'Dreamscapes' 2009

Page 1

Piano Concerto “Dreamscapes” (2009)

by Vivian Fung

Commissioned by Metropolis Ensemble through funding by the DeRosa Family Fund !


PROGRAM NOTE Vivian Fung: Piano Concerto “Dreamscapes” Duration: approx. 24 minutes Commissioned and premiered by the Metropolis Ensemble through funding from the DeRosa Family Fund, with Jenny Lin as piano soloist – November 19th and 20th, 2009 in New York City I. Prologue: Mesmerizing Birdsongs II. First Vignette: Savage and Brutal III. Second Vignette: Jazzy but Steady IV. Third Vignette: Sweetly Dreamful but with Ghostly Undertones V. Fourth Vignette: Rude Awakenings; Schizophrenic Dreamscapes VI. Postlude: Calm and Tranquil (Performed without pause) The sights and sounds of Bali haunt my dreams. The mist covering lush rice paddies at dawn, a symphony of birds chirping, and one fateful dewy morning in Bali, Indonesia when I visited Goa Gajah – the Elephant Cave Temple. That early summer morning, I descended a few flights of steep steps carved out of stone and found myself in the middle of a jungle with a natural waterfall and lotus ponds. Barefoot, in silence, I absorbed the force of my surroundings finding myself in the state of a powerful spiritual awakening. I felt I had become one with nature. The myriad encounters of Bali and the unknowable recesses of my own mind resolved into a tranquil state of balance. This piano concerto is inspired by my experiences in Bali. Its themes pay homage to portions of the gamelan gong kebyar-style work Ujan Mas, and a composition for legong dance. To anyone familiar with the music of the Ubud region of Bali, the spiky, syncopated rhythms, sudden tempo changes, and exotic scales in the concerto may seem familiar. Although I have quoted from traditional Balinese sources, I am not recreating traditional works. I have internalized the shimmering harmonies and interlocking rhythms of Balinese traditions to unleash an original process; traditional sources act as catalysts for my voice emerging from the shifting kaleidoscope of my own multicultural identity. The work is a series of “Vignettes” that are all to be played without pause. The concerto is meant as a single movement work that has many different scenes. It begins with selected musicians in the audience blowing bird whistles that were purchased for the premiere from a street vendor in Ho Chi Minh City, Vietnam. The prologue gradually builds into the First Vignette, fast and relentless with gamelan-like interlocking rhythms. The Second Vignette takes my earlier solo prepared piano work Kotekan, written for pianist Jenny Lin, and greatly expands on it. The Third Vignette brings a temporary relief from the fast tempi of the first two, and presents a beautiful singing part for the piano. Around the solo, the orchestra weaves in and out with dream-like chords and whispers. The Fourth Vignette sounds suddenly and recaps previously heard themes and musical material. The postlude brings a calm ending, but includes some surprise sonorities at the very end of the score.


Fung: Piano Concerto “Dreamscapes” Instrumentation Flute (doubling piccolo) Oboe Clarinet in Bb (doubling bass clarinet) Bassoon (doubling Contrabassoon) Horn in F Trumpet in C Tenor Trombone 2 Percussion Vibraphone Glockenspiel 2 Slit Drums (preferably bamboo) Bass Drum – laid flat Tenor Drum Large Suspended Cymbal Hi-hat Tam-tam Slapstick Guiro Maracas Tambourine Bird Whistle Piano Solo – With Preparations – List on separate sheet Violin I Violin II Viola Cello Double Bass (with C Extension if possible) IN ADDITION - For the Orchestra 7 Bird Whistles (Total 8 if counting percussion) 12 Wine Glasses or equivalent (must be thin-rimmed) - Note: If 12 wine glasses are not available – use as many glasses as possible When Tuning Wine Glasses: Glasses can be in the same pitch class, exact octave not necessary Duration: C. 20 minutes Premiere:

November 19th and 20th, 2009, Le Poisson Rouge, New York, New York Metropolis Ensemble, Andrew Cyr, Conductor; Jenny Lin, Piano Soloist Commissioned by the Metropolis Ensemble with Generous Funding by the DeRosa Family Fund


Piano Concerto

Score in C

"Dreamscapes"

commissioned by the Metropolis Ensemble with funding from the DeRosa family

Vivian Fung (2009) Prologue: Mesmerizing Birdsongs q= c. 90 WW, Brass, and Perc. Players situated in the audience at random positions. Conductor cues these players to start performing on whistle and walk towards the stage

Flute

 

1 sec.

1 sec.

5 sec.

Oboe

Clarinet in Bb

Bassoon

Horn in F

 

Trumpet in C Tenor Trombone

Percussion I

Percussion II

Piano solo

Violin I

drum  slit     



f

 



 second slit drum should not be in sync with first

  



slightly slower than perc. I slit drum

f

pluck strings inside piano with plectrum inside piano - repeat once

prepare erasers and metal bars

  

            

first time p second time f

 

Violin II Viola Violoncello Contrabass

 

© Copyright 2009 by the composer All Rights Reserved SOCAN


10 sec. - (Cue bird whistles in WW and BR)

2

4

Fl.

  

Ob.

Cl.

Bsn.

Hn.

Perc. Perc.

Pno.

2

3

4

5

6

Play bird whistle: vary lengths and dynamics

Play bird whistle: vary lengths and dynamics

Play bird whistle: vary lengths and dynamics

Play bird whistle: vary lengths and dynamics

Play bird whistle: vary lengths and dynamics

Play bird whistle: vary lengths and dynamics

 

7

Play bird whistle: vary lengths and dynamics

 

C Tpt.

Tbn.

1



Phrase One - Play twice play on keyboard - prepare piano with metal bars for entire upper range

              

  

  



        







vary number of notes repeated

like a bird call

 

Vln. II

Vla.

Vln. I

Vc.

Cb.

first time p second time f

 


 Fl.  Ob.

Cl.

Bsn.

Hn.

Perc. Perc.

Pno.

  

C Tpt.

Tbn.



  

   

Phrase Two - Play twice

      

 Vln. I    

Vln. II

Vla.

Vc.

Cb.

3

15 sec.

6

p

  



   

                                    

molto espressivo            

vary number of notes repeated

like a bird call ricochet gliss.

Phrase Three - Play twice



repeat note - vary number of notes repeated       

 

ricochet like a bird call gliss .

p

  

repeat note - vary number of notes repeated       

like a bird call gliss. gliss.



ricochet gliss.

p

 

   

repeat note - vary number of notes repeated

 

             3        

vary length of trill

like a bird call    gliss.

p

p

ricochet glis s.



vary number of notes repeated


4

7

Fl.

Cl.

Hn.

Perc.

Perc.

Pno.

Vln. I

to Oboe

to Clarinet in Bb

to Bassoon

 

to French Horn

C Tpt.

Tbn.

Molto Accel.  to Flute 

Ob.

Bsn.

10 sec.

To Trumpet

To Trombone

To bass drum



strum strings inside piano like a zither with fingernails - from top octave to bottom Randomly repeat three previous phrases - improv.

 

violent and loud p

start slowly

fff p

gl i ss.



fff

 

Vln. II

Vla.

Vc.

Cb.




 fltg.             

10 sec.  h = 80

8

       Fl.  p

  

Ob.

p

  

   Bsn.  Hn.

 

Perc.

Perc.





 

3

3

p

  

  

p

Vc.



3





3



3

 

       f     f

   

f

 

  

play on keyboard

pp

quickly remove metal bars

  

ffp



     ffp    

     

ffp

Cb.



        

ppp

ffp

Vla.



 

 

3



bass drum

  Vln. I       Vln. II

3



Pno.

 

           p            



    

p

ffp

3



 3

5



      

C Tpt.

Tbn.

p

 

       

gliss.

         

Cl.

cue brass

   

 

3



 

 

l.v.

      3

          

 

     

    3

 

 

 

      3



   

       3

 

3

 

   

   

  

           


6

First Vignette: Savage and Brutal q = 140

        Fl.   ff          Ob.   ff      Cl.   ff       Bsn.   9

ff

         ff   C Tpt.      Hn.

ff

Tbn.

Perc.

Perc.

        ff         ff   

      p        p      p      p

  To Bass Clarinet in Bb

To Contrabassoon

 

                                                                  Pno. ff with a crisp and precise touch                                                            loco          Vln. I      fff        Vln. II       fff    Vla. Vc.

Cb.

    

fff

fff

fff

p

p

p


7

12

 



Ob.



Bs. Cl.

 

 

 



 

 







Fl.

Cbsn.

Hn.

C Tpt.

Tbn.

Perc.

Perc.

Pno.

                                      

   

  

  

  

                                         

                            

 



Vln. II



Vla.



Vln. I

Vc.

Cb.

    

    

    

    

    pp     pp


8

16

 

 

Ob.

 

Bs. Cl.





pp

Fl.

Cbsn.

Hn.

 

C Tpt. Tbn.

Perc.

Perc.

Pno.

 





   

 



 

pp

3:4

pp

 pp

 





 

 

     

bass drum - snare drum sticks

p

q                                            cresc. poco a poco                                 3:4q

3:4q

3:4



Vln. II



Vla.



Vc.



Cb.





 

Vln. I



ossia: If this note is not possible, play the B an octave higher

same quality of chord used throughout 3:4

q             p                     

3



 

3

   

  

3



 







3

 

  


9

20

Fl.

 

Ob.

Bs. Cl.

Cbsn.

Hn.

Perc.

Perc.

Pno.

Vln. I

5

        



6

 

3

3

3

3

3

3:4q

  

loco

 

3

 5



3

 

 

  

 

3

3

3

 

  

 

   

5

         5

             

          6

mf

pp

mf

pp

               6

 

p

 

3:4q

3:4q

Vla.

       

3

6

          

3:4q

 

3:4q            

3:4q

Cb.

pp





3

6

          



guiro

5

      



mf

6



pp

5

          

3

pp

Vc.

      

pp

 

Vln. II



mf

mf

3

3:4q          

 (bs. dr.)

p

mf

     

     

        

 

6

5



C Tpt.

Tbn.

 

  

 

3:4q

  

 

 

 

 

  p

3

 

5

6

5

6

             

                

            

                     

3


24

10

Fl.

  

Ob.

Bs. Cl.

 

  

Tbn.

Perc.

Perc.

Pno.

fp

                 6

6



fp

 

(bs. dr.)

     Vln. I           

Vc.

Cb.

3:4q

  

   

  

p

6

6

6

6

                                               

f

   

f







 



 



    f





  









f

   

  

   f 

 

3:4q

Vla.

   

f

(guiro)

  

Vln. II

6

  



f

6

  



fp

               f   Hn.      f     C Tpt.  Cbsn.



      

         

                    f                                                              p  f              p   f             p f            f  p            f


27

Fl.

   

Ob.

  

Bs. Cl.

  

Cbsn.

Hn.

  

   

Perc.

Perc.

Pno.

p

gliss.

   

p

p

   





 gliss. 

      

f

gliss.

 

scrape sus. cymbal with triangle beater gliss.

f

gliss.

 

gliss.

 

gliss.

  

p

  

     

gliss.

   

   

     



 

         

             



          

           

     f

     f





f

gliss.

f

     f        



gliss.

     





f

  

     

 

Vla.

f

 

 

 

 

Vln. II

Vc.

    

     Vln. I  

Cb.

gliss.



  

11

f

p

  

C Tpt.

Tbn.

         3                   f p       3                    f p             3               3 f p           3 3                      

 gliss.  gliss.


12

30

   

Ob. Bs. Cl.

   

             

    Cbsn.   sf    Hn.            C Tpt.

Vln. I

Vln. II

Vla.

Vc.





     



    

sf





           





    







    







ff



 



ff

ff







ff

   



p

 

    p

p

 

ff

 p

  p



                                                          

                                                      

   

    Cb.   sf

sf

 





 

  

                       



 pizz.

 

 

  

   

                 ff pizz.

       

ff

       

     

 

 

 



ff



ff

 

                

   

  

ff

 

 p



    p

p

            



Pno.

   



Perc.



Perc.

                



Tbn.

sf





Fl.


13

36

Fl.

Poco Meno Mosso - A Piacere

 

 

 

Ob.

Bs. Cl.

   



 Cbsn.      Hn.



 

  fsf

 

  

Tbn.

Perc.

Perc.

Pno.

Vln. I



     

Vla.

Vc.

Cb.

       

   

    

 

  

 

fsf

    

 

pp

   fsf    fsf   sf

 

sf

 

 

pp

 

 



pp

 

 

                                  

  

Vln. II

 

fsf

 

 

     

 

 

fsf

  

fsf

fsf C Tpt.

 

sus. cymbal - soft mallets

 

pp



       

insert metal bars

"birdcalls"

 

3

    

    

    

 

 

 

 

 

 

 

 

 

 

 

start slow



  p


14

40

Fl.

 

Ob.

Bs. Cl.

Cbsn.

Hn.

  

C Tpt.

Tbn.

Perc. Perc.



 

Pno.

(sus. cym.)

     

 

 





 

 

as quickly as possible

  

  

  





 

  

  

  



slow

 

Vln. II

Vla.

Vc.

Cb.

 

3

gently

p

ff ritard.

 

Vln. I

        


15

aceel....

A Tempo

     3 5 6 pp ff                                      

43

                       fluttertongue         Fl.   Ob.

pp

Bs. Cl.

Cbsn.

 

     C Tpt.  

   

Perc.

Perc.





 

       

Pno.

Vln. I

      

 

Vln. II

Vla.

Vc.

Cb.

pp

   

 



pp

   

  



   

Hn.

Tbn.

3

         

5

 

     3 5 6 ff                          ff

           fluttertongue                  3

5

5 6                   3 5 6                  

           p ff            





 

              







    f    f   









 

 

6

6

 



p

ff

             

take out metal bars



           



p

ff

                  5 6 3



ff

3

    

 

      ff

start tremelo a little slower and accel.

f

                         


16

47

 

             Tbn.    



To Piccolo

Picc.

Ob.

Bs. Cl.

Cbsn.

                         f  C Tpt.                         Hn.

f

Perc.

Perc.

Pno.

f

  Vln. I                     

Vln. II

         

Vla. Vc.

Cb.

                                                                                       





     

             





 

           



          

     

              







    

   

(pizz.)

 









ff (pizz.)

ff


51

Picc.

 

Ob.

Bs. Cl.

Cbsn.

Hn.

Tbn.

Perc.

Perc.

Pno.

Vln. I

 

 

   

f

  

f

as short as possible

f

as short as possible

   f



  

  

f

   f

 

  

  

  

as short as possible



as short as possible

  

  

  

  





   

   

   

    

  

               

  

    

   

 

  



 



   



   

 

Vc.

 

   

Vla.

 

   









 



 



 







 



     

  

    

  

 

 





Vln. II

Cb.

 

f

 

C Tpt.

 

picc.

 

   





    



  

 

 

 

 

   

 







  

























17


18

53

Picc.

  

Ob.

 

 

 

 

   

     Cbsn.    Bs. Cl.

Hn.

 

C Tpt. Tbn.

Perc.

Perc.

Pno.

 

 

  

  

  

   

  

  

   

  



   

    

  

    

  

 

 

 

 

   

 

Vla.

Vc.

 

 

 

 











    

 

 











 

 











  

 

 











    

  

 

 

 

 

 

 

 

  

 

 













 

   

  



 

f

   

   

,



tenor drum

   

Vln. II

  

 Vln. I 

Cb.

   



 

  



 

 



        



    

   

   

   

   

  

    

  

   

 

   

   

 

   

 

   

 

 

 

 

 

 

 

 

,

 



     

 

 

 

 

































 


19

55

Molto Meno Mosso - A Piacere - Piano solo to m. 64



Pno.

         

         



ppp

                                                         

58



 Pno.

               

Molto Accel.

Presto Possible

             

         

  

    

loco         



                                                              

61

     Pno.

    

   

 

                   

  

 

  

     

        

                              


20

63

Picc.

 

               

Ob.

Bs. Cl.

Cbsn.

Hn.

Perc.

Perc.

Pno.

Vln. I

ppp

 



C Tpt.

Tbn.

A Tempo (h=80)



ppp

                                                   

 

fff

                                              

Vln. II

Vla.

Vc.

Cb.

arco

                ppp arco

               

ppp


21

66

Picc.

 

 



Ob.

Bs. Cl.

Cbsn.

Hn.

C Tpt.

Tbn.

Perc.

Perc.

Pno.

Vln. I

                         

 

pp

                         

                                

Vln. II

Vla.

Vc.

Cb.

                                                               


22

69

Picc.

 

Ob.

Bs. Cl.

Cbsn.

Hn.

                                                 

 



               

 



pp

C Tpt.

Tbn.

Perc.

Perc.

Vln. I



pp



Pno.

 







   







    





  

 

 

  

 

 

 

  

 

 

pp

  

Vla.

Cb.

 

Vln. II

Vc.



                                                                                               


23

72

Picc.

 

Ob.

Bs. Cl.

Cbsn.

Hn.

Perc.

Perc.

Pno.

Vln. I



mf

3:4q

   pp

               

3:4q

   

mf

pp



 

C Tpt.

Tbn.

                



3:4q

  

3:4q

  

pp non cresc.





3:4q

3:4q

3:4q

3:4q

   3:4q

pp non cresc.



  

    3:4q

  

pp non cresc.

  

  



   3:4q 3:4q

  

  

  



3:4q

3:4q

 

3:4q

3:4q

 

3:4q

   3:4q

   3:4q





  



    

    

 

mf

  

                            

p subito

mf

                    

                             loco

Vln. II

Vla.

Vc.

Cb.

                mf

                mf


24

78

Picc.

 

Ob.

Bs. Cl.

Cbsn.

Hn.

        

C Tpt.

Tbn.

Perc.

Perc.

Pno.

  

 





3:4q



3:4q

3:4q



3:4q

 









3:4q





 

3:4q



3:4q

 

3:4q



 





3:4q





3:4q



 3:4q





 3:4q













3:4q

3:4q









3:4q



3:4q



                                                  

                         

         

                                  

 

Vln. II

Vla.

Vln. I

                                     mf                       Cb.                  Vc.

mf

3:4q

3:4q

3:4q

3:4q



                       

 

            


82

Picc.

 

Ob.

Bs. Cl.

Cbsn.

Hn.

25





cresc. poco a poco

 

Perc.

Perc.

Pno.

Vln. I



3:4q





3:4q





cresc. poco a poco

3:4q















3:4q



3:4q

  

cresc. poco a poco





3:4q

 





3:4q

 

3:4q



                                

    

              p

Vln. II

           

cresc. poco a poco

            

Vc.

Cb.

p

   



p

























cresc. poco a poco

 

   

           

                

   





































cresc. poco a poco

cresc. poco a poco

     

    

     

   

                    



p

 

                            

cresc. poco a poco

p Vla.

 



3:4q

cresc. poco a poco

Tbn.

3:4q



cresc. poco a poco

  

C Tpt.






84

26

Picc.

 

Ob.

Bs. Cl.

Cbsn.

Hn.

Perc.

  

 





Pno.

 





3:4q





 



   

ff



 



3:4q







 





3:4q

Vln. II

Vla.

ff

 ff

Vc.

 

f

                                

                                ff

                                  ff

                                 

                unmeasured  

ff

unmeasured                  

 

ff

3:4q

  



3:4q

3:4q

p



                                                      

 Vln. I 

Cb.



3:4q

   



3:4q

 

3:4q



sus. cym. - soft mallets

Perc.



3:4q

  

C Tpt.

Tbn.

 

ff

ff

                  fff                   

    

ff


87

Picc.

  

Ob.

Bs. Cl.

Cbsn.

Hn.

Perc. Perc.

Pno.

ff

   





3:2q

 

3:2q

3:2q



3:2q

3:2q



3:2q

3:2q

3:2q

3:2q

  

3:2q

  

  

3:2q

  

  

      

3:2q



 

           

3:2q 3:2q       

 



ff

 

C Tpt.

Tbn.

     

             guiro

           

3 3                   

f

3

3





3

3

       3:2q

Vln. II

Vla.

Vc.

Cb.

3:2q

3:2q

3:2q

           

3:2q 3:2q

  

  

  

  

  

  

3:2q

3:2q 3:2q

  

  

  

  

3:2q

3:2q 3:2q        3:2q

3:2q

3:2q

3:2q

             3:2q

   

  

3:2q

  

  

  

   

bass drum

f

3:2q

3:2q

3:2q

3:2q

3:2q

   

   

   

3

    3

 









    

   

 



       

      3:2q



27

Molto Meno Mosso h= 60



                                     

                                          Vln. I   

     



 f

                     3 3 f        3 3                                                                       3:2q 3:2q                        3:2q 3:2q              

    

3:2q

3:2q

3:2q

3:2q

 

3:2q

 

   

   

 

3:2q

 

   

  

  





 


28

91

Picc.

          

        f     

f

Ob.

Bs. Cl.

Cbsn.

Hn.



            



sf

  

sf

f

C Tpt.

Tbn.

Perc.

Perc.

Pno.

          

f

  

sf



      

                      

  Vln. I          

     

Vla.

Vc.

    f     

    

f

  

    Cb.   sf

sf

      

3:2q

3:2q

tenor drum

ff

3:2q

3:2q

3:2q

3:2q

      6

                             

,

                           

3

fff

     

3

 

3

 

 

3

 

ff

         

3:2q

     

3:2q

 

3:2q

3:2q



3:2q 3:2q

3:2q 3:2q

3:2q

3:2q

            ff  ff

 



     

ff

 

    

      

ff

 

          

ff

3:2q

      ff        ff

f

Vln. II

3:2q 3:2q

3:2q

 

3:2q 3:2q

      

ff

 

3:2q

      ff

  

ff

  

3:2q

      

ff

 



     

 



                     

Subito A Tempo h= 90



,

Molto Rit.

           

  


95

Picc.

  

 

Ob.

 

  

Bs. Cl.

Cbsn.

Hn.

  

 

C Tpt.

Tbn.

Perc.

Perc.

 

  

      3:2q 3:2q       

  

(tenor drum)

  Vln. I  

 

 

 

Vla.

Vc.

Cb.

 

3:2q

3:2q

3:2q

3:2q

   

  6

      



 

 

 

3 3

  

3:4q 3:4q

3:2q 3:2q

    3:2q

     

3:4q

 

3:4q



 

 fp

fp

fp

3:4q

      

   

fp

 

 guiro

  

  

 

 

3:4q

 

 

 

 

3:4q

3:4q 3:4q

   3:4q   

     

    

    

      

  3:4q    3:4q   

 

  

3:4q

  

3:4q

             

 

 

   

 

 

 

  

p

3:4q

3:4q

     p

               

 3:4q  

  

3:4q

same quality of chord used 3:4

           3:2q           3:2q

 

3:4q

3:2q

3:2q

p

                    3:2q 3:2q            3:2q

     

3

           

      

  

3:4q

       

          

3:4q

 3:4q              

3:4q

3:4q

  

     

      

3

  

29

3:4q    

   3:2q 3:2q                

          

Vln. II

3:2q

      

  

3:2q

3:2q

                         

Pno.

3:2q

3:2q

      

 

3:2q



  

 

 


30

100

Picc.

 

Ob.

Bs. Cl.

Cbsn.

Hn.

Perc.

Perc.



ff

 

 

Pno.

  

3:4q

ff

  

3:4q

       

ff

     

3:4q

        

 ff

 

ff



C Tpt.

Tbn.

 

 

 

        3:4q

    

 

 

                 

6

Vln. II

Vla.

Vc.

Cb.

  

 

6

 ff

 ff

6

6

6

6

                   6

 Vln. I 

        


31

103

 

 

 

 

 



 

 

 

 



 

Cbsn.

Hn.

C Tpt.

Tbn.

Perc.

Perc.

 

 

gliss inside piano using ends of toothbrush pitches not exact -

fff





                               6 6 6                             



Pno.



Bs. Cl.



Ob.



Picc.

A Piacere - Wait for piano

Vla.

 

Vc.

 

Cb.

 

Vln. I

 

6

6



Vln. II

     

6


Presto furioso c. 7 sec. 105

32

Picc.

   

sffp

Perc.

Perc.

    

 

3









3



  

 

 



 

sffp

tenor drum

pp



3

ff

 



let ring



Pno.



    Vln. I    ff     Vln. II      

ff

Vla.

    ff

Vc.

Cb.

 

 

sffp

 Hn.     ff    C Tpt.   Tbn.

  

gliss.

             

ff

Bs. Cl.

fltg.            

ff

  

Ob.

Cbsn.

   

ff

 sffp

 

  3

 

  3

 

   

 3

 3

 

 

           3

   

  

    3

 3

 3

 

 



 



  

 


107 Picc.

   

Bs. Cl.

Hn.

Perc.

Perc.

 

ff

ff

  

     

p



 

p



 

 



 



  

    

3

p



p

  



 

 



ff





 

ff

Put popsicle sticks on Db4 and Eb4 duct tape between F#3 and G5 Clothespin on F3

  Vln. I      

Vln. II

 

 

        

 

        3

Vc.

  ff

 

                  

3

3

     

Vla.

Cb.

33

3

   

Pno.

  



 

gliss.

     

C Tpt.

Tbn.

c. 5 sec.

                  

Ob.

Cbsn.

c. 5 sec.

3

3

  



 3

            

  

 

       p



 

3

         p

   3

3

       p

3

 

p

p

3

  

    


34

Second Vignette: Jazzy but steady

109

Fl.

  

h = 70 (Strings in old tempo) To Flute

Repeat bar if necessary - pianist gives cue to conductor

 

 

Ob.

 

To Clarinet in Bb

Cl.

 

To Bassoon





  





C Tpt.

 

Tbn.

  

  

                  

 Bsn.   Hn.

Perc.

Perc.

   

  

slit drum

  

f



 



 



   

(slit drum)

 

popsicle sticks on Db3 and Eb3 duct tape between F3 and G5





 





  



Vln. II

 

Vla.

 

Vc.



  

Vln. I

bounce stick on bamboo



Pno.

3     3            

 Cb.    pp

pp

 

 

 

   

   

   

   

mf






35

117

Fl.

 

  

  

 

Ob.

Cl.

Bsn.

Hn.

C Tpt.

Tbn.

Perc.

Perc.

Pno.

 



 

pp

p

p

       

p

       p

                                                                    

 

Vln. II

Vla.

Vln. I

Vc.

Cb.


36

124

Fl.

      

  

     

  

       

Ob.

          Bsn.  Cl.

Hn.

  

                                              

                                     

p con sord.- straight mute

C Tpt.

p

con sord.                             Tbn.          

Perc.

Perc.

Pno.

p

                           

                 

                  



                                                                                  

 

Vln. II

Vla.

Vln. I

Vc.

Cb.


37

130

Fl.

               

       

            

       

       

                

Ob.

            

Cl.

Bsn.

Hn.

          

  

    

3

f

3

f

  

3

         

                                              Tbn.      

C Tpt.

Perc.

Perc.

Pno.

Vln. I

f

  

  

  

    

  f  

  

    

f

f



                                        f p                                           

 

           

       





 





  

 

Vln. II

Vla.

Vc.

Cb.

f

3

pizz.

f

 

pizz.

f

 



  


38

136

Fl.

         

       

        

       

         

        

      

p

Ob.

p

Cl.

p

p

p

p

Bsn.

Hn.

Perc.

Perc.

Vln. I

  





    

Vln. II

Vla.

Vc.

Cb.



     

Pno.

p

p

 

C Tpt.

Tbn.

        

 p



   

    

                   cresc. poco a poco                             

  



 



  



 

 

pizz.

 

f



pizz. f

                

      







     

      

                                







 















     


39

141

Fl.

          

Ob.

Cl.

Bsn.

Hn.

Perc.

Perc.

        



     

      

mf

mf

    

      



   

    

      

mf

    





 

 

 

      

 

mf

     



   

   

 



        



            

                        Vln. I  Vln. II

Vla.



  

Vc.

Cb.



mf

mf

     

Pno.

      

  

     

mf

 

        

 

C Tpt.

Tbn.

       

  

  



      

 

mf

    

                  

   

  

  

  

         

     

    

  

            

      

     

                               



 





   

           

 

 



       

    

   



        

 



     

      


40

146

                         

 Fl.    

Ob.

 

Cl.

Bsn.

                                            

                         

 

                       C Tpt.          Hn.

Tbn.

Perc.

Perc.

Pno.

Vln. I

 

 



 

 

       

       

     

Vln. II

       

 

       

p

 

       

p p

                               

                   



ff

fp











       

















       

   

 

 

   



               

 





Cb.

 







 

32nd notes rhythmically not precise in RH

                      



Vc.

 

p



f

       





 

Vla.

       

 



                                                                             

 

       

 

 

 

            

 

         

 

p subito arco

 

p

  

 

 

 

 

 


41

150

   Fl.    

Ob.

  

Cl.

  Bsn.   Hn.

 

C Tpt.

Tbn.

Perc.

Perc.

3

    

 

   

 

  

cresc. poco a poco         

 

   

 

   

        



   

 

    

 cresc. poco  a poco    

 

   

 

 

3 3

        



3

  

 

cresc. poco a poco

cresc. poco a poco

 

fp

  

senza sord.

fp

 

senza sord.

fp



 cresc. poco a poco

32nd notes rhythmically not precise in RH



                                

 Vln. I 

arco

  

Vln. II

  

p

Vla.

  

Vc.

Cb.



Pno.



 

   

 

 

  

 

arco

   

 

p

 

 

 

       cresc. poco a poco       cresc. poco a poco        

 

 

cresc. poco a poco

cresc. poco a poco

   

 

  



   

 

 

 

 

 

 

 

 

 

 

 

 

 

    arco

f p


42

153

                     Fl.  f

                     

Ob.

f

                   

Cl.

f

Bsn.

Perc.

Perc.

      

       

      

       

  

 

     f     

 

C Tpt.

Tbn.

       

                      f

Hn.

      

f

    

 

 



f

          

 

       

               

  

Pno.

    ff                                 

  Vln. I   

  

Vln. II

  

Vla.

  

Vc.

Cb.

 

 

     

 

 

 

 

   

 

 

        

       

         

 Place metal pipe between strings F#5 and E6 effect is a buzz much like a Balinese ceng-ceng (cymbals)

 

    

 

 

          

        

 

                

     

 

f

    f    f     f    f

              

        


157

              Fl.  

Ob.

Cl.

   

                 

43

                

                3

3                

3

                    

                           Bsn.    Hn.

 

             

C Tpt.

Tbn.

Perc.

Perc.

Pno.

                         

  

3

  



Vln. II

      

      

     



  

 

  



   

 

f

Vc.

 

 

                                     

Vla.

      



 Vln. I 

Cb.



       

                                       



                              f                                         f

              



  

         


44

161

 Fl.  

Ob.

Cl.

Bsn.

Hn.

  

C Tpt.

Tbn.

Perc.

Perc.

 

    





 

    





 

    

























 

  

 

    

 

 





 

 

 









 

 

 



 

  

 Vln. I  Vln. II

Vla.

 

Vc.

Cb.



Pno.



 

mf leggiero

   

   

 

















 



 

  

 



  

  

  

  

  



 



 

 

 

 





 

 



















  

 

 



 

 

 

 





 

 

 

 



 

 





 

 

 

   

    

 

 

 

 





 


163

 Fl.  

Ob.

Cl.

Bsn.

Hn.

 

C Tpt.

Tbn.

Perc.

Perc.







               



3





          



3



 

 

Vln. II

Vla.

Cb.

 

 3



 



       

  

  

                 

  



 

 

    

hi-hat closed

    

   

  



       

mf leggiero

   

       

    

               

       

               

  

 Vln. I 







Vc.



3

             

Pno.







45

  

 

  

   

 



      







     

 

 

 

 

                           

      

 

    





              

  

  

  

 



  

   

  

  



   

  

                      

       

 

  


46

166

   Fl.  

Ob.

Cl.

Bsn.

Hn.

Tbn.

Perc.

Perc.









 

 

C Tpt.



 

  













 

      

  

 

 







 







 



3





 



3









 







 

  

   





3



 3

 

   









 









 

  

 

  

  

  

   

  



 





 





 

 

 

 

 

 

 

 

 

 

 

 

 



 



 

 

 

 





  

 

 

 

 

   



 

 



   







Vc.

 



 

Vla.

 

Vln. II

 



     Vln. I 

Cb.

(hi-hat)

Pno.

 

 

 



 



 

 



 

 


168

 Fl.  

Ob.

Cl.

Bsn.

Hn.

 

C Tpt.

Tbn.

Perc.

Perc.







3





3





Vln. II

Vla.

  

3



















        

        





          



  















   

 

3

 

3





            



   

   













3

3



  

       

 

 

3

     



    

 

  





 

47

                 

closed open    closed       

  

 Vln. I 

Cb.





(hi-hat) open



Vc.







          

3

Pno.













 

   

  

  



        



 

   



       

 

   

  

   

   

  

   

  

   

 

   

          

 

 

 

 

 

        

                                          



         


48

171

 Fl.  

Ob.

Cl.

Bsn.

Hn.

 

C Tpt.

Tbn.

Perc.

Perc.





 













  

 

3







 

  

  

 

      





   



  

 

  



 

   



   

 

  



 

(hi-hat)

      

 3

 3

                3





















  

  













3



3



open  closed    closed            

open

Pno.



 





   



    

 

   

   

   

   

 

 Vln. I 



 

    

 



  

  

Vln. II

 

    

 



  

  

Vla.

 

   

   

  

   

   

 

    

  

Vc.

Cb.



  

  

                                
















49

173

  Fl. 





Ob.

 

Cl.

Bsn.

Hn.

Tbn.

Perc.

Perc.

Pno.

 

3









3

 

















3





3







  







 

  



3



 

3







 













Vln. II

 

 



 

 

  

  



  

 

 

  

  

  

 

           

  

 

       

              

Vc.





           

Vla.

  



3











 3

 Vln. I 

Cb.

         

   

C Tpt.



  







 

  

 

    

              

 

 

  


50

175

 Fl.  

Ob.

Cl.

Bsn.

Hn.

Tbn.

Perc.

Perc.



 











 

C Tpt.









 

 

   

 

  

 

 



 

 

 



   



  

 

 

 

 













3

  

 

  

 

  

 

 

3







 3









3





 



3

 



   





3

            

improvise between open and closed

 

 

    

                



   



 

3

 

 

3



Pno.



 

 

          



(hi-hat)



 

 

 

 



 

 

 

 

 



 

 

 

 

 

 

 Vln. I 



 

   



 

 

Vln. II

 

   





  

 

Vla.

 

 



 

 

Vc.

Cb.

 

                            









 

 

               

                 











 


51

177

   Fl.   Ob.

Cl.

     

                                            

                              Bsn.   Hn.

C Tpt.

    

  

   Tbn.  

3



 

3

3

   



              

 

3

   

3



3

          (hi-hat)

Perc.

Perc.

  

 

Pno.

  Vln. I   Vln. II

Vla.

Take out all preparations

 

 

 

3

3

3

 

3

3

 

 

        

gradually open  closed    p

3

3

                 

ff

  

              ff

    

3







 3



       3







 3

 

 



ff

  

ff

 

ff

ff



ff

f

          

   

 

                            

   

  ff

               

 

 



ff

                                                                                     ff

Vc.

Cb.

                                                                           ff

                 

       

   

   ff


52

180

Fl.

                                           mf

  

Ob.



                                   

mf

                     

Cl.

Bsn.

Hn.

  fp



 

Vln. II

Vla.

Vc.

Cb.

Perc.

Perc.

Pno.

Vln. I

 

  fp

 

C Tpt.

Tbn.

mf

              

   

tenor drum

fp

 

  fp

  fp


53

185

Fl.

              f

    

    

        

     

   

f

Cl.

f

Bsn.

Hn.

  

Tbn.

Perc.

Perc.

 

C Tpt.

  

f

                6

     smack low note violently   f

3

 

6

   

Vln. II

Vla.

Cb.

 

f

f

6

             

Vc.

 

Vln. I

f

   



 

     

f

Pno.

                      

      

 

Ob.

 


54

188

Fl.

                        pp

Ob.

Piano solo - a piacere To Piccolo

                         

                     

pp

Cl.

 Bsn.   Hn.

Perc.

Perc.





 

Pno.

 

C Tpt.

Tbn.

pp

        Vln. I 

    3

3

3

                                    start a little slower and immediately accel.

  

Vln. II

Vla.

 

Vc.

Cb.


55

191

Pno.

Pno.

Pno.

Pno.

Pno.

 

           

 

3

ease into next measure

molto accel...............................molto rit.

                pp           

195

         

                  p         sub. ff            6

   



      

bring out inner voice

        mf   

 

          

 

                           

200

       

6

3

    

 

            p                 

          sub. ff                    

                                

205

                                cresc. poco a poco                                                    

3

3

6

6

3

6

6

6

6

6

6

,

208

6 6 6 6 6                                    ff



 










56

210

Pno.

6

         

 

212

Pno.

Pno.

6

                      



  

    

f

 



           

217

         

     

      

     

      

  

        

     

220 Accel. 6

6

6

                    subito pp

cresc. poco a poco

      

6



3

6

       

3

     

      

3



   

                 

                      

        

         ff

 

6

6

6

6

6

6

6

6

6

6

6

rit.

                       

                   

6 6                               

6

                  

           

                            

6

6 6

                             6 6

6

6

222

Pno.

6

6

Poco Meno Mosso

       

Pno.

6

Presto Possible

6

6

6

6

                                               fff

                           

  

  

  

,


57

224

Picc.

 

Ob.

Cl.

Bsn.

Orchestra - A Tempo (h=66)

 

 

  fp

 

 

ff

 



fp

f

        f

      ff      

 Tbn.  

Perc.

       

fp

Perc.

     

  

C Tpt.

f

senza sord.

Hn.

 

 

     

    

f

ff



Piano - Presto Possible - beatless - play like a fast tremelo

       Pno.                    Vln. I 

               

          

Vln. II

Vla.

       

 

Vc.

Cb.

 

    fp

   fp

  

poco a poco sul pont.

 poco a poco sul pont.  

       ff      ff

f

            

f


58

228

Picc.

    

Ob.

Cl.

Bsn.

Hn.

Perc.

Perc.

       

  

       

 

 fp

    

 

                 3                    

                        3

3



C Tpt.

Tbn.

            

                 f

              

Vln. I

     



               3

fp

f



 completely open - no preparations

 

    



    



 

       

Vc.

 



Vla.

fp

3

fp

 

f

Vln. II

Cb.

       

Pno.

3



ff

                  

f

     

                          f

                              



fp

               3

f

   



 





fp


59

232

Picc.

  

Ob.

 

Cl.

 

Bsn.

Hn.

 

Perc.

Perc.

Pno.

       

 

  

Vc.



 

   





        

 





 





 



































  



fp

   

f

 

   fp





 

      





        



 

      

 

 

           

   

fp

f

       



    

fp



fp



f



  



 

   

f

   





   

  



       







 

  



f





fp





          



 

fp

f



   

  

Vla.

    

  

   

Vln. II



fp



 Vln. I 

Cb.

      



 

f



       

f

      

    

 

C Tpt.

Tbn.





 

 





    







    





     f





fp

   


60

235

Picc.

   

Ob.

Cl.

Bsn.

   

           

3

     

3

      

                  C Tpt. 

Perc.

Perc.

3

     

f



Pno.

    

   

f

Vc.

       



       



            

       

f

  

gliss.

           

closed     

   

open

f

 

            loco

           

        

   

 

  

           

       



           

              

Vla.

  

closed

        

Vln. II

   

            

            

gliss.

hi hat open

   

 Vln. I 

Cb.

 

  

        

        

Hn.

        

3

f

Tbn.

       

 

gliss.

gliss.

 

 

  

gliss.

    

   

f

  



  



   

 

  



gliss.

  

           

       

           

       

  

  

   

   

  

   

  

  

          

 

   

 

gliss.

 

gliss.

           

 

gliss.

 

gliss.

        

  

   

gliss.

gliss.


61

239

Picc.

  

      

Ob.

      

Cl.

Bsn.

Hn.

Perc.

Perc.

    

     

C Tpt.

Tbn.

     

 

gliss.

tenor drum

 

      

   Vln. I       

Vla.

Vc.

gliss.

Cb.

gliss.

3

 

 

 3



   







3

       

                                                                  

             

          



    

  

      

rim shot

rim shot

f

f

         

                                       

     

     

 

 

   

                3                        

      

 

 

f

   

Vln. II



               

   

Pno.



            



                           

detaché

  

detaché

     





  

                     detaché                    detaché



           

 

          



  

 

     

                

tenor drum

f

                                   

                                                                       

   



           


62

243

Picc.

  

Cl.

Hn.

Perc.

Perc.

  

 

 

  

 













               

 

    

   



 

 

                        

 

 

   

fsf guiro



f



                    

Pno.

                  

                   Vln. I    Vln. II

Vla.

Vc.

Cb.

  

                 

            

    

  

   

       

                

                   



 

  

     

                      

                 

 

C Tpt.

Tbn.

                     

Ob.

Bsn.

                

 

 

   

     



 

          

     

 

    

 

  

  

strike with both sticks       

                       

                       

                      

                        

 

       



                      

                                        

   

   

 

      

           

  


63

246

Picc.

  

Ob.

Cl.

Bsn.

 

                                                       

 

                  

   

        C Tpt.  Hn.

Tbn.

Perc.

Perc.

 

     

        



  

    

 

 

 

     

     

                

 



 

  

    





  

          

          

           

                          



 

    

 

     



 

guiro

                            



 

  

                     

 

                           

 Vln. I  

                             

           

                             

Pno.

Vln. II

Vla.

Vc.

Cb.

 

        

 

       

      



     



         

 

               

           

               

          

                                   

 



  

 


64

249

Picc.

                  

Ob.

        

Cl.

Bsn.

                                    

                    C Tpt. 

Perc.

Perc.

   

Vln. I

Vln. II

Vla.

Vc.

Cb.

  

 

                                

 

 

  

 

  

     

    

 

 

 

 

   

 









       

Pno.

               

                                             

Hn.

Tbn.

    

       

        

      



        

  

 

  

 

 

 



  

 

  





 

 

 

 



 

 





guiro



  

                         loco                 loco                                  

                                 

                               

                                                                                                                                              

    

 

 

 



  

 

 

 

 

 

 



  

 


252

Picc.

                  

ff

                 

ff

Ob.

                

Cl.

Bsn.

Hn.

  

C Tpt.

Tbn.

Perc.

Perc.

Pno.

  

 



        

tenor drum

 

 



     

 

 

f

  

 

 

 





Vla.

Vc.

   

 

   

 

 



  

 



   



  



 

 

   

             



  

 



  



  







            

3



  6      6   

 

 

3

ff

6

                                 

  



 

  

 

   3

ff

                    ff                                      

Vln. II

 

                    Vln. I 

Cb.

        

                     



                               

  

65



  

 

6

      3

  


66

255

Picc.

 

                                   3

6

6              6                            

Ob.

3

Hn.

Perc.

 

        Pno.         Vln. I  3    Perc.

Vln. II

Vla.

Vc.

Cb.

6

C Tpt.

Tbn.

6

       6 6 6 6                                   3

Cl.

Bsn.

6

3

                                  6               6                         6

6

6

6


67

257

Picc.

6 6                        

Cl.

Hn.

Perc.

Perc.

Pno.

6

6 6

6

6

6

6

6

 

 

ff

bass drum

 



fp

Vln. I

 

 

C Tpt.

Tbn.

6 6

                       

Ob.

Bsn.

6 6                       6

6

                     ff

 

6



6

6



6



6

6

6

6

                            

6

6

6

6

6

6

6

6

6

6

6

6

6

6

6

6

                                                

Vln. II

                                               

Vla.

  ff

Vc.

Cb.

 

ff

 

 

 

lower notes only if C extension available ff


68

259

 

Ob.

Cl.

Picc.

Bsn.

Hn.

 

C Tpt.

Tbn.

Perc.

Perc.

3

3



 

 

fsf



 







3

3

  

                                  

Pno.

Vln. I

 

 

6

6





6

6

6

6

6

6

 





6

6

6

6

6

6

6

6

6

 



6

6



                        p



                        

Vln. II

6

p

                        

Vla.

Vc.

Cb.

3

 

 3



 

3

 

3

p

 

 

 

 

 

3

 

3

  

3

  

 

3


261

Picc.

69

 

3

3

         

         

         

f

Ob.

3

Hn.

3





                                           

C Tpt.

6

6

3

3

   f

Tbn.

3





 f

Bsn.



f

Cl.

3

f



3

3

 3



3

6

  



 





6

6

3

3

     

3

3

 6

              

3                         3

6

                        3

f

6

3



 Vln. I 

Perc.

Pno.

Vln. II

Vla.

Vc.

Cb.

3

f

3







f

3

f

3

3

Perc.

3

3

3

          3

3

3

       







         

3

3

3

3

                                

                       

6

6

6

6

6

6

6

6

6

6

3


264

70

Picc.

                  

                      

        

                       

6

poco a poco dim.

Cl.

Bsn.

Hn.

3



mf

6

Tbn.

Perc.

Perc.

Pno.





3



6

            6

6

            6

6

6

poco a poco dim.

              

C Tpt.

6

p

poco a poco dim.

Ob.

6

6

                      

6

6



6

p

6

p





p

p





p



         Vln. I  poco a poco dim.

        

Vln. II

        poco a poco dim.

Vla.

Cb.

 



mf

mf

6

6

6

6

 

6

















3

p

6

p

                      

3

6

                       

poco a poco dim.

Vc.

                     

3

3

6

p

6

 

 


71

266

Picc.

  

                                       

 

                                     

 

                                          

Ob.

Cl.

Bsn.

Hn.

Tbn.

Perc.

Perc.

6

3

3

6

3

3

pp

pp

6

                   6

6

pp

6

6

3

3

 

 



pp



 

6



6

6

6

 

C Tpt.

6

6

pp

pp



pp



Pno.

  



Vln. II

 



Vla.

 



Vln. I

                   6

Vc.

Cb.

6

6

                      pp

6

6

6

pp

  

 


72

269

Picc.

  

Ob.

Cl.

Bsn.

Hn.

Perc.

Perc.

  

  

Vln. I

  

 



 

Pno.

To Fl.

  

C Tpt.

Tbn.

Meno Mosso (q=90)

pp

  

  

 

  pp

Vla.

Vc.

Cb.



pp

  

with a delicate touch

 

 

 

 

   6

6

gliss.

gliss.

gliss.

     

6

6

6

pp

Vln. II

 

 

 

  6

  6

 


270

Picc.

 

73

Ritard.

Ob.

Cl.

 



Bsn.

Hn.

C Tpt.

Tbn.

Perc.

Perc.

Pno.

                             

Vln. I

 

                       6

6

6

6

6

6

gliss. inside piano with fingernails upper two octaves gliss.

gliss.

glis

s.

gliss

.

last gliss. slowly line up end with beg. of string harmonies

pp

Vln. II

Vla.

Vc.

Cb.


Vignette 3: Sweetly Dreamful, but with Ghostly Undertones 272 (q = 66) wait for piano

74

 Fl.  Ob.

Cl.

Bsn.

Hn.

Perc.

Perc.

Pno.

Vla.

Vc.

Cb.

 

 

 

 

 

 



 

 

   

 

 Vln. I  Vln. II

 

C Tpt.

Tbn.

Flute

 

con sord.

 

6

    ppp

ppp

pp 6

6

6

3

               3

              

 3

  

     

 

     

pp con sord.

 

 









pp con sord.

 

























 

3

         

pp harmonics sound octave lower

3

pp    





    



pp con sord.

3

3

6



pp





 

   

         pp

pluck strings inside piano with plectrum

f

3

 

  con sord.    

3


poco accel.

278

 Fl. 

 

     6

6

Cl.

Hn.

Perc.

Perc.

Pno.

   6

6

 



     Vln. I    

 

 

 

con sord.

 

con sord.

 clothes pin on C5, D5, and C#6

 

 

 

   

   Cb.  

 

con sord.

   

 

 

 

Vc.

 

Vla.

   

Vln. II

 

6 6 6                     

 

C Tpt.

Tbn.

                       

 6 6                         

Ob.

Bsn.

75

Floating and Ethereal, but do not drag wait for piano e= 76 

 

 play on keyboard bring out RH melodic line



           



p molto espressivo



       


76

281

 Fl. 

Ob.

Cl.

Bsn.

Hn.

  

C Tpt.

Tbn.

Perc.

Perc.

Pno.

  

take reed off

whisper into instrument - no pitched sound random nonsense syllables

put reed back on

whisper into instrument - no pitched sound random nonsense syllables

take reed off

whisper into instrument - no pitched sound random nonsense syllables

whisper into instrument - no pitched sound random nonsense syllables

whisper into instrument - no pitched sound random nonsense syllables

whisper into instrument - no pitched sound random nonsense syllables

          

whisper into instrument - no pitched sound random nonsense syllables

   

whisper into instrument - no pitched sound random nonsense syllables

whisper into instrument - no pitched sound random nonsense syllables

whisper into instrument - no pitched sound random nonsense syllables

whisper into instrument - no pitched sound random nonsense syllables

whisper into instrument - no pitched sound random nonsense syllables

whisper into instrument - no pitched sound random nonsense syllables

   pp                                                

              

mf

maracas - shake

                 

   

 

Vln. II

Vla.

Vc.

Cb.



Vln. I

  


284

Fl.

  

Ob.

Cl.

77

ord.



   



pp

 

ord.

 

ord.

pp



Bsn.

Hn.

put reed back on

    

Tbn.

Perc.

Perc.

Pno.

 

ord.



ord.

 pp

ord.

   

      

6



    

   

 

6

6

6

6



 

     



 

    



6

    



 

ord.

6

6

                                          p

                            

Cb.



 

Vc.

6



 

Vla.

      

6

pp

 Vln. I  Vln. II

   

pp

pp C Tpt.



6

pp

6



 

                         pp



 

               

pp

pp

measured 32nds

   measured 32nds  measured 32nds   



pp

 pp


78

287

 Fl.   Ob.

 

Cl.

 

Bsn.

Hn.

       6



      

      

 

 

Vln. I

Vln. II

Vla.

Vc.

            

 

     

        

          

   

        

            

6

6



pp

6

     

6

measured 32nds

6

6

6



6

6

Vibraphone

Pno.

6

            

 Vib.   Perc.

           

6

Tbn.

6



6

6       

C Tpt.



6



6

            



6



 

                                  

    

                                          

   

mf

      



 Cb.  

        6

       





       



 

 





6

6

 

        6



poco

       

6

       

6

   

 

 

 




289

79

 Fl.  



              

Ob.

 



            

Cl.

 

               

Bsn.

Hn.

6

 

 

Pno.

Vc.

             

6

6

 

  

       

        

          

        

        

           

     



unmeasured



                  

      

6



 

 

pp

      

    

6

 

maracas

      

6

6

     



6

6



            

                       

            

Vla.

              

 6

 Vln. I   Vln. II



           

 Vib.   Perc.



6

Tbn.

6

             

6

6        

C Tpt.

6

6

        6



            

 

             



              

 

              



              

   









 Cb.  

6

6

 

6

6

   

 

  


80

291

 Fl.  



       

Ob.

 



               

Cl.

 

               

Bsn.

Hn.

Vib.

Perc.

Pno.

   

 





       

  

 

       

 





       

C Tpt.

Tbn.

                 

 



6



6

6

  



maracas

 



 



 



 

 

                                   mf

  

                

Vln. II

 

                

Vla.

 

                

Vln. I

                   Cb.          Vc.

                   

 

  

 

 


292

 Fl.  



               

Ob.

 



               

Cl.

 

               

Bsn.

Hn.

          

Vib.

Perc.

          

   



 



 



       

       

 

         

Pno.

 

          

C Tpt.

Tbn.



  

        

 

 

   

 

 

 

 

  

                

Vln. II

 

                

Vla.

 

                

Vln. I

Vc.

         

 Cb.   

 

 

 

 

 

 

  

 

81


293

82

  



                 

Ob.

 



                

Cl.

 

                 

Fl.

Bsn.

Hn.

 

Vib.

Perc.

 

   



 

 



 

  

 



       

                 



 







         

Pno.

       

         

C Tpt.

Tbn.

         

 

 

 

 

  

  

                     

Vln. II

 

                



Vla.

 

                



Vln. I

Vc.

Cb.



         

 



         

 




294

poco rit.

  Fl.   



Ob.

  



Cl.

  

Bsn.

                         



                       



                     

 

 

       

C Tpt.

          

Tbn.

            

Hn.

Vib.

Perc.

  

Vln. I

   

 

Pno.



         



 









 

  

   

   

  

 

    

 



    

                                                      

    

   

Vla.

  

Cb.

        

Vln. II

Vc.

 

83

                              





                               



                                 



         



    



         



 




84

295

  Fl.  

q = 78



Ob.

 

 

Cl.

 



Bsn.

  



  



C Tpt.

 

 

Tbn.

  



  

 

  

 

  

 

Hn.

Vib.

Perc.

      

Pno.

    

 

 

 

f                                                  molto espressivo

  



Vln. II

 



Vla.

 



Vc.

 



Cb.

  



Vln. I

 


85

297

 Fl.  



 







 



 

whisper into instrument - no pitched sound random nonsense syllables as possible mf

Ob.

Bsn.

Hn.

mf whisper into instrument - no pitched sound random nonsense syllables as fast as possible

 

Cl.

mf



  

p

whisper into instrument - no pitched sound random nonsense syllables as fast as possible mf whisper into instrument - no pitched sound random nonsense syllables as fast as possible

 

C Tpt.

put reed back on

whisper into instrument - no pitched sound take reed off random nonsense syllables as fast as possible

 

mf

Tbn.

Vib.

Perc.

Pno.

 

 

p



  6  3 6                                    6 6 f p    6                                3 6 6

 Vln. I   Vln. II

Cb.

6



 

 

                  



 

                  



p

  

6



p

Vc.

6

 

p

Vla.

6

6



p

  p

                   6

6

6

6

6

 

 


86

299

  



Ob.

 

 

Cl.

 



Bsn.

  



  



C Tpt.

 

 

Tbn.

  



  

 

  

 

Fl.

Hn.

Vib.

Perc.

   

Pno.

                          suddenly holding back mp                                               3



3

  



Vln. II

 



Vla.

 



Vc.

 



Cb.

  



Vln. I


87

301

 Fl.  

ord.

3

            

3

 

3

     

p ord.

Ob.

Cl.

Bsn.

Hn.

p

Vln. I

3

ord.

      p

 

   



 

p ord.

 

3

 

p



  

 



  

 



 

 

  

 

 

  

 



 



p

 



                                    

f subito

  

6

 



6

6



  

6

6

   





mf

 

3 3                        

Vln. II

                      



                

Vc.

                



3

3

p

Vla.

      

p

Cb.

 

3



3

To Picc.

 

  

             ord.

 Tbn.  

Pno.

 

3              

C Tpt.

Perc.

   

3

p

Vib.

3

   p

p

p

   

 



 



 



3

3


88

304

Picc.

  

Piccolo



Ob.

 

 

Cl.

 



Bsn.

  



  



C Tpt.

 

 

Tbn.

  



  

 

  

 

Hn.

Vib.

Perc.

       

Pno.

        

    

  

 

 

poco a poco dim.

  

 

 

 

                                                             

  



Vln. II

 



Vla.

 



Vc.

 



Cb.

  



Vln. I


306

Picc.

  

Ob.

Cl.

Bsn.

Hn.

  

 

  

 

 

     

89

a tempo

poco rit.

 

 



ppp



ppp



ppp

 

ppp

 

ppp

 

C Tpt.

 Tbn.  

Pno.

         

  

  Vib.  

Perc.

 

   





 

   

                              

  

 

  

  

 

Vla.

Vc.

 

Cb.

 

 

ppp



ppp

  

  

  

 

 

  

  Vln. I   Vln. II



 

       

ppp

 

 

 

ppp

  

ppp

 

ppp

ppp

 

ppp

       


308

90

Picc.

   

Ob.

Cl.

Bsn.

Hn.

  

  

  

mf

mf

mf

  

    

C Tpt.

mf



mf



mf Tbn.

 

 Vib. 



Perc.

Pno.

           

                   Vln. I  Vln. II

Vla.

mf

 

place metal bars G#5 to C7

6

  

 

  mf

   

  mf

               

mf

  



 Cb.  

Vc.

 

6

 





mf




91

310

Picc.

   

Ob.

Cl.



pp



pp

 Bsn.    Hn.

  

p

  

6

 

 

Vib.

Perc.

Pno.

 

 

 

 



 



pp Tbn.

 

pp

C Tpt.

pp

 

6

pp

  

6

 

 

6

   

6

 

6



                                 Vln. I  pp

Vln. II

Vla.

Vc.

Cb.

  

                                                pp



  

mf



pp

 

pp




92

   311

Picc.

               6

                 

Ob.

Cl.

mf

6

6

                            

6

6

6

6

6

6

                  

6

6

6

6

6

mf

6                                                  6 6 6 6 6 6 6

mf

Bsn.

Hn.

                                            6

6

6

6 6 6                       

mf

                              

 

                              

 

pp

6

6

pp

6

 Vib.  Perc.

Pno.

6

mf

6

pp



Vla.

 

Vc.

Cb.

     

     Vln. I  Vln. II

6

mf

6

 

6

Tbn.

6

mf

C Tpt.

6

 





























mf





6 6 6                                     

pp



mf





mf

mf


313

Picc.

93

        

6

Ob.

   6

6

6

mf

6 6                        

6

6

mf

      

Cl.

         

                                        6 6 6

6

6

6

6

                                  Bsn.               

6

6

6

6

6

Hn.

6 6 6 6                                                           

mf

C Tpt.

Tbn.

Vib. Perc.

Pno.

6

6

6

6

6

6

6

mf

ppp

                                       ppp

mf

  Vln. I 







   

Vc.

Cb.

    mf

6

ppp

6



Vla.

6

                                        

 

Vln. II

6

 



 











mf



mf

















 ppp


94

Gradually fade into non-pitched notes in WW and strings

315

                                                                  key clicks only, no pitches

Picc.

6

6

6

6

ppp key clicks only, no pitches

Ob.

                        6

6

ppp

6

Hn.

Vib.

Perc.

Pno.

 

6

6

6

6

                                    6

6

6

6

6

6



key clicks only, no pitches

6

6

6

6

6

6

6

6

6

ppp

6

6

6

6

6

6

6

6

6









 

 





  

 

Vln. II

 

Vc.

 

 





 







 ppp

  ppp

only finger notes, do not use bow

ppp

 

Vla.

 Vln. I  

Cb.

6

no pitches  clicks   only,         key                                                  

C Tpt.

Tbn.

6



6

                                                              

Cl.

Bsn.

6

ppp

6

only finger notes, do not use bow   

 

 

only finger notes, do not use bow

  

ppp

  



 



only finger notes, do not use bow

only finger notes, do not use bow

      


317

Picc.

Ob.

      6         

 

 

          

6

Cl.

To B. Cl.

6

To Cbsn.             Bsn.   6

    

breathe through instrument only let out as much air as possible senza sord.

Hn.

ff breathe through instrument only let out as much air as possible

  

C Tpt.

senza sord.

ff

breathe through instrument only let out as much air as possible senza sord.

Tbn.

Vib.

Perc.

       

ff

 

Vln. I

     

Vc.

  

Cb.

 



 

   

Vla.

pp

         

piano starts when brass run out of breath - as seamless as possible

 

Vln. II

Glockenspiel - knitting needles or equivalent - tinkly soft sound improvise on given pitches in any order

 

    

Pno.

95

Piano Solo with perc. - A Piacere - Poco a poco morendo e= 78

 

    

f

  

      

like a wind up toy losing energy

senza sord.

 

 

  

        

       

poco a poco dim.

  

senza sord.

  

senza sord.

  

senza sord.

senza sord.

  


96

320

 

Ob.

Cl.

 

 

Picc.

Bsn.

Hn.

C Tpt.

Tbn.

 Vib.  Glock.



unmeasured

 

ppp

 

 

ppp

ritard.......

                         

Pno.

Vln. I

 

 

   



    

 

  ppp

 

  

          

Vla.

Cb.



   

Vln. II

Vc.


Picc.

 

 

 

Ob.

97

Vignette 4: Rude Awakenings; Schizophrenic Dreamscapes

324

h = 66

To Bass Clarinet in Bb

Cl.

 

Bsn.

 

 

 

 

 

Hn.

C Tpt.

Tbn.

To Contrabassoon

        non cresc.   Glock.   Vib.

Vln. I

ff like someone scatting or talking

 

 

 

 

Pno.

Slapstick

take metal bars off clothes pins off

                                             fsfpp fsfpp fsfpp                                               

 

Vln. II

Vla.

 

Vc.

 

Cb.

 


98

328

Picc.

 

 

 



Ob.

B. Cl.

Cbsn.

Hn.

C Tpt.

Tbn.

Vib.

Perc.

                

Pno.

ritenuto

               

ff

subito

                                        loco

 

Vln. II

Vla.

Vln. I

Vc.

Cb.


99

330

Picc.

 a tempo 

Ob.

B. Cl.

Cbsn.

Hn.

Vib.

Perc.

 

Vln. I

pp

       

 



p



 

6

6

6

6

6

6

6

6

6

6

loco

Vla.

 

 

6                                          6

Cb.

pp

       6

6

Vln. II

 

 

pp

mf

                                      cresc. poco a poco 6

 

Vc.

3

Pno.



 

C Tpt.

Tbn.

senza sord.

senza sord.

detache

 

 

pp detache

pp

 

                      

 

           

 

3

3

5

5

mf

pp

mf

pp


100

Picc.

332

 



 

Ob.

B. Cl.

Cbsn.

Hn.

 

Vib.

Perc.

Pno.

       mf

3

      

 



 



p

p

mf



 



 

 



 

6 6 6                                                

 Vln. I  Vln. II

Vla.

6

6 6

6

6 6

6 6

                                                      6

6

6

6

6

senza sord.

 

       

3

3

5

5

mf

       mf

  



 



 



senza sord. detache

Vc.

Cb.

5

C Tpt.

Tbn.



3

p

detache

 

senza sord.

p

detache p

p

 

p






101

334

Picc.

  





 





Ob.

B. Cl.

  

Cbsn.

 

3

 

3

 

   

 



   

 



 fluttertongue  

 

  

senza sord.

C Tpt.

 

senza sord.

Tbn.

  

Hn.

Vib.

Perc.

senza sord.

Vln. I

  

  

6

  

    

Vln. II

 

Vla.

 

6

  3

   

6

 

Vc.

Cb.

 

6

6

6

6

                              6

 

3

    

 

  



fp fluttertongue

fp

                                        

Pno.

   

fp fluttertongue

6

6

6

6

5

5

5

5

5

5

5

5

         

 

    

 

    



                      

3

3

 

3

 

5

5

5

5

5

5

5

5

5

5

5

5

    

 

 













 

6 6               



6

6

           



6 6   

               6

6

6 6   


102

Picc.

Ob.

B. Cl.

336

  

 

       ff

    Cbsn.    ff 

        ff   C Tpt.       ff      Tbn.    Hn.

 

Perc.

Pno.

        

 

fsf

                        

    

   

fsf

    fsf

fsf

   

                 

  

         ff

                             

 

 

 

    Cb.    

ff

ff

      

                          

     

fsf

  

      ff    Vln. II      ff     Vla.  ff     Vc.    Vln. I

      

fsf

ff

Vib.

               fsf                      

       fsf   

fsf

fsf

    fsf    

fsf

                                            loco

    

  

       

     

        

     


340

Picc.

  

      3   3                                  

Ob.

3

3

3

3

                                   

B. Cl.

Cbsn.

                                

 



     



         

                         3 3

103

                 3

3

         3 3

        

         

 Vib.  

     

 

Hn.

C Tpt.

Tbn.

Perc.

        

Vla.

 

          

       Cb.   Vc.

f

3

   

   

                      3                         

            

3

3

                                          

3

 3

3

                                3                3

3

      

              

   

        

3

   

3

                             3 3           

      

3

 Vln. I          Vln. II

                       

 

Pno.

Tambourine

3

3

       

3

       3 3

   

        

   

        

   

        

3

3

3

3


104

Picc.

344

                                       

Ob.

B. Cl.

Cbsn.

Hn.

Perc.

Perc.

Pno.

6

6

6

6

6

                                      

   

    

C Tpt.

Tbn.

6

                                      

 

6

6

6



bend pitch



 

fp

f

fp

f

  

fp

6

gliss.

6

 

          

f

6

6

   

   

      

    

Cb.

3



      

f

6

                     

 

 

                         

       

                                 

 3        

6

                                            Vln. I 

Vc.

3

bendglpitch  iss.  

fp

shake

  

3

Vla.

      

gliss.

                                          

Vln. II

3

 

 

     



                 

      

3

 

         

 

         

3

       3 3

       3

       3

       3

      


105

348

Picc.

                     

Ob.

Hn.

Perc.

Perc.

                  

     

    

               

        

bass drum

3

3

6

3

3

3

3

6

6                

  

 

6

      

  

C Tpt.

Tbn.

3

                 

B. Cl.

Cbsn.

3

gliss.

            



(tambourine) 3

shake

3

large sus. cymbal w/soft mallet

Tam-tam

  

p let all hits ring

       Pno. 6  3 3                                                             Vln. I  3

3

6

                 

3

Vln. II

3

6

3 3 6                       

                     3 3 6     Vc.                   3 3 6    Cb.                                   

Vla.

3

3

6

   

 

  

 

 

ppp

 

 

            pp like someone scatting

            


106

Picc.

355

 

                        pp

                 

Ob.

B. Cl.

pp

Cbsn.

Hn.

Perc.

Perc.



 



    

pp





 

 



  



         

Pno.

    

 

C Tpt.

Tbn.

ossia if lower octave is not possible



 

      

   

                      

 

          

   

                     3 p

p

mf

 



Vln. II



Vla.



                         pp use as short a bow as possible                 

Vln. I

Vc.

Cb.

use as short a bow as possible

pp

       

3


107

358

Picc.

    

Ob.

 

B. Cl.

Cbsn.

Hn.

 

C Tpt.

Tbn.

Perc.

Perc.

 

                pp



                pp



               



  



   

 



      

 

             

 





 

 





 

 

 



sus. cym large               

hi-hat closed

p

            

Pno.

     

               

hi-hat

     

             

 

         



 





Vln. II





Vla.





      





Vln. I

 

Vc.

Cb.

 

               



  



   

 

  




108

360

  



Ob.

 



B. Cl.

 

             

Picc.

 

 

 

  

          f



C Tpt.

 



Tbn.

  

 

  

 

  

 

Cbsn.

Hn.

Perc.

Perc.

Pno.

Vln. I

  

f

   

                            

  

                       loco



 

       

             f

               

Vln. II

 



Vla.

 



 

  

             

Vc.

Cb.

f

as short a bow as possible

        f

      

as short a bow as possible


109

362

Picc.

 

Ob.

             

Hn.

 

Perc.

Perc.

Pno.

   

                           

 

                     

           

       



        

(hi-hat)

6                     3

    

              

                  

     

3

6

Vln. II

Vla.

Vc.

Cb.

                                     

   

           

    

     

               

 

Vln. I

 

                    

   

f

C Tpt.

Tbn.



                       

                              

B. Cl.

Cbsn.

     

                                     



                


110

Picc.

366

 



  

  

    

  

   

 

Ob.

B. Cl.

Cbsn.

Hn.

Perc.

Perc.

 



Pno.

 

C Tpt.

Tbn.

           

                             3

   

 

    

 

 

Vln. II

Vla.

Vln. I

Vc.

Cb.

 

(hi-hat)

                             3



loco

   

 

   

 


111

369

Picc.

 

 

Ob.

B. Cl.

Cbsn.

Hn.

Perc.

Perc.



 

 

C Tpt.

Tbn.



Vln. I

                  

     

                  





  

   





   



               

 

Pno.

 



 

 

mf

                  

open

closed

                

Vla.

Cb.



 

                                

   

                       ff                          

       



Vln. II

Vc.

   

                 

    


112

Picc.

371

 

Perc.

Perc.

Pno.

Vln. I

         



                           p                       

 

 

 

 

 

 

 

   p

p

p

sus. cym.

 

   

open

closed

p

f

 

Vla.

Vc.

 



  gradually open      (hi-hat)   p                                                

                                  

Vln. II

Cb.

              

C Tpt.

Tbn.

p



B. Cl.

Hn.

         

Ob.

Cbsn.

              

                                                p                             p

                     





                            p

                              p                        p


373

Picc.

        f

Ob.

     

      

f

B. Cl.

113

f

Cbsn.

Hn.

       

Tbn.

Perc.

Perc.

Pno.

f

  

C Tpt.

 

 

 

  

                                                                                    



  





  



 





    

 

 

  

 

       



 



 



     

        

 

fp

     f       Cb.   f

tambourine   

ff

       

closed

  

       

  

                                                     

      f  

f



f

f

Vc.

f

fp

                              Vln. I    f               Vln. II   Vla.

f

fp

   

   

  

          

    

                                 

          



  



         

                    



  



         

                      



  



         

             



 



     


114

Picc.

376

               

Ob.

B. Cl.

Cbsn.

    

       

                    

 Hn.                           C Tpt. 

     

 

       

                 Tbn.  Perc.

Perc.

  

 

 

 

Vln. I

Vc.

Cb.

                          

                   

Vla.

 

         

 

     

    

 

                                  

                      

  

        

       



                           

  

  

           

   

 

ff

        

blow bird whistle

glis s glis . s. multiple retakes of gliss. gliss with two hands on white and black keys

Vln. II

          

                   

 

shake in mid-air

      

Pno.

          



fp

fp

    

fp tam-tam

p

ff

 ff

 

ff

 

sus. cym.

f

 

 

ff

glis s glis . s.

      

 

l.v.

   

             

fp

ff


384

Picc.

 

 

 

 

 

 

 

 

 

 

B. Cl.

Hn.

C Tpt.

Tbn.

Perc.

Perc.

bass drum

  



Pno.

115

Ob.

Cbsn.

Piano Solo: Schizophrenic Competing Multiple Personalities

ppp

 

  

 

   

 

 p

 

   

crisp and exact - percussive

sus. cym.

 

pp



          espressivo

 

 

 

Vln. II

 

Vla.

 

Vc.

Cb.

Vln. I

   

    

         


116

Pno.

Pno.

390

 

   

 

     

Pno.

                   subito, espressivo p f subito        violent                     

      

       

    

 

      

                                 

    

407

f subito

           

                        

                  

Subito Meno Mosso

   

p

    

Subito A Tempo

 

subito, espressivo

                       

      

            

Poco a poco accel. Getting more hectic

                                             f subito                                                  

 410                          Pno.

        

                                       

          

           

404

  

Pno.

Poco a poco accel. Getting more hectic

396

 401

Pno.

                         p subito, espressivo f                     

          

            

     

     

     

     

    


412

Pno.

Pno.

Pno.

Pno.

Pno.

  

   

    

    

3:4q

 

 

p

3:4q

 

   

 

 

 

  ff



117

Subito A Tempo

           

 

subito, espressivo

    

       

            

           

  

         

415

Subito Meno Mosso

f subito

     

3

3

3

  

  

  

  

3

  

  

                    6

 

6





6

6





418 6 6 6 6                                                        6 6                                   loco

6

420

            

6

Subito Meno Mosso                                           

Subito  Meno Mosso p

subito, espressivo

          

424

Subito A Tempo

ff

                               

p subito, espressivo

        

Establish steady tempo for orchestra

Subito A Tempo 6 6 6 6                                                           ff p 6 6 6 6                                                              loco


118

427

Picc.

 

Ob.

B. Cl.

Cbsn.

Hn.

Perc.

Perc.

Vln. I

pp

mf

        3

pp

mf

         3

pp



mf

      6 6                               6 6 6 6 6

6

6

6

6

6

6

6

6

6

6

6

6

6

 

Vc.

6

6 6                                    6

 

Vla.

mf

cresc. poco a poco

Vln. II

Cb.

pp

Pno.

         3

 

C Tpt.

Tbn.

        3

   

p

p

   

  p

   

      

     p

 

 

 

 

p

 

 

 

 

 

 

   

 

 

 


119

430

Picc.

 

Ob.

B. Cl.

Cbsn.

Hn.

 

pp

C Tpt.

Tbn.

Perc.

Perc.

      

mf

         3

 

Vla.

Vc.

              

fp

f



                             

fp



f



f

  

        f

    

             

f

fp



           

f

fp



                      

6

6

6

        

  Cb.  

6

   

 

   

6

         

6

6

6

        

  Vln. I    Vln. II

f

fp

             

Pno.



fp

            

fp

mf

3

pp



         

6

6

6

6

6                       6 6     6        f              

     

 

   

 

   

 

   

                      

f

                    f

                     f

           

f


120

Picc.

433

 

               

                

Ob.

B. Cl.

Cbsn.

Perc.

  

tambourine

ff hi-hat

Perc.

Pno.

Vln. I

Vln. II

Vla.

Vc.

Cb.

     

   

           

                     

   

 

  

  

 

      

                              

 

 

 

                                            

 

  

 

 

 

 

 



                

 

ff

                     

, 

 

 

                

ff

 

Molto Meno Mosso molto rit.

                  



              C Tpt.  

,

                                    

Hn.

Tbn.

               

  

 

 

   

  

  

 

 

  

   

   

     



 

                                                                

 

                                                                 

 

 

                 

                


        437

Picc.

Presto Possible approx. 7 sec.

             

    ff

Ob.

Cbsn.

Hn.

    ff

      ff

Tbn.

Perc.

Perc.

Pno.

   



  













 

   











  



  

 

 



 

ff

     







 

      

   

 

bass drum pp

ff

  pp   

tam-tam ff

sfff

   

        

    Cb.  ff

 

 

 

 

   ff

  

ff

Vc.





  

ff

Vla.

ff

        Vln. I    Vln. II



 

   



ff

C Tpt.



ff

   

B. Cl.

121

fltg.

 



 



ff 3



3

 

 

  

   

 

 

 

  

     

     

     

      

3

 

3




122

Picc.

        438

   

Ob.

B. Cl.

Cbsn.

Hn.

Perc.

Perc.

Pno.

   

C Tpt.

Tbn.

poco a poco morendo approx. 5 sec.

 



 





 

 



  



 

 

   

  

   

 

 

  

     



p

  

p

p



Vc.

p

  

Vla.

p

p

Vln. II

p

 

 

 

   Vln. I     

Cb.

fltg.

 

     



           

  

  

  

 

 

  

   

 

 

 

  

 

 

       

 


Strings - approx. 5 sec. Piano - A Piacere

439 

Picc.

 

Ob.

B. Cl. Cbsn.

Hn.

Perc.

Perc.

Vln. I

 



Pno.

 

C Tpt.

Tbn.

                          ppp

                

        

         

         p

Vln. II

3

    p

Vla.

p

3

        

         

Vc.

Cb.

123

 

p

p

3

3

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 


124

Picc.

440

 



 

 

 

 

 



 



Ob.

B. Cl.

Cbsn.

Hn.

C Tpt.

Tbn.

Perc.

Perc.

Pno.

Vln. I



                 

ff

  

 

 

 

 

 

 

 

 

 

 

     

  

 

   

  

    

   

   

 

play last notes as if completely exhausted

   

   

  

  

ped. off

 

Vln. II

Vla.





Vc.

Cb.




Postlude: Calm and Tranquil

442 q = 74

Picc.

   

  

Ob.

Hn.

  

  

  Tbn.  

Perc.

Pno.

 p

p

     

C Tpt.

Perc.

p

   

B. Cl.

Cbsn.

  

p

p

  

     

mf

       

 

 

 

 

f

 

 

  

mf

f

 

pp

f

pp

    

   

 

  

f

bass drum

 

p

  Vln. I  

     

 

f

    

 

     

 

     

 

Vc.

Cb.

 

ppp

f

Vla.

ppp

Vln. II

      

f

 

p mf pp sus. cym.- wire brushes

  

ppp

pp

     

mf

ppp      

pp

mf

 

pp

mf

pp

  

poco rit. A tempo

f

mf

     

     

p

125

 

pp

pp

pp

 

   

f

f

 

pp

f

 

pp

f

  

 

       

      

                      p molto espressivo

 

                           

 

 

ppp

ppp

ppp

 

ppp

 

ppp


126

Picc.

450

 

put down instrument - pick up wine glass -

put down instrument - pick up wine glass -

put down instrument - pick up wine glass -

put down instrument - pick up wine glass -

Ob.

put down instrument - pick up wine glass -

B. Cl.

put down instrument - pick up wine glass -

Cbsn.

Hn.

Perc.

Perc.

Pno.

Vln. I

 

 put down instrument - pick up wine glass    

C Tpt.

Tbn.



                                         loco

 

Vln. II

Vla.

    



               mf                 

put down instrument - pick up wine glass -

put down instrument - pick up wine glass -

Vc.

Cb.

put down instrument - pick up wine glass -

 

put down instrument - pick up wine glass -

put down instrument - pick up wine glass -


127

456

 

B. Cl.

Cbsn.

 



Picc.

Ob.

Hn.

C Tpt.

Tbn.

Perc.

Perc.

Pno.

wine glass - wet finger and rub finger on the rim of the glass

wine glass - wet finger and rub finger on the rim of the glass

wine glass - wet finger and rub finger on the rim of the glass

wine glass - wet finger and rub finger on the rim of the glass

                                                      

        

   

p

  

  

  

  

 

Vln. II

Vla.

Vln. I

Vc.

Cb.

   


128

461 Piano solo - Poco a poco Ritardando e Morendo

  

Ob.

 

B. Cl.

 

Picc.

Cbsn.

  

C Tpt.

Tbn.





Hn.

Perc.

Perc.

Pno.

    

wine glass - wet finger and rub finger on the rim of the glass

 

 

Vc.

Cb.



Vla.

wine glass - wet finger and rub finger on the rim of the glass

 Vln. I  Vln. II

wine glass - wet finger and rub finger on the rim of the glass

        

     

   

  

  

  

   

wine glass - wet finger and rub finger on the rim of the glass

wine glass - wet finger and rub finger on the rim of the glass

wine glass - wet finger and rub finger on the rim of the glass

wine glass - wet finger and rub finger on the rim of the glass

wine glass - wet finger and rub finger on the rim of the glass


129

466

  

Ob.

 

B. Cl.

 

  

C Tpt.

 

Tbn.

 

Picc.

Cbsn.

Hn.

Perc.

Perc.







Pno.

 

    5

     

5

     

5

     

5

 

     

  

Vln. II

 

Vla.

 

Vc.

 

Cb.

 

Vln. I

5

     

5

     

5

     

5

 


130

468

 

Ob.

B. Cl.

Cbsn.



Picc.

Hn.

 

C Tpt.

Tbn.



Perc.

Perc.



 

tam-tam

   



  pp          3    

 

Vln. II

Vla.

Vc.

Cb.



Pno.

Vln. I

 

5

pp

sus. cym. - wire brushes

 


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