOEY CROW ASSISTANT TECHNICAL DIRECTOR LEAH BENAIM SCENIC STUDIO SUPERVISOR J.E. JOHNSON SCENIC ART SUPERVISOR KAREN MANESS ASSOCIATE SCENIC STUDIO SUPERVISOR JASON HUERTA
INTERIM PROP SHOP SUPERVISOR CAROLYN ALLINGHAM HARDIN PROP MASTER CAROLYN ALLINGHAM HARDIN PROP STOCK MANAGER INDIRA RAMPERSAD COSTUME PRODUCTION DIRECTOR NANETTE ACOSTA
TEXAS PERFORMING ARTS LIGHTING SUPERVISOR JEFF ELLINGER SENIOR LIGHTING TECHNICIANS ARI JAMIESON EMILY NOVACK TEXAS PERFORMING ARTS LIGHTING CREW CHARLOTTE BRUMBELOW LIBBY JANTZ BRISA SHAW AUDIO SUPERVISOR MIKE MALAK ASSOCIATE AUDIO SUPERVISOR KENNY KUYKENDALL TEXAS PERFORMING ARTS AUDIO CREW CHEYENNE CHESTER POLLYANNA O'HAIRWILLA SNOW SOUND MIX ENGINEER WILLA SNOW
MASTER CARPENTER HANK SCHWEMMER
COSTUME PRODUCTION ASSOCIATE DESIREE HUMPHRIES
ASSISTANT CHARGE SCENIC ARTIST ASHTON BENNETT MURPHY
DRAPERS SARAH ALDRIDGE POUA YANG
MEDIA GRADUATE ASSISTANTS JACKSON COBB BENJAMIN RANDALL
SCENIC ART CREW ZOE BIHAN GABBY CLEMENTE ISABELLA HOLLIS EVAN MCCLAIN JULIO MUNOZ ALEX PASSANISI
COSTUME SHOP ASSISTANTS EMMA DICKERSON KATHYN MILLER CALIFORNIA THORSON
PRODUCTION CREW SUPERVISORS EMMA CRAIG JOHN ERICKSO NAURORA KENYON
COSTUME CRAFTS ARTISAN TANYA OLALDE
PRODUCTION CREW E'JA ALEXANDER MACY BUTLER SAYLOR DEMENT MELISSA ELKINS LILY FALCONER ISABELLA HAMBLETON RED HURTADO
GRADUATE PRODUCTION ASSISTANTS INJI HA HARRISON HAYES
TEXAS PERFORMING ARTS SUPERVISING ELECTRICIANS SEB BOONES ARAH CANTU
MEDIA SHOP SUPERVISOR EARNEST MAZIQUE
TIMMY HUYNH ESTELLE ISAAC LAUREN JERSHIN ZADA JONES ANDREW KUSMAN EDWARD LOPEZ-JIMENEZ DAGOBERTO LOPEZ KATYA LOPEZ ANDREA NUNEZ OZ OSBOURNE CHASE PARKER KENDRA PENA BRYNN PETERS ROSANNA PINEDA JAMES PRAEGER SEAN RAMIREZ JULIA SALAZAR SIMON SALINAS ABDOLHAY TALEBI KOLBY TATE AUSTIN TAYLOR EMILY TORRANCE QUOCPHUONG AVA TRAN WILLIAM TUOMEY STAGE MANAGEMENT ADVISOR RUSTY CLOYES COSTUME DESIGN ADVISOR RAQUEL BARRETO COSTUME TECHNOLOGY ADVISOR JAMES GLAVAN INTEGRATED MEDIA DESIGN ADVISOR SVEN ORTEL ACADEMIC PRODUCTION MANAGER JEFF GRAPKO GRAPHIC DESIGNER JEFF GRAY SPECIAL THANKS DEPARTMENT OF ARTS AND ENTERTAINMENT TECHNOLOGY MICHAEL BAKER MATT SMITH