VARUNCHANDRA_A
ARCHITECTURE PORTFOLIO
I'M
ARTIST DANCER PHOTOGRAPHER
LIVING THE MOMENT PASSIONATE CREATIVE LEADER EFFICIENT ADAPTIVE TEAM WORKER PHILOSOPHICAL
WON NATIONAL , STATE AND DISTRICT LEVEL AWARDS IN PAINTING , DANCE COMPETITIONS . AWARDED AS THE EMERGING ARTIST AWARD OF HASSAN DISTRICT
97.2 % SECURED IN SCIENCE IN P.U.C. 33 RANK IN NATA C.E.T KARNATAKA. 8.78 CGPA IN B.ARCH @ BMSCE ENGLISH KANNADA HINDI
TO ME ARCHITECTURE IS A VALUE A TRUE SPIRIT WAY OF LIFE A TOOL TO DEFINE MYSELF A SUPER POWER
2012
GRADUATED FROM VIJAYA ENGLISH SCHOOL HASSAN.
2014
GRADUATED FROM EXPERT PRE UNIVERSITY SCIENCE COLLEGE , MANGALORE.
2018-19 2019 2019-20
v.archiedsgn@gmail.com i__shoot__people 9611077373 #84 ,3RD CROSS VIVEKANANDA ROAD , VIDHYANAGAR, HASSAN .573201
“THE BEST WAY TO PREDICT THE FUTURE IS TO DESIGN IT” BUCKMINISTER FULLER
WORKED AT GAYATHRI AND NAMITH ARCHITECTS AT BANGALORE AS AN INTERN ARCHITECT. GRADUATED FROM B.M.S.C.E ,BANGALORE. FREELANCING AND COLLABORATION WORK.
I AM VARUNCHANDRA ,COMPLETED B.ARCH IN BMSCE , BANGALORE. I AM AN ENTHUSIAST , HARDWORKING PERSON WHO CAN ORGANIZE MY WORK AND COORDINATE ACTIVELY WITH EVERYONE AROUND ME.
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I AM LOOKING FORWARD TO WORK IN A COMAPNY LIKE YOURS AND WOULD LIKE TO SHARE MY IDEAS,SKILLS AND ALSO USE THIS PLATFORM TO EXPLORE MY CREATIVITY. BELIEVE WORKING IN AN ARCHITECTURAL FIRM AND COMMUNICATING I BELIE WITH PEOPLE WILL TRUELY BROADEN MY HORIZENS AND IGNITES MY THOUGHTS.
SOFTWARE SKILLS
I LIKE TO DESIGN SPACES RESPONDING TO THE NATURE AND HUMAN INTERFACES AND URGE TO KNOW MORE ABOUT THE ADVANCEMENT IN ARCHITECTURAL TECHNOLOGIES.
WHY ME
COURSES , WORKSHOPS AND EVENTS THE ARCHITECTURAL SOFTWARE COURSE CONDUCTED BY ARCHISERVICES
(RECOGNISED UNDER GENSATION PVT. LTD)
COMPLETED REVIT, LUMION, PHOTOSHOP AND SKETCHUP DURING 17TH AUGUST TO 24 TH SEPTEMBER 2017. WORKED ON A SURVEY IN GANDHI BAZAR REGARDING THE PRESENT CONDITIONS AND ANALYSIS OF PUBLIC REALM UNDER THE INITIATIVE OF GIZ (SUSTAINABLE SUPPLY CHAINS FOR PERISHABLES INTO CITIES) IN 2017 ATTENDED A WORKSHOP CALLED WALK THE TALK WITH YOUR MENTOR ON 06-07 OCT 2017 AT BANGALORE INTERNATIONAL EXHIBITION CENTRE ATTENDED MASA ANNUAL EVENT 2018-19 .A TALK ON SLUM DEVELOPMENT ORGANISED BY MISTRY ARCHITECTS . A TALK BY FRANCIS D.K .CHING. AND A TALK ON HERITAGE CONSERVATION BY INTACH IN 2019. DOCUMENTED THE BIENNALE AT KOCHI 2019. VOLUNTEERED THE ANNUAL EVENT OF IID AT GOA IN 2019.
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SKETCHING MODELMAKING ARCHITECTURAL PHOTOGRAPHY
02
CONTENTS PAGE NO.
5-12
13-20
21-30
31-40
THE ART MUSEUM
THE COMMUNITY CENTRE
THE URBAN PARK
THE WRITER’S VILLA
01 02 03 04 05 Vileena
connect
sthala
Kalasoudha
eme
47-54
55-62
63-70
71-76
THE ECOART CAFE
WORKING DRAWING
PHOTOGRAPHY
ART WORK
antaraala THE COURTYARD CAFE
5 06 07 08 09 erge
41-46
04
01
WRITER’S VILLA V ileena
SITE
ANALYSIS
GEOGRAPHY AT MACRO LEVEL
THE SUN PATH SLOPE DIRECTION
SUN PATH AND SLOPE STUDY WIND DIRECTION COOL AREA
(DUE
TO RIVER)
RIVER-LAND RATIO
WIND DIRECTION AND EXISTING SITE VEGETATION THE SITE HAS AN ENORMOUS POTENTIAL FOR A STRUCTURE TO BE
SITE LOCATION
INTRODUCED ON IT. COVERED BY GREENERY ON ALL SIDES, THE SITE IS ACCOMPANIED BY THE EVER FLOWING CAUVERY RIVER.
SITE PLAN
THE CONCEPTUAL SKETCH DEVELOPED AT SITE. THE IDEA ORIGINATED FROM THE SITE LEVEL OBSERVATION AND SENSORIAL EXPERIENCES
.
THE APPROACH TO THE DESIGN WAS PHILOSOPHICAL. SHRAVANA MANANA NIDITYAASANA
3
ARE THE PROCESS INVOLVED IN DESIGNING WITH THE TRANSLATION OF CLIENTS REQUIREMENTS AND ARCHITECTURAL SUSTAINABILITY.
2
5
4 1
1.SITE ENTRANCE 2.WAY TO THE PLAIN 3.VILLA ENTRANCE 4.SECURITY,SERVICES 5.RIVER CAUVERY
LAND
08
16
15
14
PLAN LOWER GROUND-LVL2 14.MASTER BEDROOM 15.TOILET 16.DECK
Z’
10
11
DN 8
2
9
5
4
6 3
1.ENTRANCE 2.LIVING ROOM 3.VERANDAH 4.STUDY/LIBRARY 5.COURTYARD 6.DINING SPACE 7. 7.TOILET 8.KITCHEN W BBQ AREA 9.VEGETABLE GARDEN 10.SPACE OF CONTEMPLATION 11.FIREPLACE 12.STORE 13.WALKABLE TERRACE
12
1
7
13
Z
PLAN-GROUND FLOOR-LVL1
FLOOR PLAN
VIEW1.0 VIEW 1.0
10
6
4
7
3
1.YOGA DECK 2.MASTER BEDROOM 3.LIVING ROOM 4.COURTYARD 5.FIREPLACE 6.STUDY/LIBRARY 7.KITCHEN
5 2
1
RIVERSIDE ELEVATION
CONCEPTUAL MASSING
SECTION ZZ’
FRONTYARD
VILLA ENTRANCE
LIVING SPACE COURTYARD
MASTER BEDROOM
VIEW
1.1
FROM THE RIVER
WITH THE SERIES OF DISCUSSIONS WITH THE WRITER (LATA MANI) AND KNOWING HER BASIC REQUIREMENTS FOR THE VILLA WHICH IS A PLACE AWAY FROM HER ACTUAL STAY. ALSO UNDERSTANDING THE CONCEPTS OF SUSTAINABLE ARCHITECTURE
;
THE DESIGN PHILOSOPHY WAS
FORMULATED. THE IDEAS ARE DEVELOPED AT THE SITE RESPECTING EVERY TREE AND CONTOUR ON THE SITE.
THIS IS THE SPACE WHICH ISOLATES THE WRITER FROM THE MUNDANE LIFESTYLE OF THE CITY AND THE NATURAL FORCES DRIVE HER POTENTIAL TO THINK BETTER AND EFFICIENT.THE AURA FORMED BY THE CREATIVE BEING WILL MERGE WITH THE ARCHITECTURAL AURA (WHICH IS A RESULT OF COMPLETE TRANSLATION OF DESIGN PHILOSOPHY AS A BUILT SPACE) AND RESULTS IN UNIFICATION WITH THE NATURE. THEREFORE THE BUILDING LIVES WITH YOU.
WITH THE CLEAR HORIZENS, EVERGREEN BACKDROP, FLOWING WATERS, COOL BREEZE, NATURE TALKS, ONE TEND TO ATTAIN THE NATURAL STATE OF BEING AND THE SOUL MERGES WITH THE NATURE.
DESIGN PHILOSOPHY
THE SENSE OF ONENESS IS ACHIEVED.
YOGA DECK
RIVER
12
16
15 14 17 18
13
15
6
1.SITE HEBBAL LAKE
7 8
10 9
5 3 2
17 4
4.TICKET COUNTER 5.ART GALLERY 6.STALLS 7.CLASSROOMS 8.TOILETS 9.LIBRARY 10.FOODCOURT 11.FLEE MARKET AREA 12.O.A.T 13.SUNKEN AREA
14.SPACE
SITE PLAN TOTAL SITE AREA, BUILT-UP AREA ARRIVED
20 ACRES - 3.25 ACRES GROUND COVER – 20% SITE AREA IS BUILT UP
ART GALLERY
OF CONTEMPLATION
15.WATCHTOWER 16.LOCAL PARK 17.PARKING 18.FOLLY
AND PERMITTED BUILDABLE AREA AS PER PROVISIONS
SITE SECTION
2.PLAZA 3.OFFICE
12
11
ENTRANCE
1
ART GALLERY
2
STALLS
PARKS COMMERCIAL RESIDENCIAL DEFENCE LAND
GEOGRAPHY LOACTION
:
HEBBAL,BANGALORE
SITE ANALYSIS
TOPOGRAPHY SUN PATH WIND DIRECTION
BBMP LAND USE MAP
SITE VISUALS
GREEN COVER SILENT ZONE
ROAD NETWORK NOISE ZONE
ABOUT HEBBAL
LOW POINT
IS AN ASSEMBLY CONSTITUENCY AREA IN BANGALORE, KARNATAKA, INDIA, WHICH WAS
ONCE INDICATIVE OF THE NORTH ENDPOINT OF THE CITY. THOUGH ORIGINALLY FAMOUS FOR HEBBAL LAKE, IT IS NOW BETTER KNOWN FOR THE SERPENTINE MAZE OF FLYOVERS THAT NETWORK THE OUTER RING ROAD AND BELLARY ROAD. THE LAKE WAS CREATED BY KEMPE GOWDA, THE FOUNDER OF BANGALORE, IN
1537.
IT IS ONE OF
THE THREE LAKES THAT WERE CREATED BY HIM. HEBBAL LAKE WAS FORMED BY DAMMING NATURAL VALLEY SYSTEMS THROUGH THE CONSTRUCTION OF BUNDS, JUST AS MOST OTHER LAKES AND TANKS
SLOPE ANALYSIS
WERE CREATED WITHIN THE BANGALORE REGION.
CONTEMPLATION ZONE
FOLLIES
SUNKEN ACTIVITY ZONE
16
VIEW
2.0
connect
THE URBAN PARK AIM: TO UNDERSTAND AND CREATE AN INNOVATIVE INTERACTIVE SPACE (CULTURE PARK) WHICH IS LACKING IN THE PRESENT GROWING CITY. OBJECTIVE: UNDERSTANDING
AND RETHINKING ON A CONCEPTUAL DESIGN
WHICH INCLUDES THE URBAN SCALE INTERPRETATION OF ARCHITECTURE AND CITY NEEDS.THE SPACE OF FAITH WHICH CAN BE BARRIER FREE FOR ANY RELIGION AND A SPACE WHICH CAN INDULGE ANYONE INTO IT LIKE THE MEDITATION PARKS WHICH THE CITY LACKS
.PEOPLE
ARE EXPOSED TO SHOWCASE AND TEACH
OTHERS .CREATING PLATFORM FOR EVERYONE.
STUDY/ SCOPE - CONTEXT
CHALLENGES:
NEED
FOR
THERE
IS A NEED FOR A PLACE OF RECREATION AND LEISURE FOR
AND
PEOPLE IN THE CITIES WHO ARE WORKING DAY AND NIGHT.
A
PLACE WHERE THE FREEDOM OF THOUGHTS AND ACTIONS ARE
THE SCOPE.
URBAN AREA NEEDS OPEN SPACES BOTH FORMAL PARKS WHICH CAN BE REDESIGNED WITH THE
AND INFORMAL.
INCLUSION OF THE ACTUAL NEED FOR THE CITY WITH SOCIALIZING HUBS RESPONDING TO THE PUBLIC REALM.EXHIBITION SPACES, MEDITATION HALLS AND PLAZAS FOR CULTURAL DISCUSSIONS TO CREATE A SPACE OF ONENESS. CRE
VIEW
2.1 18
THE CONCEPT OF AURA SPACE OF CONTEMPLATION WITH THE CONCEPT OF YOGIC VIBRATIONS AND RADIATING
ENERGY FIELDS AND AURA, THE
THE RAMP
DESIGN CONCEPT IS FORMULATED.
THE SHOPS
THE PLAZA
FOLLY
THE PERMANENT STALLS
EXPLODED VIEW
EXPLODED VIEW
FOLLYS ARE LOCATED AT CERTAIN
THE RAMP WHICH IS A CONNECTOR TO A VARIED
DESIRED POINTS ON THE SITE WHERE
LEVEL IS ALSO A DESIGN COMPONENT.
USERS CAN RENT AND USE IT FOR
UNDER THE RAMP WALKWAY ARE THE SHOPS WHICH
SHOWCASING THEIR WORK.
ACTS AS A SOURCE OF CULTURAL EXCHANGE.
LL
STA
RY
LLE
GA ART
ERY
ART
LL GA
2
1
BASED ON THE AREAS USED
MOST BY THE USERS.
SECTIONAL PERSPECTIVE
-
THROUGH THE GALLERIES
THE ACTIVITY MAP
A
VIEW
SECTION
N
E NK
2.3
THROUGH THE SPACE OF CONTEMPLATION AND AXIAL GARDENS
EA
AR
SU
EA
AR
VIEW
2.2 20
THE URBAN PLAZA Sthala
CULTURAL COMMUNITY CENTER GANDHI BAZAR , BANGALORE
SITE STUDY STRETCH
PRIMARILY SITUATED IN THE VICINITY OF SOUTH BANGALORE,ACOMODATING IN THE GANDHI BAZAR ARENA.
GANDHI BAZAR IS PRIDOMINANTLY KNOWN FOR ITS RICH MARKEY PLACE WHERE THE VENDORS INTERACT WITH CUSTOMERS. IT WAS INITIALLY TERMED AS THE ANGADI BEEDI WHICH MEANS A STREET OF SHOPS. IT WAS INITIALLY A PLACE FOR COMUNITY GATHERING AND DISCUSSION DURING DEVRAJ ARAS ADMINISTRATION. THE GANDHI BAZAR IS A PART OF BASAVANAGUDI, ONE OF THE OLDER LOCALITIES OF BANGALORE. BASAVANAGUDI IS
4.6
KM FAR FROM BANGALORE
CENTRAL CITY TRANSIT HUB I.E THE RAILWAY STATION AND BUS STAND AND
38.7
KM TO KEMPEGOWDA INTERNATIONAL AIRPORT. THE MAIN COMMERCIAL
STREET OF BASAVANAGUDI IS DVG ROAD,WHICH IS HOME TO NUMEROUS RETAIL BUSINESSES,MOST OF THEMDATING BACK TO THE
1920’S
AND
30’S.
TOWARDS THE MIDDLE OF THE DVG ROAD IS GANDHI BAZAR, WHICH IS WELL KNOWN FOR FRESH FRUITS,FLOWERS AND VEGETABLES.
ABOUT
TYPICAL STREET SECTION
STREET SECTION AT DVG CIRCLE JUNCTION
PEOPLE
+
NATURE
=
ARCHITECTURE 24
G+3 G+2 G+ 2 G+ 1 G+
G+2 G+2
SITE ANALYSIS
VEGTATION AND PASSIVE COOLING
G
COMMERCIAL PUBLIC/SEMIPUBLIC
1
G
RESIDENTIAL
G+3
G
G+3
G+3
G G+3
LAND USE MAP
SITE TOPOGRAPHY
Y’
14 13
Z
WIND DIRECTION MIDDAY PREVAILING WINDS
12
S.S
13
15 10
W.S SUN PATH
17
OTHER MILD WINDS
1.ENTRANCE PLAZA (COURTYARD) 2.STREET FURNITURES 3.VENDOR SHOPS 4.WAITING LOUNGE 5.EXHIBITION SPACE 1 6.STORE 7.TOILETS 8.AUDITORIUM 1 9.ART GALLERY 10.CAFETERIA 11.OUTSOOR SEATING 12.LIBRARY ( CHILDREN) 13.TEMPORARY ART GALLERY 14.ENTRY FROM RESIDENCIAL AREA 15.ENTRY FOR OFFICES 16.RECEPTION 17.OFFICE AREA 18.TOILET
16 9 7 11
18
6
X
X’ 8 4
4
3
5 7
3
3
Y Z’
1 2
2
PLAN AT GROUND LEVEL
VIEW
3.0
TEMP. GALLERY
THE COMMUNITY CENTER (STHALA) IS A RESULT OF THE COLLECTIVE STUDY AND ANALYSIS OF HUMAN INTERFACE AND STREET CHARACTER
OFFICE
OF GANDHI BAZAR. ARCHITECTURE WHICH AIMS AT GIVING BACK TO
GALLERY
THE COMMUNITY. THE IMPORTANCE AND LIVELINESS OF THE STREET PLAZA
HASNT TAKEN A BACK STEP ALONGSIDE THE CITY’S RAPID GROWTH.
EXHIBITION SPACE
THE ENTIRE AREA HAS AN EMOTIONAL SIGNIFICANCE ATTACHED
AUDITORIUM
TO IT. THE DESIGN IS A SENSIBLE APPROACH TO THE GANDHI BAZAR MPH
WITHOUT AFFECTING THE STREET CHARACTER AND PROVIDING THE COMMUNITY WHAT IT NEEDS FOR EFFICIENT FUNCTIONING OF THE BAZAR .
ACTIVITY MAPING
7 8 1.ENTRANCE LOUNGE
4
2.EXHIBITION AREA1
6
3.EXHIBITION AREA 2 4.EXHIBITION AREA 3
3
5.AUDITORIUM 1 6.AUDITORIUM 2
5
7.FOODCOURT 8.O.A.T
2 SECTION XX’
1
26
SECTIONAL VIEW THROUGH AUDITORIUM AND GALLERY
19.EXHIBITION 2
Y’
Z
20.WAITING LOUNGE
25
21.TOILET 22.AUDITORIUM 2
24
23.OFFICE 24.LIBRARY 25. 25.E- LIBRARY
23
21
22
X’
X
19
20
20
21
Y Z’
PLAN AT FIRST FLOOR LEVEL
VIEW 3.1 THE REAR PART OF THE BUILDING WHERE THE SPACES LIKE LIBRARY, GALLERIES AND OFFICE FACES THE ROAD
THE CENTRAL OPEN PLAZA WHERE SPACES ARE MERE EVOLUTION OF THE STREET
CONNECTING THE MASSES WITH SKY WALKS . THE LIBRARY BLOCK GETS CONNECTED TO THE
EXPERIENCE.
CAFETERIA ON TOP. A ZONE OF INFORMAL SPACES TO THE PUBLIC. 1.TEMP. ART GALLERY 2.CHILDRENS’ LIBRARY
7
3.CAFETERIA 4.E-LIBRARY
6
10
4
5
4
5
9
5.LIBRARY 6.M.P.H 7.FOODCOURT
8
8.OFFICE 9.BANK 10.EXHIBITION AREA 3
1 SECTION YY’
2
3
8 28
Y’
31
EXHIBITION AREA ON THE INTERMIDIATE LEVEL
26.FOODCOURT
Z
27.LOUNGE 28.TOILET 29.O.A.T 30.INFORMAL SPACE (LOWER LEVEL) 31.EXHIBITION AREA 3 32.INFORMAL GATHERING AREA
30
32 26 28
X’
X 29
26
27
Y Z’
PLAN AT SECOND FLOOR LEVEL
THE AERIAL VIEW OF THE COMMUNITY CENTER . THE EXPRESSION IS CREATED WITH THE JUXTAPOSTION OF UNEQUAL MASSES . THE BULK MASS IS BROKEN AND THE CORRIDORS ARE CREATED WHICH GIVES US A SENSE OF STREET.
THE ENTRANCE PLAZA OF THE COMMUNITY CENTER. THE VENDORS LANE COINCIDES
THE VIEW FOCUSING ON THE VENDORS LANE. IT’S IMMEDIATE PROXIMITY FROM
WITH THE PERPENDICULAR AXIS TO THE CENTRAL PLAZA .
THE STREET TO THE BUILT SPACES BRINGS IN THE CHARACTER OF GANDHI BAZAR
5
1.VENDOR SHOPS
4
2.TEMP. GALLERY 3.AUDI 2
9
4.FOODCOURT 8
5.O.A.T 3
6.CAFETERIA 7.LIBRA 7.LIBRARY1
7
8.LIBRARY2 9.M.P.H
1
2 6
SECTION ZZ’
ARTICULATION
WITHIN THE MICRO CONTEXT. FOODCOURT
AUDI
2
AUDI
1
BREAKOUT AREAS
RY
RO PE M RY TE LLE A G
28
04 ART MUSEUM KalaSoudha
32
ART MUSEUM ABOUT
kalasoudha
BANGALORE
THE OBJECTIVE IS TO STUDY THE INFLUENCE OF SURROUNDINGS ON THE BUILT FORM AND THEREFORE GENERATE A CONTEXT RESPONSEIVE DECISION PORTRAYING THE RICH HERITAGE AND CULTURE OF KARNATAKA THROUGH THE VISUAL AND PERFORMING ART MUSEUM.
THE SITE IS SITUATED IN THE HEART OF THE CITY’S CBD REGION,WHERE MOSTLY HIGH RISE COMMERCIAL BUILDINGS FORM A MAJOR PART ON THE FRONT AND A TOTAL CONTRAST TO IT ON THE REAR SIDE WITH A LARGE AREAS OF GREEN COVER OF THE CUBBON PARK. THE EXISITNG VENKATAPPA ART GALLERY ON THE KASTURBA ROAD NEEDS TO BE REDESIGNED WITH THE PRESENT DAY CONTEXTUAL REQUIREMENTS, CONSTRAINTS AND USER INTERFACE.
CONCEPT MOTION IS COEXISTENT, COESSENTIAL AND COETERNAL WITH NATURE. IT ACTS ON ALL MATTER WITH GREATER OR LESSER DEGREE OF PERFECTION ALL LIVING THINGS IN THIS WORLD ARE FULL OF LIFE AND ENERGY. MOTION IS EVIDENTLY MANIFESTED IN SENSES. THE FORMATION OF SPHERE IS ALSO BECAUSE OF MOTION.
THE SITE
VIEW 4.0
WATERBODY
LOCATION
O.A.T
SECTION XX’
ART GALLERY 1
1-2
ENTRANCE
TICKET
LOUNGE
COUNTER
OFFICE
ENTRY FROM PARKING
34
IMAGINING THE MOTION AS AN ABSTRACT ENTITY RATHER THAN PHYSICAL,IT CAN BE SYNTHESIZED AS
‘THE
VIRTUAL RADIATIONS’. THESE IMAGINARY FORCES INTERSECT, CONTRACT, DISPERSE AND EXPAND IN
NATURE. IT IS THE MOTION OR THE ABSTRACT ENERGY INHERENT IN ANY ART FORM WHICH MAKES IT MORE EXPRESSIVE. THIS CONCEPT IS USED TO DESIGN THE SPACES BASD ON THE DATA COLLECTED FROM SITE ANALYSIS AND USER INTERFACE ANALYSIS.
03 02
BUILT UP SPACES
ROADWAY
PARKING
01
INTERNAL POOL
PLACE MAKING
00
AREA
O.A.T
WATERBODY
(PASSIVE
ZONING AND ARTICULATION
COOLING)
PARKING
GREEN COVER (REGULATOR)
NOISE
SERVICE
WIND FLOW
SITE ANALYSIS
SU
N
NOISE
PA TH
36
05 CAFETERIA THE COURTYARD CAFE emerge
42
THE
“KATTE”,
WAS THE LOCUS FOR ALL THE MAJOR PUBLIC GATHERING OF THE CITY/VILLAGE IN THE PAST. KATTE WAS BASICALLY A PLINTH AROUND THE HUGE TREE. ACROSS THE TIMELINE THIS SPACE WAS MULTI FUNCTIONAL. PRIMARILY A VEDIC SCHOOL
,
A SPACE OF
WORSHIP FOLLOWED BY THE SPACE TO CONDUCT VILLAGE MEETINGS AND NOW A PLACE OF LEISURE.
CONCEPTUAL IDEA
THE COURTYARD CAFE emerge
THE URBAN AREAS LACK SUCH STREET ELEMENTS. THE CREATIVE BEINGS FORCED TO FUNCTION IN A CLOSED ENVIRONM
THE CONCEPT OF KATTE BRINGS IN A NATURAL ELEMENT WITHIN THE ARCHITECTURAL SPACE AND BREAKS THE RIGIDITY O
5
MENT. WHERE SOME DONT FIND A CANOPY TO REST.
OF VOLUME AND ENHANCES THE SENSORIAL EXPERIENCES.
LEVEL
LEVEL
2
3
5
UP
LEVEL
2
UP
6 UP
DN
X
4 6 LVL
1.ENTRANCE 2.RECEPTION 3.OUTDOOR AREA(PETS) 4.COURTYARD (SOCIALIZING ARENA) 5.CAFE SEATING 6.TOILET M/F 7.KITCHEN VIEW
6.0
PLAN
1
LVL
5
X
0
7 DN
UP
2 3
LVL
-
LEVEL
0-1
1
1 44
DESIGN EVOLUTION
LINES AND SHAPES ARE DERIVED FROM OBSERVATION. HUMAN LIVES IN THE VERTICAL AXIS OF THE TREE. LEVELS
SHELTER
BEING THE HORIZONTAL AXIS.)
CONCEPTUAL SKETCHES THE FLOW DERIVED FROM NATURE
COMBINATION OF BOTH NATURAL AND ARCHITECTURAL FORCES.
GENERAL PUBLIC
GENERAL PUBLIC
SOCIALIZING CROWD
GENERAL PUBLIC
SPACIAL ZONING AND CIRCULATON
VERTICAL ACCESS
VERTICAL ACCESS
DINING/READING
ARTICULATION
(CANOPY
03 02 01 00 LEVELS
THE TREE
6
1.COURTYARD SPACE 2.TOILET 3.STAIRWAY 4.CO WORKING SPACE 5.READING/DINING 6.DINING
5
3 2
4 1
SECTIONAL PERSPECTIVE XX
VIEW
6.1
46
06 antaraala
48
Antaraala
THE ECOART CAFE
M.G ROAD , BENGALURU
DINING
KITCHEN
BUILDIN ENTRY
Y
TOILET
SPACE FOR ART
X
AND COLLAB
TOILET
INTERIOR FURNITURE LAYOUT
KITCHEN
ART WORK AND COLLAB
TOILET
COLOR PALLETE
NG
Y’
WITH THE CONCEPT OF A ZEN GARDEN AND ADDING THE ELEMENT OF ART WHERE PEOPLE CAN INVOVE IN ARTWORKS AND SHOWCASE THEIR ART FORMS.THIS IS AN EXCLUSIVELY INTERACTIVE ART CAFE. THE IDEA OF GREEN CLADDING/GREEN WALLS AND VARITIY OF LANDSCAPING ELEMENTS OFFERS A SENSE OF NATURE WHILE HAVING A CUP OF COFFEE IN THE EVER BUSY STREETS OF THE CITY.
ENTRANCE OUTDOOR SEATING
X’
STAGE
OUTDOOR
-
GARDEN SEATING
SECTION XX’
50
Antaraala
THE ECOART CAFE
M.G ROAD , BENGALURU
THE SITE IS SITUATED IN THE MG ROAD AREA, BANGALORE WHICH IS OPPOSITE TO THE M.G BOULEVARD (RANGOLI). THE CITY IS WITNESSING A LARGE DECREASE IN THE GREEN SPACES AND ON THE OTHER HAND THERE IS A LACK OF ROOM OR SPACE FOR THE CREATIVE HEADS. SO COMBINING THE CITY’S PRESENT NEEDS; THE CONCEPT OF
ECOARTCAFE
ORIGINATED.
IT IS A SPACE WITH MAXIMUM GREENS WHERE PEOPLE CAN DROP THEIR PLANTS AND SOMEONE ELSE CAN PICK IT UP TOO. THE ARTISTS CAN SHOWCASE AND EXHIBIT THEIR TALENTS AND SPEND SOME QUALITY TIME. PEOPLE CAN EXPERIENCE THE DELIGHTFUL FOOD WITH THE SENSE OF AESTHETICS.
nature
architecture
art
52
8in|20.32cm
07 WORKING DRAWING RESIDENCE_2BHK
56
SOUTH ELEVATION
58
60
62
08
PHOTOGRAPHY spEYEk
64
THE MOMENT WE SHARE CROSSING THE PATHS ONCE IN A LIFETIME GREETING WITH THE SENSE OF BROTHERHOOD GIVES ME IMMENSE JOY. MANY LESSONS TO NOTE IN THE BOOK OF LIFE DURING THE COURSE OF MY JOURNEY. WALKING ALONG THE STREETS; I HAVE LEARNT I HAVE LIVED. I HAVE SMILED.
FACES EMOTIONS STORIES THE FACES SEEM FAMILIAR BUT UNKNOWN. SIMILAR PHILOSOPHY BUT PATHS ALTERED.
66
THE LIVELINESS
THE STRUGGLE
68
ANGLES
EXPLORING VARIED ANGLES AND PERSPECTIVES THROUGH THE LENS HAS INDIRECTLY HELPED ME DEVELOP CONCEPTS IN ARCHITECTURE. THE ABSTRACTNESS IN THE PHOTOGRAPHS CORRELATE WITH THE THOUGHT PROCESS WHILE DESIGNING
.
IT HAS BEEN A SECRET TOOL OF MYSELF SINCE I STARTED DISCOVERING THE UNCOMMON OUT OF THE MOST COMMON THINGS.
PERSPECTIVES
70
09 ARTWORK
72
art keeps me alive.
It is the medium of translation to all my thought process. Art has the power to heal oneself . Art has helped me express my inner voice to the outer world. 74
76
v.archiedsgn@gmail.com 9611077373