To Be Or Not To Be – There Is No Hesitation A film analysis of The Shawshank Redemption (1994) Written by Ruichen Yan1,2,3,4 1 Department of English, 2Department of Drama, 3Department of History 4 First-year undergraduate of St. Michael’s College, University of Toronto
From Being “Institutionalized” to Achieve Self-Actualization Needs Before Andy’s arrival at the prison, Red and others are living their lives without a purpose because not only are they physically confined within the walls of the prison, but more importantly, their sense of individuality is also eroded by the mundane tasks that they have to complete on a daily basis at the institution. As time passes, Red and others eventually lose their identities that they have previously defined by themselves. Instead, they are now re-defined by the prison that they are living in, or in other words, “institutionalized”. This is evident based on Brook’s experience upon his release from the prison, as well as Red’s commentary on Brook’s suicide, “Believe what you want. These walls are funny. First you hate ‘em, then you get used to ‘em. After long enough, you get so you depend on ‘em. That’s “institutionalized.” In addition to losing their previously established identities, the repetitive daily tasks at the prison also erode Red and others’ ability to hope. Hope, which is the desire that something will happen in accordance to one’s expectation, has no place in prison because everyone’s future in the institution is pre-determined. There is simply no room of uncertainty. In fact, this incompatibility between hope and prison is explicitly described by Red, where he says “Hope is a dangerous thing. Drive a man insane.” However, unlike Red and others, Andy’s true innocence of his crime confers him with the strongest determination to resist his identity from being institutionalized. To achieve this, he seizes every single opportunity that he finds in the prison to restore hope and positivity. From writing letters to the state legislature to request for funding, to playing an excerpt over the public address system, all these acts represent his resistance from being institutionalized and his pursuit for hope and liberation. Witnessing Andy’s progressive acts and his eventual liberation, as demonstrated by his escape from the prison, Red eventually changes his perception about hope. This is demonstrated by his arbitrary violation of his parole. Upon his parole violation, he feels the first time in his life that his future is unknown and remains to be determined. This is the first time in his life that he acquires the desire to become the most that he can be.
Screenwriters’ Perspectives Vol. 1 No. 1 2020
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