Vidhi Bhow

INTERIOR DESIGN PORTFOLIO VIDHI BHOW

CURRICULUM VITAE CONTACT

1)RESIDENTIAL/ WORK STUDIO FOR A POPULATION IN MOTION

5)THEATRE DESIGN

+91 9409229671

Instructor-Prof. Sunita Dalvi

vidhibhow@gmail.com

R/2 Sharnam-5,Satellite,Ahmedabad380015,Gujarat,India

PROFESSIONAL WORK

PROFICIENCY

MAY- JULY 2017

SOFTWARE

MAY- OCTOBER 2018

instagram.com/vidhibhow

Instructor-Prof.Pragya Shankar

3)RETAIL DESIGN

Instructor-Prof. Hetal Shah and Shalini Amin

4)CORPORATE OFFICE DESIGN Instructor-Prof. Percy Pithawala

INTEREST

Sketchup

Interior Designer at Workshopinc.

Designer at LocalxSociety

Spatial Planning,Site supervision,Design Drawing and detailing,Client Relation,Material Selection,Heritage Conservation,Urban Biodiversity

Name: DOB: Profession: Nationality:

VIDHI BHOW 19th August 1995 Interior Designer Indian

Photoshop Indesign Microsoft suit

Space Vocabulary,Cube transformation,Abstraction of a musical instrument,Abstraction of a vegetable,Technical Rendering and Drawing,History of architecture.

MANUAL Sketching Model Making Rendering

2014-2015

Abstraction,Matrix,Adaptive re-use of step-well,diagramming,Building-construction drawing,EVS,Furniture design of a stool.

2015-2016

Residence design,Retail Design, Residential/work Studio for a population in Motion,Furniture design a chair and center table.

2016-2017

Corporate design,Theatre Design,Research Thesis,Furniture design of a bench

10+2 Degree Sheth C.N Vidyalaya, Ahmedabad

PUBLICATION Aspects of Interior Organisation:Study of retail shops in Mandvi Market RELATED STUDY PROGRAM Paro,Bhutan Maheshwar,Madhya Pradesh Pune,Maharashtra INTERDISCIPLINARY PROGRAM Pottery,Photography,Epic tales,Social innovation-khoj,Meditation

Luxion Keyshot

ACADEMIC PROJECTS

Sketching,listening to music,Badminton,Photography

2010-2012

Rhino

Lumion

2013-2014

EDUCATION 2013-2017 Bachelors of Design from S.E.D.A.

Navrachana University,Vadodara.

8)MISCELLANEOUS WORK

Internship at Saransh Architects

LANGUAGE English,Hindi,Gujarati

7)PROFESSIONAL WORK

JUNE 2019DECEMBER 2019

facebook.com/vidhi.bhow

Instructor-Prof. Hetal Shah

Autocad

Spatial Planning,Design Drawing and detailing,Material selection,Client relation

ONLINE PROFILE

6)WORKING DRAWING

Design proposal for VMC

Concept Presentation and Autocad drawings

NOVEMBER 2018MARCH 2019

Instructor-Prof.Hetal Shah

2)ADAPTIVE REUSE (STEP WELL)

Volunteer at Hash Design Studio

Drafting

The idea is to make one pass through the series of space which seems extrovert but eventually leads to the core space which is enclosed in and introvert.

Residential/work Studio for a population in Motion The area which is darkened is a public area. It has kitchen ,living and dining. This area is very much connected to the outside.

Now squeezing that diagram as the container is the constraint,Extrovert spaces are more approachable as there are many punctures. On the contrary introvert space has is very enclosed and compact.

Dividing the upper diagram into two parts Extrovert and Introvert,this diagram comes.

1)RESIDENTIAL/ WORK STUDIO FOR A POPULATION IN MOTION

This is a private area ,which has study and bathroom. This area is comparatively close as it has only one opening. Although there is a skylight .

Getting into the shape of the container this diagram comes.

A Strong datum segregates the private and public space.

Bathroom has been kept at the end which has the utmost privacy. Light and ventilation happens by the glass above.

Instructor-Prof.Hetal Shah ThE curve is simplified here.

Living small yet living it all

This exercises main aim was to create a living space for self in a container. The idea was to design a space for by analyzing your lifestyle and understanding your own personalty. This was done by graphical representation of oneself through diagrams.

The container is primarily used for industrial purpose and made of recycled metal. This Container is above the canal which is supported by wooden framework. The Approach to the container from the road is through a metal fabricated stair which 1.0 m wide.

House is a domain that is intimate to all of us. Beyond its every day function as a physical shelter for people and their activities ,it connects with user on a personal and emotional level.

The modern day scenario of environmental and financial concerns along with the desire to have more freedom has led people to follow simple and efficient way of living.

B’

A’

CROSS SECTION AA’

A’

B

PLAN

A

A

LONGITUDINAL SECTION AA’

CROSS SECTION BB’

2)ADAPTIVE REUSE (STEP WELL) Instructor-Prof.Pragya Shankar

MUSEUM FOR INDIAN CLASSICAL INSTRUMENTS The project was to build a museum for Indian classical instrument in Sevasi Stepwell Without disturbing existing structure.

Light: As the Depth of the step-well increases, Intensity of the light perforating decreases.

Sound: Echo increases as we go down the step-well. Performance area has been kept where we get the least echo and the best sound as well as the maximum area for the audience.

Space: The step-well has a very strong and static grid and linear axis which directs to the well.

A hierarchy in the volume has been observed as you move toward the well.

Concept

The well is also experienced as a light shaft and that the experience of light has been repeated with different volumes in hierarchy. Repetition of light well increases the dynamism of the exhibition area.

Addition of mezzanine at different levels adds dynamism to the static column grid which is existing.

3)RETAIL DESIGN Retail store of a Knife Instructor-Prof. Hetal Shah and Shalini Amin

A’

B’ CROSS SECTION DD’

D

D’

CROSS SECTION CC’ C’

C

LONGITUDINAL SECTION AA’

Victorinox knife manufacturer based in the town of ibach, in the canton of schwyz, Switzerland. It is well known for its Swiss army knives.

Swiss made kitchen knife are not typically forged. They are stamped out of stainless steel and then fixed to a variety of handle styles. Typically very inexpensive however good bang for the buck. Because they are not a forged knife, the steel is very soft which means they are very easy to sharpen but do not hold an edge for very long.

Design

CROSS SECTION BB’

B’

B

I have expressed the sharpness and at the same time softness of steel in grid and organic forms.

How?

Like the blade of the knife, the existing structure is strong and rigid. But when you use the knife you could feel the flexibility( because of the softness of the steel) which is shown through the space .The space has a very organic feel and in addition is also based on a hidden grid .

Knife stand

A

A’

B

PLAN

A

CROSS SECTION AA’

LONGITUDINAL SECTION BB’

4)CORPORATE OFFICE DESIGN Instructor-Prof. Percy Pithawala

Here airbnb act as a mediator.

Here every thing connects to the core which is airbnb.

A’

Airbnb invented the idea of the sharing economy that people could use the property and assets. They own and rent them out and share them with others.

Airbnb is the easiest way for people to monetize their extra space and showcase it to an audience of millions.

B’

Airbnb

Design

This is a volume(host) and the extra spaces(used by guest) have been scooped out from the main core like in Airbnb the person who has an extra space give it to the guest for rent.

SECTION AA’

Work culture

GROUND FLOOR PLAN

B

SECTION BB’

A

Airbnb Believes in providing broad platform to for interaction and reflects its ideologies in the designed office spaces.

Besides Creating mere formal work station the office comprise of multiple spaces that invites employees to connect beyond their work grids. The office spaces are classified according to 3 level of interaction patterns.

Intra space: include private areas within the office minimum I interaction.

Inter space: include area that encourages interaction among employees.

Extra spaces: include areas that initiates the public to interact with employees and also other people.

FIRST FLOOR PLAN

5)THEATRE DESIGN Instructor-Prof. Sunita Dalvi

Ghashiram Kotwal is a Marathi play written by playwright Vijay Tendulkar in 1972 as a response to the rise of a local political party, in Maharashtra. The play is a political satire, written as historical drama.

The addition of the music heightens the emotion and evokes the atmosphere.

Here the music was used to develop a character and advance the plot without even using the words and just by increasing or decreasing the rhythm of the music.

AUDIENCE SEATING SIZE OF A SEATING

RHYTHMIC REPETITION OF PLANES IN STAGE DESIGN CONCEPT A’

Ghashiram Kotwal

STAGE

DISTANCE OF STAGE FROM AUDIENCE

STAGE DESIGN

Taking rhythm in architectural sense, repetition of an element in regular or irregular intervals could be used. For example levels could be created on certain heights and rhythmically repeated.

Placement of a column could also be rhythmic.

Ghashiram the character became very vulnerable.

Vulnerable is a state where you are exposed to the possibility of being attacked or harmed physically or emotionally.

Taking the word vulnerable as a metaphor, an element which is changeable, or portable could be used.

A column or a furniture which is could be used as per the scene requirement can change and move accordingly. A partition wall which could be used for multiple purpose.

PLAN

SECTION AA’

A

Design

THEATRE DESIGN WITH LIGHT

6)WORKING DRAWING Working drawings of kitchen Instructor-Prof.Hetal Shah

7)PROFESSIONAL WORK

Vadodara Camtp

Reclaimed wood and metal frames

Open close Mechanism A Portable alternative for Festivals and public events

Back lit boards • City history and informative posters • Advertisement

Reclaimed wood

Rope and Canvas art/lattice

Street

Furniture

Dhal ni pol Festival

Street scape plays an important role in defying quality public space by guiding and engaging the user. In the given context which is city of Vadodara,we see a dire need of optimal solutions to revitalize public spaces in a sustainable manner. One Such solution would be utilize the available scrap with the VMC (Vadodara Municipal Corporation)And the creative pool of Architects and designers to create something useful and meaningful and continuing the spirit of Vadodara in terms of value addition to the city.

Design Proposal For the city(Vadodara) that gets its name from trees - “Vad”, the trees and spaces around it form fond childhood memories for us - playing beneath them, sitting and sharing food, story telling, picnics, and so much more from a quieter time of the city.

We try to bring back the life beneath the trees of the city.

Street Movement

Pause

Walk

Seat

Unshaded/ Naturally shaded

Rebuild the Ruins The character of the ruin within the landscape can be a fascinating element. Broken abandoned space is bodily achieved of dying vernacular architecture in the collective imagination. Installation redefines space by introducing material that reflects the surrounding – the life around (housing, local, spectator ).

Before the Dhal ni Pol Festival ‘19, this space was a neglected parking spot where residents dumped their household waste and saw it merely as a passage between a cluster of houses and the Pol’s central plaza.

As part of the Heritage Festival in Dhal Ni Pol, first set of interventions focused our attention in revitalizing several plazas and chowks through that action called STREET ART.

For that purpose, we mapped the most influential areas considering the visibility of the walls, their area, and the presence of chowk or spaces extension/intersection. After having the collection of 10 walls data (elevations, existing condition and location), we consulted the local neighbours about the viability of the implementation.

The concept was to use the long and rich history of animal symbolism, their moral associations for a wide range of creatures, in Indian culture and art to muddy the message of the painting.

Shade

D E S I G N

Reuse Green Light Smart city street elements,with lighting wifi,charging hub possibilities Solar powered

During October and November 2019, We installed more than 1000 plants, 25 native species distributed in vertical gardens and pots around the neighborhood.

Species were decided according to sunlight, maintenance and people’s preferences.

Residential Design

EQ

ASR House is set out side the city of Ahmedabad in bopal District and belongs to a young couple,their son and grandparents.

The bunglow was purc-

Bathroom LVL + 8'6" 3'-2"

A/C

EQ

EQ

EQ

2'

EQ A/C

9"

EQ

2'-6"

LVL + 8'6"

4"

EQ

2' EQ

4"

9"

A/C

STORE ROOM

Kitchen

Switch Board Specifications Ground Floor Ht. 5 Amp 15 Amp Other SB SB 1 4' Bell SB 2 3'6" SB 3 3'6" SB 4 3'6" AC SB 5 1'3" 4 SB 5A 4' 1 2 SB 6 1' 2 SB 7 1'6" SB 8 1'6"

LVL + 8'6" Pooja Room LVL + 8'6"

Guest bedroom LVL + 9'

3'

EQ

6'

3'

chased as an emptshell.

Joining in the earlier stage of the project I was involved in design drawings and detailing,site supervision,interaction with consultants and vendors and furniture and material selection.

5" 3'

3'

3'-1"

9"

A/C

4"

3'-1"

3'-2"

9"

4"

2'-6"

7'

A/C

EQ

2'-6"

A/C

Dinning Room

EQ

2'-3"

EQ

EQ

EQ

3'-3"

2'-4"

2'-3"

3'-3"

2'-4"

4"

2'-3"

2'-6"

4" 2'-6"

Living Room 2'-6"

3'-7"

LEGENDS

4"

LEGENDS

2'-6"

4'-8"

4'-8"

2'-6"

A/C

7"

7"

A/C

FURNITURE LAYOUT

Purpose: Review Drawn By:Vidhi

WORK SHOP INC

ELECTRICAL LAYOUT

Project : APURVA SONI RESIDENCE Content : GROUND FLOOR ELECTRICAL PLAN Purpose: Review Drawn By:Vidhi

WORK SHOP INC

2

1 1 1

AC Geyser MICROWAVE FRIDGE

Calcium Silicate ceiling

FAN

All dimensions are in inches.

Dimensions are to be read and not measured, and internal dimensions to be considered as plaster to plaster.

Any ambiguities to be referred to the Architect.

2

1

Wooden ceiling

Ply Pelmet ceiling

Other Project : APURVA SONI RESIDENCE Content : GROUND FLOOR FALSE CEILING PLAN

4 2 2 1

AC

7"

2'-6" 7"

4"

1

SB 22 3'6" SB 23 3'6"

Gypsum ceiling

6W Light 9W Light

Vestibule LVL + 8'6"

Bathroom LVL + 8'6"

LVL + 9'

3'-7"

A/C

A/C

LVL + 8'6"

All dimensions are in inches.

Dimensions are to be read and not measured, and internal dimensions to be considered as plaster to plaster.

Any ambiguities to be referred to the Architect.

SB 11 3'6" SB 12 3' SB 13 3' SB 13A 4' SB 14 1'10" SB 15 1'10" SB 16 3'6" SB 16A 8' SB 17 3'6" SB 18 3'6" SB 19 3'6" SB 20 1'

EQ 2'-6"

5'-3"

2'-6"

2'-3"

2'-11"

EQ

LVL + 8'6"

FALSE CEILING LAYOUT

All dimensions are in inches.

Dimensions are to be read and not measured, and internal dimensions to be considered as plaster to plaster.

Any ambiguities to be referred to the Architect.

Project : APURVA SONI RESIDENCE Content : GROUND FLOOR FALSE CEILING PLAN Purpose: Review Drawn By:Vidhi

WORK SHOP INC

LOOPING LAYOUT

All dimensions are in inches.

Dimensions are to be read and not measured, and internal dimensions to be considered as plaster to plaster.

Any ambiguities to be referred to the Architect.

Project : APURVA SONI RESIDENCE Content : GROUND FLOOR ELECTRICAL LOOPING

WORK SHOP INC

.

Demographics

Upper Middle class Established household Own spacious apartment/bungalow Lived in the same city Nuclear family with one of the parents

Decor and Color Attitude

Mix of contemporary and traditional elements Colors to create complementing contrast with furniture

Psychographics Notion of Home

Place where one can relax and have the freedom to be

Influences

Social media,Apps,homes,hotels,social and community life

Key Personality Trait

Self initialetd and independent Conventional/traditional mindset Sociable

Color Preferences

Overall scheme of neutral or neutrals with accents of soft pastels or bold colors

Social life Active house hold Busy social life with friends,family,community largely centered around home

Take Away

Ready to experiment Prefer novelty and change Suggest them good products

8)MISCELLANEOUS WORK

TYPICAL DETAIL OF MEHESHWAR

ABSTRACTION OF LADIES FINGER

Instructor-Prof. Percy Pithwala and Pragya Shankar

TRANSFORMATION AND DECONSTRUCTION OF CHABUTRO Instructor-Prof. Sunita Dalvi

VIDHI BHOW

THANK YOU vidhibhow@gmail.com +91 9409229671