Music and Lyrics by
Lisa Lambert & Greg Morrison Book by
Bob Martin & Don McKellar Directed by
Nick Mayo
Music and Lyrics by
Book by
Lisa Lambert & Greg Morrison
Bob Martin & Don McKellar
Directed by DECEMBER 6-10 AT 7:30 P.M. DECEMBER 9-10 AT 2:00 P.M.
Nick Mayo B. IDEN PAYNE THEATRE F. LOREN WINSHIP BUILDING
THEATREDANCE.UTEXAS.EDU
Natasha Davison – Choreographer • Jason Huerta – Technical Director • Dack Justiz – Stage Manager Lyn Koenning – Music Director • Carolina Perez – Sound Designer • Barbara Pope – Costume Designer Austin Shirley – Lighting Designer, Production Manager • Lino Toyos – Scenic Designer
The videotaping or other video or audio recording of this production is strictly prohibited.
THE DROWSY CHAPERONE Is presented through special arrangement with Music Theatre International (MTI) . All authorized performance materials are also supplied by MTI . www .MTIShows .com
COVER PHOTO: LAWRENCE PEART
Original Broadway production of The Drowsy Chaperone produced by Kevin McCollum, Roy Miller, Bob Boyett, Stephanie McClelland, Barbarba Freitag and Jill Furman .
CAST (IN ORDER OF APPEARANCE) Man in Chair . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Scott Shipman Ms. Tottendale . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Sydney Frank Underling. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . J. Dylan Gibson Robert . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Connor Barr George. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Ryland Kaiser Feldzieg. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Morris Jude Martinez Kitty . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Tori Robertson Gangster #1. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Caroline Kinnamore Gangster #2. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Leslie Ann Leal Aldolpho . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Matthew Rogers Janet . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Lauren DeFilippo Drowsy Chaperone. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Emily McIntyre Trix . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Toni Lorene Baker Superintendent . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Ryan Alvarado
ENSEMBLE Ryan Alvarado Susannah Crowell Claire Davis (Dance Captain) Grayson Rosato
ORCHESTRA Conductor/Keyboard I. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Lyn Koenning Keyboard II . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Susan Finnigan Reed I. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jake Lampe Reed II . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Zack Varner Reed III. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Andrew Malay Reed IV. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Tony Bray Trumpet I. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Kurt Kumme Trumpet II . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Mike Piccione Trumpet III. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Joe Jennis Trombone . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jeff Freeman Bass . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Devin North Drums. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Mike Koenning Percussion. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Andrew Furhman
NOTE FROM THE DIRECTOR The Drowsy Chaperone, a love letter to musical theatre, is the best way to celebrate the spirit and dedication of the remarkable artists who have studied musical theatre at the Department of Theatre and Dance at The University of Texas at Austin. The talent these artists possess can only be matched by the joy, integrity and kindness they bring to the work. These attributes are imperative to the telling of this particular story. This musical exists as a celebration of a classic 1920’s song and dance extravaganza. The musicals that emerged in the 1920’s introduced audiences to songwriters Irving Berlin, Jerome Kern, George and Ira Gershwin, Richard Rodgers, Lorenz Hart, Oscar Hammerstein and Cole Porter. Musicals created during this period didn’t depend heavily on plot; instead, characters and plot lines were created for and by the performers, many of whom began their careers in Vaudeville. The genre of musical comedy evolved to showcase performers who then performed an act or characterization that they specialized in. The same can be said for The Drowsy Chaperone. Like many musicals of the era, The Drowsy Chaperone creates not only a skeleton, but character work by talented actors that makes this musical soar. The Drowsy Chaperone is a fantastical exercise in escapism. The unconditional adoration it gives to the musical theatre art form is a tonic for a culture well-versed in cynicism and turmoil. There is a relief that comes from this lack of complexity; providing comfort in a time of despair and giving hope that our cure may only be a show tune away.
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CREATIVE Nick Mayo (Director), a graduate of The Julliard School (Group 35), has performed in several Broadway productions over the past decade including The Ritz, South Pacific and How to Succeed in Business Without Really Trying. He has taught classes, workshops and served as a guest instructor at Interlochen Center for the Arts, The Julliard School, The Long Center for the Performing Arts, North East School of the Arts in San Antonio, The Kennedy Center and The Schubert. Mayo is head of acting for the Texas Arts Project and the associate producer of Summer Stock Austin. As a director, he won the 2016 Austin Critics’ Table Award for Best Musical for She Loves Me at St. Edward’s University. Natasha Davison (Choreographer), producing Broadway shows: Half Time (directed by Jerry Mitchell), The Prom (directed by Casey Nicholaw). She serves as the artistic director of new musical development for the Texas Musical Theatre Workshop (TXMTW), where she has produced workshops of Giant Steps, ZM and Princess – The Musical. At Texas Theatre and Dance, she has choreographed work for The Wild Party (2015), Fame the Musical (2014), Little Women the Broadway Musical (2016) and The Fantasticks, as well as studio project Legally Blonde the Musical. Performing credits include the national tour of Cats, Fame (MGM Television) and the cast albums of Beauty and the Beast and Joseph and the Amazing Technicolor Dreamcoat. Jason Huerta (Technical Director) is the associate scenic studio supervisor for Texas Performing Arts. He holds an M.F.A. in Scenic Technology from the University of Illinois at Urbana-Champaign. Prior to coming to Austin, he worked in Chicago at the Goodman Theatre as a draftsman. He has worked on shows such as Wonderful Town, The Sign in Sydney Brustein’s Window and War Paint. Dack Justiz (Stage Manager) Broadway: Disney’s The Lion King, Broadway Cares/Equity Fights AIDS’ 31st Annual Easter Bonnet Competition. Off-Broadway: Julius Caesar (The Public Theater). Regional: Theatre Under The Stars,
ZACH Theatre. Academic: Texas Theatre and Dance, Butler Opera Center, Texas Performing Arts. Upon graduation in May 2018, he is moving back to New York City. @dackjustiz dackjustiz.com Lyn Koenning (Music Director) is an award-winning music director and keyboardist with over 30 years of teaching, conducting and performing experience. Koenning has accompanied master classes for Broadway luminaries including Kathleen Marshall, Billy Porter, Laura Osnes, Mandy Gonzalez, Judy Kuhn and Andy Einhorn. Her students have appeared on Broadway, television and in major motion pictures, Disney parks and cruise ships, as well as regional theatres across the country. Koenning teaches musical theatre courses at The University of Texas at Austin and is the producing artistic director of the Texas Musical Theatre Workshop (TXMTW). texasmusicaltheatreworkshop.com. Carolina Perez (Sound Designer) is a graduate from the University of North Carolina School of the Arts. Previous musical theatre design credits include Intelligent Systems (Little Stage Theatre); Godspell and You’re a Good Man, Charlie Brown (Barry University); Jekyll and Hyde (The Little Theatre) and Schoolhouse Rock (Roanoke Island Festival Park). Barbara Pope’s (Costume Designer) work has been seen in regional and university theatres throughout the United States. For 11 years she was the resident designer for the Asolo Theatre Company (League of Resident Theatres) and the FSU/Asolo Conservatory for Actor Training in Sarasota, Florida, designing more than 40 productions, including Tartuffe, The Winter’s Tale and A View from the Bridge. Other designs include Prelude to a Kiss (Florida Studio Theatre); The Illusion (American Stage Theatre Company); Romeo and Juliet (TheatreWorks); Dracula (Nashville Repertory Theatre); Proof (Pennsylvania Centre Stage) and King John (Illinois Shakespeare Festival). Her designs for opera include world premieres of Arabica and Her Lightness for the Sarasota Opera. Pope has served as a
CREATIVE professor of theatre at Penn State University and at The University of Texas at Austin. Austin Shirley (Lighting Designer, Production Manager) graduated from The High School for the Performing and Visual Arts in Houston, Texas in 1996 and came to The University of Texas at Austin to study scenic rendering and lighting design. He graduated in 2002 with a B.A. in Theatre and Dance with a focus in design. He has worked for the Delfos Dance Company from Mazatian, Mexico for 13 years as an technical
director and assistant lighting designer. He was the master electrician for Texas Performing Arts from 2010 to 2014 and is now an M.F.A. in Design and Technology candidate with an emphasis in lighting design. Lino Toyos (Scenic Designer) is a freelance designer for theatre, exhibitions and interiors from New York to Singapore. He studied art and architecture at the University of Colorado and scenic design at the North Carolina School of the Arts.
DIRECTOR’S COUNCIL The Department of Theatre and Dance Director’s Council is a premier volunteer group designed to foster strong and collaborative connections between The University of Texas at Austin and the local community by supporting initiatives in marketing, public relations, student recruitment and development. As advocates for the department, this group of alumni, parents and fine arts supporters play a key role in continuing to build a professional theatre and dance training program serving thousands of talented Texans for generations. WE ARE GRATEFUL FOR THE SUPPORT OF OUR 2016/2017 DIRECTOR’S COUNCIL MEMBERS Carol Smith Adams Francesca Brockett and Jim Pedicano Barrett Bruce Jean Cheever Joanne and Jack Crosby Dee Dawson Laura Eastman
Gary Farmer JoLynn Free Missy Grimes Pam and Edmund McIlhenny Annie McKinnon Debbie Oliver Miriam Relyea
Diane Robinson Russ Sartain Nancy Scanlan Marc Seriff Laura Sheffield Karen Skolnik Leah Stolar Sharon Watkins
CAST
Scott Shipman
Sydney Frank
J. Dylan Gibson
Connor Barr
Ryland Kaiser
Morris Jude Martinez
Tori Robertson
Caroline Kinnamore
Leslie Ann Leal
Matthew Rodgers
Lauren DeFilippo
Emily McIntyre
Susannah Crowell
Toni Lorene Baker
Claire Davis
Ryan Alvarado
Grayson Rosato
The Department of Theatre and Dance is a world-class educational environment that serves as the ultimate creative incubator for the next generation of artists, thinkers and leaders in theatre and performance.
CAST Scott Shipman (Man in Chair) is an Austin-area actor and director who hails from Houston, Texas and has worked professionally from Texas to Ohio to New York, with extensive work in the Austin area with ZACH Theater, Austin Playhouse, Zilker Theatre Productions, Austin Shakespeare, Austin Opera and numerous other companies. He is a frequent guest artist at the Mary Moody Northen Theater (St. Edward’s University). Recently he has been seen in Hairspray, Ragtime, Chicago, Hamlet, Xanadu, Thoroughly Modern Millie, She Loves Me, Merrily We Roll Along and, most recently, as “NicelyNicely Johnson” in Guys and Dolls. Training includes a B.F.A. in performance from Southwest Texas State University, The Shakespeare Institute and The Royal Shakespeare Company. Sydney Frank (Ms. Tottendale) is a B.A. in Theatre and Dance major with an emphasis in musical theatre. Her favorite roles include “Penny” in Hairspray, “Jasmine” in Aladdin The Musical and “Meg” in Little Women The Broadway Musical. During her time with Texas Theatre and Dance, she has studied dance under Broadway producer, Natasha Davison; musical theatre with music director, Lyn Koenning; and vocal coaching with Stacy Strakowski. Recently, Frank wrote songs for the awardwinning Vertical Church Band in Chicago. J. Dylan Gibson (Underling) began acting in Dallas, Texas and has recently been seen in various professional companies in the Austin area. Performance highlights include “Tony” in West Side Story, “Frank Abagnale Jr.” in Catch Me If You Can and “Lumière” in Disney’s Beauty and the Beast. Gibson is currently pursuing a B.A. in Theatre and Dance degree with an emphasis in musical theatre and plans to continue acting professionally after graduating in the spring. Connor Barr (Robert) is a B.A. in Theatre and Dance major with an emphasis in musical theatre at The University of Texas at Austin. He was recently seen as “Branwell” in Gondal (UTNT (UT New Theatre), 2017), “Laurie Laurence/ Rodrigo” in Little Women The Broadway Musi-
cal and in projects as part of The Cohen New Works Festival (2017). He has also been in various productions in Austin, including work with Austin Playhouse, Summer Stock Austin, Zilker Hillside Theatre and Doctuh Mistuh Productions. Upon graduation, he plans to pursue acting and music in New York City. Ryland Kaiser (George) is a B.F.A. in Acting major at The University of Texas at Austin. This is Kaiser’s first production with Texas Theatre and Dance. Morris Jude Martinez (Feldzieg) is a third-year B.F.A. in Acting major at The University of Texas at Austin. He was recently seen as “Joaquin/Antonio” in El Camino de Hierro and in Zoom and Focus: The Musical (The Cohen New Works Festival, 2017). Previous credits include “Manny Taslimi” in The Bigot (UTNT (UT New Theatre), 2017), “Mr. John Brooke” in Little Women The Broadway Musical (Texas Theatre and Dance, 2016) and “Bobby Strong” in Urinetown, the Musical. Tori Robertson (Kitty) is a fourth-year B.A. in Theatre and Dance major with an emphasis in musical theatre at The University of Texas at Austin. She has an extensive background in acting, singing and dancing and was recently seen in Fame The Musical (Texas Theatre and Dance, 2014), The Wild Party (Texas Theatre and Dance, 2015), Galactic Orphans (UTNT (UT New Theatre), 2017) and Legally Blonde the Musical. Caroline Kinnamore (Gangster #1) is a fourthyear B.A. in Theatre and Dance major at The University of Texas at Austin. She was recently seen as “Extraordinary Girl” in American Idiot and “Mayzie” in Seussical (Grapevine, Texas) as well as “Meg March” in Little Women The Broadway Musical (Texas Theatre and Dance, 2016) and “Sally” in The Wild Party (Texas Theatre and Dance, 2015). Other roles include “Millie Dilmount” in Thoroughly Modern Millie, “Wednesday Addams” in The Addams Family and “Penny Pingleton” in Hairspray.
CAST Leslie Ann Leal (Gangster #2) is a B.A. in Theatre and Dance major at The University of Texas at Austin. Most recently, she performed in The Lion, The Witch, and The Wardrobe (ZACH Theatre). She has been seen in Evita and A Christmas Carol (ZACH Theatre), The Marvelous Wonderettes (TexArts), Fame The Musical (Texas Theatre and Dance, 2014), Legally Blonde the Musical and projects as part of the Cohen New Works Festival (2017). Matthew Rodgers (Aldolpho) is a Houston native and a second-year Radio-TelevisionFilm student at The University of Texas at Austin. Previous credits include “Leo Frank” in Parade, “Leo Bloom” in The Producers, “Gomez Addams” in The Addams Family and “JD” in Heathers. Rodgers is a staff writer for Longhorn Late Night, a sketch comedy show on Texas Student Television, as well as a writer/director/producer for 14T Films. Lauren DeFilippo (Janet) is currently Miss Austin 2017 (Miss America Organization). She is pursuing both a Bachelor of Journalism and a B.A. in Theatre and Dance. DeFillippo was previously seen as “Angel” in The Best Little Whorehouse in Texas (TEXArts) and as “Suzy” in The Marvelous Wonderettes. Regional: “Peggy Sawyer” in 42nd Street (Ocean State Theater), “Patsy” in Crazy For You (Riverside Theater). New York: “Katty/Dance Captain” in The Love Note Musical (Off-Broadway). Other: Rack Room Shoes Nationwide Model, The University of Texas at Austin (model), Carnival Cruise Lines (vocal captain/playlist singer). Emily McIntyre (Drowsy Chaperone) is a fourthyear B.A. in Theatre and Dance major with an emphasis in musical theatre. She was recently seen as “Beth March” in Little Women The Broadway Musical (Texas Theatre and Dance, 2016), “Nadine” in The Wild Party (Texas Theatre and Dance, 2015), as a member of the ensemble in Fame The Musical (Texas Theatre and Dance, 2014) and as “Kate/Chutney” in Legally Blonde the Musical. She was also part of Zoom and Focus: The Musical as part of The Cohen New Works Festival (2017).
Toni Lorene Baker (Trix) is a B.A. in Theatre and Dance major at The University of Texas at Austin. She began performing at the age of five in Houston, Texas. She has recently been seen as “Cora/A” in Lost Girl (Texas Theatre and Dance, 2016), “Brooke Wyndham” in Legally Blonde the Musical and “Talisa” in A Girl Named Sue (Color Arc). In Spring 2018 she plans to attend the Semester in Los Angeles Program (UTLA) before moving to Los Angeles to pursue a career in acting and music. Ryan Alvarado (Superintendent, Ensemble) is a second-year B.F.A. in Acting major at The University of Texas at Austin. Recent credits include Best Little Whorehouse in Texas (TEXArts), “Alexander Graham Bell” in Telephone and three projects as part of The Cohen New Works Festival (2017). Susannah Crowell (Ensemble) is a B.A. in Theatre and Dance major at The University of Texas at Austin. She has collaborated and performed in a variety of commercial and devised work in Austin, Houston and New York City. She was recently seen in the world premiere of Perfect Life: The Musical, Bare: A Pop Opera, A Nervous Breakdown (The Cohen New Works Festival, 2017), Sweeney Todd: The Demon Barber of Fleet Street and A Midsummer Night’s Dream. Claire Davis (Ensemble, Dance Captain) is a B.A. in Theatre and Dance major also pursuing a degree in Radio-Television-Film at The University of Texas at Austin. She has a background in dance, acting and writing. Davis was recently seen in Little Women The Broadway Musical (Texas Theatre and Dance 2016); Urinetown, the Musical; as “Chris Gorman” in Rumors and in multiple projects as part of The Cohen New Works Festival (2017). Grayson Rosato (Ensemble) is a third-year B.A. in Theatre and Dance major with an emphasis on design and technology while also pursuing a certificate in design strategies. He has been very involved in the festival and event industries in Austin, Texas and was the information and technology chair during the Cohen New Works Festival (2017).
CREW ASSISTANT DIRECTOR MALYSSA QUILES ASSISTANT STAGE MANAGERS SARAH CARLSON CATIE TIJERINA ASSISTANT COSTUME DESIGNER JENIFER MARGOS ASSISTANT LIGHTING DESIGNER AARON CURRY
FALL 2017 SCENIC ART CLASS AL BALLI IMAN CORBANI TUCKER GOODMAN CAITLIN GRAHAM LAURA GONZALEZ MIKAELA KELAREK AARON KUBACAK ASHTON MURPHY MARIKA WYNN PROP SHOP SUPERVISOR REBECCA SWITZER
CHOREOGRAPHY ASSISTANT EMMA CENTER
ASSISTANT PROP SHOP SUPERVISOR CAROLYN HARDIN
PRODUCTION ASSISTANT ISAAC ISKRA
PROP MASTER R. SWITZER
SCENIC STUDIO SUPERVISOR J.E. JOHNSON
PROP SHOP GRADUATE ASSISTANT ZOE ANDERSEN
SCENIC ART SUPERVISOR KAREN MANESS CHARGE SCENIC ARTIST ANNE MCMEEKING SCENIC ARTIST KARA KONOP ASSOCIATE SCENIC STUDIO SUPERVISOR JASON HUERTA MASTER CARPENTER HANK SCHWEMMER CARPENTERS KATE DUCEY DAVID HERNANDEZ CHRISTINA JANSEN GOBI-KLA VONAN
PROP ARTISANS MADELEINE HAYES DI MARTINEZ KIARA MCGEE MORGAN STUART TAYLOR TRAVIS PROP STOCK MANAGER JACKIE PEREZ PROPS ADMINISTRATIVE ASSISTANT JACKIE PEREZ PROPS CONSTRUCTION CREW JULIE ZUNIGA SCENERY/PROPS CREW SULTAN ABBOUSHI SAHIL BHUTANI ATTICUS GRIFFIN SHANNON HOMAN MIREYA LUNA CARLEIGH NEWLAND
GRADUATE PRODUCTION ASSISTANTS ZOE ANDERSEN IMAN CORBANI TUCKER GOODMAN ROXY MOJICA
COSTUME SHOP SUPERVISOR NANETTE ACOSTA
ADMINISTRATIVE ASSITANT SAM HINDERT
COSTUME PROJECT MANAGER DARCY WEBERG
PRODUCTION LEADS JACOB CAIRE CAROL ENDICOTT JARED WAYNE HORN CHRISTINA JANSEN ASHTON MURPHY REED NEAL GOBI-KLA VONAN
DRAPERS SARAH ALDRIDGE BETTY CHLYSTEK
PRODUCTION ASSISTANTS DARSHAN DESAI LIAM DOLAN-HENDERSON CARLY DOLLIGER BRIAN NGUYEN REBEKAH URBAN NAT WATKINS HENRY WHEATLY-RUTNER SCENIC ART INTERNS TAYLOR JONES GLORIA KWON ANTONIO SERVIN MIGUEL TAMEZ GUSTAVO ZAMARRIPA
1ST HANDS CHUN KANG CHEN AARON KUBACAK STITCHERS MIA BARRERA LAURA GONZALEZ COSTUME SHOP ASSOCIATE SUPERVISOR DARCY WEBERG COSTUME PRODUCTION CREW TEACHING ASSISTANTS CHUN KANG CHEN VANESSA LOPEZ
COSTUME CONSTRUCTION CREW MEGAN BIEDIGER MORGAN BROMGARD SHANE COLWELL CLAIRE DAVIS MIA DEDEAR ISAAC KRESTA LAURA LINDSEY LAYNIE MCCLELLAND SOPHIA QUIROGA ARIANA SONSINO WIG AND MAKEUP SPECIALIST ALLISON LOWERY WIG ASSISTANT J. DYLAN GIBSON WARDROBE CREW SUPERVISOR SAMANTHA GASHETTE WARDROBE CREW KELSEY BACIC LAUREN GOMEZ ADREINA HURTADO AUDREY LOOMIS JANIE MACKLIN ARIANE STEIR COSTUME CRAFTS SUPERVISOR TANYA OLALDE COSTUME CRAFTS ASSISTANTS ALEXANDER GREER ANANDA KEATOR COSTUME SHOP OFFICE ASSISTANTS DELENA BRADLEY TORI HUSTINGS COSTUME STOCK SUPERVISOR STEPHANIE FISHER
LIGHT BOARD OPERATOR KAYLA JOHNSON AUDIO SUPERVISOR MIKE MALAK ASSOCIATE AUDIO SUPERVISOR KENNY KUYKENDALL AUDIO PRODUCTION STUDENT CREW JAKE BARDIN AUDIO ENGINEER WYATT LASTER AUDIO A2 MILLY RANGEL SPOTLIGHT OPERATORS ANNIE HARRIS KYLA PATTON MEDIA SHOP SUPERVISOR MATT SMITH MEDIA GRADUATE ASSISTANTS JESSE EASDON KAIWEN FA ROBERT MALLIN AUSTIN SHIRLEY MINGXIANG YA MEDIA SHOP CREW HAILEY BAILEY GRIFFIN HANSON ALFRED HURTADO CARTER SIRIANNI NEHA SUKUMAR TIFFANY THOMAS NANCY TRAN FRANCISCO URIBE TIMOTHY ZAWISTOWSKI MEDIA BOARD OPERATOR ADRIANA LARA
COSTUME STOCK ASSISTANTS CECELIA IBARA RAMA TCHUENTE
STAGE MANAGEMENT ADVISOR RUSTY CLOYES
TEXAS PERFORMING ARTS MASTER ELECTRICIAN MIKELA COWAN
COSTUME DESIGN ADVISOR SUSAN MICKEY
TEXAS PERFORMING ARTS LIGHTING SUPERVISOR JEFF ELLINGER SENIOR LIGHTING TECHNICIANS AARON CURRY ALEX HANNA MERCEDES MCCLEARY JIAJING QI KENDRA WILEY TEXAS THEATRE AND DANCE LIGHTING CREW ALEX JEREB MICHAEL LOGUE REAGAN MURDOCK JOSH SECOR TEXAS PERFORMING ARTS LIGHTING CREW JAKE BRINKS CASEY CANAMAR BEN GALVAN ALEX JEREB
COSTUME TECHNOLOGY ADVISOR JAMES GLAVAN LIGHTING DESIGN ADVISOR MICHELLE HABECK INTEGRATED MEDIA DESIGN ADVISOR SVEN ORTEL SCENIC DESIGN ADVISOR WILLIAM BLOODGOOD ACADEMIC PRODUCTION MANAGER JEFF GRAPKO PHOTOGRAPHER LAWRENCE PEART GRAPHIC DESIGNER JEFF GRAY