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A Review of Marianne Worthington’s Ibrahim Babátúndé Ibrahim
HERBICIDE by Jake Villarreal
A friend said: Your garden is for you And no one else. Keep what you like And kill what you don’t
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I kept the rudbeckias, the milkweed, The salvia with its myriad conical buds, Purple and perfect for proboscises
I killed the nettle and thistles, The wild grasses that made my ankles itch, And even a tree, whose foliage blocked my sun
I built anthropocentric Eden As the squirrels and deer watched. They never came back to my yard
SWEETGUM ELEGY by Jake Villarreal
The sweetgum tree down the block Was felled by the wind overnight I thought he’d live forever
He survived the snowstorm six years ago Which eroded old brick homes Broke flowerpots, scattered marigolds
Four years ago, a tornado raged Tore down fences and highway signs Leaving us disheveled and lost
The sweetgum stood, folding west Where he used to bend north His east side bears a scar
He fell yesterday, a Sunday In the middle of the night I heard him collapse to the ground
I thought his scars were proof of strength That what could bend would not buckle But I’m still here and he is gone
June 22, 1995
DIARY ENTRY: VERNACULAR by Ibrahim Babátúndé Ibrahim
I do not hate school. There are just some things about it that I wish away so bad.
The noisemaker list is a constant tormentor, never mind that I am no noisemaker. A burly junior
from Primary 3 always want my lunch. I’ve told no one about this. My class teacher caught me
with storybooks in my desk during classes a number of times. She switched my seats from back to
the front row, losing me an inestimable seatmate – a class crush. Now I’m stuck with a stammering
talkative at my new desk.
At first, the midday mandatory pause of the Angelus was a welcome escape. Since a senior from
Primary 5 violated it and got punished for the rest of the term, it has become burdened with anxiety
and fear.
Oh, how I dread being beaten. Here in school, the teachers find every excuse for it. The most
annoying one is ‘vernacular’ – where speaking our local dialects is taboo and everyone has to
pretend English is ordained by God. I have a special name for them. Nothing ingenious. They’re
called teachers because they teach, right? I call them beaters because they beat, but only in my
diary.
The morning assembly bore me, and on days when they stretch longer than usual, it is torture. For
the most part, I am jealous of the pupils who beat drums to the school and national anthems. Their
enthusiasm, their vigour, their passion, all loom large in every bang of the thin hides on their sets,
oftentimes much louder than the uncoordinated chorus of our numerous – some eager, some docile
– voices.
I-if it pi-pi-pisses you off so-so-so much, you-yo-you sh-should try out a-an-and join them.
Like many other things about me, my stammering, talkative seatmate cannot understand this. I am
not jealous because I want to beat drums. I am jealous because the lucky bastards get to do what
they love.
Dad and Mum do not like me watching TV. They prefer me reading. This should have been
perfect. Much more than eating, visiting friends, receiving gifts, reading is one of the things I love
most in the world. But I have to always hide my books away beneath my desk in school, and
beneath my pillow until after lights out at home.
My choice of books contains stories. In a different way from the charms-and-incantations-filled
Yoruba tíátà on our small, black and white TV, they transport my young 10-year-old mind to
places I can only explain by having the other person read them too.
The books they want me reading, however, contain jargons – text, diagrams, pictures, all things
that can have me stagnant in thoughts, rooted on one line for several minutes. I jot questions
underneath the lines I want more clarity on, but I’ve learned to stop asking them after the questions
riled a beater or two.
How do they want me to read these things when even they sometimes struggle to explain what is in
there?
I’ll write textbooks one day and be as explanatory as the storybooks I read. Perhaps I’ll just leave
textbooks alone and write storybooks altogether.
But the school term just ended, and the headmistress is smiling with my parents, again. It feels
good that my report card says as usual that I came first in class. Maybe I love report cards more
than I do storybooks. What I love more than holidays though, probably do not exist. The best of
them are the ones that come with festivals – Eid Fitr, Easter, Eid Mubarak, Christmas.
There could be food baskets of all kinds knocking on our door. There could be plenty of balloons,
whistles, hand-crafted paper crowns and ribbons, maybe even knockouts and bangers. There could
be meat, introducing itself in different forms and different tasty sensations. There could be
readymade clothes or ones birthed from earlier trips to the tailor. There could be loud music, no
go-and-read-your-books admonitions, no guilt for being young and free.
Sometimes, out of the blues, all these could be cancelled for the long, tiring, homecoming journeys
through countless towns, cities, villages, bushes, hills, plains, from Ado-Ekiti to Ilorin, at the end
of which I get to see just how similar I am to the people at the destination, yet how different. The
initial euphoria of traveling melts into the anxiety of meeting, and then into the joy of belonging,
and then into the confusion of culture shock, and then into the mental settling that sees a part of my
heart break when it is finally time to pack up and leave it all behind.