Abstract Addictions: What's Next.....Who Knows...? by vallarinofineart

M O D E R N / P O S T- WA R

ABSTRACT

ADDICTIONS:

WHATâ&#x20AC;&#x2122;S

N E X T. . . . WHO KNOWS?....

2 020 M O D E R N / P O S T- WA R

2 2 2 E A S T 4 9 T H S T R E E T, N E W Y O R K , N Y 1 0 0 1 7 212.628.0722 66 ROUTE 343, MILLBROOK, NEW YORK 12545 I N F O @ VA L L A R I N O F I N E A R T. C O M VALL ARIN OFINEART.C OM

V I N C E N T VA L L A R I N O P R I N C I PA L , V I N C E N T @ VA L L A R I N O F I N E A RT. C O M

M A S H A S T R O G A N O VA D I R E C TO R , M A S H A @ VA L L A R I N O F I N E A RT. C O M

JORDAN HUTTON STUDIO MANAGER, J O R D A N @ VA L L A R I N O F I N E A RT. C O M

E T H A N VA L L A R I N O C O N S U LTA N T, E T H A N @ VA L L A R I N O F I N E A RT. C O M

VA N E S S A VA L L A R I N O P R O J E C T D I R E C TO R , VA N E S S A @ VA L L A R I N O F I N E A RT. C O M

Vincent Vallarino in our studio located on the Vallarino Millbrook property

A B S T R A C T A D D I C T I O N S : W H AT ’ S N E X T. . . . W H O K N O W S ? . . . . What’s Next…..Who Knows?? Is a very fitting subtitle for our annual catalogue. What has happened in the past four-five months seems unimaginable, then again, it could be a blessing in disguise, a kind of wake-up call for all of us. Our global treatment of humanity, our planet’s environment, economic collapse, civil rights and politics have caused a boiling point in our society and then add the Covid-19 Pandemic to top things off and there you have “What’s Next…..Who Knows? One thing I know is art and the art market has literally been around forever and has weathered centuries of wars, economic crashes and many other global disasters and will continue to prevail perhaps in new ways to which it will need to reinvent itself. I believe a correction is taking place as has happened in every market throughout history when strained by historic events. The brick & mortar gallery model is becoming a thing of the past and the existence of art fairs in the near future is questionable regarding the current health situations for the dealers and the collectors who attend. I believe that a large group of galleries are going to close as their business models aren’t strong enough to survive these extreme times. It is my opinion the galleries that will prevail are the ones who have “skin in the game”, own what they sell and have weathered difficult times before. These are the individuals who have spent their lives deep within the passion of art. I have been in the art business for the past 50 years and own everything we sell as we believe in our expertise through our knowledge, scholarship and taste which is reassured by our experience and foresight. Fifteen years ago we became a private gallery because it was apparent that our audience was focused on what we owned and represented making our business intimate and personable unlike many larger galleries. We have a beautiful 3,000 square foot townhouse located at 222 East 49th Street next door to Kathryn Hepburn’s old residence. There you will find our in-situ viewing with mid-century furnishings as one would in their own home instead of a white box gallery setting. VFA also has a 6,000 square foot studio in Millbrook, New York 85 miles north of the city in the Hudson River Valley which was originally part of Henry Flagler’s family’s estate. (shown in photos on left) Our two private destination locations are the perfect settings for viewing our vast inventories of Post War and Modern Art in the most private and safe accommodations one could dream of. VFA’s annual catalogue is our signature statement that no other gallery comes close to producing. It shows our vast inventories along with our taste and vision revealing itself. We are now deep in production of a series of short films regarding what we do, how we do it and will focus on the wonderful works of art we possess. Once again, our goal is to produce something uniquely our own showing how art has been part of our lifestyle over the past fifty years. For me art is the purist addiction that exists, and overtime have realized that its eclectic relationship with color, form and space connect everything in mysterious ways. Once again, we have put our heart and soul into what we believe to be a complete statement for you to appreciate. Hopefully our passion and enthusiasm will fuel your quest to absorb new ideas as the mystery of art unfolds around you. I continue to believe that the future is all about the past.

Vincent Vallarino, Millbrook, New York 2020

ESTEBAN VICENTE S PA N I S H / A M E R I C A N , 1 9 0 3 - 2 0 0 1

BY THE SIDE, 1983 O I L O N C A N VA S 52 X 40 INCHES S I G N E D , T I T L E D A N D D AT E D V E R S O P R O V E N A N C E : P R I VAT E C O L L E C T I O N , S C O T T S D A L E , A Z

E X H I B I T E D A N D I L L U S T R AT E D I N C ATA L O G , PA I N T I N G S A N D C O N S T R U C T I O N S , M A R C H 4 - 3 0 , 1 9 8 4 AT YA R E S G A L L E RY, SCOTTSDALE, ARIZONA

MICHAEL GOLDBERG AMERICAN, 1924-2007

ABSTRACT COMPOSITION, C. 1956-58 A C RY L I C A N D C O L L A G E O N C A R D 10 ¾ X 8 ¾ INCHES SIGNED LOWER CENTER PROVENANCE:

P R I VAT E C O L L E C T I O N , S T O C K H O L M , S W E D E N

ABSTRACT COMPOSITION, C. 1956-58 A C RY L I C A N D C O L L A G E O N B O A R D 8 ¾ X 11 ½ INCHES SIGNED LOWER LEFT P R O V E N A N C E : P R I VAT E C O L L E C T I O N , S T O C K H O L M , S W E D E N

JOHN MCLAUGHLIN AMERICAN, 1898-1976

UNTITLED, 1950 O I L O N C A N VA S 20 X 24 INCHES SIGNED LOWER LEFT P R O V E N A N C E : A N D R E E M M E R I C H G A L L E RY, N Y C ( L A B E L V E R S O )

P R I VAT E C O L L E C T I O N , PA L M B E A C H , F L EXHIBITED:

PA S A D E N A M U S E U M O F A RT, 1 9 5 5 ( L A B E L V E R S O )

WILL BARNET

AURORA, 1977

AMERICAN, 1911-2012

42 ½ X 102 ¾ INCHES

O I L O N C A N VA S S I G N E D A N D D AT E D U P P E R R I G H T P R O V E N A N C E : T H E A RT I S T

HIRSCHL & ADLER GALLERIES, INC., NY A C Q U I R E D B Y T H E L AT E O W N E R F R O M T H E A B O V E , 1 9 7 9

MICHAEL GOLDBERG AMERICAN, 1924-2007

UNTITLED, C. 1952-53 OIL ON BOARD 7 ¼ X 8 ¾ INCHES SIGNED LOWER RIGHT PROVENANCE:

P R I VAT E C O L L E C T I O N , S T O C K H O L M , S W E D E N

JEAN DUBUFFET FRENCH, 1901-1985

PAY S A G E , 1 9 7 4 C O L O R E D P E N C I L S A N D B L A C K P E N PA S T E D O N B L A C K PA P E R 18 X 12 ¾ INCHES I N I T I A L E D A N D D AT E D L O W E R L E F T P R O V E N A N C E : T H E WA D D I N G T O N G A L L E R I E S , L O N D O N

P O S N E R G A L L E RY, M I LWA U K E E , W I S C O N S I N R I C H A R D G R AY G A L L E RY, C H I C A G O L I T E R A T U R E : L O R E A U , M A X , C ATA L O G U E D E S T R AVA U X D E J E A N

D U B U F F E T, C R AY O N N A G E S , R É C I T S , C O N J E C T U R E S , FA S C I C U L E X X I X , PA R I S , 1 9 7 9 , P. 5 6 , N O . 1 1 7 , I L L U S T R AT E D E X H I B I T E D : PA R I S , M U S É E D ’ A RT M O D E R N E D E L A V I L L E D E PA R I S ,

S A N L A Z Z A R O E T S E S A M I S , N O V E M B E R 1 9 , 1 9 7 5 - J A N U A RY, 1 1 , 1 9 7 6 BASEL, GALERIE BEYELER, AUTRES DIMENSIONS: COLLAGES, ASSEMBLAGES, RELIEFS..., JUNE - SEPTEMBER 1976, NO. 23

WOLF KAHN AMERICAN, B. 1927

A D VA N C I N G S H A D O W S , 1 9 8 4 O I L O N C A N VA S 36 X 44 INCHES SIGNED LOWER RIGHT P R O V E N A N C E : T H E A RT I S T

J E R A L D M E L B E R G G A L L E RY ( L A B E L V E R S O )

MILTON AVERY

B A L L M O U N TA I N B R O O K , 1 9 4 3

AMERICAN, 1893-1965

22 X 30 INCHES

WAT E R C O L O R S I G N E D A N D D AT E D L O W E R R I G H T P R O V E N A N C E : MARIANNE FRIEDLAND

G A L L E RY ( L A B E L V E R S O )

ESTEBAN VICENTE S PA N I S H / A M E R I C A N , 1 9 0 3 - 2 0 0 1

UNTITLED, 1957 I N K A N D PA P E R C O L L A G E O N PA P E R B O A R D 32 X 30 INCHES S I G N E D A N D D AT E D V E R S O P R O V E N A N C E : G A L L E RY K , P H I L A D E L P H I A

ACQUIRED FROM THE ABOVE BY THE PRESENT OWNER IN 1986

GENE DAVIS AMERICAN, 1920-1985

R E N O I R ’ S C U R TA I N , 1 9 7 7 A C RY L I C A N D G R A P H I T E O N C A N VA S 58 ¾ X 94 ¼ INCHES S I G N E D , T I T L E D , A N D D AT E D V E R S O P R O V E N A N C E : P R I VAT E C O L L E C T I O N , N Y

A C Q U I R E D D I R E C T LY F R O M T H E A B O V E B Y T H E P R E S E N T OWNER

ELAINE DE KOONING AMERICAN, 1918-1989

B L A C K M O U N TA I N # 1 4 , 1 9 4 8 O I L O N PA P E R L A I D D O W N O N C A N VA S 32 X 38 INCHES SIGNED VERSO P R O V E N A N C E : J O A N WA S H B U R N G A L L E RY, N Y ( L A B E L )

C L I N E F I N E A RT, N E W M E X I C O ( L A B E L ) J. DONALD NICHOLS, TN

ILYA BOLOTOWSKY RUSSIAN/AMERICAN, 1907-1981

ABSTRACTION, 1939-40 O I L O N C A N VA S 22 X 30 INCHES SIGNED LOWER RIGHT P R O V E N A N C E : LESLIE JOHNSON

COLLECTION, OHIO C A R L S O LWAY G A L L E RY, O H I O LY N N E M Y E R S G O R D O N E S TAT E , O H I O

ESTEBAN VICENTE S PA N I S H / A M E R I C A N , 1 9 0 3 - 2 0 0 1

UNTITLED, 1967 M I X E D M E D I A C O L L A G E O N C A N VA S 22 X 16 INCHES S I G N E D A N D D AT E D V E R S O PROVENANCE:

ACQUIRED BY PRESENT OWNER F R O M P R I VAT E C O L L E C T I O N I N E A S T HAMPTON, NY

JEROME KIRK AMERICAN, B. 1923

MAQUETTE FOR SOLAR SEMAPHORE, 1979 ALUMINUM 60 H X 33 W X 13 ½ D INCHES SIGNED “KIRK 79” ON ALUMINUM BASE P R O V E N A N C E : P R I VAT E C O L L E C T I O N , L I N C O L N , N E

“ S O L A R S E M A P H O R E , ” I S A N A L U M I N U M K I N E T I C S C U LT P U R E WITH FOUR MOVING ELEMENTS AND IS THE MAQUETTE F O R T H E 1 9 F O O T TA L L , 1 2 0 0 P O U N D O U T D O O R S C U LT P U R E I N S TA L L E D I N L I N C O L N , N E B R A S K A O N T H E S O U T H W E S T CORNER OF 12TH AND O STREETS IN 1979.

JULIAN STANCZAK POLISH-AMERICAN, 1928-2017

S T R AT I F I E D , 1 9 7 8 A C RY L I C O N C A N VA S 50 X 80 INCHES S I G N E D , T I T L E D A N D D AT E D V E R S O P R O V E N A N C E : P R O P E RT Y O F A F R A N K L I N ,

MICHIGAN COLLECTOR, ACQUIRED FROM LONDON F I N E A RT S G A L L E RY, D E T R O I T

ROGER BROWN AMERICAN, 1941-1997

DANCING HOUSES-THE EARTHQUAKE OF 1994, 1994 O I L O N C A N VA S 48 X 72 INCHES T I T L E D A N D D AT E D V E R S O PROVENANCE:

P H Y L L I S K I N D G A L L E RY, C H I C A G O ACQUIRED FROM THE ABOVE BY THE PRESENT OWNER IN 1994 EXHIBITED:

C H I C A G O , P H Y L L I S K I N D G A L L E RY, A P R I L 8 - M AY 6 , 1 9 9 4 S A N TA B A R B A R A , C A L I F O R N I A , S A N TA B A R B A R A C O N T E M P O R A RY A RT S F O R U M , ROGER BROWN: CALIFORNIA DREAMINâ&#x20AC;&#x2122;, N O V E M B E R 1 9 9 6 - J A N U A RY 2 6 , 1 9 9 7 A P R E L I M I N A RY S K E T C H O F T H I S PA I N T I N G IS INCLUDED IN THE 1993-1997 ROGER B R O W N S K E T C H B O O K , L O C AT E D I N T H E ROGER BROWN STUDY COLLECTION, CHICAGO

PETER BUSA AMERICAN, 1914-1985

RUNIC II, 1962 O I L O N C A N VA S 72 X 52 INCHES SIGNED LOWER RIGHT P R O V E N A N C E : COLLECTION OF JOHN KLUGE

ROY LICHTENSTEIN AMERICAN, 1923-1997

I N D I A N W I T H PA P O O S E , 1 9 5 2 O I L O N C A N VA S 24 X 18 INCHES SIGNED LOWER RIGHT P R O V E N A N C E : P R I VAT E C O L L E C T I O N

( D I R E C T F R O M T H E A RT I S T, 1 9 5 3 ) P R I VAT E C O L L E C T I O N , K Y ( D E S C E N T F R O M A B O V E )

VIVIAN SPRINGFORD AMERICAN, 1914-2003

UNTITLED (VSF343), C. 1970S A C RY L I C O N C A N VA S 89 ½ X 89 ½ INCHES E S TAT E S TA M P E D V E R S O P R O V E N A N C E : T H E E S TAT E O F T H E A RT I S T

IBRAM LASSAW

C R O S S WAY S , 1 9 7 9

AMERICAN, 1913-2003

18 X 20 X 20 INCHES

G I LT B R O N Z E I N C I S E D W I T H A RT I S T â&#x20AC;&#x2122; S S I G N AT U R E , D AT E A N D T I T L E P R O V E N A N C E : Z A R B R I S K I E G A L L E RY, N Y

P R I VAT E C O L L E C T I O N , M I A M I ( P U R C H A S E D F R O M A B O V E , E A R LY 1 9 8 0 S )

ALMA THOMAS

UNTITLED, C. 1960

AMERICAN, 1891-1978

22 X 30 INCHES

WAT E R C O L O R O N PA P E R SIGNED LOWER RIGHT P R O V E N A N C E : T H E A RT I S T

P R I VAT E C O L L E C T I O N , G E O R G I A A RT 7 0 T H G A L L E RY, N E W Y O R K , N Y J A S O N H . W R I G H T, N Y

NORMAN BLUHM AMERICAN, 1921-1999

ARONDITE, 1963 O I L O N C A N VA S 114 ¼ X 96 ¼ INCHES S I G N E D A N D D AT E D L O W E R R I G H T P R O V E N A N C E : NORMA AND CLEMENT OGDEN, STOCKBRIDGE

BENNINGTON COLLEGE (GIFTED BY THE ABOVE IN 1993) CHRISTIE’S, NEW YORK, NOVEMBER 16, 2018, LOT 750 A C Q U I R E D AT T H E A B O V E S A L E B Y T H E P R E S E N T O W N E R

CONRAD MARCA-RELLI AMERICAN, 1913-2000

PA S S I O N J - L - I - 1 8 - 5 9 - 8 9 , 1 9 5 9 - 8 9 O I L A N D C O L L A G E O N C A N VA S 57 ½ X 72 INCHES S I G N E D B O T T O M L E F T; D AT E D V E R S O P R O V E N A N C E : THIS WORK IS REGISTERED IN THE ARCHIVIO MARCA-RELLI,

PA R M A U N D E R N . M A R E - 9 4 8 8 EXHIBITED:

D A R M S TA D T, I N S T I T U T M AT H I L D E N H Ö H E , C O N R A D M A R C A - R E L L I :

WORKS 1945-1996, 2000 KOLN, LUDWIG MUSEUM KOLN; ROMA, SCUDERIE DEL QUIRINALE, BURRI. G L I A RT I S T I E L A M AT E R I A 1 9 4 5 - 2 0 0 4 , 2 0 0 5 , P. 8 3 , I L L U S T R AT E D L I T E R A T U R E : K L A U S W O L B E RT, C O N R A D M A R C A - R E L L I : W O R K S 1 9 4 5 - 1 9 9 6 ,

D A R M S TA D T 2 0 0 0 , P. 1 1 1 I L L U S T R AT E D M A R C O VA L L O R A , M A R C A - R E L L I L’ A M I C O A M E R I C A N O . S I N T O N I E E D I S S O N A N Z E C O N A F R O E B U R R I , PA R M A 2 0 0 2 , P. 2 6 1 , I L L U S T R AT E D D AV I D A N FA M , M A G D A L E N A D A B R O W S K I , C O N R A D M A R C A - R E L L I P R O TA G O N I S TA D E L L’ E S P R E S S I O N I S M O A S T R AT T O A M E R I C A N O , M I L A N O 2 0 0 8 , I L L . P. 1 8 4 , 3 0 1 , I L L U S T R AT E D

ELIZABETH CATLETT AMERICAN, 1915-2012

NAIMA, 1998 BRONZE 9 Â¾ X 6 X 9 INCHES SIGNED WITH EC MONOGRAM P R O V E N A N C E : E L I Z A B E T H C AT L E T T,

P R I VAT E C O L L E C T I O N , M E X I C O C I T Y P R I VAT E C O L L E C T I O N , B E R K E L E Y, C A L I F O R N I A

GERTRUDE ABERCROMBIE AMERICAN, 1909-1977

UNTITLED, 1961 OIL ON BOARD 8 X 10 INCHES S I G N E D A N D D AT E D L O W E R R I G H T P R O V E N A N C E : P R I VAT E C O L L E C T I O N , U K

GINSENG ANTIQUES, ST LEONARDS ON SEA, UK

HANS HOFMANN AMERICAN, 1880–1966

COMPOSITION NO. 43, C. 1942 O I L O N PA N E L 35 ½ X 41 ½ INCHES SIGNED BOTTOM RIGHT P R O V E N A N C E : T H E A RT I S T.

THE COLLECTION OF CLEMENT GREENBERG. N O A H G O L D O W S K Y G A L L E RY, N E W Y O R K , N E W Y O R K . P R I VAT E C O L L E C T I O N , D AY T O N , O H I O . S O T H E B Y ’ S , N E W Y O R K , “ C O N T E M P O R A RY PA I N T I N G S , D R AW I N G S A N D S C U L P T U R E , ” N O V E M B E R 9 , 1 9 8 3 , L O T 4 3 . P R I VAT E C O L L E C T I O N . C H R I S T I E ’ S , N E W Y O R K , “ C O N T E M P O R A RY A RT, ” F E B R U A RY 8 , 1 9 8 6 , L O T 1 0 1 . T H E E S TAT E O F L E E & G I L B E RT B A C H M A N , AT L A N TA , G E O R G I A & B O C A R AT O N , F L O R I D A ( A C Q U I R E D D I R E C T LY FROM THE ABOVE SALE). L I T E R A T U R E : S U Z I V I L L I G E R , H A N S H O F M A N N C ATA L O G U E

R A I S O N N É O F PA I N T I N G S , V O L U M E I I : C ATA L O G U E E N T R I E S P1-P846 (1901–1951), BURLINGTON: LUND HUMPHRIES, 2014, C ATA L O G U E N O . P 4 3 6 ( I L L U S T R AT E D ) .

KENNETH NOLAND AMERICAN, 1924-2010

B R A Z I L I A N L I G H T, 1 9 6 4 A C RY L I C O N C A N VA S 45 X 45 INCHES S I G N E D , T I T L E D , A N D D AT E D V E R S O P R O V E N A N C E : SOLD: SOTHEBYâ&#x20AC;&#x2122;S NEW

Y O R K , M AY 9 , 1 9 9 6 , L O T 9 3

LYNNE MAPP DREXLER AMERICAN, 1928- 1999

VIRGINIA SPRING, 1960 O I L O N C A N VA S 30 Â½ X 36 INCHES S I G N E D , T I T L E D , A N D D AT E D V E R S O PROVENANCE:

T H E E S TAT E O F T H E A RT I S T P R I VAT E C O L L E C T I O N , V I R G I N A

S U N R O Y, 1 9 5 9 - 6 0 O I L O N C A N VA S 58 X 61 INCHES S I G N E D , T I T L E D A N D D AT E D V E R S O PROVENANCE:

T H E E S TAT E O F T H E A RT I S T P R I VAT E C O L L E C T I O N , M O N T R E A L , C A N A D A

GIORGIO CAVALLON AMERICAN, 1904-1989

UNTITLED, 1971 O I L O N C A N VA S 50 Â½ X 42 INCHES S I G N E D A N D D AT E D L O W E R R I G H T P R O V E N A N C E : A M S A C H S G A L L E RY, N Y E X H I B I T E D : G I O R G I O C AVA L L O N :

A R E T R O S P E C T I V E V I E W, M A R . 1 9 - M AY 2 0 , 1 9 9 0 , T H E W I L L I A M B E N T O N M U S E U M O F A RT, U N I V E R S I T Y O F C O N N E C T I C U T, S T O R R S , C T, C AT N O . 4 8 T H E E S TAT E O F E L I Z A B E T H H . F U L L E R

VIVIAN SPRINGFORD AMERICAN, 1914-2003

UNTITLED, C.1970S A C RY L I C O N C A N VA S 60 X 56 INCHES S I G N E D A N D E S TAT E S TA M P E D V E R S O P R O V E N A N C E : T H E E S TAT E O F T H E A RT I S T

WOLF KAHN

VA L L E Y, 1 9 9 6

AMERICAN, B. 1927

22 X 30 INCHES

PA S T E L O N PA P E R SIGNED LOWER RIGHT P R O V E N A N C E : M A N G E L G A L L E RY,

P H I L A D E L P H I A , PA C O R R I N E S T O N E , P H I L A D E L P H I A , PA

M T. P I N AT U B O ( F R O M M E X I C O ) , 1 9 9 6 PA S T E L O N PA P E R 22 X 30 INCHES SIGNED LOWER LEFT P R O V E N A N C E : M A N G E L G A L L E RY,

P H I L A D E L P H I A , PA C O R R I N E S T O N E , P H I L A D E L P H I A , PA

HOWARD MEHRING AMERICAN, 1931-1978

UNTITLED, C. 1962 O I L O N C O L L A G E D U N P R I M E D C A N VA S 44 X 44 INCHES PROVENANCE:

C O L L E C T I O N O F G I L B E RT & S A N D R A O K E N

PIETRO CONSAGRA I TA L I A N , 1 9 2 0 - 2 0 0 5

UNTITLED, 1961 BRONZE 15 H X 14 W X 1Â½ D INCHES S I G N E D A N D D AT E D P R O V E N A N C E : R A L E Y E S TAT E , H A R R I S V I L L E , N H

ALMA THOMAS AMERICAN, 1891-1978

UNTITLED, C. 1960 WAT E R C O L O R O N PA P E R 22 X 30 INCHES SIGNED LOWER RIGHT P R O V E N A N C E : T H E A RT I S T

P R I VAT E C O L L E C T I O N , G E O R G I A A RT 7 0 T H G A L L E RY, N E W Y O R K , N Y J A S O N H . W R I G H T, N E W Y O R K

ESTEBAN VICENTE S PA N I S H / A M E R I C A N , 1 9 0 3 - 2 0 0 1

O I L O N C A N VA S

LEON BERKOWITZ

27 X 38 INCHES

AMERICAN, 1919-1987

G O YA E S C A S , 1 9 8 4

S I G N E D , T I T L E D , A N D D AT E D V E R S O P R O V E N A N C E : G R E U N E B A U M G A L L E RY, N E W Y O R K

THE POOL I, 1976 O I L O N C A N VA S 110 X 58 INCHES SIGNED VERSO P R O V E N A N C E : B A U M G A RT N E R G A L L E R I E S ,

I N C . , D C ; T H E A RT S C L U B O F C H I C A G O ; A C A GALLERIES, NY (LABELS VERSO)

PAUL REED AMERICAN, 1921-2006

INTERCHANGE X, 1966 O I L O N C A N VA S 62 ½ X 106 ½ INCHES S I G N E D , T I T L E D A N D D AT E D V E R S O PROVENANCE:

P R O P E RT Y F R O M T H E S H I R L E Y RYA N A B I L I T Y L A B , CHICAGO, ILLINOIS

ALICE TRUMBULL MASON

PA R A D O X N O . 2 , D E L I C AT E C O M PA S S , 1 9 6 9

AMERICAN, 1904-1971

N E U B E R G E R M U S E U M , S TAT E U N I V E R S I T Y O F N E W Y O R K ,

O I L O N C A N VA S 25 ½ X 22 ½ INCHES I N I T I A L E D A N D D AT E D L O W E R R I G H T P R O V E N A N C E : WA S H B U R N G A L L E RY, N E W Y O R K E X H I B I T E D : “ T H E P R I VAT E E Y E , ” 8 - 1 0 J U N E 1 9 8 4 ,

PURCHASE, NY

CHARLES HOWARD AMERICAN, 1899-1978

PA I N T I N G 1 9 6 3 ( I I ) , 1 9 6 3 O I L O N C A N VA S 33 X 45 ¾ INCHES S I G N E D W I T H I N I T I A L S A N D D AT E D ‘ C H / 6 3 ’ P R O V E N A N C E : M C R O B E RT S & T U N N A R D L I M I T E D ,

L O N D O N . P R O P E RT Y F R O M T H E C O L L E C T I O N O F E L I Z A B E T H BROOKE BLAKE

ILYA BOLOTOWSKY RUSSIAN/AMERICAN, 1907-1981

W H I T E H O R I Z O N TA L W I T H B L U E , R E D , A N D Y E L L O W, 1 9 7 3 A C RY L I C O N C A N VA S 30 X 65 INCHES S I G N E D A N D D AT E D L O W E R R I G H T P R O V E N A N C E : G R A C E B O R G E N I C H T G A L L E RY,

INC., NEW YORK YA R E S G A L L E RY, S C O T T S D A L E SOTHEBYâ&#x20AC;&#x2122;S, NEW YORK, OCTOBER 5, 1989,LOT 98 A C Q U I R E D AT T H E A B O V E S A L E B Y T H E P R E S E N T OWNER E X H I B I T E D : F O RT WAY N E A RT I N S T I T U T E

M U S E U M O F A RT, I LYA B O L O T O W S K Y: A RT I S T I N R E S I D E N C E , A P R I L 2 1 - M AY 2 8 , 1 9 7 8

ESTEBAN VICENTE

CADENCE, 1985

S PA N I S H / A M E R I C A N , 1 9 0 3 - 2 0 0 1

SIGNED LOWER LEFT

MIXED MEDIA AND COLLAGE ON C A N VA S 29 ½ X 33 ½ INCHES P R O V E N A N C E : P R I VAT E

C O L L E C T I O N , M A D R I D , S PA I N

PAUL JENKINS AMERICAN, 1923-2012

PHENOMENA TRACES OF THE TIDE, 1969 A C RY L I C O N C A N VA S 80 X 40 INCHES SIGNED LOWER LEFT PROVENANCE:

M A RT H A J A C K S O N G A L L E RY, N E W Y O R K ACQUIRED FROM THE ABOVE BY THE PRESENT OWNER

NORMAN BLUHM AMERICAN, 1921–1999

U N K N O W N N AT U R E , 1 9 5 6 O I L O N C A N VA S 51 X 76 ½ INCHES S I G N E D , T I T L E D A N D D AT E D V E R S O P R O V E N A N C E : I RV I N G G A L L E R I E S , PA L M B E A C H

ACQUIRED FROM THE ABOVE BY THE PRESENT OWNER

GLOUCESTER CALIMAN COXE AMERICAN, 1907-1999

F R O M A W I N D O W, 1 9 6 9 O I L O N C A N VA S 72 ½ X 31 ½ INCHES SIGNED LOWER RIGHT P R O V E N A N C E : T H E J O H N S O N P U B L I S H I N G C O M PA N Y,

INC., CHICAGO

RAY PARKER

GREEN AND RED, 1960

AMERICAN, 1922-1990

65 X 65 INCHES

O I L O N C A N VA S S I G N E D A N D D AT E D V E R S O P R O V E N A N C E : PA U L K A N T O R G A L L E RY, L O S A N G E L E S , C A

P R I VAT E C O L L E C T I O N , PA L M B E A C H , F L O R I D A

FRANK WIMBERLEY AMERICAN, B. 1926

DETOUR, 1965 O I L O N C A N VA S 30 X 40 INCHES SIGNED LOWER RIGHT P R O V E N A N C E : P R I VAT E C O L L E C T I O N , M A I N E

FRIEDEL DZUBAS

WAY C R O S S , 1 9 6 2

GERMAN/AMERICAN, 1915-1994

72 X 65 INCHES

O I L O N C A N VA S S I G N E D , T I T L E D , A N D D AT E D V E R S O P R O V E N A N C E : A M E R I N G E R & H O WA R D F I N E A RT, B O C A R AT O N ,

FLORIDA E X H I B I T E D : FRIEDEL DZUBAS: A RETROSPECTIVE EXHIBITION,

M U S E U M O F F I N E A RT S , H O U S T O N , O C T O B E R - N O V E M B E R 1 9 7 4 , C AT. N O . 9 , P. 2 6 ( I L L U S T R AT E D ) F R I E D E L D Z U B A S : PA I N T I N G S O F T H E 1 9 6 0 S , A M E R I N G E R / H O WA R D F I N E A RT, N E W Y O R K , M A R C H - A P R I L 2 0 0 1

ROY LICHTENSTEIN AMERICAN, 1923-1997

M O D E R N TA P E S T RY, 1 9 6 8 W O O L , C U T P I L E W E AV E TA P E S T RY 107 ½ X 144 ¾ INCHES S I G N AT U R E S T I T C H E D V E R S O ; E D I T I O N O F 2 0 P R O V E N A N C E : M O D E R N M A S T E R TA P E S T R I E S I N C .

N E W Y O R K , N Y; S P E R RY D I V I S I O N O F S P E R RY R A N D , G R E AT N E C K , N Y, 1 9 7 2 ; N O RT H R U P G R U M M A N , B E T H PA G E , N Y; E A C G A L L E RY, R O S LY N H E I G H T S , N Y, 1 9 9 9 ( A U C T I O N S A L E N R . A N D L O T N O . U N K N O W N ) ; R O B E RT H E A R L E , N E W Y O R K , N Y; M A R I N A H E A R L E , 2 0 1 2 ( B Y D E S C E N T ) . REFERENCE: LC 531; SKN 38; RL 0181.UNKN15

ELIZABETH CATLETT AMERICAN, 1915–2012

S T E P P I N G O U T, 1 9 8 7 BRONZE SCULPTURE 30 X 9 ½ X 7 INCHES INSCRIBED “EC” P R O V E N A N C E : P R I VAT E C O L L E C T I O N ,

M E X I C O C I T Y, M E X I C O

ERNIE BARNES

O I L O N C A N VA S

AMERICAN, 1938â&#x20AC;&#x201C;2009

32 X 38 INCHES

F O O T B A L L P L AY E R S , 1 9 6 6

SIGNED LOWER RIGHT PROVENANCE:

P R I VAT E C O L L E C T I O N , L O S A N G E L E S

ROBERT NATKIN AMERICAN, 1930-2010

UNTITLED, 1957 O I L O N C A N VA S 74 ½ X 86 ½ INCHES S I G N E D A N D D AT E D U P P E R R I G H T P R O V E N A N C E : E S TAT E O F B E N A N D N ATA L I E H E I N E M A N

ESTEBAN VICENTE S PA N I S H / A M E R I C A N , 1 9 0 3 - 2 0 0 1

UNTITLED, 1985 PA S T E L , C O L L A G E A N D WA S H O N PA P E R 30 X 22 INCHES S I G N E D A N D D AT E D L O W E R R I G H T I N S C R I B E D T O D AV I D L O W E R L E F T P R O V E N A N C E : P R I VAT E C O L L E C T I O N ,

NEW YORK

ROBERT GOODNOUGH AMERICAN, 1917-2010

U LY S S E S I I I , 1 9 5 9 O I L O N C A N VA S 54 X 60 INCHES S I G N E D A N D D AT E D L O W E R R I G H T P R O V E N A N C E : P R I VAT E C O L L E C T I O N ,

CHICAGO

CLEVE GRAY AMERICAN, 1918â&#x20AC;&#x201C;2004

RAQIA, 1994 A C RY L I C O N C A N VA S 45 X 72 INCHES S I G N E D A N D D AT E D V E R S O P R O V E N A N C E : P R I VAT E C O L L E C T I O N , C T

EDWARD DUGMORE AMERICAN, 1915-1996

UNTITLED, 1953 O I L O N C A N VA S 90 1/4 X 58 1/8 INCHES S I G N E D A N D D AT E D V E R S O P R O V E N A N C E : COLLECTION OF

T H E A RT I S T, N E W Y O R K P R I VAT E C O L L E C T I O N , CONNECTICUT M A N N Y S I LV E R M A N G A L L E RY, LOS ANGELES A C Q U I R E D D I R E C T LY F R O M T H E ABOVE BY THE PRESENT OWNER

MARCH AVERY

C H E C K E R P L AY E R S , 1 9 6 1

AMERICAN, BORN 1932

31 ½ X 47 ½ INCHES

O I L O N C A N VA S S I G N E D A N D D AT E D B O T T O M L E F T P R O V E N A N C E : P R I VAT E C O L L E C T I O N ,

P E N N S Y LVA N I A

JOHN LITTLE AMERICAN, 1907 - 1984

SINHALA, 1970 T E M P E R A O N C A N VA S 56 X 60 INCHES S I G N E D A N D D AT E D L O W E R L E F T PROVENANCE:

T H E E S TAT E O F T H E A RT I S T

ILYA BOLOTOWSKY AMERICAN, 1907-1981

PA L E T O N D O , 1 9 6 1 O I L O N C A N VA S 23 Â½ INCH DIAMETER S I G N E D A N D D AT E D L O W E R R I G H T P R O V E N A N C E : P R I VAT E C O L L E C T I O N

G R A C E B O R G E N I C H T G A L L E RY, I N C . , N E W Y O R K P R I VAT E C O L L E C T I O N , N E W Y O R K

RED TONDO, 1977 O I L O N C A N VA S 20 INCH DIAMETER SIGNED LOWER RIGHT PROVENANCE:

F. B . H O R O W I T Z F I N E A RT, H O P K I N S , M N

P R I VAT E C O L L E C T I O N , S T. L O U I S , M O

MICHAEL LOEW AMERICAN 1907-1985

CUBIST NUDES, 1950-1951 I N K O N PA P E R 9 X 6 INCHES E A C H S I G N E D A N D D AT E D PROVENANCE:

T H E E S TAT E O F T H E A RT I S T

ANTOINE PONCET SWISS, B. 1928

ECHOSILLOGIQUES, 1976 WHITE MARBLE ON A MARBLE BASE 22 ¾ X 15 ¾ X 11 ½ INCHES WITH BASE: 26 X 15 ¾ X 11 ½ INCHES SIGNED LOWER EDGE “AP”, SIGNED ON BASE “PONCET” PROVENANCE:

P R I VAT E C O L L E C T I O N , N E W Y O R K

WALTER SANFORD AMERICAN, 1912-1987

SUSAN AND FRIEND, 1948 OIL ON BOARD 30 X 24 INCHES S I G N E D A N D D AT E D U P P E R R I G H T P R O V E N A N C E : P R O P E RT Y F R O M T H E C O L L E C T I O N

OF KENNETH AND SHIRLEY BUTLER, CHICAGO, ILLINOIS

PAUL KELPE GERMAN/ AMERICAN, 1902-1985

STILL LIFE WITH BOTTLES, G L A S S A N D G R AT E R , C . 1 9 2 2 O I L O N W O O D PA N E L 19 Â¼ X 35 INCHES SIGNED LOWER LEFT P R O V E N A N C E :

P R I VAT E C O L L E C T I O N , N E W O R L E A N S

ISMAEL DE LA SERNA S PA N I S H , 1 8 9 8 - 1 9 6 8

S T I L L L I F E W I T H G U I TA R , 1 9 3 0 O I L O N C A N VA S 31 Â½ X 23 INCHES S I G N E D A N D D AT E D L O W E R L E F T P R O V E N A N C E : PROVENANCE: HAMMER GALLERIES, NEW YORK

( S TA M P O N V E R S O S T R E T C H E R ) C O L L E C T I O N O F I N T E R N AT I O N A L LY R E N O W N E D V I O L I N E X P E RT J A C Q U E S F R A N C A I S A N D T E L E V I S I O N A C T R E S S , B R O A D WAY, F I L M A N D C A B A R E T S TA R LY N N E C H A R N AY F R A N C A I S

L E M AT I N , C . 1 9 3 0 O I L O N C A N VA S 31 7/8 X 21 1/4 INCHES SIGNED LOWER RIGHT P R O V E N A N C E : H A M M E R G A L L E R I E S , N E W Y O R K ( S TA M P O N V E R S O S T R E T C H E R )

C O L L E C T I O N O F I N T E R N AT I O N A L LY R E N O W N E D V I O L I N E X P E RT J A C Q U E S F R A N C A I S A N D T E L E V I S I O N A C T R E S S , B R O A D WAY, F I L M A N D C A B A R E T S TA R LY N N E C H A R N AY FRANCAIS

EMILIO CRUZ AMERICAN, 1938-2004

F I G U R AT I V E C O M P O S I T I O N # 5 , 1 9 6 4 O I L O N C A N VA S 32 X 40 INCHES S I G N E D & D AT E D , R O M E , I TA LY O N V E R S O P R O V E N A N C E : M A RT H A J A C K S O N G A L L E RY,

NEW YORK (LABEL VERSO) P R I VAT E C O L L E C T I O N , M A I N E

ILYA BOLOTOWSKY

A C RY L I C O N W O O D

AMERICAN, 1907–1981

18¼ X 3¼ X 3¼ INCHES

COLUMN #11, 1963

S I G N E D A N D D AT E D B O T T O M R I G H T P R O V E N A N C E : P R I VAT E C O L L E C T I O N ,

C O L O R A D O ( A C Q U I R E D D I R E C T LY F R O M T H E A RT I S T I N 1 9 9 1 )

UNTITLED, C. 1965 A C RY L I C O N W O O D 13 ¾ X 2 X 2 INCHES SIGNED P R O V E N A N C E : A L B E RT G O L D M A N

G A L L E RY, F L O R I D A E R I C C O L L I N S , D E L AWA R E B E T H U R D A N G F I N E A RT, C H I C A G O

100

ILYA BOLOTOWSKY AMERICAN, 1907–1981

ORANGE, YELLOW AND BLUE TONDO, 1976 A C RY L I C O N C A N VA S 39 ½ INCH DIAMETER S I G N E D , D AT E D A N D T I T L E D O N S T R E T C H E R V E R S O P R O V E N A N C E : A C Q U I R E D D I R E C T LY F R O M T H E

A RT I S T I N 1 9 7 9 B Y D R . A N D M R S . S A N F O R D W E I N G E R , EDISON, NJ. THE WEINGER’S WERE FRIENDS OF THE A RT I S T, A N D T H E I R C O L L E C T I O N I N C L U D E S A 1 9 7 7 E X H I B I T I O N P O S T E R P E R S O N A L LY I N S C R I B E D B Y T H E A RT I S T

101

ALEXANDER CORAZZO FRENCH/AMERICAN, 1908-1971

102

T H R E E R E L AT E D S T R U C T U R E S , C . 1 9 3 0 â&#x20AC;&#x2122; S O I L O N C A N VA S 30 X 40 INCHES SIGNED ON SIDE PROVENANCE:

P R I VAT E C O L L E C T I O N , M I N N E S O TA

VERNON NEWSWANGER AMERICAN, 1901-1980

PA R I S , 1 9 2 8 OIL ON LINEN 32 X 24 INCHES S I G N E D , T I T L E D A N D D AT E D L O W E R L E F T PROVENANCE:

P R I VAT E C O L L E C T I O N , N E W J E R S E Y

103

104

GENE DAVIS AMERICAN, 1920–1985

QUEEN BEE, 1975 A C RY L I C O N C A N VA S 68 ½ X 89 ½ INCHES SIGNED, TITLED, A N D D AT E D V E R S O P R O V E N A N C E :

P R I VAT E C O L L E C T I O N , G R E AT FA L L S C H A R L E S C O W L E S G A L L E RY, NEW YORK

105

RAY PARKER

UNTITLED, 1963

AMERICAN, 1922-1990

41 X 53 INCHES

A C RY L I C O N C A N VA S S I G N E D A N D D AT E D V E R S O P R O V E N A N C E : K O O T Z G A L L E RY, N E W Y O R K

P R I VAT E C O L L E C T I O N , N E W Y O R K

106

ESPHYR SLOBODKINA RUSSIAN/AMERICAN, 1908-2002

UNTITLED, 1943-1983 O I L O N C A N VA S 46 X 48 INCHES S I G N E D A N D D AT E D L O W E R C E N T E R PROVENANCE:

P P R I VAT E C O L L E C T I O N , M I A M I

107

108

BENNY ANDREWS AMERICAN, 1930-2006

THE OFFERING, 1964 O I L O N C A N VA S 24 ½ X 38 ½ INCHES S I G N E D , T I T L E D A N D D AT E D V E R S O PROVENANCE:

P R I VAT E C O L L E C T I O N , C H I C A G O , I L

109

VICTOR SEACH

JAZZ SINGER, 1948

AMERICAN, 1918-1991

31 X 42 INCHES

O I L O N L I N E N C A N VA S SIGNED LOWER RIGHT P R O V E N A N C E : P R I VAT E C O L L E C T I O N ,

E A S T H A M P T O N , N Y; P R I VAT E C O L L E C T I O N , BOSTON (1995)

110

WILLIAM SYLVESTER CARTER

WOMEN IN INTERIOR, 1981 OIL ON MASONITE 30 X 23 Â¾ INCHES S I G N E D A N D D AT E D L O W E R C E N T E R P R O V E N A N C E : P R O P E RT Y F R O M T H E C O L L E C T I O N

OF KENNETH AND SHIRLEY BUTLER, CHICAGO, ILLINOIS

AMERICAN, 1909-1996

111

THEODOROS STAMOS GREEK/AMERICAN, 1922-1997

INFINITY FIELD, (LEFKADA SERIES), 1979 A C RY L I C O N C A N VA S 76 X 58 INCHES S I G N E D , T I T L E D , A N D D AT E D V E R S O P R O V E N A N C E : D O R S K Y G A L L E R I E S LT D . ,

NEW YORK C H R I S T I E ’ S , N E W Y O R K , 2 2 F E B R U A RY 1996, LOT 7 P R I VAT E C O L L E C T I O N CHRISTIE’S, NEW YORK, 15 MARCH 2005, LOT 147 A C Q U I R E D AT T H E A B O V E S A L E B Y T H E PREVIOUS OWNER

112

ROBERT MOTHERWELL AMERICAN, 1915â&#x20AC;&#x201C;1991

113

SALLY MICHEL AVERY AMERICAN 1902-2003

SEASIDE ROAD (BLUES), C. 1975 O I L O N C A N VA S 30 X 40 INCHES SIGNED LOWER LEFT PROVENANCE:

P R O P E RT Y F R O M A M A RY L A N D C O L L E C T I O N

114

SUMMER, 1969 O I L O N C A N VA S B O A R D 19 7/8 X 23 7/8 INCHES S I G N E D A N D D AT E D L O W E R R I G H T P R O V E N A N C E : T H E A RT I S T

A C Q U I R E D F R O M T H E A RT I S T, C I R C A 1 9 8 0 - 8 5

115

MILTON AVERY AMERICAN, 1893-1965

TREES AND TREES, 1962 O I L O N PA P E R 22 ½ X 34 ½ INCHES S I G N E D A N D D AT E D L O W E R R I G H T P R O V E N A N C E : M A R I A N N E F R I E D L A N D G A L L E RY,

NAPLES, FLORIDA P R I VAT E C O L L E C T I O N , T O R O N T O , O N TA R I O

116

117

ESPHYR SLOBODKINA RUSSIAN-AMERICAN, 1908-2002

118

SEAGULL, 1939 O I L O N C A N VA S B O A R D 16 1/8 X 18 INCHES SIGNED VERSO P R O V E N A N C E : E D WA R D R E Y N O L D S D O W N E , J R .

ACQUIRED BY THE PRESENT OWNER, 1989

S U B - Z E R O T E C H N O L O G Y, 1 9 8 2 OIL ON BOARD 48 X 24 INCHES SIGNED LOWER RIGHT P R O V E N A N C E : T H E E S TAT E O F T H E A RT I S T

119

GEORGE VRANESH

THE COUCH, 1950S

AMERICAN, 1926 - 2014

26 X 36 INCHES

O I L O N C A N VA S SIGNED UPPER RIGHT P R O V E N A N C E : T H E E S TAT E O F T H E A RT I S T E X H I B I T E D : M O N TA N A R O G A L L E RY, N E W P O RT, R I

120

BUTTON DOWN JAZZ, 1957 O I L O N C A N VA S 28 X 36 INCHES S I G N E D A N D D AT E D L O W E R R I G H T P R O V E N A N C E : T H E E S TAT E O F T H E A RT I S T E X H I B I T E D : M O N TA N A R O G A L L E RY, N E W P O RT, R I

121

BALCOMB GREENE AMERICAN, 1904â&#x20AC;&#x201C;1990

BALANCED MOVING, 1938 O I L O N C A N VA S 32 X 48 INCHES I N I T I A L E D AT L O W E R R I G H T; S I G N E D A N D T I T L E D VERSO P R O V E N A N C E : A RT H U R A N D A N I TA K A H N

COLLECTION, NEW YORK

122

123

CHARLES GREEN SHAW AMERICAN, 1892-1974

P O LY G O N I N S PA C E , 1 9 6 9 O I L O N C A N VA S 40 X 30 INCHES S I G N E D A N D D AT E D V E R S O P R O V E N A N C E : T H E E S TAT E O F

T H E A RT I S T CHARLES CARPENTER, BY BEQUEST P R I VAT E C O L L E C T I O N , N E W J E R S E Y E X H I B I T E D :

S PA N I E R M A N G A L L E RY, N E W Y O R K , I M PA C T, M O V E M E N T, A N D S I M P L I F I C AT I O N : PA I N T I N G S B Y C H A R L E S G R E E N S H AW, F E B R U A RY 23â&#x20AC;&#x201C;MARCH 24, 2012.

124

ALEXANDER LIBERMAN UKRAINIAN, 1912-1999

B L A C K - Y E L L O W, 1 9 6 2 O I L O N C A N VA S 24 X 24 INCHES S I G N E D , D AT E D A N D T I T L E D V E R S O P R O V E N A N C E :

P R I VAT E C O L L E C T I O N , H AWA I I

125

JOHN HENRY AMERICAN, B. 1943

MICHAEL CORINNE WEST AMERICAN, 1908-1991

ZEFFIRELLI’S EASEL, 2012 PA I N T E D A L U M I N U M 58 ½ X 17 X 13 INCHES SIGNED ON BASE P R O V E N A N C E :

T H E A RT I S T

J U N E 1 9 6 4 , S PA C E S T U D Y ( G O O D M O R N I N G ) , 1 9 6 4 O I L O N C A N VA S 75 ½ X 50 ¾ INCHES S I G N E D A N D D AT E D L O W E R R I G H T P R O V E N A N C E : P R I VAT E C O L L E C T I O N , C A

126

JAY ROSENBLUM

UNTITLED, C. 1980

AMERICAN, 1933-1989

34 ¾ X 39 ¾ INCHES

O I L O N C A N VA S P R O V E N A N C E :

P R I VAT E C O L L E C T I O N , N E W Y O R K

127

JULIAN STANCZAK POLISH-AMERICAN, 1928-2017

SHARING IN ORANGE, 1970 A C RY L I C O N C A N VA S 42 X 42 INCHES S I G N E D V E R S O ; S I G N E D , T I T L E D A N D D AT E D O N STRETCHER P R O V E N A N C E : M A RT H A J A C K S O N G A L L E RY, N E W

YORK ACQUIRED FROM THE ABOVE BY THE PRESENT O W N E R I N F E B R U A RY 1 9 7 1 E X H I B I T E D : N E W Y O R K , M A RT H A J A C K S O N

G A L L E RY, J U L I A N S TA N C Z A K , 1 9 7 1

128

129

CAIO FONSECA AMERICAN, B. 1959

F I F T H S T R E E T PA I N T I N G C 0 2 . 3 1 , 2 0 0 2 P O LY M E R , P O W D E R E D P I G M E N T S A N D WA X O N C A N VA S 37 Â¼ X 49 INCHES SIGNED LOWER LEFT P R O V E N A N C E : A C Q U I R E D D I R E C T LY F R O M T H E A RT I S T B Y

THE PRESENT OWNER

130

JOSE PEDRO COSTIGLIOLO U R U G U AYA N , 1 9 0 2 - 1 9 8 5

UNTITLED, 1969 O I L O N C A N VA S 39 ½ X 39 ½ INCHES S I G N E D A N D D AT E D L O W E R R I G H T PROVENANCE:

PURCHASED BY PREVIOUS OWNER FROM THE B R U Z Z O N E G A L E R I A D E A RT E ( U R U G U AY ) I N T H E 1970S

131

JOHN FERREN AMERICAN, 1905-1970

M O J AV E # 1 , 1 9 5 4 O I L O N C A N VA S 50 X 82 INCHES S I G N E D , D AT E D A N D T I T L E D VERSO P R O V E N A N C E :

S TA B L E G A L L E RY, N E W Y O R K ; A M S A C H S G A L L E RY, N E W Y O R K ; M A RV I N K O E N I G ; CARNEGIE INSTITUTE, P I T T S B U R G H , PA ( 1 9 5 5 )

132 130

133

ILYA BOLOTOWSKY RUSSIAN/AMERICAN, 1907-1981

CARL HOLTY AMERICAN, 1900-1973

GOLDEN TONDO B, 1974 A C RY L I C O N W O O D 30 INCH DIAMETER

UNTITLED, 1959

S I G N E D A N D D AT E D L O W E R R I G H T

O I L O N C A N VA S

P R O V E N A N C E : T H E C O L L E C T I O N O F TA M A R A

76 X 60 INCHES

A N D N O R M A N B O L O T O W, R H O D E I S L A N D

SIGNED LOWER RIGHT

SOTHEBYâ&#x20AC;&#x2122;S LOT 278, NOVEMBER 5TH, 1987

P R O V E N A N C E : S P E E D A RT M U S E U M ,

E X H I B I T E D : G R A C E B O R G E N I C H T G A L L E RY, N Y

LOUISVILLE, KY

134

135

136

JANE PIPER AMERICAN 1916-1991

R E D AT T H E C E N T E R , C . 1 9 8 0 O I L O N C A N VA S 48 X 60 INCHES SIGNED LOWER LEFT PROVENANCE:

VEERHOFF GALLERIES (LABEL VERSO) P R I VAT E C O L L E C T I O N , B E R K E L E Y, C A L I F O R N I A

137

HELEN LUNDEBERG AMERICAN, 1908-1999

WINDBLOWN, 1964 O I L O N C A N VA S 40 X 60 INCHES S I G N E D A N D D AT E D V E R S O ; T I T L E D O N L A B E L P R O V E N A N C E : A N K R U M G A L L E RY, L O S

ANGELES, CA (LABEL VERSO)

ANDREW DASBURG AMERICAN, 1887-1979

STILL LIFE, 1934 PA S T E L O N PA P E R 17 X 19 INCHES S I G N E D A N D D AT E D L O W E R L E F T P R O V E N A N C E : P R I VAT E C O L L E C T I O N , N E W Y O R K

138

PAUL BURLIN AMERICAN, 1886-1969

139

ROBERT RAUSCHENBERG AMERICAN, 1925-2008

UNTITLED, 1979 S O LV E N T T R A N S F E R A N D FA B R I C C O L L A G E D O N PA P E R 23 X 31 Â½ INCHES SIGNED LOWER CENTER P R O V E N A N C E : T H E A RT I S T

G I F T F R O M T H E A RT I S T T O T I M P H A R R P R I VAT E C O L L E C T I O N , PA L M B E A C H , F L

140

141

NICOLAS CARONE AMERICAN, 1917-2010

UNTITLED, C. 1957 O I L O N C A N VA S 19 X 23 INCHES SIGNED LOWER RIGHT PROVENANCE:

WA S H B U R N G A L L E RY,

NEW YORK (LABEL VERSO)

142

JAMES BROOKS AMERICAN, 1906-1992

GAREE, 1969 A C RY L I C O N C A N VA S 32 X 38 INCHES SIGNED LOWER LEFT PROVENANCE:

M A RT H A J A C K S O N G A L L E RY,

NEW YORK. ACQUIRED FROM THE ABOVE BY THE PRESENT OWNER

143

HARRY BERTOIA AMERICAN, 1915-1978

S O N A M B I E N T W I T H H E AV Y C AT TA I L S , C . 1 9 7 0 B E RY L L I U M C O P P E R R O D S A N D C Y L I N D E R S S I LV E R E D T O B R A S S B A S E 22 Â¾ X 7 X 7 INCHES P R O V E N A N C E : P R I VAT E

C O L L E C T I O N , H AV E R F O R D , P E N N S Y LVA N I A A C C O M PA N I E D B Y A C E RT I F I C AT E O F A U T H E N T I C I T Y

144

MICHAEL CORINNE WEST AMERICAN, 1908-1991

CYTHERA SHRINE, 1979 O I L O N C A N VA S 74 Â½ X 48 INCHES S I G N E D , T I T L E D A N D D AT E D V E R S O PROVENANCE:

T H E E S TAT E O F T H E A RT I S T

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146

JACK ROTH AMERICAN, 1927-2004

UNTITLED, 1964 O I L O N C A N VA S 93 X 119 INCHES S I G N E D A N D D AT E D L O W E R C E N T E R P R O V E N A N C E : T H E E S TAT E O F T H E A RT I S T

147

ROBERT MOTHERWELL AMERICAN, 1915–1991

CABARET #4, 1974 COLLAGE WITH GERMAN SHEET MUSIC, T O R N PA P E R , P E N C I L A N D A C RY L I C 22 X 10 ½ INCHES I N I T I A L E D R M A N D D AT E D L O W E R R I G H T P R O V E N A N C E : THE (HANNELORE)

SCHULHOF COLLECTION

148

NICOLAS CARONE AMERICAN, 1917-2010

UNTITLED, C. 1950S O I L O N C A N VA S 19 X 23 INCHES SIGNED LOWER RIGHT P R O V E N A N C E : WA S H B U R N G A L L E RY,

NEW YORK (LABEL VERSO)

149

CONRAD MARCA-RELLI AMERICAN, 1913-2000

WA I T I N G N O . L - 1 0 - 8 1 - 8 2 , 1 9 8 1 - 8 2 M I X E D M E D I A C O L L A G E O N C A N VA S 46 Â½ X 41 1/5 INCHES SIGNED LOWER RIGHT P R O V E N A N C E : AT E L I E R O F T H E A RT I S T

M A R L B O R O U G H G A L L E RY, N E W Y O R K ( L A B E L V E R S O ) P R I VAT E C O L L E C T I O N , WAY N E , N J

150

THE POOL GAME, 1981 O I L O N B U R L A P, FA B R I C , PA P E R , P R I N T E D PA P E R , A N D N E W S P R I N T C O L L A G E O N C A N VA S 48 X 55 5/8 INCHES SIGNED LOWER CENTER P R O V E N A N C E : P R I VAT E C O L L E C T I O N , N E W Y O R K

151

FRANÃ&#x2021;OIS AUBRUN FRENCH, 1934-2009

UNTITLED, #431, 1987 O I L O N C A N VA S 38 1/8 X 51 1/8 INCHES SIGNED VERSO P R O V E N A N C E : T H E E S TAT E O F T H E A RT I S T

152

153

VIVIAN SPRINGFORD AMERICAN, 1914-2003

UNTITLED (VS 019), C. 1961-62 A C RY L I C O N C A N VA S 48 X 58 INCHES E S TAT E S TA M P E D V E R S O P R O V E N A N C E : T H E E S TAT E O F T H E A RT I S T

154

155

JOHN STEPHAN

DISC #3, 1970

AMERICAN, 1906â&#x20AC;&#x201C;1995

68 X 70 INCHES

A C RY L I C O N C A N VA S S I G N E D , D AT E D A N D E S TAT E S TA M P E D V E R S O P R O V E N A N C E : T H E E S TAT E O F T H E A RT I S T

156

DISC #2, 1971 A C RY L I C O N C A N VA S 70 X 68 INCHES S I G N E D , D AT E D A N D E S TAT E S TA M P E D V E R S O P R O V E N A N C E : T H E E S TAT E O F T H E A RT I S T

157

158

PAUL BURLIN AMERICAN, 1886 - 1969

SAID COULDNâ&#x20AC;&#x2122;T BE DONE, 1959 O I L O N C A N VA S 84 X 66 INCHES S I G N E D A N D D AT E D AT L O W E R R I G H T P R O V E N A N C E : T H E E S TAT E O F T H E A RT I S T

159

ANNE RYAN AMERICAN, 1889-1954

UNTITLED, 1951 M I X E D M E D I A C O L L A G E O N PA P E R 8 ½ X 11 INCHES SIGNED LOWER RIGHT P R O V E N A N C E : P R I VAT E

C O L L E C T I O N , PA L M B E A C H , F L

CONRAD MARCA-RELLI AMERICAN, 1913–2000

U N T I T L E D 4 4 8 4 , C . L AT E 1 9 5 0 S FA B R I C C O L L A G E A N D I N K O N B O A R D 9 X 9 INCHES SIGNED LOWER LEFT P R O V E N A N C E : P R I VAT E C O L L E C T I O N , N E W Y O R K

G A RY S N Y D E R F I N E A RT, N E W Y O R K ACQUIRED FROM THE ABOVE BY THE PRESENT OWNER THIS WORK IS REGISTERED WITH THE ARCHIVIO MARCA-RELLI, PA R M A A S A R C H I V E N U M B E R M R - 6 1 9 4 / © A R C H I V I O M A R C A R E L L I , PA R M A .

160

ADOLPH GOTTLIEB

COMPOSITION, 1947

AMERICAN, 1903-1974

8 Â¾ X 12 INCHES

I N K O N PA P E R S I G N E D , I N S C R I B E D , A N D D AT E D U P P E R L E F T P R O V E N A N C E : D AV I D K L E I N G A L L E RY, M I

161

RICHARD ANUSZKIEWICZ AMERICAN, B. 1930

UNTITLED II, 1968 A C RY L I C O N PA N E L 16 5/8 X 16 5/8 INCHES S I G N E D , D AT E D A N D D E D I C AT E D ‘ T O M AT T ’ O N V E R S O P R O V E N A N C E : P R I VAT E C O L L E C T I O N , C O N N E C T I C U T

SOTHEBY’S, NEW YORK, 19 OCTOBER 1995, LOT 392 P R I VAT E C O L L E C T I O N , O H I O ACQUIRED FROM THE ABOVE BY THE PRESENT OWNER L I T E R A T U R E : D AV I D M A D D E N A N D N I C H O L A S S P I K E ,

‘ A N U S K I E W I C Z : PA I N T I N G S A N D S C U L P T U R E S 1 9 4 5 – 2 0 0 1 ’ , F L O R E N C E 2 0 1 1 , C AT. N O . 1 9 6 8 . 5 2 , P. 1 5 7

162

ILYA BOLOTOWSKY AMERICAN, 1907-1981

ELLIPSE WITH YELLOWS, 1977 A C RY L I C O N C A N VA S 51 ½ X 35 ½ INCHES P R O V E N A N C E : P R O V E N A N C E : R I VA YA R E S

G A L L E RY, S C O T T S D A L E , A Z P R I VAT E C O L L E C T I O N , N E W H A M P S H I R E

163

LEON BERKOWITZ AMERICAN, 1919-1987

164

C AT H E D R A L # 1 2 , 1 9 6 7 O I L O N C A N VA S 90 X 72 INCHES P R O V E N A N C E : T H E E S TAT E O F T H E A RT I S T E X H I B I T E D : B A U M G A RT N E R G A L L E R I E S

WA S H I N G T O N , D C

JACK ROTH AMERICAN, 1927â&#x20AC;&#x201C;2004

C AT H E D R A L # 1 4 , C . 1 9 6 6 O I L O N C A N VA S 90 X 72 INCHES P R O V E N A N C E : T H E E S TAT E O F T H E A RT I S T EXHIBITED:

B A U M G A RT N E R G A L L E R I E S

WA S H I N G T O N , D C

165

JACK ROTH AMERICAN, 1927-2004

ROPE DANCER #11, 1980 A C RY L I C O N C A N VA S 50 X 67 INCHES S I G N E D A N D D AT E D L O W E R R I G H T P R O V E N A N C E : T H E E S TAT E O F T H E

A RT I S T

166

167

168

JOHN LITTLE AMERICAN, 1907-1984

RESOLUTION, 1957 O I L O N C A N VA S 50 ½ X 82 ¾ INCHES S I G N E D , T I T L E D A N D D AT E D V E R S O P R O V E N A N C E : T H E E S TAT E O F T H E A RT I S T E X H I B I T E D : A M E R I C A N F E D E R AT I O N O F A RT S

E X H I B I T I O N , N O V. 1 9 5 9 ( L A B E L V E R S O )

169

DANIEL LARUE JOHNSON AMERICAN, 1938-2017

170

UNTITLED, 1971 O I L O N C A N VA S 60 X 60 INCHES S I G N E D A N D D AT E D V E R S O P R O V E N A N C E : P R I VAT E C O L L E C T I O N , C O N N E C T I C U T

171

RICHARD AVEDON AMERICAN, 1923–2004

N A S TA S S J A K I N S K I A N D T H E S E R P E N T, 1 9 8 1 G E L AT I N S I LV E R P H O T O G R A P H 29 X 43 INCHES S I G N E D AV E D O N A P V E R S O P R O V E N A N C E : R I C H A R D AV E D O N

P R I VAT E C O L L E C T I O N , M I L L B R O O K , N Y © 1 9 8 1 B Y R I C H A R D AV E D O N , A L L R I G H T S R E S E RV E D

172

173

JOHANNES SCHIEFER AMERICAN/DUTCH, 1896-1979

N O T E S : S C H I E F E R ’ S PA I N T I N G D E P I C T S T H E “ N E W Y O R K

AT WA R ” M I L I TA RY PA R A D E A N D C I V I L I A N H O M E F R O N T P R O C E S S I O N S U P P O RT I N G T H E W O R L D WA R I I M O B I L I Z AT I O N W H I C H O C C U R R E D O N J U N E 1 3 , 1 9 4 2 . 2 , 5 0 0 , 0 0 0 S P E C TAT O R S AT T E N D E D A N D 5 0 0 , 0 0 0 P E O P L E M A R C H E D U P 5 T H AV E N U E F R O M WA S H I N G T O N S Q U A R E T O 7 9 T H S T R E E T M A K I N G T H I S T H E L A R G E S T PA R A D E E V E R H E L D I N N E W Y O R K C I T Y T O D AT E . T H E

N E W Y O R K PA R A D E , 1 9 4 2

PA R A D E C O I N C I D E D W I T H “ U N I T E D N AT I O N S D AY ” S I X M O N T H S

O I L O N C A N VA S

A F T E R T H E “ D E C L A R AT I O N O F T H E U N I T E D N AT I O N S ” W H I C H WA S

49 7/8 X 40 1/4 INCHES

T H E M A I N T R E AT Y S I G N E D B Y 4 7 G O V E R N M E N T S F O R M A L I Z I N G

S I G N E D , T I T L E D , D AT E D L O W E R R I G H T

T H E “ A L L I E S O F W W I I ” . S C H I E F E R PA I N T E D T H I S I N N E W Y O R K A

P R O V E N A N C E :

Y E A R A F T E R H E F L E D T O T H E S TAT E S F R O M W W I I G E R M A N Y. H E

T H E E S TAT E O F T H E A RT I S T

S E T T L E D W I T H H I S FA M I LY I N L O N G I S L A N D , W H E R E H E WA S T H E C U R AT O R F O R T H E PA R R I S H A RT M U S E U M A N D C O N T I N U E D T O PA I N T A N D E X H I B I T I N N E W Y O R K G A L L E R I E S .

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VA L L A R I N O F I N E A R T 222 EAST 49TH STREET NEW YORK, NY 10017 VA L L A R I N O F I N E A R T. C O M

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