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şšś ŠŠŘŠ _ \LDORUHQ#JPDLO FRP yialoren.tumblr.com | yialoren.carbonmade.com | www.behance.net/yialoren |www.facebook.com/pages/YIA Designs As a designer, I much prefer simple, clean and effective work. To me too much is too busy and too little is too unresponsive. I tend to stick with just enough, with the exception of the “over the top” according to the design itself and what I am designing for. My area of interest is in applying movement to lighting. This project is more of an exploration of materials and how they can successfully create the expression of movement through its materials. It is a product carded for the mature market (both
male and female) ranging from young adults to the elderly. The main unit of analysis is trying to apply movement to lighting and how I can explore different materials in a unique way to produce movement. The standing light is made of iron and cotton voile. The hanging light is made of brass and embroidery threading. The wall light is made from copper. These three combine to show movement with varying materials.
Ĺ&#x;ĹœĹ Ĺ™Ĺ&#x;Ĺ›Ĺ˜ _ rishmahansil@hotmail.com  ZZZ EHKDQFH QHW ULVKPDKDQVLO _ ZZZ IDFHERRN FRP SDJHV 5LVKPD +DQVLO _ KWWS ULVKPDKDQVLO FDUERQPDGH FRP Rishma  Hansil  is  a  talented  young  designer  specializing  in  graphic  design,  illustration  and  film  making.  Her  design  project  entitled  “Animal  Adventureâ€?  is  an  interactive  SOD\ DORQJ VWRU\ IRU FKLOGUHQ DJHV Ĺœ ZKLFK VHHNV WR SURPRWH WKH DZDUHQHVV RI ORFDO ZLOGOLIH DQG KDELWDW SURWHFWLRQ ,QVSLUHG E\ WKH UHFHQW WUHQGV LQ WHFKQRORJ\ DQG WKH GHVLUH WR FUHDWH VRPHWKLQJ QHZ DQG HQJDJLQJ KHU SURMHFW VHHNV WR LQIRUP DQG HQWHUWDLQ 7KH LPDJHU\ ZDV LVQSLUHG E\ GLIIHUHQW ORFDWLRQV DURXQG 7ULQLGDG VXFK DV
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şŜś ŞşŚś _ MDSLQFGHVLJQV#JPDLO FRP www.behance.net/japinc Izia Lindsay popularly known as “Jap” is a versatile artist who specializes in graffiti art, graphic design and fine art. He has made his mark in the world both locally and internationally. His work can be seen on prominent walls both here and abroad. Locally it includes a Mural done at the UWI Campus honouring the late Dr. Pat Bishop and internationally at Wynwood Walls Miami. This respected artist has been contracted by respected companies such as Tribe Carnival, Converse International,
Mc Cann Erickson, Hard Rock Cafe and many other agencies. His passion for art is unique since his contribution to society is selfless. Readily he is always willing to assist so many who call on him for assistance. Izia is a talented passionate artist who is on a journey to leave his mark in the twenty-first century.
ĹžĹ Ĺœ śťŚř _ FO\PFGRQDOG#JPDLO FRP clydeenmcdonald.com Having  worked  as  a  writer,  photographer  and  content  developer  with  the  Trinidad  Guardian  and  a  number  of  other  local  and  regional  publications  for  many  years,  Clydeen  McDonald  has  long  searched  for  a  way  to  marry  his  love  for  publications  and  research  with  his  artistic  practice.  It  was  out  of  this  love  he  was  able  to  concepWXDOL]H KLV SURMHFW ZKLFK LV WLWOHG ĹšĹ? 2XU /HJDF\ LQ 2XU 6SDFH LQ FHOHEUDWLRQ RI WKH XQLWuV ĹšĹ?WK $QQLYHUVDU\ IRU VXEPLVVLRQ LQWR WKLV \HDUuV H[KLELWLRQ
Clydeen  hopes  that  his  project,  which  will  include  three  full  publications  and  a  documentary  on  the  Unit  when  it  is  completed,  would  serve  as  an  important  watershed  in  the  life  of  the  department  which  has  impacted  the  lives  of  so  many  local  and  regional  artists.
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ŜŞŞ ŘŘşş _ FKULVBVDUDKŞŜ#KRWPDLO FRP http://sarah-olivia.deviantart.com/ Christel Sarah Mohammed is a talented, multidisciplinary artist who is proficient is the fields of digital illustration, fine art and graphic design. She has always loved to draw and her presentation ‘Folklore Reimagined’ was fueled by her lifelong passion for drawing and fascination with mythology. Given that local folklore possesses internationally popular themes such as environmental fantasy, environmental awareness and preservation, black magic and the supernatural, Christel has
wondered why it was not more popular in entertainment. She aims here to present a series of compelling revisualizations of our traditional folklore characters that can capture the imagination of the modern viewer and reignite interest in our local stories. It is hoped that this series when completed could serve as a platform for the development of a graphic novel or an animated series featuring our local folklore characters.
śŞŘ Śřśş _ DOHVVDQGUD UH\HV#KRWPDLO FRP www.behance.net/alessreyes | www.facebook.com/pages/Alessandra-Reyes My name is Alessandra Reyes and I am a final year student at the University of the West Indies. I have a great love for art and I am intensely inspired by my surroundings and the people around me. I have been doing art from a very young age and I am always looking for new experiences to grow as an artist.
My project deals with the art of silk-screening on ceramic, wheel thrown tableware. Silk-screening is a process used to create prints on a wide variety of materials. I created different prints based on the Phalaenopsis orchid and went on to silkscreen these designs onto ceramic pieces.
śšŘ ŠŞşš _ DIL\DBZDLWKH#KRWPDLO FRP www.facebook.com/pages/Afiya-Waithe Afiya Waithe, a talented young designer, has used her skill and perseverance in the creation of her latest work. Throughout her work experience she has enjoyed working with different materials to create sculptural pieces and contemporary paintings. In her latest series of pieces she has made use of the material, ceramics.
Having an affinity for the delicate nature of the material she has considered with her work this frailty of the medium and how it relates to life. Her pieces capture the elements of human nature in an innovative way by combining a resilient material to recreate the human form with her hand lights.
Ŝšş ŚŚŚš _ GRXKD DERXGş# KRWPDLO FRP www.douhasaadaboud.carbonmade.com Artist painter, fashion designer, and art educator, Douha Aboud, was born in Lebanon. Her background in art includes a Diploma in Nudo Plastica and history of art Modellage, an Associate Degree of Fine Arts as well as a Diploma in Costume Design and garment construction. As a student of art at a competion of the " Fabriano Dessin " she was awarded the " First Prize of the Pope". Her style includes semi -abstract, still life and figurative. She has exhibited locally as well in
Lebanon.The body of works depicts the figure of a woman whose proportions represent an ideal in my mind. She is done in abstract using acrylic as the medium and achieving texture by applying the paint with a variety of tools including brushes, spatulas and a piece of plastic mesh. The woman expresses the curvaceous and full bodied softness that I consider to be the perfect hanger for cloth. The woman curves that are draped upon creates the illusion of mood, beauty and sensational feeling.
śśŞ ŠśŚŜ _ FBEDUWKRO#KRWPDLO FRP The installation "Identity Game" is the outcome of reflections on the female form as The fetus and female faces used together with the main materials of candy floss, sites of cultural identity and biology. It explores some of the tensions highlighted in embroidery thread and needles emphasize the fragile and delicate state of the concerns about femininity with regards to commerce and self esteem which are female and her process of finding her identity. often played out as a game in which tradition, society and globalization determines losers and winners.
ŚšŘ ŜşśŞ _ EHVWDQLND#KRWPDLO FRP I love creating texture and mixed media art; and to apply it to one of my favorite themes, Folklore, I decided I had to just go for it. Painting to me has never been enough and I have pushed to always add some kind of tactile surface to most of my work. The chance to tell a story and create some fantasy is also something I like and this was my chance to recreate my favorite childhood characters. I am still in an experimental phase and willing to step out of my comfort zone as often
as possible to see where things take me. Sometimes I fail or I might have one of those great moments when everything falls perfectly in place. Art to me is about reaching beyond you and seeing more, pushing limits and expanding horizons. This exhibition of my work mixes my familiarity with certain materials but forces me to work larger and in multiples.
ĹœĹĄĹž  ŚĹ&#x;ĹœĹ? ŞťĹ&#x;  Ĺ&#x;Ĺ™Ĺ?Ĺ™  |  gailcardinez@live.com  www.facebook.com/AbstractInMotion  After  teaching  in  the  primary  school  system  for  eighteen  years  Gail  decided  to  fulfill  her  dreams  by  pursuing  a  degree  in  Visual  Arts  at  The  University  of  the  West  Indies.  At  present  she  is  a  teacher  at  ASJA  Girls  College,  San  Fernando  where  she  teaches  Visual  Arts.  Recently,  she  opened  her  own  Visual  Arts  School  and  continues  to  impart  artistic  knowledge  to  the  children  of  San  Fernando.  Passionate  about  the  lives  of  her  students  and  close  friends  and  family,  Gail  choose  to  highlight  sensitive  issues Â
such  as  divorce,  confusion,  crime  and  violence  which  exist  in  so  many  families  today  and  society  at  large.  Through  many  attempts  at  experimentation  and  exploration  with  acrylics  and  found  materials  Gail  has  found  abstracted  work  to  be  a  beautiful  and  freer  way  to  express  oneself.
şŜŚ şřŝŠ _ UDPDWWLHBFKDLWRR#OLYH FRP KWWSV ZZZ IDFHERRN FRP SDJHV 6RXOMDKJLUO ř/RYH řŠŠŞŘŘŚŞŜŞŚŚŝśš _ ZZZ \RXWXEH FRP XVHU UHDOVRXO-$+JLUOř/29( This presentation is about conflict: the struggle with my thoughts and my feelings. Does anyone else experience this kind of skirmish? The struggle between a "cluster of thoughts" that keep pushing and pulling me in seemingly all directions, emotionally. Its purpose is to reveal some of these feelings and emotions through my work as a means of finding peace of mind in the midst of all this emotional conflict. The theme, being a sensitive and personal subject that the viewers could relate to,
became a battle for me, simply because of my reserved nature. Here I am visually revealing personal thoughts and feelings to people I have never met in an open and unrestricted environment. The project is based on the teardrop, which defines and collects much of the joy, the fear, the love and the struggle that bombard me. The work is comprised of mixed media: acrylic on textured canvas, papier mache and bits of installation / three dimensionality.
Ŝşš ŝŚŜş _ WDPDUDBŜšŚ#KRWPDLO FRP www.facebook.com/pages/Tamara-Herbert Secrets - we all have them. Secrets are not gender or age sensitive. The lasting preserve of a secret is a miracle that is yet to be revealed. This installation is a trial in itself. I wrestle with my own secrets that want to escape their inner realm. I am pushing to open up, when my own nature is to keep hidden those things that should not be revealed. Contradictions abound, which is why I choose to represent the theme of secrecy and openness with the mixed media of wire, fabric, nylon thread,
sound and light. The secret might be there for all to see once they enter the installation, but what is seen or heard will vary from person to person. Why? Because no secret told the first, second, third or fourth time is told how it truly is intended to be. Only the holder of the secret itself knows its true form and being.
DPDQGD řšřŞ#OLYH FRP They say that art speaks for itself but does it? Can it have a voice so pronounced that you cannot bear to listen? Can it declare how to be and what you must do? Who is art and what is the artist? Are they the same whether it be definite, indefinite, finite, infinite or is it beyond what could ever be? Art is like life, in the beginning you are excited or terrified, in the middle you go crazy but in the end you hope to look back and say that it was all worth it, even the mistakes. I do not see myself as an artist, but
as a visionary, set with the task of making the impossible possible, thus building my boundaries and touching none. Through my encounters with various artists I have come to realize that you don't choose art, it chooses you - so it does not make sense running just accept it.
şŜŝ šşŘŞ | 6KDQWDř#\PDLO FRP Presently, Shanta teaches Visual Arts at the Secondary level. After graduating with a GHJUHH LQ 7KHDWUH $UWV LQ ŚŘŘŞ VKH UHWXUQHG WR SXUVXH 9LVXDO $UWV LQ ŚŘŘŠ +HU HIIRUWV are towards Integrating the V.A.P.A. Curriculum. Shanta is very interested in Art 7KHUDS\ DV D VXSSRUW IRU ZRPHQ $UW FXOPLQDWHV HPRWLRQV LQ D SRVLWLYH DQG SHUVRQDO ZD\ LWV LPSHQHWUDELOLW\ LQVXODULW\ 7KHUH DUH IUDJLOH VXEVHUYLHQW DQG VXEPLVVLYH ZRPHQ DURXQG HVSHFLDOO\ WKH YRLFHOHVV DQG XQQHUYHG :RPHQ QHHG WR ORYH
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makesi_lamont@live.com My work uses the line as the visual language to communicate the inner and superficial flows of energy that can be seen throughout nature. The organic synergy of movement and sporadic wild gestures of the line used in my drawings specifically appeals to me, thus in my current tenure as an artist I am investigating the many applications and potential expressions that the line poses. Only when looking at an object or scape intently long enough then would the flows described in my work be
revealed. Additionally, with my vocation, working directly from raw natural materials was important in its development. Leaves, flowers, other natural/recycled materials and plant extracts are utilized to produce and color the paper being made from scratch. Thus a focus on the communicative language canvasses the content and subject matter. The naturalist approach to my current art making should appeal to the everyday hobbyist where all materials used can be easily found and processed.
şŜř ŚŠśŘ _ 6KHPDOHN#JPDLO FRP Adiel has been painting for all his life and for the latter part, he produced three solo exhibitions. His preferred media have been watercolour, and oils. He has a deep appreciation for nature and the beauty in ordinary situations. His chosen representational style of painting draws an inspiration from the early French Impressionists. Adiel has struck out from his previous style and is now creating new bodies of work that reflects his own set of deep-seated beliefs. While using a heavy contemporary
hand to combine textured mediums, his meaning-making approach involves art making informed by big ideas that has strong connections to the real world. His theme entitled “My Story” contains works of art that are emotionally charged. In striving to create art works of this nature, he hopes to address technical challenges and decisions about choice in media, style and formal qualities. As he continues on his journey, he would like to remind everyone to let originals be their culture.
śŚś ŝŚśŝ The Mandala Project: The Flower of Life. Mandalas are sacred in both Hindu and Buddhist cultures. They are spiritual and ritual symbols that represent the universe. This inked illustrated body of work aims to represent the blossoming of life, along with the balance and spirituality of life through Mandala patterns inspired by nature’s flora. Mandalas are often built from the centre of the circle outwards, creating the floral effect. Flowers are generally circular, allowing the circles and flowers to be combined in the creation of symbolic designs that reflect the spirit, femininity,
balance and eternity. Flowers may represent spring, rebirth, creation and a blossoming of an idea or phenomenon, leading to the Mandala being called “The Flower of Life”. Mandalas inked onto skin create a visual, physical reflection of the spiritual essence of life. Tattoos permanently embellish the body, allowing the world to see the art standing as a reflection of an individual’s experiences blossoming through life.
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RICHARD TUDOR Ĺ&#x;ĹĄĹ&#x; ĹžĹœĹœĹĄ śśĹ&#x; ĹšĹœĹžĹž _ ULFKDUG G WXGRU#JPDLO FRP My  name  is  Richard  Dominique  Tudor.   I  am  a  practising  Visual  Artist  and  a  teacher  at  the  Guayaguayare  Secondary  School.  I’ve  been  studying  at  the  University  for  the  past  seven  years  where  I  have  successfully  completed  the  Certificate  Programme,  and  am  on  the  verge  of  completing  the  BA.  in  Visual  Arts.  My  heartfelt  passion  for  creating  has  led  me  onto  a  path  of  enlightenment.  I  specialize  in  capturing  gestures  of  the  human  form  either  in  motion  or  at  rest,  paying  a  keen  attention  to  the  energy  generated  in  the  movement  and  intensity  of  the  line  used.  The  pieces  which  are Â
showcased  present  an  experience  entitled  “Energy  in  Motion�  or  its  symbolic  abbreviation,  “E-Motion�,  I  manipulated  a  familiar  media  (that  of  acrylic  paint  upon  canvas)  to  express  moods  felt,  as  I  have  transcended  through  time  which  allowed  me  to  become  the  man  that  I  am  today.  Linear  expressions  through  various  contemporary  painting  approaches  aid  in  my  abstracted  translation  of  the  human  portrait.  Allow  me  to  engage  and  stimulate  your  intellect  as  you  journey  into  the  optical  aesthetic.
DCFA VISUAL ARTS EXHIBITION | FINE ART | 2013
şśş Śšŝŝ _ MDVRQ GHODQFH\#JPDLO FRP One new thought is worth a hundred years of scholarship – because it yields a hundred more.Thinking outside the box offers possibilities of new thought and with it a meritorious opportunity to declare - ‘my world is not flat’. Usually taken for granted is the risk involved in perquisition of the new. This search is a journey that can lead to space where the prolonged surrender of moral institution and perceived safety is necessary. However, even with this unabated offering the instance is a glimmer, and
its acquisition remains as difficult as attempting to toast the tip of a humming bird’s wing. My journeys to this space unearthed a troubling introspective. Between courting the unknown, threading the fringe and my affair with heresy – I imbibed an acrid cocktail of ironies that was chased with two humbling truths: - The quest for enlightenment results in the tightest constraints. - There is no outside the box - only migration to another one.