Architecture Portfolio by Vikram Siddharth Roy

a+d PORTFOLIO

VIKRAM ROY

Every great architect is - necessarily - a great poet. He must be a great original interpreter of his time, his day, his age.

- FRANK LLOYD WRIGHT

VIKRAM SIDDHARTH ROY AGE:23 B.ARCH NATIONALITY : INDIAN GENDER : MALE LANGUAGES KNOWN :ENGLISH,HINDI,BENGALI,ASSAMESE

WORK EXPERIENCE

Born

TIMELINE :

1994

INTERNSHIP AT STHAPATYA,ASSAM : MAY 2014-JULY 2014 INTERNSHIP AT DMRC,NEW DELHI : MAY2015-JUNE 2015 INTERNSHIP AT rat[LAB] : JULY 2016-MARCH 2016

Higher secondary schooling from The Air Force School, Dhaula Kuan

2009 My objective is to be a resourceful, curious and hardworking architect and push the boundaries of innovation while pursuing design in any field I undertake.

Pursued B.Arch from MBS School of Planning and Architecture

Senior secondary schooling from The Air Force School, Dhaula Kuan

2011

2016

SKILL SET

-AUTODESK AUTOCAD -ADOBE ILLUSTRATOR -ADOBE PHOTOSHOP -ADOBE INDESIGN -ADOBE AFTER EFFECTS -ADOBE PREMIERE -RHINOCEROS -GRASSHOPPER -AUTODESK REVIT -LUMION 3D -TRIMBLE SKETCHUP

INTERESTS

COOKING

TREKKING

PHOTOGRAPHY

WRITING

SPORTS

TRAVELLING

MUSIC

READING

INTERNSHIP PROJECTS

WAR MEMORIAL COMPETITION

PARAMETRIC ART COLLECTION 2016-17

CHIVAS X ASHISH N SONI

FARZI CAFE, CHANDIGARH

rat[LAB] Workshops

UNDERGRADUATE PROJECTS

THESIS : MUSUEM OF NATURAL HISTORY

URBAN DESIGN,ITO

INTERNSHIP PROJECTS PROPOSAL FOR NATIONAL WAR MEMORIAL Wars leave a huge impact on any country with respect to economy, growth or on human grounds. India has seen 5 major wars since its formation as a country along with numerous other peace-keeping missions carried from time to time. We have lost precious lives of about 25,000 brave soldiers in these missions which have left scars on the face of this country that may never be healed. Through this design scheme, we are commemorating these brave hearts through a symbolic representation of wars as SCARS on the face of earth.

INTRODUCTION

CONCEPT AND EVOLUTION

SECTIONAL IMPRESSIONS

PARAMETRIC ART COLLECTION Parametric Art Collection 2017 collates a broad range of unique and exclusively designed art objects articulated as furniture and spatial enhancers. As fragmented curves bind together and form endlessly fluid surfaces, each object unveils a dynamic story to represent oneâ&#x20AC;&#x2122;s lifestyle in a unique way, blending into any orthogonal or organic space. Each piece is carefully designed as visually sculpted monoliths or contoured morphologies in a multitude of joinery techniques and finishes.

The collection demonstrates the use of mathematically driven algorithms that transform the orthogonal nature of contemporary furniture or art into fluid forms and curvilinear morphologies. These algorithms have been used to generate formal sculptures that are then constructed from digitally formed timber profiles and painted in weather-resistant polyurethane coating, among other finishing alternatives. These objects emerge as visually-sculpted art-forms and can be finished in any colour in accordance with the adjacency. The design collection 2017 is launched with twenty exclusive pieces segmented into five generic categories â&#x20AC;&#x201C; Stools, Chairs, Benches, Tables and Lighting.

PROPOSAL FOR NATIONAL WAR MEMORIAL

CHIVAS X ASHISH N SONI

ABOUT : ASHISH N SONI is a fashion designer who along with Chivas was set to release a range of perfume named “Alchemy”. rat[LAB] was given the responsibility for curating the exhibit space for Ashish N sonI

FRAGRANCE STATION INGREDIENTS DISPLAY PERFUME DISPLAY

INGREDIENTS DISPLAY VOXELS DISPLAY SHELF

CHIVAS DISPLAY

ABOUT : The idea was to incorporate the respective charateristics of the designer and his work whilekeeping in mind the aesthetic appeal with the functionality of the idea using computational design and parametricity.

SCAN QR CODE TO KNOW MORE

ON SITE PHOTOS

FARZI CAFE,CHANDIGARH

FARZI cafe are a chain of restrobars and cafes which are spread through out New Delhi, NCR, Mumbai. rat[LAB] was approached to design the first ever FARZI Cafe coming up in Chandigarh,India.

ELEMENT DETAILS

184'-8" Rough Stone Cladding

Vertical Garden

Wall Paper

11'

PASSAGE

SMOKING 10'-8" AREA OPEN TO SKY

PASSAGE

PRIVATE DINING AREA

+12" FFL

TOILET MEN

8'-3"

R C

F HIGH SEATING

F M

N A2

M A1

34'-7"

ENTRANCE

Y X

M A1

O E

BAR AREA X

ENTRY

L' DINING AREA

D D

STAGE

+12" FFL

ISLAND BAR / COUNTER

+12" FFL L

9'-5"

BANQUETTE SEATING

TOILET WOMEN

+12" FFL

8'-3"

9'-0"

17'

8'-3"

C L

C I

Description

Type

S.NO. Dining Chairs

4'-6"

Symbols

Qty

Chair without Arm Upholstered

6' 4'-6"

BANQUETTE SEATING

Symbols

Description

Type

S.NO. Banquette sofa

Fully Upholstered leatherette sofa

Wooden Sofa

Sofa Single Seater

Sofa Double Seater

Dining Table 2'-9" x 5'-0" Polished veneer

S.NO.

Qty Tables

Type

Description

S.NO.

Qty Tables

Dining Table 2'-6" x 5'-0"

Dining Table 2'-9" x 2'-6"

Community table High 2'-9" x 10'-0"

Dining Table 2'-10" x 2'-10"

Rectangular Table 8'-0" x 3'-0"

Waiting Table 2'-0"x 4'-0"

Description

Type

Arm Chair Fully Upholstered

Metal + Wood Chairs

Upholstered Chairs

Metal + Wood Chairs

Wooden Back, upholstered seating

15'-9" +10'-0" +13'-0"

Parametric Bench

11'-0"

Qty

Centre Table 2'-0" x 4'-0" Ht. 1'-6"

Side Table 1'-6" x1'-6"

Centre Square Table 3'-0" x 3'-0"

Dining Table 15'-0" x 3'-6"

Credenza / Service desks

Hostess Desk

Cashier 3'-0" x 1'-6" ht. 3'-0"

TO BE PURCHASED High Chairs

Banquette Sofa

PROJECT -

Sofa

Tables

Dining Table 2'-9" x 5'-0" White Marble Table Top

Notes

WORKING DRAWING STAGE 2

FARZI CAFE, CHANDIGARH

Square High Table 2'-6" x 2'-6"

DWG NO.

This drawing and its contents are the sole property of architects rat[LAB] and may not be used or reproduced wholly or in part, for any purpose without the prior permission of rat[LAB]INTERIORS

TOTAL COVERS : 204

FURNITURE PLAN

Date - 14 March, 2017

Dwg. No. 1080_12_01

Drawn - Vikram

Checked - Anchal

Scale - NTS

Revision : 01

N rat[LAB]INTERIORS

A - 94B (3RD FLOOR), LAJPAT NAGAR - II, NEW DELHI - 110024, INDIA TEL : +91-11-41050425 M: +91-9810075756 E Mail : interiors@rat-lab.org

184'-8" 184'-8"

Cove for Back lighting the wall

Ceiling AFF:8'-6" 16'-11"

5'-4"

5'-7"

10'-10"

5'-7"

P.O.P Ceiling AFF:7'-6"

6'-4"

ELECTRICAL POINT FOR CHANDELIER

9'-0"

16'-6"

8'-5"

P.O.P Ceiling AFF:7'-6"

TOILET MEN

DUCTABLE SPLIT UNIT

TOILET WOMEN

2'-11"

2'-11" 2'-11" 2'-11" 36"x2'-11" 12" SIZE SPIRAL OVAL EXPOSED DUCT

8'-5"

DUMB WAITER

2'-7"

ALL ELECTRICAL POINTS WILL BE AS PER TRELLIS PROVIDED BY THE RETRACTABLE ROOFING VENDOR

12'-3"

DUCTABLE SPLIT UNIT

18'-2"

Service Window / Door

Cove for Back lighting the wall

5'-8"

CASSETTE TYPE UNIT

ENTRY

ELECTRICAL POINT FOR CHANDELIER

Ceiling AFF:6'-8"

5'-10"

6'-8"

7'-4"

6'-7"

Laminate False Ceiling AFF:9'-6"

5'-3"

Ceiling AFF:9'-6"

brazilian walnut // marinolam

Beam Bottom Ht: 9'-6"

DUCTABLE SPLIT UNIT

5'-9"

Beam Bottom Ht: 9'-6"

5'-9"

7'-6"

17'-6"

21'-9" 6'-10"

34'-7"

Beam Bottom Ht: 9'-6"

4'-3"

8'-6"

3'-5"

10'-3"

ENTRANCE

Ceiling AFF:6'-8"

11'-1"

CASSETTE TYPE UNIT

CASSETTE

CASSETTE TYPE UNIT

TYPE UNIT 11'-1"

7'-7"

3'-8"

Ceiling AFF:9'-3"

Beam Bottom Ht: 7'-8"

17'-3"

10'-4" Ceiling AFF:9'-3"

3'-8" 11'-1"

6'-5"

DUCTABLE SPLIT UNIT

Ceiling AFF:9'-3" 8'-11"

DUCTABLE SPLIT UNIT BAR

5'-11"

7'-3"

7'-5"

3'-7"

4 36"x 12" SIZE SPIRAL OVAL EXPOSED DUCT

2'-6"

6'-8"

6'-1"

Ceiling AFF:11'

ALL ELECTRICAL POINTS WILL BE AS PER TRELLIS PROVIDED BY THE RETRACTABLE ROOFING VENDOR

6'-5"

2'-5"

Service Window / Door

3'-2"

Laminate False Ceiling

6'-8"

2'-7"

Wooden False Ceiling AFF:8'-6"

5'-1"

48"x 12" SIZE SPIRAL OVAL EXPOSED DUCT

10'

ELECTRICAL POINT FOR CHANDELIER

6'-1"

5'-8"

ELECTRICAL POINT FOR CHANDELIER

13'-6"

10'

Service Window / Door

2'-10"

ALL ELECTRICAL POINTS WILL BE AS PER TRELLIS PROVIDED BY THE RETRACTABLE ROOFING VENDOR

8'-3"

7'-6"

Ceiling AFF:11'

DUMB WAITER

11'-11"

ISLAND BAR / COUNTER

Ceiling AFF:9'-6"

KITCHEN 670 Sqft Ht: 11'-0"

STAGE

Beam Bottom Ht: 7'-8"

8' 2'-11"

54'-10"

PIZZA OVEN Service Window

2'-7" P.O.P Ceiling AFF:7'-6"

13'-10"

3'-3" 36"x 12" SIZE SPIRAL OVAL EXPOSED DUCT

5'-6"

4'-4"

Ceiling AFF:6'-9"

10'-8" 7'-5"

CASSETTE TYPE UNIT

Cove for Back lighting the wall

ENTRY

7'-1"

Beam Bottom Ht: 9'-6"

1'-9"

36"x 12" SIZE SPIRAL OVAL EXPOSED DUCT

Cove for Back lighting the wall

8'-8"

STAFF TOILET

4'-4"

8'-0"

4'-7"

4'-4"

8'-0"

4'-2"

ELECTRICAL LEGEND: Halogen

Ceiling lvl

Pendent light

Ceiling lvl

CFL mirror optics

Ceiling lvl

Camera

PROJECT -

Notes

FARZI CAFE, CHANDIGARH

WORKING DRAWING STAGE 2

TOTAL COVERS : 212

RCP

LEGEND: Fluid Seating

Ceiling lvl

@ 11' AFF

4"X4" Metal grid on ceiling

@ 9'-6" AFF

8"x8" Metal Voxels grid

@ 9'-3" AFF

Metallic pipe installation

@ 9'-3" AFF

This drawing and its contents are the sole property of architects rat[LAB] and may not be used or reproduced wholly or in part, for any purpose without the prior permission of rat[LAB]INTERIORS

Date - 6 March, 2017

@ 9'-6" AFF

P.O.P Grooves at 8" Distance HVAC Duct

Dwg. No. 1080_12_01

Drawn - Vikram

Checked - Anchal

Scale - NTS

Revision : 06

DWG NO. N

rat[LAB]INTERIORS A - 94B (3RD FLOOR), LAJPAT NAGAR - II, NEW DELHI - 110024, INDIA TEL : +91-11-41050425 M: +91-9810075756 E Mail : interiors@rat-lab.org

rat[LAB] Workshops ABOUT : rat[LAB] has been a pioneer in reforming the quality of architecture education in India. rat[LAB]â&#x20AC;&#x2122;s initiative named rat[LAB] education is responsible for organising countless workshops throughout the country ,educating numerous students on the intricacies of computational and paramteric design.

UNDERGRADUATE PROJECTS MUSEUM OF NATIONAL HISTORY The project was an ardent realisation of the reality of museums in INDIA.The presence of magnificent structures as an exhibition space is something our city hasnâ&#x20AC;&#x2122;t responded to accordingly.The recent mishappenings with the Museum of Natural History,New Delhi is also a part of the reason i had chosen this site to remap our relics and provide them a home and the cultural importance they deserve.

Creating corners and parts in accordance to the wind direction

Starting off with a rectilinear built space as a basic modulefor designing

Jutting and denting of the structure in accordance to the sun path

Finally creating openings in accordance to both the aforementioned factors and a central courtyard acting as a transition space

URBAN DESIGN,ITO THE CHALLENGE

THE OPPURTUNITIES

ITO Area is a major thoroughfare as well as destination for the city and therefore functionally significant.About 80% of the traffic passing through this area is not destined to ITO

-ITO complex is a major public transport interchange -Public transit hubs that enables users to change various modes and direction at ITO -Location of 2 metro stations, 1 ring railway station & the BRT Corridor, makes most of the area falls under the 500mts MRTS corridor â&#x20AC;&#x153;influence zoneâ&#x20AC;?

-Heavy through traffic -Lack of adequate number of bridges acorss yamuna causes traffic to concentrate only on a few Arterials creating severe congestion points.

URBAN DESIGN,ITO

ar.vikramroy@gmail.com +91-9810231394