Edition date December 15, 2014
Workshop
ID
Brushwork
Color
Composition
Concept
Drawing
Form
Notan
Observation
Process
Materials & Equipment
3
1,2,3,4,5,6,7,8,9,10,11,12
Lesson Title YEAR ONE
A A01 A02 A03 A04 A05 A06 A07 A08 A09 A10 A11 A12
Welcome What Are Values? Creating A Value Scale Comparing Values Posterizing Images What Is Notan Creating A Two-Value Mass Notan Dominant Values Creating A Three-Value Mass Notan How To Match Values Color Mixing For Beginners How To Match Colors Creating A Color Map
B01 B02 B03 B04 B05 B06 B07 B08 B09 B10 B11 B12
Visual Music & Poetry Shape Distinction Unequal Space Division Cropping A View How To Paint A Four-Value Study What Is Saturation? How To Make Grays Outdoor Color Studies Reference Values Hue, Temperature & Munsell Notation What Are Complements? Drawing Triangles
C01 C02 C03 C04 C05 C06 C07 C08 C09 C10 C11 C12
Drawing The Envelope How To Use Biases Color Block Studies - High Saturation Levels And Plumb Lines Drawing Hand Position Developing Your Creativity: Exploratory Scribbles Creating A Four-Value Mass Notan Five-Value Studies Focal Point And Focal Area Secondary Focal Area Informal Subdivision Inequality
D01 D02 D03 D04 D05 D06 D07 D08 D09 D10 D11 D12
Two-Value Statement Tangents And Boundaries Saturation Scales Contrast Of Saturation Contrast Of Light And Dark Directing Lines Organizational Structures Atmospheric Value Changes Atmospheric Hue Changes Alla Prima Painting Process Part One Alla Prima Painting Process Part Two Color Evaluation
1 1 1 1 1 1,6 2 1,2,6 2 1 2
1 2 2
B 2 2 2 3 2 3 2 1 2
2 1,2 1,2
C 1,2 1 3
2
2 1 1 2,3,6 3 5 5 2 2
D 1 2 2
2 4 4 5 3 3 3 1,2 1,2 2
Edition date December 15, 2014
Workshop
ID
Brushwork
Color
Composition
Concept
Drawing
Form
Notan
Observation
Lesson Title YEAR TWO
E E01 E02 E03 E04 E05 E06 E07 E08 E09 E10 E11 E12
Shape Simplification Dull Primary Palette Contour Notan Golden Section Vivid Primary Palette Atmospheric Saturation Changes Gesture Drawing Baselines Seven Value Study Vertical Value Changes in the Sky Linking Lights Linking Darks
F01 F02 F03 F04 F05 F06 F07 F08 F09 F10 F11 F12
Earth Palettes Glass Drawing Baselines & Ground Contours Simplifying Complex Forms Brushwork Variety Thick & Thin Point, Line, Mass Working Large to Small Warm Cool Primary Palette plus grays Vertical Hue Changes in the Sky Block Studies - Low Saturation Diminishing Size and Receding Lines
G01 G02 G03 G04 G05 G06 G07 G08 G09 G10 G11 G12
Counterchange Alternating Lights and Darks Spotting Keys Complementary Palettes Dark Accents Planes of the Light & Shade Quick Sketch Technique General to Specific Descriptive Brushwork Overlapping Forms Description of Texture
H01 H02 H03 H04 H05 H06 H07 H08 H09 H10 H11 H12
Matching Music & Poetry Brushwork in Focal Areas Focal Areas and Space Division Contrast of Shape Balanced Color Harmonies Contrast of Warm/Cool Contrast of Brushwork Active & Passive Mix Concepts Contour Drawing Complementary Color Harmony Right Angles & Tie Together
2 2 4 2 2 3 1 3 1 4 2 2
F 2 2 2 1 1 1 1 1 2 4 2 3
G 3 3 3 3 2 3 2 1 1 2 3 2
H 3 5 4 4 4 4 4 1 3 4 2
Process
Materials & Equipment
Edition date December 15, 2014
Workshop
ID
Brushwork
Color
Composition
Concept
Drawing
Form
Notan
Observation
Lesson Title YEAR THREE
I I01 I02 I03 I04 I05 I06 I07 I08 I09 I10 I11 I12
Squaring Off Forms Tertiary and Tetrad Color Harmonies Measurement & Midpoints High Saturation Still Life Emotion in Your Work Split Complementary Harmonies Contrast of Size Straight Line Approximation Contrast of Line Rhythm Lines Geometric Forms & Trees Clouds
J01 J02 J03 J04 J05 J06 J07 J08 J09 J10 J11 J12
Gradation & Edge Notans Drawing Ellipses and Cylinders Spectrum Palettes Advanced Pigments and Colors Perspective Fog Low Saturation Still Life Still Life Planes Eye Pathways Repeating Color Spots Vanishing Points on Slopes Guiding Lights & Darks
K01 K02 K03 K04 K05 K06 K07 K08 K09 K10 K11 K12
Saturation Changes on Forms Using a Black Mirror Contrast of Texture Oriental Contour Notan Glazing More Color Changes in Skies Low Saturation Fields Scumbling Complementary Contrast Color in Half Tones Moonlight Constant Value Color Scales
L01 L02 L03 L04 L05 L06 L07 L08 L09 L10 L11 L12
Mass Drawing Procedure Learning Composition Suggestive Brushwork Tints & Shades Linear Drawing Procedure Transparent Buildup Reflected Light Outdoors Godlove's Principle Hard & Soft Edges Cast Shadows Dark, Light, Gray and Middle Values Narrative, Complex & Message
2 4 2 3 2
2
1 4 4 3 4 2 2 4
J 5 5 2,5 2
2 1 5 4 2 2 6 6 5 6
K 3 1 4 4 1 4 3 6 3 3 4 1
L 4 1 4 1 4 4 4 3 5 4 3 1
Process
Materials & Equipment
Edition date December 15, 2014
Workshop
ID
Brushwork
Color
Composition
Concept
Drawing
Form
Notan
Observation
Lesson Title YEAR FOUR
M M01 M02 M03 M04 M05 M06 M07 M08 M09 M10 M11 M12
Flattening Values Middle Values and Value Compression Interrelationship of Line Subordination & Relationship How to Create a Concept Brushwork Techniques Oceans & Lakes Painting Movement Analogous Color Harmonies Hybrid Analogous Color Harmonies Simplifying Paintings Perspective Centers
N01 N02 N03 N04 N05 N06 N07 N08 N09 N10 N11 N12
Itness Tree Masses Tree Trunks & Branches Buildings Rocks Counterpoint Lost & Found Edges Edge Colors Reflections Luster Mono & Poly-Isochromes Tonal Influence
O01 O02 O03 O04 O05 O06 O07 O08 O09 O10 O11 O12
Isolation More Organizational Structures Street Perspective Brushwork Perspective Student Critiques Spacing Vertical and Horizontal Objects in Perspective Drawing Arches Shape Rhythm Iridescence Color Threads Color Bridges Nine-Pile Variations
P01 P02 P03 P04 P05 P06 P07 P08 P09 P10 P11 P12
Colored Light Sources Making Whites Glow and Keying Whites Luminosity Rabatment of the Rectangle Atmospheric Perspective Evaluation Complementary Optical Color Mixing Triadic Optical Color Mixing Camouflage Analogous Color Mixing Multicolored Brushstrokes Layered Washes Graceful Line
3 3 7 2 2 1 5 2 4 4 2 5
N 4
6 6 6 6 6
5 7
7 5 5 5 3 5 5
O 5 3 6 2 6 6 2,7 6 6 6 6
P 3 6 6 2 3 6 6 6 6 6 6 7
Process
Materials & Equipment