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About us
P r i s h t i n ĂŤ 2020 P o r t f o l i o
VENUS Architects is an architecture and Design company founded in 2018 by a group of aspiring young architects. Our motive was to create good modern and contemporary design based on our ideas as a team. What keeps us on working and raises our ambitions daily is the teamwork, where each and everyone of us shares ideas and gives his/hers very best for the company and for the sake of architecture. Our company is characterized with creativity, high energy and team spirit. We love what we do and we always try to give our best in every project. Client satisfaction is always our top priority and building trust between us and the costumers is always our goal.
CONTENTS:
HOUSING COMMERCIAL BUILDING COMPETITIONS INTERIOR DESIGN
01 02 03 04
01
HOUSING
Housing architecture and design
Long Beach Resort
BREGAS ADRIATIC
BREGAS ADRIATIC - Long Beach Resort “Architecture should speak of its time and place, but yearn for timelessness” - Frank Gehry Location: Ulcinj, Montenegro Collaboration: Venus Architects & @lsnarkitekt Investor: @berishagroup Year: 2020
Long Beach Resort
BREGAS ADRIATIC
The form of the architecture must be distinctive and uniquely recognisable, with a strong identity that will attract visitors from around the world. The design will take its cues from its context, and the architectural form will resonate with its surroundings and reinforce the identity of rainforest and reef.
LAGO’ COMPLEX “My architecture is easy to understand and enjoy, I hope it also is hard to forget." – Oscar Niemeyer Project: Venus Architects Year: 2020
“Everything we design is a response to the specific climate and culture of a particular place.� Normn Foster
111 APARTMENTS Residential building “Architecture starts when you carefully put two bricks together. There it begins! “- L. Mies van der Rohe Location: Prizren, Kosovo Project: Venus Architects Year: 2020
“Architecture is the triumph of human imagination over materials, methods, and men, to put man into possession of his own Earth. It is at least the geometric pattern of things, of life, of the human and social world. It is at best that magic framework of reality that we sometimes touch upon when we use the word order.� Frank Lloyd Wright
V' RESIDENCE Residential building “Architecture, of all the arts, is the one wich acts the most slowly, but the most surely on the soul.“- Ernest Dimnet Project: Venus Architects Year: 2019
V' RESIDENCE
HALLEY Neighborhood HALLEY Neighborhood “Architecture is the learned game, correct and magnificent, of forms assembled in the light." - Le Corbusier Location: Prizren, Kosovo Project: Venus Architects Year: 2020
HALLEY NEIGHBORHOOD
TYPE
'A
Single House
TYPE
'B
Twine Houses
TYPE
'C
House in a row
RHEA' Village “The life of a designer is one of fight: fight against the ugliness.“Massimo Vignelli Location: Gadime, Kosovo Project: Venus Architects Year: 2020
RHEA' Village
“Everything we design is a response to the specific climate and culture of a particular place.� Normn Foster
Villa 'VOUNÓ “In pure architecture the smallest detail should have a meaning or serve a purpose.”- Augustus W. N. Pugin Project: Venus Architects Year: 2020
Villa 'VOUNÓ
Villa 'ELARA “In pure architecture the smallest detail should have a meaning or serve a purpose.�- Augustus W. N. Pugin Project: Venus Architects Year: 2020
Villa 'ELARA Villa Elara is a luxury family residential villa. Even tho, in surface, it is a big villa it still fits with its sorrounding. It is situated that way that it follows the form of the land creating a staircase". Insituation it has the L shape and it is situated that way that the whole space has its focus by the river. Sorrounded by nature and tall trees this villa is the perfect escape place from the noisy city life.
The YELLOW RIVER Villa Project proposal “Good architecture lets nature in!”- Mario Pei The simplicity is what makes this Villa special. The simple geometric forms creat a game in the façades giving it a satisfying look and easy to enjoy by every eye, not just an architect. The Yellow river villa creates a warm space and confort for its residents. Location: Trabzon, Turkey Project: Venus Architects Year: 2020
The YELLOW RIVER Villa “Modern life demands, and is waiting for, a new kind of plan, both for the house and the city.� Le Corbusier
Villa TERRA “Anything created by human beings is already in the book of nature." - Antonio Gaudi Project: Venus Architects Year: 2020
Villa TERRA “Anything created by human beings is already in the book of nature." - Antonio Gaudi Project: Venus Architects Year: 2020
villa 'ADORE "The mother art is architecture. Without an architecture of our own we have no soul of our own civilization" - Frank Lloyd Wright Project: Venus Architects Location: Switzerland Year: 2020
villa 'ADORE
House '111
House '111
he will of an epoch translated van de Rohe
Architects eln,"Architecture Switzerland is the will of an epoch translated into space" Mies van de Rohe Project: VENUS Architects Location: Einsiedeln, Switzerland
ouse with a warm nature, Year: 2018 e first sight tends to give
House '111 House '111 is a house with a warm nature, where even on the first sight tends to give warm feelings. This mostly because of the natural materials that we have used: Brick and Wood. The house fits on the nature of Switzerland and yet has a modern contemporary look.
Villa 'V20 Project:VENUS Architects Location: Harstad, Norway Year: 2019 "Light, God's eldest daughter, is a principal beauty in a building"Th. Fuller
Villa 'V20
Villa 'V20 in typology is a mountain villa, but not a typical one. What makes this villa special is the bended form in situation making it possible for every space inside to have a view and natural light. This form makes the villa have a smoother warmer look fitting perfectly with its green sourrounding.
Villa 'A
"I call architecture frozen music"-Goethe Project: VENUS Architects Location: Rugova Mountains, Kosovo Year: 2019
"I call architecture frozen music"-Goethe Project: VENUS Architects Location: Rugova Mountains, Kosovo Year: 2019
Villa A is a mountain cottage villa located in the beautiful Rugova mountains. Its form is mainly a triangle with arched angels giving the villa a smoother look. Its front faรงade is all with glass giving the villa a transparency a linking it with the sourrounding nature. Wood and wooden colors are the most used materials making it possible for the villa to blend in with its sorrounding
House 'D Neighborhood “A design isn’t finished until someone is using it!”B. Laurel Project: Venus Architects Location: Podujevë, Kosova Year:2019
“My house is my refuge, an emotional piece of architecture, not a cold piece of convenience!�L. Barragan
The RED PINE Villa "My house is my refuge, an emotional piece of architecture, not a cold piece of convenience."-L.Barragan Project: VENUS Architects Location: Prizren, Kosovo Year: 2018
The RED PINE Villa The red pine villa is a luxury family residential villa. Even tho, in surface, it is a big villa it still fits with its sorrounding. It is situated that way that it follows the form of the land creating a "staircase". In situation it has the L shape and it is situated that way that the whole space has its focus by the river. Sorrounded by nature and tall trees this villa is the perfect escape.
'FRON
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FRON
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by: FESTIM KRASNIQI RINOR SHALA DONAT MINCI
FLORINDA GEGOLLAJ FIDAN MUJI VALMIR VESELI
PROJEKT IDEOR PËR KOMPLEKS RESIDENCIAL
FRON
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FRON
HOUS I NG
PROJEKT IDEOR PËR KOMPLEKS RESIDENCIAL PRISHTINA E RE ,PRISHTINË, KOSOVË
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FESTIM KRASNIQI RINOR SHALA DONAT MINCI
FLORINDA GEGOLLAJ FIDAN MUJI VALMIR VESELI
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"When we project the specific organization of the human body into the space outside it, then we have architecture."R. Steiner Project: VENUS Architects & Partners Location: Prishtina, Kosovo Year: 2018
ENT RI ES
FESTIM KRASNIQI RINOR SHALA DONAT MINCI
FLORINDA GEGOLLAJ FIDAN MUJI VALMIR VESELI
PARKI NG FRON
FRON is a residential complex building located in Prishtina. What makes this project special are the green spaces, projected that way that it will stand against the noisy life of the city. The project is devided into three main functions: Residence, shopping center and administrative building. This way Fron includes a whole neighbourhood giving easier lifes to its residents.
02
COMMERCIAL BUILDING
TOWER OF CUBES "For me, architecture is not just creating a space to protect people but to make them dream as well."-M.Botta Project: VENUS Architects Location: Year: 2019 We like to call this project " a game of cubes" because of the dynamic views created only by elevating and moving cubes. The whole building is very expressive and "alive" creating a dynamism and movement fitting perfectly with the life of a big city.
TOWER OF CUBES We like to call this project " a game of cubes" because of the dynamic views created only by elevating and moving cubes. The whole building is very expressive and "alive" creating a dynamism and movement fitting perfectly with the life of a big city.
03
COMPETITIONS
Multipurpose Building Design Competition RIT Kosovo (A.U.K) Campus The project represents the implementation of adequate architectural and engineering rules in accordance to technical standards and the project’s task. Based on the structure, the object is designed to be safe and sustainable and to have the foreseen lifespan. Project: Venus Architects + partners Year: 2019 Prizes :Finalist
Multipurpose Building Design Competition RIT Kosovo (A.U.K) Campus
Rwanda Chapel The Chapel is located on top of a hill,walking towards it, in every step , rise the spiritual feelings. Even thought the building does not include a symbol, its design and form makes it able for it to be felt and seen as a house of God, a place where you feel safe and pure within. Its own from includess a symbolic of church. Rwanda Chapel | YAC - Young Architects Competition Project: Venus Architects Year: 2019 Prizes :Participant
The Chapel is designed with a game brick on facade, considering that the brick is a local material and would be economical to be built in both front and back facade , by only bricks we have created concealed crosses which will be more felt when the natyral touches the facade of the building. Same in the indoor ,where the interior is clean and the main focus is on the light coming from outside (behinde the altar) showing only a simple cross where the prayers will be able in someway to feel the light of the God.
ADAPTIVE REUSE
RESIDENTIAL STADIUM
STADIUM RESIDENTIAL:ADAPTIVE REUSE/New York New
Analysis how architecture can offer solutions for the stadium so they can always be reused after the event as a residential building. Considering that after the nding of great sports events stadiums remain unused. This way causing the host country and the sports association constant expense, it was necessary to come up with a new architectural approach.The project was part of the competition for a stadium residential: adaptive reuse in New York where we were in the list of finalists. The idea was to created a adaptable stadium which after the World Cup would be adapted to a residential space. As part of the project besides the football field were also: a hotel, residential building, shopping center, residential villas and common areas that would bring people together. Project: Venus Architects + Partners /Enkelejda Zekaj Year: 2019 Prizes :Finalist
ADAPTIVE REUSE
RESIDENTIAL STADIUM
Our idea is to create such a project which during the world cup event willbe fully serving the needs of the project. containing the main stadium , the residential area for the participants of the games and the common areas for gathering this project will become unattractive. suitable and multifuctional area which will serve the needs of such a great sports event,however after the ending of the events, the whole area will turn into a residential and commertial area based on termsof adaptability, multifunction and flexibility. As part of this will be a Stadium with a smaller number of spectators while the reaming seats will adapt to fit recycled containers as modular houses , also it will contain a hotel. Residential apartments , residential buildings and comertial atrea with shopping centers and offices as a conclusion , our purpose is ti create a project that will increase the attraction of this zone and will make it suitable for living and organizing diffrent events.
KAMENICA BOULEVARD “Always design a thing by considering it in its next larger context a chair in a room, a room in a house, a house in an environment, an environment in a city plan.” Eliel Saarinen Project: VENUS Architects, 3B Project & Pyramid Studio Location: Kamenice, Kosovo Year: 2019 Prizes : 1st Place
KAMENICA BOULEVARD
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ⴀ 愀渀搀 䘀椀 渀愀氀 氀 礀 Ⰰ 昀 甀爀 琀 栀攀爀 渀甀洀戀攀爀 爀 攀瀀爀 攀猀 攀渀琀 椀 渀最 琀 栀攀 挀攀渀琀 甀爀 礀 攀瘀 攀爀 礀 瀀攀爀 猀 瀀攀挀琀 椀 瘀 攀㬀 圀栀攀爀 攀 漀渀 琀 栀攀 匀欀礀 氀 椀 最栀琀 昀 爀 漀洀 眀栀椀 挀栀 琀 栀攀 䌀愀猀 琀 氀 攀 搀愀琀 攀猀 Ⰰ 愀渀搀 愀氀 氀 爀 漀甀渀搀椀 渀最 愀爀 攀愀⸀ 眀椀 氀 氀 昀 愀挀攀 琀 栀攀 䌀愀猀 琀 氀 攀 愀渀搀 眀椀 氀 氀 渀漀琀 椀 渀ⴀ 戀愀挀欀 漀昀 琀 栀攀 䌀愀猀 琀 氀 攀 椀 猀 琀 栀攀 愀洀瀀栀椀 ⴀ 吀栀攀爀 攀 眀椀 氀 氀 戀攀 琀 栀攀 瘀 椀 氀 氀 愀猀 Ⰰ ㌀ 椀 渀 琀 攀爀 昀 攀爀 琀 栀攀 瘀 椀 攀眀 漀昀 攀愀挀栀ⴀ漀琀 栀攀爀 ⸀ 圀攀 戀攀氀 椀 攀瘀 攀 琀 栀愀琀 琀 栀椀 猀 瀀爀 漀樀 攀挀琀 眀椀 氀 氀 渀漀琀 漀渀氀 礀 昀 甀氀 ǻ 氀 氀 渀攀 渀攀攀搀猀 愀渀搀 戀攀挀漀洀攀 愀 琀 漀甀爀 椀 猀 琀 椀 挀 愀琀 爀 攀琀 挀 琀 椀 漀 渀 戀 甀 琀 愀 氀 猀 漀 椀 琀 眀 椀 氀 氀 戀 爀 椀 渀 最 琀 栀 攀 渀甀洀戀攀爀 爀 攀瀀爀 攀猀 攀渀琀 椀 渀最 琀 栀攀 挀攀渀琀 甀爀 礀 倀 刀 䔀 䘀 䄀 䰀 栀 攀 愀 琀 攀 爀 昀 愀 挀椀 渀 最Ⰰ 琀 栀 攀 挀 愀 猀 琀 氀 攀 眀 栀 攀 爀 攀 吀栀 攀 爀 攀 愀 爀 攀 琀 眀娀 漀 洀漀搀甀氀 猀 漀昀 琀 栀攀 瘀 椀 氀 愀猀 Ⰰ 伀渀 琀 栀攀 漀甀琀 猀 椀 搀攀 琀 栀攀爀 攀 眀椀 氀 氀 戀攀 愀 倀刀䔀䘀䄀䰀娀 眀椀 琀 栀 愀 氀 甀洀椀 渀椀 甀 洀 瀀搀 愀渀 攀 氀 猀 椀 渀 搀愀 爀 欀 最 爀 攀礀 昀 爀 漀洀 挀栀 琀 栀攀 䌀愀猀 琀 氀 攀 搀愀琀 攀猀 Ⰰ 愀渀搀 愀氀 氀 倀 爀 攀 瀀愀 椀 渀 琀 攀 䄀 氀 甀 洀椀 渀 椀 甀 洀 挀愀猀 琀 氀 攀 戀愀挀欀 琀 漀 氀 椀 昀 攀㬀 䤀 琀 眀椀 氀 氀 猀 栀漀眀 琀 栀攀 栀 椀 猀 琀 漀 爀 礀 昀 爀 漀 洀 愀 挀 欀 眀 栀 攀 渀 椀 琀 眀 愀 猀 ǻ 爀 猀 琀 欀 渀 漀 渀 甀瀀 琀 漀 琀 栀 攀 瀀 爀 攀 猀 攀 渀 琀 搀 猀 眀 栀 攀 爀 攀 椀 琀 眀 椀 氀 氀 挀 漀 ⴀ 吀 栀 攀 伀戀 猀 攀爀 瘀 愀戀 琀 漀 爀 礀 椀 猀 氀 漀挀 愀 琀 攀 搀 戀 礀 琀 栀 攀 䌀 栀 愀 瀀 攀 氀 愀眀 渀搀 琀 栀 攀 爀 攀 眀 椀 氀 氀 愀 氀 眀愀 愀礀 礀 猀 戀攀 椀 琀 猀 洀愀 最渀 椀 ǻ 挀 攀 渀 琀 眀栀椀 挀椀 爀 挀氀 攀 猀 漀爀 爀 漀甀渀搀椀 渀最 琀 栀攀 挀愀猀 琀 氀 攀 愀氀 氀 愀渀搀 攀搀⸀ 圀攀 栀愀瘀 攀 挀栀漀漀猀 攀渀 琀 漀 甀猀 攀 眀椀 氀 氀 昀 愀挀攀 琀 栀攀 䌀愀猀 琀 氀 攀 愀渀搀 眀椀 氀 氀 渀漀琀 椀 渀ⴀ 愀爀漀甀渀搀 琀栀攀 眀愀琀 愀爀 渀 搀 䘀 愀 挀 愀 搀 攀 猀 攀爀 瀀愀爀 琀 ⸀ 䤀 渀 倀刀䔀䘀䄀䰀娀 愀猀 愀 洀愀琀 攀爀 椀 愀氀 昀 漀爀 琀 栀攀 瘀 椀 氀 氀 愀猀 栀 愀琀 猀 愀 搀 椀 爀 攀椀 挀 琀 瘀 椀 攀 眀 漀 昀 琀 栀 攀 䌀 愀 琀 氀 攀 愀 猀 眀 攀 氀 氀 愀猀 琀 栀 攀 攀砀 椀 猀 琀 眀椀 琀 栀 琀 栀攀 挀漀渀琀 攀洀瀀漀爀 愀爀 礀 愀爀 挀栀椀 琀 攀 挀 甀 爀 攀 眀 琀 栀 漀 甀 琀 氀 漀 猀 椀 渀 最 椀 琀 ✀ 猀 琀 爀 甀 攀 愀 甀 琀 栀 攀 渀 琀 椀 挀 猀 攀氀 昀 ⸀ 瘀 椀 攀眀⸀ 挀漀渀挀攀瀀琀 Ⰰ 爀 攀瀀爀 攀猀 攀渀琀 椀 渀最 琀 栀攀 琀 攀爀 昀 攀爀 琀 栀攀 瘀 椀 攀眀 漀昀 攀愀挀栀ⴀ漀琀 栀攀爀 ⸀ 猀 椀 渀挀攀 椀 琀 椀 猀 洀漀爀 攀 攀挀漀渀漀洀椀 挀愀氀 愀渀搀
吀䠀䔀 䌀䄀匀吀䰀䔀
猀 甀爀 爀 漀甀渀搀椀 渀最 愀爀 攀愀⸀ 吀栀攀 洀愀椀 渀 爀 攀愀猀 漀渀 眀栀礀 眀攀 瀀椀 挀欀攀搀 琀 栀椀 猀 氀 漀挀愀琀 椀 漀渀 昀 漀爀 䜀氀 愀猀 猀 琀 栀攀 漀戀猀 攀爀 瘀 愀琀 漀爀 礀 椀 猀 琀 栀愀琀 眀攀 眀愀渀琀 攀搀 琀 漀 瀀愀礀 愀琀 琀 攀渀琀 椀 漀渀 琀 漀 琀 栀攀 䌀栀愀瀀攀氀 Ⰰ 琀 栀椀 猀 眀愀礀 栀愀瘀 椀 渀最 琀 栀攀 漀戀猀 攀爀 瘀 愀琀 漀爀 礀 挀氀 漀猀 攀 琀 栀攀 瘀 椀 猀 椀 琀 漀爀 猀 眀椀 氀 氀 眀愀渀琀 琀 漀 眀愀氀 欀 琀 栀攀爀 攀 愀渀搀 瘀 椀 猀 椀 琀 戀漀琀 栀 漀昀 琀 栀攀洀⸀ 吀栀攀 漀戀猀 攀爀 瘀 愀琀 漀爀 礀 椀 猀 愀氀 猀 漀 愀 氀 椀 最栀琀 猀 琀 爀 甀挀琀 甀爀 攀 琀 栀愀琀 伀䈀匀䔀刀嘀䄀吀伀刀夀 眀攀椀 最栀猀 漀渀 愀 挀漀氀 甀洀渀 漀昀 爀 攀椀 渀昀 漀爀 挀攀搀 挀漀渀挀爀 攀琀 攀⸀
吀䠀䔀 䌀䤀 刀䌀䰀䔀
There is a special fascination in ruins, is a sublime hint in dissolved architectures. There is something moving in the pulverizing of time. Silence takes over the architecture. In the long sunset that follows abandonment and preludes destruction, nature completes the design of mankind by taking space back according to its own pace. In that moment, some-thing magical happens. In that moment, architecture gives way to ruins.
䘀氀 漀漀爀 倀氀 愀渀
㨀 㔀
䄀洀瀀栀椀 琀 栀攀愀琀 攀爀
䄀堀伀一伀䴀䔀吀 刀夀
ⴀ匀瀀愀 愀渀搀 眀攀氀 氀 渀攀猀 猀 挀攀渀琀 攀爀 吀栀攀 漀戀猀 攀爀 瘀 愀琀 漀爀 礀 ᤠ 猀 ⴀ匀栀漀瀀 氀 漀挀愀琀 椀 漀渀 椀 渀 猀 椀 琀 攀 瀀氀 愀渀 ⴀ倀甀戀氀 椀 挀 刀攀猀 琀 爀 漀漀洀猀 䤀 渀ǻ渀椀 琀 礀 瀀漀漀氀 䴀愀椀 渀 䔀渀琀 爀 愀渀挀攀
攀瘀 攀爀 礀 挀漀爀 渀攀爀 琀 栀攀 洀愀椀 渀 昀 漀挀甀猀 椀 猀 愀氀 眀愀礀 猀 漀渀 琀 栀攀 䌀愀猀 琀 氀 攀⸀
ⴀ刀䔀䤀 一䘀伀刀䌀䔀䐀 䌀伀一䌀刀䔀吀䔀 ⴀ䔀倀伀堀夀 䌀伀一䌀刀䔀吀䔀 䘀䰀伀伀刀 ⴀ倀刀䔀䘀䄀䰀娀 䘀䄀䌀䄀䐀䔀
䴀漀搀甀氀 㨀 䔀氀 攀瘀 愀琀 椀 漀渀 匀攀挀琀 椀 漀渀
倀刀䔀䘀䄀䰀娀
刀䔀䤀 一䘀伀刀䌀䔀䐀 䌀伀一䌀刀䔀吀䔀
ⴀ匀瀀愀 愀渀搀 眀攀氀 氀 渀攀猀 猀 挀攀渀琀 攀爀 ⴀ匀栀漀瀀 ⴀ倀甀戀氀 椀 挀 刀攀猀 琀 爀 漀漀洀猀
䔀氀 攀瘀 愀琀 椀 漀渀
嘀䤀 䰀䰀䄀匀 ㌀䐀 瘀 椀 猀 甀愀氀 椀 稀 愀琀 椀 漀渀猀
㌀䐀 瘀 椀 猀 甀愀氀 椀 稀 愀琀 椀 漀渀
吀栀攀 漀戀猀 攀爀 瘀 愀琀 漀爀 礀 ᤠ 猀 氀 漀挀愀琀 椀 漀渀 椀 渀 猀 椀 琀 攀 瀀氀 愀渀
一䄀吀唀刀䄀䰀 匀吀伀一䔀
㨀 ㈀
䴀漀搀甀氀 㨀 䔀氀 攀瘀 愀琀 椀 漀渀 匀攀挀琀 椀 漀渀 ㌀䐀 瘀 椀 猀 甀愀氀 椀 稀 愀琀 椀 漀渀
㌀䐀 瘀 椀 猀 甀愀氀 椀 稀 愀琀 椀 漀渀猀
㌀䐀 瘀 椀 猀 甀愀氀 椀 稀 愀琀 椀 漀渀猀
䴀漀搀甀氀 ㈀㨀 䔀氀 攀瘀 愀琀 椀 漀渀 匀攀挀琀 椀 漀渀
圀愀氀 欀椀 渀最 瀀愀琀 栀眀愀礀
䤀 渀ǻ渀椀 琀 礀 瀀漀漀氀
ⴀ刀䔀䤀 一䘀伀刀䌀䔀䐀 䌀伀一䌀刀䔀吀䔀 ⴀ䔀倀伀堀夀 䌀伀一䌀刀䔀吀䔀 䘀䰀伀伀刀 ⴀ倀刀䔀䘀䄀䰀娀 䘀䄀䌀䄀䐀䔀
International Architecture Competition. COMMON RUINS. YAC- Young Architects MOTHE CHANDENIERS - Les Trois-Moutiers, France. Project: Venus Architects + Partners /Enkelejda Zekaj Year: 2018 Prizes :Participant
䔀砀 瀀氀 漀搀攀搀 䄀砀 漀渀漀洀攀琀 爀 礀 漀昀 琀 栀攀 ǻ 爀 猀 琀 洀漀搀甀氀
䄀洀瀀栀椀 琀 栀攀愀琀 攀爀
匀吀䄀䤀 刀匀 匀吀䔀䔀䰀 䌀伀一匀吀刀唀䌀吀䤀 伀一
吀栀攀 刀䄀䴀倀 ˻漀漀爀 瀀氀 愀渀
䈀愀琀 栀爀 漀漀洀
䔀砀 瀀氀 漀搀攀搀 䄀砀 漀渀漀洀攀琀 爀 礀 漀昀 琀 栀攀 ǻ 爀 猀 琀 洀漀搀甀氀
倀刀䔀䘀䄀䰀娀
吀栀攀 漀戀猀 攀爀 瘀 愀琀 漀爀 礀 椀 猀 愀氀 猀 漀 愀 氀 椀 最栀琀 猀 琀 爀 甀挀琀 甀爀 攀 琀 栀愀琀 眀攀椀 最栀猀 漀渀 愀 挀漀氀 甀洀渀 漀昀 爀 攀椀 渀昀 漀爀 挀攀搀 挀漀渀挀爀 攀琀 攀⸀
䈀攀搀爀 漀漀洀
搀愀洀愀最攀猀 ⸀
吀栀攀 氀 漀挀愀琀 椀 漀渀 漀昀 琀 栀攀 嘀椀 氀 氀 愀猀 椀 渀 猀 椀 琀 攀 瀀氀 愀渀
㨀 㔀
䜀氀 愀猀 猀
䘀爀 漀渀琀 愀氀 䜀氀 愀猀 猀
琀 栀攀爀 攀 眀琀 椀 氀 氀 愀氀 眀 礀 猀 戀 攀 椀 琀 猀 洀愀 最渀 椀 ǻ 挀 攀 渀 琀 洀攀 栀 攀 漀愀 氀 搀 眀 愀 氀 氀 猀 戀 甀琀 愀 琀 琀 栀 攀 猀 愀 琀 椀 洀攀 椀 琀 眀椀 氀 氀 瘀 椀 攀眀⸀ 栀攀氀 瀀 瀀爀 攀猀 攀爀 瘀 攀 琀 栀攀 眀愀氀 氀 猀 昀 爀 漀洀 昀 甀爀 琀 栀攀爀
吀栀攀 䌀䤀 刀䌀䰀䔀 ˻漀漀爀 瀀氀 愀渀 一䄀吀唀刀䄀䰀 匀吀 伀一 䔀 圀愀 氀 欀 椀 渀最 瀀愀琀 栀眀愀礀
吀栀攀 䌀愀猀 琀 氀 攀 吀 栀攀 伀戀猀 攀爀 瘀 愀琀 漀爀 礀 椀 猀 氀 漀挀愀琀 攀搀 戀礀 琀 栀攀 䌀栀愀瀀攀氀 愀渀搀 栀愀猀 愀 搀椀 爀 攀挀琀 瘀 椀 攀眀 漀昀 琀 栀攀 䌀愀猀 琀 氀 攀 愀猀 眀攀氀 氀 愀猀 琀 栀攀 刀 攀 愀 爀 愀渀琀 愀渀搀 挀 漀û攀攀 猀 栀漀瀀 猀 甀爀 爀 漀甀渀搀 椀 渀最 愀猀 爀 攀琀 愀⸀ 甀 吀栀攀 洀愀椀 渀 爀 攀愀猀 漀渀 眀栀礀 眀攀 瀀椀 挀欀攀搀 琀 栀椀 猀 氀 漀挀愀琀 椀 漀渀 昀 漀爀 琀 栀攀 漀戀猀 攀 爀 瘀 愀 琀 漀爀 礀 椀 猀 琀 栀 愀琀 眀攀 眀愀渀琀 攀搀 琀 漀 瀀愀礀 愀琀 琀 攀渀琀 椀 漀渀 ⴀ 䬀 椀 琀 挀 栀 攀 渀 琀 漀 琀 栀攀 䌀栀愀瀀攀氀 Ⰰ 琀 栀椀 猀 眀愀礀 栀愀瘀 椀 渀最 琀 栀攀 漀戀猀 攀爀 瘀 愀琀 漀爀 礀 挀氀 漀猀 攀 琀 栀攀 瘀 椀 猀 椀 琀 漀 爀 猀 眀椀 氀 氀 眀 愀 渀琀 琀 漀 眀 愀 氀 欀 琀 栀 攀 爀 攀 愀渀搀 瘀 椀 猀 椀 琀 ⴀ 匀 愀 渀 椀 琀 愀 爀 礀 䄀 爀 攀 愀 䄀 堀 伀一 伀䴀䔀 吀 刀夀 戀漀琀 栀 漀昀 琀 栀攀洀⸀
倀刀䔀䘀䄀䰀娀 倀爀 攀瀀愀椀 渀琀 攀搀 䄀氀 甀洀椀 渀椀 甀洀 愀渀搀 䘀愀挀愀搀攀猀
䔀堀倀䰀伀䐀䔀䐀 䄀堀伀一伀䴀䔀吀刀夀 伀䘀 吀䠀䔀
猀 漀氀 搀椀 攀爀 猀 琀 栀愀琀 甀猀 攀搀 琀 漀 最甀愀爀 搀 琀 栀攀 攀愀猀 礀 琀 漀 洀漀甀渀琀 ⸀ 吀栀攀爀 攀 愀爀 攀 琀 眀漀 洀漀搀甀氀 猀 漀昀 琀 栀攀 瘀 椀 氀 愀猀 Ⰰ 挀 愀猀 琀 氀 攀 椀 渀 挀愀猀 攀 漀昀 愀琀 琀 愀挀欀猀 ⸀ 吀栀椀 猀 圀攀 栀愀瘀 攀 琀 爀 椀 攀搀 琀 漀 最椀 瘀 攀 琀 栀攀 瘀 椀 氀 氀 愀猀 愀 䔀 䤀 一 䘀 伀刀 䌀 䔀䐀 䌀 伀一 䌀刀 䔀 吀䔀 䤀 渀 猀 椀 搀渀 攀 Ⰰ 眀 栀愀 瘀 攀 椀 洀瀀氀 攀洀攀渀琀 攀琀 愀 眀愀氀 欀椀 渀最 猀 眀刀 椀 琀 栀 愀 氀 甀 洀椀 渀 椀 甀 洀 瀀 愀 渀攀氀 猀 椀 渀 搀愀爀 欀 最爀 攀礀 挀椀 爀 挀氀 攀 眀 椀 氀 氀 戀 攀 愀 ᰠ 愀攀 爀 洀漀 甀 爀 ᴠ 椀 洀瀀氀 椀 挀椀 琀 礀 戀甀琀 昀 甀氀 ǻ 氀 氀 椀 渀最 琀 栀攀 渀攀攀搀猀 漀昀 爀 愀 洀瀀 琀 栀 愀 琀 最 漀 攀昀 猀 愀 氀 氀 愀 爀 漀 甀 渀 搀 琀 栀攀 椀 渀琀 攀爀 椀 漀爀 攀挀琀 椀 渀 最 琀 栀攀 栀 椀 猀 琀 漀 爀 礀 漀 琀 栀攀 挀愀 猀 琀 氀 攀 ⸀ 琀 栀攀 瘀 椀 猀 椀 琀 漀爀 猀 ⸀ 䄀氀 猀 漀 最椀 瘀 椀 渀最 琀 栀攀洀 愀 昀 甀氀 氀 愀渀搀 爀 攀搀⸀ 圀攀 栀愀瘀 攀 挀栀漀漀猀 攀渀 琀 漀 甀猀 攀 瀀爀漀琀 䄀猀 愀 昀 甀 渀挀琀 椀 漀 渀 椀 琀 眀 椀 氀 氀 椀 渀 挀 氀 甀 搀 攀 㨀 洀愀 欀 椀 渀 最 椀 琀 瀀 漀 猀 猀 椀 戀 氀 攀 琀 漀 攀 砀 瀀 攀 爀 椀 攀 渀 挀 攀 琀 栀攀 匀吀䄀䤀 刀匀 最 氀 愀 猀 猀 昀 爀 漀 渀 琀 椀 琀 洀愀 欀攀猀 椀 琀 瀀漀猀 猀 椀 戀氀 攀 昀 漀爀 䘀 氀 漀 漀 爀 倀 氀 愀 渀 倀刀䔀䘀䄀䰀娀 愀猀 愀 洀愀 琀 攀爀 愀 昀 漀 爀 琀 栀攀 瘀 椀 氀 氀 愀猀 ⴀ吀栀攀 愀洀瀀 栀 椀 琀 栀 攀 愀 琀 攀 爀 Ⰰ 匀 吀䔀 䔀 䰀 䌀伀一 匀椀 吀 刀氀 唀 䌀 吀䤀 伀一 眀栀 漀 氀 攀 猀 瀀 愀 挀 攀⸀ 圀攀 栀愀瘀 攀 甀猀 攀 琀 栀攀 爀 攀搀 琀 栀攀 瘀 椀 猀 椀 琀 漀爀 猀 琀 漀 攀渀樀 漀礀 琀 栀攀 瘀 椀 攀眀 漀昀 琀 栀攀 ⴀ刀攀猀 琀 愀漀 爀 愀渀 琀 猀 愀 渀 搀 䌀 漀 û 攀 攀 猀 栀 漀 瀀琀 猀 Ⰰ 䘀 爀 漀 渀 琀 愀 氀 䜀 氀 愀 猀 猀 猀 椀 渀挀攀 椀 琀 椀 猀 洀漀 爀 攀 攀 挀 漀 渀 漀 洀椀 挀 愀 氀 愀 渀 搀 挀 漀 氀 漀 爀 眀 栀 椀 挀 栀 爀 攀 瀀 爀 攀 猀 攀 渀 猀 琀 栀攀 挀漀氀 漀爀 漀昀 琀 栀攀 挀 愀 猀 琀 氀 攀 愀 琀 愀 氀 氀 琀 椀 洀攀 猀 ⸀ 吀 栀 椀 猀 眀 愀 礀 昀 爀 漀 洀 嘀䤀 䰀䰀䄀匀 䘀䰀伀伀刀 倀ⴀ 䰀 匀䄀 瀀愀一 愀渀 搀 眀 攀 氀 氀 渀 攀 猀 挀 攀渀 琀 攀 Ⰰ 䘀 爀 攀 渀 挀 栀 䄀 爀 洀礀 戀爀 愀 挀欀 愀琀 琀 栀攀 堀䤀 䤀 䤀 挀攀渀琀 甀爀 礀 ⸀ 攀瘀 攀爀 礀 挀漀爀 渀攀爀 琀 栀攀 洀愀椀 渀 昀 漀挀甀猀 椀 猀 攀愀猀 礀 琀 漀 洀漀甀渀琀 ⸀ ⴀ匀栀漀瀀猀 愀 渀搀 愀 氀 猀 漀 䈀 攀 猀 椀 搀 攀 猀 琀 栀攀 爀 愀洀瀀Ⰰ 琀 栀攀爀 攀 愀爀 攀 愀氀 猀 漀 琀 栀攀 愀氀 眀愀礀 猀 漀渀 琀 栀攀 䌀愀猀 琀 氀 攀⸀ 䴀伀䐀 唀 䰀 ㈀ 椀 挀 爀 攀猀 琀 爀 漀漀洀猀 愀渀搀 瘀 椀 猀 椀 琀 漀爀 猀 ✀ 圀攀 栀愀瘀 攀 琀 爀 椀 攀搀 琀 漀 最椀 瘀 攀 琀 栀攀 瘀 椀 氀 氀 愀猀 愀 ⴀ倀甀戀氀 最氀 愀猀 猀 眀愀氀 氀 猀 眀栀攀爀 攀 眀攀 栀愀瘀 攀 瀀氀 愀渀渀攀搀 琀 漀 愀爀 攀愀猀 ⸀ 猀 椀 洀瀀氀 椀 挀椀 琀 礀 戀甀琀 昀 甀氀 ǻ 氀 氀 椀 渀最 琀 栀攀 渀攀攀搀猀 漀昀 猀 栀 漀眀攀 琀 栀 攀 栀 椀 猀 琀 漀 爀 礀 愀 渀 搀 瀀栀漀琀 漀猀 漀昀 琀 栀攀 Ⰰ 琀 栀椀 猀 昀 漀爀 洀 眀椀 氀 氀 洀愀欀攀 䘀甀爀 琀 栀攀爀 洀漀爀 挀愀 猀 琀 氀 攀 愀 猀 眀 攀 氀 氀 愀 猀 琀 栀 攀 愀爀 攀愀 眀栀攀爀 攀 椀 琀 椀 猀 琀 栀攀 瘀 椀 猀 椀 琀 漀爀 猀 ⸀ 䄀氀 猀 漀 最椀 瘀 椀 渀最 琀 栀攀洀 愀 昀 甀氀 氀 椀 琀 愀戀氀 攀 昀 漀 爀 瘀 椀 猀 椀 琀 漀 爀 猀 琀 漀 眀 愀 氀 欀 愀 氀 氀 氀 漀 挀 欀 愀 琀 攀 搀 ⸀ 吀渀 栀 攀 爀 攀 愀 猀 漀 渀 眀 栀礀 眀攀 甀猀 攀搀 琀 栀 攀 挀 愀 猀 琀 氀 攀 愀 搀 猀 攀 攀 椀 琀 昀 爀 漀 洀 最氀 愀猀 猀 昀 爀 漀渀琀 椀 琀 洀愀欀攀猀 椀 琀 瀀漀猀 猀 椀 戀氀 攀 昀 漀爀 愀爀漀甀渀搀 吀栀攀 氀 漀挀愀琀 椀 漀渀 漀昀 琀 栀攀 嘀椀 氀 氀 愀猀 最 氀 愀 猀 猀 琀 漀 猀 漀 甀爀 爀 漀 甀 渀 搀 琀 栀 攀 栀 攀 椀 渀搀漀漀爀 攀瘀 攀爀 礀 瀀攀 爀 猀 瀀 攀 挀 琀 椀 瘀 攀 㬀 圀栀 攀爀 攀 漀 渀 琀 栀 攀 漀氀 椀 渀 猀 椀 琀 攀 瀀氀 愀渀 琀 栀攀 瘀 椀 猀 椀 琀 漀爀 猀 琀 漀 攀渀樀 漀礀 琀 栀攀 瘀 椀 攀眀 漀昀 琀 栀攀 戀愀挀欀 漀昀 猀 瀀 愀 挀 攀愀 椀 猀 戀 挀 愀 甀 猀 攀 漀昀 椀 琀 猀 琀 爀 愀渀猀 瀀愀爀 攀渀挀礀 猀 漀 琀 栀 攀 䌀 琀 氀 攀攀 椀 猀 琀 栀 攀 愀 洀瀀 栀 椀 ⴀ 琀 栀爀 漀漀洀 䈀 攀 搀 爀 漀 漀 洀 攀爀 昀 愀 挀 椀 渀 最 栀 攀 挀 愀 猀 琀 氀 攀 眀 栀 攀 爀 攀 琀 栀 攀 瘀 椀 猀 椀 琀 漀 爀 猀 眀 椀 氀 氀 戀 攀 愀 戀 氀 攀 琀 漀 猀 攀攀 愀渀搀 昀 攀攀氀 䈀愀 挀愀猀 琀 氀 攀 愀琀 愀氀 氀 琀 椀 洀攀猀 ⸀ 吀栀椀 猀 眀愀礀 昀 爀 漀洀 琀栀攀愀琀
倀刀䔀䘀䄀䰀娀
吀䠀䔀 䌀䤀 刀䌀䰀䔀 䘀䰀伀伀刀 倀䰀䄀一
吀栀攀 䌀䤀 刀䌀䰀䔀 ˻漀漀爀 瀀氀 愀渀
匀欀礀 氀 椀 最栀琀
䴀愀椀 渀 䔀渀琀 爀 愀渀挀攀
吀栀攀 䌀愀猀 琀 氀 攀
刀攀猀 琀 愀甀爀 愀渀琀 愀渀搀 挀 漀û攀攀 猀 栀漀瀀 ⴀ䬀椀 琀 挀栀攀渀 ⴀ匀愀渀椀 琀 愀爀 礀 䄀爀 攀愀
䴀漀搀甀氀 ㈀㨀 䔀氀 攀瘀 愀琀 椀 漀渀 匀攀挀琀 椀 漀渀 ㌀䐀 瘀 椀 猀 甀愀氀 椀 稀 愀琀 椀 漀渀
吀䠀䔀 䌀䄀匀吀䰀䔀
吀䠀䔀 䌀䤀 刀䌀䰀䔀 䔀堀倀䰀伀䐀䔀䐀 䄀堀伀一伀䴀䔀吀刀夀 䔀氀 攀瘀 愀琀 椀 漀渀
吀䠀䔀 刀䄀䴀倀 䘀䰀伀伀刀 倀䰀䄀一
䜀䄀䰀䰀䔀刀夀 䘀䰀伀伀 䔀堀倀䰀伀䐀䔀䐀 䄀堀伀一伀䴀䔀吀刀夀 伀䘀 吀䠀䔀 䌀䄀匀吀䰀䔀
The castle of Mothe Chandeniers is a perfect ruin. It is lost in the French countryside. It is a gothic lace embroidered in stone. It is an enchanted mirage fluctu- ating on a calm lake. It is embraced by jealous vegeta- tion that has been twining its bastions and architectures as a greedy lover. The castle evokes an intimate embrace between history, architecture and nature. Faraway from mankind, this place has achieved its most resplendent beauty.
Competition
UN CAMP Yemen
“One of the great beauties of architecture is that each time, it is like life starting all over again.” – Renzo PianoW. N. Pugin Project: Venus Architects Year: 2018
TOILETS SPACE AREA ( for 85 workstations) CONFERENCE ROOM (for 20 Persons) CONFERENCE ROOM (for 50 Persons)
SPACE AREA ( for 43 workstations)
TOILETS
CONFERENCE ROOM (for 20 Persons)
CONFERENCE ROOM (for 20 Persons)
GSPublisherVersion 0.27.100.100
CONFERENCE ROOM (for 50 Persons)
UN CAMP Yemen Competition
04
INTERIOR DESIGN
Villa 'VOUNĂ“ "For a house to be successful, the objects in it must communicate with one another, respond and balance one another."-A. Putman Project: VENUS Architects Year: 2020
Villa 'VOUNĂ“ Villa Vouno has a simple but tasteful design. Making the atmosphere warm but at the same time elegant. This design creates an ideal enviroment
The RED PINE Villa "My house is my refuge, an emotional piece of architecture, not a cold piece of convenience."-L.Barragan Project: VENUS Architects Location: Prizren, Kosovo Year: 2018
The RED PINE Villa The red pine villa is a luxury family residential villa. Even tho, in surface, it is a big villa it still fits with its sorrounding. It is situated that way that it follows the form of the land creating a "staircase". In situation it has the L shape and it is situated that way that the whole space has its focus by the river. Sorrounded by nature and tall trees this villa is the perfect escape.
APARTMENT '33 “Simplicity and repose are the qualities that measure the true value of any work of art.." - Frank Lloyd Wright Project: Venus Architects Year: 2020
APARTMENT '33 “Simplicity and repose are the qualities that measure the true value of any work of art.." - Frank Lloyd Wright Project: Venus Architects Year: 2020
'APARTMENT 019 "Good design is like a refrigerator when it works no one notices, but when it doesn't, it sure stinks"- Irene Au
Project: VENUNS Architects Location: Tirana, Albania Year: 2019
'APARTMENT 019 A modern style apartment in the beautiful city of Tirana. The dark colors dominate the look combined with natural wood and concrete giving the apartment a friendly comfy warm look.
NIC NEIGHBORHOOD “Life should be chic, glamorous and colorful-and so should your home!”- J. Adler Project: VENUS Architects Location: Nic Neighborhood, Prishtina Year:2019
NIC HOUSE A combination of eyeatching details and warm colors. It's main characteristic is the natural wood that dominates the interior and the green wall behind the dining table giving the interior life by bringing nature indoor. The idea was to create a comfy interior that would always make you feel warm and wanted.
Villa 'ELARA “In pure architecture the smallest detail should have a meaning or serve a purpose.�- Augustus W. N. Pugin Project: Venus Architects Year: 2020
Villa 'ELARA
NIC HOUSE “Design is where art and science break even”- M. Gerritzen Project: VENUS Architects Location: Nic Neighborhood- Prishtina Year:2019
NIC HOUSE
BLUE JEANS Boutique “The essence of style is the art of being unique!” - I. Miaja Location: Istanbul,Turkey Project: Venus Architects Year: 2020
BLUE JEANS Boutique
"I don't think that architecture is only about shelter, is only about a very simple enclosure. It should be able to excite you, to calm you, to make you think." Zaha Hadid
Email: venusarchitects.office@gmail.com Website: venusarchitects.com Phone: +383 49 837 995 +383 49 629 283 Adress: Str.Vicianum | 186/5 30000 Prishtina, Kosovo
PRISHTINE 2020