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September 2014 Volume 3 No. 9
VISUAL LANGUAGE contemporary fine art
Marcia Baldwin
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Marcia Baldwin
Wolf Abstract 3618
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Studio Visit Marcia Baldwin
My first memory of being captured by art was in my grandmothers home in Texas. She was very artistic with quilting and sewing, but at times would take classes in art using mediums such as charcoal and pastel. I remember standing and staring at a charcoal drawing she had done and was framed in her dining room. It captivated me, even as a small child. When we would enjoy a sweet afternoon or morning out on her huge porch, sitting in her double glider, she would sketch small things and give the paper and pencil over to me to try. My favorite subject, even then, was horses. She would encourage me and we would giggle at the funny subjects we came up with. My mom was the one who first started me painting. She enrolled me in a summer workshop with a noted artist, Louise Sicard, at our Louisiana state museum. Every morning, I would enjoy setting up my small easel and laying out my paints on my palette in anticipation of the famous artist to begin his demonstration and how we would first start on our paintings. It was information of color and brush stroke that I still retrieve in my mind even to this day, even after 50 years. We used oil paints for this workshop, and I am still in love with the smell of turps and oil paints, as much as all those wonderful days during that first workshop. Mom would take me to our local park next to our lake, full of swamp things, huge pine trees, and gorgeous bald cypress trees with Spanish moss on almost every limb. She would draw and paint in water color the most beautiful scenes and I would try my best to do what she was doing. But the most important thing I learned from these times, was to look and see and try to capture real nature on paper. I received my Bachelors of Fine Art from Louisiana Tech University in Ruston, La. in 1974. My most in-
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fluential instructor was a fine artist/illustrator, Albino Hinahosa. His focus on good design, composition, figurative subject matter, and attention to detail were taught in a loose illustrative style. I incorporate the elements of design, learned in these years with him. Color theory classes infatuated me also and I reflect back on projects using and understanding color, how it affects the viewers eye, the emotions, the movements in a composition and in general how it creates excitement. Â I was very pleased to receive the 1974 Illustrator of the Year Award from Louisiana Tech University. Many years prior to attending college, my first most influential teacher was actually my elementary school principal, Mr. Middleton. He always had special projects going in the arts and I would be right there waiting to be included. One I remember so vividly was huge mosaic murals about the history of Louisiana and those murals still hang prominently in the cafeteria and auditorium of this elementary school. His encouragement to paint and draw garnered my very first award for a regional contest depicting thoughts on beautifying our city. I won a cash award and a spot on a local tv program. I was hooked. I loved being an artist and I was only 9 years old ! Â Art is so important in our early years and needs to be in our school programs. I believe, working as an advertising designer, had the most influence on my work today. It was challenging every day, being creative on the spur of the moment. It was fast paced and you had to pay attention to client needs, detail, and incorporate all the elements and principles of design to be successful in this field. I use those skills today in my oil paintings, and paint with bold, fast, strong color and brush strokes. It is on an intuitive level, letting a painting come together through my minds eye.
Breaking Dawn Indian War Horse
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Studio Visit Marcia Baldwin
I welcome commission orders. Some of the collectors of my works of art, return for specific subjects and compositions on commission. We talk by email and by phone and decide on subject, size, and client photos (if needed). Most of the time, requests come in for a painting based on some of my past sold works, and I enjoy those the most. The client will specify a specific size canvas or will ask my opinion on size that I feel is most appropriate for a particular subject. It is always a joy to bring their requests to completion and send the painting to the client for their first “reveal” upon opening their carefully prepared shipping package. I take great pride in every work I send out. My love of horses goes way back about 56 years, when my mom and dad got our first horse for our family. I have owned and ridden horses ever since and found you could learn something new about them each day and still have much more to learn.
Ebony and Ivory Gypsy Vanner Horses
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In 1985, I created a video of how to draw the horse anatomy and the simple and short “how to video” was bought by Walt Disney Productions for their study and an up coming animated movie. I was thrilled. In college, I still drew and painted horses, and at one point, one of my professors told me that if I would quit using bold colors and quit drawing and painting horses, I might become a good artist. This only made me want to explore the horse as a subject more and use even bolder color. The true love of horses, my intense desire to know them and understand their psyche, their anatomy, the look in their eyes and their true desire to please you, has brought me to this point in my painting style when painting horses. It is the awareness of the beauty of this magnificent creature that I want to convey in my paintings. I want viewers to understand how important this gift from God is and the need to protect our wild horses in America and beyond.
Mystic Power Equine Abstract
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Studio Visit Marcia Baldwin
Free Breeze Palomino
Indian War Horse 3624 www.mbaldwinfineart.com
Magic Moments Equine
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