VINCENT TANG PORTFOLIO 2015 99 VADEBONCOEUR DRIVE R2N 4P8, WPG, MB, CAN + 1 (204) 292 4815 VINCETANG20@GMAIL.COM VINCENT TANG PORTFOLIO 2015 MASTERS OF LANDSCAPE ARCHITECTURE VINCENT TANG l PORTFOLIO 2015 l MASTERS OF LANDSCAPE ARCHITECTURE
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HELLO ENJOY.
2 VINCENT l PORTFOLIO l MASTERS OFMASTERS LANDSCAPE ARCHITECTURE VINCENT TANGTANG l PORTFOLIO 20142015 l APPLICANT FOR OF LANDSCAPE ARCHITECTURE
table of contents JANUS
FLUX
Studio 3 Dwelling in a Public Realm
Studio 3 Dwelling in the Private Realm
Instructors Ted McLachlan Karen Wilson Baptist Liz Wreford Taylor
Instructors Ted McLachlan Karen Wilson Baptist Liz Wreford Taylor
UNITY
OVERLAY
pg. 12 - 15
pg. 16 - 21
Studio 4 Networks & Infrastructure
Studio 5 Possible Urbanism(s)
Instructor Leanne Muir
Instructor Carley Friesen
ALTER
JEWEL
Studio 3 Dwelling in a Public Realm
Studio 3 Dwelling in the Private Realm
Instructors Ted McLachlan Karen Wilson Baptist Liz Wreford Taylor
Instructors Ted McLachlan Karen Wilson Baptist Liz Wreford Taylor
THERAPY
EXTRA
pg. 4 - 7 pg. 4 - 7
pg. 4 - 7 pg. 22 - 29
pg. 8 - 11
pg. 30 - 33
pg. 34 - 39
pg. 40 - 49
Studio 4 Networks & Infrastructure
Creative Works Film Works Construction Drawings Photography
Instructor Leanne Muir
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JANUS
Studio 3 Instructor Work
Dwelling in the Public Realm Karen Wilson Baptist, Ted McLachlan, Liz Wreford Taylor Group - Vincent Tang, Heather Scott, Kristopher Mariash
Brief
Explore the spatial and detail design potential of the public realm of one urban block. All aspects of design are to explored from building massing and design to detail design of the urban landscape.
isometric drawing of urban intervention digital render by Heather Scott & Kristopher Mariash
Named after the Greek god Janus, whom is represented with two faces, the site acts as a threshold between the urban core and the river. The project aims to revitalize downtown Selkirk, reconnecting the city to its historical waterfront. Transforming the area into a vibrant mixed-use district to promote economic prosperity and urban living as a vibrant, energetic hot spot, the project incorporates terracing buildings, a plaza, and a riparian boardwalk. The building design addresses the existing topography by terracing onto the waterfront, providing access from both points. In essence, having “two faces” both with different characteristics to accommodate different social atmospheres.
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The waterfront’s main plaza is a longitudinal stretch providing ample space for programmatic events to allow Selkirk to reconnect with its waterfront. A section of the plaza extends out onto the Red River to provide panoramic views across the river. The plaza is adaptive to the rising water levels. As water rises, a new water’s edge is established and the plaza becomes a new promenade river walk during the spring. This shifting of context allows the waterfront to maximize its potential, utilizing the topography and natural processes in its favour.
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Pre-existing Condition of Selkirk Waterfront The present condition is characterized by an empty plaza, buildings with their rear ends facing the river, parking lots, and privatized lands.
The elevated boardwalk overlooks the natural spectable of the Red River ice drifts that happen every spring.
Perspective of Elevated Plaza section during the ice drift of spring digital render by Heather Scott
initial water level
6 ft above initial water level
10 ft above initial water level
14 ft above initial water level
seasonal adaptation of fl ood water levels digital render by Heather Scott
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The Riparian Walk feature bioswales and vegetated channels which slowly collects, filters and infiltrates stormwater. This water recharges the water table and is released back into the river. The site protects and restores riparian ecosystems. The project creates a relationship, connecting the city of Selkirk and its historical, cultural, ecological roots of nature that have existed in this landscape for a millennia.
Cattails
Golden Rods
Blazing Stars
Prairie Crocus
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stormwater management creating habitats increase biodiversity preserving native fl ora and fauna stabilization of the eroding fl oodplain
Milkweed
The Riparian Walk acts like a bioretention pond formed to capture water that drains from roofs, walkways, driveways, parking lots, and other impervious surfaces.
Various species used in the Riparian Walk
S
S Stormwater management is carried throughout the site by maximizing the surface area for storm water run off to infiltrate into the ground.
Riparian Walk
The Riparian forest along the shoreline helps stabilize against the eroding forces of the meandering Red River. It provides a natural habitant for local fl ora and fauna and provides a beautiful landscape that supports the environmental components that function within.
Section of Janus Waterfront scale 1:600 graphite, digital render by Vincent Tang
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Plaza Porous concrete is used on the sidewalks and the stretch plaza to allow for run-off to infiltrate into the soil rather being diverted to stormwater facilities. Porous concrete also mitigates heat island effects by reducing the material’s heat retention through evaporation. The stretch plaza has a sloped surface that allows the water run off to divert into the wet detention point.
perspective of Plaza overlooking Riparian Walk digital render by Heather Scott
The site is host to sustainable components addressing environmental issues. From storm water management, riparian habitats for local fl ora and fauna, and stabilization of the eroding fl oodplain, the waterfront becomes something integral to the
landscape, a functional attribute assisting in the longevity of the environment and its dwellers. These elements work in unison to enhance the performance of social, economical and environmental interaction. It provides a platform for Selkirk to engage the waterfront
Mixed Use Building Open on both fronts, restaurants, cafes, and shops offer a pedestrian streetscape as well as a panoramic view of the Red River on the plaza. A dynamic waterfront addresses the needs for a effective space for people and a platform for local economic growth.
in a dynamic interplay where the threshold between the river and the urban core creates a space that benefits the city in people, place, and profit.
System of cisterns in the site allow for recycling of grey water and storage of excess water for water features in the riparian boardwalk. When water levels in the riparian zone drop, a fl ow switch is activated to regulate water levels.
Section Scale 1:600 VINCENT TANG l PORTFOLIO 2015 l MASTERS OF LANDSCAPE ARCHITECTURE
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Studio 3 Instructor Work Brief
FLUX
Dwelling in the Private Realm Karen Wilson Baptist, Ted McLachlan, Liz Wreford Taylor Individual Explore in extreme detail the private realm of one family from the design of their dwelling interior through to their adjacent private/ semi-private landscape.
Conception of Flux revolves around the interplay between components that would compliment each other, exploring the idea of the threshold between building and surrounding context.
isometric drawing of Flux marker, graphite, on mayfair paper
Flux aims to develop a dialogue between the landscape and the built form. It aims to place individuals into a position to capture the essence of Flux. Flux faces the landscape, embracing its qualities, looking upon the series of bioswales, composed of native fl ora that have become adaptive to the waterfront’s natural watery process.
Stormwater management involves overfl ow pipes diverting water into the bioswales. The interlaced spaces slowly collect, filter, and clean water in a natural way. In the event of high rainfall, the water is collected here and slowly released into the river, allowing visitors to witness the dynamic fl ux of water.
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The riparian forest acts a hub for native fl ora and fauna to thrive, creating a strip of great biodiversity and habitat, bringing back the wonderous ecosystem that was lost. During the spring and the onslaught of ice, the riparian forest becomes an integral sustainable barrier assisting in the preservation of the site by naturally blocking large pieces of ice from entering, preventing potential damage.
Passive solar components. •The Vertical courtyard have partition walls to allow sunlight to penetrate into all three fl oors as well as create space for natural ventilation. • A skybox acts as a light well, illuminating the staircase and provides a wind channel to funnel out air and bring in new. • Concrete or masonry used to store heat during the day to be slowly released at night. Thermal massing reduces its carbon footprint.
diagrammatic section of Flux Home
perspective of Flux Home marker, graphite, digital render
Five leaved Akebia Dutchman’s pipe
Flux is a row of duplex homes with a vertical play on public/ private thresholds. Flux Houses offer single-family dwellings where two families share a roof garden offering spontaneous social encounters between individuals. Vertical courtyards provide exterior space and passage to upper fl oors. Composed of native climbing vines, the vertical courtyards allows personalization of the individual, creating unique facades and exciting streetscapes.
Actinidia Kolomikta
Trumpet Vines Elevations of Flux House • have differing material to excentuate the house as a duplex. • vertical courtyards intertwined with native climbing vines. • energenic facades create diverse streetscapes.
exploded axiometric of Flux Home graphite on mayfair paper
Bittersweet Irrigated through drip irrigation. Utilizing the stormwater from the roof, it is stores and slowly trickles down through a system of dripping apparatus.
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Summer Native fl ora and fauna energize the space, embracing the locals in a winding path through its natural vegetation. Below is a buffer strip of riparian forest where the walkway disappears into the canopy of trees. It opens up to the river where piers and docks house kayaks, canoes, and fishing boats for all the watery pleasures.
Spring The area fl oods, the bioswales engulf the rising water levels and the elevated boardwalk remains traversible forming a “walk above water�. Furthermore, the ice jams no longer prevail over the landscape during the spring. The natural barrier of riparian forest withholds the bombardment of large drifitng ice in a natural way of responding to the seasonal and changing dynamics of water in the site.
Site Plan of Flux scale 1:500
Prairie Crocus
Reed Canary Grass
The blue line indicates the movement of stormwater through a system of overfl ow pipes, connecting the water to be stored and infiltrated within each successive bioswale before being released back in the river. Cattails
Various species of native fl ora compose the bioswales. They help infiltration of collected stormwater, strip phosphorus and other pollutant and contaiminants from water, and utilizing the water to create landscapes that are as ecologically sustainable as they are aesthetically pleasing.
Short-Awned Foxttail Marsh Canary Grass
Section of Flux scale 1:500 10
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The adjacent landscape has a ecological niche. With a system of bioswales and an elevated boardwalk, storm water is managed through a system of overfl ow pipes to regulate water levels. In each successive bioswale, storm water gets progressively filtered through.
In spring, the overfl ow pipes divert water into the bioswales. They act as a series of natural levees to allow the boardwalk to be used all year round. It possesses a responsive plan to the dynamics of water while becoming an ecological system.
Perspective of Ecological Landscape during Summer and Spring digital render
Ash Green
Large amounts of drift ice move across this section of the Red River annually. As spectacular as it is, it is a main contributor to the erosion of the fl oodplain. A riparian forest is reintroduced onto the waterfront with temporary sturctures held in place to protect the forest until it grows into a large enough mass to counter the forces of the ice.
Manitoba Maple
Cottonwood
American Elm
The riparian forest is a 50 ft long buffer strip along the shoreline, helping stabilize against the eroding forces of the meandering Red River. It provides a natural habitant for local fl ora and fauna and provides a beautiful landscape that supports the environmental components that function within.
Section of Flux scale 1:500 VINCENT TANG l PORTFOLIO 2015 l MASTERS OF LANDSCAPE ARCHITECTURE
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Studio 4 Instructor Work Brief
UNITY
Networks and Infrastructure Leanne Muir Individual
In the context of the St. Norbert Farmer’s Market, explore site and program specific ways of defining a public event space within an urban network. Propose a place that is dynamic, functional, performative, and memorable.
The map is a holistic representation of the narrative developed through site exploration. Represented through a fantastical narrative, it offers a visual representation of the asymmetrical character of the site. On the left is a representation of the commercial strip adjacent to the St. Norbert Market site. Drawn as a strange, mechanical structure, it represents the alienation of commercial infrastructure in contrast to the St. Norbert context. The harp-like structure in the middle is to represent the tension created through
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The St.Norbert Market is an annual farmer’s market for Manitoban producers to sell locally produced goods in a cooperative environment. However, the site is outdated, inadequate, and no longer appropriate. Unity aims to remedy the situation by providing supporting infrastructure for the Farmer’s Market as well as permanent social gathering space for the community.
the high traffic volumes of Pembina highway. On the left are two structures where one represented the community spirit of St. Norbert and the other representing the market itself. The narrative revolves around how these “forces” are all interconnected (represented through a network of cables) and relative to the site location, giving a visual representation of the site’s character and story.
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narrative mapping, map of invisible forces graphite on mayfair paper
PARKING SPACE Parking space moved from the street frontage to behind the commerical strip to prioritize pedestrian accessibility.
NEW PEDESTRIAN CORRIDOR By creating buildings that have a better relationship to the sidewalk, new avenues of economic opportunity arise, including restaurants and cafes that have patios on the sidewalk. This creates a pedestrian corridor with numerous amenities.
NEW STREET FRONTAGE Adding buildings to fill up the porosity of the commerical strip eliminates excessive parking lots. Wider sidewalks wth less breaks creates a greater street frontage and pedestrian experience.
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PERMEABILITY Pre-existing conditions of the site had issues of freestanding water, especially after rainfall. The design vastly increases permeable surfaces where storm water can be diverted into. Hardscapes provide formal pathways for visitors in rainy weather.
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PRECURSOR A bus loop along with small temporary stalls act as a “precursor” of the market as public transit from Winnipeg arrives on the opposite side. It provides a “prologue” while waiting for the crosswalk.
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ZONES OF INTEREST Each space caters towards a specific objective and function, each with its own personality and atmosphere tied together through the market.
Proposed Buildings
Site Plan of Unity scale 1:2000 graphite on vellum
NODES OF ATTRACTION Pergolas, cultural heritage center and the central gathering space all become attractions weaved within the forest of trees for the people to discover.
PLAZA AS CONNECTOR The plaza acts as a connector allowing for people to weave in and out from the plaza to the market stalls.
CIRCULATION Circulation is handled by formal pathways with specific pavings. A main axis connects the commercial corridor to the market, and linear paths to other areas.
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The market design is composed of three gardens connected by a plaza. The plaza acts as a connector allowing the pedestrian to weave in and out of the gardens and market infrastructure. Each garden produces unique atmospheres for unique places to gather and socialize. The “Butterfl y Gardens” planted with vibrant native plants attract birds and butterfl ies and pergolas offer a dynamic space for leisure. The main “Market Square” establishes an atmospheric quality of a canopy over the market. Using tree canopies as infrastructure, it removes the need for large market infrastructure. The “Vegetable Gardens” has community gardens as well as “trellis-like houses” with climbing vines to provide workshops in unique infrastructure. In the end, “Unity” is a platform for the preservation and progression of the Farmer’s Market and St.Norbert as a whole.
Various native plants chosen for providing nector sources and host plants for the life-cycle of butterfl y colonies.
A NEW TWIST
The vegetated pergolas blend in with the cultural heritage site creating a new village type atmosphere with a “twist”. These plant dominated pergolas offer a wide range of amenties to occur and allow for a new exciting way for the people to engage with the cultural hertiage site of St. Norbert.
Asclepias MILKWEED Solidago GOLDENRODS
Rudbeckia hirta BLACK-EYE SUSAN Echinacea PURPLE CONEFLOWER
scale 1:800 PERGOLA
GARDEN
MARKET
PLAZA
isometric drawing of Unity graphite on vellum
Section of Butterfl y Gardens scale 1:800
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HOW IT WORKS Irrigation is handled through the design of the planters, where rainwater travels downward through a system of fl ow pipes using the rainwater for irrigation.
The plants grow downward from planters (originate near the top) embedded into the structure of the pergola. MARKET STALL
PERGOLAS
MARKET STALL
Section of Vegetable Gardens scale 1:800
scale 1:800
VEGETABLE GARDENS
Tilia americana AMERICAN BASSWOOD
360O
GAS HEATERS
Section of Market Square in Winter Conditon scale 1:800
American Basswood was chosen for its tolerance to be planted in urban environments, as well as its branching canopy and mature height. PARKING
TRUCK VENDOR SPACE
DECORATIVE LIGHTING
The market as a “ring” surrounding the large open green space. The green space is surrounded by food, beverages, seating, and amenities to offer a space where people can meet, collaborate, relax, engage, and play.
Section of Market Square in Winter Condition scale 1:800 WINTER
SUMMER
scale 1:800
OPEN SPACE
MARKET STALL
PLAZA
PEMBINA HWY
PRECURSOR
Section of Market Square scale 1:800
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OVERLAY
Studio 5 Possible Urbanism(s) Instructor Carley Friesen Work Individual Brief
A radical exploration of analytical, conceptual, and socio-political aspects of urban public place in an experimental studio setting. The objective is to search for urbanisms which respond creatively and dramatically, creating new morphologies where landscape and urbanism, and complex social dimensions collide.
Current site condition is an overflow surface parking lot. A competition of factors is determined to be the culprit behind its unfulfilling present purpose. The site acts more like an urban eyesore rather than a confl uence point its prime location can attribute itself to be. HOW THEY CAN COEXIST HISTORY
SOCIOPOLITICAL
GREATER CONTEXT
HOW IT CONNECTS TO THE SITE
Diagram of Components
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Unconventional analysis of the site consisted of a paper assemblage collage that represented the historical, political, and contextual infl uences in an imaginative narrative to tell the story of the site. Through exploration, it is realized that the space is composed of both physical and invisible forces that attribute to its complexity. Therefore, the medium of collage is used to look at the site from a different perspective, using storytelling to analyze the spatial condition in an imaginative way. The conclusion detailed how the evolution of technology shaped our urban fabric, that the transition from the train to the personal vehicle shaped how we perceive and construct our landscape.
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“Collage inherently emphasizes process over product, offering the potential for a multiplicity of readings while re-conceptualizing threedimensional space. This ambiguity creates opportunities for multivalence and responds to the richness and complexities extant in sites and cities.� - Jennifer A.E. Shields
paper assemblage collage paper (print), wood, foamcore, white plexi-glass group work - Vincent Tang, InGi Kim, William Bazan
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schematic spatial plan scale 1:2500
Through the analysis, the narrative captured how the evolution of technology changes the urban fabric, our lifestyles, and thus our urban public spaces. The project aims to explore the emergence of the digital age and how the infl ux of telecommunications acts as a catalyst for change. As the industrial revolution forced the separation of home and workplace, the digital revolution is bringing them back together as many tasks can now be done in cyberspace. Widespread adoption of digital technology is the next catalyst for change in our urban fabric. While the industrial age is characterized by the prioritization of transportation, causing large monofunctional urban blocks, emptying of downtown and urban sprawl, the digital revolution can remedy this separation. Physical space is no longer a neccessity to offer amenities like shopping, visitng a bank, etc. Thus, new building types emerge, regrouping housing and workplaces together, allowing the city to reclaim its urban density. The embrace of technology in our urban landscape cascades down to how streets, urban places, and public places are forever changed. The project explores this new age. 18
OVERLAY is an urban cluster that demonstrates how the digital age affects not only the built form, but also social, economical, and environmental constructs. The site features a digital plaza, and surrounding self-sufficient neighborhoods. The idea of the plaza is to act as a spine, connecting the city and the river through pedestrian travel and creating a pedestrian entrance to the Forks.
vertical farming • ecotourism • living machine • food production
public realm • social interaction platform • new streetscape
live amenity public
multi-purpose • live/work environment • public groundfloor
conceptual strategic plan
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diagram of how new building types change urban fabric
S detail spatial plan scale 1:750
New building types are characterized by live/work dwellings with vertical farming for urban food production to create selfsufficient communities under one roof. Streets are pedestrian-scaled interactive streetscapes and implemented digital elements coupled with environmentally sustainable elements. Section of Overlay Neighbourhood scale 1:300 graphite on vellum, digital render
• clean pollutants from the air • improve oxygen levels • passive air condition through evapotranspiration • urban food production
• courtyard for recreation • stormwater management planters • increased biodiversity • habitat creation • attractive urban space
• • • •
self-regulation of grey water automatic adjustments monitored water management optimized performance
Using technology like a built material, sensors, displays, and computer controlled appliances hidden within the building structure help adapt and self-regulate to the surrounding environment, managed autonomously and regulated based on information uploaded from the inhabitants. Thus the buildings are no longer like skeleton and skin, but rather whole nervous systems with adaptive behavior.
• attractive digital facades • artistic individualism - new art community • digital interface + global market • attractive day/night streetscape • opacity and albedo controlled through facades
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[ top ] perspective of digital plaza graphite on vellum, digital render
[ bottom left ] perspective of digital streepscape graphite on vellum, digital render
[ bottom right ] perspective of courtyard graphite on vellum, digital render
The digital plaza acts as a large electronic meeting place where the plaza is host to digital art installations for the public. The plaza extends out to the Red River, connecting the city and river together through pedestrian travel.
Attractive digital facades provide artistic individualism and well as allows people to tap into the global market. The digital interface allows merchants from around the world to sell in the urban cluster and vice versa.
As the digital world can replace physical space, more space can be allocated for leisure and pleasure as well as environmental constructs. Courtyards in the neighbourhoods offer residents with diverse, attractive, and ecological spaces.
The digital age will not create entirely new urban patterns from the ground up but rather begin by morphing existing ones. The era of electronically extended human beings link the physical and virtual worlds together, forming mutant architectural forms that emerge from the recombination of traditional architectural types, and of an adaptive and regulating city that works smarter, not harder.
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Model of Overlay staples, MDF lasercut wood, museum board, foamcore scale 1:500
Model of Overlay’s digital interface and plaza staples, MDF lasercut wood, museum board, foamcore, glow sticks scale 1:500 VINCENT TANGVINCENT l PORTFOLIO TANG l 2014 PORTFOLIO l APPLICANT 2015 FOR l MASTERS MASTERS OFOF LANDSCAPE LANDSCAPE ARCHITECTURE ARCHITECTURE
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ALTER
Studio 6 Emergent Future(s) Instructor Marcella Eaton, Rob Zonneveld Work Individual In the Emergent Future Studio, students are asked to develop a foreseeable emergent future and are tasked to create an intervention that offers solution to the future scenario. In New Nature, the intervention is a response to the growing concerns of the Anthropocene - a new geological era marked by the impact of human activity on Earth.
Brief
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As ecosystem destruction continues to rise, the answer to how we fix an ecological problem may lie within technological advancement. In this emergent future, natural systems have been degraded to a point where they cannot heal by themselves and are broken down and damaged enough to no longer be able to produce for the demands of the growing populous. And so we turn to new nature... nature enhanced, recreated, and reimagined through technology, genetic modification, and or other innovations achievable through technology. The design addresses six major concerns of the emergent future; with the intervention of how waste water is managed, the preservation of
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biodiversity, a new industry based on this new nature, the health of ecosystems and people, and the migration of not only animals and people, but also the systems that run through the site. The design is a juxtaposition of nature and infrastructure, an idea of coexistence of technology on our right, infrastructure on our left, and the new nature at its centre. It is a collaborative sector, intertwined with movement, pathways, water systems, remediation infrastructure, habitat creation, and a collection of bio-technological research facilities. All are armatures cast in place to support the creation of new nature, all the while, engaging the public
[ top ] Site Plan of the New Nature System - Scale 1:8000 New Nature takes on the hypothetical emergent future of the busiest inner-city rail section of ‘the Corridor’ within Toronto. Reinventing a 6.5 km stretch of the existing rail lines into its new position as a remediating infrastructure, habitat creation, and a collection of bio-technological research facilities to meet the demands for the city’s recreational and ecological future.
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realm by making research and development part of the public realm. The intervention is intended to create a complex infrastructure weaved within the colorful fabric of downtown Toronto, one that aids the populous in remediation, research, education, recreation, preservation, and leisure. It mixes the improbability of all these things together on a piece of land that the city never truly had and implements it for the people and the emergence of this new ecological based industry through a collaborative approach where the public realm is actively engaged with the development of new nature.
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“The site acts as a threshold. Once a chasm of monofunctional rail lines, the site separates the downtown Toronto Core and its waterfront. The intervention is a connective tissue that provides a unique experience that connects all surrounding districts in Toronto.�
[ above ] 1 - Perspective of New Nature Infrastructure and Adjacent Curtain Wetland The idea of the water remediation infrastructure was to not only provide remediation process, but it also move water from a low elevation to a high elevation as the train tracks at this point emerge from under the ground line to nearly 5 meters over it. This section shows the intertwining of open space, train, reclaimed ecozones, pedestrian and cycling paths as well as large water remediation devices all working together
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Waste water and surface run off water from is funneled into this corridor between Bathrust street and Spadina ave. Here we have a mixture of pedestrian, and cycling paths, light rail trains, and a elevated board walk over a wetland infrastructure that floats over the polluted water.
CONDOMINIUM PLAZA
CONDOMINIUM PLAZA
WETLAND INFRASTRUCTURE
WETLAND INFRASTRUCTURE
CYCLING PATH
PEDESTRIAN PATH
PEDESTRIAN PATH
Possible Interventions • Carole Collect’s Biolace • Diamond Electrolytic Process H20 -> Dissolved O3 • Nanotech Supercharged Photosynthesis • Photo-Microbial Fuel Cells
CYCLING PATH
TRAIN
TRAIN
BLUE JAYS WAY
[ above ] 2 - 3 - Section of Wetland and corresponding infrastructure near Bathurst Street This section shows the play of elevation as a character of the site as well as the Curtain Wetland infrastructure that floats over polluted waters. Researchers are able to test out new genetically enhanced plant material like plants that are more absorbent of pollutants or have targeted specific pollutants in the water as a main source of consumption.
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[ below ] 5 - Section of elevated Boardwalk and Bioluminescence Research Facility
[ below ] 4 - Perspective of Remediation Cylinders & Sky Walk
The section shows the elevated boardwalk moving into the Union Station Terminal, which now doubles as a Bioluminescnence research facility, showing a complex interweaving of pathways and connection points.
Not only are the remediation cylinder infrastructure for ecological and research purposes, it also functions with the task of moving water from low elevations to high elevations. The idea was to not hide the process of water within pipes, but to expose it, making remediation as part of the urban realm and spatial experience.
BIOLUMINESCENCE RESEARCH FACILITY & UNION STATION
REMEDIATION CYLINDER
SKY WALK
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PEDESTRIAN AND CYCLING PATH
ROOF PLAZA
WETLAND
BAT STREET UNDERPASS
250 FT
[ left ] 5 - Perspective of Bioluminescence Research Facility The bioluminescence Research Facility acts as a open plaza during the day, with a roof plaza that appears to be precariously suspended just by the canopy of trees. At night, the trees emit light creating dynamic space embracing the idea that one day street trees might replace the need for street lights. This is achieved through injecting gold nanoparticles in plant tissue where it can absorb ultraviolet light and emit it at night.
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[ below ] 6 - Section of Ashbridges Marsh Boardwalk The section details the cells working, being able to change water channel depth and width to alter wetland water qualities like velocity of flowing water and oxygen levels. Creating a landscape able to provide a flexible landscape to undergo many testing capabilities. It also allows for quick adaptive responses to preserve wildlife habitat or create conditions suitable for animal species and even flood and erosion protection. Heron perches also feature sensors to gather data such as dietary or health information, therefore utilizing the Heron as a predominant indicator species within the region to influence and make adaptable changes within the environment.
[ right ] 6 - Ashbridges Marsh The boardwalk system throughout the marshland would support a wide variety of animals. The idea was to not only restore marshland but to give legibility to the landscape providing a new identity as a technological wetland research facility that doubles as a flexible wetland infrastructure made up of cells that can perform fluvial geomorphology.
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In the end, the design mixes the improbability of these things together on a piece of land the city truly never had and implements it for the people and the emergence of this new ecologicalbased industry through a collaborative approach where the public realm is actively engaged in the development of New Nature.
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JEWEL
Studio Jewels of the City Instructor Anna Thuymr Work Individual
[ below ] Site plan of the redevelopment of Cresent Drive Park
Jewels of the City looks upon the green spaces that are found throughout the city of Winnipeg. Like jewels spread across the city, these green spaces are vital areas providing pleasure and leisure as well as many ecological services for sustaining life. The project aims to look at one of the jewels in the city of Winnipeg, Crescent Drive Park. SPRING WATER LEVEL (24 FT)
The following are plans that demonstrate how the influx of water inherently shapes not only the physicality of the landscape, but also how it functions, behaves, and how it presents itself. These graphics showcase the dichotomy of the water park though the annual spring flood. SUMMER WATER LEVEL
Brief
LOOKOUT TOWER
EROSION CONTROLLED RIVERBANK
CUT/FILL LANDFORM
BOAT LAUNCH PLAZA MIXED USE DEVELOPMENT RESTORATION FOREST
NORDIC THERMEA SPA
OPEN GREEN SPACE
GABION REINFORCED BOARDWALK
The design intention for the project is to view Crescent Drive Park as a landscape manipulated by water, and as such, it inherently becomes a water park. However, the intention aims not to create a conventional water park, but a park activated by the presence of water. Dealing with river systems and its inherent influence on its context from riverbank erosion, social activities, culture/history, economical value, ecological relevance, etc., the main strategies are derived to provide solutions to the present issues that plague the site. Thus, the strategies include; preventing riverbank erosion that satisfy economical, social, and ecological desires, promoting interaction with water using
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multiple access points and pathways designed to be accessible in all seasons and water levels, using a resilient design to minimize operational/ maintenance cost by utilizing river bottom forests’ and floodplain’s natural functions rather than conventional storm water infrastructure, and improving wildlife habitats with the reestablishment of the river bottom forest ecosystem. All these strategies aims to create a jewel that embraces the theatrics of water by viewing water as the site’s most powerful activator.
SUMMER WATER LEVEL
SPRING WATER LEVEL (24 FT) SPRING WATER LEVEL (24 FT)
The open green space provides a large lawn within the park to be host to large gathering events as well as family picnics or for activities that require an open fieldlike setting. Directly adjacent to the open green space is the renaturalized forest. The
SPRING WATER LEVEL (24 FT)
PLAN OF CUT/FILL LANDFORMS
SUMMER WATER LEVEL
PLAN OF FLUVIAL LANDFORMS
in wet conditions, its irregular surface dissipates water energy thus reducing riverbank scouring, it is a semiflexible building block for channel stabilization, and it has no hydrostatic pressure issues.
SUMMER WATER LEVEL
In the remediation and erosion prevention, the oversteepened slope is reinforced with gabion walls and toped with a walkway, forming a gabion reinforced boardwalk. The reasons for using gabion for the stabilization of the riverbank is that gabion reinforcement provided not only the structural integrity, but are also aesthetically and economically positive. Some benefits to using gabion are; it has a rapid construction process, more economical and greener than concrete, can be installed
SPRING WATER LEVEL (24 FT)
SUMMER WATER LEVEL
In the redevelopment of Crescent Drive Park, a mixed use development is placed on the corner of the site. This is used to establish a permanent residency within the park. The mixed use development will feature amenities within the immediate area of Crescent Park in order to supply the visitors to the site as well as build neighborhood identity through a local economy. These residential units provide homeowners with a view across the dense tree canopy of Crescent Park.
PLAN OF LOOKOUT TOWERS
PLAN OF BOAT LAUNCH PLAZA
S PROMOTE SOCIAL LIFE Walking trails connect to spaces providing oppourtunities for recreation, fishing, birdwaltching.
VACANT LAND INTO PRODUCTIVE LAND Return of the Riverbottom Forest to provide ecological services
IMPROVE AIR QUALITY
CULTURE EDUCATION
Increased tree cover absorbs pollutants from the air.
Park provides access to the river and connect people to how the natural landscape works
IMPROVE WILDLIFE HABITAT Restoration of the Riverbottom Forest and ample buffer zones provide spaces for native animals to thrive.
CAPTURE CLEAN STORMWATER Using the land’s natural capacity to capture, store, clean, and release water.
REDUCE CONSTRUCTION/ MAINTENANCE COST Using natural processes and floodplain functions help reduce convential stormwater infrastructure
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restoration forest is networked with gravel pathways that are densely covered within the tree canopy, proving a space of solace and subdued relaxation. A perfect place for a quiet stroll. The boat launch is a large plaza that provides the main access point to the river in Crescent Park, Adjacent to the parking lot, the boat launch ramp provides enough space for large boats as well as individual canoes and kayaks to be deployed here.
A concrete terrace plaza meets the river, providing a place where people can sit and watch the waters and get their feet wet.
only to provide bank stabilization but also demonstrate the theatrics within the water park.
The erosion/deposition riverbank is an installation placed to prevent riverbank erosion. Using the arrangement of riprap in a pattern along the riverbank, the effect creates areas of erosion and areas of deposition, forming a unique pattern that exemplifies the ideology of the landscape being shaped by water. It is designed not
Fluvial landforms are elongated ‘island-like’ landforms that emerge from the landscape. Inspired by the landforms created by water bodies in floodplains, the fluvial landforms provide areas that hills during the summer and islands during the spring. When the spring flood enters, these spaces provide green spaces within the influx of flood
PERSPECTIVE OF LOOKOUT TOWER
PERSPECTIVE OF CUT/FILL LANDFORM
SECTION OF CUT/FILL LANDFORM
water, providing visitors a unique, intimate experience during these events. The fluvial landforms themselves also create fluvial landforms. In events of high sedimentation, the shapes of these landforms push water down the middle channel, which can cause sedimentation along the edges of the channel water flows, thus creating natural levees. Once again, the dynamic of landscape manipulated by water arrives again.
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Cut/Fill Landforms are landforms that feature a depression as well as an elevation. These large areas provide expansive vantage points across Crescent Park. The depression areas are lined with small gabion cells with wood coverings to provide ample seating. The form of the depression creates an amphitheatre-like setting, in which the space can provide for large gatherings for performances. When the spring flood comes in, the depression slowly fills with water, thus, these landforms
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change shape and provide a unique landscape to interact with during seasonal changes. In winter, these depressions can hold water pumped in via a pump station and allowed to freeze, providing large skating rinks within Crescent Park. Lookout Towers extend outwards to the Red River, providing unique vantage points. These lookout towers are made of corten steel, which weathers under the fluctuations of the water levels. Thus,
the lookout towers metal shell develops markings to recent water levels, providing visitors a visual reference of the spring flood. The elevated boardwalk network connects all these spaces together. The elevated boardwalk allows for visitors to experience the park wet or dry, summer or spring, to allow for a place to be truly accessible throughout the seasons. Crescent Park is envisioned as a true green space beside the Red River. The park
encapsulates the design for inland flooding, in which the areas within the park is identified to undergo annual spring flood. The ideology for the park revolves around three steps; accept, store, and discharge. Certain areas within the park undergo extensive grading, which is implemented to move water to landscapes designed to receive water. Crescent Park aims to reestablish the Riverbottom Forest ecosystem, creating a riparian buffer for wildlife as well as natural plant
propagation. These landscapes are designed to improve water capture which heavily feature natural vegetation. The reestablishment of Riverbottom forest with proper understory restores the riparian areas natural hydrologic functions. The grading throughout Crescent park follows the ideology of a water park, a landscape that is not only shaped by water, but can accept, store, and discharge water. The landscape features a system of uncompacted, vegetated, shallow channels
PERSPECTIVE RESTORATION FOREST
SECTION OF LOOKOUT TOWER
and depressions for water storage on a temporary basis, maximizing time water spends in detention. In the end, Crescent Drive is envisioned as a water park, a landscape manipulated by water. The park is aimed to demonstrate the theatrics of flux within our urban river system. As unique as the situation is, the park aims to be exemplary of conscious design in regards to the site’s most powerful activator, the annual spring flood. As the
spring flood comes in, the landscape is repeatedly nourished, a necessity to ensure the longevity and prosperity of the riverbottom forest. Crescent Park is about a place that welcomes water and embraces it. Crescent Park plays with water to create unique spaces throughout the year. As each cycle and fluctuation within the water levels, Crescent Park activates and reactivates, it becomes a park made by water, a water park.
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THERAPY
Studio Jewels of the City Instructor Anna Thuymr Work Individual Brief
Jewels of the City looks upon the green spaces that are found throughout the city of Winnipeg. Like jewels spread across the city, these green spaces are vital areas providing pleasure and leisure as well as many ecological services for sustaining life. The project aims to look at one of the jewels in the city of Winnipeg, Crescent Drive Park.
[ below ] Site Plan of Riverview Health Centre The design of the Riverview health centre landscape is to provide inclusive garden experiences, specifically addressing people with disabilities, aiming to accommodate the needs of all visitors in a landscape that enhances everyone’s enjoyment. It is a collaborative landscape a collage between distinct spaces that each work to enhance the experience and enjoyment for the patients of Riverview Health Centre as well as the Community in the aims to develop.
TERRACE GARDENS SUNKEN GARDEN
COMMUNITY GARDENS GATHERING MOUND DARLING PARK
SITE PLAN OF RIVERVIEW CENTRE
The current state of the Riverview Health Centre involves a centralized configuration of various facilities along with an internalized circulation system for vehicles. The majority of the landscape of Riverview Health Centre are open and maintained lawns with mature trees. While the internal circulation network aims to keep vehicular traffic at a minimum, the addition of many roadways and fragments the landscape into ‘pockets’ of open lawn. Also, the Riverview Health Centre has developed a mandate to pursure therapy using 34
its grounds for its patients to get them outdoors and experience thier surrounding nature and community rather than supporting them soley inside the facility. While a great mandate indeed, the grounds of Riverview Helth Centre leaves something more to be desired. Visiting on multiple occasions, the landscape only offers spacious and open landscapes, and through repeated visits, become stale. The luxury to turn these spaces is a great oppourtunity, not only for the paitients of Riverview Health Centre, but also the surrounding
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community. How to integrate the community to Riverview Health Centre and vice versa as well as how to integrate the Riverview Garden Society on a landscape that feels cohesive and part of the Riverview community. The project aims to capture this oppourtunity, to create a landscape that can satisfy and promote the unification of all three parties and provide the nessessary landscape to help promote and thrive on all three parties desires and needs. The project aims to provide an enticing landscape for South Osbourne Commons, Permaculture
[ below ] Perspective of the Gathering Mound The mound brings strong focal point into the landscape, drawing in the community to engage in the site as well as providing patients and visitors a new vantage point at a high elevation. A small paved space with wooden tables and benches are in between the mound and the administration building to provide a place for families to rest and admire the strong sight lines.
PERSPECTIVE OF GATHERING MOUND
Group, and Riverview Community Gardeners and most importantly, the patients of Riverview Health Centre in a landscape that collaborates all these entities into a unique experience for all individuals
of permaculture into the landscape and bringing the community gardens as an active component to the experience of the site. All these elements are unified under the umbrella of the Riverview Health Centre.
Its about taking institutional space and turning it into something that provides opportunity and choice for visitors to engage with nature in their own way, on their own terms, and on their own pace. A communal space that is welcoming and enticing to visitors, as well as incorporating the ideas
The vision for the landscape is a collage. How each space has distinctive characteristics and prioritize certain experiences yet each work in unison to provide the ultimate goal of being a healing landscape.
The healing landscape takes the idea of the patient and looks at the community as a patient as well in terms of creating a welcoming space that creates interaction and bolsters community identity. The permaculture approach can look at the land itself as a patient, creating landscapes that are healthy and help nurture patients of Riverview as well as providing stronger ecological habitats for various animals.
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PATH
GREEN SPACE
SECTION OF SUNKEN GARDENS
SITE PLAN OF SUNKEN GARDENS
[ above ] Section and Plan of Sunken Gardens At the Sunken Garden was placed to provide another area that offers a more secluded environment. As there are many patients with differing personalities, the Sunken Garden offers to patients a space that they can take their time to experience on their own pace. The space terraces down in a circular path filled with vegetation like native wildflowers and grasses to offer something visually stimulating as well as bring wildlife into the experience. Showy mountain ash trees
are within the sunken garden to create an acoustic quality within the space through birdsong. The section shows the sunken garden and the retaining walls have rivulets within them to incorporate small water features, with water running down rock facades to create an acoustic quality unique to this space. Small benches on each level allow people to rest and enjoy birdwatching.
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RIVULETS
BENCH
[ below ] Section and Plan of Darling Park Darling park remains a communal space but its topography is altered with sweeping meadows of changing elevations to create a space that not only provides a wonderful visual sense with colors and texture, but also acoustically and ecologically benefitting the wildlife. Native grasses are in proximity to the main path with berry bushes and plants with edible fruits and flowers on the smaller secondary paths that weave in and out of the site.
PERGOLA
GREEN SPACE
UNDULATING MEADOW
This section shows how the undulating topography with meadow and native grasses and the sweeping landforms excentuated by the various collections of mass planting creating a unique colour palette for each season of the year. so the space changes as each season goes by through color, texture, sound, and wildlife. The paths in the landscape are made of precast concrete with pine resin, to provide slip resistance with texture as well as secure, low glare surfaces.
HOSPICE
SECTION OF DARLING PARK
SITE PLAN OF DARLING PARK
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[ below ] Section and Plan of Darling Park The community gardens is rearranged to provide a level of organization and grant accessibility to the site in order to allow patients as well as visitors to pass by and take in the community garden culture. The main path continues from Darling Park into the Community Gardens with a trellis covered path with climbing grape vines growing on it. As an annual event, the community gardeners host a long table to
COMMUNITY GARDENS
indulge in their harvest and the table can be placed within the trellis pathway to create a exciting new way to promote and engage in this event. The section shows the community gardens and the apple orchards with a small foot bridge to access the orchards. showing the various paths one can take to experience the community garden.
TRELLIS & MAIN PATHWAY
SECTION OF COMMUNITY GARDENS
SITE PLAN OF COMMUNITY GARDENS
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COMMUNITY GARDENS
APPLE ORCHIRD
[ below ] Section and Plan of Darling Park Adjacent to the community gardens is a small plaza that opens up to terracing gardens and an undulating topography down towards the river planted with native shrubs like Saskatoon. The small trails connect to the community gardens to the north as well as small observation towers near the river to provide access to the river as well as pumping stations for water. PLAZA
BLEACHER STEPS
TERRACING GARDENS
Section showing the small plaza that begins off of churchill drive and as bleacher like stairs to allow people to sit and watch over the riparian plants and wildlife, as well as when seasonal floods come in.
RIPARIAN ZONE
SECTION OF TERRACING GARDENS
SITE PLAN OF TERRACING GARDENS
In the end, the design of the Riverview health centre landscape is to provide inclusive garden experiences, specifically addressing people with disabilities, aiming to accommodate the needs of all visitors in a landscape that enhances everyone’s enjoyment. It is a collaborative landscape a collage between distinct spaces that each work to enhance the experience and enjoyment for the patients of Riverview Health Centre as well as the Community in the aims to develop.
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EXTRA
Filmmaking Narrative Films Experimental Films
‘Disturbance’ Directed by Vincent Tang To watch: https://vimeo.com/118742642
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‘Disturbance’ is a short film based on the perception of how people move through the city. By animating the perspective of how we percieve our citites in a car-dominated society, the film aims to ignite a different vision of the city; a vision where intangibles and nuances of the streetscape - or the ‘arteries’ of the city - are recreated in a new way, to facilitate a new experience of moving through the city of Winnipeg. Winner of First Place at the 2015 Architecture and Design Film Festival - Archishorts Competition “Disturbance views the vehicular inhabitants of the city as a ‘parasite’ that activates the city, it turns the city on and off, it inhales and exhales, it flows and it stops.”
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EXTRA
Filmmaking Narrative Films Experimental Films
‘Night Runner Montage’ Directed by Vincent Tang Starring Katharine Walker To watch: https://vimeo.com/113068089
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‘Night Runner Montage’ is a short montage of imagery that is based upon a random sample of music that was randomly chosen to the filmmaker. The film is a result to use the music to create a sequence of images that tell a story.
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EXTRA
Filmmaking Narrative Films Experimental Films
‘Night Runner - Episode 1’ Directed & Written by Vincent Tang Starring Katharine Walker, Mark Klassen, Darko Sajdak To watch: https://vimeo.com/123103457
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‘Night Runner Montage’ is a short action film about the ‘Night Runner’, where Katharine, as the titular character, chases an unknown assailant after a botched drug deal with dire consequences.
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EXTRA
Filmmaking Narrative Films Experimental Films
‘Descension’ Directed & Written by Vincent Tang Starring Ivanka Waplak, Rayna Esposito, Omar DeMesa To watch: https://vimeo.com/120206280
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‘Descension’ is a short action film about the a woman who is kidnapped and is followed by her friend who attempts to rescue her. Selected film at the University of Winnipeg Film Fest 2015 Nominated for Best Director, Best Cinematography, & Best Editing
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EXTRA
Photography A collection of Photography from various places. Portland, Victoria, Paris, Seattle Louvre, Chicago, Milwaukee, Astoria Multnomah Falls, Chicago, Louvre, Seattle
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THANKS FOR READING.
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VINCENT TANG PORTFOLIO 2015 99 VADEBONCOEUR DRIVE R2N 4P8, WPG, MB, CAN + 1 (204) 891 2808 VINCETANG20@GMAIL.COM 52 VINCENT TANG l PORTFOLIO 2015 l MASTERS OF LANDSCAPE ARCHITECTURE