Piano Concerto “Dreamscapes” (2009)
by Vivian Fung
Commissioned by Metropolis Ensemble through funding by the DeRosa Family Fund !
PROGRAM NOTE Vivian Fung: Piano Concerto “Dreamscapes” Duration: approx. 24 minutes Commissioned and premiered by the Metropolis Ensemble through funding from the DeRosa Family Fund, with Jenny Lin as piano soloist – November 19th and 20th, 2009 in New York City I. Prologue: Mesmerizing Birdsongs II. First Vignette: Savage and Brutal III. Second Vignette: Jazzy but Steady IV. Third Vignette: Sweetly Dreamful but with Ghostly Undertones V. Fourth Vignette: Rude Awakenings; Schizophrenic Dreamscapes VI. Postlude: Calm and Tranquil (Performed without pause) The sights and sounds of Bali haunt my dreams. The mist covering lush rice paddies at dawn, a symphony of birds chirping, and one fateful dewy morning in Bali, Indonesia when I visited Goa Gajah – the Elephant Cave Temple. That early summer morning, I descended a few flights of steep steps carved out of stone and found myself in the middle of a jungle with a natural waterfall and lotus ponds. Barefoot, in silence, I absorbed the force of my surroundings finding myself in the state of a powerful spiritual awakening. I felt I had become one with nature. The myriad encounters of Bali and the unknowable recesses of my own mind resolved into a tranquil state of balance. This piano concerto is inspired by my experiences in Bali. Its themes pay homage to portions of the gamelan gong kebyar-style work Ujan Mas, and a composition for legong dance. To anyone familiar with the music of the Ubud region of Bali, the spiky, syncopated rhythms, sudden tempo changes, and exotic scales in the concerto may seem familiar. Although I have quoted from traditional Balinese sources, I am not recreating traditional works. I have internalized the shimmering harmonies and interlocking rhythms of Balinese traditions to unleash an original process; traditional sources act as catalysts for my voice emerging from the shifting kaleidoscope of my own multicultural identity. The work is a series of “Vignettes” that are all to be played without pause. The concerto is meant as a single movement work that has many different scenes. It begins with selected musicians in the audience blowing bird whistles that were purchased for the premiere from a street vendor in Ho Chi Minh City, Vietnam. The prologue gradually builds into the First Vignette, fast and relentless with gamelan-like interlocking rhythms. The Second Vignette takes my earlier solo prepared piano work Kotekan, written for pianist Jenny Lin, and greatly expands on it. The Third Vignette brings a temporary relief from the fast tempi of the first two, and presents a beautiful singing part for the piano. Around the solo, the orchestra weaves in and out with dream-like chords and whispers. The Fourth Vignette sounds suddenly and recaps previously heard themes and musical material. The postlude brings a calm ending, but includes some surprise sonorities at the very end of the score.
Fung: Piano Concerto “Dreamscapes” Instrumentation Flute (doubling piccolo) Oboe Clarinet in Bb (doubling bass clarinet) Bassoon (doubling Contrabassoon) Horn in F Trumpet in C Tenor Trombone 2 Percussion Vibraphone Glockenspiel 2 Slit Drums (preferably bamboo) Bass Drum – laid flat Tenor Drum Large Suspended Cymbal Hi-hat Tam-tam Slapstick Guiro Maracas Tambourine Bird Whistle Piano Solo – With Preparations – List on separate sheet Violin I Violin II Viola Cello Double Bass (with C Extension if possible) IN ADDITION - For the Orchestra 7 Bird Whistles (Total 8 if counting percussion) 12 Wine Glasses or equivalent (must be thin-rimmed) - Note: If 12 wine glasses are not available – use as many glasses as possible When Tuning Wine Glasses: Glasses can be in the same pitch class, exact octave not necessary Duration: C. 20 minutes Premiere:
November 19th and 20th, 2009, Le Poisson Rouge, New York, New York Metropolis Ensemble, Andrew Cyr, Conductor; Jenny Lin, Piano Soloist Commissioned by the Metropolis Ensemble with Generous Funding by the DeRosa Family Fund
Piano Concerto
Score in C
"Dreamscapes"
commissioned by the Metropolis Ensemble with funding from the DeRosa family
Vivian Fung (2009) Prologue: Mesmerizing Birdsongs q= c. 90 WW, Brass, and Perc. Players situated in the audience at random positions. Conductor cues these players to start performing on whistle and walk towards the stage
Flute
1 sec.
1 sec.
5 sec.
Oboe
Clarinet in Bb
Bassoon
Horn in F
Trumpet in C Tenor Trombone
Percussion I
Percussion II
Piano solo
Violin I
drum slit
f
second slit drum should not be in sync with first
slightly slower than perc. I slit drum
f
pluck strings inside piano with plectrum inside piano - repeat once
prepare erasers and metal bars
first time p second time f
Violin II Viola Violoncello Contrabass
© Copyright 2009 by the composer All Rights Reserved SOCAN
10 sec. - (Cue bird whistles in WW and BR)
2
4
Fl.
Ob.
Cl.
Bsn.
Hn.
Perc. Perc.
Pno.
2
3
4
5
6
Play bird whistle: vary lengths and dynamics
Play bird whistle: vary lengths and dynamics
Play bird whistle: vary lengths and dynamics
Play bird whistle: vary lengths and dynamics
Play bird whistle: vary lengths and dynamics
Play bird whistle: vary lengths and dynamics
7
Play bird whistle: vary lengths and dynamics
C Tpt.
Tbn.
1
Phrase One - Play twice play on keyboard - prepare piano with metal bars for entire upper range
vary number of notes repeated
like a bird call
Vln. II
Vla.
Vln. I
Vc.
Cb.
first time p second time f
Fl. Ob.
Cl.
Bsn.
Hn.
Perc. Perc.
Pno.
C Tpt.
Tbn.
Phrase Two - Play twice
Vln. I
Vln. II
Vla.
Vc.
Cb.
3
15 sec.
6
p
molto espressivo
vary number of notes repeated
like a bird call ricochet gliss.
Phrase Three - Play twice
repeat note - vary number of notes repeated
ricochet like a bird call gliss .
p
repeat note - vary number of notes repeated
like a bird call gliss. gliss.
ricochet gliss.
p
repeat note - vary number of notes repeated
3
vary length of trill
like a bird call gliss.
p
p
ricochet glis s.
vary number of notes repeated
4
7
Fl.
Cl.
Hn.
Perc.
Perc.
Pno.
Vln. I
to Oboe
to Clarinet in Bb
to Bassoon
to French Horn
C Tpt.
Tbn.
Molto Accel. to Flute
Ob.
Bsn.
10 sec.
To Trumpet
To Trombone
To bass drum
strum strings inside piano like a zither with fingernails - from top octave to bottom Randomly repeat three previous phrases - improv.
violent and loud p
start slowly
fff p
gl i ss.
fff
Vln. II
Vla.
Vc.
Cb.
fltg.
10 sec. h = 80
8
Fl. p
Ob.
p
Bsn. Hn.
Perc.
Perc.
3
3
p
p
Vc.
3
3
3
f f
f
play on keyboard
pp
quickly remove metal bars
ffp
ffp
ffp
Cb.
ppp
ffp
Vla.
3
bass drum
Vln. I Vln. II
3
Pno.
p
p
ffp
3
3
5
C Tpt.
Tbn.
p
gliss.
Cl.
cue brass
3
l.v.
3
3
3
3
3
6
First Vignette: Savage and Brutal q = 140
Fl. ff Ob. ff Cl. ff Bsn. 9
ff
ff C Tpt. Hn.
ff
Tbn.
Perc.
Perc.
ff ff
p p p p
To Bass Clarinet in Bb
To Contrabassoon
Pno. ff with a crisp and precise touch loco Vln. I fff Vln. II fff Vla. Vc.
Cb.
fff
fff
fff
p
p
p
7
12
Ob.
Bs. Cl.
Fl.
Cbsn.
Hn.
C Tpt.
Tbn.
Perc.
Perc.
Pno.
Vln. II
Vla.
Vln. I
Vc.
Cb.
pp pp
8
16
Ob.
Bs. Cl.
pp
Fl.
Cbsn.
Hn.
C Tpt. Tbn.
Perc.
Perc.
Pno.
pp
3:4
pp
pp
bass drum - snare drum sticks
p
q cresc. poco a poco 3:4q
3:4q
3:4
Vln. II
Vla.
Vc.
Cb.
Vln. I
ossia: If this note is not possible, play the B an octave higher
same quality of chord used throughout 3:4
q p
3
3
3
3
9
20
Fl.
Ob.
Bs. Cl.
Cbsn.
Hn.
Perc.
Perc.
Pno.
Vln. I
5
6
3
3
3
3
3
3:4q
loco
3
5
3
3
3
3
5
5
6
mf
pp
mf
pp
6
p
3:4q
3:4q
Vla.
3
6
3:4q
3:4q
3:4q
Cb.
pp
3
6
guiro
5
mf
6
pp
5
3
pp
Vc.
pp
Vln. II
mf
mf
3
3:4q
(bs. dr.)
p
mf
6
5
C Tpt.
Tbn.
3:4q
p
3
5
6
5
6
3
24
10
Fl.
Ob.
Bs. Cl.
Tbn.
Perc.
Perc.
Pno.
fp
6
6
fp
(bs. dr.)
Vln. I
Vc.
Cb.
3:4q
p
6
6
6
6
f
f
f
f
f
3:4q
Vla.
f
(guiro)
Vln. II
6
f
6
fp
f Hn. f C Tpt. Cbsn.
f p f p f p f f p f
27
Fl.
Ob.
Bs. Cl.
Cbsn.
Hn.
Perc.
Perc.
Pno.
p
gliss.
p
p
gliss.
f
gliss.
scrape sus. cymbal with triangle beater gliss.
f
gliss.
gliss.
gliss.
p
gliss.
f
f
f
gliss.
f
f
gliss.
f
Vla.
f
Vln. II
Vc.
Vln. I
Cb.
gliss.
11
f
p
C Tpt.
Tbn.
3 f p 3 f p 3 3 f p 3 3
gliss. gliss.
12
30
Ob. Bs. Cl.
Cbsn. sf Hn. C Tpt.
Vln. I
Vln. II
Vla.
Vc.
sf
ff
ff
ff
ff
p
p
p
ff
p
p
Cb. sf
sf
pizz.
ff pizz.
ff
ff
ff
ff
p
p
p
Pno.
Perc.
Perc.
Tbn.
sf
Fl.
13
36
Fl.
Poco Meno Mosso - A Piacere
Ob.
Bs. Cl.
Cbsn. Hn.
fsf
Tbn.
Perc.
Perc.
Pno.
Vln. I
Vla.
Vc.
Cb.
fsf
pp
fsf fsf sf
sf
pp
pp
Vln. II
fsf
fsf
fsf
fsf C Tpt.
sus. cymbal - soft mallets
pp
insert metal bars
"birdcalls"
3
start slow
p
14
40
Fl.
Ob.
Bs. Cl.
Cbsn.
Hn.
C Tpt.
Tbn.
Perc. Perc.
Pno.
(sus. cym.)
as quickly as possible
slow
Vln. II
Vla.
Vc.
Cb.
3
gently
p
ff ritard.
Vln. I
15
aceel....
A Tempo
3 5 6 pp ff
43
fluttertongue Fl. Ob.
pp
Bs. Cl.
Cbsn.
C Tpt.
Perc.
Perc.
Pno.
Vln. I
Vln. II
Vla.
Vc.
Cb.
pp
pp
Hn.
Tbn.
3
5
3 5 6 ff ff
fluttertongue 3
5
5 6 3 5 6
p ff
f f
6
6
p
ff
take out metal bars
p
ff
5 6 3
ff
3
ff
start tremelo a little slower and accel.
f
16
47
Tbn.
To Piccolo
Picc.
Ob.
Bs. Cl.
Cbsn.
f C Tpt. Hn.
f
Perc.
Perc.
Pno.
f
Vln. I
Vln. II
Vla. Vc.
Cb.
(pizz.)
ff (pizz.)
ff
51
Picc.
Ob.
Bs. Cl.
Cbsn.
Hn.
Tbn.
Perc.
Perc.
Pno.
Vln. I
f
f
as short as possible
f
as short as possible
f
f
f
as short as possible
as short as possible
Vc.
Vla.
Vln. II
Cb.
f
C Tpt.
picc.
17
18
53
Picc.
Ob.
Cbsn. Bs. Cl.
Hn.
C Tpt. Tbn.
Perc.
Perc.
Pno.
Vla.
Vc.
f
,
tenor drum
Vln. II
Vln. I
Cb.
,
19
55
Molto Meno Mosso - A Piacere - Piano solo to m. 64
Pno.
ppp
58
Pno.
Molto Accel.
Presto Possible
loco
61
Pno.
20
63
Picc.
Ob.
Bs. Cl.
Cbsn.
Hn.
Perc.
Perc.
Pno.
Vln. I
ppp
C Tpt.
Tbn.
A Tempo (h=80)
ppp
fff
Vln. II
Vla.
Vc.
Cb.
arco
ppp arco
ppp
21
66
Picc.
Ob.
Bs. Cl.
Cbsn.
Hn.
C Tpt.
Tbn.
Perc.
Perc.
Pno.
Vln. I
pp
Vln. II
Vla.
Vc.
Cb.
22
69
Picc.
Ob.
Bs. Cl.
Cbsn.
Hn.
pp
C Tpt.
Tbn.
Perc.
Perc.
Vln. I
pp
Pno.
pp
Vla.
Cb.
Vln. II
Vc.
23
72
Picc.
Ob.
Bs. Cl.
Cbsn.
Hn.
Perc.
Perc.
Pno.
Vln. I
mf
3:4q
pp
3:4q
mf
pp
C Tpt.
Tbn.
3:4q
3:4q
pp non cresc.
3:4q
3:4q
3:4q
3:4q
3:4q
pp non cresc.
3:4q
pp non cresc.
3:4q 3:4q
3:4q
3:4q
3:4q
3:4q
3:4q
3:4q
3:4q
mf
p subito
mf
loco
Vln. II
Vla.
Vc.
Cb.
mf
mf
24
78
Picc.
Ob.
Bs. Cl.
Cbsn.
Hn.
C Tpt.
Tbn.
Perc.
Perc.
Pno.
3:4q
3:4q
3:4q
3:4q
3:4q
3:4q
3:4q
3:4q
3:4q
3:4q
3:4q
3:4q
3:4q
3:4q
3:4q
3:4q
Vln. II
Vla.
Vln. I
mf Cb. Vc.
mf
3:4q
3:4q
3:4q
3:4q
82
Picc.
Ob.
Bs. Cl.
Cbsn.
Hn.
25
cresc. poco a poco
Perc.
Perc.
Pno.
Vln. I
3:4q
3:4q
cresc. poco a poco
3:4q
3:4q
3:4q
cresc. poco a poco
3:4q
3:4q
3:4q
p
Vln. II
cresc. poco a poco
Vc.
Cb.
p
p
cresc. poco a poco
cresc. poco a poco
cresc. poco a poco
p
cresc. poco a poco
p Vla.
3:4q
cresc. poco a poco
Tbn.
3:4q
cresc. poco a poco
C Tpt.
84
26
Picc.
Ob.
Bs. Cl.
Cbsn.
Hn.
Perc.
Pno.
3:4q
ff
3:4q
3:4q
Vln. II
Vla.
ff
ff
Vc.
f
ff
ff
unmeasured
ff
unmeasured
ff
3:4q
3:4q
3:4q
p
Vln. I
Cb.
3:4q
3:4q
3:4q
sus. cym. - soft mallets
Perc.
3:4q
C Tpt.
Tbn.
ff
ff
fff
ff
87
Picc.
Ob.
Bs. Cl.
Cbsn.
Hn.
Perc. Perc.
Pno.
ff
3:2q
3:2q
3:2q
3:2q
3:2q
3:2q
3:2q
3:2q
3:2q
3:2q
3:2q
3:2q
3:2q 3:2q
ff
C Tpt.
Tbn.
guiro
3 3
f
3
3
3
3
3:2q
Vln. II
Vla.
Vc.
Cb.
3:2q
3:2q
3:2q
3:2q 3:2q
3:2q
3:2q 3:2q
3:2q
3:2q 3:2q 3:2q
3:2q
3:2q
3:2q
3:2q
3:2q
bass drum
f
3:2q
3:2q
3:2q
3:2q
3:2q
3
3
3:2q
27
Molto Meno Mosso h= 60
Vln. I
f
3 3 f 3 3 3:2q 3:2q 3:2q 3:2q
3:2q
3:2q
3:2q
3:2q
3:2q
3:2q
28
91
Picc.
f
f
Ob.
Bs. Cl.
Cbsn.
Hn.
sf
sf
f
C Tpt.
Tbn.
Perc.
Perc.
Pno.
f
sf
Vln. I
Vla.
Vc.
f
f
Cb. sf
sf
3:2q
3:2q
tenor drum
ff
3:2q
3:2q
3:2q
3:2q
6
,
3
fff
3
3
3
ff
3:2q
3:2q
3:2q
3:2q
3:2q 3:2q
3:2q 3:2q
3:2q
3:2q
ff ff
ff
ff
ff
3:2q
ff ff
f
Vln. II
3:2q 3:2q
3:2q
3:2q 3:2q
ff
3:2q
ff
ff
3:2q
ff
Subito A Tempo h= 90
,
Molto Rit.
95
Picc.
Ob.
Bs. Cl.
Cbsn.
Hn.
C Tpt.
Tbn.
Perc.
Perc.
3:2q 3:2q
(tenor drum)
Vln. I
Vla.
Vc.
Cb.
3:2q
3:2q
3:2q
3:2q
6
3 3
3:4q 3:4q
3:2q 3:2q
3:2q
3:4q
3:4q
fp
fp
fp
3:4q
fp
guiro
3:4q
3:4q
3:4q 3:4q
3:4q
3:4q 3:4q
3:4q
3:4q
p
3:4q
3:4q
p
3:4q
3:4q
same quality of chord used 3:4
3:2q 3:2q
3:4q
3:2q
3:2q
p
3:2q 3:2q 3:2q
3
3:4q
3:4q
3:4q
3:4q
3:4q
3
29
3:4q
3:2q 3:2q
Vln. II
3:2q
3:2q
3:2q
Pno.
3:2q
3:2q
3:2q
30
100
Picc.
Ob.
Bs. Cl.
Cbsn.
Hn.
Perc.
Perc.
ff
Pno.
3:4q
ff
3:4q
ff
3:4q
ff
ff
C Tpt.
Tbn.
3:4q
6
Vln. II
Vla.
Vc.
Cb.
6
ff
ff
6
6
6
6
6
Vln. I
31
103
Cbsn.
Hn.
C Tpt.
Tbn.
Perc.
Perc.
gliss inside piano using ends of toothbrush pitches not exact -
fff
6 6 6
Pno.
Bs. Cl.
Ob.
Picc.
A Piacere - Wait for piano
Vla.
Vc.
Cb.
Vln. I
6
6
Vln. II
6
Presto furioso c. 7 sec. 105
32
Picc.
sffp
Perc.
Perc.
3
3
sffp
tenor drum
pp
3
ff
let ring
Pno.
Vln. I ff Vln. II
ff
Vla.
ff
Vc.
Cb.
sffp
Hn. ff C Tpt. Tbn.
gliss.
ff
Bs. Cl.
fltg.
ff
Ob.
Cbsn.
ff
sffp
3
3
3
3
3
3
3
3
107 Picc.
Bs. Cl.
Hn.
Perc.
Perc.
ff
ff
p
p
3
p
p
ff
ff
Put popsicle sticks on Db4 and Eb4 duct tape between F#3 and G5 Clothespin on F3
Vln. I
Vln. II
3
Vc.
ff
3
3
Vla.
Cb.
33
3
Pno.
gliss.
C Tpt.
Tbn.
c. 5 sec.
Ob.
Cbsn.
c. 5 sec.
3
3
3
p
3
p
3
3
p
3
p
p
3
34
Second Vignette: Jazzy but steady
109
Fl.
h = 70 (Strings in old tempo) To Flute
Repeat bar if necessary - pianist gives cue to conductor
Ob.
To Clarinet in Bb
Cl.
To Bassoon
C Tpt.
Tbn.
Bsn. Hn.
Perc.
Perc.
slit drum
f
(slit drum)
popsicle sticks on Db3 and Eb3 duct tape between F3 and G5
Vln. II
Vla.
Vc.
Vln. I
bounce stick on bamboo
Pno.
3 3
Cb. pp
pp
mf
35
117
Fl.
Ob.
Cl.
Bsn.
Hn.
C Tpt.
Tbn.
Perc.
Perc.
Pno.
pp
p
p
p
p
Vln. II
Vla.
Vln. I
Vc.
Cb.
36
124
Fl.
Ob.
Bsn. Cl.
Hn.
p con sord.- straight mute
C Tpt.
p
con sord. Tbn.
Perc.
Perc.
Pno.
p
Vln. II
Vla.
Vln. I
Vc.
Cb.
37
130
Fl.
Ob.
Cl.
Bsn.
Hn.
3
f
3
f
3
Tbn.
C Tpt.
Perc.
Perc.
Pno.
Vln. I
f
f
f
f
f p
Vln. II
Vla.
Vc.
Cb.
f
3
pizz.
f
pizz.
f
38
136
Fl.
p
Ob.
p
Cl.
p
p
p
p
Bsn.
Hn.
Perc.
Perc.
Vln. I
Vln. II
Vla.
Vc.
Cb.
Pno.
p
p
C Tpt.
Tbn.
p
cresc. poco a poco
pizz.
f
pizz. f
39
141
Fl.
Ob.
Cl.
Bsn.
Hn.
Perc.
Perc.
mf
mf
mf
mf
Vln. I Vln. II
Vla.
Vc.
Cb.
mf
mf
Pno.
mf
C Tpt.
Tbn.
mf
40
146
Fl.
Ob.
Cl.
Bsn.
C Tpt. Hn.
Tbn.
Perc.
Perc.
Pno.
Vln. I
Vln. II
p
p p
ff
fp
Cb.
32nd notes rhythmically not precise in RH
Vc.
p
f
Vla.
p subito arco
p
41
150
Fl.
Ob.
Cl.
Bsn. Hn.
C Tpt.
Tbn.
Perc.
Perc.
3
cresc. poco a poco
cresc. poco a poco
3 3
3
cresc. poco a poco
cresc. poco a poco
fp
senza sord.
fp
senza sord.
fp
cresc. poco a poco
32nd notes rhythmically not precise in RH
Vln. I
arco
Vln. II
p
Vla.
Vc.
Cb.
Pno.
arco
p
cresc. poco a poco cresc. poco a poco
cresc. poco a poco
cresc. poco a poco
arco
f p
42
153
Fl. f
Ob.
f
Cl.
f
Bsn.
Perc.
Perc.
f
C Tpt.
Tbn.
f
Hn.
f
f
Pno.
ff
Vln. I
Vln. II
Vla.
Vc.
Cb.
Place metal pipe between strings F#5 and E6 effect is a buzz much like a Balinese ceng-ceng (cymbals)
f
f f f f
157
Fl.
Ob.
Cl.
43
3
3
3
Bsn. Hn.
C Tpt.
Tbn.
Perc.
Perc.
Pno.
3
Vln. II
f
Vc.
Vla.
Vln. I
Cb.
f f
44
161
Fl.
Ob.
Cl.
Bsn.
Hn.
C Tpt.
Tbn.
Perc.
Perc.
Vln. I Vln. II
Vla.
Vc.
Cb.
Pno.
mf leggiero
163
Fl.
Ob.
Cl.
Bsn.
Hn.
C Tpt.
Tbn.
Perc.
Perc.
3
3
Vln. II
Vla.
Cb.
3
hi-hat closed
mf leggiero
Vln. I
Vc.
3
Pno.
45
46
166
Fl.
Ob.
Cl.
Bsn.
Hn.
Tbn.
Perc.
Perc.
C Tpt.
3
3
3
3
Vc.
Vla.
Vln. II
Vln. I
Cb.
(hi-hat)
Pno.
168
Fl.
Ob.
Cl.
Bsn.
Hn.
C Tpt.
Tbn.
Perc.
Perc.
3
3
Vln. II
Vla.
3
3
3
3
3
3
47
closed open closed
Vln. I
Cb.
(hi-hat) open
Vc.
3
Pno.
48
171
Fl.
Ob.
Cl.
Bsn.
Hn.
C Tpt.
Tbn.
Perc.
Perc.
3
(hi-hat)
3
3
3
3
3
open closed closed
open
Pno.
Vln. I
Vln. II
Vla.
Vc.
Cb.
49
173
Fl.
Ob.
Cl.
Bsn.
Hn.
Tbn.
Perc.
Perc.
Pno.
3
3
3
3
3
3
Vln. II
Vc.
Vla.
3
3
Vln. I
Cb.
C Tpt.
50
175
Fl.
Ob.
Cl.
Bsn.
Hn.
Tbn.
Perc.
Perc.
C Tpt.
3
3
3
3
3
3
improvise between open and closed
3
3
Pno.
(hi-hat)
Vln. I
Vln. II
Vla.
Vc.
Cb.
51
177
Fl. Ob.
Cl.
Bsn. Hn.
C Tpt.
Tbn.
3
3
3
3
3
3
(hi-hat)
Perc.
Perc.
Pno.
Vln. I Vln. II
Vla.
Take out all preparations
3
3
3
3
3
gradually open closed p
3
3
ff
ff
3
3
3
3
ff
ff
ff
ff
ff
f
ff
ff
ff
Vc.
Cb.
ff
ff
52
180
Fl.
mf
Ob.
mf
Cl.
Bsn.
Hn.
fp
Vln. II
Vla.
Vc.
Cb.
Perc.
Perc.
Pno.
Vln. I
fp
C Tpt.
Tbn.
mf
tenor drum
fp
fp
fp
53
185
Fl.
f
f
Cl.
f
Bsn.
Hn.
Tbn.
Perc.
Perc.
C Tpt.
f
6
smack low note violently f
3
6
Vln. II
Vla.
Cb.
f
f
6
Vc.
Vln. I
f
f
Pno.
Ob.
54
188
Fl.
pp
Ob.
Piano solo - a piacere To Piccolo
pp
Cl.
Bsn. Hn.
Perc.
Perc.
Pno.
C Tpt.
Tbn.
pp
Vln. I
3
3
3
start a little slower and immediately accel.
Vln. II
Vla.
Vc.
Cb.
55
191
Pno.
Pno.
Pno.
Pno.
Pno.
3
ease into next measure
molto accel...............................molto rit.
pp
195
p sub. ff 6
bring out inner voice
mf
200
6
3
p
sub. ff
205
cresc. poco a poco
3
3
6
6
3
6
6
6
6
6
6
,
208
6 6 6 6 6 ff
56
210
Pno.
6
212
Pno.
Pno.
6
f
217
220 Accel. 6
6
6
subito pp
cresc. poco a poco
6
3
6
3
3
ff
6
6
6
6
6
6
6
6
6
6
6
rit.
6 6
6
6
6 6
6 6
6
6
222
Pno.
6
6
Poco Meno Mosso
Pno.
6
Presto Possible
6
6
6
6
fff
,
57
224
Picc.
Ob.
Cl.
Bsn.
Orchestra - A Tempo (h=66)
fp
ff
fp
f
f
ff
Tbn.
Perc.
fp
Perc.
C Tpt.
f
senza sord.
Hn.
f
ff
Piano - Presto Possible - beatless - play like a fast tremelo
Pno. Vln. I
Vln. II
Vla.
Vc.
Cb.
fp
fp
poco a poco sul pont.
poco a poco sul pont.
ff ff
f
f
58
228
Picc.
Ob.
Cl.
Bsn.
Hn.
Perc.
Perc.
fp
3
3
3
C Tpt.
Tbn.
f
Vln. I
3
fp
f
completely open - no preparations
Vc.
Vla.
fp
3
fp
f
Vln. II
Cb.
Pno.
3
ff
f
f
fp
3
f
fp
59
232
Picc.
Ob.
Cl.
Bsn.
Hn.
Perc.
Perc.
Pno.
Vc.
fp
f
fp
fp
f
fp
fp
f
f
f
fp
fp
f
Vla.
Vln. II
fp
Vln. I
Cb.
f
f
C Tpt.
Tbn.
f
fp
60
235
Picc.
Ob.
Cl.
Bsn.
3
3
C Tpt.
Perc.
Perc.
3
f
Pno.
f
Vc.
f
gliss.
closed
open
f
loco
Vla.
closed
Vln. II
gliss.
hi hat open
Vln. I
Cb.
Hn.
3
f
Tbn.
gliss.
gliss.
gliss.
f
gliss.
gliss.
gliss.
gliss.
gliss.
gliss.
gliss.
61
239
Picc.
Ob.
Cl.
Bsn.
Hn.
Perc.
Perc.
C Tpt.
Tbn.
gliss.
tenor drum
Vln. I
Vla.
Vc.
gliss.
Cb.
gliss.
3
3
3
rim shot
rim shot
f
f
3
f
Vln. II
Pno.
detaché
detaché
detaché detaché
tenor drum
f
62
243
Picc.
Cl.
Hn.
Perc.
Perc.
fsf guiro
f
Pno.
Vln. I Vln. II
Vla.
Vc.
Cb.
C Tpt.
Tbn.
Ob.
Bsn.
strike with both sticks
63
246
Picc.
Ob.
Cl.
Bsn.
C Tpt. Hn.
Tbn.
Perc.
Perc.
guiro
Vln. I
Pno.
Vln. II
Vla.
Vc.
Cb.
64
249
Picc.
Ob.
Cl.
Bsn.
C Tpt.
Perc.
Perc.
Vln. I
Vln. II
Vla.
Vc.
Cb.
Pno.
Hn.
Tbn.
guiro
loco loco
252
Picc.
ff
ff
Ob.
Cl.
Bsn.
Hn.
C Tpt.
Tbn.
Perc.
Perc.
Pno.
tenor drum
f
Vla.
Vc.
3
6 6
3
ff
6
3
ff
ff
Vln. II
Vln. I
Cb.
65
6
3
66
255
Picc.
3
6
6 6
Ob.
3
Hn.
Perc.
Pno. Vln. I 3 Perc.
Vln. II
Vla.
Vc.
Cb.
6
C Tpt.
Tbn.
6
6 6 6 6 3
Cl.
Bsn.
6
3
6 6 6
6
6
6
67
257
Picc.
6 6
Cl.
Hn.
Perc.
Perc.
Pno.
6
6 6
6
6
6
6
6
ff
bass drum
fp
Vln. I
C Tpt.
Tbn.
6 6
Ob.
Bsn.
6 6 6
6
ff
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
Vln. II
Vla.
ff
Vc.
Cb.
ff
lower notes only if C extension available ff
68
259
Ob.
Cl.
Picc.
Bsn.
Hn.
C Tpt.
Tbn.
Perc.
Perc.
3
3
fsf
3
3
Pno.
Vln. I
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
p
Vln. II
6
p
Vla.
Vc.
Cb.
3
3
3
3
p
3
3
3
3
261
Picc.
69
3
3
f
Ob.
3
Hn.
3
C Tpt.
6
6
3
3
f
Tbn.
3
f
Bsn.
f
Cl.
3
f
3
3
3
3
6
6
6
3
3
3
3
6
3 3
6
3
f
6
3
Vln. I
Perc.
Pno.
Vln. II
Vla.
Vc.
Cb.
3
f
3
f
3
f
3
3
Perc.
3
3
3
3
3
3
3
3
3
3
6
6
6
6
6
6
6
6
6
6
3
264
70
Picc.
6
poco a poco dim.
Cl.
Bsn.
Hn.
3
mf
6
Tbn.
Perc.
Perc.
Pno.
3
6
6
6
6
6
6
poco a poco dim.
C Tpt.
6
p
poco a poco dim.
Ob.
6
6
6
6
6
p
6
p
p
p
p
Vln. I poco a poco dim.
Vln. II
poco a poco dim.
Vla.
Cb.
mf
mf
6
6
6
6
6
3
p
6
p
3
6
poco a poco dim.
Vc.
3
3
6
p
6
71
266
Picc.
Ob.
Cl.
Bsn.
Hn.
Tbn.
Perc.
Perc.
6
3
3
6
3
3
pp
pp
6
6
6
pp
6
6
3
3
pp
6
6
6
6
C Tpt.
6
6
pp
pp
pp
Pno.
Vln. II
Vla.
Vln. I
6
Vc.
Cb.
6
6
pp
6
6
6
pp
72
269
Picc.
Ob.
Cl.
Bsn.
Hn.
Perc.
Perc.
Vln. I
Pno.
To Fl.
C Tpt.
Tbn.
Meno Mosso (q=90)
pp
pp
Vla.
Vc.
Cb.
pp
with a delicate touch
6
6
gliss.
gliss.
gliss.
6
6
6
pp
Vln. II
6
6
270
Picc.
73
Ritard.
Ob.
Cl.
Bsn.
Hn.
C Tpt.
Tbn.
Perc.
Perc.
Pno.
Vln. I
6
6
6
6
6
6
gliss. inside piano with fingernails upper two octaves gliss.
gliss.
glis
s.
gliss
.
last gliss. slowly line up end with beg. of string harmonies
pp
Vln. II
Vla.
Vc.
Cb.
Vignette 3: Sweetly Dreamful, but with Ghostly Undertones 272 (q = 66) wait for piano
74
Fl. Ob.
Cl.
Bsn.
Hn.
Perc.
Perc.
Pno.
Vla.
Vc.
Cb.
Vln. I Vln. II
C Tpt.
Tbn.
Flute
con sord.
6
ppp
ppp
pp 6
6
6
3
3
3
pp con sord.
pp con sord.
3
pp harmonics sound octave lower
3
pp
pp con sord.
3
3
6
pp
pp
pluck strings inside piano with plectrum
f
3
con sord.
3
poco accel.
278
Fl.
6
6
Cl.
Hn.
Perc.
Perc.
Pno.
6
6
Vln. I
con sord.
con sord.
clothes pin on C5, D5, and C#6
Cb.
con sord.
Vc.
Vla.
Vln. II
6 6 6
C Tpt.
Tbn.
6 6
Ob.
Bsn.
75
Floating and Ethereal, but do not drag wait for piano e= 76
play on keyboard bring out RH melodic line
p molto espressivo
76
281
Fl.
Ob.
Cl.
Bsn.
Hn.
C Tpt.
Tbn.
Perc.
Perc.
Pno.
take reed off
whisper into instrument - no pitched sound random nonsense syllables
put reed back on
whisper into instrument - no pitched sound random nonsense syllables
take reed off
whisper into instrument - no pitched sound random nonsense syllables
whisper into instrument - no pitched sound random nonsense syllables
whisper into instrument - no pitched sound random nonsense syllables
whisper into instrument - no pitched sound random nonsense syllables
whisper into instrument - no pitched sound random nonsense syllables
whisper into instrument - no pitched sound random nonsense syllables
whisper into instrument - no pitched sound random nonsense syllables
whisper into instrument - no pitched sound random nonsense syllables
whisper into instrument - no pitched sound random nonsense syllables
whisper into instrument - no pitched sound random nonsense syllables
whisper into instrument - no pitched sound random nonsense syllables
pp
mf
maracas - shake
Vln. II
Vla.
Vc.
Cb.
Vln. I
284
Fl.
Ob.
Cl.
77
ord.
pp
ord.
ord.
pp
Bsn.
Hn.
put reed back on
Tbn.
Perc.
Perc.
Pno.
ord.
ord.
pp
ord.
6
6
6
6
6
6
ord.
6
6
p
Cb.
Vc.
6
Vla.
6
pp
Vln. I Vln. II
pp
pp C Tpt.
6
pp
6
pp
pp
pp
measured 32nds
measured 32nds measured 32nds
pp
pp
78
287
Fl. Ob.
Cl.
Bsn.
Hn.
6
Vln. I
Vln. II
Vla.
Vc.
6
6
pp
6
6
measured 32nds
6
6
6
6
6
Vibraphone
Pno.
6
Vib. Perc.
6
Tbn.
6
6
6
C Tpt.
6
6
6
mf
Cb.
6
6
6
6
poco
6
6
289
79
Fl.
Ob.
Cl.
Bsn.
Hn.
6
Pno.
Vc.
6
6
unmeasured
6
pp
6
maracas
6
6
6
6
Vla.
6
Vln. I Vln. II
Vib. Perc.
6
Tbn.
6
6
6
C Tpt.
6
6
6
Cb.
6
6
6
6
80
291
Fl.
Ob.
Cl.
Bsn.
Hn.
Vib.
Perc.
Pno.
C Tpt.
Tbn.
6
6
6
maracas
mf
Vln. II
Vla.
Vln. I
Cb. Vc.
292
Fl.
Ob.
Cl.
Bsn.
Hn.
Vib.
Perc.
Pno.
C Tpt.
Tbn.
Vln. II
Vla.
Vln. I
Vc.
Cb.
81
293
82
Ob.
Cl.
Fl.
Bsn.
Hn.
Vib.
Perc.
Pno.
C Tpt.
Tbn.
Vln. II
Vla.
Vln. I
Vc.
Cb.
294
poco rit.
Fl.
Ob.
Cl.
Bsn.
C Tpt.
Tbn.
Hn.
Vib.
Perc.
Vln. I
Pno.
Vla.
Cb.
Vln. II
Vc.
83
84
295
Fl.
q = 78
Ob.
Cl.
Bsn.
C Tpt.
Tbn.
Hn.
Vib.
Perc.
Pno.
f molto espressivo
Vln. II
Vla.
Vc.
Cb.
Vln. I
85
297
Fl.
whisper into instrument - no pitched sound random nonsense syllables as possible mf
Ob.
Bsn.
Hn.
mf whisper into instrument - no pitched sound random nonsense syllables as fast as possible
Cl.
mf
p
whisper into instrument - no pitched sound random nonsense syllables as fast as possible mf whisper into instrument - no pitched sound random nonsense syllables as fast as possible
C Tpt.
put reed back on
whisper into instrument - no pitched sound take reed off random nonsense syllables as fast as possible
mf
Tbn.
Vib.
Perc.
Pno.
p
6 3 6 6 6 f p 6 3 6 6
Vln. I Vln. II
Cb.
6
p
6
p
Vc.
6
p
Vla.
6
6
p
p
6
6
6
6
6
86
299
Ob.
Cl.
Bsn.
C Tpt.
Tbn.
Fl.
Hn.
Vib.
Perc.
Pno.
suddenly holding back mp 3
3
Vln. II
Vla.
Vc.
Cb.
Vln. I
87
301
Fl.
ord.
3
3
3
p ord.
Ob.
Cl.
Bsn.
Hn.
p
Vln. I
3
ord.
p
p ord.
3
p
p
f subito
6
6
6
6
6
mf
3 3
Vln. II
Vc.
3
3
p
Vla.
p
Cb.
3
3
To Picc.
ord.
Tbn.
Pno.
3
C Tpt.
Perc.
3
p
Vib.
3
p
p
p
3
3
88
304
Picc.
Piccolo
Ob.
Cl.
Bsn.
C Tpt.
Tbn.
Hn.
Vib.
Perc.
Pno.
poco a poco dim.
Vln. II
Vla.
Vc.
Cb.
Vln. I
306
Picc.
Ob.
Cl.
Bsn.
Hn.
89
a tempo
poco rit.
ppp
ppp
ppp
ppp
ppp
C Tpt.
Tbn.
Pno.
Vib.
Perc.
Vla.
Vc.
Cb.
ppp
ppp
Vln. I Vln. II
ppp
ppp
ppp
ppp
ppp
ppp
308
90
Picc.
Ob.
Cl.
Bsn.
Hn.
mf
mf
mf
C Tpt.
mf
mf
mf Tbn.
Vib.
Perc.
Pno.
Vln. I Vln. II
Vla.
mf
place metal bars G#5 to C7
6
mf
mf
mf
Cb.
Vc.
6
mf
91
310
Picc.
Ob.
Cl.
pp
pp
Bsn. Hn.
p
6
Vib.
Perc.
Pno.
pp Tbn.
pp
C Tpt.
pp
6
pp
6
6
6
6
Vln. I pp
Vln. II
Vla.
Vc.
Cb.
pp
mf
pp
pp
92
311
Picc.
6
Ob.
Cl.
mf
6
6
6
6
6
6
6
6
6
6
6
6
6
mf
6 6 6 6 6 6 6 6
mf
Bsn.
Hn.
6
6
6
6 6 6
mf
pp
6
6
pp
6
Vib. Perc.
Pno.
6
mf
6
pp
Vla.
Vc.
Cb.
Vln. I Vln. II
6
mf
6
6
Tbn.
6
mf
C Tpt.
6
mf
6 6 6
pp
mf
mf
mf
313
Picc.
93
6
Ob.
6
6
6
mf
6 6
6
6
mf
Cl.
6 6 6
6
6
6
6
Bsn.
6
6
6
6
6
Hn.
6 6 6 6
mf
C Tpt.
Tbn.
Vib. Perc.
Pno.
6
6
6
6
6
6
6
mf
ppp
ppp
mf
Vln. I
Vc.
Cb.
mf
6
ppp
6
Vla.
6
Vln. II
6
mf
mf
ppp
94
Gradually fade into non-pitched notes in WW and strings
315
key clicks only, no pitches
Picc.
6
6
6
6
ppp key clicks only, no pitches
Ob.
6
6
ppp
6
Hn.
Vib.
Perc.
Pno.
6
6
6
6
6
6
6
6
6
6
key clicks only, no pitches
6
6
6
6
6
6
6
6
6
ppp
6
6
6
6
6
6
6
6
6
Vln. II
Vc.
ppp
ppp
only finger notes, do not use bow
ppp
Vla.
Vln. I
Cb.
6
no pitches clicks only, key
C Tpt.
Tbn.
6
6
Cl.
Bsn.
6
ppp
6
only finger notes, do not use bow
only finger notes, do not use bow
ppp
only finger notes, do not use bow
only finger notes, do not use bow
317
Picc.
Ob.
6
6
Cl.
To B. Cl.
6
To Cbsn. Bsn. 6
breathe through instrument only let out as much air as possible senza sord.
Hn.
ff breathe through instrument only let out as much air as possible
C Tpt.
senza sord.
ff
breathe through instrument only let out as much air as possible senza sord.
Tbn.
Vib.
Perc.
ff
Vln. I
Vc.
Cb.
Vla.
pp
piano starts when brass run out of breath - as seamless as possible
Vln. II
Glockenspiel - knitting needles or equivalent - tinkly soft sound improvise on given pitches in any order
Pno.
95
Piano Solo with perc. - A Piacere - Poco a poco morendo e= 78
f
like a wind up toy losing energy
senza sord.
poco a poco dim.
senza sord.
senza sord.
senza sord.
senza sord.
96
320
Ob.
Cl.
Picc.
Bsn.
Hn.
C Tpt.
Tbn.
Vib. Glock.
unmeasured
ppp
ppp
ritard.......
Pno.
Vln. I
ppp
Vla.
Cb.
Vln. II
Vc.
Picc.
Ob.
97
Vignette 4: Rude Awakenings; Schizophrenic Dreamscapes
324
h = 66
To Bass Clarinet in Bb
Cl.
Bsn.
Hn.
C Tpt.
Tbn.
To Contrabassoon
non cresc. Glock. Vib.
Vln. I
ff like someone scatting or talking
Pno.
Slapstick
take metal bars off clothes pins off
fsfpp fsfpp fsfpp
Vln. II
Vla.
Vc.
Cb.
98
328
Picc.
Ob.
B. Cl.
Cbsn.
Hn.
C Tpt.
Tbn.
Vib.
Perc.
Pno.
ritenuto
ff
subito
loco
Vln. II
Vla.
Vln. I
Vc.
Cb.
99
330
Picc.
a tempo
Ob.
B. Cl.
Cbsn.
Hn.
Vib.
Perc.
Vln. I
pp
p
6
6
6
6
6
6
6
6
6
6
loco
Vla.
6 6
Cb.
pp
6
6
Vln. II
pp
mf
cresc. poco a poco 6
Vc.
3
Pno.
C Tpt.
Tbn.
senza sord.
senza sord.
detache
pp detache
pp
3
3
5
5
mf
pp
mf
pp
100
Picc.
332
Ob.
B. Cl.
Cbsn.
Hn.
Vib.
Perc.
Pno.
mf
3
p
p
mf
6 6 6
Vln. I Vln. II
Vla.
6
6 6
6
6 6
6 6
6
6
6
6
6
senza sord.
3
3
5
5
mf
mf
senza sord. detache
Vc.
Cb.
5
C Tpt.
Tbn.
3
p
detache
senza sord.
p
detache p
p
p
101
334
Picc.
Ob.
B. Cl.
Cbsn.
3
3
fluttertongue
senza sord.
C Tpt.
senza sord.
Tbn.
Hn.
Vib.
Perc.
senza sord.
Vln. I
6
Vln. II
Vla.
6
3
6
Vc.
Cb.
6
6
6
6
6
3
fp fluttertongue
fp
Pno.
fp fluttertongue
6
6
6
6
5
5
5
5
5
5
5
5
3
3
3
5
5
5
5
5
5
5
5
5
5
5
5
6 6
6
6
6 6
6
6
6 6
102
Picc.
Ob.
B. Cl.
336
ff
Cbsn. ff
ff C Tpt. ff Tbn. Hn.
Perc.
Pno.
fsf
fsf
fsf
fsf
ff
Cb.
ff
ff
fsf
ff Vln. II ff Vla. ff Vc. Vln. I
fsf
ff
Vib.
fsf
fsf
fsf
fsf
fsf
fsf
loco
340
Picc.
3 3
Ob.
3
3
3
3
B. Cl.
Cbsn.
3 3
103
3
3
3 3
Vib.
Hn.
C Tpt.
Tbn.
Perc.
Vla.
Cb. Vc.
f
3
3
3
3
3
3
3
3 3
3
3
3
3 3
3
Vln. I Vln. II
Pno.
Tambourine
3
3
3
3 3
3
3
3
3
104
Picc.
344
Ob.
B. Cl.
Cbsn.
Hn.
Perc.
Perc.
Pno.
6
6
6
6
6
C Tpt.
Tbn.
6
6
6
6
bend pitch
fp
f
fp
f
fp
6
gliss.
6
f
6
6
Cb.
3
f
6
3
6
Vln. I
Vc.
3
bendglpitch iss.
fp
shake
3
Vla.
gliss.
Vln. II
3
3
3
3 3
3
3
3
105
348
Picc.
Ob.
Hn.
Perc.
Perc.
bass drum
3
3
6
3
3
3
3
6
6
6
C Tpt.
Tbn.
3
B. Cl.
Cbsn.
3
gliss.
(tambourine) 3
shake
3
large sus. cymbal w/soft mallet
Tam-tam
p let all hits ring
Pno. 6 3 3 Vln. I 3
3
6
3
Vln. II
3
6
3 3 6
3 3 6 Vc. 3 3 6 Cb.
Vla.
3
3
6
ppp
pp like someone scatting
106
Picc.
355
pp
Ob.
B. Cl.
pp
Cbsn.
Hn.
Perc.
Perc.
pp
Pno.
C Tpt.
Tbn.
ossia if lower octave is not possible
3 p
p
mf
Vln. II
Vla.
pp use as short a bow as possible
Vln. I
Vc.
Cb.
use as short a bow as possible
pp
3
107
358
Picc.
Ob.
B. Cl.
Cbsn.
Hn.
C Tpt.
Tbn.
Perc.
Perc.
pp
pp
sus. cym large
hi-hat closed
p
Pno.
hi-hat
Vln. II
Vla.
Vln. I
Vc.
Cb.
108
360
Ob.
B. Cl.
Picc.
f
C Tpt.
Tbn.
Cbsn.
Hn.
Perc.
Perc.
Pno.
Vln. I
f
loco
f
Vln. II
Vla.
Vc.
Cb.
f
as short a bow as possible
f
as short a bow as possible
109
362
Picc.
Ob.
Hn.
Perc.
Perc.
Pno.
(hi-hat)
6 3
3
6
Vln. II
Vla.
Vc.
Cb.
Vln. I
f
C Tpt.
Tbn.
B. Cl.
Cbsn.
110
Picc.
366
Ob.
B. Cl.
Cbsn.
Hn.
Perc.
Perc.
Pno.
C Tpt.
Tbn.
3
Vln. II
Vla.
Vln. I
Vc.
Cb.
(hi-hat)
3
loco
111
369
Picc.
Ob.
B. Cl.
Cbsn.
Hn.
Perc.
Perc.
C Tpt.
Tbn.
Vln. I
Pno.
mf
open
closed
Vla.
Cb.
ff
Vln. II
Vc.
112
Picc.
371
Perc.
Perc.
Pno.
Vln. I
p
p
p
p
sus. cym.
open
closed
p
f
Vla.
Vc.
gradually open (hi-hat) p
Vln. II
Cb.
C Tpt.
Tbn.
p
B. Cl.
Hn.
Ob.
Cbsn.
p p
p
p p
373
Picc.
f
Ob.
f
B. Cl.
113
f
Cbsn.
Hn.
Tbn.
Perc.
Perc.
Pno.
f
C Tpt.
fp
f Cb. f
tambourine
ff
closed
f
f
f
f
Vc.
f
fp
Vln. I f Vln. II Vla.
f
fp
114
Picc.
376
Ob.
B. Cl.
Cbsn.
Hn. C Tpt.
Tbn. Perc.
Perc.
Vln. I
Vc.
Cb.
Vla.
ff
blow bird whistle
glis s glis . s. multiple retakes of gliss. gliss with two hands on white and black keys
Vln. II
shake in mid-air
Pno.
fp
fp
fp tam-tam
p
ff
ff
ff
sus. cym.
f
ff
glis s glis . s.
l.v.
fp
ff
384
Picc.
B. Cl.
Hn.
C Tpt.
Tbn.
Perc.
Perc.
bass drum
Pno.
115
Ob.
Cbsn.
Piano Solo: Schizophrenic Competing Multiple Personalities
ppp
p
crisp and exact - percussive
sus. cym.
pp
espressivo
Vln. II
Vla.
Vc.
Cb.
Vln. I
116
Pno.
Pno.
390
Pno.
subito, espressivo p f subito violent
407
f subito
Subito Meno Mosso
p
Subito A Tempo
subito, espressivo
Poco a poco accel. Getting more hectic
f subito
410 Pno.
404
Pno.
Poco a poco accel. Getting more hectic
396
401
Pno.
p subito, espressivo f
412
Pno.
Pno.
Pno.
Pno.
Pno.
3:4q
p
3:4q
ff
117
Subito A Tempo
subito, espressivo
415
Subito Meno Mosso
f subito
3
3
3
3
6
6
6
6
418 6 6 6 6 6 6 loco
6
420
6
Subito Meno Mosso
Subito Meno Mosso p
subito, espressivo
424
Subito A Tempo
ff
p subito, espressivo
Establish steady tempo for orchestra
Subito A Tempo 6 6 6 6 ff p 6 6 6 6 loco
118
427
Picc.
Ob.
B. Cl.
Cbsn.
Hn.
Perc.
Perc.
Vln. I
pp
mf
3
pp
mf
3
pp
mf
6 6 6 6 6 6 6
6
6
6
6
6
6
6
6
6
6
6
6
6
Vc.
6
6 6 6
Vla.
mf
cresc. poco a poco
Vln. II
Cb.
pp
Pno.
3
C Tpt.
Tbn.
3
p
p
p
p
p
119
430
Picc.
Ob.
B. Cl.
Cbsn.
Hn.
pp
C Tpt.
Tbn.
Perc.
Perc.
mf
3
Vla.
Vc.
fp
f
fp
f
f
f
f
fp
f
fp
6
6
6
Cb.
6
6
6
6
6
Vln. I Vln. II
f
fp
Pno.
fp
fp
mf
3
pp
6
6
6
6
6 6 6 6 f
f
f
f
f
120
Picc.
433
Ob.
B. Cl.
Cbsn.
Perc.
tambourine
ff hi-hat
Perc.
Pno.
Vln. I
Vln. II
Vla.
Vc.
Cb.
ff
,
ff
Molto Meno Mosso molto rit.
C Tpt.
,
Hn.
Tbn.
437
Picc.
Presto Possible approx. 7 sec.
ff
Ob.
Cbsn.
Hn.
ff
ff
Tbn.
Perc.
Perc.
Pno.
ff
bass drum pp
ff
pp
tam-tam ff
sfff
Cb. ff
ff
ff
Vc.
ff
Vla.
ff
Vln. I Vln. II
ff
C Tpt.
ff
B. Cl.
121
fltg.
ff 3
3
3
3
122
Picc.
438
Ob.
B. Cl.
Cbsn.
Hn.
Perc.
Perc.
Pno.
C Tpt.
Tbn.
poco a poco morendo approx. 5 sec.
p
p
p
Vc.
p
Vla.
p
p
Vln. II
p
Vln. I
Cb.
fltg.
Strings - approx. 5 sec. Piano - A Piacere
439
Picc.
Ob.
B. Cl. Cbsn.
Hn.
Perc.
Perc.
Vln. I
Pno.
C Tpt.
Tbn.
ppp
p
Vln. II
3
p
Vla.
p
3
Vc.
Cb.
123
p
p
3
3
124
Picc.
440
Ob.
B. Cl.
Cbsn.
Hn.
C Tpt.
Tbn.
Perc.
Perc.
Pno.
Vln. I
ff
play last notes as if completely exhausted
ped. off
Vln. II
Vla.
Vc.
Cb.
Postlude: Calm and Tranquil
442 q = 74
Picc.
Ob.
Hn.
Tbn.
Perc.
Pno.
p
p
C Tpt.
Perc.
p
B. Cl.
Cbsn.
p
p
mf
f
mf
f
pp
f
pp
f
bass drum
p
Vln. I
f
Vc.
Cb.
ppp
f
Vla.
ppp
Vln. II
f
p mf pp sus. cym.- wire brushes
ppp
pp
mf
ppp
pp
mf
pp
mf
pp
poco rit. A tempo
f
mf
p
125
pp
pp
pp
f
f
pp
f
pp
f
p molto espressivo
ppp
ppp
ppp
ppp
ppp
126
Picc.
450
put down instrument - pick up wine glass -
put down instrument - pick up wine glass -
put down instrument - pick up wine glass -
put down instrument - pick up wine glass -
Ob.
put down instrument - pick up wine glass -
B. Cl.
put down instrument - pick up wine glass -
Cbsn.
Hn.
Perc.
Perc.
Pno.
Vln. I
put down instrument - pick up wine glass
C Tpt.
Tbn.
loco
Vln. II
Vla.
mf
put down instrument - pick up wine glass -
put down instrument - pick up wine glass -
Vc.
Cb.
put down instrument - pick up wine glass -
put down instrument - pick up wine glass -
put down instrument - pick up wine glass -
127
456
B. Cl.
Cbsn.
Picc.
Ob.
Hn.
C Tpt.
Tbn.
Perc.
Perc.
Pno.
wine glass - wet finger and rub finger on the rim of the glass
wine glass - wet finger and rub finger on the rim of the glass
wine glass - wet finger and rub finger on the rim of the glass
wine glass - wet finger and rub finger on the rim of the glass
p
Vln. II
Vla.
Vln. I
Vc.
Cb.
128
461 Piano solo - Poco a poco Ritardando e Morendo
Ob.
B. Cl.
Picc.
Cbsn.
C Tpt.
Tbn.
Hn.
Perc.
Perc.
Pno.
wine glass - wet finger and rub finger on the rim of the glass
Vc.
Cb.
Vla.
wine glass - wet finger and rub finger on the rim of the glass
Vln. I Vln. II
wine glass - wet finger and rub finger on the rim of the glass
wine glass - wet finger and rub finger on the rim of the glass
wine glass - wet finger and rub finger on the rim of the glass
wine glass - wet finger and rub finger on the rim of the glass
wine glass - wet finger and rub finger on the rim of the glass
wine glass - wet finger and rub finger on the rim of the glass
129
466
Ob.
B. Cl.
C Tpt.
Tbn.
Picc.
Cbsn.
Hn.
Perc.
Perc.
Pno.
5
5
5
5
Vln. II
Vla.
Vc.
Cb.
Vln. I
5
5
5
5
130
468
Ob.
B. Cl.
Cbsn.
Picc.
Hn.
C Tpt.
Tbn.
Perc.
Perc.
tam-tam
pp 3
Vln. II
Vla.
Vc.
Cb.
Pno.
Vln. I
5
pp
sus. cym. - wire brushes