6 minute read
TRAVELS
Mystery at the museum
STORY AND PHOTOS BY ANDREW HAWORTH
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S.C. State Museum transformed into Victorian England in The International Exhibition of Sherlock Holmes
THE ELEVATOR DOORS OPEN to reveal another time and place. Somber violin music drifts out into brick archways, the notes drowned out by a steam locomotive, the footfalls of passersby, horses clip-clopping on cobblestones, and a foghorn somewhere off in the distance. It takes a moment for your eyes to adjust, but when they do, a skull grins ominously from a pedestal, and flickering lighting casts long shadows over a portrait of Sir Arthur Conan Doyle, the physicianturned-writer who gave us the world’s greatest fictional detec tive, Sherlock Holmes.
The International Exhibition of Sherlock Holmes opened at the S.C. State Museum on Jan. 18, and not only teaches guests about Doyle’s legendary character and the science of the era, but also places them in the role of a detective tasked with solving a murder amid immersive Victorian period set pieces and interactive displays.
One of the largest exhibits ever hosted at the museum, the all-ages attraction includes more than 100 objects and artifacts, including original manuscripts, images from the Museum of London Archives, and props and items from
—JENNIFER THRAILKILL
more recent Sherlock Holmes movies and television shows, such as the CBS show, Elementary. Interactive stations allow guests to explore detection tech niques such as footprint analysis, blood spatter, chemical analysis and more. A re-creation of Holmes’ Baker Street sitting room is accurate down to the smallest of details, from his smoking pipes, to his ubiquitous magnifying glass.
Walking through the exhibit is a dark, eerie experience. The dim, gaslight-style lighting, grimy brick archways, creak ing gates and sounds of the bustling city complete the illusion of the seedier side of London. “Just the scale, the immersion of the exhibit, you really can’t even tell you’re in our block buster exhibit gallery,” Thrailkill says. And that was always the intent, according to curator Geoffrey Curley, whose St. Paul, Minnesota-based firm devel oped the exhibition.
“It’s really fun to step into another time period, to go to England when you’re actually here in Columbia,” Curley says. The first half of the exhibit focuses on Doyle, and how he
GET THERE
The South Carolina State Museum is located at 301 Gervais Street in Columbia. HOURS: Monday, Wednesday–Friday: 10 a.m. to 5 p.m.; Tuesday: 10 a.m. to 8 p.m.; Saturday: 10 a.m. to 6 p.m.; Sunday: noon to 5 p.m. The exhibit is scheduled to run through April 19, 2020. ADMISSION: Pricing for The International Exhibition of Sherlock Holmes includes museum general admission. Museum members may use their comp attraction tickets or purchase their discounted tickets online for blockbuster admission. General public: Adult: $17.95, senior (62+): $15.95, child (3–12): $13.95. Members: Adult: $7, senior: $6, child: $5. Group tickets (for 10 or more): Adult: $15.95, senior: $13.95, child: $11.95. DETAILS: For more information, visit scmuseum.org or call (803) 898-4921. WHODUNIT? Interactive displays teach guests about the technology of Victorian times, such as telegraph communication, the cosmetics of the day, and ballistics, before they are invited beyond the gates to solve a crime.
created the character of Sherlock Holmes, one of the most beloved characters in pop fiction of the era, and one of the first “superheroes,” Curley says.
Visitors to the exhibit are offered the chance to solve a murder mystery, almost in an escape room style. The mystery is based on a reference in a Holmes tale, and written by award-winning mystery author Daniel Stashower, who is sanc tioned by the Doyle estate to write Holmes stories.
The mystery involves an American newspaperman in England who is accused of murder. Police believe he was intoxicated by a fume or poison that made him go insane, and he disposed of evidence in the Thames River. Guests follow a trail of clues taking them from a crime scene, through a con servatory and eventually to the riverbank in an effort to learn the truth. Along the way they can examine blood patterns, gunshot marks, burns and other evidence based on forensic science.
“You take what you have learned and immediately apply it to solving a crime in a fun, creative way,” Thrailkill says.
Designers worked with a Minnesota state homicide investi gative agency to ensure accuracy, and Curley warns cracking the case is anything but elementary.
“People are appreciative that it’s not simple,” he says.
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