VIM Fall 2019 Print Issue by VIM Magazine

FALL 2019 VIM Magazine

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Dominoâ&#x20AC;&#x2122;s East Lansing Simply Straws Spartan Spirit Shop Sundays Everyday Every Body ShoesbyRachl Robyn Blair Blue Owl Sticker By Lei By Taylor Grace & many others who made this semester such a success. VIM could not flourish without your support.

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EDITORS-IN-CHIEF WOLFGANG RUTH & MATTIE MILNE ASSISTANT TO THE EDITORS-IN-CHIEF Eve Voci ART DIRECTOR Kelly Phalen ASSISTENT ART DIRECTOR Lauren Johnson EDITING DIRECTORS Caroline Johnson & Sophie Schmidt CREATIVE DIRECTOR Molly Harmon ASSISTANT CREATIVE DIRECTOR Maria Vitale WOMEN’S FASHION DIRECTORS Mackenzie McDonell & Meghan Provenzano MEN’S FASHION DIRECTORS Dwayne LaGrone & Christian Ostrowski LIFESTYLE DIRECTORS Monique Ross & Abby Jaroszewicz ASSISTANT LIFESTLYE DIRECTOR Karina Lloyd HEALTH & BEAUTY DIRECTORS Steffany Kim & Olivia Russell CREATIVE BEAUTY DIRECTORS Dianne Avila & Michaella Andersen EVENTS DIRECTOR Katie Telder ASSISTANT EVENTS DIRECTOR Hallie Tsui MARKETING DIRECTORS Alaina Warburton & Courtney Monge PUBLIC RELATIONS DIRECTOR Aubrey Haase ASSISTANT PUBLIC RELATIONS DIRECTOR Brianna Olszewski SOCIAL MEDIA DIRECTORS Maddy Emerson & Madeline Strintz ADVERTISING DIRECTORS Taylor Anderson & Emma Rafferty PHOTOGRAPHY DIRECTOR Nicole Ma ASSISTANT PHOTOGRAPHY DIRECTOR Maria Leolani DIGITAL BLOG DIRECTOR Heather Haely & Evana Caruso ASSISTANT DIGITAL BLOG DIRECTOR Carly Komar BLOG PHOTOGRAPHER Meghan Lloyd DIGITAL CREATIVE DIRECTORS Madison Stoy FINANCE DIRECTORS Nina Kirchner & Alyssa Mills ASSISTANT FINANCE DIRECTOR Maisie Kern CASTING DIRECTORS Abigail Rothe & Caroline Semier ASSISTANT CASTING DIRECTOR Tori Tullio FASHION RELATIONS DIRECTORS Katty Genson & Alaina Agnello FILM DIRECTOR Sara Seryani ASSISTANT FILM DIRECTOR Leah Croghan GRAPHIC DESIGN DIRECTORS Mary Beth Flores & Hope Ann Flores DIRECTORS OF DIVERSITY AND INCLUSION Shaun Hayes, Cat Dang & Madison Reyes ART TEAM Zoe Howard, Molly Killingbeck, Nolan Wall, Nicole Borchenko COPY EDITING TEAM Lucas Polack, Bianca Bucholtz, Alec Parr, Emily Hobrla WOMEN’S FASHION BLOGGERS Kathryn Chambers, Noel Thomas, Meave Wilson, Abby Scroggie WOMEN’S FASHION STYLISTS Kathryn Remy, Hannah Pace, Kit Harmer, Savannah Adler, Megan Neibert, Rachel Samet, Haley Poag WOMEN’S FASHION WRITERS Claire Balderson, Nicole Glynn, Brianna Steiner, Kayla Effner, Jessica VanDerMaas MEN’S FASHION TEAM Jackson O’Leary, Marley Jenks, Matthew Gulielmi, Baraka Macharia, Madison Walsh, Jordan Kilgren

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EVENTS TEAM Peri Applefield, Anoushka Ravindran, Danielle Doherty, Meghana Cheeti CREATIVE BEAUTY TEAM Sam Holley, Olivia Makela, Mackenzie Stoy, Megan Hemstreet, Olivia Simone HEALTH & BEAUTY TEAM Violet Wesenberg, Alisha Ungkuldee, Maxine Osorio, Caroline Burns, Chole West, Paige Bimberg, Natahlia Grinenko LIFESTYLE TEAM Isabel Foster, Celine Kerik, Ana Klein, Claire Ryan, Hunter Gadwell, Brianna Lane, Amarra Lyons, Audri Carmona, Melanie Macwan, Emily Tottis SOCIAL MEDIA TEAM Bridget Bartos, Jillian Jaeger, Sophie Chernow, McKenna Cameron, Zoe Stirrett, Caitlin Farrand, Mira Heaney MARKETING TEAM Olivia O’Connell, Olivia Moliassa, Alexia Saucedo, Stephanie Kilne, Sarah Oesterling, Isabella Adelson, Justin Zhang, Grace Dutch, Gabrielle Morello PUBLIC RELATIONS TEAM Cyrin Watson, Ri’An Jackson, Erin O’Brien, Haley Robins, Sarah Peltz CASTING TEAM Ashley Ayers, Kathryn Milbury, Brianna Elizalde, Madeleine Grainger ADVERTISING TEAM Bella Jacks, Julia Schwartz, Maddie Vanvliet, Shelby Zeigler, Rachel White, Avery Graf, Velle Zalazny PRINT PHOTOGRAPHERS Alec Plymale, Jenna Diclemente, Cam Best, Jack Gallager PHOTOGRAPHER ASSISTANTS Hannah Serman, Emma Dowd, Celia Lochkos, Julia Lobello, Jillian Felton, Sage VanAlstine, Lauren Snyder FILM TEAM Brett Moore, Sydney Mireles, Moises Garcia, Tommy Ruth, Sarah Zube, Sterling Goddard, Rachel Wright, Nate Zelent, Anna Francone, Cody Church, Malia Athanasiou GRAPHIC DESIGN TEAM Lexi Ciagne, Courtney Cibot DIGITAL BLOG TEAM Bryn Feeley, Catherine Davis, Elena Bulthuis, Kayla Donaldson, Kayla Norris, Sarah Rabaut FINANCE TEAM Olivia Phaneuf FASHION REALATIONS TEAM Sydney Pitynski, Ruwarashe Mukwada, Kennedy Goudeseune, Lilly Soble, Ally Iverson, Shree Mysore, Anna Webber, Alexandra Forkin FOUNDERS Kerry Chereskin, Lauren Christopherson, Julie Christopherson

WOMEN’S FASHION 8 BLACK & WHITE 10 A NEW GENERATION OF FREE FORM FASHION 13 FROM THE CANVAS TO THE RUNWAY 16 MOTHER NATURE 20 TRANSCENDENCE MEN’S FASHION 28 REDEFINING MASCULINITY 30 URBAN WESTERN 33 AMERICAN NOSTALGIA HEALTH & BEAUTY 38 THE VAPING EPIDEMIC 40 YOU’RE A WHAT? 44 FREE FLOWING 46 CARNIVAL 52 MAD LAB LIFESTYLE 55 DEVELOPING DETROIT 58 AESTHETIC OVER NECESSITY 60 EMPOWERMENT IN BEING ALONE 62 NO, I’M NOT A CATHOLIC I’M A LIBRA

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We’re proud of all the moments that formed this hectic, but nothing short of a truly unparalleled semester. From the “two minute” phone calls that turned into two hours, the last second switch-ups (and when we say last second, we mean it!), creating in the studio from sunrise to sun down and every moment in between—we would not have been able to produce such a colorful, inclusive and powerful issue without every individual part of VIM. We pride this publication on being the source for style not only at MSU, but in and around the Lansing community. In this issue, VIM tackles topics that travel beyond fashion: questioning gender norms, shedding light on the vaping epidemic, highlighting gentrification in Detroit, bringing attention to climate change and more. To every writer, stylist, artist, director, strategist and creative—we thank you for your eagerness to collaborate, unwavering dedication and positive energy. From incorporating a board of diversity and inclusion, implementing a brand guide, revamping our digital presence and advancing VIM’s community and student involvement—to name a few accomplishments— we value each and every one of you. And finally, thank you to our readers, followers and biggest fans who show so much love and support. As always, we hope VIM continues to spark conversations, stir curiosity and above all; inspire change.

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Finally, a color trend for minimalists—or should we say the trend that’s back again: black and white. The pairing of high contrast blacks and whites is truly timeless and this chic look always catches the eye. This merely colorless look can be easy to try because most people own staple black, white, color-blocked or patterned black-and-white pieces. Black and white are a simple blueprint for the most complete and polished look. Colliding the two is fashion itself. The colors are neutral in nature, so it’s difficult to go wrong when styling a look with this posh combination. Black and white pieces come in all forms of fabrics, textures, designs and styles. Whether you are looking to style your favorite black

leather pants with a black and white coat, blazer or loafer, this combination screams class and sophistication. Feeling bold? Try styling a look with different black and white patterned pieces such as dots, stripes or checks to create a truly extravagant look.

Whether it’s an addition of ruby red or your go-to animal print, anything will tie in with black and white. If trying the full colorless trend altogether seems like too much, consider just adding a few black and white pieces to your rotation.

Infusing black and white together creates the perfect duo in individual pieces and complete outfits. You can take the pairing into your work outfits, glam looks or even to the streets! Want to accessorize and amp up your outfit? Looking to add a pop of color? Easy. You don’t have to worry about coordinating your own flare to a black and white look because everything matches.

Let’s not forget what the famous Karl Lagerfeld once said, “Black and white always looks modern, or whatever that word means.”

WORDS: MEGHAN PROVENZANO PHOTO: JACK GALLAGHER STYLE: MACKENZIE MCDONELL GLAM: OLIVIA SIMONE & MEGAN HEMSTREET

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For young women, fashion is not only a powerful tool of self-expression but one of empowerment. Women have been conditioned to think of clothing as a representation of their identities. Whether it be business casual or cocktail, there is pressure to convey an appealing message about themselves through what they are wearing. However, there is growing pushback from women who are ignoring these outdated standards and carving the way for a new generation of freeform fashion. More clothing brands began to 10

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recognize the restrictiveness of the gender binary in fashion. Companies like Karen Glass and Bruta share similar missions to encourage genderless fashion with a sustainable business model. Progressive companies like these are a sign that the future of fashion will be much more fluid than it has been in the past. Clothes have the remarkable ability to make people feel like the most powerful version of themselves. The reality is that empowerment comes in many different forms. Countless factors ranging from gender

and sexuality to culture and class influence peopleâ&#x20AC;&#x2122;s sense of fashion. Taking power and confidence from your style is achievable with or without embracing femininity. When beauty standards extend beyond making women more desirable to men, the floodgates of fashion are opened. Women today are defining what it means to be true to themselves and are generating buzz within the fashion industry by stepping outside of the norms. A popular example of this is

Billie Eilish. The singer has spoken openly about how her fashion choices are not just branding and personal taste but stand in direct defiance of objectification and slutshaming. After Eilish was spotted wearing a tank top and the internet buzzed about the size of her breasts, there was intense backlash from people who pointed out that not only is she a minor, but she has taken extreme measures to avoid sexualization throughout her career. The criteria for what makes a woman’s style the perfect balance of attractive and modest was created by men, and it’s time to reclaim it. Unwritten, patriarchal rules like these hinder creativity in fashion the same way it aims to hinder the influence of the women wearing the clothes. Eilish is by no means the first celebrity who has embraced

androgynous fashion. Historically, the dichotomy between men’s and women’s style has not been so rigid. There was an entire evolution of androgynous fashion in the twentieth century that still influences what is on the runway and the streets today. In the ’50s and ’60s, Katherine Hepburn was

applauded for her nonnormative gender expression as she regularly sported blazers, vests and trousers. More recently, women have used dramatic, bold styles to display their identity in a new way. Celebs like Avril Lavigne have branded themselves and their music through fashion that is not just about sex appeal, but aesthetic and personality. Several of Levine’s fans, including Eilish herself, drew inspiration from the femme punk twist Lavigne put on 2000s style. This type of controversial fashion has larger implications than influencing market behavior. It has the potential to give people who don’t see themselves represented in mainstream fashion the confidence to take risks and embrace their identity. Without the burden of gender and societal norms, there are endless

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opportunities for innovation. Demanding more freedom in how people express themselves allows for more imagination and variety in fashion. This may seem melodramatic to those who aren’t passionate about clothes, but finally allowing people to have a voice through what they wear is one piece of the puzzle in a much more consequential movement. The fashion industry, despite

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being historically femaleoriented, is still dominated by men. Although there is no shortage of women pursuing roles in the industry, the gender gap persists, especially in upperlevel positions. Without representation, it is not surprising that women’s visions are often not reflected in the products on the market. However, social media and other technology allows people to create trends and challenge

tradition on their own. Despite the industry’s shortcomings, people continue to find inspiration in the creativity and expression of those around them.

WORDS: KAYLA EFFNER & CLAIRE BALDERSON PHOTO: CAM BEST STYLE: SAVANNAH ADLER & HALEY POAG GLAM: SAM HOLLEY

As models walked off the runway concluding New York Fashion Week (NYFW) in September, artists of Detroit stepped onto the streets of Eastern Market. While the artwork of leading designers was showcased on the catwalk, artists from all over the world gathered in the streets of Detroit to make artwork of their own. Detroit’s Murals in the Market event ran from September 14 to September 21 this year, following NYFW, which ran from September 6 to September 14. While these dates might seem coincidental, fashion and art have always had intentional correlations throughout history. Murals in the Market showcases street art in its most celebrated form: the mural. The annual international mural festival provides an outlet for Detroit’s community and artists from all over the world to express themselves. From Texas to Ireland, artists travel from near and far to contribute to Motown’s highly anticipated event. As market goers stroll from shed to shed, they are encouraged to step away from the stands to indulge in the various primary and bright colors. The 1980s were notorious for outrageous neons and out-there styles that shaped the decade. The ’80s was the birthplace of styles that are still seen today like leggings, windbreakers and those notorious neons that made the ’80s stand out in the history of fashion.

Also born in the ’80s—street art. Shades of neon and eclectic designs on the streets were thought to be pure vandalism. While graffiti was once frowned upon back in the day, it has evolved to its own niche of art over the last few decades. Now, more commonly referred to as murals, this art style once again links back to fashion.

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unconventionally attractive. Providing a contrast to the burnt auburns and taupey mochas that are expected, the murals of artists like Joey Soloman suggest shades like magenta and cyan.

The consistent relationship between pop art and fashion proves to remain to the present. In an interview with Hour Detroit Magazine, Hamtramck artist Nick Pizana detailed his muses of electric jewel tones and solar powered yellows. He shared, “I’m more into using color to make images that are imaginary and exaggerated.” In the recent Spring ’20 Readyto-Wear shows, collections from houses like Miu Miu revisited elements birthed of the ’80s such as oversized blazers and broad shoulder pads. More importantly, they held true to the decade’s street 14

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art reputation, embedding paint splatters and neons in unsuspecting places. Moschino’s Ready-to-Wear show quite literally includes lines of paint in model’s hair. The pops of neon complement the vibrant colors and busy patterns of the collection, evidently influenced by the ’80s pop art. Spirals and shapes detailed on the garments were referred to in the paintings of Mickey Francis and Ed Irman, who were featured in Murals in the Market. In colder seasons where neutral earthy tones dominate, primary and neon colors become

On the contrary, in anticipating winter, the alluring metallics featured in the Yves Saint Laurent Spring ’20 Ready-toWear collection, led by creative director Anthony Vaccarello, are imitated in the artwork of Olayami Dabls. Many mirrors embedded into Dabls’ piece parallel Vaccarello’s hues of gold and silver. Cascading belted halter gowns, the illusion of gold leaf foil and beaded embroidery resembles the reflective elements of his most recent work. In NYFW Spring ’18, other instances of historical art influencing the runway were more than evident. Designer Marni took inspiration from the postmodernism movement, Fendi from futurism and Oscar de la Renta from cubism and surrealism. While such movements mark history in the art realm, these movements persevere in fashion in the

decades that follow. The life cycle of art begins with artwork influencing the runway, then the runway influencing the Ready-to-Wear, commercialized pieces the general public views as trends. As streetwear has made its impact on the rising trends of today, it is likely the streetwear style itself evolved from the murals and graffiti that were once thought to have plagued the streets.

to be an outlet allowing artists and their work to be celebrated long after their time. From the canvas to the runway, garments act as a blank canvas for the designers of today and the art of the past is their influence.

WORDS: NICOLE GLYNN AND JESSICA VANDERMAAS PHOTO: MARIA LEOLANI STYLE: KATHRYN REMY & HANNAH PACE GLAM: OLIVIA MAKELA

Whether it is a painting, a song or even a mural, artists arenâ&#x20AC;&#x2122;t always appreciated to their fullest during their lifetime. Through the influences artwork has on the fashion industry and its neverending trends, art movements are preserved in time when they make their way onto the runway. Whether in a few years or a century later, art has an eternal influence on the fashion industry. Fashion itself is a form of art, but it truly reigns

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WORDS: KAYLA NORRIS PHOTO: MARIA LEOLANI STYLE: DIANNE AVILA GLAM: SAM HOLLEY, OLIVIA SIMONE, OLIVIA MAKELA, MEGAN HEMSTREET 16

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Remember the last time you were outside. Remember how the air felt traveling into your lungs and how the wind caressed your skin better than a lover ever could. Remember the gentle humming of a bee or the melodic chirping of a bird perched on a nearby branch. Remember the way the sunlight peered between the leaves to meet your gaze as though it was shining only for you. Remember trying to find your footing as you traveled across the uneven terrain, meeting tree trunks and twigs and plants of every sort. Remember closing your eyes and feeling true peace with the Earth. Now take that moment and set it all on fire. The fresh air your lungs once enjoyed has been replaced by a thick smoke blanketing the sky. Harsh cracking and snapping fills your ears as the trees that once stood tall violently fall into a sea of flames. Animals frantically scatter across the area, trying to find some way to escape, searching for some familiarity to hold onto in the midst of all the chaos. All sense of tranquility

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is lost, burned to the ground, scattered across the earth in remnants of ashes and dark coals. It may seem like a cruel mental exercise, but this is a simulation of the events taking place right now. For a majority of 2019, the Amazon rainforest has been subject to merciless fires spreading throughout the landscape. These fires started in January and steadily increased until they reached their peak in August. Countless ecosystems are being consumed by flames, and the side effects of these fires need to be brought to the forefront of everyoneâ&#x20AC;&#x2122;s minds. National Geographic highlights rising carbon dioxide emissions, river biosystems and increasing deforestation as some of the ways these fires are impacting our environment. Itâ&#x20AC;&#x2122;s easy to read about the ways that the ecosystems are being abused and feel a sense of discouragement, like an individualâ&#x20AC;&#x2122;s impact is

miniscule. It can be easy to follow a thought pattern that revolves around helplessness in a situation that feeds inaction. None of those statements are true. Individuals are not miniscule. People are not helpless, and people can do something to change the world around them. As a collective, people are catalysts for real change. Regardless of what the rest of society is screaming, a single person can play an important role in changing the environment for the better. The best way to combat feelings of ineffectiveness is to stay educated and read up on the latest reports on climate issues. Practicing different habits and being intentional about leading a greener life makes all the difference as well. Using economic power and supporting organizations and businesses that are dedicated to sustainability is equally as important. No matter what happens, be confident in what is being done. VIM Magazine

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PHOTO: NICOLE MA & EMMA DOWD STYLE: MOLLY HARMON & MARIA VITALE GLAM: DIANNE AVILA VIM Magazine

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Every year has its own set of menswear trends. From skinny jeans to wide ’90s cargo pants, plenty of styles have come and gone. Right now, the one trend that stands out of the crowd isn’t so much a trend, but more of a revolution. For the last fifty years or so, men have lived within a relatively narrow framework of dressing. Brands and advertisers have invested billions into constructing an image of masculinity defined by strength and power. In regards to fit, color, fabric or cut, the variety involved with men’s clothing pales in comparison to that of womenswear. Fortunately, based on the looks from the Spring/Summer 2020 runway shows, the perception of masculinity in men’s fashion appears to be changing to reflect a new look and attitude. With the first menswear season of a new decade now complete, a new era in men’s fashion now reflects the idea that masculinity doesn’t need to evolve—it needs a full-scale revolution.

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Not since the social movements of the ’60s and ’70s has there been such a turning point in fashion. Men and women were breaking out of their restrictive roles: women began wearing denim and pants in public, while men were growing their hair out and wearing blouses. It was an exciting time for expression and self-exploration. While these small changes may not seem very radical, this was a huge step forward and away from the traditional gender roles men and women were expected to perform.

Today, masculinity and femininity are being questioned and redefined once again. Recently, toy giant Mattel—the maker of the Barbie doll— released a gender-neutral doll. This new doll doesn’t come with typical feminine or masculine characteristics. Instead, it gives kids the opportunity to explore gender expression independently. The goal of this doll is not only to validate trans and

hourglass proportions typically found in womenswear. There were ruffles, fishnets and sparkles galore. Overall, the direction of Spring 2020 seems to push towards being bolder, braver and more comfortable while not following a strict guideline for what a man “has” to be. Designers are crafting the heroes for a new decade, and they won’t have gender constraints holding them back.

nonbinary identities, but to give kids the representation they need to explore gender identity at a younger age. This new doll reflects the diversification and inclusivity that is happening in menswear, as well as our culture. To many in this moment, there is nothing less appealing than being thought of as a man’s man. In the era of bad bankers, #MeToo and Donald Trump, it seems like there are few left in the Western world for whom masculinity is the ideal. This poses an interesting question for menswear designers. This season was packed with collections whose designers aimed to subvert the “alphamale” trope in menswear. From Versace to Marni to Sies Marjan, designers embraced a new, generally liberal and more inclusive flavor of masculinity. It seemed as if the main questions that designers focused on for this season were,

what does it mean to dress a certain gender and why should we dress one gender differently from another? In today’s expanding world of identities and expression, designers are embracing modernity, which means free expression. Why shouldn’t a man feel free to wear a dress? Why shouldn’t a woman feel free to wear a tuxedo? Many of these collections seemed to fit into two tropes that repeatedly emerged throughout the season. The first was a sensual man. This was shown at Ludovic de Saint Sernin, where Sernin brought a sex appeal and sensibility with his feminine hues, cuts, fabric and drapery. The second was more implied: traditional masculinity undermined by details of femininity and imperfection. This was seen whenever brands pitched a menswear curve ball by featuring cinched or curvy

WORDS: BARAKA MACHARIA PHOTO: JENNA DICLEMENTE STYLE: BARAKA MACARIA GLAM: OLIVIA SIMONE VIM Magazine

Sometimes art emerges not from a designer’s notepad or an artist’s paintbrush, but rather it happens without anyone realizing it.

BRINGING FUNCTION TO FASHION The evolution of men’s Western wear highlights this story of bringing function to fashion. Some of the most iconic concepts in men’s fashion such as denim, animal prints and precious stones were developed in this era and influence fashion today in powerful yet subversive ways. Many factors have brought styles we know from adored Western films into fashion. Created purely for a utilitarian need, Levi Strauss & Co. and Jacob Davis created the blue jean in 1873. Popularized by Spaghetti Westerns of the early nineteenth century, denim took the spotlight to cement itself in design. Now, denim is one of the most versatile fabrics and is popular for seemingly any occasion. The Southwest Indigenous Peoples’ influence on apparel and jewelry blossomed in Western wear through precious stones and animal prints. Their clothing expressed their culture by using naturally occurring onyx and turquoise in accessories. Tribes attributed certain values to stones and

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animal skins. Animal textiles are an iconic part of Western wear for pieces like snakeskin boots and cowhides in fringed jackets and pants. Western wear’s diverse presence in areas from runway shows to fast fashion online retailers shows its subtle yet fast-moving influence. Tom Ford celebrated his Texan heritage in his Fall 2014 show with cowboy boots that reporters claimed, “put the rodeo back in Rodeo Drive.” The style of the large, glaring belt that originated with Argentinian gauchos still resonates in the logo belt trend among designers like Gucci and Hermés. Utilitarian-infused fashion is becoming increasingly popular with pieces like Carhartt chore jackets and Gap military jackets. So why all the fuss for Western wear? Maybe it’s the innate masculinity of the broadshouldered jackets. Maybe it’s a clapback at the mass production of fast fashion for handcrafted pieces from a local artisan. Or maybe it’s the desire to celebrate the backbone of American labor from the plains of the Great West. Whatever the reason, these trends continue to reverberate in fashion and will for decades to come.

WORDS: JORDAN KILGREN PHOTO: NICOLE MA STYLE: MATTHEW GULIELMI VIM Magazine

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NEW TECHNOLOGIES AND OLD IDEALS LEAD TO BOLD EXPRESSIONS With numerous revolutionary products and topics introduced to the world, the ’90s were the most efficient and progressive period in time thus far. The modern day model for devices such as cell phones, digital answering machine and the commercialization of the internet allowed for every ounce of information to be more readily accessible, as well as allowing every person to have more ways to connect to the world around them. This was the time period where a focus on the individual was more prevalent than ever—a modern

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Renaissance. Societal advances continued to make life easier and knowledge more accessible. This level of accessibility allowed for young adults to create their own identity at a younger age than any previous decade. Younger generations had a heightened sense of political and social issues, which allowed for bold expressions to be heard from a younger generation on a larger scale than ever before. Pop culture icons spoke more candidly, freely and directly about world issues they felt strongly about. This set the

precedent for the college-aged group’s to speak out in ways that make their voices heard. The attitudes of the ’90s were a combination of past decades’ most rebellious and outspoken characteristics; the ’60s Civil Rights movement, the ’70s Vietnam protests for peace against an established government and the ’80s exposure of a new liberal mass media network, CNN. This decade’s fashion reflected these attitudes in a parallel manner. With newfound levels of accessibility, pop culture

icons had more of an influence than ever before. Grunge was introduced as not only a genre of music, but as a lifestyle. One of the most symbolic styles of the ’90s was largely introduced and trademarked by bands such as Nirvana. Kurt Cobain, Dave Grohl and Krist Novoselic became the faces of this unkempt and simplistic lifestyle. The band’s music spoke of the ordinary, daily normality and the “every man,” all while highlighting relevant societal issues and promoting an anti-conformist mindset. The band’s fashion sense spoke just as loud as the music they composed. Their appearances lacked traditional standards of superficial professionalism. Icons such as these drove popular fashion to lean in a more casual direction, along with showcasing the idea that success

and formal professionalism are not always symbiotic. This was a complete change from the most recent decade’s focus on excess, superstardom and elite status. With the ’90s being the return to minimalist fashion, it became the time period that made body art mainstream. Tattoos and piercings became more prevalent as younger generations sought to claim themselves as individuals, using their physical bodies—instead of vibrant clothing—as signs of self expression and liberation. Day-to-day retro style included looks that incorporated more utilitarian fabrics and articles, including denim and cargo. During this period there was a heightened importance on returning to the roots of clothing and the purpose they served. Turning away from formal wear for this reason, “casual chic”

became a regular style. With the globalization of fashion as a whole throughout this decade, European influences became more accessible to a larger pool of consumers. One of the largest examples of this was the trend of denim jackets often paired with matching denim jeans that swept North America’s style narrative. This trend also exemplifies the popularized unisex style of this decade. Both men and women’s styles could be found with little to no difference in terms of gender appeal. This worked indirectly to break through many gender stereotypes in a very visual way by allowing gender to not stand as a boundary, but as an outward expression of identity. WORDS: MADISON WALSH PHOTO: MARIA LEOLANI STYLE: MARLEY JENKS VIM Magazine

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From a Substitution to an Addiction Following health-related concerns associated with the trend of vaping and e-cigarettes, the public has raised questions and concerns regarding this growing issue. The creation of e-cigarette devices such as Juuls and Suorins were developed to aid the transition of ending the use of cigarettes. Unfortunately, it has backfired, and the craze expanded to teens, young adults and elders. Now this trend is evolving into an epidemic within the United States and the question still remains over the true consequences of e-cigarettes. On October 2, Michigan became the first state in the country to ban flavored e-cigarettes from being sold through tobacco shops and online retailers. Following this precedent, several other states are on the path to limiting distribution. This new ban was lifted on October 16 due to the negative impacts that would affect vaping businesses outweighing the state’s concern for user’s health.

Due to new reports of vapingrelated illnesses, many e-cigarette users such as Monica Judd are deciding to drop their Juuls. Judd is a thirdyear student at Michigan State University studying genomics and molecular genetics. She started using a Juul in 2017 and recently decided to quit for good after trying two times before because of how much it interfered with her personal life. “The first week [of quitting] is hard because the withdrawals sucks. I got headaches, I was irritable, my anxiety got so much worse and I felt like I had a cold the whole week,” said Judd. “It was an expensive addiction and because we don’t really know about the long term effects it can cause yet, I quit about a month ago.” Along with being a popular trend in social scenes, the Juul has become an internet sensation. The convenience of the device captured the attention of young adults and can be seen almost everywhere in social settings, and it became the center of internet memes and videos. Although exact health effects are still unknown, ingredients such as nicotine within e-cigarettes remain harmful. According to the Center for Disease Control and Prevention (CDC), the human brain does not stop developing until the age of 25. This means that the use of nicotine during adolescence can impact parts of the brain that control attention, mood and impulse.

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Many of these products have extreme levels of THC and the chemical vitamin E. The CDC states that these products should not be used by youth, young adults, pregnant women and people who do not use tobacco regularly. As many as 805 lung disease cases have been reported due to vaping. First sign symptoms include a cough, shortness of breath and continuous heart pain. Other symptoms include nausea, diarrhea and weight loss. Other ingredients in vape juice include Aerosol, which is harmful to the lungs after long time use, as well as flavors like mango and mint. According to a Report of the Surgeon General, the most common reasons as to why e-cigarettes are so popular amongst youth and young adults is due to curiosity, numerous flavorings, as well as the lowperceived harm. The sleek, USB-style design makes it easy for vaping to be concealed and travel friendly. East Lansing resident Vincent Muffitt, who is currently employed at Exscape Smoke Shop and Vapor Lounge, believes there are health risks related to vaping due to the easy access. “With cigarettes, you have to go outside and follow restrictions, but [with] vaping, the threshold of access is a little different,” Muffitt said. “Since you can use it as much as you want, you just take in way more nicotine. If you use a Juul, you get nicotine sick way faster.”

Nancy Allen, director of MSU’s Health4U, a wellness center for faculty, staff, graduate students, employees, retirees and their spouses, believes the harm of vaping usage spreads among all ages. “From a public health perspective with the rate of use from vaping products it does extend into the adult age groups,” Allen said. “It’s so prevalent in middle and high school students that for quite some time, many believed that the hype of these products are safe. The fact that at this point it has been called into question and hopefully that information is getting out there.” According to the United States Food and Drug Administration (FDA), there has been an estimation of almost 4 million e-cigarette users that are in middle and high school in 2018. This equates to one in five high school students and one in 20 middle school students. If students in these age groups continue to use e-cigarettes, it is possible that serious health concerns can become prevalent in their adult life. Though the true effects of vaping are still unknown, the CDC and FDA are encouraging the public to stop using THC vaping products amid ongoing investigations.

WORDS: STEFFANY KIM & CHLOE WEST PHOTO: ALEC PLYMALE GLAM: SAM HOLLEY, MEGAN HEMSTREET & OLIVIA SIMONE

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WORDS: OLIVIA RUSSELL PHOTO: JACK GALLAGHER & BILLY SCHARF

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From beauty products to cleaning supplies, more people are starting to realize that everyday chemicals can have drastic negative effects on physical health. When it’s difficult to find time to cook and with options like Grubhub and UberEats, convenience sometimes trumps health. Yet, food has a huge impact on people’s bodies now and in the future. Plant-based diets that reduce the intake of animal products are becoming more popular as people realize some of the effects of these products. Most restaurants even offer vegetarian and vegan options, and often have dishes with meat substitutes. Even fast food chains like Burger King and KFC are joining in with alternatives for those who want to reduce their consumption of meat. There are a variety of reasons to reduce the intake of animal

products, but a little known reason is the factory farming of animals. This industry is one of the leading contributors to climate change. Their 65 million cows, chickens and pigs produce massive amounts of methane and other greenhouse gases. Due to poor conditions, animals are fed antibiotics and the waste from these animals also pollutes the land and water that surround them, affecting the quality of life for millions of Americans. Reducing the consumption of all animal products reduces the environmental impact of industrial farming. Arguably one of the most beneficial aspects of a plantbased diet is an improvement in personal health. The China Study, one of the most comprehensive and important studies on the links between nutrition and health, highlights this fact. The study found damning evidence of the relationship between the

consumption of animal products and numerous diseases including cancer, stroke, diabetes and coronary heart disease. Eating a plant-based diet eliminates the consumption of cholesterol which improves heart health, among other benefits. Further, there have been links between dairy consumption and skin problems. Many people are lactose intolerant and don’t even know it, which can damage their digestive system. While these products don’t need to be completely cut out of one’s diet, reducing consumption will cause a shift in health, both physically and mentally. While plant-based diets often consist mainly of vegetables, there are a variety of ways to eat healthily as well as deliciously.

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This is the practice of completely abstaining from animal products. That means no meat of any kind as well as no dairy or eggs. Often those who are vegan also refrain from consuming honey, gelatin and wearing any kind of material made from animals.

This is likely the most known of plant-based diets, with no consumption of meat, but often including dairy and eggs.

The pescetarian diet echoes the vegetarian eating style with one difference: it includes the consumption of fish and seafood

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This diet is mainly plant-based, but allows for animal products and meat in moderation. This is the simplest plan to incorporate into daily life and allows people to work their way into a diet that is less dependent on animal products. It’s easiest to start here when first getting into these diet changes.

Of course, with all of these, it’s important to consult a health professional to make sure these are healthy decisions. There’s not one lifestyle that’s better than the other, and even just partaking in something as simple as “Meatless Mondays” will ultimately have a positive impact on the environment. VIM Magazine

When it’s “that time of the month,” those who menstruate know the routine: grab the tampons, ibuprofen and reluctantly prepare for some bloating and skin breakouts. It’s not known to be a pleasant few days, especially when bleeding can get in the way of freedom. Despite the stigmas society has portrayed menstruation with, it doesn’t always have to be a burden.

WORDS: ALISHA UNGKULDEE AND MAXINE OSORIO PHOTO: JENNA DICLEMENTE

Periods have often been hidden behind a veil of shame, an offputting cycle that should not be talked about or celebrated. Not only do those who menstruate feel the need to hide their period products and pain, they also may feel held back from enjoying their daily activities. Despite these stigmas, there are strategies that can help people get through their period with ease, while doing so in a holistic coexistence with Mother Nature. The sheer volume of pads and tampons that get used throughout the year is not only

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expensive but also taxing on the environment. Thankfully, there is a convenient and sustainable alternative: menstrual cups. Menstrual cups are reusable for years because they are made of a flexible rubber or silicone material. It may take a few tries to insert the cup, but once it’s in place, it lasts for up to 12 hours without having to remove it, leak-free. Menstrual cups can’t be felt and allow any activity without worry. Mother Nature will be grateful for the switch to this efficient, environmentallyfriendly period product. Since menstruation is a natural process, it must be welcomed

with pride and dignity in spite of the pain or hormonal imbalance it may produce. In order to do this, first fully accept the pain and power it upholds. Only then can one mediate the pain that comes with it. Being fully conscious of the food and feelings consumed at the time of menstruation is crucial! Another method is to eat peaches the week before menstruation to help circulate blood, which helps prevent blood stagnation. Once menstruation begins, it’s best to start off the day with a hot cup of tea. Doing this soothes the cramping body with the

two things it yearns the most— warmth and healing herbs. This helps create a relaxed and healing effect for the rest of the day. Throughout the day, it’s okay to take breaks in order to help the mind and body restabilize. If cramps persist, try smoothly massaging the abdomen area with sesame oil, one of the many natural remedies used around the world. Holistic approaches to this naturally-occurring process allow for improvement and empowerment in all areas of life.

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Creaky old rides and “totally not rigged” game booths, colored lights flashing in the humid air on a late summer night, the distant beat of loud music and the smell of hotdogs and pretzels lingering in the air are all signs that a carnival’s in town. Carnival culture has exploded across the globe in recent years. From history, we know carnivals and fashion collided in the Carribean, where a carnival was a festival of music, food, drinking and dancing. People were expected to dress up, because attending the carnival in normal conservative attire is like going trick-or-treating without a costume—you’d feel out of

place. However, the carnival has always been a judgement-free place since its beginning and still is. All around the world today, carnivals are taken to extreme fashionable measures. From bedazzled dresses to massive jewelry, Brazil, Mexico and the UK have some of the most legendary carnivals in the world. People prepare their outfits for these events all year long. These carnivals are taken very seriously, so why shouldn’t we approach our local carnivals with that same passion? Seize this moment to rebel, push the boundaries with your style; it’s

not often the carnival comes into town! From eating cotton candy to winning that beloved stuffed animal off the top shelf, carnivals bring back childhood memories that we will never forget and give you the feeling of being a little kid again. Carnivals are celebrated by people of all ages, so bring out your vibrant and youthful pieces of clothing or your 90s graphic tees. You are the one who decides the prize. Either risk it all or end up with nothing. But in the end, isn’t it all for fun? Carnivals are loaded with the VIM Magazine

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greasiest, stickiest and damn good food. No one will blame you if you can’t resist the urge of ordering that elephant ear or cheesy fries. Be sure to protect your amazing article of clothing and break out the old jean jacket. Bring out some patches or pins to personalize your jacket so you can eat confidently, mustardstain-free. So shout out to the kids that stand out at the carnival. The kids who outshine the neon lights and ring louder than Ring Striker. To the ones who take the ring toss and bottle smash seriously. To the ones who have ridden the Zipper 12 times already and get back in line for number 13. Carnivals empower us to let go, and enjoy what’s around us and who we are with. We should be able to wear what we want with no worries of

fitting in. The carnival is a hectic place, so why can’t we dress as outrageous as we want? Don’t hesitate on colorful hairpieces, elaborate makeup and maybe some sparkle to rattle the batting cages. This is the ultimate opportunity for selfexpression, so

take a breath and focus on the bullseye. Strike daringly with bold patterns or rainbow tie-dye. Be energetic and expressive with your playful style, as you don’t have to run off and join the traveling circus to accomplish this look. Some rides at the carnival will give you that weightless feeling while soaring through the air with your feet swinging free. Rides create a thrilling, unforgettable experience for its riders by slowing time to soak in these precious moments. But the rides and games aren’t the only activities that should give you these feelings. Your clothing should give you that butterfly fulfillment. Quit gripping the handle bar so hard and let your inner child scream in pure enjoyment because your fashion at the carnival will take you for the ride of your life.

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WORDS: CHRISTIAN OSTROWSKI PHOTO: NICOLE MA STYLE: KIT HARMER, JACKSON Oâ&#x20AC;&#x2122;LEARY, MEGAN NEIBERT & RACHEL SAMET GLAM: MICHAELLA ANDERSEN, SAM HOLLEY & MEGAN HEMSTREET

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PHOTO: JENNA DICLEMENTE GLAM: DIANNE AVILA & MICHAELLA ANDERSEN 52

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WORDS: MONIQUE ROSS PHOTO: MARIA LEOLANI & LAUREN SNYDER STYLE: MONIQUE ROSS GLAM: MICHAELLA ANDERSEN & MEGAN HEMSTREET

Detroit has undergone an abundance of positive publicity due to its major urban changes in recent years. The resurgence of this historic city has been summarized into trending phrases, such as “Detroit Hustles Harder” and “Detroit Never Left,” that have been derived from the passion and energy Detroiters carry as they see their city rise from the ashes. It’s thrilling to see the Motor City receive recognition after decades of experiencing a lack of attention and care it requires to thrive. Filling the Detroit community with hope and pride, the city has undeniably become a safer place to live, offering more amenities for both families and individuals, and creating a more positive image for itself. But who is the city really getting better for? Although the urban scene is

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improving, a new lifestyle can bring consequences that may not be noticeable to those who are not native to the city. Empty lots and abandoned buildings are beginning to look modern and polished, but while these changes are in full swing, local businesses and original residents have begun to struggle, sparking the conversation of gentrification. Existing cities and their culture demand respect, therefore, it’s important to understand how cities function before influencing developers decide the best course of action for their success. In Detroit’s case, it is currently undergoing the early stages of its revival, suggesting it is not too late to raise awareness of the negative effects of gentrification. The gentrification process aims to attract more affluent residents and businesses to neighboring cities, towns or neighborhoods, therefore,

changing the character of the community and forcing the impoverished out of their homes. A key concern of this issue is that the highly visible changes occurring in gentrifying neighborhoods lead to the displacement of original residents. Goods, services and housing are instead being directed to attract upper-middle class citizens, none of which these original residents are able to properly benefit from. If a neighborhood undergoes gentrification, rent reaches higher rates to accommodate a particular class that may be in a better economic state to benefit from drastic community changes. While many are being forced out of their neighborhoods, the demand for remaining low-income housing increases and rent for these spaces are raised beyond what many living there could afford leading to an increase in homelessness.

In more developed countries such as the United States, poverty causes a serious problem of homelessness, which leads to greater geographical segregation based on income levels and places a burden on cities to endure large concentrations of the poor. Loyal Detroiters in this position the claim is that although there seems to be no shortage of affordable in Detroit, the biggest challenge is finding a quality home that caters to a lower budget. In 2018, the city’s Mayor, Mike Duggan, announced a $250 million fund dedicated to preserving and building affordable housing and retail units for renters who make 80% of the area’s median income (AMI) as a way to ease the impacts of neighborhood change—in his words, “anybody who gets tax support from the city for new apartment buildings, 20% of those units have to be set aside permanently for people with lower income.” Unfortunately, this AMI boundary—defined by the U.S. Department of Housing and Urban Development—includes wealthier suburbs in the Detroit area such as Grosse Pointe. Of the thousands of new residential units currently being built, only a handful of them offer

rental rates at 60% AMI or lower. These public systems and services are not meeting the needs of the many people who rely on them. Therefore, the question that spawns is: Where is the loyalty towards Detroiters who have lived in the city for decades? Gentrification in Detroit may not be happening in the same scale as Washington D.C., Portland or Seattle, but people should be concerned about what could happen. These concerns have helped fuel support for policies like rent control, reducing property taxes and senior home repair programs. Understanding how gentrification actually occurs—whether it harms or benefits original residents—is highly important for urban policy. Identifying patterns of transformation in the city as they are happening creates a powerful tool for those who want to resist or reduce its effects. With a large number of studies on the effects of gentrification, there are some things that data just cannot measure. With gentrification comes an influx of unfamiliar neighbors and businesses, which can lead native Detroiters to feel less welcome in their own neighborhood. As Aaron Mondry

from Next City, a nonprofit organization that aims to inspire change in urbanized cities, stated, “You don’t have to be displaced to feel [the] effects of such change.” Developers involved in the revival of Detroit, whether it’s the big business influencers or the small nonprofit organizations, see the same potential in Detroit and have been taking action to improve its economic state. While their visions for the city are the same, their focus on the processes they strive to follow in reaching their goals are different. Some people see benefits from replacing the old with the new, while others find value in maintaining the original culture and function of the city. Change is good, but the way one manages change in a way that does not destroy existing potential should not be overlooked. Restoring and building upon developing communities in a way that is beneficial to everyone should be the approach we take to improve the city. As activist Jane Jacobs once wrote, “Cities have the capability of providing something for everybody, only because, and only when, they are created for everybody.”

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One of the greatest achievements and biggest criticisms of this generation is that everything is instant. Photos can be taken in half a second, posted in less than that and within 24 hours, pretty much every person in someone’s life will have seen it without ever having to interact with one another. Access to every single song, artist and album is right at the fingertips. The name of the song doesn’t even have to be remembered anymore; lyrics can be searched. Someday, typing classes will take precedence over handwriting classes. The amount that technology has advanced is astounding. And yet this year, vinyl records are projected to have higher sales than CDs. The sales of DSLR cameras have been steadily declining since 2013, while polaroid cameras are back and in almost every college student’s dorm room. Even typewriter shops, which one might have 58

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thought would never return, have cult followings across the country that keep them comfortably in business. What drives this phenomenon? There is no practical need for any of these items to still be in circulation, much less still be popular. But in this digital age, subjective sense of aesthetic and nostalgia drive discontent and fuel a romanticization of an imperfect past. In recent years, aesthetic has become more and more relevant in everyday life, especially for young people. However, aesthetic and its importance can be really difficult to describe to those unfamiliar with it. It can be considered sensorially pleasing and everyone’s aesthetic preferences are different. One thing that people who enjoy older, vintage items say is that they enjoy the “aesthetic.”

A lot of typewriter enthusiasts say that the reason they fell in love was because of the clickclack sound of the keys. Polaroid cameras produce a physical, perfectly framed photo that can be held and admired. And vinyl records have unique and gigantic album art that makes each album special. Records also have a certain appeal of being a collection; most people who own record players have entire shelves for their record collections. It’s part of the culture to show off the music library and people enjoy the messy stacks that seem to imply diverse and cultivated taste. Clearly part of the reason for the growing popularity of these vintage items is the fact that they are a joy to look at and experience.

The fondness for outdated tech also seems to be grounded in nostalgia. The most prominent group of consumers are ages 18-35—mostly Millennials. This is the same generation that grew up with dial-up internet and landlines, who have lived through the progression up to smartphones that can do so much more. They grew up watching John Hughes movies like The Breakfast Club, Pretty in Pink and Ferris Bueller’s Day Off, films that paint the ’80s and ’90s as a fascinating time to be a young person. And all of the ’90s kids for whom the technology of records, polaroids and typewriters were just out of reach are now adults with their own money who can make their own purchasing decisions. There is nothing stopping them from returning to the past.

Aesthetic and nostalgia are fairly good reasons for the resurgence of these items, but why do some feel that commodities of the past are aesthetically pleasing? Why do some feel such a compelling nostalgia? It comes back to discontent with the current technological movement and what it means for society. All of the novelty of early modern tech—the imperfection, the trial and error, the fragility— it all goes away with the latest advancements. And this should be a good thing, this near perfection, but some don’t seem to admire it. Because life isn’t perfect! All of the newest technology gives the feeling that nothing is real, and nothing is permanent. And when everything is perfect, people romanticize the imperfect. Even though record players, typewriters and polaroids take more effort and upkeep, they provide a more authentic feel. If we don’t want these things to fade from existence, then they need to stay in demand. The wave of industry is unstoppable and uncontrollable, but this is one thing that can be done. The unrecognizable future is terrifying, so some choose to cherish these aspects of the past. WORDS: ABBY JAROSZEWICZ PHOTO: ALEC PLYMALE & CELIA LOCHKOS STLYE: ABBY JAROSZEWICZ GLAM: OLIVIA MAKELA

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WORDS: CELINE KERIK & BRIANNA M. LANE PHOTO: JILLY FELTON & LAUREN SNYDER GLAM: OLIVIA SIMONE & MEGAN HEMSTREET

Women are taught from a young age to always be on the lookout for their Prince Charming. This cycle begins when they are taught that being with someone provides a source of validation. Living in a world where every gorgeous girl is in a smitten relationship (of which Instagram feeds never fail to remind), mixed with already prominent confidence issues, it’s pretty easy to question oneself. This constant exposure to relationships amplifies women’s insecurities, and they begin to believe that “If this person thinks I’m beautiful, then maybe I really am.” They then go to dating apps to find their “future hubby,” only to be disappointed 60

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by a “u up?” in their messages later. As a result, women ultimately begin to lose their identity. They sacrifice themselves piece by piece for validation that could disappear at anytime. They assimilate effortlessly into a mold created by a patriarchal ideal to feel welcomed and be labeled as someone’s girlfriend. Every chance they get, women are on a quest to find this person, and thus, the idea of a healthy relationship may become tainted as it may be rooted in codependency. Being single allows a woman to explore herself: her love language, passions

and pleasures. The only responsibility a single woman should have is herself. A spontaneous road trip, meeting new people and learning more about different cultures is now feasible with the extra funds from not splurging on date nights. Mani-pedis and dance classes can be new-found hobbies. Independence affords the freedom to go out to those parties and movie nights with the besties and memories that will last a lifetime. Freedom from the bounds of dependency allows women to get to know who they are. And, when the right time comes, this new-found freedom can help women find a person that compliments their true selves, not a version they crafted for a partner’s approval. With this confidence and experience with being alone, women will know what respect, dedication and unconditional love look like in a relationship. Be alone and define yourself in a new way that was once undiscovered. Let your newfound confidence be the true validation you’re looking for; fulfill your own empty voids within your heart instead of requiring someone else to do so. Be content with your beautifully imperfect, authentic self and truly demonstrate that you are at peace. You’re worth so much in this huge beautiful world, so begin your journey and discover who you’re truly meant to be.

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After a night of truffle gnocchi and Aperol Spritz, I was left over-analyzing every relationship I’d ever had. It was my first night out during my study abroad in Italy when the girl sitting next to me at dinner asked, “I heard you say you guys have been dating for five years, but if your rising signs aren’t compatible, how can you be sure you guys are?” Not sure what she’s talking about? I wasn’t either. WORDS: KARINA LLOYD PHOTO: SAGE VANALSTINE STLE: KARINA LLOYD GLAM: DIANNE AVILA 62

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According to astrology, the placement of the stars, moon and planets on the exact time,

day, year and place of a person’s birth determines all aspects of their personality, and it is typically referred to as a birth or natal chart. There are 12 houses in the chart with each representing a different aspect of life such as wealth and interpersonal relations. The three core and most commonly talked about houses are the sun, moon and rising signs. Through reading the birth chart, people are supposed to understand things like their strengths and weaknesses, and the star alignments even determine which signs are most (and least) compatible.

of both negative and positive characteristics that the app’s users may identify with. The reason why people are often drawn to the characteristics of their star signs has been explained time and time again. According to studies by the Bulletin of the British Psychological Society, generic, positive personality descriptions are likely to be identified with and perceived as true. Reading that a person’s star sign is incredibly well organized and down-to-earth can be quite the confidence boost.

The sun sign is tied to a person’s “role” in life and the personality traits that r emain constant . This element is linked to the day of birth and is the sign most people can identify. The moon sign reflects the inner emotions and feelings of a person. People who don’t agree with their sun signs will often find solace in their moon signs. This aspect is found by correlating various aspects of the birth chart like birthplace, time and date. The third sign, the rising sign, typically describes how someone is perceived by others and first impressions. It isn’t indicative of someone’s true personality, but it hints at what may rest below the surface. These signs rarely, if ever, match.

On the other hand, any negative characteristics you might identify with can also be excused by your star chart. People sometimes make comments like “Sorry I’m being so passiveaggressive, I’m a Scorpio,” or “Oh god, why would you say that to me? You know I’m a Pisces, and we’re very sensitive.” Though these comments can be made as a joke, they also may allude just how big of impact astrology is playing in society. According to the Pew Research Center, more than half of Americans do not believe it’s necessary to believe in God to lead a moral life. With the current influx of astrology, it is clear that Millennials and Gen Z-ers are placing greater weight on finding spirituality rather than finding a faith.

For years many people’s knowledge of astrology was limited to what could be found in the back of teen magazines and in newspaper columns. Today, society has taken astrology to a whole new level. Popular apps like Co-Star make it quick, easy and fun to understand the complexities of people’s birth charts and daily horoscopes. Through in-depth readings of user’s birth charts, the app offers an explanation

Why could this shift in culture be a good thing? There is no denying that astrology is not a science. However, like religion, it takes the complexities and nuances of day-to-day life and in turn, gives an explanation for why life is going the way that it is. The simplicity and comfort that comes with keeping up with a horoscope is fulfilling to many. Similar to the way that faith can help others connect with each other, astrology harbors

reciprocity and a broad understanding of one another. Those who place more emphasis on astrology in their day-to-day interactions rather than religion are able to stay on more neutral territory in a culture so filled with controversy. For some, finding out that what a random astrology website said is true can feel silly or even jarring. If you identify with something in your birth chart, either lean into or try and work on that aspect of yourself. Use the elements of your birth chart that struck a chord with you to get to know who you are on a deeper level. Next time an astrology-crazed friend won’t stop talking about how everything they do is “such a Leo thing to do,” instead of drowning them out, listen to them. An aspect of their star sign might strengthen the relationship. This isn’t to say that people should leave their religions and ascribe their faith to the stars. Knowing more about this trend and its place in society allows for one to be more culturally literate, and there’s no harm in exploring it as well. Like many religions, looking to the stars for guidance has been around for hundreds of years.

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OCTOBER 2019

NOVEMBER 2019

FALL 2019 LOOKBOOK

Check out our Fall â&#x20AC;&#x2DC;19 Digital Issues online!

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Eli and Edythe Broad Art Museum

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to the MSU Broad Art Lab on Thursdays to experiment with different materials and processes in this hands-on art-making experience. $8 at the door gets you the materials + guidance to start creating!

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