in this issue

lic-facing revival of Indigenous cultures and a growing interest in reclaiming and preserving the customs of the past. After consulting with the Joseph family, the South Island Powwow emerged as a result of this resurgence, becoming a symbol of cultural revival, pride, and celebration.

Ceremonial Practices

Central to the Powwow are the ceremonial practices that honour ancestors and the natural world. Grand entries mark the beginning of each Powwow, with dancers adorned in their regalia, proudly representing their culture and heritage. The sound of drums, powerful and rhythmic, fills the air, connecting all participants to the heartbeat of Mother Earth.

Dances and ceremonies are performed by participants of all ages, each with its own unique story and purpose. The traditional dances, such as the Jingle Dance, Fancy Dance, and Grass Dance, are awe-inspiring spectacles that captivate both participants and spectators alike. These dances have been passed down through generations and serve as a living testament to the resilience and cultural heritage of Indigenous communities.

Another vital aspect of the South Island Powwow is to honour Survivors of residential/day schools, the 60s Scoop, Missing and Murdered Indigenous Women, Girls and 2-Spirit people (MMIWG2S+), children who never made it home from residential schools, and military veterans. We honour these members of our communities in recognition of the loss, resiliency, sacrifices, and service of Indigenous Peoples.

Community and Unity

The South Island Powwow is more than just a cultural event; it serves as a meeting ground for people from diverse backgrounds to come together and learn about Indigenous cultures. Through storytelling, workshops, and interactive demonstrations, attendees can gain valuable insights into the customs, history, and daily lives of Indigenous Peoples.

This Powwow fosters an atmosphere of mutual respect, understanding, and unity, where everyone is encouraged to celebrate and appreciate the richness of Indigenous traditions. It provides an opportunity to dispel stereotypes and misconceptions, open doors for dialogue, and build bridges between Indigenous communities and the wider population.

Through such cultural events, we can strive towards a more inclusive and diverse society that cherishes and celebrates the customs and identities of all its members.

All proceeds raised through donations will go directly to the Indian Residential School Survivors Society. We look forward to inviting Nations and communities to join us this September 30th, 2023.

Published by Fernwood

Editorial Committee

Chantille Viaud Mila Czemerys

Founding Editor Lisa Helps

Contributors

Samantha Dean Chantille Viaud

Daniel Aire Grace Lore, MLA

Soma Morse Ryan Davis

Stacey Nowak Fernwood NRG

Lauren Gaultier Kayla Siefried

Jesse Wallis Kathryn Juricic

Art Christian Stewart Daniel Aire

Axel Soma Morse

Knotty by Nature CREAM

Lauren Gaultier Mila Czemerys

Kayla Siefried Webmeister Bud

Don Craig Photography

Production Mila Czemerys

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We gratefully acknowledge that Fernwood, our community where we live, work and play resides on the territory of the Lekwungen peoples, the Songhees and Esquimalt Nations.

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