ABPL90142 VIBHUTI PATHARE,UOM TUTOR : ISABEL LASALA STUDIO D (01) WEAVING LANDSCAPES
[ 2021 ] A Tapestry _ Architecture of Metaphors
Animate Drawing Performative constructs Tectonic assemblage’s
Weaving Landscapes Studio 01
Exposure// Online Seminars // Workshops :: I.
W2 Designing landscapes by Isabel and Fed Square lecture by Prof.Donald Bates.
II.
W4 Designing the topography /landforms by Isabel..
III.
W5 dialogues with federation square Management [ Prof.Donald Bates, Ralph, Steph].
IV.
W8 Public Spaces by Isabel.
V.
W10 and 11 at structural engineer John Bahoric delivering two lectures: one about structure (timber / steel / concrete), and another about pavilions and bridges.
Precedent studies Culture/place _
I.
FEDERATION SQUARE | LAB ARCHITECTURE+ BATES SMART | 3.2 ha 7.9 acres | 1997 WINNING ENTRY 2002 Opening+ Federation square east /LAB+OCULUS +AURECON.
I.
Darling Harbour | HASSELL | Sydney, Australia | 20 hectares. | 2018
II.
Makoko Floating School | NLE Architects | Nigeria | 10 m² X 250 Barrel base prototype | year completed: 2016
III.
New Aquatics Centre | Kengo Kuma & Associates + Cornelius Vöge | Copenhagen, Denmark |5000 m² | 2018- 2021 opening.
Ecology _
I.
Harbour Farm 2.0 | Effekt Architects and Konvers | Middelfart, Denmark | 800 meter long | 20162017
II.
Knubben bath | Snohetta | 750 m² | Arendal| Norwegian harbour bath 2024|
I.
.
The courtyard Mad Architects | 10778 m² | BEIJING, CHINA | 2020
Movement/circulation I.
The Tide | Diller Scofidio + Renfro (Lead) + Neiheiser Argyros | Arup | 5km Walking peninsula | 2019 |
II. III.
Collaborative | Silver Lake | LA |Dwayne Oyler The Exchange | Columbus,Ohio,USA | Oyler Wu
IV.
Dublin Bridge | FOH | Beijing, China | 0.9 Ha of Landscape | 2011
V.
Water Pavilion, Yeosu expo | Daniel Valle Architects | Yeosu, south Korea | 30,000 m² | 2013 |
VI.
Mist Pavilion | Serendipity studio | Taiwan |KWA architects| 1,080 ㎡ | 2017
VII.
Garden Bridge | LONDON, UNITED KINGDOM | Thomas Heatherwick architects |2013 Competition
Landscapes by Burle Marx
w01
Weaving Landscapes Studio 01
W/02
SITE ANALYSIS BY VIBHUTI AND BEATRICE WHITWORTH
W/02
SITE ANALYSIS BY VIBHUTI AND BEATRICE WHITWORTH
W/03
SITE ANALYSIS BY VIBHUTI AND BEATRICE WHITWORTH
W/03
SITE ANALYSIS BY VIBHUTI AND BEATRICE WHITWORTH
Thetic Vocabulary // Dynamic layers
Precedent Analysis
W4 Federation Squaare Management dialogues
W/04
W/05
Brief 1. Animate Drawing by author
W/05
W/04
Topography //
The task included exploring the topographic relation through a series of contouring tasks, the different Levels of strategies applied while designing. It was interesting to answer the questions that can be altogether a different way of approaching terrains and complexity.
W/05
Topography // The task included exploring the topographic iterations with 10x10 grid
Sectional drawings
W/05
Topography // The task included exploring the topographic iterations with 10x10 grid
W/06
Topography // Final Iterations
The task included exploring the topographic relation through a series of contouring tasks, the different Levels of strategies applied while designing. It was interesting to answer the questions that can be altogether a different way of approaching terrains and complexity.
W/06
Topography // Final Iterations 3d models in Keyshot renderer
W/06
Topography // task 02 Attempt 1
The task included exploring the topographic relation through a series of contouring tasks, the different Levels of strategies applied while designing. It was interesting to answer the questions that can be altogether a different way of approaching terrains and complexity.
W/07
SITE ANALYSIS BY VIBHUTI AND BEATRICE WHITWORTH
Topography // Final Iterations 3d models in Keyshot renderer
W/07
W/07
Topography // Final Iterations 3d models in Keyshot renderer
W/08
FED SQ . PLAZA
WATERFRONT RIVER THEATRE
PAVILION
W/09
Social thresholds _ ecology + food + sports
W/09 Existing landscape
Existing landscape
Proposed Interaction
Taking a stance, and proposing it forward I want to improve this area, ‘what if’ of research, real rigor, history, critical thinking, Endeavor, and fictional driver thought process as design methods anomalies_ cracked and algorithm. I was interested into manipulation of ground and how architecture can operate interlacing _artistic parts take on the ground exists independtly sheltered shown, catalyst for the design, which was idea of ground interlacing with architecture, how would interact levitating the ground. It’s like kind of architecture who has dealt with ground condition merged or separate float or ground or supporter perceived spontaneously. Landscape that kind of oscillates incremental depth.
W/09
Proposed Interaction AGGREGATION pick and play DISTORTION adjusts to sight lines REINTERPRETATION adjust the edges
W/09
Cantilevers The phase two exhibits extension of landscape as courtyards with water connection as activities
W/10
River theatre _Cantilevers The phase two exhibits extension of landscape as courtyards with water connection as activities
AGGREGATION pick and play DISTORTION adjusts to sight lines REINTERPRETATION adjust the edges
W/10
Plan The phase two exhibits extension of landscape as courtyards with water connection as activities
Immersive culture _ aqua filters Fragmentation to create interstitial spaces Intersections between archetypes allow for flexible circulation and new ways to elevate and transverse along the site Cycling track that circles the aqua culture This makes architecture to breathe , evolve and blend with surroundings
W/10
W/10
Archetypes The distortion becomes stretched and amplified according to sight lines Line of vision for tactility Forces pulling the surface while retaining the qualities of unique layered space
W/11
Surreal is the place Place to bring out our self reflections That blacken the life Life into suffering Because all lives matter! Suffering for capitalists Capitalism imprints Imprints dissolving beyond Beyond which nature breathes…
W/07
Captivating minds Delayed projections
Surreal is the place Place to bring out our self reflections That blacken the life Life into suffering
Because all lives matter! Suffering for capitalists Capitalism imprints Imprints dissolving beyond Beyond which nature breathes…
Ignored perceptions Climate change
W/10
The landscape is interpretated metaphor of facades conveying sense of departure and surreal journey through the woods. Of Finding self , forgotten hopes
W/10
Memory of the vaults as an emotional trigger The bridge is allowing interstitial connections with the activities with the kinetic Mechanism for the site. The pivot guides the tectonic of the bridge it can elevate and Settle at the level of water.
W/10
Exploring the construction techniques
The bridge is allowing interstitial connections with the activities with the kinetic Mechanism for the site. The pivot guides the tectonic of the bridge it can elevate and Settle at the level of water.
Sections across the proposed connections The edge of the site has less exposure to sunlight so the glass could reflect the entire area. Vaults are a contemporary metaphor to the existing ones.
W/11
Sections across the proposed connections The edge of the site has less exposure to sunlight so the glass could reflect the entire area. Vaults are a contemporary metaphor to the existing ones.
W/10
Digital modelling of the theatre spaces _ Mid Sem
W/10
I. II.
Collaborative | Silver Lake | LA |Dwayne Oyler The Exchange | Columbus,Ohio,USA | Oyler Wu
W/11
Mist Pavilion | Serendipity studio | Taiwan |KWA architects| 1,080 ㎡ | 2017
Mist Pavilion | Serendipity studio | Taiwan |KWA architects| 1,080 ㎡ | 2017 https://www.serendipitystudio.design/mist-encounter
W/12
Figure 1./culmination of thetic gestural proposition(s) Pavilion of self reflection
Figure 2./Arrival landscapes