Amsterdam's van gogh museum aims to reframe artist's legacy la times

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8­5­2015

Amsterdam's Van Gogh Museum aims to reframe artist's legacy ­ LA Times

Amsterdam's Van Gogh Museum aims to reframe artist's legacy By JANE L. LEVERE MAY 2, 2015, 8:00 AM

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AMSTERDAM

lthough he is one of the world's best­known artists, Vincent van Gogh might also be one of the most misunderstood. A new display of the permanent collection at the city's Van Gogh Museum — the largest anywhere of the artist's work with some 200

paintings, 500 drawings and 700 letters — is attempting to debunk some of the myths, particularly that he worked in isolation and only when afflicted by madness. The museum has rehung its collection in part to coincide with the 2015 Europe­wide celebration of the 125th anniversary of the artist's death. Van Gogh, anxious over financial uncertainty and his mental health after cutting off part of his ear in late 1888, shot himself in the chest with a pistol in Auvers­sur­Oise, France, on July 27, 1890, and died two days later. I toured the new permanent exhibition on March 30, the 162nd anniversary of Van Gogh's birth, with his great­grandnephew and namesake, Vincent Willem van Gogh. Now 61 and advisor to the museum's board, Van Gogh is the great­grandson of Theo van Gogh, the painter's brother, a Parisian art dealer and supporter of Vincent and his work. Theo died six months after Vincent; his widow, Jo, worked hard to raise public awareness of Vincent's work, while her son, Vincent Willem van Gogh, known as "The Engineer," established the Vincent van Gogh Foundation. The foundation moved the artist's work to a museum in Amsterdam, designed by Dutch architect Gerrit Rietveld, that opened in 1973; it is this institution's permanent collection that is newly rehung. Vincent Willem van Gogh, known as Willem and a grandson of "The Engineer," recalled spending "many vacations" with his grandfather, who he said stored the artist's paintings in "a walk­in closet" next to his bedroom. The new presentation is displayed thematically rather than chronologically, as in the past. Among the themes are the artist's self­portraits; early rural scenes; interactions in Paris with Paul Gauguin, Émile Bernard and Henri de Toulouse­Lautrec, among others; inspiration from Japanese woodblocks; painting techniques, such as use of a perspective frame and balls of yarn to determine complementary colors; and mental decline. The museum's walls are painted colors such as teal blue and olive green to reflect the themes; previously, they were white.

http://www.latimes.com/travel/la­tr­d­van­gogh­main­20150503­story.html#page=1

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