PHOTOFEATURE / Hope's swimmers rule the MlAA / 7 A & E / Who's up for an Oscar... anyone? 15 COLUMN / Women's Week fuels thought / 4
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Volume 106. Number 19
Serving the Hope Community for 106 Years
Hope College, Holland, Michigan
March 3,1993
Greek pledging kicks dramatic presentation and poetry off with excitement
Women's Week highlights:
Burrows displays joys, pains, hopes of women by Nicole Meuller staff reporter Audiences at the Knickerbocker were treated to a rich and deeply moving tribute to women as actress Vinie Burrows performed her one woman show, "Sister, Sister!" on Monday, February 22. Drawing from the works of such figures as Sean O'Casey, Carl Sandburg, Sojoumer Truth, and * Winnie Mandela, Burrows relives ^ ^ moments in the lives of nineteen different women, displaying for her audience the joys, pains, hopes, and burdens faced by women throughout the world. Burrows began her show with an invocation to goddesses from all walks of mythology, and an appeal to women: 'There are more than two billion women in the world. Can they come together in friendship and peace...saying sister, can we hold hands?" From there she assumed an amazing variety of personae: an Irish woman pleading for her dying child; an African woman perplexed with Western customs ("What is this clock? Time is not stupidly broken up like that. When we are hungry, we eat."); an
Abruzzi woman, relating the struggle of giving birth—all with only a stool and a veil for props. At times, her performance was painful to watch, as it was when she re-enacted the brutal rape of a thirteen year-old girl in 4 The Rape of Dona." She balanced the pain with humor; a woman, speaking on "Liberation," said "You, a man, ask me, a woman, what you should do about women's lib? Wear a dress." Each character, through its diversity, offers tribute to the strength of all women. Her most valuable asset is her voice. Burrows speaks like she sings, her mellifluous yet strident voice lingering over the vowels and filling the auditorium. It cracked and wheezed for "an oF hillbilly woman," took on the youthful tones of a child abuse victim, slid in accent from broad British to Irish to Italian, and each time rang with authenticity. No newcomer to the stage. Burrows has been performing for five decades, beginning with an appearance on Broadway in 'The Wisteria Trees." She was inspired to create the seven one-woman shows in her repertoire in response to a paucity of "quality roles for black women" and has since performed on over 4000 college campuses as well as tours in various countries. In honor of her
Vlnle Burrows acting achievements. Burrows has received the Actor Equity's Paul Robeson Award. Burrows's final piece, "Detention" by Winnie Mandela, spoke not only for women but for all people struggling against oppressive circumstances: "I got my courage from the knowledge that I was never alone...that I belonged to the great family of human beings, and that my struggle is the struggle of all for dignity. Because once the mind is free, the body will be free." As long as Burrows continues to dramatize the lives of women, that freedom will continue.
Harjo brings heartfelt poetry to campus by Nicole Meuller staff reporter Acclaimed author Joy Harjo was the featured speaker for the 1992-1993 Meyer Lecture, giving a poetry reading entitled "Remembering the Earth." Haijo, a member of the Creek (Muscogee) tribe, is the recipient of the 1990 American Indian Distinguished Achievement award. The reading, sponsored by Opus, was held last Thursday. For her most recent volume of poetry she was awarded both the William Carlos Williams Award from the Poetry Society of America and the American Book Award from the Before Columbus Foundation. When introducing Harjo, Foley Schuler ('93) described her poetry as "music that comes from the heart and speaks with the voice of her people." Haijo writes poetry rich in natural imagery and color:
the "silver soul" of the crow, the omnipresent red of life blood. She deals with subjects close to her heart, from the forced relocation of the Creek Indians to her daughter's "coming of age" in "Rainy Dawn." Particularly compelling was the poem "I Give You Back," a poem dealing with the speaker's fear." You have gutted me," it read, "but I gave you the knife. Come here. Fear I am alive, and you are so afraid of dying." Haijo's life seems inextricably intertwined with music. She plays saxophone with a band, "Poetic Justice," that she says plays "a tribal jazz reggae mix, with elements of rock." At the age of four Harjo recalls "being moved by Miles Davis' trumpet;" later in life, she was inspired to write a poem in honor of Charlie "Bird" Parker. This love of music comes through in her poetry, which moves in rhythmic, flowing cadences and could be sung as well as spoken." To survive is sometimes a leap into
madness," Harjo said in one of her poems. In "Metamorphoses," Harjo's "autobiographical prose" details her own struggle between survival and sanity growing up Creek. She relates how many young women at the school for Native Arts she attended would often mutilate themselves in an attempt to cope with their own inner anger, grief, and frustration. When speaking of her youth Haijo said, "Childhood is the time of the ripest imagining, the time in which the world appears as large as it is. All artists draw on that time for its pure color and pure sound. Haijo's poetry combines that pure color with a sense of history and of wholeness to create art that, even in its anger, "honors all of us, our souls, and our struggles." The next poetry reading is scheduled for April 8 and features the writers Ellen Bryant Voigt am Mary Stuart Hammond.
two hexagonal and one rectangular tables
DeWitt terrace with proposed picnic table sites
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by Dirk Joldersma features editor The campus is abuzz with the excitement of new pledges and the smiles of others watching them. Rushing has concluded, and pledging began last Friday. Reactions to rushing and pledging vary from student to student. So many people are involved in the events of the two-and-a-half weeks, though, that the responses to it become even stronger. The Greek system offers unity and friendship, a tempting offer to many, many students. "Rushing was just so fun to do," Tuwanda Williamson ('95) said. "It was so social. There were so many groups of people that I just wanted to hang out with." But this friendship is also perceived as unnecessary by many nonGreek students. Keith Zoulek ('96), did not rush because he wonders "What would be the difference? We've already made our friends. 1 guess some people just want to get into it. Others don't." Other students question the friendship in other ways. One student explained why he didn't rush by saying, "I'm an athlete. Fraternities promise brotherhood and friendship, but I get that from my team-mates. Why would I go through weeks and pay money for the same stuff I already have?"
Many students rush more from curiosity than anything else, and are then attracted by what they discover. Scott Patton (495) is representative of this group of students. "I was really anti-Greek my first semester," he said. "But I decided to look for myself. I looked around for a little bit, then really focused on the Centurians." Williamson approached rush in a similar manner. She explained, "I didn't want to be sorry later, so I just thought I would see what was there. Some of the stereotypes just didn't turn out to be true." The Greek system inspires great unquestionable loyalty from its participants. Williamson told of "all kinds of Greeks, not just from the sorority that I'm pledging, who came up to me to wish me luck." And all of us have seen the pledges walking together, arms linked. Rushing and pledging inspires conflicting responses from all students. Summing up, one student reacted to the Greeks like this. "Why would you put yourself through all that crap, just so somebody will be your friend. What's up with that? I guess, though, that some people do need that kind of group identity." On the other hand, like Patton said, a Greek often thinks, "It's great. Unity and prioritizing are taught by pledging. You really learn what is important to you, and how to sacrifice," he said.
Picnic tables proposed for DeWitt terrace area Congress member Melissa Neckers ('95) was one who spoke out in favor of the tables. She felt that Congress should purchase the One fair August afternoon last hexagon shaped tables because they summer, Joe Kuiper (*93) went for a were the nicest among the options walk outside on the DeWitt Center Kuiper put on the proposal. terrace next to the Nykerk Hall of He hopes the tables will make Music, savoring a few minutes of better use of the terrace space and peace before droves of students also provide a place on campus would return to Hope. where people could sit, eat, think or He found himself refreshed by simply enjoy nature. the chirping birds, the sun shining "If you stand out on the DeWitt upon his face and an occasional terrace in the summer time," Kuiper squirrel climbing over the cement said, "you can't help but think there walls that framed the structure he is something missing—it's chairs." strolled upon. The structure of the tables was a But, he wasn't there merely to great concern of Congress'. They soak in the beauty of nature—he had wanted to be sure that there was much more on his mind. wheelchair accessibility and that the "What could we do with this materials would be sturdy enough to terrace?" Kuiper asked himself, last a long time without much risk of thinking that as vice-president of damage or theft. Kuiper said the Congress he might be able to utilize weatherized wood should be prethe space. served from the elements for 20 He answered that question at years. Congress also felt the tables Congress last week as he brought a proposal to purchase some picnic should be locked down to the ground tables to put on the terrace for stu- to prevent theft. dent use. "As long as we are going to do it It calls for three picnic t a b l e s - we should do it well," she said. two hexagon-shaped fit for an umIn addition, the price seemed brella andone rectangle wheelchair- right. Kuiperneceivedquotesof $ 169 accessible table, all constructed out for each hexagonal picnic table and of sturdy weatherized wood. $ 100 for the rectangle table bringing Congress has now churned out the total to $438. two proposals for the administration The tables would be fully funded to consider in two weeks. Both were through the Student Activities created by Kuiper. Budget which now contains an The proposal gained unanimous available balance of $2,570 with an support by Congress with many additional $6,540 in rollover from commenting that they felt it was an last year which can be used at excellent idea. Congress* discretion. by Scott Runyon editor-in-chief