Portfolio

Page 1

V I N C E N Z O P I SA N O Portfolio



Section 0.

WHO I AM + USEFUL INFO


About me

's

that! me

Quick facts My name is Vincenzo, I am mainly interested in the application of sustainability principles to building design and digital innovation through computational design and programming. I am also open to new challenges in other subfields as long as I can make good use of my skillset and background. During the last years, I have been also enthusiastically developing (in parallel with my engineering education) my visual storytelling skills through graphic design, sketching, rendering and video-editing, as I think proper communication of ideas is crucial in any kind of project.

For more Info: vincenzopisano90@gmail.com +39 3384271226

4

Who I am + Useful info


Feedbacks "I have had the pleasure of working with Vincenzo on several projects. He has a good work mentality and worked a lot with climate responsive design at Henning Larsen Architects." Mathias Sønderskov Schaltz Computational Design Specialist at Link Arkitektur

"I had the pleasure of working with Vincenzo at Henning Larsen Architects, wherein he trained me to settle down in the company's workflow. I acknowledge his determination, leadership qualities, and patience to guide me into the structure." Kritika Kharbanda Sustainability Engineer at Henning Larsen Architects, Harvard student

"Vincenzo shows great skills and curiosity and is able to think outside the box, when faced with complex problems. Furthermore, he is a skilled graphic storyteller and can easily convey difficult topics." Mikkel Steenberg Computational Design Specialist at Henning Larsen Architects

" (...) I managed Vincenzo directly during his 14 months long internship at Henning Larsen Architects in the sustainability department. While working at HLA, Vincenzo worked very well independently, but also had a team oriented mindset. He have never missed a dead-line or due date, understood well priorities and was extremely well liked and respected by his co-workers. He remained positive even during times of stress and was always a pleasure to be around. His main tasks were analysis and simulations for climate responsive design, but he also worked very well when dealing with other topics such as graphic design, video-editing, sketching, rendering and on site architectural surveys, measurements, and photography. I recommend Vincenzo highly to any prospective employer seeking a strong team player who can handle a high variety of different tasks. I have no doubt that Vincenzo will prove to be an excellent employee and that all of the knowledge and perseverance he has shown will follow him in his future endeavors. Please feel free to contact me if you have any questions or would like any additional information. (...) " Jakob Strømann-Andersen Director of Innovation and Sustainbility at Henning Larsen Architects

Vincenzo Pisano

5


Disclaimer: Even though all the projects and works featured in this portfolio are done by me, some material is taken from public documentation officially produced by my past employer (Henning Larsen Architects). If you find anything that is your intellectual property and you want it removed, feel free to contact me at vincenzopisano90@gmail.com

6

Who I am + Useful info


Contents 1. Henning Larsen Architects works

8

Residential balconies case

10

World of Volvo

16

King Salman Park

22

105 Victoria Street

28

NØRR Saint Denis

32

Video editing projects

38

2. Personal projects

42

MAXXIMA Experience

44

Sketching 48

Vincenzo Pisano

7



Section 1.

HENNING LARSEN ARCHITECS WORKS


RESIDENTIAL BALCONIES CASE This was one of my first projects at Henning Larsen Architects. I think it represents well an all-around panoramic of my skills, given the smaller scale of the project (which also meant more freedom for me to approach it in a personal way and more control). Type: Consulting on daylight Location: Copenhagen (Denmark) Date: Late 2018


Project description The project consists of a preliminary study of balconies for the housing association Glænøgaard an analysis of existing and future daylight conditions in selected homes. The goal is to document the effect of the development of any new balconies on the daylight conditions in the underlying apartment. The analysis was performed on selected rooms that have orientation towards both the courtyard and Venøgade (one of the streets that surround the building). Apartments on the ground floor, 1st floor, 2nd floor, 3rd floor and 4th floor have been examined. For each apartment / room, 4 configurations have been studied: • Existing conditions, with no balconies. • 1300mm deep balcony with new balcony door (towards courtyard). • 1500mm deep balcony with new balcony door (towards courtyard). • 1100 mm deep balcony with new balcony door (towards Venøgade). To get the analytical results as accurate as possible, measurements and light studies were also carried out on site. 11


Residential Balconies Case Beregningsforudsætninger

A C B E

Roof

Roof Reflectance factor: 0.15

Reflectance factor: 0.15

Bricks

Bricks Reflectance factor: 0.15

Reflectance factor: 0.15

** The values take into consideration the presence of objects like furniture, plants, carpets and everything that could be present in the apartment that absorbs and/or reflects light.

Vegetation / Grass

Vegetation/Grass Reflectance factor: 0.1

Reflectance factor: 0.10

** The values take into consideration the presence of objects like furniture, plants, carpets and everything that could be present in the apartment that absorbs and/or reflects light.

Henning Larsen 12 Henning Larsen Architects works


Udvalgte rum

D

A) Rum mod Syd (gård) B) Rum mod Nord (gård) Analysed rooms Rum mod (gård) AC)Room facingØst South (courtyard) B Room facing North (courtyard) Rum mod CD)Room facingVest East(gård) (courtyard) D Room facing West (courtyard) EE)Room towards Venøgade Rum mod Venøgade

B

N Udvalgte rum

D

A) Rum mod Syd (gård) B) Rum mod Nord (gård) C) Rum mod Øst (gård) D) Rum mod Vest (gård) E) Rum mod Venøgade

Windows

N Indoors

Reflectance factor: 0.15

Ceiling Reflection factor: 0.7**

Light transmittance: 72%

Balconies

Wood Flooring Reflection factor: 0.2** Walls Reflection factor: 0.5**

Wood Flooring Reflection factor: 0.2

Light transmittance of glazed parapet: 80%

5

Daylight analysis

Windows

Windows Reflectance factor: 0.15

Reflectance factor: 72% 0.15 Light transmittance:

Light transmittance: 72%

Indoors

Indoors Ceiling Reflection factor: 0.7**

Ceiling reflectance factor: Wood Flooring Reflection factor:0.17** 0.2**

Wood flooring reflectance Walls Reflection factor:factor: 0.5** 0.2** Walls reflectance factor: 0.5**

Balconies

Balconies Wood Flooring Reflection factor: 0.2

Wood flooring reflectance Light transmittance of glazed factor: parapet:0.2 80% Light transimattance of glazed parapet: 80%

Daylight analysis Vincenzo Pisano

13 5


Boligforeningen Glænøgaard

Residential Balconies Case

2nd floor south-facing room (A)

Eksempel på 2.sal sydvendt altan 1. Ingen altan

2. 1300mm dyb altan

3. 1500mm d

Analyse af eksisterende forhold

Analyse af ny altan: 1300mm x 3000mm

Analyse af ny altan

1. Without balcony Analysis of existing conditions

Eksempel på 2.sal sydvendt altan March 21st, 21 marts kl. 12:00 12:00 1. Ingen altan

2. 1300mm dyb altan

3. 1500mm d

Analyse af eksisterende forhold

Analyse af ny altan: 1300mm x 3000mm

Analyse af ny altan

ltan

21 marts kl. 12:00

21 juni kl. 12:00

21 juni kl. 12:00 3. 1500mm dyb altan

2. 1300mm deep balcony Analyse af ny altan: 1500mm x 3000mm Dimensions of new balcony: 1300mm x 3000mm

Analyse af ny altan: 1300mm x 3000mm

21 juni kl. March 21st, 12:00 21 marts kl. 12:00 12:00

21 juni kl. 12:00 June 21st, 21 marts kl.12:00 12:00

Henning Larsen

2. 1300mm dyb altan

3. 1500mm dyb altan

Analyse af ny altan: 1300mm x 3000mm

Analyse af ny altan: 1500mm x 3000mm

kl. 12:00

kl. kl. 12:00 12:00

21 marts kl. 12:00

2. 1300mm dyb altan

kl. 12:00 ltan

kl. 12:00

21 juni kl.12:00 12:00 June 21st, 21 marts kl. 12:00

Henning Larsen

21 marts kl. 12:00

21 marts kl. 12:00

21 juni kl. 12:00

21 juni kl. 12:00

3. 1500mm dyb altan

3. 1500mm deep balcony Dimensions of new balcony: 1500mm x 3000mm

Analyse af ny altan: 1500mm x 3000mm

Henning Larsen

March 12:00 21 juni21st, kl. 21 marts kl. 12:00 12:00

21 juni kl. 12:00 12:00 June 21st,

Note: Visualiseringerne er udført i Enscape og

repræsentere ikke den faktuelle lysmængde, men

indikere lys og skygge forhold i rummet

kl. 12:00

21 juni kl. 12:00

Note: Visualiseringerne er udført i Enscape og 9 Daylight analysis

repræsentere ikke den faktuelle lysmængde, men

indikere lys og skygge forhold i rummet

Note: The visualizations were performed in Enscape and do not represent the actual amount of light. However,they indicate well light and shadow conditions in the room while also giving a general idea of the results. Daylight analysis

14

Henning Larsen Architects works

9


Boligforeningen Glænøgaard

Opsummering Analysis of 2nd floor south-facing balcony (Daylight factor // DF) Analyse af 2.sal sydvendt altan (Dagslysfaktor // DF ) DAGSLYSFAKTOR Analysen af et udvalgt rum (2.sal mod syd/gård) viser at lysmængden reduceres betydeligt ved opsætning af altan. Ved eksisterende forhold har rummet en dagslysfaktor på over 2% i 4,6 m2 af rummet svarende 32% af arealet. (Krav om 50% af arealet ved nybyggeri).

In existing conditions, the room has a daylight factor of over 2% in 4.6 m2 of space corresponding to 32% of the area. (the Ved opsætning af altan på 1300mm reduceres det velbelyste requirement is about 50% of areal 1,9 m2 svarende til en reduktion på 60%. Arealet the areayderligere for new construction). reduceres til at udgøre 1,5 m2 ved opsætning af altan med en dybde på 1500mm. When setting up a balcony of 1300mm, well-lit area is Retningslinjer for the etablering af Altaner og Tagterrasser er udarbejdet Boligforeningen Glænøgaard af Københavns Kommune: Ved opsætning af altaner i eksisterende reduced to 1.9 m2 correspondder har en dagslysfaktor over 2 %, skal ansøger ingbyggeri, to over a rum reduction of 60%. The påvise at altanen ikke bringer dagslysfaktoren under 2 % i det underliggende rum. area is further reduced to 1.5 m2 when setting up a balcony with a depth of 1500mm.

1. Ingen altan

2. 1300mm dyb altan

3. 1500mm dyb altan

Analyse af eksisterende forhold

Analyse af ny altan: 1300mm x 3000mm

Analyse af ny altan: 1500mm x 3000mm

Areal af rummet med DF > 2%

Areal af rummet med DF > 2%

Areal af rummet med DF > 2%

32%

13%

10%

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Dagslysfaktor (målt 0,5 meter over gulv i et grid af 0,5m)

10

A

r ea abo // DA) Analysis of 2nd floor south-facing balcony (Daylight autonomy ve

DAGSLYSAUTONOMI (LYSMÆNGDE) Analysen af den aktuelle lysmængde viser ligeledes en reduktion. Ved eksisterende forhold vil der være dagslys nok (> 50 lux) midt i rummet 81% af alle dagslystimer. Dvs. at der kun er behov for at tænde lyset 19% af tiden, når solen 6 stået op. Daylight analysis er 10% I modsætning til beregningen af dagslysfaktoren vil dagslysautonomien være afhængig af orienteringen.

Analyse af 2.sal sydvendt altan (Dagslysautonomi // DA) DF 2

Ar e aa Under existing conditions, 1. Ingen altan 2. 1300mm dyb altan bov eD F2 : there is enough daylight (> 50 32. 1% 81% 70% lux) in the middle of the room 81% of all daylight hours. In DF_ other words, that means Flo Cethat there is only a need to turn nteon or_02 r is the light 19% of the time when we ll l i the sun is up. t in InBoligforeningen contrast to the calculation of Glænøgaard 81% of t the daylight factor, the daylight he autonomy depends on the day li orientation. The percentage is reduced with the presence of balconies.

: 12

Analyse af eksisterende forhold

Analyse af ny altan: 1300mm x 3000mm

Tid af dagslystimerne hvor rummet er velbelyst

Tid af dagslystimerne hvor rummet er velbelyst

.7%

Are a

abo v

eD 3. 1500mm dyb altan F

2:

9.5 Analyse af ny altan: 1500mm x 3000mm %

68%

Tid af dagslystimerne hvor rummet er velbelyst

60

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Dagslysautonomi

N

Procentandelen af tiden i et rummet (målt 0,5 meter ov som modtager ≥ 50 lux i åre hvor solvinklen er mere end grader over horisonten (DA

D

F DAnalyse Analysis of 2nd floor south-facing (Sun lightaltan hours // SLH) F_balcony af 2.sal sydvendt (Direkte sollys) _F DIREKTE SOLLYS Analysen af et udvalgt rum (2.sal mod syd/gård) viser at det direkte sollys i rummet reduceres ved opstæning af laltan. Det skyldes primært skyggeeffekt fra altanen ved den højstående sol i sommermånederne.

The analysis of a selected room (2nd floor to the south / Henning Larsen shows that direct courtyard) sunlight in the room is reduced by the presence of the balconies. This is mainly due to the shadow effect from the balcony covering the high sun in the summer months.

Ce Floor ntealtan _02 1. Ingen r is we l l li 3,9 % Analyse af eksisterende forhold

Ce loo nte r idyb 3. 1500mm s altan

2. 1300mm dyb altan

t in

Gulvareal der har mere end 4 timers direkte sollys (gen. per dag)

Analyse af ny altan: 1300mm x 3000mm

2,4 %

81% of t h

Analyse af ny altan: 1500mm x 3000mm

e

1,5 %

7

Daylight analysis

DF_Floor_02 Center is well lit in 68% of the

Gulvareal der har mere end 4 timers direkte sollys (gen. per dag)

Gulvareal der har mere end 4 timers direkte sollys (gen. per dag)

N

Antal gennemsnitlige solskinstimer per dag over året

Solskinstimer 1

2

3 4

Vincenzo Pisano

15


WORLD OF VOLVO I participated in the early phase of World of Volvo project. My tasks were about doing environmental and microclimate analysis and providing sustainability-oriented back-up to the first concept ideas. Type: Museum Location: Gothenburg (Sweden) Date: Early 2019


Project description

For more info

World of Volvo is the envisioned premium brand center for all Volvo companies; a physical embodiment of Volvo’s brand and core values. The center will contribute to making Volvo the most desired brand, increasing business as well as strengthening Volvo’s position as influencer and main actor in society.

https://www.gp.se/ekonomi/danskstj%C3%A4rnarkitekt-ritar-nya-volvomuseet-1.23312981

The ambition level is high. World of Volvo goes way beyond replacing the current Volvo Museum. It will be second to none; a new benchmark for similar venues; a experience center; a place to meet, work, explore and get inspired. The atmosphere should be warm, welcoming, open, creative and exciting. World of Volvo should be located in the city center and encompass a brand exhibition (yesterday/today/tomorrow) as well as functions such as event halls, conference rooms, open work spaces, restaurants and a cafe, a shop, a premium vehicle handover and a Volvo Studio. The estimated size required is 15,000–16,000 m². The number of visitors is estimated to 500,000 per year. 17


Site Conditions World of Volvo

Environmental analysis Noise/Pollution Noise •

The noise level analysis shows the amount of • The area is exposed to the noise from the highway, The noise level analysis shows the amount of noise (in dB) coming from E6 highway. noise (in dB) coming from the E6. having most of the surface with a sound level of The scale goes from green (quiet) to blue (extremely strong). • The scale goes from green (quiet) to blue around 46 dB. Sound barriers or building shapes The area exposed to noise from the highway, having most ofsheletered the surface with a sound (extremely noisy). that provide outdoor areas are highly level of around 46 dB. Sound barriers or building recommended. shapes that provide sheltered outdoor areas are highly recommneded.

Signs and symbols Main building

Noise level Noise level LrD LrD (in dB) in dB(A) 20 24 28 32 36 40 44 48 52 56 60 64 68 72 76

< < < < < < < < < < < < < < <

<= <= <= <= <= <= <= <= <= <= <= <= <= <= <=

20 24 28 32 36 40 44 48 52 56 60 64 68 72 76

WoV

60

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Site Conditions

Sunlight Sunlight hours •TheThe sunlighthours hoursanalysis analysis shows amount can sunlight see how the is generally very well sunlight showsthe the amount• of We direct thearea ground gets on the of direct sunlight the ground gets on the 21st of exposed, except for a narrow portion of the south 21st of March (equinox). The legend goes from a maximum of 10 daily hours (light yellow) March (equinox). east border. to a minimum of 0 daily hours (dark blue) of direct sun exposure. • The legend goes from a maximum of 10 daily We hours can see how the area generally well exposed, except for a narrow portion of (light yellow) to a is minimum of very 0 daily thehours south east border. (dark blue) of direct sun exposure. Hours of direct solar exposure (h)

10 10

VeryVery highhigh

9

Solarexposure 9 Solarexposure

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6 Solarexposure Solarexposure

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3 Solarexposure Solarexposure

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High High

Small Small

Limited Limited

WoV

2019.01.25

Henning Larsen

Vincenzo Pisano

61

19


Site Conditions World of Volvo

Wind Environmental analysis Wind •

On the left we have a wind speeds analysis cal-

The building marked with number 1. provides

On the leftatwe wind at 1.5 from meters from thewind ground. As culated 1.5 have metersafrom thespeeds ground. analysis As we can calculated good shelter the analyzed direction we see caninsee in theeach legend color iswith associated with a- West). speed, going from dark blue the legend coloreach is associated a (South (calm) to red (strong breeze). speed, going from dark blue (calm) to red (strong • Designing building with similar orientation and Thebreeze). building marked with number 1. provides goodproportions shelter from the analyzed direcwill produce the samewind results. tion (South - West). Designing buildings with similar orientation/proportions will produce the same results. Wind speeds at human height (m/s)

8m/s

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2m/s

so

ut

h

we st m

ain

di

r.

0m/s

WoV 1.

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Site Conditions

Rainwater Water •TheThe diagramshows shows the flows on the During the design phase we will look at the diagram therainwater rainwater flows on the•terrain. terrain. of rainwater gathering and During the design phase it is highly recommendedlandscape to look in atterms the landscape in terms of flowing.

rainwater gathering and flowing.

Rainwater flow Peak line Flow line Water gathering

WoV

2019.01.25

Henning Larsen

Vincenzo Pisano

63

21


King Salman Park

KING SALMAN PARK I have been working at King Salman Park project in two trances: The first part was in competition phase, where I provided sustainability oriented solutions to the environmental challenges of Riyadh climate. In the second part, after we won the competition, I was working full time in the design team, doing more in-detail analyisis and smaller scale climate informed guidelines. Type: Masterplan Location: Riyad (Saudi Arabia) Date: 2018 - Early 2019

22

Henning Larsen Architects works


Project description

For more info

King Salman Park (KSP) is seen as a catalyst for the development of the future of Saudi Arabian Community.

https://vimeo.com/330717725

It is designed as a free and space and melting pot of cultural. social, sustainable and economic forces bringing the Saudi society from a pre-oil era into a fruitful post-oil era. King Salman Park will be a workroom for cultural development, exploring how we are going to live, work, learn and recreate and how to transifigure the particular Saudi Arabiam identity after less than fifty years of economic, technological and cultural revolution. It is a dynamic, interactive garden-city, an experimental ground of how the big, young generation will form the future quality of life. The masterplan becomes a test bed for the numerous environmental challenges of how to manage the sparse resources as oil and water in a sustainable way and use renewable energy and how to plan the future cities, parks and landscapes. Vincenzo Pisano

23


King Salman Park

Sustainability strategies

Vegetation and Wadi Vegetation and Wadi

Cooling towers Cooling towers Cooling towers are capable of provoking a

Dense vegetation can provide shade and improve the microclimate. The Wadi is an oasis with appropriate vegetation. The vegetation around the body of water has to be extremely dense in order to avoid excessive evaporation.

standing there.towers This creates a natural current of air Cooling are capale flowing from the street level of the city, up and out the top of the tower - the breeze it creates pulls hot of provoking a convection air out of the city and makes life in the sheltered plaza below considerably more pleasant current as the hot air rises simply by standing there. This creates a natural current of air flowing from the street level of the city, up and out the top of the tower - the breeze it creates pulls hot air out of the city and makes staying in the sheltered plaza below considerably more pleasant.

Dense vegetation can provide shade and improve the microclimate. The Wadi is an oasis with appropriate vegetation. The vegetation around the body of water has to be very dense in order to avoid excessive evaporation.

N

W

N

E

S

W

E

S

K I N G S A L M A N PA R K | O V E R A L L C O N C E P T | O V E R A L L M I C R O C L I M AT E C O N T R O L A C T I O N S

24

convection current as the hot air rises simply by

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S

Henning Larsen Architects works

W

E

S

Materials Materials The use of highly reflective, light colored materials is a key aspect of avoiding the overheat of surfaces due to

solar radiation. The use of highly reflective, Light materials should be used for buildings and public light colored materials is a realm. key aspect of avoiding the overhat of surfaces due to solar radiation. N

W

N

E

S

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S

Light materials should be used for buildings and public realm.

39


1.9. OVERALL MICROCLIMATE CONTROL ACTIONS

In order to create a comfortable microclimate, shading, wind, vegetation and supplementing initiatives are either applied throughout the site, either combined or as single measure.

1

1

2 1

2

2 1

Shade

Shade 1. Shade in urban areas through building density 2. Shade in the park through several different actions:

shading structures or specific shapes of 1. vegetation, Shade in urban areas the landscape. through building density.

2. Shade in the park through several different actions: vegetation, shading structures and specific shapes of the landscape. E

S

38

Urban ventilation - warm winds Urban ventilation A dense urban fabric with narrow streets creates shelter from the warm wind. warmShould winds unwanted warm winds travel through the urban

transport it though the wholeof area. The and orientation the streets is strategically planned in order to capture and channel the wind.

A dense urban fabric with narrow streets creates shelter from warm wind. Should unwanted warm winds travel through the urban fabric, they can be deflected with vegetation.

ones in the north part in order to capture more cold wind

N

W

Urban ventilation - cold winds Urban ventilation The orientation of the streets is strategically planned in order to capture and channel the wind. cold winds The streets in the south part should be larger than the

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S

The streets in the south part should be larger than the ones in the north part in order to capture more cold wind and transport it through the whole area.

fabric, they can deflected with vegetation.

N

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N

E

S

Vincenzo Pisano

W

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King Salman Park

1.5. URBAN COOLING PLAZA

Content extracted from KSP documentation

The Urban Cooling Plazas are a network of plazas sitting inside the residential and mixed-use quarters that are designed in order to optimize the microclimate.

Strategies

DESIGN STRATEGIES

• How to create a comfortable microclimate? In the urban cooling plazas, the strategic building geometry helps ensure a comfortable microclimate. A H/W of around 1/2 can be used to control the flow of the wind, while also providing good shading in the plaza (to be further integrated with trees).

• Buildings H/W ratio = 1/2 The rooftops in the north should be shaped to deflect warm winds while the southern rooftops should be shaped to allowi cold winds into the plaza

1.4.5. SPLASH PARK

e s i ot th i'm nhor of thams! aut ee diagr thr

The Urban Splash Parks are playful landscape features where children and adults can interact with splashing water. Water can be sprayed from the ground, through streams, as mist or in a combination.

Buidling overhangs provide additional shading Narrow passages between buildings help keeping improved microclimate in the plaza Located inside the neighborhood pocket parks they become an important playing and meeting place for the local residents. • Vegetation and water Vegetation can provide extra shade in areas exposed to direct sunlight.

DESIGN STRATEGIES

Fountains provide a heat stress relief allowing people to cool down through direct contact with water.

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• Flexibility The splash park is designed to function with various amounts of water depending on the climate conditions in order to avoid excessive water evaporation. The function of the park can change from being a playground (no water), a splash park (with water splashes) to a complete water park with shallow ponds for dipping the feet.

• Water usage In order to minimize evaporation and water waste, with the ordinary set up, there is no water on the ground. All water fountains and features should use diffusers that minimise water usage by mixing the water with air.

1.4.2. COOLING OASIS

• Vegetation The tall towers, being easily recognizable, also All water should be prevented work as afountains landmarkand andfeatures way finding system. Public from excessive evaporation can by providing shading facilities and art installations also be found at thorugh vegetation. the Cooling oasis. or structures.

The Cooling Oasis are a network of sculpted landscape features that form a shielded park space surrounding a cooling tower. They occupy the open park space to ensure that visitors can always find a cool resting spot nearby within the large park areas.

DESIGN STRATEGIES

70

How to create a comfortable microclimate? When creating a cool oasis in an open park area with a desert climate two key factors has to be considered: 1. Direct sunlight 2. Exposure to warm winds.

Close the space We create a controlled small volume of air which we can regulate in terms of microclimate. We close the volume building up the landscape on the sides, and adding dense palms on the top.

Figure 2. Reference: Masdar City cooling tower

• Vegetation and ventilation Beyond providing shading, vegetation helps to retain cold air within the microclimate. The landscape, which keeps the cool air in the oasis, also allows the hot winds to pass over the oasis without affecting the interior.

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Henning Larsen Architects works


1.1.2. HOW TO ACHIEVE THE MICROCLIMATE GOALS

How to achieve the microclimate goals SHADING ELEMENTSGOALSVEGETATION 1.1.2.SELF-SHADE HOW TO ACHIEVE THE MICROCLIMATE By designing the buildings according to the sun path, it is possible to create comfortable shaded areas that allow pedestrians to move freely in the urban quarters.

self shade SELF-SHADE

By designing the buildings according to the sun path, it is possible to create comfortable shaded areas that allow pedestrians to move freely in the urban quarters.

Fixed shading elements can control solar radiation during the day. Flexible shading elements can efficiently adapt to both shading sunlight when open and allowing sky cooling (during the night) SHADING when closed. ELEMENTS

Strategic planting plays a significant role in creating shade and also in controlling the wind.

LIGHT MATERIALS

MIST

WATER

Light colored materials with high reflectance value can avoid overheating due to solar radiation.

The perceived temperature is influenced by many parameters; by changing the humidity of the air, it is possible to significantly increase the microclimate comfort.fort.

Water can be used to decrease the temperature by evaporation, while also cooling down warm winds.

MIST

WATER

shading elements

vegetation VEGETATION

LIGHT MATERIALS

Fixed shading elements can control solar radiation during the day.

Strategic planting plays a significant role in creating shade and also in controlling the wind.

Light colored materials with high reflectance value can avoid overheating due to solar radiation.

Flexible shading elements can efficiently adapt to both shading sunlight when open and allowing sky cooling (during the night) when closed.

light materials

mist

water

The perceived temperature is influenced by many parameters; by changing the humidity of the air, it is possible to significantly increase the microclimate comfort.fort.

Water can be used to decrease the temperature by evaporation, while also cooling down warm winds.

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K I N G S A L M A N PA R K | M I C R O C L I M AT E | M I C R O C L I M AT E A M B I T I O N

Climate zones In order for King Salman Park to be enjoyed year round, the microclimate strategies inform the design of the park. One of the main features of KSP is the naturally climate controlled Wadi. It ensures an accessible park year round. 1.1.3. CLIMATE ZONES

K I N G S A L M A N PA R K | M I C R O C L I M AT E | M I C R O C L I M AT E A M B I T I O N

ILITY B A N I A T Soverall climate The heat map shows the intended HierarchySofU the A M. In order for King Salman Park to be enjoyed year round the microclimate strategies inform the design of the park. One of the main features of KSP is the naturally climate controlled Wadi. It ensures an accessible park year round.

zones. GR D I A O B S. The heat map shows the intended hierarchy of the overall climate E N I K zones within the park area. The loop wadi, loop and urban parks the The Wadi, the and theare urban park are the most R E F TO J A most comfortable areas at all times of the year. K L A T comfortable areas at all times of the year.

cooling cave

wadi (narrow)

loop, urban cracks

rest of the park

comfortable all year

uncomfortable most the day in the warm months

park oasis

wadi (plaza)

pedestrian routes

roof tops, golf course

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Vincenzo Pisano

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57


105 VICTORIA STREET For 105 Victoria Street competition, my main focus was about acoustics and wind analysis. The building has a large, public opening, which we designed to be extremely comfortable in terms of noise from cars and cold wind coming from the street. Type: Mixed use building Location: London (United Kingdom) Date: Early 2019


Project description

For more info

Located just a short walk from Buckingham Palace, 105 Victoria Street contains not just office space, but a reinterpretation of the typical commercial foyer as an urban plaza. A menu of indoor and outdoor amenities enable a more active workday, from start to finish.

https://www.archdaily.com/963093/henning-larsen-designs-active-communityhub-as-their-first-london-project

105 Victoria Street, Henning Larsen’s first project in London, is a prototype for what the active and social office of the future can be. Located in the heart of Westminster, just a short walk from Buckingham Palace, the 470,000 sq. ft. building is not only a mixed-use office building, but also aims to become a community destination with spaces for collaboration, celebration, and relaxation. With 105 Victoria Street’s central location and vast pedestrian flow, the project has a unique opportunity to become a public destination that enhances the urban settings. Instead of a traditional office foyer and reception area on the ground floor, we propose a covered public plaza -- the Village Square-- a large community hall that angles through the ground level, flexibly outfitted with stalls to allow it to adapt for various building and city-wide events. The Village Square is designed to be a vibrant market hall; a natural short cut through the city where informal meetings can take place outside the urban rush on Victoria Street. With the ability to accommodate music events, fashion shows, art exhibitions, and sports, in addition to the habitual market, retail stores, and co-working spaces, 105 Victoria Street expands who and what the office entrance is designed for.

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105 Victoria Street

Environmental analysis

Improving The Urban Conditions - Through Microclimate mproving The Urban Conditions - Through Microclimate

CFD analysis showing theofredirection of the wind CFD Analysis Showing Redirecting Wind FD Analysis Showing Redirecting of Wind Current situation

HLA proposal Speed up factor Speed up factor

15e+00 1.4

15e+00 1.4

1.2

1.2

1.0

1.0

0.8

0.8

0.6

0.6

0.4

0.4

0.2

0.2

0.0e+00

0.0e+00

Structure Structure Current Situation

HL Proposal HL Proposal

Current Situation Reaching Carbon neutrality Reaching carbon neutrality

Reduction in Tonnes CO2

WOOD STEEL/WOOD HYBRID CONCRETE

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Henning Larsen Architects works

Weight

Wood structure

Wood Structure

High flexibility both during operation and end-of-life. Reduces loads and material use for lower structure.

High flexibility both during opera 269 5,264 end-of-life. Reduces loads and m use for lower structure.

Hybrid - Wood/Steel

Hybrid - Wood/Steel

Best of two worlds maximum flexibility from open plans combined with reduced weight and future flexibility through DfD.

Best of two worlds - maximum fle from plans combined with r 983open 38,525 weight and future flexibility thro

Wood structure

Wood Structure

Perfect fit for smaller spans and repetition, high flexibility both during operation and end-of-life through DfD.

Perfect fit for smaller spans and 174 3,408 repetition, high flexibility both du operation and end-of-life throug

Concrete base

Concrete Base

Durability and flexibility in terms of high spans under large compression forces.

6 times the trees

Durability and flexibility in terms

under large compression f inspans Hyde Park growing for 10 years


annual average m/s N

NNW

10.00

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5.00 4.00

Improving The Urban Conditions - Through Microclimate

WSW

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analysis Improving the urban conditions through microclimate LONDON/GATWICK_GBR A Holistic Approach to Design climate Designing a wind breaking passage annual average SW

SSW

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9.00

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5.00 4.00

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LONDON/GATWICK_GBR

SSW

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0.00

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Orientation of Victoria Street WNW

7.00

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3.00 2.00

SE SSW

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1.00

SSE

Wind-Rose LONDON/GATWICK_GBR 1 MAY 1:00 - 31 AUG 24:00 Hourly Data: Wind Speed (m/s) Calm for 7.35% of the time = 217 hours.

Weather data file: S:/Engineering/Weather data/EPW/GBR_London.Gatwick.037760_IWEC.epw Each closed polyline shows frequency of 1.8%. = 53 Data from 1983 to 1997 On the wind roses: Green is avg speed in that direction. Red is frequency (%)

Wind (HLA proposal - closed) Current Situation

1.00 NNE

7.00

SW SSW

S

SSE

0.00

NNW

N

N

Wind-Rose LONDON/GATWICK_GBR 1 JUN 1:00 - 31 AUG 24:00 Hourly Data: Wind Speed (m/s) Calm for 7.56% of the time = 167 hours. Each closed polyline shows frequency of 1.8%. = 39 hours.

S

7.00

8.00

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7.00

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E

Wind-Rose 5.00 LONDON/GATWICK 1 DEC 1:00 - 28 FE 4.00 Wind Hourly Data: Calm for 11.20% o 1.00 3.00 0.00Each closed polylin 5.00

4.00

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Wind-Rose LONDON/GATWICK_GBR 1 SEP 1:00 - 30 NOV 24:00

0.00

10.00

NNW

Hourly Data: Wind Speed (m/s) 9.00 Calm for 10.30% of the time = 225 hours. NE Each closed polyline shows frequency of 1.8%. = 39 hours. 8.00

0.4

0.2 ENE 0.0e+00

W

E

7.00

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SE SSW

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Wind-Rose LONDON/GATWICK 1 JUN 1:00 - 31 AU Hourly Data: Wind Calm for 7.56% of Each closed polylin

Wind-Rose LONDON/GATWICK_GBR 1 MAY 1:00 - 31 AUG 24:00 Hourly Data: Wind Speed (m/s) Calm for 7.35% of the time = 217 hours. Weather data file: S:/Engineering/Weather data/EPW/GBR_London.Gatwick.037760_IWEC.epw Each closed polyline shows frequency of 1.8%. = 53 hours. Data from 1983 to 1997 On the wind roses: Green is avg speed in that direction. Red is frequency (%)

Wind (HLA proposal -

A Holistic Approach to Acoustic Outdoor Design

[dB] 75

Car passing at 5m distance

70 65

(= -20 dB)

Current Situation

10.00 9.00

SE

0.6

NNE

NW

SW

75 dB

SW 8.00

m/s

4.00

0.00 ENE 1.00

SSW SSE On the wind roses: Green is frequency (%) 0.00 is avg speed in that direction. Red S

Wind (HLA HL proposal Proposal- open)

Improving The Urbanproposal Conditions - Through Wind (HLA closed)Acoustics

9.00

6.00 5.00

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WSW

NNW

Improving the urban conditions through acoustics Sound insulation provided by form and materials

m/s WSW 10.00

8.00

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(Existing building)

W

10.00 9.00

7.00 ENE Wind-Rose WNW 6.00 LONDON/GATWICK_GBR E 5.00 E 5.00 1 MAY 1:00W - 31 AUG 24:00 4.00 4.00 Hourly Data: Wind Speed (m/s) ESE WSW ESE 3.00 3.00 Calm for 7.35% of the time = 217 hours. 2.00 Weather data file: S:/Engineering/Weather data/EPW/GBR_London.Gatwick.037760_IWEC.epw Each closed polyline shows frequency of 1.8%.2.00 = 53 hours. SE SW SE Data from 1983 to 19971.00 m/s 1.00 6.00

W

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0.00

hours.

1.00

Wind-Rose LONDON/GATWICK_GBR 1 SEP 1:00 - 30 NOV 24:00 Hourly Data: Wind Speed (m/s) Calm for 10.30% of the time = 225 hours. Each closed polyline shows frequency of 1.8%. = 39 hours. m/s

NW

8.00 WNW

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2.00 NE

SSE WNW

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15e+00 1.4 1.2

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E m/s

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WSW 10.00

3.00

Wind-Rose LONDON/GATWICK_GBR 1 JUN 1:00 - 31 AUG 24:00 Hourly Data: Wind Speed (m/s) Calm for 7.56% of the time = 167 hours. Each closed polyline shows frequency of 1.8%. = 39 hours. m/s

9.00

NE

NE

Wind-Rose E Wind-Rose W 5.00 W LONDON/GATWICK_GBR W 1 MAR 1:00 - 31 MAY 24:00 LONDON/GATWICK_GBR 4.00 Wind Speed (m/s) Hourly Data: Calm for 5.16% of the time = 114 hours. ESE WSW 1 JAN 1:00 - 31 DEC 24:00 3.00polyline shows frequency Each closed of 1.8%. = 39 hours. Hourly Data: Wind Speed (m/s) 2.00 SW SE SW Calm for 8.54% of the time = 748 hours. 1.00 1.00 WSW SSW SSE SSW Each closed polyline shows frequency of 1.8%. 0.00 = 157 hours. S 0.00 S

10.00

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4.00

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On the wind roses: Green is avg speed in that direction. Red is frequency (%)

NNW

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Wind-Rose LONDON/GATWICK_GBR 1 MAY 1:00 - 31 AUG 24:00 Hourly Data: Wind Speed (m/s) Calm for 7.35% of the time = 217 hours. Weather data file: S:/Engineering/Weather data/EPW/GBR_London.Gatwick.037760_IWEC.epw Each closed polyline shows frequency of 1.8%. = 53 hours. Data from 1983 to 1997 m/s N

N

1 DEC 1:00 - 28 FEB 24:00 4.00 Wind Speed (m/s) Hourly Data: Calm for 11.20% of the time = 242 hours. WSW 3.00 polyline shows frequency Each closed of 1.8%. = 38 hours.

SSE

5.00

3.00

SSE 7.00

Wind-Rose 5.00 LONDON/GATWICK_GBR

E

ESE

SE

6.00 E

5.00

NNW NW

6.00

N

7.00

Wind-Rose LONDON/GATWICK_GBR 1 MAR 1:00 - 31 MAY 24:00 Hourly Data: Wind Speed (m/s) Calm for 5.16% of the time = 114 hours. Each closed polyline shows frequency of 1.8%. = 39 hours. m/s

ESE WNW NNW

6.00

SSW

S

10.00

8.00

6.00

7.00

E

ESE NNW

SSW NW

9.00

0.00 ENE

SW

SSW

ENE 0.00

8.00

SW

m/s

1.00

Wind-Rose W LONDON/GATWICK_GBR 1 JAN 1:00 - 31 DEC 24:00 Hourly Data: Wind Speed (m/s) Calm for 8.54% of the time = 748 hours. WSW Each closed polyline shows frequency of 1.8%. = 157 hours.

8.00

SW

m/s

9.00

ESE

9.00

WSW

2.00

9.00

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W

3.00

10.00 NE

ENE

10.00

4.00

SSE

S

NNE

WSW 10.00

3.00 2.00 NE

SSE WNW

0.00

WNW

5.00

NE

SE SSW

WSW

W

5.00 4.00 NNE

NW SE

SW

E

6.00

E

WSW

WNW

NNE

6.00

Wind-Rose LONDON/GATWICK_GBR 1 DEC 1:00 - 28 FEB 24:00 Hourly Data: Wind Speed (m/s) Calm for 11.20% of the time = 242 hours. Each closed polyline shows frequency of 1.8%. = 38 hours. m/s NNW

NW

8.00

7.00

ESE

WNW

W

9.00

NE

NNW

SW

10.00

NNE

NW

N

ENE

WSW

2.00

Wind-Rose LONDON/GATWICK_GBR 1 JAN 1:00 - 31 DEC 24:00 Hourly Data: Wind Speed (m/s) Calm for 8.54% of the time = 748 hours. Each closed polyline shows frequency of 1.8%. = 157 hours. m/s NNW

NW

3.00

SE

1.00

Wind-Rose LONDON/GATWICK_GBR annual average 1 JAN 1:00 - 31 DEC 24:00 m/s Hourly Data: Wind Speed (m/s) with air temperature below 16C N N Calm for 8.54% of the time = 748NNW hours. 10.00 NNW NNE NNE Each closed polyline shows frequency of 1.8%. = 157 hours. 9.00 NW NW NE NE m/s 8.00

m/s N

NNW NW

2.00

SSE

S

LONDON/GATWICK_GBR

WNW

3.00

SE

60 55

55 dB

Home / kitchen Open plan office

reflected noise

HL Proposal

Vincenzo Pisano

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NØRR SAINT DENIS For this project, I mainly worked on the facade design (other than the usual microclimate studies for indoor and outdoor). The goal was to design a louvers facade which is a optimal compromise of solar radiation sheltering and daylight permeabilty. Type: Office Building Location: Saint Denis, Paris (France) Date: End of 2018 - Beginning of 2019

Norr front view (I am not the author of this render)


Project description

For more info

NØRR is located in the heart of a prestigious ZAC. The plot is at the center of an important urban planning area and is visible from the highway, the Greater Paris project and the future development in the north.

https://henninglarsen.com/da/ projects/1800-1899/1806-n%C3%B8rrsaint-denis/

The plot will soon become a focal area, a destination and a link towards the new outlet and future ZAC. NØRR offers above all a natural living space, perfectly suited to the needs of its future occupants, offering new flexible office spaces and scalable, open to the atypical and unique environment of St Denis. Well-being is at the heart of the project's challenges, and reflects this Scandinavian ideal encouraging exchanges, interactions and community in the workplace. The project is inspired by a key Scandinavian value. A place of sharing and exchange where culture, nature and the public meet. The project gives priority to the collective both for the offices and the public spaces. By offering generous spaces and varied common areas, indoor and outdoor, the project wants to provide everyone a central location for the life of the district. A new destination that will stimulate interactions between future NØRR employees and the community of Saint-Denis.

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NØRR Saint Denis

tural

Carnet architectural

Solar radiation and daylight

esign passif des façades Un design passif des façades Annual solar radiation

Solar radiation peak

The annual solar radiation directly affects consumption of annual energy. This analyL'irradiation solaire annuelle affecte directement la consommation L'irradiation solaire annuelle affecte directement la consommation indicates the logic we used to place solar annuellesis d'énergie. Cette analyse indique à la conception oùàplacer annuelle d'énergie. Cette analyse indique la conception où placer stratégiquement lastratégiquement protection solaire. Le volumesolaire. du bâtiment s'adapte la protection Le volume du bâtiment s'adapte protection. beaucoup au soleilbeaucoup de l'après-midi, cede quil'après-midi, permet d'éviter une surchauffe. au soleil ce qui permet d'éviter une surchauffe. Irradiation solaire annuelle Irradiation solaire annuelle

La face nord du projet offre unedu lumière et diffuse, La face nord projet naturelle offre une constante lumière naturelle constante et diffuse, celle au sud est plus facilement maitrisable qu'a l'est ou à l'ouest. celle au sud est plus facilement maitrisable qu'aC'est l'est ou à l'ouest. C'est pourquoi les espaces de bureaux sont concentrés sur cetconcentrés axe. pourquoi les espaces de bureaux sont sur cet axe.

The solar radiation peak directly affects the Pic d'irradiation power of cooling ystem of the building. rePicsolaire d'irradiation solaire Le pic d'irradiationLesolaire affecte directement la puissance de la puissance de pic d'irradiation solaire affecte directement ducing this peak number can help toaider reduce refroidissement maximale du bâtiment. L'abaissement de ce pic peut refroidissement maximale du bâtiment. L'abaissement de ce pic peut aider à réduire la taille des locauxlatechniques et à économiser deetl'énergie sur de l'énergie sur à réduire taille des locaux techniques à économiser the les size of technical elements and to save systèmes. les systèmes. energy on the systems.

Beaucoup d’énergie peut d’énergie peut Beaucoup A lot of energy can be saved être économisée être économisée si nous ifsiwenous shelter this facade propombrageons cette erlyfaçade cette façade ombrageons

Irradiation (kWh/m², année) Irradiation (kWh/m², année) 0

100

200 0300 100 400 200 500 300 600 400 700 500 800 600 900 700 1000800

Plus d'ombre

chi

Plus d'ombre

900

Pic d'irradiation Pic(W/m²) d'irradiation (W/m²)

Plus de chaleur Plus de chaleur

Sun light hours during spring In March, there are very isolated areas and Ensoleillement en mars Ensoleillement en mars the Enmain entrance invites which have a mars, y a des ensoleillées et l'entrée principale invite par Enilmars, il yzones a destrès zones très ensoleillées et l'entrée principale invite par sa généreuse exposition les utilisateurs à profiter du soleildu le soleil matinle etmatin au et au sa généreuse exposition les utilisateurs à profiter generous exposure and let the users benedéjeuner. déjeuner. fit from the sun in the morning and around lunch time.

des des rnté la santé ou de ou sortir matin de sortir et réduire mmeil et réduire ir le soleil obtenir le du soleil du trie du projet olumétrie du projet enning Larsen 62 en Henning Larsen principale ntrée principale en

E UR AT

5

200 0300 100 400 200 500 300 600 400 700 500 800 600 900 700 1000800

Soleil moins intense Soleil moins intense

Sun light hours during summer Depending on the outside temperature, the occupants can choose from stay in the sun En fonction la température extérieure,extérieure, les occupants peuvent choisir de choisir de En de fonction de la température les occupants peuvent rester au rester soleil ou l'ombre. permet aux occupants de choisir en auàsoleil ou àCela l'ombre. Cela permet aux occupants defonction choisir en fonction or indesthe shadow. This allows occupants to des conditions météorologiques et offre différents d'espaces conditions météorologiques et offre types différents types aux d'espaces aux activités du rez-de-chaussée. activités du rez-de-chaussée. choose where to work or relax according to meteorological conditions

Ensoleillement en juin en juin Ensoleillement

Soleil 8:00 à 14:00 Soleil de 8:00de à 14:00

Soleilàde 8:00 à 14:00 Soleil de 8:00 14:00 Ensoleillement (de 8:00 à 16:00) Ensoleillement (de 8:00 à 16:00) 0

10

2 1

Ombragé Ombragé

34

Henning Larsen Architects works

900

Soleil plus intense Soleil plus intense

HUM IDITY

5

HUM IDITY

4

100

Soleiljusqu'en de 9:00soirée jusqu'en soirée Soleil de 9:00 11:00 jusqu'en Soleil deSoleil 11:00de jusqu'en soirée soirée

Soleil de 11:00 jusqu'en Soleil de 11:00 jusqu'en soirée soirée

PE R

0

1000

3 2

4 3

5 4

6 5

7 6

8 7

8

EnsoleilléEnsoleillé

1000


Etage type (niveau 05) Les étages supérieurs sont05) très bien éclairés car il n'y a pas de contexte d'ombrage. Etage type (niveau Les étages supérieurs sont très bien éclairés car il n'y a pas de contexte d'ombrage.

08 octobre 2018

Daylight analyisis

08 octobre 20

Facteur factor lumière du jour: Daylight

Aut

Facteur lumière type (niveau 0 Etage 1 2du jour: 3 4 05) 5

0

6

7

8

9

Aut

10

Recommandé pour la plupart des bureaux

Recommended most Toujours selon l'autonomie la du jour, les8étages9supérieurs sont très bien éclairés. 1Etage 2 type 3 (niveau 4 de05) 5forlumière 6 office 7spaces 10

N

N

Recommandé pour la plupart des bureaux Toujours selon l'autonomie de la lumière du jour, les étages supérieurs sont très bien éclairés.

Daylight autonomy Autonomie en lumière du jour (DA300lux,50%):

en ): 0Autonomie 10 20lumière 30 du jour 40 (DA50 60 300lux,50%

0

10

20

30

70

80

90

100

Recommandé pour la plupart des bureaux

40Recommended 50 60 for most 70 office 80 spaces 90

100

Recommandé pour la plupart des bureaux

Vincenzo Pisano

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Le début du niveau de rayonnement thermique indésirable et le pic du niveau de rayonnement thermique indésirable génèrent une plage d'angles allant d'environ 53 ° à 60 ° sur la NØRR façadeSaint sud. Denis

Avec l'analyse de la trajectoire du soleil, chevauchant le diagramme de rayonnement par rapport au diagramme de température de l'air, nous avons pu définir un angle pour lequel le soleil émet un rayonnement de chaleur élevée avec une température de l'air supérieure à 20 °.

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60 °

Passive design of the facade

Step 1

Step 2

I calculated the angle range of the sun where we have the peak of the undesirable thermal heating level. The results show a interval of angles of around 53 ° to 60 ° on the south facade.

With the analysis of the sun path, combined with the diagram of air temperature, we can define an angle for which the sun rays hit the facade with an air temperature higher than 20°C.

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Henning Larsen Architects works

Pour n été con espace des lam Tant qu des par l'autre conser une vu


Changer le matériau pour que certaines des lamelles soient de couleur vive aide à réduire le contraste dans la pièce en diffusant la lumière au plafond.

Étape 5 (optionel)

Nous proposons de remplacer certaines des lamelles par des lamelles en plastique réutilisé. La faible concentration en CO2 dans le bâtiment serait un atout supplémentaire!

L S Ratio:

L/S=0.75

écart

longueur

écart

longueur

longueur

écart

2350mm

BUREAU R+4

longueur

Louvres in white bounce light to the ceiling

écart

vec

Pour ne pas affecter la visibilité vers l'extérieur, la facade a été concu en jouant sur le ratio L / S (longueur de l'élément, espacement entre les éléments), plutot que sur l'inclinaison des lamelles. (angle de 53 °, L / S = 0,75) Tant que le rapport est respecté, il est possible de fixer l'un des paramètres (longueur ou espacement) et de trouver l'autre en fonction de la valeur du rapport. Cela permet de conserver une orientation perpendiculaire des lamelles pour une vue vers l'extérieur optmisée.

longueur

800mm

écart

e

700mm

2900mm

BUREAU R+3

Step 3

Step 4

For not affecting the visibility to the exterior, the facade was concerned about the L / S ratio (length of the element, space between the elements), rather than on the inclination of slats (angle of 53 °, L / S = 0.75).

Make certain slats of a clear, highly reflecLot ZC5 ZAC Landy Pleyel 63 tive color helps to reduce the contrast in the element and to diffuse the exterior light from the ceiling.

As long as the formula is respected, it is possible to fix one of the parameters (length or spacing) and find the other de3600mm pending on the value of the calculation. This allows to preserve a perpendicular orientation of the lamellae for a better view towards the exterior.

BUREAU R+2

Vincenzo Pisano

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VIDEO EDITING PROJECTS During my internship at Henning Larsen Architects, I have had the chance to work on several tasks involving video editing. All the tasks were about communication of sustainability values, or explaination of the sustainable side of selected HLA buildings. Four projects are featured and explained in the next pages. Type: Social media project Location: Date: August 2018 to September 2019


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Video editing projects

Interview I filmed this interview and other parts which were added in post production. I also added subtitles, added animations for the beginning and the ending end added transitions from one scene to another. The audio was captured with two microphones, which I later replaced to the audio recorded by the camera.

Acoustic VR experience The challenge of this project was alligning three different sources: the audio, the video recorded from VR and the real life footage. I also helped modeling assets for the room and placing the 3d model in Unity.

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Personal Projects


Klaksvik city centre Probably my biggest video editing project at Henning Larsen Architects. It contains basically everything I have learned during my internship, from editing to animations. If you only have time to check one video, I recommend this one. Unfortunately, I managed to save only a low res version. As the final one was removed Linkedin.

Wind tunnel This was my first video editing project at Henning Larsen Architects. It is a very short and simple video, but the task presented challenges nonetheless. The footage I was given was extremely shaky (I suppose the camera was heavily affected by the air flow). Also, the colors were very washed out and the video was not sharp. All this issues were corrected in post production. Vincenzo Pisano

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Section 2.

PERSONAL PROJECTS


MAXXIMA experience I entered this 34 hours non-stop hackathon as single member, and I joined a team of people I met on the same day. My role was trying to understand what each person could do best and how we could translate it into a concept, since I was the one with the least specific background. I also took care of UI/UX design for mockup app, I produced all the graphics and diagrams, and I made the final powerpoint presentation. Type: 34 hour hackathon event Location: L'Aquila (Italy) Date: October 2019


Project description

For more info

The third edition of the Museum Booster HACK happened in L’Aquila on 19th and 20th October 2019; the hackathon was addressed to developers, programmers, designers, makers, communication and marketing experts, copywriters, data analysts, art directors, to create ideas and services that know how to reinvent and improve the museum experience.

https://www.maxxi.art/en/events/museumbooster-hack-2019/

After two years of exciting challenges, such as the creation of solutions that could redesign the experience of visiting a museum, or completely innovative, such as the application of the blockchain technology to the world of culture, this year’s theme was very topical: gaming.

https://www.youtube.com/ watch?v=uDgTQHzNbLA

The three winning teams will receive a cash award and the first classified team will have the chance to test their project at MAXXI. The event is part of the Museum Booster program through which MAXXI has supported and hosted since 2017, experimentally, original and innovative projects that use digital languages to envisage the museums of the future. 45


MAXXIMA experience

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Personal Projects


About the proposal The theme of the hackathon was "gamification". Our proposal was an interactive app for mobile devices which could make users experience the museum and the city in general on a different level. Borrowing classic videogames elements, the concept of the app is an experience in which people could visit different places of the city and the museum with artistic value, and read informations about them, while also collecting points by actually visiting them at the right time and playing minigames. Other features included the idea of a "diffused" museum, in which we could create cultural paths in the city leading to MAXXI museum or starting from it, a leaderboard with a ranking system based on points collected, and the possibility of leaving a trace and being part of the artistic experience by leaving comments, posting media and sharing thoughts.

Link to the presentation https://drive.google.com/file/d/1FTg P88Li8R3G0c8WIqr0J0QeJi0It6zV/ view?usp=sharing

Vincenzo Pisano

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LANDSCAPE THUMBNAILS This small project consists of drawing landscapes on small frames (approximately 8cm x 5cm), pen on paper. I think drawing landscapes with such limited resources and space is a great way to work on my visual communication skills, while at the same time making good use of my passion for hiking and nature in general. I also think studying lanscape drawing and painting can give me a fresh eye on architectural sketching and better intuitive representation of shapes. On the right, a selection of on site sketches and reference studies


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If you made it so far, a big thank you for going through the whole document. I really appreciate it. Vincenzo


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