The Wild Party

Page 1


November 20, 21, December 1–5 at 7:30 p.m. November 21, 22, December 5 at 2:00 p.m.

oscar g. brockett theatre F. Loren Winship Building

utexas.edu/finearts/tad

Andrew Carson – Lighting Designer • Bruce Coughlin – Orchestration Natasha Davison – Choreographer • Joseph Heike – Stage Manager Billy Henry – Sound Designer • E.L. Hohn – Costume Designer Bruno-Pierre Houle – Scenic Designer • Lyn Koenning – Music Director Jared LeClaire – Projection Designer • Cara Phipps – Director Gabrielle Randle – Dramaturg • Kevin Squires – Fight Choreographer

There will be no intermission.

There will be a post-performance discussion with the creative team following the performance on November 22.

The Wild Party was originally commissioned and developed by The Public Theatre/New York Shakespeare Festival The Wild Party was produced by The Public Theatre/New York Shakespeare Festival and Scott Rudin/Paramount Pictures, Roger Berlind & William/Waxman and opened on Broadway April 13, 2000 The Wild Party is presented through special arrangement with R & H Theatricals: rnhtheatricals.com

cover Photo: Lawrence Peart

Videography and photography are strictly prohibited.


cast (in order of appearance) Queenie ����������������������������������������������������������������������������������������������������������������������������������������������������� Emma Center Burrs �������������������������������������������������������������������������������������������������������������������������������������������Christopher Montalvo Jackie ������������������������������������������������������������������������������������������������������������������������������������������������������������ Connor Barr Miss Madelaine ��������������������������������������������������������������������������������������������������������������������������Maddrey Blackwood Sally �������������������������������������������������������������������������������������������������������������������������������������������������Caroline Kinnamore Eddie Mackrel ����������������������������������������������������������������������������������������������������������������������������������������������� Trey Curtis Mae ������������������������������������������������������������������������������������������������������������������������������������������������������������� Devin Medley Nadine �����������������������������������������������������������������������������������������������������������������������������������������������������Emily McIntyre Phil D’Armano ������������������������������������������������������������������������������������������������������������������������������������ Cosme Flores Jr. Oscar D’Armano �����������������������������������������������������������������������������������������������������������������������������Nyles Washington Dolores Montoya ����������������������������������������������������������������������������������������������������������������������������������������� Toni Baker Gold ���������������������������������������������������������������������������������������������������������������������������������������������������������� J. Dylan Gibson Goldberg ���������������������������������������������������������������������������������������������������������������������������������������������������Tucker Martin Black ������������������������������������������������������������������������������������������������������������������������������������������������������������������Max Torez Kate ����������������������������������������������������������������������������������������������������������������������������������������������������������� Tori Robertson

ensemble Conductor ��������������������������������������������������������������������������������������������������������������������������������������������������Lyn Koenning Piano �������������������������������������������������������������������������������������������������������������������������������������������������������������������Cliff Bond Reed I ������������������������������������������������������������������������������������������������������������������������������������������������������������ Zack Varner Reed II ����������������������������������������������������������������������������������������������������������������������������������������������������������Dan Torosian Reed III ���������������������������������������������������������������������������������������������������������������������������������������������������������� Greg Wilson Reed IV �����������������������������������������������������������������������������������������������������������������������������������������������������������Brian Trittin Trumpet I ������������������������������������������������������������������������������������������������������������������������� Alonzo Ellison*, Keith Fiala Trumpet II ������������������������������������������������������������������������������������������������������������������������������������������������������ Sally Alpini Trombone �������������������������������������������������������������������������������������������������������������������������������������� Randy Zimmerman Acoustic Bass ���������������������������������������������������������������������������������������������������������������������������������������������Tarik Hassan Violin �����������������������������������������������������������������������������������������������������������������������������������������������������������Ernesto Garza Guitar/Banjo ������������������������������������������������������������������������������������������������������������������������������������������Brian Broderick Drums �������������������������������������������������������������������������������������������������������������������������������������������������������Mike Koenning Rehearsal Accompanists ������������������������������������������������������������������������������������������������Cliff Bond, Lyn Koenning *Performing on November 20 and 21 only

The Department of Theatre and Dance is a world-class educational environment that serves as the ultimate creative incubator for the next generation of artists, thinkers and leaders in theatre and performance.


a note from the director “What we are is all we are after midnight dies.” We all have a mask to wear. We wear them for a thousand reasons. Maybe it is because we don’t feel we have enough to offer on our own; maybe it is to hide what is deep down inside us; maybe it is to give us permission to do the thing we really want to do; maybe it is to prevent us from doing things we would regret; or maybe it is to help us to do the thing we don’t think we can do. Whatever the reason, it is a façade that serves as either a comfort or a burden. The Wild Party confronts us, asking: what happens when those masks come down? I was compelled by the use of vaudeville to explore this idea of the things we hide behind. Vaudeville was, at one time, the most popular form of entertainment in America, bringing together dynamic personalities and a distinct variety of performances to the stage each night. These performers sought to become something greater than themselves, using made-up names and learned trades to entertain crowds and put a little money in their pockets. I feel it is apt that Michael John LaChiusa and George C. Wolfe chose this world to explore the original poem by Joseph Moncure March, which features a bright cast of characters who come together to drown their troubles in bathtub gin. In a construct of false identity, asking who can wear the mask the best, star quality emerges through the act of hiding oneself rather than being oneself, calling into question what it is we truly value. In a similar fashion, the characters of The Wild Party come together fully shrouded in their façades. Everyone at the party wants something more than their reality and believe the trick to getting it is to play their part the best. Throughout the course of the evening we see these people for who they are: raw, damaged and full of passion for something more. Is this because they do not have the means? Or, perhaps have they hidden behind their masks for so long they no longer know who they are or what they want? No one wants to “want” something; we want to have it. This show explores the lengths we are willing to go to get the things we want and compels us to examine the implications of our actions behind the masks we wear. We see these characters do nasty things, often times behind nastier masks, but what do we see when those masks slip? I believe the masks we wear provide an insight into who we truly are. It is terrifying to allow them to come down, even more so to peel them away ourselves, but perhaps instead of protecting ourselves or settling for comfort, we should step out from behind the façade to see what it truly means to live in light.


a note from the dramaturg “Strong people don’t need strong leaders.” —Ella Baker I begin this note by making a simple distinction between a dramaturg and dramaturgy. A dramaturg is a person often understood as an expert in critical philosophy and dramatic aesthetic. Dramaturgy is the process of discovering, determining and applying knowledge toward the goal of creating meaningful performance. Over the course of a production, everyone involved does dramaturgy, but only one person is labeled the dramaturg. In this production, the cast was invited to explore the process of dramaturgy and place themselves in the role of a dramaturg in order to develop a deeper understanding of their characters and the context of the work as a whole. This production of The Wild Party has been an experiment in a type of conscious dramaturgy. It is an acknowledgement of the collective dramaturgy that is necessary in undertaking a production of this magnitude. The goal was to challenge each performer to fully embrace this in-depth understanding. Together, director Cara Phipps and I called each actor to cultural and historical agency and curiosity, in addition to their artistic processes. This production in particular asks an incredible amount from young performers; the characters are richly textured with layers of vaudeville troupes, historical icons and embodied performance prose. The cast and crew visited the archives of the Harry Ransom Center where we learned about the history of vaudeville, Mae West, Bert Williams and the Albee legacy. We reviewed the literature, comparing the original Joseph Moncure March poem to the book by Michael John LaChiusa and George C. Wolfe. As we pulled back layer after layer of façade, we learned that to perform The Wild Party, in a way, is to be actively involved in dramaturgy. This journey continues on the stage in the spirit of Ella Baker, a great Civil Rights activist and organizer, who believed that leadership was a duty to be shared. I would like to ask you, the audience, a question that we asked the actors in the first days of rehearsal: What do you want to know? Before the show begins, what piques your interest about vaudeville, about minstrelsy, or about queerness in the bowery in 1928? Turn to the stage, because tonight the performance exists as the dramaturgical note. Each performer stands as a young philosopher, speaking eloquently about their craft. Listen carefully, I know I will; we may all learn something new. I encourage you to actively participate in this production by acting as a dramaturg and delving deeper into the excess that was the Roaring Twenties. Suggested Reading: Bulldaggers, Pansies, and Chocolate Babies: Performance, Race, and Sexuality in the Harlem Renaissance by James F. Wilson No Applause – Just Throw Money: The Book That Made Vaudeville Famous by Trav S.D. The Wild Party by Joseph Moncure March


cast

Emma Center

Christopher Montalvo

Connor Barr

Caroline Kinnamore

Trey Curtis

Devin Medley

Cosme Flores Jr.

Nyles Washington

Toni Baker

Tucker Martin

Max Torrez

Maddrey Blackwood

Emily McIntyre

J. Dylan Gibson

Tori Robertson


We hope you enjoyed the show!

find us on

E Get a free song download! Visit www.rnh.com/contest/RnH and enter the code Oklahoma to get a free playlist of Rodgers & Hammerstein music, and learn more about the World’s Greatest Musicals! To learn about putting on a show in your School, Theater or Community Center visit www.rnh.com!

t h e u n i v e r s i t y o f t e x a s at a u s t i n

|

d e pa r t m e n t o f t h e at r e a n d d a n c e

February 26–March 6, 2016

tickets:

5 1 2 .4 7 7 .6 0 6 0 |

jointhedrama.org


creative Andrew Carson (Lighting Designer) is a M.F.A. in Design and Technology candidate with a focus in lighting design. He graduated magna cum laude with a B.F.A. in Production Design from the Savannah College of Art and Design. Notable professional designs include Mary Poppins, Pippin, A Chorus Line and Little Shop of Horrors. Carson also served as the lighting designer and supervisor for The Savannah Music Festival. Awards include the 2011 Regional BroadwayWorld Award for Lighting Design and the 2012 Suzi Bass Award (Atlanta) in Lighting Design for Shipwrecked! An Entertainment. Natasha Davison (Choreographer) has over 25 years of experience in performing, choreography, theatrical production, television production, broadcasting, writing and directing. Career highlights include the national tour of Cats, Disney’s Beauty and the Beast and Joseph and the Amazing Technicolor Dreamcoat, as well as the MGM Television series FAME. Davison has choreographed numerous stage productions, music videos and commercials, both locally and nationally. Davison is a faculty member at The University of Texas at Austin Department of Theatre and Dance and the director of new musical development for Texas Musical Theatre Workshop (TXMTW). Joseph Heike (Stage Manager) is a fourth-year B.A. in Theatre and Dance student with a focus in stage management. Heike recently served as the stage manager for Le Nozze di Figaro at the Butler Opera Center and MOVE! with Dance Repertory Theatre. Billy Henry (Sound Designer) has over 20 years of studio experience and has been playing, singing, writing and recording music for several genres and mediums including film scores, commercials and theatre. For the past ten years, Henry has worked for music houses, independently writing compositions for numerous clients including American Airlines, Budweiser, BMW, Rolling Stone Magazine,

The University of Texas at Austin and The Houston Rockets, among others. His latest work, featuring musicians from The Austin Symphony, can be heard in commercials for Amazon TV. E.L. Hohn (Costume Designer) is a second-year M.F.A. in Design and Technology candidate with a focus in costume design at The University of Texas at Austin. Her work was recently seen in Dance Repertory Theatre’s MOVE! and as part of The Cohen New Works Festival (2015) in After: A Post-Gay Vaudeville, Emma When You Need Her and Teen Girl FANtasies. Hohn has worked in Chicago with Piven Theatre Workshop, Red Theater Chicago and The Whiskey Rebellion, among others. Bruno-Pierre Houle (Scenic Designer) is a second-year M.F.A. in Design and Technology candidate with a focus in scenic design hailing from Montreal, Canada. Recent designs include William Glick’s new play Wilma, The Great God Pan (Hyde Park Theatre) and Tegan McLeod’s Cold Water Army. Houle served as the production designer on the feature film Sarah Prefers to Run and took part in the upcoming animated film The Little Prince. Lyn Koenning (Music Director) is an awardwinning music director, vocal arranger and voice coach with nearly 30 years of experience teaching, conducting and performing. Her students have appeared on Broadway, in Disney parks and cruise ships and in regional theatre, television and film. An accomplished pianist, Koenning has accompanied master classes for Broadway luminaries including Kathleen Marshall, Billy Porter, Laura Osnes, Mandy Gonzalez, Barbara Cook and Judy Kuhn. She is also the producing artistic director of the Texas Musical Theatre Workshop (TXMTW). Jared LecClaire (Projection Designer) is a third-year M.F.A. in Design and Technology candidate with a focus in integrated media


creative for live performance. LeClaire has previously designed work for a number of productions at Texas Theatre and Dance, including sound design for Dead Man’s Cell Phone and A Streetcar Named Desire, as well as projection design for Annie Jump and the Library of Heaven and Le Nozze di Figaro (Butler Opera Center). Cara Phipps (Director) has directed several shows during her time with Texas Theatre and Dance, including An Accumpulation of Glorious Knick-Knacks (The Cohen New Works Festival (2015)). Phipps served as assistant director for Refugia and was the co-curator for UTNT (UT New Theatre) 2015. She has developed new work with several

companies including Actors Theatre of Louisville’s A/I Company, Transient Theater and the ’06 Ensemble. Phipps received the 2012 FringeNYC Overall Excellence in Directing for her work on the world premiere of The Egg Play. Gabrielle Randle (Dramaturg) is a current M.A. in Performance as Public Practice candidate at The University of Texas at Austin. Randle holds a dual bachelor’s degree in drama and sociology from Stanford University and has directed, devised, managed and produced professionally across the United States in Los Angeles, Washington D.C. and New York City. Randle has also created performance work internationally in South Africa, Uganda and Italy.

DIRECTOR’S COUNCIL The Texas Theatre and Dance Director’s Council is a premier volunteer group designed to foster strong and collaborative connections between The University of Texas at Austin and the local community by supporting initiatives in marketing, public relations, student recruitment and development. As advocates for the department, this group of alumni, parents and fine arts supporters play a key role in continuing to build a professional theatre and dance training program serving thousands of talented Texans for generations.

2015/2016 Director’s Council Members Carol Smith Adams Francesca Brockett and Jim Pedicano Barrett Bruce Jean Cheever Joanne and Jack Crosby Dee Dawson Laura Eastman

Gary Farmer JoLynn Free Missy Grimes Pam and Edmund McIlhenny Annie McKinnon Debbie Oliver Miriam Relyea

Diane Robinson Russ Sartain Nancy Scanlan Marc Seriff Laura Sheffield Karen Skolnik Leah Stolar Sharon Watkins


cast Emma Center (Queenie) is a second-year student in the B.F.A. in Acting program. At the age of five she began studying ballet with The Houston Academy of Dance and has since developed a passion for theatre. Most recently, Center performed as part of The Cohen New Works Festival (2015) and in the collaborative work between Texas Theatre and Dance and The Moving Company entitled Refugia. Christopher Montalvo (Burrs) is a fourth-year B.A. in Theatre and Dance major. Previous roles include “Seymour” in Little Shop of Horrors, “Moritz” in Spring Awakening and “Bobby Strong” in Urinetown. After graduating, Montalvo plans to move to New York City to further pursue acting. Connor Barr (Jackie) is a second-year B.A. in Theatre and Dance student with a focus in musical theatre. Most recently, he performed with Doctuh Mistuh Productions in HEATHERS, The Musical and The Rocky Horror Show. Other credits include “Rapunzel’s Prince” in Into The Woods with Summer Stock Austin, “Man Pirandello” in Pirandello: A New Musical as part of The Cohen New Works Festival and “Jean Valjean” in Les Misérables with MacTheatre. Maddrey Blackwood (Miss Madelaine True) is a current B.F.A. in Acting student and a graduate of Booker T. Washington High School for the Performing and Visual Arts in Dallas, Texas. Most recently, she performed as “The Witch” in Into the Woods with the Butler Opera Center and as “Mrs. Gottlieb” in Dead Man’s Cell Phone at Texas Theatre and Dance. Caroline Kinnamore (Sally) is a second-year B.A. in Theatre and Dance student with a focus in musical theatre. She was recently seen as “Serena Katz” in Fame The Musical at Texas Theatre and Dance and performed as part of The Cohen New Works Festival (2015). Other roles include “Millie Dilmount” in Thoroughly Modern Millie, “Wednesday Addams” in The Addams Family, “Penny Pingleton”

in Hairspray and “Sandy Dumbrowski” in Grease, among others. Trey Curtis (Eddie Mackrel) is a third-year student in the B.F.A. in Acting program at The University of Texas at Austin. He began performing in elementary school through Theatre Under The Stars in Houston, Texas. Most recently, he performed in Enter a Woman, Pretty Enough as “Bullseye” and Fame The Musical as “Schlomo Metzenbaum.” After graduating, he plans to move to Los Angeles. Devin Medley (Mae) is a third-year student pursuing a dual degree in history and a B.A. in Theatre and Dance with a focus in musical theatre. She was last seen as “Little Red Ridinghood” in Into The Woods (Butler Opera Center), as well as several projects at The Cohen New Works Festival (2015) including “Antonietta” in Pirandello: A New Musical and Life, Love, and What I Lost, An Original Song Cycle. Emily McIntyre (Nadine) is a second-year B.A. in Theatre and Dance major with a focus in musical theatre. Most recently, she performed in a workshoped production of Wish: A Musical Adventure as “Patience Furthermore,” and appeared in Fame The Musical. She performs short-form improv with Gigglepants Improv at The University of Texas at Austin and can be heard in a new animated series called Balloon Loons later this year. Cosme Flores Jr. (Phil D’Armano) is a secondyear B.F.A. in Acting major. He was recently seen as “Smiles” in Texas Theatre and Dance’s production of Enter a Woman, Pretty Enough. After graduating, Flores plans to pursue a career in acting on stage and in film. Nyles Washington (Oscar D’Armano) attended high school at George Washington Carver Magnet in Houston, Texas, where he won the Tommy Tune Award for Best Actor for his role as “Usnavi” in In The Heights. Most recently, he portrayed “Isaac” in Good Day (UTNT (UT New Theatre)) and “Duke Senior” in As You Like It.


cast Toni Baker (Dolores Montoya) began performing at a young age in Houston, Texas. Most recently, she performed in Fame The Musical as an ensemble dancer and in Disney’s Beauty and the Beast as “Belle.” After graduating in 2018 with a B.A. in Theatre and Dance with a focus in musical theatre, she plans to continue performing while attending law school. J. Dylan Gibson (Gold) is a second-year B.A. in Theatre and Dance major with a focus in musical theatre. Originally from Dallas, Texas, Gibson has been seen in several productions across the Dallas/Fort Worth area and in Austin including Wish: A Musical Adventure as “Walt.” Tucker Martin (Goldberg) is a second-year B.F.A. in Acting major with the Department of Theatre and Dance. Previous credits include

“Chris” in Diana Lynn Small’s Good Day and an ensemble member in Refugia. Max Torrez (Black) is a third-year B.F.A. in Acting major. He was recently seen in Refugia, a new work produced in collaboration with The Moving Company and Texas Theatre and Dance and as “Sonny” in In the Heights. After graduating, Torrez plans to pursue a career on stage and in film. Tori Robertson (Kate) began performing at a young age in the Houston area at The Ensemble Theatre. Most recently, she performed in Fame The Musical at Texas Theatre and Dance as “Ms. Bell.” After graduating in May of 2018 with a B.A. in Theatre and Dance, Robertson plans to move to Los Angeles to continue performing while pursuing a law degree.

For updates and behind the scenes access, follow us on

facebook

instagram

twitter

/uttad

@uttadaustin

@uttad


crew ASSOCIATE CHOREOGRAPHERS cara smith kevin poole ASSISTANT DIRECTOR MARIAN KANSAS ASSISTANT STAGE MANAGERs KAILEY NUNLEY kamyle smith ASSISTANT DRAMATURG KEVIN TRAN ASSISTANT LIGHTING DESIGNER MERCEDES MCCLEARY ASSISTANT MEDIA DESIGNER ROBERT MALLIN ASSISTANT COSTUME DESIGNER LIRIT PENDELL ASSISTANT SCENIC DESIGNER ELLIOT GARDNER SCENE SHOP SUPERVISOR J.E. JOHNSON CHARGE SCENIC ARTIST KAREN MANESS MASTER CARPENTER KATE VAUGHN ASSISTANT CHARGE SCENIC ARTISTs KARA KONOP LESLIE TURNER LEAD CARPENTER HANK SCHWEMMER GRADUATE TEACHING ASSISTANTS BRUNO-pierre HOULE MICHAEL KRAUSS PRODUCTION ASSISTANTS ANISHA BORTHANKUR CAMRYN DEWET JESSICA FORTE ELLIOT GARDNER CHRISTINA JANSEN HALEY LIBBEY ASHTON MURPHY REED NEAL KAILEY NUNLEY TAYLOR TRAVIS DAVID ZEMNICKI

FALL 2015 SCENIC ART CLASS YI-TAI CHUNG FALLON CHRISTIAN KATHERINE DUCEY E.L. HOHN PATRICIA KELLY CHIAN-ANN LU DAVID MOLINA GARZA THOA NGUYEN DREA OLIVARES TORI RAY KRISTEN WOMBLE PROPERTIES SUPERVISOR REBECCA SWITZER PROPERTIES ASSISTANT SUPERVISOR CHAZ SANDERS PROP MASTER REBECCA SWITZER PROP SHOP GRADUATE ASSISTANT DAVID MOLINA GARZA PROP ARTISANs KIARA MCGEE MORGAN STUART PROP STOCK MANAGER CHRISTOPHER MONTALVO PROPS ADMINISTRATIVE ASSISTANT CHRISTOPHER MONTALVO PROPS CONSTRUCTION CREW MAKYNZIE DAVIS SYDNEY DAVIS KRISTEN KELLOGG MORGAN STUART SCENERY/PROPS CREW JAKE BARDIN IAN EISENBERG JOSE FIGUEROA BROOKS LANEY AVERY WEST COSTUME SHOP SUPERVISOR PATRICIA M. RISSER

DRAPERS betty chlystek JUSTIN COLLINGS JACQUELINE LANDSMAN sarah lankenau ALISON REID KRISTEN WOMBLE 1ST HANDS JUSTIN COLLINGS ANANDA KEATOR Megan Mckinney MARIKA WYNNE

COSTUME SHOP OFFICE ASSISTANTS MATTHEW HERNANDEZ AUSTIN HOWELL cOSTUME STOCK MANAGER CAITLIN GRAHAM COSTUME STOCK aSSISTANTS CASEY MCCOOL RAMA TCHUENTE

STITCHERS Alina Bushong DAECI DUYEN LISA GEORING BILLIE GREEN PATRICIA KELLY Anna Kimmel Casey mccool KAY MCGUIRE

TEXAS PERFORMING ARTS SUPERVISING ELECTRICIAN MIKELA COWAN

COSTUME SHOP ASSOCIATE SUPERVISOR DARCY WEBERG

TEXAS PERFORMING ARTS ELECTRICS CREW ERICA AYALA DOMINIC CORTINAS JADON HATLEY NOLAN THOMAS SHIMSHON ZEEVI [CREW HEAD]

COSTUME PRODUCTION CREW CHEIFS ALISON REID JACQUELINE LANDSMEN COSTUME CONSTRUCTION CREW ASHTON FORTUNE ADRIENNE GREENBLATT P.J. KELLY KAY MCGUIRE PHOEBE NEWLAN LYDIA SAENZ KEVIN TRAN WIG AND MAKEUP SPECIALIST ALLISON LOWERY WARDROBE CREW SUPERVISOR MARIKA WYNN WARDROBE CREW ADRIENNE GREENBLATT SHANAYA KAPAI MEAGAN ROBERTS DANIELLE RUTH ADRIANA SCAMARDI CATHERINE URBAN KATHRYN VICTORY KYLIE ZEKO COSTUME CRAFTS SUPERVISOR TANYA OLALDE

TEXAS PERFORMING ARTS LIGHTING SUPERVISOR JEFF ELLINGER

THEATRE AND DANCE STUDENT ELECTRICS CREW YI-TAI CHUNG ALEX HANNA ChIAN-ANN LU MERCEDES MCCLEARY THEATRE AND DANCE STUDENT LIGHTING CLASS SARAH CANTU KAILEY MOORE PRESTON WEDEN SEAN WOODS THEAtRE AND DANCE STUDENT MEDIA CLASS KEVIN AYALA JAKE BARDIN JOY CLAWSON ALFRED GOMEZ ADOLFO LAMBERT REAGAN MURDOCK LIGHT BOARD OPERATOR JUSTIN LAVERGNE AUDIO SUPERVISOR MIKE MALAK AUDIO BOARD OPERATOR BREANNA LIND

MEDIA BOARD OPERATOR IAN PRICE SPOTLIGHT OPERATORS BRITNEY WILKINSON ALLINSON WOJTOWECZ STAGE MANAGEMENT ADVISOR RUSTY CLOYES COSTUME DESIGN ADVISOR susan Mickey COSTUME TECHNOLOGY ADVISOR JAMES GLAVAN LIGHTING DESIGN ADVISOR MICHELLE HABECK INTEGRATED MEDIA DESIGN ADVISOR SVEN ORTEL DRAMATURG ADVISORs ANDREW CARLSON LIZ ENGELMAN SCENIC DESIGN ADVISOR RICHARD ISACKES ACADEMIC PRODUCTION MANAGER rust cloyes rachel durkindrga david stewart PHOTOGRAPHER LAWRENCE PEART GRAPHIC DESIGNER MORGAN BATHE SPECIAL THANKS Eric Colleary The Harry Ransom Center LIz Engelman Pirronne Yousefzadeh Steven Dietz Robert Ramirez Andrew Carlson Kimberly Belflower


Turn static files into dynamic content formats.

Create a flipbook
Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.