Tigran Visual Language Magazine Feature July 2014

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Visual Language contemporary fine art

TIGRAN VL

July 2014 Volume 3 No. 7


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Reflection (2012 24” x 43” / 60 x 110 cm, oil on canvas, private collection wwwttigran.com


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Studio Visit Tigran

Reflection in the Age of Technology “People are my landscape,” contemporary artist Tigran Tsitoghdzyan explains. “I’m just an observer. I love being lost in the crowd and feeling anonymous.” Yet, Tsitoghdzyan—who goes by Tigran professionally—found himself set apart from the crowd at an early age in his native Armenia. Henrik Iguitan, founder and director of both the Modern Art Museum and Children’s Art Museum based in Yerevan, hand-picked ten-year-old Tigran to star in a solo exhibit featuring over 100 of his paintings. Tigran doesn’t make too much of his impressive start. “For me it was normal. My class came to the exhibit with my art teacher. She told me I could do better.” Tigran humbly jokes, “I actually had really bad grades in that art class.” Tigran grew up surrounded by intellectuals. He painted in his parent’s living room, listening to their friends talk politics, philosophy and music. He credits his parents with his down-to-earth attitude about his early success; they didn’t show him articles about his first show or subsequent European and American openings until he was twenty-two. As a result of this no-nonsense attitude, Tigran says, “I never felt that I was different than anyone else. It was just that I liked to paint.” Perhaps this insistence on anonymity and normality prompted Tigran to leave behind the acclaim of his home country in 1998 and study in Europe as a young man. While he found success there, New York had been on his mind since a visit at age fourteen for an exhibition of his work. “At that point in the Soviet Union we didn’t know much about foreign countries in general—going to New York was like going to Mars. I couldn’t find a Guns ‘N Roses CD at home and then I came to New York for that trip and was front row at a Guns ‘N Roses concert. I was talking about New York nonstop after that.”

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Mirror Series


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Studio Visit Tigran Tsitoghdzyan

Colorful Spectrums

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Artistic Layers 1

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VL Studio Visit Tigran Tigran arrived in the Big Apple five years ago determined to make it his home. “I love to watch how people of different cultures connect to each other here. That is the magic of New York.” Tigran is especially interested in how people interact in this new era of technology and social media. “It’s the era of selfies,” he says, referring to pictures people take of themselves on their phones and cameras. This fascination with self-reflection is captured in Tigran’s work. His images of mirrors suggest a close examination of self, and yet the hands held to the face in many pieces shield the subject from outright observation. Tigran wants to convey the same disconnect that occurs when a small child holds his hands over his eyes and believes he is actually hiding in full view. Tigran’s work explores the way people use the Internet to convey images of themselves. There is

significant transparency in an online profile—individuals offer the particulars of their lives up to the larger community. We see the faces of Tigran’s subjects through the screen of their hands just as we connect with people through the filter of the computer screen. Tigran elaborates, “Contact with people today is very different from how it used to be. It is influenced a lot by social media. When I’m on the street and I see people taking Facebook pictures, I know they are curating a very specific story about themselves.” The details of these stories are what drive Tigran’s ten-hour workdays, as he labors over the particulars of each face. Oil painting allows him to spend longer on each painting and achieve a realistic effect. “The technique is an instrument I need to convey the details. I use oil painting to tell the story. Not the reverse.”

Left Page: Armenian Mirrors Right Page: iPray (2011) 24” x 24” / 61 x 61 cm, oil on canvas, private collection wwwttigran.com


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The detailed faces in the “Mirrors” series tell a story about the artist as well as his diverse subjects. Tigran explains that one Mirror depicts an older Armenian lady whose hands entirely cover her face without any transparency. This beautiful grandmother represents a very old culture and lives with a past she is not yet willing to share. In contrast, Tigran describes another Mirror of an attractive, self-aware, young American woman with an open face. “I’m in between these two realities,” Tigran admits, “I live here in America but my background is from Armenia.”

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VL Studio Visit Tigran Tsitoghdzyan

Left Page: White Mirror (2013) 75” x 50” / 190 x 127 cm, oil on canvas, private collection Right Page: Mirror II (2013) 100 “ x 70” / 254 x 178 cm, oil on canvas, private collection wwwttigran.com


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Studio Visit Tigran

Left Page: Millenium (2010) 47” x 47” / 120 x 120 cm, oil on canvas, private collection Right Page: Censored II (2011) 32” x 32” / 82 x 82 cm, oil on canvas, private collection

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Tigran reflects that the inspiration for his work stems from both the incredible diversity of cultures in New York and the transparency of the individual on social media. Tigran is fascinated with how people present themselves in our Age of Information. In a way, Tigran himself is the mirror: observing and reimagining the reflections of the individuals who stand out in the crowd. wwwttigran.com


VL Recent Exhibitions Tigran

2013 Mirrors - Arcature Gallery, Palm Beach 2013 Mirrors - Gallery Valentine, South Hampton 2013 Art Basel Miami 2012 Millennium, Valette Foundation, Conthey, Switzerland 2012 Art Basel Miami, USA 2011 Destockage Katz Contemporary Zurich, Switzerland 2011 Painting Stories 50 - 1 Gallery Limassol, Cyprus 2007 Armenian Landscapes EWZ - Unterwerk Selnau Kultur und Eventhaus Zurich, Switzerland 2007 Tigran Tsitoghdzyan - Serabai Centre Culturel de la Vidondée 1908 Riddes, Switzerland 2006 Hyperrealismus: Personal Exhibition Artefiz Kunsthalle Forchstrasse 317, 8008 Zurich, Switzerland 2005 Forum d'Art Contemporain Sierre, Switzerland 2004 GordArt Gallery Johannesburg, South Africa 2003 Gallery of the Contemporary Art «Fabienne B.»

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