Portfolio 2024 | VT97

July 9th, 1998

+91 96505 92869

vaibhavtomar97@gmail.com

Vasant Kunj, New Delhi, India 110070

Skill Set

Design Research

Design Development

Furniture Design

Graphic Design

Generative AI tools

(Midjourney, google gemini, krea ai, dall.e)

Team Leadership

Client Engagement

Collaboration with consultants

Softwares

Autodesk AutoCAD

Rhinoceros 3D

Sketchup

Adobe Illustrator

Adobe Photoshop

Adobe InDesign

Lumion

Enscape

Microsoft Suite

Google Cloud Suite

Languages

Work Experience

Ultraconfidentiel | Jr. Interior Designer

(August 2023 - Present)

(ID) | American Express Office, Gurugram, India (ID) | Times of India, Mumbai, India (ID) | Barclays, Gurugram, India (ID) | Mankind, Delhi, India

NIUA | Graphic Designer

(February 2023 - July 2023)

WIN - Wastewater Surveillance Reports for the National Institute of Urban Affairs

Individual Project | Interior Designer (September 2022 - February 2023) (ID) | Saanjh, New Delhi, India

Studiolotus | Architect

(April 2021 - September 2022)

(Ar) | Biju Janata Dal Headquarters, Orissa, India (Ar) | Al Hamra Resort, Al Hamra, Oman (ID) | Max Square Commercial Office, Noida, India

Studiolotus | Internship

(July 2020 - March 2021)

(ID) | Private Duplex, Mumbai, India

(Ar) | Gandamunda Haat, Orissa, India (Ar) | Taj Tadoba Resort, Maharashtra, India

Ar Architecture Id : Interiors

Education Qualification

Higher Secondary School

Delhi Police Public School

Safdurjung Enclave, New Delhi

Bachelor of Architecture

University School of Architecture and Planning

GGSIPU, Dwarka, Delhi

References

Ankur Choksi

+91 98991 09248

(Founder & Principal, Studiolotus)

Paritosh Singh +91 99539 30237

(Design Team Lead, ultraconfidentiel)

SELECTED PROJECTS

2023 - Present | Jr. Interior Designer

American Express Office, Gurugram | India

The Times Of India, Mumbai | India

Barclays, Gurugram | India

Mankind, Delhi | India

2022 - 23 | Interior Designer

Saanjh, New Delhi | India

2021 - 22 | Architect

Biju Janata Dal Headquarters, Orissa | India

The Wahah Resort, Al Hamra | Oman

Max Square Commercial Office, Noida | India

2020 - 21 | Internship

Private Duplex, Mumbai | India

Gandamunda Haat, Orissa | India

Taj Tadoba Resort, Maharashtra | India

2016 - 20 | Graduation

Thesis : National Film and Animation School

Research Paper : Effects of CAD on Architecture

Urban Design : Saket Entertainment Centre

Mixed-use Housing

National Institute of Design

American Express

Following AMEX’s workspace guidelines, the 10th floor expansion prioritizes improved indoor air quality and employee well-being. It adds 99,945 square feet and 750 workstations to the existing 3,100 spread across 6 floors in the same building. This progressive workspace for “colleagues” embraces two key strategies.

Hybrid Workspace

Balancing the needs of colleagues by creating pockets where both collaboration and focused work are equally prioritized

WE space helps form a community in the workplace, making people feel more connected. The 35% WE spaces includes spaces like breakout areas, collaboration spaces, multifaith contemplation room, nursing rooms, locker spaces, phone pods

Empowering Individuality

ME spaces are designed specifically for the needs of the individual. The 65% ME spaces comprises of 750 workstations and office cabins

Illustration,

Illustration, Spatial organization Balanced organisation

Layout Strategy

The layout balances the needs of individual focus and collaboration by democratizing “ME” spaces (personal work areas) and “WE” spaces (shared areas like meeting rooms, breakouts, and collaboration zones). This ensures pockets for both focused work and team interaction.

Workstations

Huddle rooms, 4pax

Meeting rooms, 8 & 12 pax

Board room, 22 pax

Training Room, 36 pax

Breakout/ Collab area

Visual Strategy

The visual language takes a “where old meets new” approach, reflecting AMEX’s rich history while embracing modernity. This “retro-contemporary” style is achieved through a material selection that blends the past and present: terrazzo, champagne satin stainless steel laminates, oak veneers and laminates, acoustic panels, subway tiles, solid surfaces, and carpets.

Lockers, Mothers room, Meditation room, Print points

SS Champagne finish laminate

finish laminate

Visualization,

Visualization,

Visualization, Board Room Board Room Meeting room

The Times of India

The design for The Times of India’s Mumbai office reimagines all floors, entrance to 10th, as a celebration of its 170-year legacy.

The logo’s color evolution, from black to digital red, guides the visual narrative. Each floor acts as a chapter, showcasing a key milestone through elevator lobby displays. This story flows, connecting floors through the core. Floor colors echo the red tones used by The Times of India during those eras.

The design whispers echoes of a newspaper. Circulation spaces mirror “gutters,” headlines create rhythm, and illustrations inspire work areas. It’s a reading experience come alive, the space mirroring the act itself.

Page layout

Column and Margins = structure

Gutters = circulation

Main titles = Rhythm

Illustrations = point of focus

Final composition = a rhythmic representation of the reading, a parallel with the spatial

Concept Strategy, Newspaper structure inspired layout

Ongoing Adaptation

Continues to evolve and adapt to new challenges while maintaining its status as a prominent newspaper.

2010s - Global Outreach

Extended its reach to the global Indian diaspora and international audiences through various digital platforms.

2000s - Modernization

Adapted content, layout, and presentation to cater to evolving reader preferences.

1990s - Digital Transition

Launched its online edition, embracing the digital era.

1970s - Multiple Editions

Expanded across India with various city editions, transforming into a national newspaper.

1947 - Post-Independence Growth

Continued expansion and growth after India gained independence.

1910s - Coverage of Independence Movement

Played a significant role in covering India’s independence movement.

1861 - Technological Advancement

Introduced steam-powered presses, becoming one of the first newspapers in Asia to do so.

1861 - Broadsheet Format

Transitioned to a larger broadsheet format.

1861 - Renaming

The newspaper was renamed The Times of India by its new proprietor, Robert Knight.

1838 - Foundation

The Bombay Times and Journal of Commerce was founded by Thomas Jewell Bennett.

03

BJD Headquarters

Organisation, Role

studiolotus, Architect

Location

6R-3,

Area

50,000 sqft

Category

Conceptural planning, look and feel, architecture drawings, tender, sanction, execution

The Biju Janata Dal’s new headquarter is designed to blend modernity and timeless elegance, with regional charm which reflects the party’s core principles of transparency, unity in diversity, and welfare of the poor and vulnerable.

The building embraces the sustainable practices that ensure a minimal carbon footprint as natural ventilation has been maximised and the need for air conditioning reduced. Rainwater harvesting, waste management, solar panels on the roof and day-lit spaces further enhance the commitment to a greener future.

The building nurtures a sense of community with its use of reginal stones, dhokra jaali partitions, terracotta and laterite cladded facade which symbolises Odisha’s identity.

near Capital Hospital, Bhubaneshwar, Odisha, India

Setback of 3m on all sides as per NBC with a 17m public front as per vastu,

1.Entrance & Drop off in the North-East quadrant

2. Minimum setback on south side

3. Parking on podium level - no basement

4. Temple on NE

5. VIP Entrance between NW and W quadrants

Naturally ventilating the corridors & providing sunlight deep into the floor plate by creating double and triple height cutouts.

Cut-out at the First and Second floor. Central shaded courtyard that is connected to the chambers and creates opportunities for daylight penetrations and naturally ventilated spaces.

Building massing of 15m above the 2.4m stilt parking.

Upper ground floor is double height to accommodate public functions.

Drop-off + Circulation and Podium Entry at NE quadrant with 8m height at drop-off creates a unique entrance experience.

Creating a Semi-covered gathering space at the upper ground level.

Space carved for auditorium with a seating capacity of 225 that sits above the drop-off acts as a unique element in itself

Creating solid and transparent horizontal bands to define the massing.

Recessing the glazing in by 2ft to minimize heat gain and reduce glare.

Auditorium facade is made different from the whole building for it to stand out as a unique element.

The roof has solar panel provisions which can accommodate 100kw, catering to over 50% of energy use of BJD HQ building. 01 04 02 05 03 06

Awing window and glass blocks

Laterite stone

Terracotta cladding

Andhra Granite

Exposed concrete

Orissa grey marble

Unloading dock

Garbage Sorting

Security/Receiving Office

Staff Toilet - Male

Staff Toilet - Female

Handicap Toilet

Toilet - Male

Image 1 : The central courtyard

Image 2 : Arrival staircase

Image 3 : The central atrium

BJD Headquaters

Image Credits, @Rushali Malhotra

Image Credits,

@Rushali Malhotra

Private Duplex

Organisation, Role

studiolotus, Architect Intern

360 west by Oberoi Realty, Worli Sea link, Mumbai, Maharashtra, India

12,000 sqft

Interior layouting, look and feel, execution

This exquisite Mumbai duplex embodies timeless elegance and modern luxury. Located within the prestigious 360 West by Oberoi Realty, the home caters to both grand entertaining and intimate family life.

The expansive lower level seamlessly integrates living areas, a bar, and a cigar room, perfect for hosting. Bespoke accents, intricate details, and unique architectural features create a stunning canvas, further elevated by limited-edition art. An internal lift and grand staircase connect the two levels. The upper floor prioritizes family life with a dedicated family room and individual spaces for each member. This luxurious residence offers a oneof-a-kind living experience.

Illustration,

Visualization,

Visualization, Bar room Cigar room

The heart of this private duplex’s entertainment floor transforms into a haven for luxurious gatherings. Exquisite materials orchestrate a sophisticated atmosphere. Warmth emanates from the parquet flooring, while polished walnut veneer doors with amber fabric accents invite guests into the space.

The focal point, the bar, is a masterpiece in american walnut veneer. Textural fabric inserts dance in the countertop lighting, their rhythm accentuated by the gleaming brass base. Black Marquina marble adds a touch of sophistication near the basin and prep area, complementing the warmth of the wood.

Fabric-textured wallpapers and brass panels adorn the shutters and walls, elevating the space to a new level of refinement. The coffered ceiling, a testament to timeless design, is finished in glossy duco paint, reflecting the luxurious surroundings and creating a sense of openness. A final flourish - a mesmerizing 3D projected artwork - animates the room, solidifying this bar as a truly unique and unforgettable experience.

Illustration,

Bar room

Powder room

The cigar room unfolds as a dreamscape bathed in azure. Floor-to-ceiling glazing unveil the endless ocean, its blues mirrored in the textured fabric wallpapers, walnut parquet warms the floor, while gleaming brass accents whisper of a bygone era.

The coffered ceiling, a nod to classic design, is finished in a soft duco paint, offering a sophisticated backdrop for quiet contemplation. A private balcony beckons with the promise of cool sea breezes, while an ensuite bathroom provides a haven for post-cigar relaxation. This is a space for indulging in cherished rituals, surrounded by the beauty of the endless ocean.

Balcony

Bath Cigar room

Illustration, Image Credits, Layout @Karan Singh

Image 4 : Living room

Image 1 : Kids Bedroom

Organisation, Role

studiolotus, Architect

Location

Al Hamra, Oman

Area

200,000 sqft

Category

Conceptual planning, look and feel, Architectural layouting and interiors

Inspired by a verdant wadi, the Wahah, meaning “Oasis”, offers a tranquil escape from the rugged Al Hamra range.

The design capitalizes on the steep terrain by placing parking and service areas in the southeast zone. Public areas, including the all-day dining, spa, banquet hall, pre-function space, and gym, rise above this base, following the land’s natural curve. Concealed by the topography, these public functions become almost invisible when viewed from the central plateau.

Visualization, Arrival, Chalets & Geodesic dome

Standard rooms, envisioned as a floating block, branch out from the public area to maximize the breathtaking views. This design approach is echoed in the chalet and pool zone, perched along a curve on the cliff’s edge.

By strategically placing the building masses, the design opens up the central plateau, creating space for glamping domes nestled amidst meandering paths, water features, and green belts, forming the heart of the Wahah.

Entry passage

Reception

Lift Core

Staircase

Lobby

Standard Rooms

Changing Rooms

Juice Bar

Pool

Pool Deck

Dome

Chalet

Landscape Path

Green Terrace

Driveway

Service Court

Pool

Chalets

Main entry

Geodesic domes

The chalet embraces a contemporary spirit steeped in Omani tradition. The design reflects the region’s architecture and culture, creating a haven that resonates with local identity.

Earthy tones set the stage. The walls adorned with stucco texture paint evoke sunbaked landscapes, while acacia wood - a local treasure - graces the flooring and select furniture pieces. Slatted timber partitions weave a visual connection between the living and bedroom spaces, adding both texture and contrast.

Light plays a vital role. Elegant fixtures illuminate the space, while handcrafted macrame textile artworks add a touch of artistry. The color palette sings with the warmth of terracotta, its hues and textures echoing throughout the design. This chalet is not just a place to stay; it’s an immersive Omani experience.

Bedroom

Living room Pantry

Entrance Bath Wardrobe

Balcony

Illustration, Visualization, Layout Living room

Renovation, conceptual planning, furniture design, execution, project management

Located near a prestigious Delhi market, a first-floor apartment in South Extension Part II sought a refresh. While blessed with abundant sunlight from cornerplot windows, the original design - featuring low height sofas and dark curtains - felt cramped and impersonal. The aim was to create a cohesive and lighter space, seamlessly connected to the adjoining dining room.

This living area unfolds as two distinct sanctuaries. A larger zone, centered on a unique two-piece coffee table, caters to gatherings. In contrast, a cozy reading nook beckons with a plush lounge chair.

Custom furniture, upholstered in light hues, fosters a calming ambiance. This, combined with the abundance of natural light, emphasizes the open layout.

The TV wall takes center stage, featuring a serene scenic wallpaper of birds soaring over a river. It brings a touch of nature’s tranquillity into the urban environment. The framed wallpaper, accentuated by a modern, horizontally spread chandelier, marries classical elegance with a contemporary touch.

Illustration,

Image Credits, Layout @Sagar Chhabra

Dining room

Living room Study nook

Image Credits, @ Sagar Chhabra