gr_774YE,2.5+ acoRiE4) A .111.Z
.
kapvituf Munnhot
Suidie Culls An Mervin with SherwoM
.
•
.
I No JE KOMI' IA 201111E33
"
Irr
f
-17
400- .74 Pholtogagpners Want to be a featured photographer? Or do you have •an amazing shot and want t your photo published? Vandala wants to feature photo(s) and Photographers of live music and musical acts.
Press Submission Got News? "-""""-' " Need to get it out to the music fans? Vandala accepts all press releases for Concerts, Music News, Album Releases, Tours Annoucements and so much more.
Full Del-Oils On Our Submissions Page wwwwvandalarnagazine.com Bands & Artists Be In Vandala Magazine Got new album? Need it reviewed? Send it to'Us How about a show or tour coming up? Invite 'V &Looking to be Interviewed? Send us a Request!
Join The Vandala Team as a Writer Do you have a passion for music, love goingriogishows listening to albums and writing about them? We wopld,19vt' to see your wcork ! Freelance writers welcome to submit their art;cies-to4 ps! Aiw We also have limited spots for writers to go on assignments such as festivals, shows and access to a ton of albums!
The best seller is back and bigger than ever!
BOTTOM LiNE T i BOOK- CAN REALLY CNANGE YOUR' LiFF.
FOR SM. US
'RAMS MOORE MUSICiANS AND BAS
ULTIMATEJ ARKETING MOE FOR StRintiSiNarPENDENTAUSitiANS-AN7 BANDS
"Essential tools for the modern musician, it's a must-have survival guide!" -S!cope Magazine
OIDEI12
MUSIC FROMM indeperelentffluscprorrrolions.corn
Contents January 2016 Vandala 8 REVIEWS & EDITORIAL Barrence Whitfield 'Under The Savage Sky' (Rock, Soul) Muternath - 'Vitals' (Rock, Soul) Parquet Courts - 'Monastic Living' (Alternative) Dustin Griffin's Top 10 Releases of 2015 Michael Smith's Top 10 Releases of 2015 18 LIVE MUSIC & PHOTOS Wild Performance from Good For Grapes King Diamond - Darkness Reigns Triumphant Three Days Grace & Gogol Bordello Live Phil and Dave Alvin and The Guilty Ones PiL Finish Their 2015 Concert Tour With A Sold Out Show at The Fonda Theater In Hollywood
38 COVER STORY Between The Buried And Me's An Interview with Tommy Giles Rogers Between The Buried And Me's latest album Coma Ecliptic, has seen them taking a bold leap forward into spastic jamming, powerful melodies, and new lyrical/story-telling territories as well, ranking highly on the Best Albums of 2015 Lists of writers and readers alike. On a stop for the tour of this new album, vocalist/keyboardist Tommy Giles Rogers sits down with us to chat.
INTERVIEWS 32 Humble Words with Mike Dean of Corrosion of Conformity 46 Longevity, Momentum, and Suicide Cults An Interview with Sherwood Webber & Joe Keyzer of Skinless 98 Drumming into Destruction with Tom Hunting of Exodus 104 The Power of Protest 108 Love and Gratitude An Interview With Black Cobra
54 LOOK BACK AT 2015 Best of of Vandala Magazine 2015 58 Crystal Lee Photo Hightlights 66 Dana Zuk Photo Hightlights 74 L. Paul Mann Photo Hightlights 82 Heiko Ryll Photo Hightlights
BETWELI THE 1111111E0 AND
Beyond Past and Future E An interview with Tommy Giles Rogers
LIMITED EDITION 20"x30" PRINTS ZAKK WYLDE FROM BLACK LABEL SOCIETY 150 NUMBERED PRINTS
* $60.00 Plus Shipping and Handling Signed on the Back By Photographer Dana Zulu * Unframed *Luster Poster Paper
Get Yours Now at: www.danazukphotography.comiprints Full Name Address Required - Ships Every Friday, Sq&H Not Included
Vandala Magazini
Editors
Comments, Questions, Article copies Interview/Show Coverage Requests VandalaMagazineŠVandalaConcepts.com
Editor In Chief Crystal Lee (Photographer and Journalist)
Submissions
Editor 1 Henkel
All Submission Guidelines can be found on our website at www.vandalamagazine.com
Design & Layout Assistant Erin Torrance
Advertising To advertise with us or to get our rates
Editorial Staff &
Advertising@vandalaconcepts.com
Contributors
Snail Mail
Dustin Griffin - Journalist
For Address Email: vandalaŠvandalaconcepts.com
Matt Bacon - Journalist Sean Barrett - Journalist Jeff Black Musician & Journalist
Subscribe
Dana Zuk Journalist & Photographer Dana Zuk Photography
Subscription to Vandala Includes:
Michael Smith - Journalist
* Vandala Magazine Emailed to you Every month!
Ashton Clemmer - Journalist
* Subscriber Exclusive Content, Music & Downloads
Heiko Ryll Photographer Heiko Ryll Photography
* Free mp3s & Downloads * Automatic Entry into our Contests
L. Paul Mann Journalist & Photographer L. Paul Mann Photography
*Unsubscribe at anytime 1000/0 FREE
Follow Us Online & On Social Media www.VandalaMagazine.Com
Pre
1
laum Reiviiew Barrence Whitfield - 'Under The Savage Sky' (Rock, Sour; By Dustin Griffin - 5/5 Dragons Barrence Whitfield is an old school yelper in the tradition of Screamin' Jay Hawkins, Screamin' Joe Neal and Bunker Hill. His backing band, The Savages, play a kinetic version of rock n' roll that mixes blues, rockabilly, punk rock and r&b. But old school r&b, the raw, gritty stuff.
BARRL NC E WHITFILLD THE AVAC E S
SAVAGE SKY
The Savages were born in the 70's and their greatest period of activity was during the 80's and into the 90's, during which time they released a whopping ten records. They broke up for a while and resurfaced in a slightly altered form in 2010. Since then they've released three more records of white lightening rock and rhythm and blues. Their last record, Dig Thy Savage Soul, was a brilliant, blistering wild dog of an album on modern revivalist label Bloodshot Records.
Under The Savage Sky, their newest record for Bloodshot, picks up directly where Savage Soul left off. 'Willow', the album's kick off track, begins with fuzzy riffage and pounding drums while Barrence baits the listener to 'lose control' in between couplets of poetry. `I'm A Full Grown Man' features horns yelling and guitars yelping and Barrence himself letting loose on the mic assuring us that he can still rock a house and 'sooth any woman', despite his age. Listening to his impassioned delivery, you believe him. `The Claw' features some more down and dirty horns and sludgy guitar, while 'Rock N' Roll Baby' one of the record's best and most frantic tracks, barrels along on its pulsating rhythm like a freight train about to come off its tracks. `Adjunct Street' slows things down a bit, but contains no less passion or conviction on the part of either Barrence, or his Savages. 'Angry Hands' is a dark, swirling track that plays like the musical personification of Hitchcock's The Birds. The guitars squeal and moan in a mournful warning while Barrence spins his macabre tale. Fear not though, because 'Bad News Perfume' is nipping at its heals like a hungry, savage dog. It's a fast, catchy tune that will have you dancing around the house and looking for a woman in a skirt to spin and dip with fury. 'Katy Didn't' is an entertaining track about Barrence meeting his match in a woman who didn't take no shit. It's a fun story and another ripper. The hilariously titled 'Incarceration Casserole' is one of the catchiest tunes on Savage Sky, while 'The Wolf Pack' is a classy throwback tune that wouldn't sound out of place on a Howlin' Wolf record. 'I'm A Good Man' is the musical personification of a man looking for a good woman to settle down with. It reads like a confessional personal ad over dirty horns. And the album closer, 'Full Moon in the Daylight Sky' wraps things up with reflections on shortcomings, musically and lyrically. It's a nice endnote. 08 VandalaMagazine.Com - January 2016
The fact that Barrence Whitfield & The Savages are making music again is a cause for celebration for those of us with the unwavering belief that the 1950's was music's greatest decade and that the greatest music happening during that time was happening underground, in the sweaty, smoky clubs in the bad parts of town. The artists like Bunker Hill who would emerge long enough to cut a track or two and then disappear into the ether, leaving only those few blistering minutes as a record of their ever being there in the first place. Barrence Whitfield & The Savages may have a discography that encompasses a dozen records, but they operate with the same mystique as a band with only a few short moments to bare their souls. And every track on Under The Savage Sky is played with that same kind of blistering conviction that sounds as if it were the last song these boys would ever play. If that's not rock n' roll, nothing is. www.barrencewhitfieldsavages.com
Y.
The Shredders Fa Early Bird Specials-Book www.AxesAndAnchors co
Reiviiew
Mutemath - 'Vitals' (Rock/ Soul) By Michael Smith - 4/5 Dragons Over their careers it has appeared that Mutemath has fallen through the cracks of the indie synth-pop world and have not received the same attention that peers such as Empire of the Sun, Hot Chip, or Cut Copy, have (deservedly) been given. Vitals is an infectiously fun and danceable, but also very deep release. Dance-ability is not the sole , 1, face of the group. Where some synth acts may get lost in creating music that can't live outside of the night club, and while others create songs devoid of c.• the e iynejgo rey t do that b a n et up-tempo pe-ete n mmp pl uo synth hlii gn s - faasnhdi otbeats bnheeam em w ma c tel y talbum Mutemath bal ances play f ul hig h -fashion beats are lush and smooth R&B gold. Whether you're going out on Friday night, planning something more intimate at home, or just wanting to hear songs that fit both of those scenarios, this release is a pleasant addition to your musical routine. Solid, boisterous, flashy, romantic, sexy, and slick, this is a great release to close out the 2015 library. •
e.17 1%' ''11
I"
www.mutemath.com
Parquet Courts - 'Monastic Living' (Alternative) By Michael Smith - 3.5/5 Dragons Since their 2013 debut, Parquet Courts have become fan favorites in the underground post-punk scene. Combing well-written and very technical guitar riffs and effects that go beyond just loud feedback noise, their latest release they bring us something very different. The album begins with "No, No, No!", charming listeners with the kind of track you've come to expect from the band: fun, catchy, very British in sound, and just flat out good. Upon its completion, though, you are taken on a whirled instrumental journey of hypnotic feedback, dark, sexy basslines to oh-so-slightly nod your head to, and the perfect drum beats that may not be extremely complex in nature but keep the perfect beat throughout. This is not an album for just popping in your car on your way to work or wherever, and it's not necessarily an album that's for everyone. It is a great listen for fans of what creative pedal use can bring to music, and it demonstrates the group's exceptional musicianship, creativity, and ingenuity. This is the type of album and music you'd likely hear in a small dive bar before or in between sets. This may not be the most traditional style of music, but it is a strong work of art rock. Porrikil co,n5
Wars& LANW
www.parquetcourts.wordpress.com 10 VandalaMagazine.Com - January 2016
CITY AND COLOUR
Canadian Tour 2016
laum RevAiemv Dustin Griffin's Top 10 Releases of 2015: 1. Kendrick Lamar "To Pimp A Butterfly" (Hip-Hop) Best Tracks: 'King Kunta', Kendrick Lamar turned the music world on its head this past year with T.P.A.B., proving not only that 'Swimming Pools' wasn't a fluke, but that it was only the tip of the iceberg. By far the most exciting artist working today. z. Millencolin - "True Brew" (Punk) est- Tracks: 'Autopilot Mode', 'True Brew' The best punk rock album of the year by a band we perhaps didn't forget about, but forgot just how damn good they are. "True Brew" has the hooks of "Pennybridge Pioneers" with the force of "Home From Home". 3. Jedi Mind Tricks "The Thief and the Fallen" (Hip-Hop) Best Tracks: 'Fraudulent Cloth', 'No Jesus, No Beast' Vinnie Paz and Stoupe the Enemy of Mankind have been cranking out Jedi Mind Trick albums since the mid 90's. Every album is a gem. An intense, intensely personal journey with jagged beats and orchestral touches. "The Thief and the Fallen" is their masterpiece. Keep an eye on these guys. 4. Jeff Rosenstock - "We Cool?" (Punk) Best Tracks: 'You, In Weird Cities', 'Hey Allison!' Jeff R is best known as the singer of The Arrogant Sons of Bitches and Bomb the Music Industry! However, with his new solo record, "We Cool?" changing lives coast to coast, look for Rosenstock's punk rock star to skyrocket in the coming year. 5. The Weeknd "Beauty Behind The Madness" (R&B) Best Tracks: 'Losers', 'Can't Feel My Face' Canada's proudest musical export right now, The Weeknd has been tapping toes with the infectious 'Can't Feel My Face.' "Beauty Behind The Madness" is so much more than that poppy club thumper though. It's a big, atmospheric record full of mood changes and funky signatures. 6. Joey Bada$$ "B4DA$$" (Hip-Hop) Best Tracks: 'Paper Trail$', 'Hazeus View' Joey Bada$$ is the best rapper out there right now 12 VandalaMagazine.Com January 2016
Album Remiew doing it like they used to. Taking his cues from 90'ship hop royalty, "B4DA$$" is a dizzying slab of slick beats and fat bars from the first track to the last.
ACOUSTICALEVY
7. Barrington Levy - "Acousticalevy" (Reggae) Best Tracks: 'Linda Mi Sensi', 'Here I Come' This is a little bit of a cheat because most of the songs on "Acousticalevy" were previously released in their original forms. On this however, reggae godfather Barrington Levy strips the songs down to their bare essentials. It's mostly just him and his guitar and while he uses autotune far more than he needs to, what we're left with is Barrington breathing new life into classic songs. The best reggae release of the year. 8. Elle King - "Love Stuff" (Rock) Best Tracks: 'Where the Devil Don't Go', 'America's Sweetheart'
BARRINGTO LEVY SON LITTLE
IIMMIr
Elle King has a wicked little voice that makes you think she's always up to no good. Her "Love Stuff" album is one of the catchiest, funnest, most badass releases of the year. Literally every track on this album is a radio top 10 hit waiting to happen. Can't wait to hear more from her. 9. Son Little - "Son Little" (Soul) Best Tracks: 'Your Love Will Blow Me Away', 'The River' Son Little may seem like he just showed up out of nowhere, but he's actually Aaron Livingston, the prolific musician best known for his work with 1131)2. Son Little's debut release is the perfect mix of old school soul and r&b mixed with modern electronic inflections and heady beats. His voice is the highlight here though and it holds it all together with a wonderfully raspy soulfulness. 10. The Atom Age - "Hot Shame" (Punk) Best Tracks: 'Too Much Fun', `Barracuda' There were a lot of good punk releases this year that didn't quite make the top 10. And one reason for that is The Atom Age's "Hot Shame". The Atom Age is the best punk band you've likely never heard of. But one spin of "Hot Shame" and you'll wonder where they've been all your life. A big, messy, catchy, loud, brilliantly crafted half hour of punk rock glory that will tear the roof off of any building brave enough to crank it. The best track on the album is also the perfect description. January 2016 - VandalaMagazine.Com
13
laum Reiviiew Michael Smith's Top 10 Releases of 2015: beach house
depression cherry
1) Beach House - Depression Cherry An absolute masterpiece, that takes listeners on an astral journey through a star filled night sky. You'll tear up at times, and likely cry at some point while listening. There is an artistry to this brand of sadness though, and it is much more than just a heart wrencher with no direction; the songwriting has never been stronger for the duo, best examples with album closer "Days Of Kandy" which is by far one of the greatest tracks of the band's career, and one of the best endings to an album you will ever hear, breaking your heart, yet instilling a bit of hope and optimism. Metz - Metz ii
The Toronto trio, strengthen the idea that they are the best Rock 'n' Roll band in the world. Louder, than their first release, and and absolute treat in the resurgence of early 90's post-punk. This album is an absolute must to hear, and this band is an absolute must to see live, where these (and their other) songs are made even more powerful. 3) Youth Lagoon - Savage Hills Ballroom Quirky, but still humble release, that combines tales of heartbreak, addiction, and an all together melancholy atmosphere; doing so with a charm, that continues to make Trevor Powers one of the best young musicians and performers right now; "Highway Patrol Stun Gun" is one of the strongest tracks of 2015, and one of the strongest tracks in general of the last several years.
SAVAGE HILLS BALLROOM A COLLECTION OF 10 SONGS BV
demdiaLro 14 VandalaMagazine.Com - January 2016
4) Soko - My Dreams Dictate My Reality Sad, heartbreaking, dark at times, anxious at others, an album that touches on all of the emotional stages of grief and loss, capturing it with a masterful allure. 5) Chelsea Wolfe - Abyss An eerily mysterious album in a genre that is very much her own, finding the embracing the beauty in the dark side of music, and emotions. 6) Viet Long - Sri Amazing debut release, that is catchy, droney, anxious, exciting, and hitting everything you want from a great alt-rock album, and band, even not letting a small controversy surrounding their name slow them down.
Album Remiew 7) Shannon & The Clams - Gone By The Dawn St's R&B style with classic Clams style garage rock breakup album, combining the pain and heartache of a long term relationship coming to an end, with the fun John Waters style grit and playfulness. 8) Thee Tsunamis - Saturday Night Sweetheart Throwback, Kinks inspired garage rock album. Aggressive at times, fun others, a lot of dirty bubblegum threw out. 9) White Reaper - White Reaper Does It Again Super catchy, and fun, garage rock release. Addictive hooks, and lively Friday night attitude, that's even more exciting live. 10) Static Daydream - SiT Lush, shoegaze whirlwind throwing back to pedal heavy droning of the 90's and late 8015, dark, dreamy, chaotic, and fun.
BRAINWASHED TOUR
1
•
' -r
r
ti
16TH - MANSFIELD INTAKE 22ND - GRAVESEND RED LION 17TH - HULL ADELPHI 23RD - BRIGHTON THE HAUNT 18TH - HUDDERSFIELD PARISH 24TH - PLYMOUTH JUNCTION 19TH - BOLTON ALMA 25TH - OXFORD BULLINGDON 20TH - CORBY HUT 26TH.- DONCASTER VINTAGE • .
TICKETS ON SALE 10AM FRIDAY NOVEMBER 27TH
•
WHILESHESLEEPS.00i. January 2016 - VandalaMagazine.Com
15
11111 „)
THE
JEZABELS 2016 WORLD TOUR
NEW ALBUM SYNTHIA.
FEBRUARY 12.
FEB 26 AUS - MELBOURNE, FORUM THEATRE FEB 28 AUS - ADELAIDE, THE GOV MAR 2 AUS - SYDNEY, ENMORE THEATRE MAR 4 AUS - BRISBANE, THE TRIFFID MAR 5 AUS PERTH, ASTOR THEATRE MAR 10 UK LONDON, THE DOME MAR 13 DE - BERLIN, LIDO MAR 14 DE - MUNICH, STROM MAR 15 DE - COLOGNE, BAHNHOF EHRENFELD MAR 17 DE - HAMBURG, MOLOTOW MAR 18 NL - AMSTERDAM, MELKWEG MAR 25 USA - PHILADELPHIA, BOOT & SADDLE MAR 26 USA - BROOKLYN, MUSIC HALL OF WILLIAMSBURG MAR 28 USA - BOSTON, BRIGHTON MUSIC HALL MAR 30 CAN - TORONTO. MOD CLUB MAR 31 USA - CHICAGO, DOUBLE DOOR APR 4 USA - SEATTLE, BARBOZA APR 5 USA - PORTLAND. MISSISSIPPI STUDIOS APR 7 USA - SAN FRANCISCO, SOCIAL HALL APR 8 USA - LOS ANGELES. THE ROXY THEATRE TICKET BUNDLES & MORE INFO AT THEJEZABELS.COM
•
TOUR 2016
:ril/r0Pe MUTE
ADREmum
FEBRUARY 26th • BRAZIL • Curitiba @Music Hall FEBRUARY 27th • BRAZIL • Sao Paulo @Clash Club FEBRUARY 28th • BRAZIL • Rio de Janeiro @Teatro Odisseia MARCH 2nd • ARGENTINA • Buenos Aires @Groove MARCH 4th CHILE • Santiago @Teatro Carlota MARCH 5th • PERU • Lima @Festiva MARCH 6th • COLOMBIA • Bogota @Festival Skate Punk
511 OEMS ••=1. MM..* -
fi52
:ammo
Wild Performance from Good For Grapes Article by Ashton Clemmer 9910 - One of the newest venues to hit downtown Edmonton, AB was host to Good For Grapes and their The Ropes Album Tour with guests Royal Foundry and Swear By The Moon on Wednesday, December 2nd, 2015. The show was originally to take place in The Starlite Room several minutes down the road, but was moved to 9910 a couple weeks before show date, which was also postponed from mid November due to road conditions and Good For Grapes being stuck in Revelstoke B.C. It seemed the band was having a mess of a time getting around on this tour as they experienced multiple vehicular mishaps.However, finally making it to Edmonton, the show was a blast and did not disappoint. Walking into 9910 for the first time, its apparent the venue is smaller than most. The smaller venue could affect the quality of the show, but like I've been told, size doesn't matter. Yet, the tight space allows people to interact and gives a more intimate feel and a sense of sharing the space while the bands play. 9910's sound was solid and showcased the bands in all the best ways and the show was truly heard and enjoyed by all concert goes. Fairly quickly after the doors opened, the first band took to the one-foot high stage; Swear By The Moon. A duo made up of Meagan Loves and Zachary Moon out of Edmonton, AB. Almost immediately, you can sense an inspiration from Johnny Cash and June Carter as the two sang in unison; a duet styling with Moon on guitar and providing vocals beside Loves. Swear By The Moon's set was slow, but loving and emotional. They played few songs but sounded great despite some technical difficulties in the very beginning. The crowed was captivated by the intimate performance the two put on and would have enjoyed a longer set list. I had never heard of The Royal Foundry before the show, despite the band being from the next town over, Sherwood Park. The group quickly picked up the pace with high tempo songs involving instruments from synths to cellos. The night's theme seemed to be based around love as the two front members, Bethany and Jared Salter are married and show their passion for one another through their lyrics. Even though Bethany is small in stature, her voice is large and powerful, drawing all eyes to here when she is belting it. Mid set, SaIte (Jared) asked the crowd, "Does anyone like Neil Young? If not, we're sorry for what's about to happen." The group did a great cover of Rockin' In The Free World - Neil Young. The music produced by this group is feel-good and set an amazing mood for the remainder of the night. The energy alone the band emits during the performance is so enticing, it got people up and out of their seats, and onto the floor. The finished their set list with an amped up audience, who was now very ready for the main act of the night. Now late into the night, the seven members of Good For Grapes jammed themselves onto the small stage. It isn't to be taken lightly when I tell you that Good For Grapes played the shit out of 9910. The group from Vancouver wasted no time diving into fast paced, blaring, folk music. Trombones, guitars, and hair flying about, Good For Grapes took everything they had, and gave it to the audience. The band released their newest album, The Ropes earlier this year and though they 18 VandalaMagazine.Com - January 2016
played plenty from the record, they didn't shy away from performing fan favourites, like Skipping Stone (Man On A Page, 2013) and their cover of Salvation Army by The White Stripes. After the show, despite it being past midnight and the middle of the week, the band was happy to hang out with the fans and talk with anyone who wanted to I've seen Good For Grapes twice now and my first experience is what drove me to see them for the second time. The group is one that knows how to perform live very well and displays their showmanship with tremendous confidence. If Good For Grapes is ever playing locally, it will be a show you won't want to miss. Good For Grapes Online www.goodforgrapes.com www.facebook.comigoodforgrapes
January 2016 - VandalaMagazine.Com 19
Likvie Comerege? King Diamond - Darkness Reigns Triumphant Article by Sean Barrett It's no mystery why, whenever a band tours, they tend to play sets favoring their more recent works: A. It's closer to where they are now in their journey towards personhood, and B. It's what they're there to promote. That's why tours in which bands play a classic album in its entirety is a rare treat, indeed. Particularly so, when it's King Diamond (,who, for my money, is the greatest living vocalist,] playing Abigail, a conceptual masterpiece centered around a Poe-level tale, gothic storytelling of the highest possible caliber. More exciting still is when the show in your city is filmed for a live DVD. Why Philadelphia? My guess is because that show coincided with the Full Frost Moon, which, given The King's penchant for archaic esoterica, is pretty solid speculation. Also, Exodus is opening. The evening's proceedings took place in a large-scale (though smaller than a stadium) venue called the Fillmore, which was filled with heads of all ages, cultures, and sub-genres. As someone who generally attends extreme gigs in spaces that have a less than 300 capacity and doesn't otherwise leave the house much, it was both exciting and sort of overwhelming. However, it could not have happened anywhere else. On a stage narrowed by the curtain over The King's set-up, Exodus delivered a fast and furious forty-five minute set to an enthusiastic crowd. Though Gary Holt-less, they were still able to bring both the headbang and the mush. The set spanned their thirty year career and was absolutely nailed both vocally and instrumentally. At first I found them an odd choice for an opener, as their vibe feels to me like that of a pizza party, but I quickly learned upon what ground their reputation rested. Ever since Mayhem Festival came nearby this summer, I had been hearing rumors that King Diamond's voice is better than ever, in spite of his throat surgery a few years back. While I wasn't skeptical, it was simply unimaginable that those shrieks could be topped. There is nothing a pessimist loves more than being wrong. The curtain dropped to reveal a two-tiered set-up that would humble Broadway, complete with gothic windows, a castle-wall back-drop, a whole bunch of gargoyles, and, of course, the stairs so integral to the story of Abigail La'Fey. Before putting this to use, however, he delighted us all with around four non-Abigail King Diamond songs followed by around four Mercyful Fate songs sung into a microphone at the end of a cross made from human bones. The rumors are true, folks. This is a 59 year old man who could sing and perform circles around his younger self. With no announcement, we were brought to 1845. As stage-hands carried forth the coffin of baby Abigail, I hear someone a few heads in front of me tell his buddy that he had named his daughter Abigail after this album. I don't blame him. As "Funeral" is spoken through an odd pitch-shifter, The King acted this one without singing it. Not enough is said about his skills as an actor. Add those to his story-telling skills and his vocal chops and this is a man who could single-handedly take the theatre world by storm should he so desire. I digress. 20 VandalaMagazine.Com - January 2016
Andy LaRocque, the guitarist who performed on this album originally, and the other fellows, as well as a young female backing who harmonized vocalist wonderfully, chose the stand-and-deliver approach, preferring to let their instruments do the talking. At certain points, hooded figures brought out acoustic guitars for the gentler interludes. This is an album interspersed with at least two solos per song, which, in the absence of the verse-chorus-verse structure, help to break up the narrative, and, more importantly, shred. Throughout the album's performance, The King made full use of all the space his stage had to offer him, as he acted the parts of Jonathan, The Count and Narrator alongside a woman who played Miriam, The Countess, and, beforehand, several other characters from the parts of his discography covered. If it's the same woman who played "Grandma", her name is Jodi Cachia, and she deserves some type of award. If it isn't, the DVD release will correct me, and you can all egg my house. What's scarier than all this imagery, all these lyrics, and this whole atmosphere is the power with which King Diamond shrieks, growls, and jumps without warning from one octave to the next in his delivery of these chilling tales. Were it not for this, the menace would not be real. It is. Long Live The King. King Diamond just finished his latest tour but until the next one you can grab his latest release "Spiders Lullaby" November 27, 2015 King Diamond Online: www.kingdiamondcoven.com www.facebook.cornikingdiamondofficial www.twitter.comirealkingdiamond www.kingdiamondstore.com www.youtubeicorniuserfrealkingdiamond January 2016 - VandataMagazine.Com 21
22 VandalaMagazine.Com - January 2016
hree Days Grace Gogol Bordello Shaw Conference ntre, Edmonton, vember 20, 2015
HEIKO
Phil and Dave Alvin and The Guilty Ones Blast Sold Out Crowd at the Historic Lobero Theater Article and Photos by L. Paul Mann Phil and Dave Alvin returned to the historic Lobero theater in downtown Santa Barbara on Saturday, November 21st, to play a sold out concert. The brothers have a long history of performances in various incantations at the theater. One concert, in particular, back in 1982, has become an infamous footnote in punk rock history. Lead guitar veteran Dave Alvin likes to recount the story each time he plays the venue. During that heady performance the brothers played in their rockabilly band the Blasters with the seminal punk rock band X. As Dave remembers it, "The show turned into a full blown riot, with fans ripping out some of the plush seats, and we ended up in the pokey". Some in the crowd Saturday night may very well have been in that crowd back in 1982, but the mostly silver haired sold out audience was much more subdued for this Alvin brothers concert with their new band, The Guilty Ones. But the energy from the Saturday show was far from subdued. Backstage the sound engineer could be heard chatting with the stage manager, "Should I turn down the sound levels?", he asked, in keeping with the elegant atmosphere of the ornate little theater and considering the age of the elderly crowd. The manager responded "Too loud, too old, go home". The show proceeded to go on in the spirit of a real rock and roll show with all amplifiers blazing. Opening act Dead Rock West played an appropriate set drenched in American roots music. The bands 26-date support slot comes on the heels of their last tour supporting American punk icons X. The Alvin brothers have a long history associating with including multiple tours with the band in the Blasters era. Dave Alvin even joined X for a few years as the guitarist, taking over for Billy Zoom. DEAD ROCK WEST is a Los Angeles based vocal duo consisting of Cindy Wasserman and Frank Lee Drennen. They are touring in support of their new album, "IT'S EVERLY TIME!". The duo played with a full band of talented musicians on the California leg of their tour, including most fittingly, drummer extraordinaire, DJ Bonebrake, the drummer for X. X,
According to their press release the groups new album was "Released digitally and on vinyl July 17, IT'S EVERLY TIME! (Angel Flight Recording Co.) is a 13 song tribute to the great Everly Brothers. IT'S EVERLY TIME! was produced by Grammy-winning producer Mark Linett (Brian Wilson, Los Lobos, Rickie Lee Jones and Randy Newman) and features DEAD ROCK WESrs authentic appreciation of iconic Everly Brothers standards such as "Cathy's Clown," and lesser-known treasures like "June is as Cold as December." DEAD ROCK WEST recorded the album live with a band--DJ Bonebrake (drums), Dave Gleason (acoustic rhythm guitar), Elliott Easton (lead electric guitar), multi-instrumentalists Phil Parliapiano and David J. Carpenter--as well as special guests: The Section Quartet, guitarist Dave Alvin and bassist Rob Wasserman (Cindy's brother). The live magic was captured at Linett's Your Place or Mine Recording and East West Studios in the very rooms where the Everlys and Beach Boys once worked (and are still equipped with microphones said to have been used by Frank Sinatra and Elvis Presley)". The band began the concert with a history lesson of sorts explaining the link between Everly Brothers music, rockabilly and finally punk music. The set started with elegant music and exquisite vocals and by the encore evolved into a rock drenched jam of roots music, not unlike some of the music of X, itself. The crowd loved it giving the 24 VandalaMagazine.Com - January 2016
group several standing ovations. Phil and Dave and The Guilty Ones took the stage after intermission and proceeded to continue the history lesson on American music, this time focusing on their roots in traditional American Blues music. Born in Los Angeles in the 50's, Phil Alvin and his younger brother Dave were raised on the music of Elvis Presley, T-Bone Walker, and Big Joe Turner. Together they formed the Blasters in 1979, borrowing the name from Jimmy McCracklin's Blues Blasters. Dave Alvin left the Blasters in 1985 to join X, and Phil returned to graduate school to pursue his master's degree in mathematics and artificial intelligence. He later earned his Ph.D. from UCLA. Phil resurrected the Blasters and his musical career shortly after, while Dave went on to a solo career. In 2012, Phil who had been fighting a viral infection with antibiotics months earlier, was hospitalized in Spain when he suffered severe breathing difficulties. He fully recovered after an emergency tracheotomy, and in 2013 Phil and Dave began work on their first album together since Dave left the Blasters. The album became a reverent tribute to one of their biggest influences. The result, Common Ground: Dave & Phil Alvin Play & Sing the Songs of Big Bill Broonzy was released in the summer of 2014. The Alvin brothers supported Common Ground with a concert tour, and in 2015 Dave and Phil returned with a !set of electric blues, Lost Time. The set at the Lobero featured songs from some of the bands favorite performers, including explanations of how the brothers met an interacted with the Blues legends.These included Muddy Waters, Big Joe Turner, Willie Dixon, and of course Big Bill Broonzy, among others. Then the sound man turned the amplifiers up to full throttle for some Blasters classics. The band ended with a triple encore, including an X classic "4th of July," and two more Blasters songs that had the crowd dancing like it was 1982 all over again. (Photos On The Next Page) www.facebook.comfdavealvinofficial www.davealvin.neti www.tiNitter.comidavealvin
Behind-the-Scenes &Viral Marketing
January 2016 - VandalaMagazine.Com 25
25 VandalaMagazine.Com - January 2016
Phil and Dave Alvin and The Guilty Ones Photography By L. Paul Mann www.Lpaulmann.com
January 2016 - VandalaMagazine.Com 27
PiL Finish Their 2015 Concert Tour With A Sold Out Show at The Fonda Theater In Hollywood Article and Photos by L. Paul Mann John (Johnny Rotten) Lydon, the godfather of English punk music, brought the latest incantation of his band Public Image Ltd (PiL), to the Fonda theater, in the heart of Hollywood. The sold out show was a fitting finale to the group's 2015 tour. Just after 10 PM the dusty red curtains parted at the historic old venue and the band took the stage. Lydon was joined by Pi L'sother members, Lu Edmonds on guitar, Bruce Smith on drums and Scott Firth on bass. Although all the musicians have played in the band before, only Lydon remains as the original member and mentor, since the groups inception in 1978. The feisty anarchist, best known as the lead singer of the seminal punk band the Sex Pistols, has presided over ten albums under the moniker of PiL. That includes their latest 2015 release, "What The World Needs Now". The band launched into a song from the new album, "Double Trouble" as the crowd surged towards the stage. A diverse group of music fans packed both levels of the theater with nearly every foot of viewing space occupied with entranced fans. In fact, the audience became a little too entranced for the feisty Lydon, master of biting sarcasm and wit, as the evening wore on. His calls for a bit of anarchy and angry shout alongs met with a sheepish response, prompting Lydon to admonish the crowd for their limp response. "Well, you're a sorry lot, you're going to be no match for ISIS," he chided the audience at one point. But it was all in good fun and it didn't deter the band from playing a near two hour set of sophisticated rock, far more complex than the simple punk anthems from the Sex Pistols days. Much of the set was filled with songs from the new album. The band appropriately dressed in suits came ready for business laying down a cacophony of sophisticated sound, while Lydon laid down his visceral vocals with his distinctive punk cadence. Guitarist Lu Edmonds, a Svengali of sorts, played all manner of stringed instruments, producing surprisingly complex and compelling lead riffs. Edmonds has played in some of the most prominent punk and experimental bands in the UK, including Public Image Ltd, The Damned, Shriekback, The Spizzles and The Mekons. The story goes that he actually got his nickname from members of The Damned, who named him Lu, short for lunatic. Lydon actually introduced Lu as Jesus, following a fifteen minute version of "Religion" from the band's first album. The jam featured Lu wailing on guitar while Lydon delivered an ever more intense diatribe in his coveted persona as an antichrist, lambasting the follies of organized religion. As the song progressed, Lydon called on Scott Firth's electric stand up bass to be turned up in the house sound system in a building cacophony of deafening bass. At one point the walls of the theater began to rattle. "The bass will set us free!" Lydon yelled as the thumping rhythm reached an ear shattering level. Firth, the master bass player also has an impressive resume of collaborations including Steve Winwood, Elvis Costello, and oddly enough a world tour with the Spice Girls. The Religion jam also featured a solo by veteran punk drummer Bruce Smith. He helped co-found a ground breaking English band, The Pop Group in 1977. The band was best known as one of the first English groups to mix a funk groove with their punk rock roots. The trio meshed so seamlessly behind Lydon throughout the night that they sounded much more like a modern day jam band than a punk group. But Lydon with his strong trademark vocals and carefree humor kept an irreverent punk like feel all during the show. 28 VandalaMagazine.Com - January 2016
The show fittingly ended, right at midnight, with a double encore and a bow from the four sweaty performers. Following the concert Lydon threw an after party celebrating the end of the tour, at the Record Parlor, a unique vintage vinyl store recently opened in the heart of Hollywood. A DJ spun eclectic tunes while an open bar fueled partygoers waiting patiently until the wee hours of the morning for the master of ceremonies to arrive. The location was an appropriate back drop for a party thrown by the godfather of punk. THE RECORD PARLOUR has an authentic vibe with over 50,000 vinyl records, vintage stereo gear and music memorabilia surrounding party goers. The shop is available to host live performances, listening parties, press conferences, interviews/photo shoots and can even record live performances to vinyl onsite via a vintage record lathe. Lydon sauntered into the party about 1:30 in the morning and huddled with friends and family, many of whom lived nearby. Lydon actually found a home in the artsy anarchy that is Venice, California, just west of Hollywood. Smiles and funny faces prevailed all around as the party spun into the wee hours of a cold Hollywood night.
PiL Online: www.pilofficialcom www.facebook.corn/pilofficial www.youtube.com/user/pilofficial www.soundcloud.com/public-image-ltd-pil 30 VandalaMagazine.Com - January 2016
(tact win u
En FiCIFIELESS 40SPEL COIL
Houston.TX ViiitteS
Dallas.TX The Prophet Bar
an Antonio.TX (draws ucson.A1 e pock
San Diego, CA otsenritory North Park Santa Ana.CA
Rono.1111
Observatory
Knitting, Factory
2121 Los Angolos,CA Troubadour Las Vegas. NV vinyl
hoonix.AL Dm Nile
• • • LE/ I 11111111 0114C-11 * IL ICI 1111141 0-111111
'Mtn!!
San Francisco. DNA Lounge
Seattio.WA EI corazori Portiand.01 Hawthorne Theatre
s
tit
•
{
L Td 114.•
yiRera MN.
In leriview,lavorinuicu 速f Co mforirgjAy Mike Dean is soft spoken, laid back, and strangely wise - an interesting figure to pick apart to be sure - which is exactly what we did! So how are you Mike? Mike: I'm doing pretty good. Just touring man. Waiting to get out of the festival thing and get the tour back on track.. Do you not like the festival thing? Mike: Sometimes you get lost in the shuffle. It's a lot to take in. Even if I wanted to see every band it would be too much to digest. What do you like so much about the road? Mike: Well last night was a great example - Shreveport, Louisiana. We hadn't played there in a long time and not a lot of tours stop there. We got to play to some people who were hungry for some music that they're familiar with and that they want to see. There's a high level of enthusiasm because they're not bombarded with too many bands. I like those unpredictable places that turn out to be awesome when you thought it wasn't going to be that good. I remember Witch Mountain telling me Omaha was amazing on their last tour... Mike: I can see that! Omaha you never know. You just never know! What are the other places that blow your mind like that? Mike: I don't know. There are a couple places in Germany like that. Are you still in love with the magic of the road? Mike: I like traveling. It's still cool to just be on the way to somewhere and to cover some ground. You can see what's left of the open spaces. I enjoy that for a certain period of time. How long until you start to crack? Mike: Three weeks or so. Then I'm about ready to tag up home for a while. Are you happy with where COC is at now? Mike: Oh yeah. Its at this point where we're sort of reconfiguring the lineup back to what we were doing on Deliverance and kind of getting ourselves ready to make a record. What is the pressure like creating a record now that you've put out so many classics that define the scene? Mike: It's just a perception. Expectations are any pressure are just from perception. That's not a super tangible thing. Some of the stuff we've done has just come pretty naturally. The stuff that is held in highest regard just came so naturally that it doesn't feel like there's too much pressure. So it's a reflection of yourself? Mike: To some degree. It's not about us. It's just about channeling the kind of musical statement we want to make. In a way it's a little traditional, we try do something fresh but there's a lot of traditional elements. We're into traditional rock really. But now you're part of the tradition... do you see yourself as part of it? Mike: Not in a self important way. Hubris can get you. But in a sense that there is a responsibility to do something good. Why do you feel that responsibility? Mike: Because it wouldn't be fulfilling to do something shitty! But do you feel a responsibility to create art? 34 VandalaMagazine.Com - January 2016
Tintewiew •
w ,4 e
Dea m
Mike: Well if you're going to ask people for their time to listen to something then yeah. Why bother doing something that's not cool? Do something that you're proud of. We listen to a lot of music and have an idea of what kind of stands the test of time and what we'd like to turn too again and again. We just aspire to create something that might fall into that category for someone else. So you want that for the next album? Mike: Yeah but you can't think too much about it or try too hard. How's the progress on that been? Mike: We've been playing a It of shows so we've done some individual writing and pulling together ideas but that's it. When we're done with this run around the beginning of the year we'll get together and compare notes and jam on some stuff. There's only so much you can do on the bus or in a sound check. We've got a couple riffs going though. No comments on any direction then? Mike: That's definitely to be determined. I have a couple of insights as to where it might go but I don't want to put those out there really. I'd be interested to hear what the other guys would say! You've known two of those guys for more than thirty years... what is your relationship like now? How do you maintain a relationship? Mike: You just let it be. You don't try too hard to make it anything it's not. We've got a common purpose and that's pretty much enough. It's not something I get overly analytical about. If it wasn't fun we wouldn't do it. Is that a general life ethos? If it's not fun you don't do it? Mike: No - we still have responsibilities and shit that needs to get done. As far as anything like creative or artsy is concerned hopefully that's a maxim that you can apply to it. But there might be days that it's not that fun due to external conditions. But if most of the time you don't have to tough your way through it then it's worth it. Is there a maxim you do live your life by? Mine is f**k it... Mike: That's pretty broad but on some level that works. Anything that you want to accomplish that you care too much about and pre-occupy about is going to go sour. You need to have a certain detachment to make it work. You can't be too controlling about things and to some degree you have to let it happen. So yeah, f**k it.. What do you love so much about music? The music that I love kind of gets you outside of the normal monkey brain state of mind where you're worrying about this or that. Music that I actually enjoy which is... some of it... takes you to another mental space. That's good. You don't get too fixated on one version of reality that you think is real. Is music an escape from reality? Mike: It's an escape from one version of reality. To some degree at least. Web: www.coc.com Like: www.facebook.comicorrosionofconformity Follow: www.twitter.comicoccabal
IfMB THE ULTIVINM MUSIC IVIARVIikle GUIDO HAM click for more into IS A VIRUS FOR SERIOUS 1NDEPENDEUT MUSICIANS AND BANDS
!' r
if ~ G } :'
1„::: ..4- )
.
;0.... :. 7/._ .:
. i. J -•. • •1 L.. •". ' I,1 ..• . 1
t •
I
4f
1•. i. tlr. A
: .:,„
;.4 V, .:1:4-g.:. .:'.'.3;/,:..
, ..... : ,
.4y ,42.
.1. t. ...ii it - .: .1 .5 -4:. ... ,..:1 .4` 1:i ,''.,J.1. ,,.
, ... ..,.. .E...., , 4 7.: l'--; ' . :-..:( ''. 5:
:'.11' 34:4!..1:. ..: - • I, t2.7. ‘:
• .T. ''.-
WIRTH AMERICA - FEB. 2015 WWW.SLAYEB:IgT TICHET
SERE
14 4 141 ■ I I Si WI.
lith
•: •
A A
J. 1.
•
muse
tiTZE
A
I
I 4
if
13111thrni:1111111_ pl•fc
RULING EUROPE 2016 05.02. ES 06.02. ES 07.02. ES 10.02. FR 11.02. DE 12.02. CZ 13.02. DE 14.02. DE 16.02. DE 17.02. DE
BARCELONA - RAZZ 2 MADRID - ARENA MURCIA - GARAJE PARIS - DIVAN DU MONDE SIEGBURG - KU ANA PRAGUE - NOVE CHELM ICE CHAM - L.A. CAFE HAMBURG - LOGO HANNOVER - MUSIKZENTRUM SAARBROCKEN - GARAGE
18.02. DE STUTTGART - LKA 19.02. CH PRATTELN - Z7 20.02. DE MUNCHEN - HM'S CALLING 21.02. HU BUDAPEST - BARBA NEGRA 23.02. AT WIEN - SZENE 24.02. PL CRACOV TBA 25.02. DE BERLIN - K17 26.02. DE WORZBURG - POSTHALLE 27.02. DE ESSEN - TUROCK 28.02. BE VOSSELAAR BIEBOB
issopplonvor:P"P'
t• 4.
'104,4
erA
• I
al THE OURIE0 AND mE
01* Beyond Past and Future An Interview with Tommy Giles Rogers
Interview by Sean Barrett L f
Imberimiew aeiyomd Flast acrd Future Released this past July, epically emotive grog-shredders Between The Buried And Me's eighth studio album (ninth if you count their covers album), Coma Ecliptic, has seen them taking a bold leap forward into spastic jamming, powerful melodies, and new lyrical/story-telling territories as well, ranking highly on the Best Albums of 2015 Lists of writers and readers alike. The hype is not empty. Through constant touring, their live show is a well-oiled machine, and their songwriting achieves a rare balance between free-thinking and memorable. On a stop for the tour of this new album [with opening acts Native Construct, Intronaut, and Enslaved] vocalist/keyboardist Tommy Giles Rogers sits down with us to chat. Did y'aIl [BTBAM] get to pick the line-up for this tour? Tommy Giles Rogers: Yeah. We always try to be hands-on as much as we can. It's tough finding support, because you obviously want bands that you like, but you need bands that can bring out people and cater to your audience as well. We just look at our shows as the whole night, rather than just us; we want diversity, and we want our fans to hear some new bands, if they haven't heard them before, and just have a cool musical night. I feel like, when [2007's] Colors came out, it was a step forward from what you were doing, and you were sort of on that for a while. This feels like the next step into the next thing, Tommy. Yeah, I feel like this is the biggest branch out since then. I don't know if it was anything intentional. It just felt like it was time. With the whole Parallax, we spent a lot of time doing that. We just didn't wanner re-write that. We just wanted to try something new and kind of take our sound somewhere we haven't before. Right when we started writing, instantly it felt different. It wasn't really anything that purposeful; we just wanted to focus more on songwriting - I guess that's the reason it sounds the way it is - and focus more on melody and just creating a record that's based more arounds songs. Yeah, I think we're really happy with it. Do you view this as an augur of things to come? Tommy: The cool thing with us is you never know what's gonna happen next - I mean, even we don't. We're never like "Alright, next record we're gonna do this". When it's time to sit down and start writing, we just start working on our own individually and just kind of see where everybody's head is and just kind of how we're all naturally feeling. It's exciting because every record, when we write together, we really don't know what we're all gonna write. It keeps us all on our toes and it keeps it interesting. The Parallax story bled into The Great Misdirect and Colors. Is the story for Coma Ecliptic complete unto itself? Tommy: There is a small connection with The Parallax, in the song "Turn On The Darkness", actually, 'cause, originally when I started writing for the new record, I was like "should I write a backstory of The Parallax?", basically, I was kind of writing some ideas and it wasn't really working out. The small portion that I liked worked for a part in this story, where he basically travels - y'know he goes to a different world in each song - in one of the worlds, the guy he encounters is his parallax, one of the guys from the parallax in his past. It's a very small moment. It's not explained that it's him, but I just know in my mind that guy is him. 40 VandalaMagazine.Com - January 2016
Imberthiew
corn% Eiles !lager's of e)yyjeord
13,
JO, 41/4111,
Nte i
As I was reading through the story, I was sort of jarred by all the shifts in POV and pronouns. What's the idea behind that? Tommy: The whole story is just him being confused, even if he doesn't know he's confused mentally, so there's always that - I think he's constantly "Is it me, or is it we?" There's this confusion. He's kind of losing his mind throughout a lot of it. A couple of times, "velvet" is used in a few different ways Tommy: -it's simply just death. [laughter] Were you active in writing for "The Coma Machine" music video? Tommy: [The director]'s actually our drummer's brother. We've known him for years. When we started talking about what song we wanted to do, "Coma" was our first instinct, but the problem with doing a video for it was, lyrically there's not a whole lot going on in that song. It's basically just him waking up and preparing himself to go into the coma machine. The cool thing about the video is, we kind of made a side story. It's part of the story that's not on the record. The video shows him and some things in his past that we made up for the video, or the _AiagL • _ director made up, and it sets the foundation for this character and how he's struggling with that current world he's in, and him in general. I thought that was fun, because that was the only way we could create anything interesting. He started getting some ideas and I was like - we won't write in his past, but we'll give a glimpse into why he's wanting to get out of his current world and travel to past lives. I was pretty hands-on with him as far as the story goes, but visually, it was all him. It was awesome; it was a really good job, and I think it came out really neat. rr •
.--. • ..71..-.11111F"'Ll
JO-
•
-
• • • •
Have you ever considered doing what King Diamond just did and acting these stories out live? Tommy: Yeah. We always like to do full-album tours. We'll probably do that at some point for this record. Production-wise, we would love to go as crazy as possible, but you always have to keep finances in mind and all that. Whatever we can get away with, we'll definitely try it. Getting off-track for a moment, have you heard the other coma-themed prog opera, The Human Equation by Ayreon? Tommy: I've heard about that. I haven't, no. I actually talked to that guy not too long ago. He's a really nice dude. I had one of his records when I was fairly young actually, in high school, but I hadn't honestly listened to him since then. Some people on the internet mentioned that record. I need to dive into it. I've heard multiple things about it. January 2016 - VandalaMagazine.Com 41
is„eyouid Rast amd Rubin-Le I read somewhere that you'd be moving away from the death metal sound. Do you feel like, without it, you can have the same emotional or dynamic range, as you do going in both worlds? Tommy: I think the band will always have dynamics. I think that's what makes up Between The Buried And Me. Even since day one, we had a lot of dynamics. Like I said earlier, I can't really predict the future as far as where our music's gonna go, but I always see us being heavy. I think that makes these stories stand out, drives the characters and the stories. There's ups and downs, and there's heavy moments, mild moments. I think that's all essential to our sound and what we're trying to achieve with our records. I feel like that part of us is still there in a lot of ways, even though it's not as dominant as it used to be. At the same time, I think it makes the heavier stuff stand out even more on the newer stuff. It makes it even heavier because of the contrast. Coma Ecliptic's been on a lot of Best of 2015 lists. Do you feel like this validates all those creative risks? Tommy: Yeah. There's always that moment when you're writing: "Hopefully people like this", but you can't really let that effect you. We knew this record was gonna be different, and we knew there was the chance of people kind of shoving us off. Throughout the years, we've always kind of kept fans on their toes. I don't think we've been very predictable. Our fan-baser I think, has always expected that and is excited by that. We were confident in our fan-base because of that. The response has been great for the new record, so we're very pleased, for sure. That's all I got. Anything else you wanna add? Tommy: Thanks to the people listening. Between the Buried and Me www.betweentheburiedandme.com www.facebook.comiBTBAMofficial www.twitter.comibtbamofficial
42 VandalaMagazine.Com - January 2016
\Iftir:f5r 11-18-19 JUNE 2016 CLISSON !RANCE
0,ACK 1.1-1
111,1111111114=0=11111111
WrI
THE END
WrE
fAADIIt.
THE OFFSPRING
HER IHNOGR M I ZEO N
603A
DROPKICK MURPHYS
‘..-1417el2Lanumur Ir eVriltD 7I7-(tR FORE! GN ER
IMOD ANIT-RK zjimizr .„1")
VOL EAff -WITHINTEMPTATION
ilifnet6paraiikU
SIX X AM JOE SATRIANI GLENN HUGHES I HATEBREED TURBONEGRO MASS HYSTERIA HALESTORM LE DAL DES ENRAGES ' NO ONE IS INNOCENT AUDREY HORNE 1 DRAGONFOIICE DELAIN THE AMITY AFFLICTION MONTI SRINEBOWN AUGUST HUNS RED BURY TOMORROW THY ART IS MURDER THE SHRINE ARDIEMIS NIONTMARE
S TAM ET1 r
Mikt Man
SACRED REICH TERRORIZER AGORAPHOBIC NOSEBLEED [ ENTOMBED AD PARADISE LOST KATATONIA GRAND MAGUS KORPIKLAANI I PRIMORDIAL I MOONSORRDW ENSLAVED f EMPYRIUM INQUISITION MARDUK TAAKE KAMPFAR ASPHYK VACER CATTLE DECAPITATION INSOMNIUM ENTR IIR [ARUM THE SKULL HOOK SADIST FILMED APOCAMSE CRIACHAN SIILEFAL9 Hrio[voR ARCHODAT SKAIMDLO DARK FORTRESS MYRKU DEHEXEN THE VISION BLEAK SIILLE VOLK MOUNRfIBH EMUS HERMON HST BLOT , WITCHES
REFUSED
CONVERGE
01 it On bettni MELV1NS RIVAL SONS
FU MANCHU HERMAND I GOATSNAKE KADAVAR I KVELERTAK I EARTH VISION OF DISORDER KYLESA ARCHITECTS WARS OF JERICHO I HEAVEN SHALL BURN V CALIBAN ' THE TOY DOLLS I UK SUBS E DISCHARGE LES SALES MMESTES POWER TRIP VICTIMS RATH DE PUFIAD TORCHE SAVIOURS TURNSTILE STRIFE I HARM'S WAY ALL PIES MUST DIE WITH THE DEAD KIND DUDE IAMBINAI WINDHANO WO FM CROBUT VALKYRIE MANTAR STONED JESUS CBWARDS BACKTRACK KU( ACTA EST DIRTY HUY 1 MINH'S CHAIR WARLORD DOPETHRDNE LECHEROUS DUE STUNEDIROS 10 HANDS TO BE ANNOUNCED VVIAIKTIELFEST.FR
,• ea+
!•/
1A
e'r
TIOF
WITH
1/ .
SI
. 4d
.
ARTIST MANAGE ME T'PRESENTS'
-.111644-41
urrre
'BLOOD MANTRA ACROSS NORTH AMERICA,
01.27 01.28 01.20 01.30 01.31 02.01 02.02 02.0'3 02,04 02,05 02.06. 02,07
DENVER. CO DES MOINES, IA hiINNEAPOLIS, MN CHICAGO, LL CLEvELAND, 011 TORONTO. ON GUEBEC CITY, OC BOSTON. MA NEW YORK, NY PHILADELPHIA, PA FREDERICK, MD VIRGINIA BEACH, VA
•
it.
MARQUIS THEATER LEFTY'S 10,0 SKYWAY THEATRE eraf REGGIE'S * •. AGORA 15ALLF1001.1 MOD CLUB. • LE CERCLE • BRIGHTON MUSIC HALL • PCC4A Ir F WELNETIER 11_ '
VOLTAGE 4 CAFE 611 * SHAKA'S
02.09 02.10,
FT LAUDERDALE, FL ST PETERSBURG. FL ATLANTA. GA 1)ALLAS, TX 02.14 AUSTIN. TX 02.16 ALI5UQUERQUE% 02.17 PHOENIX. AZ 02.10 41 LAS VEGAS, NV 02.1917' SAN DIEGO. CA 02,20 POlvIONA, CA 02,2E SAN FRANCISCO, CA 02,23 LOS ANGELES.. CA a WI FLACX DRE 46.114 A TINEOPIES
WI AT TI (MIMI
lir
REVOLUTION •• STATE THEATER MASOUERADE '41` &AS MONKEY " .1OHAWK " SUNSHINE THEATER qg MARQUEE " HOUSE OF BLUES 11 r HOUSE OF BLUES " GLASSHOUSE P'EGERCY WHIS(Y
.1"
K
1.16
i
r
BULITT FV13 MY
(
41•:'4 PAUS SPECIAL LiLII •
r
;
-/
- s
..+14.
A•it
-,*
A
2
A
ME
(
a • ••
(1 1 #a
•
I 0
Mt* 1 tWIA
02/02 SAN DIEGO. CA HOUSE OF BLUES
02/20 111LVo
EAGLES BALLROOM
02/03 SAN FRAN. CA WARFIELD THTR
02/23 '!E1N
02105 LOS ANGELES, Ct. THE WILTERN
02/24 PITTSBURGH. P,' STAGE AE
02/06 LASVEGASNL THE JOINT
02/25 Or",("r".
THE NORVA
02109 nr- NVrTr" [DEN THREATEN
02/27 _AKE EILIFN
VNTA FT HOUSE OF BLUES
02/11 ALL,
02/28 IMMINGHAM. AL IRON CITY
N BEST BUY THEATER
rfr ,1„.1"
HOUSE OF BLUES
02112 IOUSTON. /4 HOUSE OF BLUES
03/01 i11:j131 SPRING. h THE FILLMORE
02113 JKLAHOMA fr DIAMOND BALLROOM
03/02 4ADELPHIA. Pi', THE FILLMORE
02116 :ANSAS CITY.
03/03 jJOSTON MA HOUSE OF BLUES
THE MIDLAND
02117 'ANT PAUL MN THE MYTH
03105
' PHOENIX CONCERT THTR
02119 HIFAM T HOUSE OF BLUES
03/07 lONTREAL t. METROPOLIS •
611.11.11.ITIFORMYVALENTINE_COM
• /i 6AILLE'rFORMYVALENT1114 1-
4
•
.K I I
AV A 3 I 4%
AT DU LLIETFOlkAi YVA1.E NTI N F!C0161.
CAA
ntle PONY(
umunmr
*Po Irmo
.Y
•
I I, •
I
*et
; Pr
•
•
41 •
o
MOAVNTUIVU,V' AND SUICIDE CULTS 4.E(VIEW WITH OFIERW D WEBBER, V , u JOE KETZER: ORINLESS Interview by Sean Barrett
Imbermiew. Lomgemityr Montnearbumf arndSu Meet Skinless, New York City death metal titans who, for twenty-three years have been delivering no-holds-barred brutality and insanely high energy live performances. This year, they've returned from a six-year album gap to slaughter the metal world with Only the Ruthless Remain, and, with the addition of a lead guitarist, it just might be their finest album yet. On the last stop of their east coast mini-tour, vocalist Sherwood "Thunder Wheel" Webber took some time out to chat with us. On a semi-inexplicable impulse, I decide to start by asking about a New York-based suicide cult whose members skinned themselves alive in the late ‘80s. I wanted to start by talking about the Sunshine Family Ministry, whose song you featured at the end of your last video. They're not too removed in time or space from Skinless forming. Is there any sort of inspiration there? Sherwood Webber: I need to call in an expert on that. Pause. [Pause. He returns with Joe Keyzer, bassist] Joe Keyzer! There's clearly been some influence there. Not to say that it was direct, but we kind of found out about each other after the fact. It just seemed like a really good fit, to benefit both groups, who are, I think, benefiting from each other, and moving forward, I think, both groups are gonna continue to benefit from each other. Wait, what? The Sunshine Family Ministry benefited from you? Joe Keyzer: I believe so, in some small way. Their ministry is gonna start to grow again. Sherwood: We should start making shirts and sell them at shows. Joe: At a certain point, they were [a tongue-clicking noise that indicates "done"] there was nothing left of 'em, but they're starting to grow back. Are you serious? lee, Yeah, they're building again. I have a pipeline of communication with them. I haven't got a chance to listen to it yet, but I got a new track that got ripped down from an old box of tapes that we've been ripping down. It's old music that's been recovered. Its one of the recovered recordings. All I've heard so far is "Satan is Real", er - not "Satan is Real" - "Satan is Living" Sherwood: I think they also took some influence from The Louvin Brothers on that one. Right? It's the same melody even. Joe: You guys are crazy. I just got an update. New track. I hope it's awesome, 'cause I haven't even previewed it yet. fit is, indeed, awesome. Called "Satan, Oh, Satan", it is sung by a six-ish year old girl who, half-way through, begins speaking in tongues. For updates, find The Sunshine Family Ministry on facebookr] We've been ripping it slowly, got a big box of tapes of reel-to-reel recordings, and I have a friend of mine working on ripping them down. There's some members of the family that're just now starting to work with us on it. 48 VandalaMagazine.Com - January 2016
Imberriview, Skier-woad Webber & Joe '<ewer of Skimless Are you serious? Joe: Yeah. It's not my project, but I'm part of the pipeline. Sherwood:There has to be a level of secrecy with the whole thing. Yeah, can I even print this? Joe: Hey, if you would like to, it's okay. So, anyway, it's good to see you out here. I remember reading you wouldn't tour anymore. Is that still the case? Sherwood: No. I mean, we're touring right now, right? Three shows. Joe: We're on tour, right now, weekend tour. Sherwood: Weekend tour, some of the best shows we've ever played. Show number three. Out of? Sherwood: Three. [Laughter] We had a good year, y'know? Two thousand fifteen, we played a ton of shit. Bummed I missed ya at Maryland Deathfest, not having Thursday tickets. Was that sort of your comeback? Sherwood: Yep, that was a good one. We did Hellfest this year as well, and yeah. This weekend's been f*cking great. Boston, Brooklyn, Philly. How was Dave [Matthews, lead guitar...not that Dave Matthews] brought into the fold? Sherwood: Dave and Noah [Carpenter, guitarist and founding member] played in Armor Column together and there was some obvious chemistry there, and then it just made sense. We've always, over the years, kind of toyed with the idea of a second guitarist. When that chemistry was apparent, it was a Pain' no-brainer for us, and Dave - number one - shreds, has an incredible work ethic, and he brought a whole new life to us, which is killer. Has that affected the songwriting process? Sherwood: Yeah, I think it has a little bit. He's been a big contributor to that, and, y'know, the guy rips leads, and Skinless traditionally hasn't had a whole lot of lead work, but the guy f*cking kills it. When you're playing old stuff, do you find yourself retroactively writing lead parts? Sherwood: Not really, no. On the old recordings, there was always the basis of a two-guitar track going on, which, live, we were always well able to pull off. With a second guitarist, it makes it thicker, heavier, and you can play some of the harmonies. When Skinless broke up, Noah said it was because the "fire" had gone out. How did you get that back? Sherwood: We were all kind of spread out, and going in different directions, life-wise. Noah just decided that it was too much of a struggle to reel everybody in. I'm in Denver, these guys are all having kids, doing life stuff. At that point, the fire maybe wasn't there for the band, but now it's f*cking raging. January 2016
- VandalaMagazine.Com 49
lerohigiw, Lomgemityr Nbaineratumf and SuigNiae ENults No kidding; the new album's sweet. Sherwood: And we're playing the best shows we've ever played. The band's better than ever. It's crazy. Yeah, it used to be that the first two albums of each band were the best, but now we've got all these twenty-something year old bands putting out their best stuff. Sherwood: Absolutely. A lot of bands are like that. New Immolation is f*cking killer. guess it's a testament to the longevity of this scene, where we're playing these shows and seeing friends that we made twenty years ago, playing our first shows. The fact that we're still able to do it and still have these folks around is a f*cking honor. To be able to drink beer with these boys and have fun, play our music and have people so excited about it, it's awesome. How did you get the vocalist from Dragged Into Sunlight to do a guest spot? Sherwood. I was just such a huge fan of the band, and kind of reached out to those guys. We were talking about doing some shows, or - there was some exchange there, and I asked him if he wanted to do vocals on our record. He's a big fan, so there's that mutual respect. They're younger guys, a younger band, but it's an honor for me. I love that band, And [the vocalist of] Demilich? Sherwood' Antti Boman was out opening for King Diamond, and I work as a production manager in Denver. He was playing guitar in another band that opened up for The King, and we just immediately hit off as beer-drinking death-metal heads and I was like "Well, now's your chance to do your vocals on our record. Let's do it." So it was a drunken 'Phone thing and, boom, had it on the record. Moving forward, do you feel like you're back in a momentum with this? Sherwood: Absolutely. We've done a good amount of shows this year, and, for us, it's about all the capacity we can handle show-wise. That's really special for us, because when we do get together, it hits harder than ever. We're always talking about - we were sitting at the bar last night talking about new songs, writing, and getting it going in 2016, so we're a band on our own pace, and that's cool. That's cool with everybody, cool with Relapse [Records], cool with us. We're all family men. That's our priority, but goddamn it's nice to drink beer with our boys.
Skinless latest release "Only The Ruthless Remain" is out now and availble in physical and digital copy. Skinless Online: www.facebook.com/Skinless www.twitter.com/SkinlessBand www.relapse.comilabellartistiskinless.html
50 VandalaMagazine.Com - January 2016
AMLIST4MLISle PRESENTS THE ICS-Ne 1 METAL FESTIVAL
11TH 14-F11--ALIGLIST 21316 CATTON PARK WALTIIIN
TRENT-DERBYSIMIRE-UK
MASTel3eN 'FAfREWELL, TOUR 1976-2016" SPECIAL GUESTS
SPECIAL GUESTS
SPECIAL GUESTS
*OW 60)(0
SATYRIteil PARADISE LOST-ROTTING CHRIST
VENOM - TIRAGRIFORCE
I MORE HEADLINER AND LOADS MORE BANDS STILL. TO BE ANNOUNCED
24 HOUR TICKETLINE 0871 230 5584 or for tickets and all festival news, updates and travel information go to
WWWILOGEIVOCK.LIK.CEIM.
TiCKETS--
Ai AK' Red Bull 1.L.t1
!a
i1C un
cc
SNOWEICIMEIIND MAYRHOFEN AUSTRIA 4T 9 APRIL 2 016
THE WORLD'S N0.1 MUSIC FESTIVAL ON SNOW
3RD
ACTS
istioy m ra
ANNOUNCED
A-Z TIERED BILLING
ANINC BASTILLE V&Pcitin4stUk ji AgES • Veof SVENVATH
jUTIGLE NETSKY LIVE SKEPTA CRAIG DAVID'S
2I
TS5 $1,1 $ E 1
CILICINS9N OJSET, &Wt.:
s
ANDHIM - ANDREA OLIVA • AKA SCHNEIDER • B-TRAITS BEN PEARCE - BICEP • BLACK COFFEE - BONDAX CAYLX TEEBEE CHOCOLATE PUMA - CHRIS LORENZO • CITIZENN • CRISTOPH DANNY DAZE DOORLY - DROOG - HANNAH WANTS - HEID1 HENRIK SCHWARZ • HOT SINCE 82 • HUXLEY IDRIS ELBA JACKMASTER • JAMES ZABIELA - JUSTIN MAUR! KERR! CHANDLER LEE VAN DOWSKI • MARCEL DETTMANN • MELE • MIND AGAINST MISTAJAM - MY NU LEND MC DREAD - NIC FANCIULLI NOMA • RODRIGUEZ JR LIVE SAM FELDT • SASH •HBO K SHY WS PARTY ON THE MOON - THE CUBAN BROTHERS T.WILLIAMS - THE MARTINEZ BROTHERS • wAFF A-SKILL? • ANNA WALL - APES APE - DADDY NATURE - HUTCH • ICARUS• KRAFTY KUTS - LA FLEUR LELE SACCHI - MAN POWER - MARC ROBERTS - NORTH BASE - POSES - RALF KOLLMANN STANTON WARRIORS - Sri • THE UPBEATS - UNCLE DUGS • WILL TRAMP! W ,A0/146' PLUS RESIDENT OhS FROM: APEX COLLECTIVE - RODYTONIC DROP THE MUSTARD HALO MIXMAG ALL STARS - MUSIKA MU/I REASONS WIC SHINDIG THE RAINBOW VENUES
FOR14011-51 IOR ACCOMKDAT & VISIIVAL WRISICOND
PLUS MANY MORE IBA
SNOWBOMBING.COR*
47111E STOCIP,S#%'.
BRDADWICK LIVE
7117E GAFFA
ITICIEMOg -. 41Inel GUS pm .1 rs
C
14111-42 Irrcro
TRAX
thump Ea
SAVAGE IMPErAL lEA MA CH IOU
..* Photo of the Year Zakk Wylde Dana Zuk Photography
January 2015 We started 2015 right with Zakk Wylde on the cover. We caught up with him to talk about everything from guitars to Catholicism. Plus we have a full photo gallery from Black Label SocietysF tour with Hatebreed and the Butcher Babies.
c><ut
14.
7 Battlecross A band for this time and place
. . Humorous Stories From "1
The Road & Music With Torche
'
An Interview with Hiran Deraniyagala of Battlecross Plus Show Review Clutch - Tim Suit on Clutch's New Record Plus Show Review Jamming, EDM and More with Lionize Torche Humorous Stories From the Road, Music and More
PHOTO :'Ple141. LOOir BW 41 TN Bri Of 1
56 VandafaMagazine.Com - January
2016
TME AND
T
January 2016 - VandalaMagazine.Com 57
abb._ 58 VandafaMagazine.Com - January 2016
Look Back at Crystal Lees' Photos of 2015 January 2016 - VandalaMagazine.Corn 59
•
11P1 1114M t111E11N
&MT
ANDALA, -
•-
gand7Want—t live:.•
Inte 'Arica,/ with Toby Lettrnan _ _ —6. arif—i sild=1 FAO& -- Mob
ehrtiary
'tka am. • 4.011141='" •
'Ma
February 2015 We caught up with bassist-vocalist Toby Leaman of the creative and crazy Dr. Dog. Bringing crazy fun harmonies, classic rock and now with the addition of a true talent on drums, Dr. Dogs' new live album is an impressive testament to their unique musical stylings.
Other Highlights GONNA BE A FIGHT: An Interview with Danko Jones Night Demon, Modern Day Rock n' Roll Heroes Giorina Be a Fig An Interview with Danko o A389 Bash 201 • 4111a, y maker - Lethal En terta rt •• Night Demon, Modern Da. Rock and Roll Heroes
•
31111E
4 eniciri,1114 11 ILTIES
Let The Music Do the Talking A conversation with Murder By Death's Adam Turla A389 Recordings X Anniversary Bash Coverage
Interview With Bassist-Vocalist Toby Leaman Of
60 VandalaMagazine.Com - January 2016
LET THE MUSIC DO THE TALKING Conversation with Adam Tuna
January 2016 - VandalaMagazine.Com 61
•
OP.
Fie f
41:41(1 41011i• OV 11 ThiiI7 111T TOMO)
a
_
M unch
DALLA
Ti • N
AW
GETTING STRUCK BY LIGHTNING (TWICE):
A
A CONVERSATION
WITH AARON BRUIN AEON - Keep Support-in Death Metall Round Table Radio Gala oshua Raclin with Cary Brothers and Andrew Belle Live
.i
March 2015 Aaron Bruno aka AWOLNATION's song 'Hollow Moon (Bad Wolf)' from his album "Run" took over the video and sound waves. In our interview with him we talked about his focus, and how excited and properly anxious he was for the world to hear 'Run'.
In This Mess: A Conversation with toyGuitars Jack Dalrymple Marky Ramone "Punk Rock Blitzkrieg: My Life As A Ramone" Album Cover Feature The Rumjacks "Sober & Godless" AEON - Keep Supporting Death Metal!
p.
PriFT II 1117411kITIS C411411111
1E11E1111W 41111. & MERIN
64 VandafaMagazine.Com - January 2016
A Return to Primal Brutality with Exhumed
EEP T-T"FrPORTING DEATH-- METAL January 2016 - VandalaMagazine.Com 65
A
ti
January 2016 - VandalaMagazine.Com 67
1:411rr>$ 110440 EA,C4Tifig W1:-#, V wy
In WO. ckiNAV
April 2015 Undoubtedly one of the most influential bands of the 90's, The Pixies have been making waves and headliners the last ten years with renewed activity, including a new album 'Indie Cindy' and continuous touring schedule this past year. We spoke with drummer and guitarist, and founding members, David Lovering and Joey Santiago about the Pixies past, present and future.
Other Highlights Doom Dominates the Downtown
Opening The Third Eye With Sure ' â&#x20AC;˘
. Staying Awake with Yob
1â&#x20AC;˘11:21:::=
Cavity Search: Words with Masked Intruder's Blue Staying Awake with Yob The Gang of Four at Lee's Palace Marilyn Manson Live Hell Not Hallelujah Opening The Third Eye With Swans
Conversations with The Pixies David Lovering and Joey Santiago 68 VandafaMagazine.Com - January 2016
January 2016 - VandalaMagazine.Com 69
Editors Choice Claire Bourgeois Photography
May/ June 2015
D A
etice or Pro est Bard Work
An Interview with Anti-Fla
and Originality with Full of Hell
Drummer Pat Thetic was there at the beginning. He started the group with its singer Justin Sane and continues to be a driving creative force in the band. We spoke with him about the new record and the old politics of this very outspoken punk rock unit.
â&#x20AC;˘
Other Highlights Kurt Cohain: Montage of Heck
iLnside The New ImrAlburn
Matt Skiba and The Sekrets Inside the New Album `F UT with Matt Skiba On Location at Coachella 2015 with Photos and Review
With Matt skiba
I Mother Earth Rocks Toronto
Mastodon, Clutch & Big Business at the Edmonton EXPO Centre Kiesza & Betty Who Heat Up The Stage Ensiferum, Korpiklaani & Trollfest
lar
MATT SKIBA AND THE SEKR_ET5
Inside the New Album â&#x20AC;&#x2DC;ICUTS' with Matt Skiba
72 VandafaMagazine.Com - January 2016
J January 2016 - VandalaMagazine.Com 73
Look Back at L. Paul Mann Photos of 2 D 15
4.
:t 4, 4
4
4
Hard Music Festival
itii
4, • 414 4 4 4 '444 . 4 4 444 4.4 4 4 4 4444+4 444 44 44 4 4 444 4 4 4 ***** 44 44444 4 4 4 4. 4 t 4 44 4.4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4. 41 4 4 444444 44 16 444 4444 4+44444 ' • 4 4 4 444444 44 4444444444444 4 4 4 4 44 6 4 4 4 4 4 44444 it • 4t4 4 444444444+44 4 4 4444.4 44444444444444444444 t 44444 4444.444444444444444444411141 41 444444444444444444444441444 444#444444444444444 -+ , 44444 44 4
K
t't t
11 1;9
5-4
/
4
4
V1:1, •
'
.
-10
Riot Music Festival
January 2016 - VandalaMagazine.Com 75
Mtashi.n9 in fire Ic tee Wold
Crashing ho Califor
Nu....14.(cipal
Waste
'ICI E LAC Cdt
eiov.c Metkfry Tear Out? 4i31.0%,
ittiffk Warrant Rocks The Stage for Charity 4L47. Dustin Kensrue New Album & Keeping Busy .141 Calgary Metalfest
2015
July 2015 Mostly country, with a little rock, and a whole lot of Rapping from The Lacs who are doing what they love and doing it well. We caught up with the Clay "Uncle Snap" Sharpe who is probably one of the most humble and nicest men you will meet to chat music, touring, and more.
Other Highlights Catching the Tide with Paul McKenzie of The Real McKenzies Dustin Kensrue New Album & Keeping Busy Crashing Psycho California 2015 Festival Apocalyptica Kill the Stage Warrant Rocks The Stage for Charity
Peer Frampton. Rocks Fiffir Annual Motes For Note4 Conce
76 VandalaMagazine.Com - January 2016
Slodging It Up with Lord Dying
January 2016 - VandalaMagazine.Com 77
EDMONTON'S ALTERNATIVE MUSIC FESTIVAL
BORDEN PARK
..... • ....
Editors Choice N4
Ellie Goulding Dana Zuts Photography
Atiglist 2015 Thirteen years and six full lengths deep, the larger-than-life symphonic metal sextet Epica prepared for a trek through North America hot on the heels of their album the Quantum Before embarking on their journey vocalist Simone Simons sat down with us to talk fire, song-writing, science, and skin-care.
Other Highlights Damning Mankind with Ancient Alter SOUL MUSIC: An interview with Against Me!'s Atom Willard Bonnaroo Music and Arts Festival Wraps Up 14th Annual Festival With Plenty of Firsts Sou, Music: 4,, interview wilf: Against Mers- Atom Wi/far
Walter Trout Makes Triumphant Return to USA
44k-;iit Singing, Subjectivity, and the Science of the Soul with Simone Simons
80 VandalaMagazine.Com - January 2016
January 2016 - VandalaMagazine.Com 81
82 VandalaMagazine.Com - January 2016
January' 2015 - VandalaMagazine-Com 83
ara. with 'brothers O the Sonic Cloth's rcid DEVe
Momentum 1 With Murder FM Classical Exploratio s with Roger Oi Donnel
September 2015 Eric Wilson and Bud Laugh teamed up under the Sublime & Rome name to make new music and hit the road. We caught up with Rome in the wake of the release of their newest album `Sirens' to talk about the record, the history of the band, and working with the 'best drummer in rock n' roll'.
Other Highlights Momentum With Murder FM Counting Down to Extinction with Cattle Decapitation's Josh Elmore Sidewalk Serenades with Darius Koski Kings of Chaos Play Sold Out Charity 'Event
OP , LOWA
Down 1,6 EA,letior, with Waffle Deed:TA:Avis. loth Efill4r11
84 VandafaMagazine.Com - January 2016
Hard Summer Festival The Order Of Chaos CD Release Party Classical Explorations with Roger O'Donnel
January 2016 - VandalaMagazine.Com 85
Editors Choice Lindi Ortega Crystal Lee Vandals Photography
October 2015 oT
ittufr"
Living Large With Exmortus
Finger Elevens album' Five Crooked Lines' finds them with a new record label and a new drummer, and explores the sound they call their own, pushing their boundaries while staying true to their roots. Scott Anderson chatted with us about all of this and more more,
Other Highlights Sonic Boom Festival 2015 Denver Riot Festival 2015 Sonic Boom'
Looking at Yourself with Emil Amos of oly Sons, Grails, and Om
George Clinton Brings the Funk to Chumash Casino Resort Santa Ynez Trippy Vibes With Ecstatic Vision Living Large with Exmortus Looking at Yourself with Emil Amos of Holy Sons, Grails, and Om Def Leppard and the American Way
88 VandafaMagazine.Com - January 2016
George Clinton and ParHamm, FiMittadetie
January 2016 - VandalaMagazine.Com 89
•▪▪
•
▪
I--I% • /
17:7 /.7-;
!
L
.••• ••1
.
i
1
)
• f ••••
'' I.- -,
..... .
.r
%
.
• •.-.- .0 ...., 107-•••• ‘i . I -, -: ..-, ..... ......._ .7.• ••;''' '...'....•; r'' 1-• -... ... < .....
1.
n_,'... ! ( fit ,.., .... , '1 1 ..-... ....,. .. .-..
'../.."‘-.-._:-::.-..;.".'-.......,.->:
,
I • '.•••
•:•
••
•-.; 0 .--•••.-:::
1 ..-.'. i,:•7':, 1
! ,......
''.......::::........ - ..;- ,.." .
.
...-• -
.tip
1
1 ••
4
11.
;
'; 0.1 L'•• % .
1. ,
.
1
;-• . .•.•••
:S.
.•
t
I
( f' .;1 .... _,___,......, ......_-_,-'?
. -- -7 ...‘-- • !' •••-_--- '
.. .-) r! • '':t). .:... i i.
- 1 ...1.
.. I
I i•-••• ....)
••-••••••••(-•;.....
i ! •••
I.
4:
•
.
•
.
,•
•
-• ••• •
•
•
a
•• . ...
- '
..•••
•1. •
r ' ; - . .1.,....t.• .. . .. ...'
' - .- A . '
....1-' ..11 ....4.•
s-•
•
•
. ••
- • • ••
,....: ..`._.••• . •• - • ••-
....'.. n::.-I .
. ••
d•rf. •• •
.
•r
r-
•
.':'•11 • r ....'..,;_'i 5;
••••
•
.
..5 ,. .... ... , Lz ........ . ...i.r. , .,....., ..7 :1i. ..;;;` 1,•••-i'l ...:.; '.. .......-,...• • ......7.; C- ,..17'..- '1•••-•• • ' • t.
1.. 4.•.._.....,. - ,_..•• 2. 1-4......,
:.
I:" l'f : ' " - ....-- .1'% :-.V.1•rj.• :. 1-7- ...1-:. .....
• -.. :•.7--.r••. • .tc' "..•; .•-bi • 4V,14.. ;•••1• ''''14••• - L.' •;. '.._....;'- S'-:- .-1 ..r ',•..:.- • . i]-1., ;:: 2 ...1-1. 4 'r.--1'n tr.'11• 40 '-'1,, . , '. • ...' Cl. • ...., ..1.1 ''. ' : . 2 .4 : ' 1 -:4 ' I. ' AP..! I .- ' { • .i'..1,e ;A' ." '.-' •i A ' . 3.• 60 . Ci-k -■.,,, 1 If' . . • .. •• 9 %.1. ••*6''. 1. ' en■LI : r• .. . .f. 1 „.. vs .. - i. .. . . AL.,/ x •,. . -i!,14.."1,5,4il • .L ...• • '4....F;•r"111... :4 . . . ...... , '.': • •-:. - • t '• ' i. •.:-. • ' :•% ;,...1-'.•-•2' ; v:•;- '•_: .Z.f-1-'• •"r-1- -:;•.'.. 4r x411'. , ',740:••'1",;2:';,11 1••••7:12::• -=1..;,.E1'.• - ••::
"-• •
....• :: ., - ,• - 1...„ .• " : 7 , ..... _.. _
: .:-. -1••••"!,,E...: ., ........,[ . . - . •.' , ..! • .i %.1.1 .r..• ;'•"' .'.' -.1;...!c.., ii. ...1.:.!A„••••,:...);:--....:%!•7.':•:•.:-.:•-;:t .:•..... j. c ' '. ....7... ...2;..:. , ...... • .1 7 ",.. , • ........c. .....1 41 .., .14.r5..le ... _ . ...e... . ......,. , _ .. . ... •. • • "• . ... i:.• . r4.-, . , .,:... , •
5•
• •••
••••
. k.'' 'F:•• 2 . •• . I • A :,.,• -Frr7• •.„-r‘•-•.i.4.1•••••
•
L.. • -
: •
• •
!
•••
.
m.i..:.,,...;• ..,
. .
.
:, . ,
., 1'. . . .., ••-:•P•A-=!•
. . :_:......,......, 21, ........ .. 7"..:.... ..,....; ..
13 • /• • ' .'• • •••', .1. ..'1...::?.L4.;.?. :••!.'.i.: i :".1•.'••• 41 c,,".:, 40 .r.:1,0 : M:
i _. !.,_ : ..... 4
.
j
...:,k.. . !
.• • ..f..,..•:,6:?::,:-..•f.n'...;-;.. • 4,`-;'• •7'''''•i'• :01t: ' '; ,;$.7'.7;1'.'ir 2.- .T '... -."- .;r'''
• '.'•:-2. ... 'TT:. •-::•&. I . .- r.i•
..
• • • ...... ..."' .4- . • .0 -- -'. i .•• :i• t L.' ...P4•-• .. .. •fr'• -•:•. ' ,.....!!:-.f . -, :-..9.30::.' :- ,•• •1::-' ;JAI ...IL ' •:!•';*.' l; :;••` F4 '‘) .-r-,,:..?:, .-1 ..1-'• - •!....7.:::-.,' ".....• • •'. ..• rri•. !'•....:1/:;-1.:i,•='-i:.•:',.: 77•7•7('-':-.,17••..;•..4.: - ••-•-•.! .....,- .0„... . . 1,- ..--,--...4 • •••1•_ .. 1.1. •.. • ..._ -, ? :P., . • • IL fj.4.• ...T. -,...".'• ., 4.1-.1. • ■ ••■.,7 -1 . ,
.
.
.."... ..
, .
-....-- -..45. .t. -
.• .: ▪. • •
.•
".•,...-...17,(•. • •14.- il'7.• • -,5 1i(
•
•
f• • 1,
•
: _•.N ' .--. .4 .,.- :
..... ••
• .D
'
4, • •
Irk
•
OA
1; '7., •
•q, "
IIIS-• •
•..,
..,..
....I. . • 1. .1. .. • ' . ... Oa' ...!.., kji.:1....
.: • , ..._ 1. ,r q.d..1 1} • r kt:5,-....7 .;0-11.41..._:4 .... e
•c. r,
• • -L..
..
.. 7... 1.,:a
••
.•
-
-IC
0••• 6"
•i
7. , • ••
•■■•".1
gr
•
-
- •;1 •
.Ie
•
•
•
'11: L' %.'
.' .,,‘_ • . ." .- .
. ••• ar_.
•r
d.' -I-.= , t- '
;34 . r•••
.r - •
•
..
p.,••••11'.P.7 :•••••:,.
I• •
•
."
•
k•-••••
••.1-.1' ••".% •••••• -
••• •
'2T43 .. •
.sr.;1-:••
••••••■1 :.•71 :• .-411 • •I'l• 4%•r•-•• al ;
•
V,It`
•-4
• -
7T)1' •
r• V. I% • rk f - P>
l!" ;-vi
-.-
.1..4 -
.
•
..' a:11141‘1., 0-4....• i le , t',....
• rc
r-f -
•••- '
•t,
. -.. ..A. i • -••14!--; ..1 el a f...3.0. ..4..A 1.....i... • •-• 1-'1.11 •
•
•
'i l'. I t. '-
4
• r• • • ;E
!..c•
•',1 "..1 •
•''ne5.
arm T il .. . .•
I
;. ,.
.7 :1:110iri
4.;•.
.
••
,p,....
...:. ..6
er ,& ..,,..7. -'•?•3• •I• . • •,,
...+ ' :21,11'c
;.•!'•: •
a.- 7.4 '
•
• ,..•
r•A; • • '.!• 1.
-•-•• • 1••-
q4
L./kJ.",ft•
J-..,te .774,
tr• •■•
••• •
. '' 11'..0.pr-.2..... .-&*... t. --?.' •
-.
.....
• ... - .".-14,.
••
.4' .1)
1
. ,iii. ' ' : 1 '.: :--
.i41' .. .31 '.11 1' L';:•E
Ii
,
011
.•
•LE• ,'
";
1••
J.:-V••, lre•
.L, L•
Pir.-
`P •
11.-1
•
•
-
-S.
• A:
• .
•-
4
••
•
-•
4
- • •
-.• " • I•„' '..4 r ••• --.-•' . ••. V -.-r•-_.. 3 - • L1/4,41p7 . .41 1.-.1•1.•, 1.0.%re."' 7 '4.. •,.....; ..-..- -/5.... -ii,,..,.), li'..••• ,,....1■;,1)..k • .76.1. r kr, ; , • „-,...„,?. ...A'.4 • - .-1.4-:4 , i•iInzi :,‘ . tel. 9 .. ...*:±-:',. • • 1...i • .. - d col. -S.( qr.. •.• • r• % 5 d "."; .... • .' . -.. 'V.." ‘'-• 'i. 1 1...t..‘i r-1..-',..."'• • .40 - -•-1 %. .2,4 •.,0.• -.. :a. '.... • ' S • . - 1 -....' ......1 t .L • ,... :.--.' ' '..q... ....;.....:..:: L'....'.-;!..--.e.`i•N-'.--,... t' .... -• „..;%. • r. -...q.....r , - 7/4- ;:...• ••••••,•• 1•-••rq 17.p• 0 , ...'' • ...e -.--,•,....._,,;......,..4,„..7.. EL.....-.. .,....,; ,..,...„ 1. ..•-'' 4..n-P '''''
.... ....t...3N...v . ., 'r
.r?-f, .r : ---
.ir„`".
:-•
;n
'
....12.i ... .....re ..._.• .• ii?!..: . ,L r„ f. rr-• , . .. • - .• ...-...7•1;-•'„,..4..,•4,9 • .. ' ,-.....1.111' ''•;t •••• .. •••••...4',' • 7 ■ ••••• ''''. • • ..'! .-.^•''-'; -• 'ik" • i17:- • 4C.7 't kr.:•••••;:5'411"-" • Cr- I: ." ..31% • 1 r. •• ■•::•; 01: 7..'• ....11.'4; • r • .1 • -,•• •
. •.
..
-
.r?etk.r .-4
'
•
I"
ONDED BY
November 2015
- TKIEITIIEW WITH EL HIST:VS; MTN
... STRANGE AND UtilIDTIFIA MUSIC 1111111
This past May Tech NNE released his 15th studio album Special Effects and then November 20th released Strangeulation Vol. II. We talked to Tech about his music and all manner of strange and beautiful music
d the Road with Purson plILL Iâ&#x20AC;˘
- Homeless Rock Stars JF!
Other Highlights
%V,
project Red 14. Carpet Affair
High Energy with Adam Blake of H2O AC/DC Brings High Voltage Performance To Edmonton #ROADTRIPTOUR 2015 with Paul Brandt, Dean Brody and Lindi Ortega Gnarly and Weird An Interview with Shawn Knight of Child Bite
Interview with Adam Blake of H2O
M .J.I
201 5 WITH PAUL !HUMPY. BEAN BRODY AND WM ORTEGA
SLASH Featuring Myles Kennedy & The Conspirators & Raven Eye Tales of Sessions And The Road With Purson
with Adam -Bloke
92 VandalaMagazine.Com - January 2016
January 2016 - Vandalardagazine.Com 93
December 2015
Decethher
We ended the year with Music & Mystery with Blind Guardian. Hansi Kursch gave an incredibly interesting interview where we got a chance to get into the true motivations behind his art
Fir r rpg
MU SIC AND MYSTERY WITH
ob jparbia
Other Highlights Horror and Madness with Grave Digger
Poss of Power An Interview With
Rock Royalty Unite For Epic Concert Jam To Benefit Rhonda's Kiss Organization
Author. & Punisher
BARI NAKED LADIES with Alan Doyle and the Beautiful Gypsies
'Horror
Roots, Children and the Future with So Hideous
and Madness
with Grave Digger
rilizow
Barenaked Ladies with Alan Doyle & the Beautiful Gypsies
Fur Elk ConcErl Jan] To Renulit Molars Kiss
3 Inches Of Blood Farewell Concert New Noise Music Festival Wraps Up
â&#x2013;
94 VandafaMagazine.Com - January 2016
January 2016 - Vandala Magazine-Com 95
JANUARY 15
JANUARY 16
JANUARY 17
ANEVO • Apr( • BLASTERJAXX • BOB MOSES • CALEB CALL WAY CLUB BAND • DANO • DON DIABLO • FRANCESCA LOMBARDO GTA • GUY GERBER • JACK NOVAK • JAUZ • LEE BURRIDGE MAGDA • MUA • NERVO • PATRICK TOPPING • QUIMINO SANDER VAN DOORN • TIGERLILY • YELLOW CLAW - ALR-IABEMCAL OMER
PANAMA • 2016 rnrintaLFIER.COM
„
ineRN/Jim Au Rutin m g
estriug.ti o in
Tom Hunting is a hard living fun loving dude with a lot of stories to tell and a wealth of metal knowledge. Digging into the history of metal with him and talking about what makes a great drummer was far too much fun. So what was it like to be a teenager year old in that thrash scene? Tom: It was a good time. It was a killer musical climate. We were all listening to anything new we could get a hand on We were really excited by things like Mercyful Fate, we thought that was totally satanic. The NWOBHM hit us like a hammer. We were just listening to the riffs and the drumming and it was all amazing. Angel Witch was awesome too. It kind of blows my mind to hear the progression in metal from Iron Maiden to something so gloriously brutal? Tom: I don't know. I think we were just trying to top the things that had been done in the past. Before that me and Gary were listening to classic rock. The hardest thing we heard was Ted Nugent. Then Gary's older brother turned us on to punk rock and we started listening to Discharge and Dead Kennedy's and Exploited and all that shit. So if you combine those elements... then you have Exodus if you sprinkle in some European heavy metal. What does it feel like to then get to be in a band like Angel Witch? Tom: When I joined Angel Witch I was less than a year removed from Exodus. They just called me up and wanted me to play on a demo for them. I worshiped the band so they didn't have to ask me twice. It felt great to play drums to the songs I had been listening too growing up. To play on that music nine years after they dropped was a lot of fun. Why do you think that metal has hit a peak in extremeness... or has it? Tom: I don't really think that it has. How do you define extreme? Tom: I don't really look at image too much. I get that there's stuff that's visually extreme like Marilyn Manson or Watain. But there's image extreme and musicianship extreme. Some of these drummers nowadays do stuff that I cannot emulate! It's pretty crazy. I always look at extreme in a purely musical format. I don't know what defines that though. Metal played by extremely talented musicians I suppose. Exodus kind of honed our skills as we went along. We didn't have a plan. We are all influenced by what we hear every day, not just with music but life in general. Obviously you're one of the most influential metal drummers of all time. How does it feel to have a generation of artists who've pushed your own style to the next level? Tom: I love them all! Dave Lombardo for example got way faster between Slayer records. He was definitely honing his skills. There's a lot of people who have influenced my style like Clive Burr from Iron Maiden and nobody ever talks about him! I prefer his drum tone to Nicko actually and he would do all these crazy disco beats. Michael Schenker too - nobody ever says it but he's a really funky guitar player! Some of that old UFO shit is just funk with a rock and roll drum beat. What other forgotten metal guys asides from Clive Burr should we turn our focus too? Tom: I think I need to give an RIP shout out to Phil "The Animal" Taylor. He was a heavy influence on me. Did you know him? Tom: I met him twice. We only ever played with them once Mikkey Dee joined the band. We'd crossed paths but we weren't acquaintances or friends. I loved his drumming though. 100 VandalaMagazine.Com - January 2016
Iinterrivielvy =Tom lituritim of Exodus He was doing double bass before me, or Lombardo or anybody was, so there's that. As for other musicians, Michael DeRosier from Heart was awesome. For 1975 he had something of a Bonham style. He was getting f*cking awesome drum tone and just laying it down. Barracude and Heartless have amazing drumming! Keith Moon, Tommy Aldridge, the list goes on and on! David Garibaldi from Tower of Power was awesome â&#x20AC;&#x201D; Bay Area funky grease music. I pulled from everywhere. Even Sha Na Na? Tom: No! (Laughter) Actually our old lawyer was a member of Sha Na Na, I'm not going to say his name though! I might get sued! What drummers these days have good tone? Tom: Dave McClain from Machine Head, Will Carrol from Machine Head, I've got awesome drum tone! (Laughter) I like to tune drums, our producer Andy gives me good ideas and I love my Yamaha drums. What defines a good drum tone? Tom: It all depends on the genre of music. If you get a big ass 20 inch crash with tons of decay that ain't gonna work in my band. You have to be selective. With that kind of cymbal it sounds like a gong and if you're playing a fast song that doesn't work. I always compare my drum tone to maybe Phil Rudd but tuned a little bit higher and a little more resonant on the toms. But that's more of a personal preference. I know what I like. For example when I get a snare drum that I like I call it a 'crack dealer'. It has a special crack to it and it can get in and get out between guitar parts. Sometimes it's a fight between me and the guitars! Is that part of the appeal of playing drums? What do you like about playing drums? I like to create songs. I like to be a part of the creative process. I like to hear a riff for the first time and go from the uncomfortable initial stage to its final recorded version. It's a fun process to build shit. I love that part of it. And we have awesome guitar players in our band and it's fun to sit and woodshed with those guys most of the time. Most of the time? Tom: Every song doesn't necessarily write itself. Lee is a different type of writer to Gary. Lee and I sat for three hours one day and came up with like 70 seconds of music and then the next day Gary came in and we figured out a song in twenty minutes! Do you prefer writing with Gary? Tom: I like both of them. They both write killer music. Gary and I have a longer history together so there's that. We have a built in comfort level that allows us to jam. Whereas when Lee comes in we will lay down six drum beats for a riff and he'll leave thinking about it and he won't say which one he likes right away. Lee makes wine, Gary makes moonshine. (Laughter) What do you love so much about music? Tom: Dude! That was straight out of Almost Famous (Laughter!) What do you love about Almost Famous then? Tom: Kate Hudson is super hot! I don't even like blondes but she is exceptional! It's a great movie with a real story based on true facts. I've seen musicians behave that way! Any final words of wisdom? Tom: Just be true to yourself and if you get good in anything humble yourself to that. No matter how many people tell you are badass don't go believing it! www.exodusattackacorr January 2016 - VandalaMagazine.Corn 101
s•
ire& :PA. •
t
• • a
•
a
a.
~QMenizegth
* . BRIN tHEt.HORIZbN-
r
O _REFUSED — METAL ALLEGIANCE HATEBREED SOULFLT NORTHLANE DEAD LETTER CIRCUS L7 AIME CELLAMIATION NOTHING BUTillIFIES FAILIMEt wtoi DOIL•111110MW FRE0AL mono I. MOOSE BLOOD r.„
4,5
•
PLUS MANY MORE TO BE ANNOUNCED!
ze41°/ SATURDAY 3 JANU-ARY BRISBANE suiwBRauNos BRISBANE
11461 SUNDAY IN JANUARY OLYMPIC PARK SYDNEY
TUESDAY ES JANUARY MELBOURNE SHOWGRDUNDS MELBOURNE tAUSTRALIA DAY PUBLIC HOLIDAY I
EARLY BIRD TICKETS ON SALE NOW FROM SOUNDWAVEFESTIVAL CONI
ICY r.4 in
no•Icood et' MEM iiidiaddriddid Wel
K!~L!I1G JC2K.C. US HEADLINE TOUR 20.16 )41!-T11
r.-
THE SOFT''z MOON
ANU t. ARY ; 14 Terminal West - ATLANTA, GA 15 The Orpheum -YBOR CITY, FL 16 Gramps - MIAMI, FL 18 Republic- NEW ORLEANS, LA 19 Fitzgeralds - HOUSTON, TX 21 Granada Theater - DALLAS,TM, •tikt22 The Parish - AUSTIN, TX tialb, Tricky Falls - EL PASO, IX 100 ‘4,4,23 Crescent Ballroom - PHOENIX, AZ 26 Belly-Up - SOLANA BEACH, CA 28 Regent Theater LOS ANGELES, CA .30 The Fillmore - SAN FRANCISCO, CA 31 Star Theater - PORTLAND, OR
V1
.
0041404;g FEBRUARTiF;:,-;:lie 02 Venue - VANCOUVER, Bc. 03 Neu mo's - SEATTLE, WA 05 Liquid Joe's - SALT LAKE CITY, UT 06 Marquis Theater - DENVER, CO 08 Amsterdam Hall - SI PAUL, MN 09 Thalia Hall - CHICAGO, IL 10 Skully's Music Diner- COLUMBUS, OH 11 Lee's Palace -TORONTO:ON %Vie. 13 Irving Plaza - NEWYORK, NY tie 16 Union Transfer - PHILADELPHIA, PA Altar Bar - PITTSBURGH, PA 19 Fete - PROVIDENCE, RI - N4Y*. 20 Ottobar - BALTIMORE, MD 21 The Broadberry - RICHMOND, VA •
THE NEW ALBUM
PYLON
OUT OCT 23 ON SPINEFARM RECORDS
The Power of Protest
Protest are smart guys, and interesting ones at that. They bring a lot to the table and are clear about what they love. Digging into just about everything with them in a fun and short interview was far too much fun. Interview By Matt Bacon How are you guys? It's good! We got in town and played an early set at the Korova last night with some cool bands. JE
How does it feel to be on a festival with King Diamond? Jason: The first thing I did was buy the t-shirt because it has our name on it and King Diamond's name on it and that's probably never going to happen again. Ronnie: Exactly! We've been doing this a long time as collective members and we just hope it can keep going. What are you goals with Protest? Jason: Right now we've got two more records coming out as a part of a three part EP series, fourteen tracks total and after that we're going to start hitting it hard again after the new year. Why are you doing three EP's rather than a record? Jason: It's largely so you can have a steady stream of new material. It also gives us a little more time with each new piece of material. With small bites people can digest it more easily. People don't really listen to albums anymore so I figure giving them chunks is better. Have you always been so forward thinking? Jason: Well yeah. My day job is in marketing and advertising so I'm always thinking about that. Ronnie: I'm a high school assistant principal so I'm definitely in touch with the kids. I kind of get where their thought process is coming from! What do your kids think? Jason: They always joke about how cool I am! When I meet parents they think it's cool too and say they'll check it. Are you tatted up? Ronnie: Nope â&#x20AC;&#x201D; I'm not interested in that. I don't think any of us in the band have tattoos actually. That's just a personal thing. It differentiates us though. What else differentiates you guys? Jason: The fact that it's a bunch of shaved head white dudes and one black dude. Some of the smaller towns in the region don't know how to take that! (Laughter) Really though - our style is rooted in 80s thrash with touches of hardcore and it's something we've always stuck too but it feels like it's starting to lean our way a little 104 VandalaMagazine.Com January 2016
Why do you think thrash is coming back? Jason: I think it comes in waves - kind of like how there is a resurgence in nu-metal. Once you get a foothold people remember you. How has all the touring been? Jason: The most recent thing we did was up to Full Terror Assault but hopefully next year we can get to Europe and sneak up to the East coast. How are you going to get to Europe? Jason: We've got our hands in some different peoples sights. There's a guy who works at St. Vitus who's looking to get us distribution but this is early on. He thinks we could make it happen. So is this whole thing a step forward or just another part of it? Jason: I think every time we do this it's a step forward. We're pretty much past local shows now, we do a lot of national stuff and each one of those is a bigger step forward. It's a slow crawl but it's happening. What do you guys love so much about music? Jason: Everything! We don't just listen to metal! We are die hard 80s thrash guys for sure but coming down here this weekend it was a mix of black metal and Depeche Mode. Ronnie: I love 80s pop music! Jason: used to be in a band that was like Frank Zappa meets Sepultura. Ronnie: But this is our thing - this is where our heart and soul is! www.protestband.com
flâ&#x20AC;˘ . â&#x20AC;˘
My
wEIL
S
k
i
r
January 2016 - VandalaMagazine.Corn 105
• FIREFLY •
•
music festival • • MUMFORD & SONS • KINGS OF LEON • FLORENCE & THE MACHINE •DEADMAU5 EWE GOULDING • DISCLOSURE • BLINK-182 • DEATH CAB FOR CUM • TAME IMPALA • M83 ASAP ROCKY • MAJOR LAZER • THE 1915 • OF MONSTERS AND MEN • CIIVROIES • TWO DOOR CINEMA CLUB • LUDACRIS • THE NEIGHBOURHOOD • EARTH WIND & FIRE • GROUPLOVE • PORTER ROBINSON • FITZ & THE TANTRUMS • FETTY WAP • FLOGGING MOLLY • VINCE STAPLES • • TROMBONE SHORTY & ORLEANS AVENUE • MO • MIAMI • CATFISH & THE BOTTLEMEN • ST. LUCIA ATLAS GENIUS * ALUNAGEORGE • NATHANIEL RATELIFF & THE NIGHT SWEATS • GUSTER • ELLE KING • SAINT MOTEL • THE WOMBATS • ROBERT DELONG • THE STAVES • OH WONDER • THE STRUTS • THE WHITE PANDA • PEPPER • WET 4 JACK GARRATT • ROM DU SOL • GOLDEINK • FELIX JAEN PELL • PARSON JAMES • MOON TAXI • CHAIRLIFT • BOY & BEAR • GALLANT • NIGHT RIOTS • JAI WOLF VANIC • CIRCA WAVES • LOUIS THE CHILD I SIGMA • HIPPIE SABOTAGE • ME • COLEMAN HELL • COIN • HAYDEN JAMES • KALEO • FINISH TICKET • ARHUS • JEREMY LOOPS • CIVIL TWILIGHT ® SON LITTLE • NOAH GLINDERSEN • MILK & mu • SWIM DEEP • THE LONELY BISCUITS • JAMES HERSEY • D.R.A.M. • MARC SCIMLIA • G1BBZ • CHEAT CODES • POWERS • THE NOAH • QUILT • SLAPTOP• TRANSVIOLET • KANEHOLLER •GENERIK• JAHKOY • KITTENS • SUN CLUB • IAMDYNAMITE • CONNELL CRUISE • NT • CAVERNS • LAUV • WILLIAM BOLTON • ROCOCODE SAM JAMES • LAURA MVICI:M1 • HOLLIS BROWN • HOLIDAY MOUNTAIN • -hi REM YOU KNOW I E SHELTERS TEEN MEN • MAJOR AND THE MONBACKS • THE DIRTY DISHES • [WM ROOT •MAIL THE HORSE • TWIN LIMB * NHS • MOTEL RADIO
a THE WOODLANDS aira Da‘ue/b, oVe
MUSIC PEST #GULF SHORES, AL - MAY 20711 - 22ND •
,,
The Weeknd • Calvin Harris • Florence + The Machine Alabama Shakes • Ellie Goulding • Lenny Kravitz • Flume Haim • Cage The Elephant • Panic! At The Disco • Grimes The Chainsmokers • Walk The Moon • Leon Bridges • Miike Snow Jason Isbell • Big Grams (r=4,14) • Run The Jewels • Foals Fatty Wap • The Neighbourhood • Portugal. The Man • Moon Taxi 3LAU • Courtney Barnett • Silversun Pickups • X Ambassadors Bra Safari • Kurt Vile and the Violators • Berns • Thomas Jack Coleman Hell • Alessia Cara • Wailers • Mayer Hawthorne Nahko.and Medicine for the People • Brett Dennen • The Struts Atlas Genius • Vince Staples • Pepper • Raury • Snails Stick Figure • Judah the Lion • Tourist • Kaleo • Magic Man Health • Alison Wonderland • The Griswolds Hippie Sabotage • The Revivalists • GIVERS Coasts • Phases • Bully • Uzzo • Jack Novak
Flowers • Lost Kings • Half Moon Run Strangers You Know • Koa
• -•
.F• .•
C4,7.
01 a
ten.
â&#x20AC;˘.
Inerimiew. Love a nd riatitucle ,
Rafael Martinez is distinctly good dude - in my hat with him I got the impression that he's just happy to be here and sharing his music with the world. It's hard to believe that music as demented as that of Black Cobra could come from someone with such hope in their heart. So how Raffa, how are you? Raffa- Good! This tour has been awesome! We've been wanting to tour with the Yob dudes in forever so its great! What is it like to be on the road with such a critically acclaimed band? Raffa: I don't read the press much, but I've always loved the band and I love that they are getting acknowledged. I've known Mike Scheidt for thirteen years and from the beginning I was always very impressed with the music and they should have been huge from the start in my opinion but sometimes it takes a while for people to catch on. They've been a big influence on me for a long time. You said you've known Mike for thirteen years... how did you meet him? Raffa: I was tour managing this band Lost Goat and we played the Samurai Duck in Eugene and they didn't even have any music out. They had one song on a compilation for a magazine from Europe. I kept listening to it though and then Elaborations in Carbon came out. Then I played with him a few years later with another band. We would always hang out when we were in the same area and when Black Cobra started we started doing shows together here and there. There was that stop when Mike did Midian for a little bit, and we played with Midian too. There growth has been awesome and it's awesome to see so many people getting into it since people weren't aware of them for so long. Why do you think this type of music is more popular than ever now Rati: Things come in cycles. In the early 2000's there was a lot of sludgy doom going
around. I don't know if there wasn't enough labels pushing it or what. Relapse wasn't that big back then. Metal wasn't cool then. People were wary of it. Doom and metal go hand in hand. Is metal cool now Raffa: Apparently! I think Sleep playing again and coming out to play new shows has
opened people's minds to explore that world more than before. Sleep is playing an album that was released twenty one years ago, Dopesmoker and it's still holding up. People know the legacy of it. This thing that was made twenty years ago is almost classic rock. And I can listen to Sleep with my dad... Exactly! It has that timeless Sabbath element that has been reinterpreted in a modern way. We've done a couple shows with Sleep and we've toured with High On Fire. Being from San Francisco helps too - we're all like family there. I'm really happy for them too because they never really got to reap the rewards that I think they deserved twenty years ago. Finally people are now getting to realize how important that was. Obviously it was because of how many people have been drawn to it. You mentioned tour managing earlier... do you do that a lot? Raff-..: Oh no! That was just a onetime thing. Lost Goat were friends of mine and I wasn't
in a band at the time. They just invited me along. It wasn't a big thing. What do you do when you're not on the road? Raffa: I drive a truck and I run a studio. I've been doing delivery all over San Francisco 110 VandalaMagazine.Com January 2016
Am Imteriview With alas, Rama since I moved there 15 years ago. Now that the band is a little more active we're able to sustain ourselves a little bit more.
Do you think you're getting to the point where you won't need a job? Raffa: Its getting close now. Our popularity has really grown in the last couple years and we are able to get enough tours throughout the year that we don't need to work as much on the road. It's a job. Do you even like being on tour? Raffa: I love it. I used to travel all the time with my family when I was a kid. It's in my nature I guess. I love doing it, playing in new cities, meeting new people, finding new clubs, it keeps you on your toes. Every day is an adventure. It helps you become a better musician. You have to do well under any circumstances. What about your relationship with Jason? At this point it must be like a marriage... Raffa: We actually grew up in Miami together, I've known him since 1996! I moved to California and he was living in New York after we lived in Miami and we kept in contact as friends. He was playing in Cavity, I was playing in Acid King who I still play with here and there. In 2001 I had an idea to do a long distance band as an experiment. We didn't want to tour or put out albums. Jason and I have very similar taste in music and Miami has a very small underground culture. It goes beyond music too! So I just said 'hey man let's experiment and see what happens!' What kind of books do you like? Raffa: We're both really into horror and science fiction. Obviously Black Cobra has a major science fiction vibe. I like a lot of physics and science and also history. We're into a lot of classic horror too. I think metal and horror are very close. There is something very tied into it there. By extension on that... what do you think draws people to Black Cobra? Raffa: I don't know! In the beginning being a two piece there weren't many two pieces around, there was only really Jucifer and Lightning Bolt, but Lightning Bolt was more artsy. We played loud intense music and people that like things that have that kind of substance really like what we do.
What do you love so much about music? Raffia: It's a mystery. It hypnotizes you. I think it goes beyond the boundaries of space and time when you listen to music and truly feel it you forget about everything else. When you're in the moment nothing else matters and that's what makes you save up for a month so you can buy a ticket to see your favorite band or how you can't wait to hear a new album because it touches your soul in a way that nothing else could .Growing up listening to my favorite bands who did that for me and the fact that I'm doing that now for other people is huge for me. It's a very selfish thing, you play music for yourself as something that you have to do, it's a need and a means of expression and creation. When people tell you how much they love your work that's amazing. There's no physical explanation. It's a spiritual thing on a vibrational field. Do you have any last words of wisdom for me? Raffa: Be good! Do what you love and be true to yourself! Be cool to people and yourself before anything. There's a lot of bullshit that comes at you and how you handle it defines you. Try to keep upbeat as much as you can be grateful for what you have. You don't realize how bad the rest of the world has it. The fact that we can even be here with these friends and people is awesome and it could stop tomorrow. Make the most of your days! www.blackcobraanet January 2016 - VandalaMagazine.Com 111
FESTIVAL
8-I1 JUNI 2016
QUEEN Ittirerte WA'
ti
+Adam Lambert
t
I
.coltcAtoitkmipp,-
;e•
c
,ApOlok
r .
Gut' DANA 20
NO5nrki
-4
tishiMe1M5 fritEar.
RfWN,A4:11)E
23 AV TOTALT 82 BAND NU KLARA SUMER OCH MER INFO PA WWW.SWEDEHROCK.COM OFFICIELtA SAMAReETSPARTNERS SCIMILIND
nemts
ENTOMBED All! WALLS OF JERICHO • AMEN • THE REAL MCKENZIES • WHILE SHE SLEEPS THY ART IS MURDER • DESAKATO • SHINING STICK TO YOUR GUNS • ERISIX • NORMA JEAN 4- MANY MORE BANGS TO ANNNOUNCED
3-DAY TICKET OFFER AT 75 € ONLY UNTIL 10 NOV. 23.591-1 TICKETS & INFO OFSLIRRFCTIONFFST ES 4 NIPPRODUCTIONS
*31igtrmtiittr
ROCKZONE
: EEPICOGS
CANAD AN TOUR WITH SPECIAL GUEST
BEAT COPS JAN 29: MONTREAL, QC (a VIRGIN MOBILE CORONA THEATRE FEB 04: CHATHAM, ON (6 CAPITOL THEATRE FEB 05: TORONTO, ON (6 DANFORTH MUSIC HALL FEB 06: TORONTO, ON (a DANFORTH MUSIC HALL FEB 08: SUDBURY, ON (a THE CARUSO CLUB FEB 09: SAULT STE. MARIE. ON (6 MILL SQUARE FEB 10: THUNDER BAY, ON (6 CROCKS FEB 12: REGINA. SK (6 CASINO REGINA FEB 13: SASKATOON, SK (6 O'BRIANS EVENT CENTRE FEB 15: EDMONTON, AB (6 UNION HALL FEB 16: CALGARY, AB (a MACEWAN HALL FEB 17: KAMLOOPS, BC (a C.IS NIGHTCLUB FEB 18: VANCOUVER, BC (6 COMMODORE BALLROOM FEB 19: VANCOUVER, BC (6 COMMODORE BALLROOM FEB 20: VICTORIA, BC (6 SUGAR NIGHTCLUB FEB 21: NANAIMO, BC (-6 PORT THEATRE FEB 22: VERNON. BC (6 VERNON & DISTRICT PERFORMING ARTS CENTRE FEB 24: NELSON, BC (6 SPIRITBAR FEB 25: CRANBROOK, BC (a KEY CITY THEATRE FEB 26: GRAND PRAIRIE. AB (a BETTER THAN FRED'S FEB 27: LLOYDMINSTER, AB (a VIC JUBA THEATRE FEB 29: WINNIPEG. MB (6 BURTON CUMMINGS THEATRE MAR 04: LONDON, ON (6 LONDON MUSIC HALL MAR 05: GUELPH, ON (a GUELPH CONCERT THEATRE. MAR 06: ST. CATHARINES, ON (6 ISAAC'S PUB MAR 08: BELLEVILLE, ON (a EMPIRE THEATRE MAR 09: KINGSTON, ON (6 THE ALE HOUSE MAR 10: QUEBEC. QC ca IMPERIAL BELL MAR 11: OTTAWA. ON (a BRONSON CENTRE MAR 12: PETERBOROUGH, ON (a THE VENUE MAR 17: HALIFAX, NS (a MARQUEE MAR 18: MONCTON. NB (a CASINO NEW BRUNSWICK :101Ittir FOR MORE INFO VISIT:
TH ESHEEP DOG COM
ifTyNTotm T4N COM! hlq-
r fr \IL )711 ;
TL
1 Q)
AV ITI oN Tâ&#x20AC;˘vm
FEB 26 - Seminole Hard Rock Hotel & Casino - Hollsitood, FL MAR 01 - North Charleston Coliseum - N. Charleston, SC MAR 02 - John Paul Jones Arena - Charlonessille, VA MAR 04 - Madison Square Garden - Nest York, NV MAR 03 - FON&Unods Resort Casino - Mashantucket, CT MAR 06 - War Memorial Arena - Svracuse, NV MAR OS - Van Andel Arena - Grand Rapids, MI MAR 09 - Wright State University Nutter Center - Dasion, OH MAR 10 - KFC Yuen! Center - Louisville, KV MAR 12 - United Center - Chicago, IL MAR 14 - Wells Fargo Arena - Des Moines, IA MAR 17 - MCC Concert Hall - Birmingham, AL MAR 1 - FedEx F011.111 - Memphis, TN MAR 19 - Smoothie King Center - New Orleans, LA MAR 20 - Freeman Coliseum - San Antonio, TX MAR 22 - INTRUST Bank Arena - Wichita, KS MAR 23 - Broadmoor World Arena - Colorado Springs, CO MAR 25 - Talking Stick Resort & Casino - Scottsdale, AZ MAR 26 - Irvine Meadows Amphitheatre - Irvine, CA
ZCO1 FLORIDA METAL FEST
FOR MORE INFORMATION & To PURCHME TICKETS, vnrw.floridametal,fest.com
DAUGHTER 03/03 - Philadelphia, Union Transfer 03/04 - Boston, Somervilte Theatre 03/05 - Montreal, Corona Theatre 03/07 - Toronto, Danforth Music Hall 03/08 - Columbus, Newport Music Hall 03/09 - Grand Rapids, Calvin College 03/11 - Chicago, Metro 03/12 - Minneapolis, First Avenue 03/13 - Lawrence, Granada Theater 03/15 - Denver, Bluebird Theater 03/16 - Salt Lake City, The Depot 03/18 - Vancouver, Vogue Theatre
03/19 - Seattle, The Showbox 03/20 - Portland, Wonder Ballroom 03/22 - San Francisco, Fillmore 03/24 - San Diego, Belly Up 03/25 - Los Angeles, Ace Theatre 03/28 - Austin, Mohawk 03/29 - Dallas, Trees 03/30 - Houston, Numbers 04/01 - Atlanta, Terminal West 04/02 - Carrboro, Cat's Cradle 04/06 - Washington, 9:30 Club
TICKETS ON SALE NOW 01-1DAUGHTER.COWLIVE FACEBOOK.COWOHDAUGHTER
FEB 20 FEB al FEB 22 FEB a3 FEB 2M FEB 26 FEB 27 FEB 29 MAR 01 MAR 02 MAR 03 MAR 04 MAR 05
SANTA CRIRP CR POMONA, CA SAIfil FRAMC I SCO CR KIRTIAT-11 OR _ATTLE D WA SALT LAKE CITY, UT OMER, CO MI 1tEIRPCLIS WI CH IMOD IL DETROIT'', MI TORONTO OM MONTREFL I GC, NEW YO D NY
THE CATALYST THE GLASS HOUR THE RE1XHICY BALLROOM NM THORNE THEATRE HMIS THE COMPLEX SUMMIT PIUS I C HALL MILL CITN. NIGHTS METRO SAINT ANDREWS ILL F140Eli IX CONCERT THUM V IRO1N MOBILE CORONA MATER WEBSTER HALL
PRESS r4 STAY SICK
•
MAR OG MAR 0 MAR 08 MAR 10 MAR 1 I MAR 13 MAR 14 MAR 17 MAR 18 MAR 19 MAR 20 PIFR 21
GOOD riGHT
BOSICti D PH I L A KOH I FLIP PA BALTIMORE I MD ATLFKIAD, GA TRIOMF FL ORLANDO, FL PENSACOLAD FL SAM AMTOMIOD TX MOO-MOND TX DALLAS D IX oKuvem cm! OK ALBUQUERQUE D
SiarNstubs
PIICOLE EAST THEATRE OF ILI VI 1`16 'ARTS RAMS HEAD L 114 THE 111111SOUEMIE THE WHEW TI IWA L IVE V INYL MUSIC NFILL ALAMO CITY MUS 1 C HFLL IMEHOUSE LIVE SO WHAM FESTIVAL" FARPEM PUBL I C MARKET SUNSHINE THEATER rYr et-css FRILL rINLV
iiiiRDSTIINIFESTIVAL$!
PRESENTS 1
THENINTHANNLIAL
Sol+Irkas
MUSIC FESTIVAL QUIKTRIPPARK
pASAARTCUHR 019ATYH
GRANDPRAIRIETX
NEW FOUND GLORY
WAYSIDE
NECK DEEP STATEINO
R EAL
FRIENDS
BLESSTHEFALL ESCAPE THE FATE KNUCKLE PUCK CITIZEN THIS WILD LIFE EMERY TURNOVER NEW YEARS DAY HAVE MERCY HUNDREDTH 7 MINUTES IN HEAVEN A WILL AWAY BAD LUCK BONFIRES CAPTURE THE CROWN CURRENTS GHOST KEY HOTEL BOOKS LIKE PACIFIC MAJOR LEAGUE MARINER I MILK TEETH MOVEMENTS MY ONLY SAFE HAVEN MYKA RELOCATE OUTLINE IN COLOR RADIO CITY SEASONS CHANGE SEAWAY SECRETS SILENT PLANET SORORITY NOISE TOO CLOSE TO TOUCH
UNDEROATH
SUND2A oY T H MARCH
THE BEV/NEARS PRAN YOSIN BERRIDOTI1 IT 4Q$1Y 11R(t$1
THE WORD ALIVE BORN OF OSIRIS ZAO "L"."1"" THE CONTORTIONIST I SEE STARS STRAY FROM THE PATH HE IS LEGEND EMAROSA BEING AS AN OCEAN 68 ARTIFEX PEREO ASSUMING WE SURVIVE COVET mr—vitim.oulo CRUEL HAND , CURRENTS HAZING KINGDOM OF GIANTS LITTLE ENVY MONUMENTS RAR Y STOLAS THE OMOWN THE ONGOING CONCEPT THE PLOT IN YOU TIDES OF NY WORDS LIKE DAGGERS TICKETS ON SALE NOW
,r
de • • '141Y4 " I.
•
a
_al
r i
•
.k•.'•
r•4•4j,a 9., •
• 1•••• • I. I
Oilid...
THIRD ANNOUNCEMENT MORE TBAL
_ 11...gu.
-
• I.• d
II
.
e •
• •
0,4~
SOWHATMUSICFESTIVALCOM
1:IGUE: I 'Wit
ler
•
• I • • 4
. 01:
P
I ••
!.. d r
sagiglic...
mu's"'
III1014014111111466
01.04. (DE) HAMBURG Grosse Frelheit 36 . 02.04. (DE) KARLSRUHE Substage 03.04. (DE) NURNBERG Hirsch • 05.04. (DE) MUNCHEN Backstage . 06.04. (DE) BERLIN Huxleys 08.04. (DE) OSNABRUCK Hyde Park - 09.04. (BE) VOSSELAAR Biebob • 10.04. (NI.) ZWOLLE Hecion 12.04. (DE) KOLN Live Music Hall . 13.04. (DE) ASCHAFFENBURG Colos-Saar 15.04. (DE) ERFURT Stadtgarten - 16.04. (CH) PRATTELN Z7 • 17.04. (CH) PRATTELN Z7 02.09. (DE) BREMEN Aladin • 03.09. (NL) WEERT De Bosuil • 04.09. (DE) BOCHUM Zeitfestival Ruhr 06.09. (DE) SAARBRUCKEN Garage 07.09. (OE) HANNOVER Capital • 09.09. (DE) LEIPZIG Hellraisec 10.09. (CZ) ZLIN Masters Of Rock Cafe • 11.09. (AT) WIEN SIMM City 13.09. (OE) FRANKFURT 8atschkapp - 14.09. (DE) LUDWIGSBURG Rockfabrik 16.09. on MEMMINGEN Karninwerk • 17.09. (IT) NOVARA Phenomenon 18.09. (AT) WORGL Komma
Ticket-Ileillie [DE]:
+49 (01 48 21 - 999 666 66 www.metalticcom
1' 4
A
;
I
I
JAN 21 - IRVING PLAZA. NEW YORK, NY - USA JAN 22 - OPERA HOUSE, TORONTO. ON - CAN JAN 23 - IMKRIAL THEATER. QUEBEC CITY. QC - CAN JAN 25 - AGORA BALLROOM, CLEVELAND, OH • USA JAN 76 - DiA.1.,40ND PUB MUSIC HALL LOUISVILLE. KY - USA JAN 28 - MILL CITY NIGHTS. MI NHEAPOLUS. MN - USA ICAGO. IL - USA JAN 29 - CONCORD MUSIC _
JAN 30 - READY ROOM, ST LOUIS. MO - USA FEB 1- LINCOLN THEATRE. RALEIGH. NC - USA FEB 2 - MASQUERADE. ATLANTA. GA - USA FEB 3 HOUSE OF BLUES, ORLANDO, FL USA FEB 4/8 - 70.000 TONS OF METAL - EPIC A ONLY FEB I ' • GAS MONKEY BAR 8 GRILL. DALLAS, TX USA
TICKETS & VIP 1%UNDLES AVAILABLE AT WWW.EP1CA.NL
NOME
.
2112 - ATLANTA. GA 2/13 MPTIMINGTON. 2114 BALTIMORE. MD VIS - PHILADELPHIA. PA 246 - NEW YORK. NY 2118 - BOSTON. MA 71I9 BUIEAL.O. NY 2120 - TORONTO. ON 2.12I - DETROIT. MI 2123 - MILWAUKEE. WI 2124 - ST. LOUIS. MO 2025 - LAWRENCE. KS 2126 • MINNEAPOLIS. MN 2127 - CHICAGO. IL 2129 - DENVER. CO VI - SALT LAKE CITY. UT 311- BOISE, ID 313 - PORTLAND. OR 31+ - VANCOUVER. BC 3/5 SE.ATTLE. WA 317 - SAN FRANCISCO. CA 34 LOS ANGELES CA 319- SANTA ANA. CA 3140 - SAN DIEGO. CA 3111 - PHOENIX. AZ 3112 - ALBUQUERQUE. NM 3114 - SAN ANTONIO. TX 3115 - DALLAS, TX 3116 - tiousrom TX 3/17 - BATON ROUGE. IA 3/18 - TALLAHASSEE. FL 3/19 - TAMPA. 3120 - 11. LAUDERDALE. FL
THE MASQU I RAEOPiiitild zuccovs BY THE SEA 8 AILT1MORE SOUNDSTAGE THEATRE Of THE HIVING ARTS IR leING PLAZA PARADISE ROCK CLUB TOWN BALLROOM OPERA HOUSE I. ANnRnies TURNER HAIL BALLROOM THE READY ROOM THE GRANADA THEATER CA BOW. C METRO THE SUMMIT MUSIC HALL THE COMPLEX REVOLU I ION CENTER HAW' HOR F 1 HEAT LR COMMODORE BALLROOM FL CORAZON 1 TIE FILLMORE AVALON I fOLLYWOOD THE OBSERVATORY HOWL OF BLUES CLUB RED SUNSHINE. THEATRE AZTEC MUSIC HALL GAS MONKEY Love tiotim OF BLUES V ARV..r Y THEATFR THE SMI BAR EATRE THE RITZ MOR' RI.VOLU 110N LIVE
02,02, (DE) liAMBURG Loco 0102. (DE) ARCHAFFENBIRG. C6108 Spa! 04.02. (DE) MUNCHEN, Backstage 05.02. (AT) LINZ. Central 06.02. (CH) SOLOTIIURX (17_02, (IT) BOSCO MARENGO, Live 23
vow y e 1. be it Ebretiaak_cautElpalione cards
09,02.IPR) PARIS, Divan Du monde 0.02_ (UK), .LONDON, The Underwfirld -11;:0;7 (ESL)' 7,4ANDAM. De Flux o2. (DE) B.00HUNI. 'Matrix !pi:9 kl_AGDERURG, Factory 14.02: (1)E) BERLIN, K17
IBECIMOLVDM/413pillEVIMIlLii
smw.racc:bcookrimitcaodtriaaMELall
16,02, (C7). 7LiN, masters or Rctok Cal* 17.02_ (AT) WIN,. Szene 18L02. (DE) At), -EN. Rink IL 11102, (DE) BAMBERci. Live Club 20.02. (DE) KAISERSLAUTERN, Kammgarin 21_02. (BI) VOSSEL_A_AR, Bieluth
vlopu.RAnstilfh.lepil.6.VA wpm laccbcdt.cuintrimoltyakrilr ka
kwve.JAtkliratl u140.4 wirRefarebnoLcon`fadollaamillclal
!' r
if ~ G } :'
1„::: ..4- )
.
;0.... :. 7/._ .:
. i. J -•. • •1 L.. •". ' I,1 ..• . 1
t •
I
4f
1•. i. tlr. A
: .:,„
;.4 V, .:1:4-g.:. .:'.'.3;/,:..
, ..... : ,
.4y ,42.
.1. t.
...ii it - .: .1 .5 -4:. ... ,..:1 .4` 1:i ,''.,J.1. ,,.
, ... ..,.. -
.E...., , 4 7.: l'--; ' . :-..:( ''. 5:
. ' 34:4!..1:. ..: :' 11 - • I, t2.7. ‘:
• .T. ''.-
WIRTH AMERICA - FEB. 2015 WWW.SLAYEB:IgT TICHET
SERE