Sandor Vass works

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balkan venus 1997, aquatint, burnt linoleum, 180 x 70cm



venus West 1997, aquatint, burnt linoleum, 180 x 70cm



botticelli remix 1997, aquatint, burnt linoleum, 180 x 70cm




botticelli remix II 2000, bread print, 90 x 180cm



childhood III 2000, aquatint, acrylic, collage, 60 x 200cm


childhood I 1996, aquatint, handmade paper, 20 x 30cm


childhood II 1996, aquatint, drypoint, burnt linoleum, 2 x 50 x 70cm



desk 1997, woodcraft, 70 x 100cm


fittnes 1996, litography, handmade paper 30 x 40cm


my body 1997, litography, 70 x 100cm


spine 1998, ink drawing, handmade paper 50 x 60cm


bosnian women 1999, ink drawing, 70 x 100cm



elemĂŠr 1997, aquaforte, collage, 70 x 110cm


self portrait 1996, ink drawing, 50 x 70cm


self portrait with cockroach 2001, ink drawing on handmade paper, 50 x 70cm



self portrait 2006, digital print, 150 x 150cm



you’ve got the hammer, find the nail 1999, multimedia installation, 60 x 50 x 120, 35 x 50 x 60cm



pine needles - zen 2009, land art, Szรกrhegy (Lazarea) Romania, approximately 2m x 2m


pilgrimage for peace A project of a pilgrimage done on over 54 km around Gongju town in August 2010. The form of the route consists from a symbolic drawing, a depiction of a one heart double-headed twin. The drawing is the redefinition of the environment and natural formations around Gongju town. The heart of these twins is the Yeonmisan mountain, they are watching each other but their hands are showing to North and South. The question is if the heart (soul) or the brain is controlling the body? I’ll do this route by walk with the help of a GPS (Geographic Positioning System) which can drag a virtual line on the way I walk and this-way I’ll create the drawing.




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