Vivian Kwok Architecture Portfolio 2019

V I V I A N

KWOK A r c h i t e ct u r e P o r tf o l i o

Vivian Kwok

+1 (647 ) 3 9 3 - 9 0 81 vivia ngc. k wo k @m ail.u to ro nto.ca 297 C ollege S treet, To ro nto, Canad a, M 5 T 1 S2

EDUCATION 2020

MASTERS OF ARCHITECTURE (Candidate) U n i ver sity of Toronto, Canad a

2016

BACHELORS OF INTERIOR DESIGN R yer son U n ive r s ity, Canada

EXPERIENCE 2018 - Present

GALDSU - JOHN H. DANIELS G ra dua t e Desig n Stud ent Union, Treasu rer

2018 - Present

UNIVERSITY OF TORONTO Joh n H. Da n iels , Teacher ’s Assist ant

May - Aug 2018

MJMA - MACLENNAN JAUNKALNS MILLER ARCHITECTS Toron t o, I nte rn Architect

Dec 2014 - Aug 2017

JMF - DESIGNS INC. Ma rkh a m, Jun ior Interior Designer

May 2013 - Apr 2016

RSID YEAR END SHOW Toron t o, Si te Co-Direct or, S ite Associate, S tu d ent Volu nteer

Feb - Apr 2016

RYERSON SCHOOL OF INTERIOR DESIGN Toron t o, Wo r kshop Lab Monitor

AWARDS + ACHIEVEMENTS 2012 - 2019

U N I V E R S I T Y VA R S I T Y AT H L E T E Ba dmin ton , Athletic + Acad emic E xcellence

2015 - 2016

IDS 2016 - KENTWOOD STUDENT DESIGN CHALLENGE Toron t o + La s Veg as , Finalist

2013 - 2016

D I G I TA L F A B R I C AT I O N Z O N E R yer son , Entrep reneu rial Zone Particip ant Cred it

2013 - 2015

THE STOP ’S NIGHT MARKET + TORONTO TOURISM Toron t o, F o o d Cart Design (3)

2012

V I S U A L A R T S C O R E A W A R D Markham 2012

A R C H I T E C T U R E T E C H E N D O R S E M E N T A W A R D \ Markham

PROFESSIONAL SKILLS

R E L E VA N T SKILLS

Motivated & Passionate Strong Interpersonal Skills H i g h l y A d a p t a b l e & E ffi c i e n t Q u i c k E ff e ct i v e L e a r n e r Good Communication Skills G r e a t Te a m W o r k e r

D I G I TA L S O F T W A R E

MANUAL SKILLS

A d o b e I l l u st r a t o r Adobe Indesign Adobe Photoshop AutoCAD Google Sketchup Grasshopper Lumion M i c r o s o ft E x c e l M i c r o s o ft P o w e r p o i n t M i c r o s o ft W o r d Revit Rhinoceros 3D- V-ray 3D Printing L a s e r C u tt i n g

H a n d D r a ft i n g Model Making Woodshop

Bilingual: English Bilingual: Cantonese

SELECTED WORKS *

01

P R I VA C Y W I T H I N C O L L E C T I V I T Y.

02

HOLLOW HOME.

03

DICHOTOMOUS VOLUMES.

04

TA S T E O F T O M O R R O W .

05

T H E H I L L A N D T H E VA L L E Y.

06

A D R I F T.

07

TERRARIA.

08

AURA.

09

D E S I G N F A B . & R E P R E S E N TAT I O N .

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C ollectiv ity .

SixH St ori es Collect ive ousing toriHo esus in g Winter 2019 S ix Stor ieCollect s Six Sive Thesis Preparation + Research Col l e ct ive Ho usStinudio g Winter 2019 Collect ive HSix ousing Sto r ies

Thesis Lee W i n te: rVivian 2 0+1 9Research Thesis Advisor Preparation St udio W 0i1ve 9t i oHn o+uRe re p2 ara Co ltPler e ct s ise n ga rch Stud io Thesis :iisnVivian Lee Winter Advisor 2019Th es T hi se sAd i svPi sre p ara tviioann +LeRe Th es or : Vi e se a rch Stu d io CurrentPreparation Research + Research St udio Thesis TWhinte e s i sr Ad i s or : Vi v i a n Le e 2 0v19 Thesis : Vivian Lee CurrentAdvisor Research

T h etsiRe s Psre a rat i o n + Resea rc h S t udi o C ur ren e aprch T h ere si sntAd : V i v i an L ee Cur Rev isso e ar rch

Current Research

SIX STORIE S is a research studio on Collective Housing rooted in three prima r y a rea s o f investigation: of studio housing in theHousing intermediate scale of 6 Stories S t osr ies SIX STORIE S is1) aAnalysis research ontypes Collective rooted in three prima r y2)a rea of of how 6 people in urbanofcenter s experience collective livingscale today, and 3) Resea rc of investigation: 1) Analysis housing types in the intermediate of 6 Stories 2) Sre t oahrsies S IX STORIES is a research st udio on C ollective Housing rooted in three pr i ma r y a secondar ypeople and tertiar y streets that have allowed for novel forms ofthree collective l rivin grea .rc hs oof of how 6 in urban center s experience collective living today, and 3) Resea SIX STORIE S is a research studio on Collective Housing rooted in prima y a S IX STORIES is a research st udio on C ollective Housing root ed in three pr ima r y a re inve st igat ion: 1) A nalysis of housing t ypes in the int er mediate scale of 6 St or ie s 2 ) S t or ieafss of secondar and61)tertiar y in streets that have allowed for novel of collective investigation: Analysis housing types intypes the intermediate scale of 6 and Stories o)r ies invest igation: 1) Aof of er housing incollective the int erforms mediate scale of 63 S) ltivin or2)ie S tof or ie s o f yhow people urnalysis ban cent s exper ience living t oday, Re sg eSsa.t2rch Following the of collectivity, thesis of my termliving relatesand to the c 3o)n tRe rasst inogf of of how se 6 condar people inconcept urban center experience collective living 3) Resea owith f how people bans cent s the exper ience for collective an d y 6and t er t iarin y ur st reets t haterhave allowed novel fortoday, ms oft oday, collective l iv in grc . eha rch element of privacy and how public and private work in conjunction with each o t h er.

W h en Followingysecondar with the thesis of my term the lcivin o n tglra stgin. g yconcept and t er t of iar ycollectivity, st reets t hat have allowed for forms novel relates for oftocollect ive iv secondar and the tertiar y streets that have allowed for novel of ms collective . in thinking within the the idea of spaces usua linl yg element of privacy public and private work in public conjunction with each hiser.

Wst h en F oabout llow ingcollectivity w it hand t he how concept ofhousing, collectivity, t hesis of my communal t er m relates to th o e tcon t ra the focus in design, the reality that maintain aterm ho pr eyst Fwith ollow ing w itbut h t he concept of is collectivity, hesis ofwell-designed my relates t er m w relates tome, con e leabout ment of prconcept ivacy and public and pr to ivat ethe wor kpublic in conjunction itto hspaces each r. iva Wtin hra n in g thinking collectivity within housing, the idea oftof communal ltelg Following the ofhow collectivity, the thesis my the ctot ohisnehteusua ra st spaces , such asabout the bedroom enough privacy for the to with feel each com fo bl e. el yh e n lement ofand pr ivacy and how public and ivate wor kpublic conjunction w it hho eome, artch ot hW eua think ingdesign, collectivit yneeds w ithin housing, he idea of communal space sthaer. is us the focus but the reality is that totpr maintain ainuser well-designed pr iva tlW e element ofein privacy how public and private work in conjunction hTr.h en home privacy presented as extremely for security, intimacy aome, nratdis sil en ch thinking about collectivit w ithin housing, idea of public ce se. isiva the focus inis design, but needs t heyhousing, reality isthe timportant hat ttoheof maintain acommunal well-designed hsp pr e lly spacesfor , such ascollectivity the bedroom enough privacy for the user tocommunal feel spaces com fo a bl Tus thinking about within idea public usua le. lteyua the focus in t needs hehow reality is t o maintain a well-designe dfor spawill ces such tdesign, he bedroom enough pr ivacy forasecurity, the user to feel com asil blen e.

Th e te The term follow the research to engage private spaces to promot eame, l ect ivit home for privacy is as presented as in extremely important for intimacy nc dohtlome, cpr the focus in ,design, but the but reality is that to t hat maintain well-designed ho pr iva te. eyiva spaces , such as t urban he bedroom needs enough pr forsecur the user to imacy feel ecomfor t a bl e.y Th e ho me for ivacy isresearch presented extto remely impor tivacy ant for int a s il in housing within a dense fabric The term will follow the in as how engage private tofeel promot cr tnoadlbl l ect spaces , such asprthe bedroom needs enough privacy for thespaces user toity, com fo e.eivit Tn hce. e ivacy tis ashow ext remely impor ant for securtity, int imaecy a lnedctsivilite yn ce.

T hehome twithin er m for w ill follow hepresented research in to engage prtivate spaces o promot col in housing a pr dense urban home for privacy is presented asfabric extremely important for security, intimacy a n d sil en c e.

The ter m w ill follow t heurresearch in how to engage pr ivate spaces to pro mot e col l e ct iv it y in housing w ithin a dense ban fabr ic The term will follow w the research how fabr to engage private spaces to promot e c o l l ect ivit y in housing ithin a dense in ur ban ic in housing within a dense urban fabric

C u rre n t Re s e a rc h

SIX STORIES is a research studio on Collective Housing rooted in three primary areas of investigation: 1) Analysis of housing types in the intermediate scale of 6 Stories 2) Stories of how 6 people in urban centers experience collective living today, and 3) Research of secondary and tertiary streets that have allowed for novel forms of collective living.

Following with the concept of collectivity, the thesis of my term relates to the contrasting element of privacy and how public and private work in conjunction with each other.

When thinking about collectivity within housing, the idea of public communal spaces is usually the focus in design, but the reality is that to maintain a well-designed home, private spaces, such as the bedroom needs enough privacy for the user to feel comfortable. The home for privacy is presented as extremely important for security, intimacy and silence. The term will follow the research in how to engage private spaces to promote collectivity in housing within a dense urban fabric

P RIEVAT E P RI VAT PAC ESVAT E SPACSES P RI P RI VAT E S PAC ES SPAC ES

P RI VAT E SPAC ES

w it hin CO LLE C T I VE S PAC ES

wi th i n w it hin CO LLECT IVCO E SLLE PACES C T I VE S PAC ES wi th i n CO LLECT IV E S PACES wi th i n CO LLECT IV E S PACES

T H E PARIS A RCA D ES T H E PARIS A RCA D ES T H EE PA RI S A RCA DD ESES TT HH EPARIS PA RI S A A RCA RCA D ES

Passage Jouffroy Passage Jouffroy 1845 1845 Passage Jouffroy 1845 Passage Jouffroy

Passage Verdeau Passage Verdeau 1847 1847 Passage Verdeau 1847 Passage Verdeau

Passage Jouffroy 1845

Passage Verdeau 1847

1845

Passages Des Panoramas Passages Des Panoramas 1799 1799 Passages Des Panoramas 1799

Passages Des Panoramas 1799

Passages Des Panoramas 1799

E x te ri or s E x te ri or s

Ex ter ior s Ex ter ior s Ex ter ior s

1847

P RI VAT E wit h CO LLEC T IVI T Y C on c en t r at ion & D i s t r at ion

P RIVAT E w i th COLLECT IVI T Y

Door way a c t i ng as a gate f or c i r c ulat i on i n t he pe r iph e r y of t he use r . A balanc e and f oc us f or C on c e nt r ac tonc i one nt &rat Dii on s t r awi t i on t h d i st ra c t i on.

Doo r w a y a c ti ng a s a gate f or cir cu l ation in the pe r i phe r y o f the use r . A bal ance and f ocu s f or c o nc ent ration with d is t ra ction.

B oun de d by Pa r t i t i on s P r iva c y and S e cur i t y

M o ve m e n t D i s t ra c t i o n

Boun d ed by Pa r t it io ns P r iva c y a n d Se cu r i t y C on e of V i s i on Pe r i ph e r y o f t h e D oo r way

M o ve m e nt D i s t ra c t i o n

Con e of V isio n Pe r iphe r y of t h e D oor way

+ +

In t e r i or s Interior s

= =

02

Hollow Ho me .

Zoo lo g ica l Citie s

s Diss o l v ing t he B ou n da r y c be t we e n hu m a ns a n d l e anima l s . d e Fal l 2 0 18 y D es i gn S t u d i o V - O p t i on S tudi o ct In st r u ct o r : Joyc e Hwa n g t gv iro n me n t , tree s q u ir rel s a re c o nsid ered an i nvas i ve sp e c i e s du a l c i t i ze ns w ith the a gency to c o ntr ib ut e t o t h e d y n am i c In the ofe cToronto’s g i n h a bi t at ion of the u rb a ncurrent env iro nmcontext ent. A s t h o n c e p t u al urban

, a rc h i t e ctu re is environment, call ed u p o n to nego e an d d i ss o lveconsidered the treetiat squirrels are a n imal . The ob jective o f this p species ro ject was and t o d eare s i g n villainized. an d an invasive n s ive popula tion of s qu irrel s thro u gh the fo r m o f arc h i t e ct u re should bedeequal the t h e urban la ndAnimals s ca p e sy stem . The s i g n mcitizens e t h o d o lo gwith y h u m an a n d s q u irrel intera ct to io n acontribute nd their ass o cto i at e dthe i m p act agency dynamic m u l t i pl i cation of processes s mal l sca l e aof rc hitect u ral i n t e r ve n t i o n s t h at production, consumption and a n d p a tt e rns . Recog niz ing a nd p rov id ing ad d i t i o n al d we lli n g inhabitation environment.

As ay f ro m i nvad ing hu ma n ho m es . Jof u st the a s w urban i ld li fe h as i m p act e d conceptual and ave i nva ded theirthe s . Prov id ing these division m a m m alsbetween e q u al li v i ncity g a l l ow for cohab itanature tion w ith dissolves, hu m a n sp ec iearchitecture s. is called

upon to negotiate and dissolve the physical boundary between human and animal.

The objective of this project was to design and incorporate artificial habitation for the extensive population of squirrels through the form of architecture that would benefit their adaptation into the urban landscape system.

The design methodology investigates the interrelationship between human and squirrel interaction and their associated impact with each other. The intent was to construct multiplication of small scale architectural interventions that can influence large scale territorial systems and patterns. Recognizing and providing additional dwelling units for these mammals will steer them away from invading human homes. Just as wildlife has impacted our human-built infrastructure, humans have invaded theirs. Providing these mammals equal living opportunities in the growing urban city will allow for cohabitation with human species.

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N ew City A rch ive s of To ro n t o Toro nt o’s St o r y | Ph o t o & Re s e a rc h A rc h i ve | W inte r 2 0 18 D es i gn S t u d i o I V - C ompreh en sive S t udi o Ad v i so r : F ran c e sc o Ma rt i re Pa r t n e r : Rac h e l C h a n

DDI ICCHHOOTTOOMMOOUUSS VVOOLLUUMMEESS

Focusing on juxtaposing contrasting elements, this project achieves elements of dichotomy by determining dualities that archive building and M o t i exist v a t e d within & P a s s ia o npublic ate S t r o npublic g I n t e r p e rprograms s o n a l S k i l l s based on their H i g h l y A d a p t a b l e & E ffi c i e n t oIsV E xO c N EW E WC C I TI Y T YA A RR C MC Hi cH Ir V Eo ftEO Fe Fl T O TO RR OO NN TO TO environmental requirements. NImportant Q u i c k E ff e ct i v e L e a r n e r M i c r o s o ft P o w e r p o i n t include light and G o o ddualities C o m m u n i cina t the i o n Sproject kills M i c r o s o ft W o r d T OTROORNOTNROeT’vOSi t’ S TSOTROYR Y- G r e a darkness, t T e a m P l a y esuspended r/Member 4 4 and rooted, and rR oHsC H 3ADR-ACR VH -CrIaH HPOHTOOT OA NADN DR RERhSEi EnSoAEcReAC VyIEV E lightweight and heavy. We achieve this Pby Bilingual: English 3D Printing yet monumental B i l i ndesigning g u a l : C a n t oan e ssimplistic e a s e r C u tt i n g D eDsei gsni gSnt S u tdui od iLIoV I -V C-oCmopmre ph reehnesni ve s i ve concrete bar building along Front street, Ad Ad v i s v o i s r o : r F : ra F n ra cneR csecCsoH cM oIaM r taE irre t iO reF T O R O N T O N E W C I T Y A V known as “ The Mass”, and contrast it PaPa r t nr tenr e:r Ra : Ra c hcehl eClhCahna n against lightweight, steel and “Glass Tube” W iW n tiTn eOtr Re2rO0N 21 0 8T 1O8’ S S T O R Y structures that float and penetrate the PHOTO AND RESEARCH ARCHIVE mass.

0011

DICHOTOMOUS VOLUMES 2/3 H 2 /E3A VHYE A V Y 1 / 3 L1 I/G3HLTI G H T

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DIVIDE IVIDE De sign Stu d io IV - Comp rehensive

S T A CSKT A C K

Focusing Focusing ononjuxtaposing juxtaposing contrasting contrasting elements,this this Ad visor : Francesco elements, Martire Although it is important that the project Partner : Rachel Chan project achieves achieveselements elements of ofdichotomy dichotomy bybydetermining determining creates a clear division of project two elements, 03 Winterarchive 2018 dualities dualities that thatexist existwithin withina apublic public archivebuilding buildingand and curating the moment connection through public programs programs Focus based based on on their their environmental environmental light penetrating into public darkness was i n g o n j u x ta p o s i n g c o n tra st i n g e l e m e n ts , th i s p ro j e ct a c h i eve s e l e m e n ts o f D i c h o t oasmthe o ulight s wellsrequirements. di cho todualities mydualities by d e te rm i the n g the dua l i ti e s th a tinclude exinclude i st w i th i n a p u b l i c a rc h i ve b u i l d i n g a n d integrated puncture into Important requirements.

Important ini nin project project Focusing on juxtaposing publ i c p ro g ra m s b a s econtrasting d o n th e i r e nv i roelements, n m e n ta l re q u ithis the mass The accentuated light Vo l u m structure. es . light light and and darkness, darkness, suspended suspended and and rooted, rooted, and and re m e n ts . I m p o rta n t d u a l i ti e s i n t he pelements ro j e ct i n c l u d e h t a n d d a rk n eby ss , determining s u sp e n d e d a n d ro o te d , a n d l i g h twe i g h t project achieves ofl i gdichotomy wells act as the lightweight nature of the lightweight lightweight and andheavy. heavy. and h eWe avWe y. achieve Weachieve a c h i eve this th i this s byby d eby s designing i g ndesigning i n g a s i m p l ia st i ca ye t m o n u m e n ta l c o n c re te b a r dualities that anda n d c o n tra st i t a g a i n st N ew C i t y by A rc hfloating i ve s of To ro n t o users in bui l dexist i n g a lwithin o n g F roa n t public st re e t, archive k n ow n a s building “ T h e M a ss”, project above a monumental simplistic simplistic yet yet monumental concrete concrete bar barbuilding building along along public programs on their l i ght we i g h t, based st e e l a n d “G l a ss Tu b e” st ruenvironmental ct u re s th a t fl o a t a n d p e n e tra te th e m a ss .

To ro n t o’s S t o r y | P ho to & Researc h A rc h i ve darkened atrium space, contrasting the Front Front street, street, known known as “The and contrast itc reagainst Alas t ho u“The g h iMass”, t i sMass”, i m p dualities o rta nand t th a tcontrast th p ro j eitproject ctagainst a te sinclude a c l e a r d i v i s i o n o f two e l e m e n ts , requirements.

Important ine the heavy structure.

W i nt e r 2 concrete 018 curat i n g th e m o m e n t c o n n e ct i o n th ro u g h l i g h t p e n e tra ti n g i n to d a rk n e ss wa s lightweight, lightweight, steel steel and and “Glass “GlassTube” Tube” structures structures that that float float and light and D e sig n S t u d io IV - C o mp rehensi ve St udi o i ntdarkness, eg ra te d a s th esuspended l i g h t we l l s p u nand ct u re i nrooted, to th e m a ss st ru ct u re. T h e a c c e n tu a te d and and penetrate penetrate the the mass. mass.

Although is iti g his important important that Ad viso r : F ra n c e s c o M a r ti re l i ght l lAlthough s a ct a s We thit e lachieve twe i g h tthis n a tu re oLthat fE th ro lightweight andwe heavy. by designing LVEethe EVpLthe E -Lj e1ct- 1bya fl o a ti n g a b ove u s e r s i n a P ar t n e r : Ra c h e l C h a n dar ke n e d a tri u m sp a c e, c o n tra st i n g th e h e av y c o n c re te st ru ct u re. project project creates creates a clear a clear division division of of two two elements, elements, curating simplistic yet monumental concrete bar curating building along Frontconnection street, knownthroughlight as “The Mass”, and contrastinto itinto against the themoment moment connection throughlight penetrating penetrating steelas and “Glass Tube” puncture structures that darkness darknesslightweight, was wasintegrated integrated asthe the lightwells lightwells punctureinto intofloat and penetrate the mass. Although it is important that the the mass mass structure. structure.

The The accentuated accentuated lightwells lightwells actact asas the the the project creates a project clear division of two above elements, curating lightweight lightweight nature nature of of the the project byby floating floating above users users the moment connection throughlight penetrating in ina adarkened darkened atrium atrium space, space,contrastin contrastinthe theheavy heavy into darkness was integrated as the lightwells puncture into concrete concrete structure. structure.

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0M 1M0M 1M

5M

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S C A LSEC A1 :L2E0 10: 2 0 0

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DICHOTOMOUS the mass structure. The accentuated lightwells act as the lightweight nature of the project by floating above users VOLUMES in a darkened atrium space, contrastin the heavy concrete structure.

2 / 3 H E AV Y 1/3 LIGHT

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NEW CITY ARCHIVE OF TORONTO 4

TORONTO’S STORY PHOTO AND RESEARCH ARCHIVE

4

D es i gn St udi o I V - C o m p re h e n s i ve Adv i s or : Fra n c e s c o M a rti re Par t ner : Ra c h e l C h a n W i n te r 2 0 18 2 / 3 H E AV Y 1/3 LIGHT

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Focusing on juxtaposing contrasting elements, this project achieves elements of dichotomy by determining dualities that exist within a public archive building and public programs based on their environmental requirements. Important dualities in the project include light and darkness, suspended and rooted, and lightweight and heavy. We achieve this by designing a simplistic yet monumental concrete bar building along Front street, known as “The Mass”, and contrast it against lightweight, steel and “Glass Tube” structures that float and penetrate the mass. Although it is important that L E Vthe EL -1 project creates a clear division of two elements, curating the moment connection throughlight penetrating into darkness was integrated as the lightwells puncture into the mass structure. The accentuated lightwells act as the lightweight nature of the project by floating above users DIVIDE

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11

L E V E L 22 Public Lobby Pu b el ipc t iLoonb b y R ec R ee cc ehpa tni iocna l M M C ae fceh a n i c a l C S ea cf eo n d a r y L o b b y Se A t rci ou nmd a r y L o b b y A urrbiku l im c P ta n gL oE bn bt ryy P R e arckdeiipnntggi oE/nnI tnr-yT a k e L oa L oa / asIln - T a k e M eascdh iranongoi cm W W C Oa ua ftsedhor o ro m E xsh i b i t i o n O t iyo n S eu ct do on od ra rEyx hL iobbi b Atrium Parking Entry 1 L o a d i n g / I n -Ta k e Washrooms Outdoor Exhibition

11

11

DN

2

OPEN TO BELOW 11

LEVEL 2

11

11

1 12 2 3 3 4 4 5 5 6 6 71 78 2 8 3 9 9 14 0 15 0 1 161 7 8 9 10 11

6 OPEN TO BELOW

8

DN

4 11

2

11

11

DN

4

2

11

11

1 2 3 4 5 6 7 8 9 10 11

Foyer Mechanical Auditorium Digitization Lab Reading Room Retrievals Area Te m p o r a r y E x h i b i t i o n Permanent Exhibition Exhibition Walkthrough Storage 1 W a s h r oFo omyse r

2 3 4 5 6 7 8 9 10 11

1 2 3 4 5 6 7 8 9 10 11

Mechanical Auditorium Digitization Lab Reading Room Retrievals Area Te m p o r a r y E x h i b i t i o n Permanent Exhibition Exhibition Walkthrough Storage Washrooms

Foyer F Moeycehra n i c a l M al A ue dc iht ao nr ii uc m A 3 D ui gdi itti oz rai tui m on Lab D Lab R ei gai dt i zn ag t iRoono m Rea i nvga lRs oAo rme a t rdi e em F yt repi reovr a lr sy AE rxehai b i t i o n TR eo TP eeem p ao nr aei crnyat l EExxhhi ibbi itti ioonn M rcmh P e hrdm A E xu i bt aoi tnriieounnmt WEax lhkitbhi rt oi oung h E txi g D S ohiritabi gzi teai ot ino nW aL lakbt h r o u g h S R teaoasrdhairgnoego m R os o m W W a s h r o o m s Retrievals Area Te m p o r a r y E x h i b i t i o n Permanent Exhibition Exhibition Walkthrough Storage Washrooms

Foyer Mechanical Auditorium Digitization Lab Reading Room R e t r i e vFaol sy eArr e a T e m p o rMa er yc hE a x hniiLbcE i at V iloEnL 3 P e r m a nAeundt i tEox rhii ub m ition E x h i b i tDi oi gn i tWi azlak tt ihor n o uLg ah b StoragR e eading Room W a s h r oRoemt sr i e v a l s A r e a

1 2 3 4 5 6 7 8 9 10 11

1 1 2 2 3 3 4 14 5 2 5 6 3 6 74 7 8 5 8 9 6 9 17 0 10 11 181 9 10 11

Foyer Foyer Mechanical Mechanical Auditorium Auditorium D oi gy iet ri z a t i o n L a b F Digitization Lab R ee ac dh ianngi cRaol o m M Reading Room Ru etrievals Area A R e tdri iteovr ai ul sm A r e a T e m p o r a r y E x h i Lb E i tV i oEnL 3 TDei gmi tpi oz raat ri yo nE xL ha ibLb E i tV i oEnL 3 P e m annge n Em xhibition Re e rram d ia R tto oE P nen xhibition E ht ri ibei vt iaol ns W ael ak t h r o u g h R xxe h A ra E ibition W lkthrough S omr pa og rea r y E x h i Lb E T ett o i tV i oEnL 3 S rage W a rsm h r onoem P ea n tss E x h i b i t i o n W sha room Exhibition Walkthrough Storage 2 Washrooms

1

2 2

3

2 OPEN TO BELOW

1

3

T e m p o r a r y E x h i Lb E i tV i oEnL 3 Permanent Exhibition Exhibition Walkthrough Storage Washrooms

OPEN TO BELOW

OPEN TO BELOW OPEN TO BELOW

OPEN TO BELOW

OPEN TO BELOW

3

1 11 2 2 1

LEVEL 3

22

4

OPEN TO BELOW

OPEN TO BELOW

1

3 3

OPEN TO BELOW

5

1

2

2

LL E EV VE E LL 3 3

2 2

OPEN TO BELOW

LEVEL 3

1 12 2 3 3 4 4 5 5 6 6 71 72 3 4 5 6 7

4

EV VE E LL 4 4 LL E

A r c h i v e C o l l e ct i o n A recchhi av e o l l e ct i o n M niC ca M ue dc iht ao nr ii uc m al A A Ru e sd ei taorrci u h mL a b s OBPEELNO TWO Re O ffisceea r/ cAhd Lmai bn s O ffincfee r/e An dc m Co e iRno o m C o oi o mn Ao racnshfhe i rvroeeonCmcoel l R e ct W Wa M e sc h raonoi cma l Auditorium Research Labs O ffi c e / A d m i n Conference Room Washroom

1 12 2 3 3

OPEN TO BELOW

LEVEL 4

3 1 2 3

1

OPEN TO B E2L O W

3 1

LEVEL 3

2 1 2 3 4 5 6 7

OPEN TO BELOW

4

OPEN TO BELOW

5

3

11 11 11

OPEN TO BELOW

OPEN TO BELOW

1 1

4 1 1

4 4

11 11

6 OPEN TO BELOW

8

EV VE E LL 2 2 LL E 1

4

4

11 OPEN TO BELOW

OPEN TO BELOW

OPEN TO BELOW

OPEN TO BELOW

DN

10

7

7

OPEN TO BELOW

3 3

OPEN TO BELOW OPEN TO BELOW

4 4 4

4 4 OPEN TO BELOW

8

11 11 DN

11

OPEN TO BELOW

6

4

1 1

OPEN TO BELOW

5

OPEN TO BELOW OPEN TO BELOW

DN

DN

6

5 5

3

OPEN TO BELOW

11

OPEN TO BELOW OPEN TO BELOW

OPEN TO BELOW OPEN TO BELOW

4

10 11

11 DN

6

11 11

11 11

22 2

5

OPEN TO OBPEELNO T WO BELOW

4 4

10 10 DN

9

1

6

2

5

DN

2

9

OPEN TO BELOW

OPEN TO OBPEELNO T WO BELOW

7 7

DN

9

1 7

1

2 2

DN

8

7

OPEN TO BELOW

3

5

6 6

6 OPEN TO BELOW

65

9 9

1 1

OPEN TO OBPEELNO T WO BELOW

2

LEVEL 4

A r c h i v e C o l l e ct i o n Mechanical Auditorium Research Labs O ffi c e / A d m i n Conference Room Washroom

1 2 3 4 5 6 7

A r c h i v e C o l l e ct i o n Mechanical Auditorium Research Labs O ffi c e / A d m i n Conference Room Washroom

1 2 3

LEVEL 4

1 A r c h i v e C o l l e ct i o n 1 A r c h i v e C o l l e ct i o n 2 Mechanical 2 Mechanical 3 Auditorium 3 Auditorium 4 Re arch Labs ion 14 A r css he Re e iavrec hC oLlal eb ct s 5 O ffi e / Adm 2 M e cc l ii n 5 O ffi c he a /n iAcdam n 6 Cu on rence Room 3 A d iff te 6 Con eor rei nu cme R o o m W a ss eh ar or cohm L a b s Archive 7 C o l l e ct i o n 4 R e 7 W a s h room A o l l /e ct M recchhi av e niC ca S ti o rna g e M oe lcdh a cma l / S t o r a g e O ffi c e / A d m i n C Rn o io5 Cold Room 6 Conference Room Washroom Archive 7 C o l l e ct i o n Mechanical / Storage Cold Room

1 2 3 4 5 6 Archive 7 C o l l e ct i o n

A r c h i v e C o l l e ct i o Mechanical A u d i t 1o r i u m Research Labs O ffi c e / A d m i n Conference Room Washroom

Mechanical / Storage Cold Room

1 2 3

2

9

7

5

OPEN TO BELOW

DN

10 11

5

6 OPEN TO BELOW

OPEN TO BELOW

OPEN TO BELOW

8

OPEN TO BELOW

OPEN TO BELOW

4

6 1

3

11

OPEN TO BELOW

3

6

3

3

7 DN

11

2

2

1

1

4 2

7

11

5

2

1

2

2

7

OPEN TO BELOW

DN

LEVEL 2

10

5

6 OPEN TO BELOW

OPEN TO BELOW

8

LEVEL 3

Foyer Mechanical Auditorium Digitization Lab Reading Room Retrievals Area Te m p o r a r y E x h i b i t i o n Permanent Exhibition Exhibition Walkthrough Storage Washrooms

1 2 3 4 5 6 7 8 9 10 11

11

OPEN TO BELOW

OPEN TO BELOW

LEVEL 4

A r c h i v e C o l l e ct i o n Mechanical Auditorium Research Labs O ffi c e / A d m i n Conference Room Washroom

1 2 3 4 5 6 7

OPEN TO BELOW

5

LEVEL 5

A r c h i v e C o l l e ct i o n Mechanical / Storage Cold Room

1 2 3

A r c h i v e C o l l e ct i o n Mechanical & Storage Growth Storage / Mech

1 2 3

OPEN TO BELOW

4

6

OPEN TO BELOW

3

11

3

3 1

1

4 6

2

1 71

1

5

2

6

2

7

2

7

2

7 6

5 7

OPEN TO BELOW

5

LEVEL 3

DN

Foyer Mechanical Auditorium Digitization Lab Reading Room Retrievals Area Te m p o r a r y E x h i b i t i o n Permanent Exhibition Exhibition Walkthrough Storage Washrooms

1 2

DN

23

4 5 6 7 8 9 10 11

6

10 10

5

11 11

DN

7

LEVEL 4

OPEN TO BELOW

A r c h i v e C o l l e ct i o n Mechanical Auditorium Research Labs O ffi c e / A d m i n Conference Room Washroom

1 2 3 4 5 6 7

OPEN TO BELOW

7

OPEN TO BELOW

5

OPEN TO BELOW

8

4

6

OPEN TO BELOW

11

OPEN TO BELOW

7

OPEN TO BELOW

OPEN TO BELOW

8

OPEN TO BELOW

OPEN TO BELOW

OPEN TO BELOW

5 4

OPEN TO BELOW

4 3

6 6

3

OPEN TO BELOW

3

OPEN TO BELOW

8

1

OPEN TO BELOW

OPEN TO BELOW

OPEN TO BELOW

1

4

2

2

3

3

1

1

5

LEVEL 3 LEVEL 3

Foyer Mechanical Foyer Auditorium Mechanical Digitization Lab Auditorium Reading Room Digitization Lab Retrievals Area Reading Room Te m p o r a r y E x h i b i t i o n Retrievals Area Permanent Exhibition Te m p o r a r y E x h i b i t i o n Exhibition Walkthrough Permanent Exhibition Storage Exhibition Walkthrough Washrooms S tooy rear g e F W Ma e sc h h raonoi cmasl 3 Auditorium 4 Digitization Lab 5 Reading Room 6 Retrievals Area 7 Te m p o r a r y E x h i b i t i o n 8 Permanent Exhibition 9 E x h i b i t i o n W a l k t h r o3u g h 1 0 OBPEELNO TWSO t o r a g e 11 Washrooms 1 2 1 3 2 4 3 5 4 6 5 7 6 8 7 9 8 10 9 11 11 0 12 1

2

OPEN TO BELOW

6

LEVEL 3

OPEN TO BELOW

OPEN TO BELOW

OPEN TO BELOW

7

OPEN TO BELOW

OPEN TO BELOW

1 2 3 4 5 6 7

OPEN TO BELOW

LEVEL 3 7

7

LEVEL 4

4 4

1 1

3

1

7

A r c h i v e C o l l e ct i o n Mechanical Auditorium Research Labs O ffi c e / A d m i n Conference Room Washroom

1 2 3 4 5 6 7

4

OPEN TO BELOW

EV VE E LL 3 3 LL E

2

1 2 3

7

LEVEL 4

A r c h i v e C o l l e ct i o n Mechanical Auditorium Research Labs O ffi c e / A d m i n Conference Room Washroom

LEVEL 5

LEVEL 5

2

A r c h i v e C o l l e ct i o n Mechanical & Storage Growth Storage / Mech

1 2 3

1

LEVEL 4

2

1

A r c h i v e C o l l e ct i o n Mechanical / Storage Cold Room

1 2 3

2

3

1 1

1 2 3

2 2

1 2 3

2

1 1

2 2

Plans

1

LEVEL 5

LEVEL 5

A r c h i v e C o l l e ct i o n M e c h a n i c a l / S3 t o r a g e Cold Room

A r c h i v e C o l l e ct i o n Mechanical & Storage Growth Storage / Mech

Archive Coll Mechanical Growth Stor

1 2 3

6

1

2

3

1

1 2 3 4 5 6 7

L E V E L1 4

3 3

3 3

OPEN TO BELOW

2

3

2

3 1

3

LEVEL 4 LEVEL 4

A r c h i v e C o l l e ct i o n Mechanical A r c h i v e C o l l e ct i o n Auditorium Mechanical Research Labs Auditorium O ffi c e / A d m i n Research Labs Conference Room O ffi c e / A d m i n Washroom Conference Room Washroom

A r c h i v e C o l l e ct i o n Mechanical Auditorium Research Labs O ffi c e / A d m i n Conference Room Washroom

5

1

1 A r c h i v e C o l l e ct i o n 12 A recchhi av e o l l e ct i o n M niC ca 2 M al 3 A ue dc iht ao nr ii uc m 3 A 4 Ru e sd ei taorrci u h mL a b s 4 R 5 Oe ffisceea r/ cAhd Lmai bn s 5 O ffincfee r/e An dc m 6 Co e iRno o m 6 C o oi o mn 1C o l l e ct i o n W Ao racnshfhe i rvroeeonCmcoel l R e ct Archive 7 Mechanical / Storage 2C o l l e ct i o n W Ma e sc h raonoi cma l Archive 7 Cold Room Mechanical / Storage Auditorium C o l d R o o3m 4 Research Labs 5 O ffi c e / A d m i n 6 Conference Room Washroom Archive 7 C o l l e ct i o n

2 2 OPEN TO BELOW

LEVEL 3 7 7

A r c h i v e C o l l e ct i o n Mechanical & Storage Growth Storage / Mech

Mechanical / Storage Cold Room

OPEN TO BELOW OPEN TO BELOW

Mechanical / Storage Cold Room

3 3

4

1 2 1 3 2 4 3 5 4 6 5 7 6 7

1 2 3 4 5 6 Archive 7 C o l l e ct i o n

OPEN TO BELOW OPEN TO BELOW

9

OPEN TO BELOW

LEVEL 4

1 2 3

2

3

A r c h i v e C o l l e ct i o n Mechanical Auditorium Research Labs O ffi c e / A d m i n Conference Room Washroom

1 2 3 4 5 6 Archive 7 C o l l e ct i o n

1

2

2 2

OPEN TO BELOW

1 2 3

OPEN TO BELOW

4

A r c h i v e C o l l e ct i o n Mechanical & Storage A r c h i v e C o l l e ct i o n Growth Storage / Mech Mechanical & Storage Growth Storage / Mech

1

OPEN TO BELOW

A r c h i v e C o l l e ct i o n Mechanical Auditorium Research Labs O ffi c e / A d m i n OPEN TO C o n f e r e n c e R o o mB E L O W Washroom

3

1 2 1 3 2 3

3

OPEN TO BELOW

3

OPEN TO BELOW

OPEN TO BELOW

1

OPEN TO BELOW OPEN TO BELOW

OPEN TO BELOW

2

LEVEL 5

5

2

5

5 4

A r c h i v e C o l l e ct i o n Mechanical / Storage Cold Room

LEVEL 5 LEVEL 5

2

OPEN TO BELOW OPEN TO BELOW

OPEN TO BELOW

OPEN TO BELOW

1 2 3

5 5

L E V E L1 3

2

OPEN TO BELOW

OPEN TO BELOW

A r c h i v e C o l l e ct i o n Mechanical / Storage A r c h i v e C o l l e ct i o n Cold Room Mechanical / Storage Cold Room

OPEN TO BELOW

L E V E L 44

A r c h i v e C o l l e ct i o n Mechanical Auditorium Research Labs O ffi c e / A d m i n Conference Room Washroom

1 2 1 3 2 3

3

OPEN TO BELOW

5

2

2

3 1

OPEN TO BELOW

7

1

OPEN TO BELOW

oyer echanical 5 uditorium igitization Lab eading Room 6 etrievals Area 6 e m p o r a r y E x h i Lb E i tV i oEnL 3 e r m a n e n t E x h i b i t7 i o n 4 x h i b i t i o n W a l k t h r7 o u g h 6 torage 3 3 ashrooms 1

OPEN TO BELOW

1 2 3 4 5 6 7

4

LEVEL 4 LEVEL 4

A r c h i v e C o l l e ct i o n Mechanical A r c h i v e C o l l e ct i o n Auditorium Mechanical Research Labs Auditorium O ffi c e / A d m i n Research Labs Conference Room O ffi c e / A d m i n Washroom Conference Room Washroom

1 2 1 3 2 4 3 5 4 6 5 7 6 7

OPEN TO BELOW OPEN TO BELOW

1

2

1

OPEN TO BELOW

7 7

3

1 2

2

6

2 3

4

1

1

1

4

OPEN TO BELOW

3

3

5

OPEN TO BELOW

3

3

OPEN TO BELOW

6 4

A r c h i v e C o l l e ct i o n Mechanical & Storage Growth Storage / Mech

1 2 3

OPEN TO BELOW

6

10

LEVEL 5

A r c h i v e C o l l e ct i o n Mechanical / Storage Cold Room

1 2 3

OPEN TO BELOW

5

6

2

DN 2

2 2

1 2 1 3 2 3

1 2 3

5

1

EV VE E LL 4 4 LL E

EV VE E LL 5 5 LL E

1

2 2

3

1 12 2 3 3

A r c h i v e C o l l e ct i o n A o l l /e ct M recchhi av e niC ca S ti o rna g e M C oe lcdh a Rn o iocma l / S t o r a g e Cold Room

1 2 3

A r c h i v e C o l l e ct i o n Mechanical / Storage Cold Room

1

LEVEL 5 LEVEL 5

2

L E VP lEa Ln s 4

LEVEL 5

Mechanical / Storage Cold Room

1 2 1 3 2 3

A r c h i v e C o l l e ct i o n Mechanical & Storage A r c h i v e C o l l e ct i o n Growth Storage / Mech Mechanical & Storage Growth Storage / Mech

1 2 3

A r c h i v e C o l l e ct i o n Mechanical & Storage Growth Storage / Mech

6 6

LEVEL 5

6

A r c h i v e C o l l e ct i o n A ol l& e ctS itoonr a g e M recchhi av e niC ca M reocwhtahn iSct ao lr a&g Se t /o rMa egceh G Growth Storage / Mech

1 2 3

A r c h i v e C o l l e ct i o n Mechanical & Storage Growth Storage / Mech

OPEN TO BELOW

7

OPEN TO BELOW

7 7

Plans Plans

1 12 2 3 3

DN

2

10

5 5

6

Plans OPEN TO OBPEELNO T WO BELOW

11

DN DN

7

7

5

OPEN TO BELOW

10

DN

11

10 10

5 11 11

10

5 5

6

11 OPEN TO BELOW

OPEN TO BELOW

8

5

EN TO LOW

1

OPEN TO BELOW

6 6

8

8 8

OPEN TO BELOW

OPEN TO OBPEELNO T WO BELOW

OPEN TO BELOW

OPEN TO OBPEELNO T WO BELOW

OPEN TO BELOW

OPEN TO BELOW

OPEN TO OBPEELNO T WO BELOW

8

3

OPEN TO BELOW

11

1

OPEN TO BELOW OPEN TO BELOW

OPEN TO BELOW

4 4O P E N T O

3 3

BELOW

1 1

OPEN TO BELOW

2

4

3

11

4

3

3

1 1

1

3

2

2 2

1 12 2 3 3

A r c h i v e C o l l e ct i o n A o l l /e ct M recchhi av e niC ca S ti o rna g e M oe lcdh a C Rn o iocma l / S t o r a g e Cold Room

1 2 3

A r c h i v e C o l l e ct i o n Mechanical / Storage Cold Room

LL E EV VE E LL 5 5

Foyer Foyer Mechanical Mechanical Auditorium Auditorium Digitization Lab F D oi gy iet ri z a t i o n L a b Reading Room Foyer M R ee ac1dh ianngi cRaol o m R e tdri iteovr ai ul sm A r e a A Ru e t r2i e v a l s A rM e ae c h a n i c a l TDei gmi tpi oz raat ri yo nE xL ha ibb i t i o n T e m3p o r a r y E xAhui bdi itti o n P rm nen x h i b i t ioo rni u m Re d ia R tto oE P e ram annge n Em xhibition E xe ht r4 i ibei vt iaol ns W aDel iakgt hi tr iozuag thi o n L a b R A r Exhibition Walkthrough S omr5pa og rea r y E xRhei baidt iionng R o o m T ett o S rage W a rsm h r onoem P ea n tss E R x hei tbri it e i ovna l s A r e a W s6h a room E x h 7i b i t i o n W aT lek m t hp r oourgahr y E x h i b i t i o n S t o r8a g e Permanent Exhibition Washrooms

9 10 11

A r c h i v e C o l l e ct i o n Mechanical / Storage Cold Room

1 2 3

Exhibition Walkthrough Storage Washrooms

OPEN TO BELOW

1 2 3

EV VE E LL 3 3 LL E LEVEL 5

LEVEL 3 Foyer Mechanical Auditorium Digitization Lab Reading Room Retrievals Area Te m p o r a r y E x h i b i t i o n Permanent Exhibition Exhibition Walkthrough Storage Washrooms

1 2 3 4 5 6 7 8 9 10 11

OPEN TO OBPEELNO T WO BELOW

OPEN TO BELOW

2 2

2

LEVEL 4

5

2

1

2

LEVEL 4 1 1 2 2 3 3 4 14 5 2 5 6 3 6 74 7 8 5 8 9 6 9 10 17 0 11 8 11 9 10 11

3

1

2

1

2 2

1

2 2

LL E EV VE E LL 4 4 A r c h i v e C o l l e ct i o n Mechanical A u dLi tE o rV i uE mL 4 Research Labs O ffi c e / A d m i n Conference Room Washroom

1

3

2 2

3 3

OPEN TO BELOW

1 1

1

1

7

1

OPEN TO OBPEELNO T WO BELOW

1

3

3

1 1

11

OPEN TO BELOW

3

3 3

4 11

4

4 4

OPEN TO BELOW

4

3 3

DN

6

11

OPEN TO BELOW

OPEN TO BELOW OPEN TO BELOW

6 OPEN TO BELOW

4

1 1

OPEN TO BELOW

5

6

A r c h i v e C o l l e ct i o n / Storage

echanical L E VCME o l dL R o5 om

1 12 2 3 3

A r c h i v e C o l l e ct i o n A ol l& e ctS itoonr a g e M recchhi av e niC ca M G reocwhtahn iSct ao lr a&g Se t /o rMa egceh Growth Storage / Mech

1 2 3

A r c h i v e C o l l e ct i o n Mechanical & Storage Growth Storage / Mech

LEVEL 5 1 2 3

LEVEL 3

LEVEL 3

2 2 3 3 4 14 5 2 5 6 3 6 74 7 5 6 7

C o l l e ct i o n C o l l e ct i o n Mechanical Mechanical Auditorium Auditorium Re e iavrec hC oLlal eb ct s A r css he Re arch Labs ion O ffi c he a /n iAcdam n M e cc l ii n O ffi e / Adm Con eor rei nu cme R o o m A d iff te Cu on rence Room W shroom R ea W a ss eh ar or cohm L a b s O ffi c e / A d m i n Conference Room Washroom

2

2

OPEN TO BELOW

1

1

1 1

LL E EV VE E LL 4 4

1 1 2 2 3 3 1 2 3

LEVEL 4

3

LEVEL 5

LEVEL 5

2

A r c h i v e C o l l e ct i o n Mechanical & Storage 1 Growth Storage / Mech

LEVEL 4

1 2 3

3

1

P P ll a an n ss

1 A r c h i v e C o l l e ct i o n 2 P Ll aEnVsEMLe c5 h a n i c a l 3 Auditorium 4 Research Labs 5 O ffi c e / A d m i n 6 Conference Room Washroom Archive 7 C o l l e ct i o n

A r c h i v e C o l l e ct i o n A r c h i v e C o l l e ct i o n Mechanical / Storage Mechanical / Storage Cold Room Cold Room A r c h i v e C o l l e ct i o n Mechanical / Storage Cold Room

A r c h i v e C o l l e ct i o n A ol l& e ctS itoonr a g e M recchhi av e niC ca M G reocwhtahn iSct ao lr a&g Se t /o rMa egceh Growth Storage / Mech

1 2 3

2

LL E EV VE E LL 5 5

2

1

1 12 2 3 3

2

m

1 2 3

LEVEL 5

Mechanical / Storage Cold Room

Plans

Plans

1

3

3

3

on

1 1

2 2

3 3

EV VE E LL 5 5 LL E

1 2 3 4 5 6 7

A r c h i v e C o l l e ct i o n Mechanical Auditorium Research Labs O ffi c e / A d m i n Conference Room Washroom

3

1

2 2

OPEN TO BELOW

2

EV VE E LL 4 4 LL E

3 3 1 1

4

2 2

A r c h i v e C o l l e ct i o n Mechanical & Storage Growth Storage / Mech

LEVEL 4 1 2 3 4 5 6 7

3 3

OPEN TO BELOW

3

3

1 2 3

A r c h i v e C o l l e ct i o n M e c h a1n i c a l & S t oA r argce h i v e G r o w t h1 S t o r a g e / AMrec c hh i v e

LEVEL 4

LEVEL 5

A r c h i v e C o l l e ct i o n Mechanical / Storage Cold Room

1 2 3

A r c h i v e C o l l e ct i o n Mechanical & Storage Growth Storage / Mech

1 2 3

A r c h i v e C o l l e ct i o n Mechanical & Storage Growth Storage / Mech

A r c h i v e C o l l e ct i o n Mechanical / Storage Cold Room

CO ST 1 2 3 4 5

1 2 3 4

5 6 7

8 9

TY RO 5 6 7 8 9 10 11

5

10 11

ONCRETE WALL TO TEEL ROOF CONNECTION

Sealant 150mm Rigid Insulation Metal Flashing with Continuous Roof Membrane Behind Concrete Cut Out Opening to Allow

YPICAL STEEL STRUCTURE O O F A S S E M B LY

R o o fi n g M e m b r a n e Two layer s of 75mm Polyiso Staggered Insulation 25mm Air Barrier 50mm Metal Deck Steel I-Beams

STEEL ROOF UPPERSIDE CONNECTION

SCALE 1:20

1

Metal Flashing with Continuous Roof Membrane Behind

2 3 4

R o o fi n g M e m b r a n e Two layers of 75mm Polyiso Staggered Insulation 25mm Air Barrier 50mm Metal Deck Steel I-Beam 75mm Rigid Insulation Continuous Mullion with Two layers of 75mm Polyiso Staggered Insulation Behind Metal Flashing with Continuous Roof Membrane Behind Tr i p l e G l a z i n g w i t h Aluminum Framing

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15 14 13 12

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STEEL ROOF UNDERSIDE CONNECTION 12 13 14

Tr i p l e G l a z i n g w i t h Aluminum Framing Metal Flashing with Continuous Insulation Behind 200mm Aluminum Metal Facsia Cap

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o n Z- G i r t s 25mm Air Barrier Two layers of 75mm Polyiso Staggered Insulation Steel I-Beam 150mm Concete on Metal Deck with In-Floor Radiant Heating 200mm Aluminum Metal Facsia Cap

SCALE 1:20

NORTH-SOUTH SCALE 1:20

Longitudinal Section & Details

ECTION

EAST-WEST SECTION SCALE 1:250

Primary Entry

S t r u c t u r a l F r a m i nS gt r A u cs st u em r abll yF r a m i n g A s s e m b l y

MASS 1 2 3 4

125mm 400mm 350mm Double

MASS P r e c a st C o n c r e t e 1P a n e1l 2s 5 m m P r e c a st C o n c r e t e P a n e l s C a st - I n - P l a c e C o n2 c r e t 4e 0 W 0a ml m l C a st - I n - P l a c e C o n c r e t e W a l l C a st - I n - P l a c e C o3n c r e 3 t e5 0Fm l omo r C a st - I n - P l a c e C o n c r e t e F l o o r G l a z e d L o w - E G l a 4s s Double Glazed Low-E Glass

GLASS TUBES

GLASS TUBES

A

Ground Level

5 6

350mm Concrete Slab 5 350mm Concrete Slab S i l i c o n e S t r u ct u r a l T r i p l e6 G l a zSi n i l gi c o n e S t r u ct u r a l T r i p l e G l a z i n g

B

Second Level

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1 5 0 m m C o n c r e t e o n M e t a7l D e c1k5 0 m m C o n c r e t e o n M e t a l D e c k S t e e l P r a tt T r u s s S y st e m 8C a n t iSl teev ee lr P r a tt T r u s s S y st e m C a n t i l e v e r T r i p l e G l a z i n g w i t h A l u m i9n u m TFr ri ap m l ei nGgl a z i n g w i t h A l u m i n u m F r a m i n g Parapet 10 Parapet

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A l u m i n u m S o ffi t w i t h S t a n1 1d i n gA Sl ue m am i n u m S o ffi t w i t h S t a n d i n g S e a m 1 5 0 m m C o n c r e t e o n M e t a1l 2D e c1k5 0 m m C o n c r e t e o n M e t a l D e c k T r i p l e G l a z i n g w i t h A l u m i1n3u m TFr ri ap m l ei nGgl a z i n g w i t h A l u m i n u m F r a m i n g S t e e l P r a tt T r u s s S y st e m 1 4 S t e e l P r a tt T r u s s S y st e m S t r u ct u r a l S t e e l I - B e a m s 1 5 S t r u ct u r a l S t e e l I - B e a m s S u sp e n d e d C e i l i n g 16 S u sp e n d e d C e i l i n g 50mm Metal Deck 17 50mm Metal Deck 150mm Rigid Insulation 18 150mm Rigid Insulation Parapet 19 Parapet

Third Level

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Entry

S T R U C T U R A L F R A M I SN TGR AU SCSTEUMRBALLY F R A M I N G A S S E M B L Y

Primary Entry

Auditorium Entry

Auditorium Entry

Primary Entry

Primary Entry

Auditorium Entry

Auditorium Entry

V V

0 04 4

04

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Tast e of .

Ta st eTomorrow of

The The p p ro ro je je ct ct is is a ap p ro ro p po o ss a a ll o o ff tt h he e re re inve inve n n tt io io n no o ff tt h he eO On n tt a a rr io io F Fo oo od d Te Te rmin rmin a a l. l. II tt re re sp sp o on nd d ss tt o o tt h he ec cu u rr re re n n tt fo fo o od d cu cu ll tu tu re re o o ff O On n tt a a rio rio a an nd d it it ss u u rr b ba an n ss u u rr ro ro u un nd d in in g g ss .. TT h he e c co on nc ce ep p tt is is d d rive rive n n w w it it h h tt h he e ii n n tt e en n tt ii o on n tt o o p p rov rov ii d de e a a b u i l d in g w h ic h fo c u s e s o n t h e imp rove me n t o f a c e fo o d fo r t h e fu t u re.

As t h e e n h a n c e m e n t o u i li dnve in gntwion h ic h c u sOnt e s ar o nio tFhood e imp me n tI t ore f sponds a c e fo otdo fo r tchur e re funt t u re.

As t h e e n h a n c e m e n t o ff T he p ro j e ct i s a p ro p o s a l o f t h ebre of fo t he Terove r minal. t he food te chn o lo g y is g row in g ra p id ly, t h e h u ma n ima g in a t io n h a s sp r in t e d in t o a n ew re a l m .

T h tenchn g y is g row in g c ra p idely, t h edr ive h u ma n hima g inint a t io h a s t ospprovide r in t e d inat o a n ew re a l m . T h e e c u l t u re o f O nt a r i o a nd i t s u r b a s uor lo roundings . The onc pt is n wit t he e nnt ion a n tt ss h ave d p n a ew l.

Cu n ra ns h aed d va va nc ce e me me n nme hnt aveofle le d daca aec ce e food d eve eve lo lofor p me met he n tt tt o ofut an n ew leve leve l.t he Cu rr re re n tt ex ex p p lo lo ra tt io io h ave ave ii n nc c ll u ud de ed da an na ag ge en nd da a b u i l d i n g w h i c h fo c u s e s o n t h i mprove ure.

As e nhanc e me ntn sof O tha t le a d s a stro n a u t s t o M a r s .

Ad va n c e way s fo o d s a re p re p a re d a n d s e r ve d d u r i n g a c e fl i g h t On n tt a a rr ii o o F Fo oo od d Te Te rr m m ii n na a ll a d shuman a stro n a uimaginat t s t o M aion r s . Ad va n cspr e int wayesd foint o dos aare new p re p are re d a n d The s e r ve d d u r i n g a c e fl i g h t ,, t ec hno l o g y i s g row i ng ra p i dtha leve y, t ltle he has d o p e d in tt h is fa c ilit y, by eva lu a tt in g p ro tt o tt yy p e ss a n d flig h tt alm. fo o d p re p d eve l o p e d in h is fa c ilit y, by eva lu a in g p ro o p e a n d flig h fo o d p re pa a ra ra tt ii o on n h ha a rd rd wa wa re, re, a an nd d a d va n c e m e nt s have l e d a c e d evel opmennt t oitah new levegl.row C ur re nt explorat ions have incdlude d anieage nda W exp W inter inter 20 20 17 17 exp e e rr ime ime n tt ss w w it h way way ss tt o o g row fo fo o od d in in a ac c e. e. B B le le n nd d in in g g kk n n ow ow le le d g ge e o o ff ss c c ie n nc ce e a an nd d n nu u tt rr ii tt ii o on n ,, tt h h ii ss b bu u ii ll d d ii n ng g t h a t l e a d s a st ro n a u t s t o M a r s .

Advanc e ways foods are pre pare d and se r ve d dur ing ac e flight , Design Stu d i o I I wi l l fa c ilit a t e fo o d p ro c e ss in g sto ra g e a n d t e c h n iq u e s t h a t c o n d u cts p hy s ica l a n d se n so r y a n a l y se s o Stum d i oi nI Ia l F Design o o d Ter wi l l fa c ilit a t e fo o d p ro c e ss in g sto ra g e a n d t e c h n iq u e s t h a t c o n d u cts p hy s ica l a n d se n so r y a n a l y se s o ff o pzze dA evaluat food prelo parat Instruct Be food ss ,, p me u n ma g d cts p n Instruct o o rr d:: evel Be hna hna A ss ssi na ad d iit h i s fa c i l i t y, by food p la la n ning me n nprot u ss a aot nd dype masn na a and ge e fo fo o oflight d p p ro ro d du u cts d d eve eve lo p me me ion n tt .. hardware, and

st e of morrow .To m or row .

io Fo o d Term i nal Onta r io

P S P S b b b

R E C E RG E M C E G M u i l t ru oi lu t g r o u g

A S T C O N C R E AE SN TT AC LO C NO C N R ES E N T A L C O N S o ff s i t e t h e n ho tff so i nt te o t lh oe cn a t h t o n t o l o c a t

T E R U C T I O N T E T R U C T I O N i o n i o n

P R E C A S T C O N C R E T E S E G M E N T A L C O N S T R U C T I O N b u i l t o ff s i t e t h e n b r o u g h t o n t o l o c a t i o n

2 0 17 W inte r 2 0 17 S tu d io II esii gn S t u d i o I I o r : Behn az AssDad In st r u ct o r : B e h n a z

ex p er i m e nt s w i t h ways t o g row fo o d in ac e. Ble nding knowle dge of s c ie nc e and nut r it ion, t his building w i l l fa c i l i t a t e fo o d p ro c ess i ng st o ra ge and t e c hnique s t hat c onducts physical and se ns or y analys e s of fo o d s , p l a n m enu s a nd m a n a g e fo o d products deve lopme nt .

Assa di

T A S T E The o fproject is a proposal of the reinvention of the Ontario Food Terminal. It responds to current food culture of Ontario and its O M O R Rthe OW urban surroundings. The concept is driven I I

I

with the intention to provide a building which focuses on the improvement of ace TT A R I O F O O D T E R ARIO FOOD TERM M II N NA A LL food for the future. As the enhancement of TORONTO’S STORY TORONTO’S STORY H O T O A N D R E S E A R C H Atechnology RCHIVE is growing rapidly, the human HOTO AND RESEARCH ARCHIVE D e s i g n S t u d i o I I imagination has sprinted into a new realm.

Design Studio II Advisor : Behnaz Assadi

S T R U C T U R A L S T R U C T U R A L

II II

II

Advisor : Behnaz Assadi Winter 2017 Winter 2017

III III

The advancements have led ace development to a new level. Current explorations have included an agenda that leads astronauts to Mars. Advance ways foods are prepared and served during ace flight, developed in this facility, by evaluating prototypes and flight food preparation hardware, and experiments with ways to grow food in ace. Blending knowledge of science and nutrition, this building will facilitate food processing storage and techniques that conducts physical and sensory analyses of foods, plan menus and manage food products development.

a a proposal proposal of of the the reinvention reinvention of of the the Ontario Ontario l. l. It It responds responds to to the the current current food food culture culture of of ss urban surroundings.

The concept urban surroundings. The concept is is driven driven ntion ntion to to provide provide a a building building which which focuses focuses on on III ment of space food for the future.

As the ment of space food for the future. As the tt of of technology technology is is growing growing rapidly, rapidly, the the human human has has sprinted sprinted into into a a new new realm. realm. The The ss have have led led space space development development to to a a new new explorations explorations have have included included an an agenda agenda that that auts auts to to Mars.

Mars. Advance Advance ways ways foods foods are are served served during during space space flight, flight, developed developed in in this this evaluating evaluating prototypes prototypes and and flight flight food food IV ardware, ardware, and and experiments experiments with with ways ways to to grow grow ce. ce. Blending Blending knowledge knowledge of of science science and and ss building will facilitate food processing I building will facilitate food processing I techniques techniques that that conduct conduct physical physical and and yses yses of of foods, foods, plan plan menus menus and and manage manage food food elopment. elopment.

V

II II

C O M B I N E D S E G M E N T S C O M B I N E D S E G M E N T S a t t a c h e d t o g e t h e r a s a e d b tr oo gu eg th ht e ur p a sp e ar ga rt ot au cp h & tg rr ao nu sp p o& r tb r oo fu gc ho tn su t pr u pc et ri o n t r a n s p o r t o f c o n s t r u c t i o n w i t h s t r u c t u r a l b e a m a n d tw ri ut hs s s st ur up cp to ur rt a l b e a m a n d t r u s s s u p p o r t

TT R R U U C C TT U U R R A A L L

D I V I S I O N O F S P A C E S D C I VT IS S I O O CF OSRP DA AC NE C S E A N NA C C T CS O I NN S TA RC UC CO TRI DO AN N C E TA O T OE T CHOONDS T& R SU EC GT M I OE N M N T S M E T H O D & S E G M E N T S i n t e r i o r p r o g r a m s di ni vt ei dr ei od r a pmr oo ng gr sa tm s td hi ve i ds e dg ma emn ot ns g s t t h e s e g m e n t s - l a b r a t o r i e s - kl ai tb cr ha et on rs i e s - I I pkI iu tb c l hi ce n ss p c a e s - I I epI gu rb el is cs e ss p c a e s - pe gr or ed su sc et si o n u n i t s - rp er so td ru oc ot mi os n u n i t s - or effi s ct er so o m s - o ffi c e s

IV IV

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S T R U C T U R A L

D I V I S I O N

D I V I S I O N D I V I S I O N

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C O a t t g r o t r a w i t t r u

C O M B I N E D S E G M E N T S D I V I S I O N O F S P A C E S C O M B I N E D S E G M E N T S D C I VT IS S II O O CF OSRP DA AC NE C S E A N NA C C T CS O I NN S TA RC UC CO TRI DO AN N C E a t t a c h e d t o g e t h e r a s a TA O e d b tr oo gu eg th ht e ur p a sp e ar T OE T CHOONDS T& R SU EC GT M I OE N ga rt ot au cp h & M N T S M E T H O D & S E G M E N T S tg rr ao nu sp p o& r tb r oo fu gc ho tn su t pr u pc et ri o n t r a n s p o r t o f c o n s t r u c t i o n i n t e r i o r p r o g r a m s a mI Va In Sd I O N O F S P Adi nC i vt Eei drS ei od r a pmr oo ng gr sa tm s M B I N E D S E G M E N Tw Si t h s t r u c t u r a l b e D a m a n d d i v i d e d a m o n g s t tw ri ut hs s s st ur up cp to ur rt a l b e A C T S I N A C C O R Dt Ah eN Cs eE g m e n t s t r u s s s u p p o r t t h e s e g m e n t s a c h e d t o g e t h e r a s a T O C O N S T R U C T I O N - l a b r a t o r i e s u p & b r o u g h t u p p e r M E T H O D & S E G M E N T S -- kl ai tb cr ha et on rs i e s n s p o r t o f c o n s t r u c t i o n -- I I pkI iu tb c l hi ce n ss p c a e s i n t e r i o r p r o g r a m s -- I I epI gu rb el is cs e ss p c a e s h s t r u c t u r a l b e a m a n d d i v i d e d a m o n g s t -- ep gr or ed su sc et si o n u n i t s s s s u p p o r t t h e s e g m e n t s -- rp er so td ru oc ot mi os n u n i t s -- or effi s ct er so o m s - o ffi c e s - l a b r a t o r i e s

- k i t c h e n s - I I pI u b l i c s p c a e s - e g r e s s e s - p r o d u c t i o n u n i t s - r e s t r o o m s - o ffi c e s

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Taste o f To m o r row .

Division of Segments Division of Segments P P S S b bb b

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R E C RG E M C E E G M u i l t ru oi lu t g r o u g

I VO IN SC IR O O F S A SD E TN E DTT I C V IN SC IR O N O F S AE SN T AC LO C O N ES TT E R U C T I O N E N T A L C O N S T R U C T I O N o ff s i t e t h e n ho tff so i nt te o t lh oe cn a t i o n h t o n t o l o c a t i o n

E G M E N T S E G M E N T S

Division of Segments

O F S P R E C A SDT I CVO IN SC IR O E TN E S E G M E N T A L C O N S T R U C T I O N

Ont ar io Food Termi nal

E G M E N T S

b u i l t o ff s i t e t h e n b r o u g h t o n t o l o c a t i o n

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W i n te r 2 0 17 D e s i g n S t udi o I I I n str uct o r : B e h n a z Ass a d i

II II

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TA S T E o f TOMORROW S S TT R R U U C C TT U U R R A A L L

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ONTARIO FOOD TERMINAL

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R YI- S I O N S T R U C T UT ORR OAN TLO ’ S DS TIO V PHOTO AND RESEARCH ARCHIVE

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Design Studio II Advisor : Behnaz Assadi Winter 2017 III

III

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IV

The project is a proposal of the reinvention of the Ontario Food Terminal. It responds to the current food culture of Ontario and its urban surroundings. The concept is driven with the intention to provide a building which focuses on the improvement of space food for the future. As the enhancement of technology is growing rapidly, the human imagination has sprinted into a new realm. The advancements have led space development to a new level. Current explorations have included an agenda that leads astronauts to Mars. Advance ways foods are prepared and served during space flight, developed in this facility, by evaluating prototypes and flight food preparation hardware, and experiments with ways to grow food in space. Blending knowledge of science and nutrition, this building will facilitate food processing I storage and techniques that conduct physical and sensory analyses of foods, plan menus and manage food products development.

V

II

C O M B I N E D

S E G M E N T S

a t t a c h e d t o g e t h e r a s a g r o u p & b r o u g h t u p p e r t r a n s p o r t o f c o n s t r u c t i o n w i t h s t r u c t u r a l t r u s s s u p p o r t

b e a m

a n d

D I V I S I O N O F S P A C E S A C T S I N A C C O R D A N C E T O C O N S T R U C T I O N M E T H O D & S E G M E N T S i n t e r i o r p r o g r a m s d i v i d e d a m o n g s t t h e s e g m e n t s - l a b r a t o r i e s - k i t c h e n s - I I pI u b l i c s p c a e s - e g r e s s e s - p r o d u c t i o n u n i t s - r e s t r o o m s

IV

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P R E C A S T S E G M E N T

b u i l t o ff s b r o u g h t o

Site Plan

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ENT R Y

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OF F IC ES

KITC HEN

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b ui l d i n g

p r o p o s a l

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F 0L0O 1 : 5

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OR PLAN

Longitudinal Section

L O N G I T U D I N A L

S E C T I O N

S C A L E

1 : 5 0 0

Entry

05

T h e Hill & T h e Valley .

M e tro p o l ita n H om e & G a rd e n Front _ x (way s )_Toron to | Ra il De ck Pa r k | Fal l 2 0 17 D es i gn S t u d i o I I I - S uper st udio Ad v i so r s : D i n a S a r h an e,Beh n a z Assa di, Mark Sterling Pa r t n e r s : Je ssi ca G u a n , S ea n La mb, Ly n n Sa n g , G l oria Z h a n g

The Hill & The Valley is based on an urban development of a rail deck park in Toronto, driven by 4 different constituents; Our primary constituent are the Vertical Families Association, as well as the Income Investors, Birds in Real Danger and the Park People. There were evident overlaps and dissonances between the constituents, which were tackled in the proposing scheme that folds all our infrastructure underneath a permeable landscape, while still maintaining a coherent parceling logic.

The urban development is split as ‘The Hill’, which were represented as the mountains of building and ‘The Valley’ acting as the landscape blanket located above the rails.

The surface lifts off the edges allowing for access to the park and continuous movement from the buildings onto the park surface.

03 03

T TH HE E T TH HE E

H H II LL LL & & V VA A LL LL E EY Y

METROPOLITAN HOME & GARDEN : METROPOLITAN HOME & GARDEN :

Advisor Advisor Te a m : Te a m :

F R O N T_ X ( W AY S ) - T O R O N T O FRONR T _AXI L( WDAEYCSK) -P AT R OK RONTO RAIL DECK PARK D e s i g n S t u d i o I I I - S u p e r st u d i o a zu dAisos a d i D: e s i g Dn i nS at uSdai or hIaI In -e ,S B u ep h en r st : D i n a S a rMh aa rnke ,S tBeerhl innagz A s s a d i J e s s i cM a aGr uk aSnt,e Sr lei n an g Lamb nu ga , nG,l oSrei aa nZ hL a JLy e snsni cSaa G an mgb Ly nFnaSl la 2n 0g 1, 7G l o r i a Z h a n g Fall 2017

The HIll & The Valley is based on an urban development of a rail Toromto, by 4 different The HIll deck & The park Valley isinbased on andriven urban development of consituents; Our primary consituent Vertical a rail deck park in Toromto, drivenare by the 4 different Families Association, as well as the Income consituents; Our primary consituent are theInvestors, Vertical Birds in Real Danger and the as Park were Families Association, as well thePeople.

IncomeThere Investors, evident overlaps disonnances between the Birds in Real Dangerand and the Park People.

There were consitients, which were in the proposing scheme evident overlaps andtakcled disonnances between the that folds allwhich our infrastructure a permeable consitients, were takcled underneath in the proposing scheme landscape, while maintinaing a coherent parcellling that folds all our still infrastructure underneath a permeable logic.

The urban is split as ‘The Hill’, which landscape, while development still maintinaing a coherent parcellling were represented as the mountains andwhich ‘The logic.

The urban development is splitofasbuilding ‘The Hill’, Valleyrepresented ‘ acting as the blanket the were aslandscape the mountains of located buildingabove and ‘The rails. The surface liftslandscape off of the blanket edges allowing access Valley ‘ acting as the located for above the to theThe park and continuous movement from thefor buildings rails. surface lifts off of the edges allowing access onto park surface. to thethe park and continuous movement from the buildings onto the park surface.

Fro nt _ x ( ways ) _To ro nto | Ra il De ck Pa rk Fro nt _ x ( ways ) _To ro nto | Ra il De ck Pa rk

Fal l 2 0 1 7 D esil g2n0 1S7t u d io I I I - Su p e r studio Fal Ad vi so h an Behnaz A ss adi, M ark Sterling D esi g nr sS t:uDin d io aI I Sar I - Su p ee,r studio P a rtne Je ssi ca Gu an S ean Lam b, adi, LynnM ark Sang, Gloria Zhan g Ad vi so r s : Din a Sar h an e,, Behnaz A ss Sterling P a rtne r s : Je ssi ca Gu an , S ean Lam b, Lynn Sang, Gloria Zhan g

p e rth mee ab le lan dg s cap wh stillfold m ain tain coh eure nt paundernea rc eling logic. in p rop os in s che,e m e ile th at s all ouinr ginaf rastr cture th a The er muer ab b an eved lop m e, e n wh t isile spstill lit as ‘ Thtain e Hill’ ichewere represented as p le dlan s cap m ain in g, wh a coh re nt pa rc eling logic. th ee umr ou n tain s lop of mbeunild e eValley act in gwere a s represented the la ndsca pe Th b an d eve t in is gspan lit das‘ Th ‘ Th Hill’ , ’wh ich as b t locate ab ove thinegrails e es uValley r face ’lifts offg the a llowing thlan e ke m ou n tain sd of b u ild an d. Th ‘ Th act in a s edges the la ndsca pe for to thdeab p ar k an tin ou m elifts n t f rom theedges buildings onto b lanacce ke t ss locate ove thde con rails . uTh e ssm u rove face off the a llowing th e acce p ar kss s uto r face. for th e p ar k an d con tin u ou s m ove m e n t f rom the buildings onto th e p ar k s u r face.

WELLINGTON STREET W

NIAGARA STREET NIAGARA STREET

DRAPER STREET

PORTLAND STREET

B AT H U R S T S T R E E T

TECUMSETH STREET

I C E B O AT T E R R

D A N L E C H I E W AY

QUEENS WHARF ROAD

B AT H U R S T S T R E E T

WELLINGTON STREET W

WELLINGTON STREET W

S PA D I N A AV E N U E

CLARENCE SQUARE

T W FRONT STREE

T W FRONT STREE

S PA D I N A AV E N U E

TELEGRAM MEWS

CAPREOL COURT

F O R T Y O R K B O U L E VA R D

Site Plan

Spadina & Front

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Adr ift .

Sp lit / Twins W inte r 2 0 17 D es i gn S t u d i o I I In st r u ct o r : B e h n a z Assa di

The design intention of Adrift was to create split/twins building that allows for two residents to occupy the space. Starting with preset volume of 10m x 14m x 22m, the form was then cut into similar volumes and reoriented onto the site in proportion and relative to each other and the surface.

Since the concept of the two residents were imagined as two lovers, the two structures were positioned to merge and connect with each other in an elegant fashion. The buildings together created a work and living space for both residents.

SPLIT / TWINS While one is a botanist and another an Design Studio II astronomer, they work at opposite times of Advisor : Behnaz Assadi the day never overlapping with another. The Winter 2017 spaces within the building(s) are designed to have communal and privated spaces for each individual to not disturb the other. The The design intention of Adrift was to create split/twins idea of this project strives towards building building that allows for two residents to occupy the a rationale as you approach your design. space. Starting with preset volume of 10m x 14m x 22m, During the design charette, ‘whispers’ the wereform was then cut into similar volumes and reoriented onto the site in proportion and relative to each other and drawn to characterize the space. the surface. Since the concept of the two residents were imagined as two lovers, the two structures were positioned to merge and connect with each other in an ‘ W h i sp e r s’ elegant fashion. The buildings together created a work Program Card and living ‘Stairs can be a space, it’s space for both residents. While one is a botanist exercise, and it can be a place to sit.’ and another an astronomer, they work at opposite times ofCardthe day never overlapping with another. The spaces Aperture ‘Make windows that seem to disappear.’ within the building(s) are designed to have communal and Spatialprivated Card spaces for each individual to not disturb the ‘Privilege the experience throughother. circulation and The idea of this project strives towards building a movement.’ rationale as you approach your design.

Conceptual Card

04

ADRIFT

‘What would Cedric Price do?’

‘ W h i sp e r s’ Program Card ‘Stairs can be a space, it’s exercise, and it can be a place to sit.’

Aperture Card ‘Make windows that seem to disappear.’

Spatial Card ‘Privilege the experience through circulation and movement.’

Conceptual Card ‘What would Cedric Price do?’

AM

PM

Storyboard

07

Te r rar ia .

Re -Thinking Co m p e t i t i on “ Vi ewp o i nt i n Pu l p i t Roc k” | Fal l 2 0 15 In t e r i o r D e si gn VI I In st r u ct o r : Tay m o o re Ba l ba a Pa r t n e r s : K r y st al M a k , Evel y n Wa n g

Nested within the Preikestolen Cliff, Terraria begins as a personal journey that is shaped by the multi- sensory realms of architecture. As users enter a space of the non-physical, the notion of time fades, and the sacred is embodied within the layering of senses. The spatial experience is divided into preeminent moments of vantage, echo and ascension, creating a balance between landscape, architecture and human body. Each moment allows users to engage in constant dialogue with their surroundings, amplifying their senses and further enhancing an emotionallycharged atmosphere.

Transcending one’s physical self, Terraria becomes a cavity sculpted in the interior of the mind.

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TERRARIA 05

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RE-THINKING COMPETITION 608

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“VIEWPOINT IN PULPIT ROCK” Interior Design VII A d v i s o r : Ta y m o o r e B a l b a a Te a m : K r y st a l M a k , E v e l y n W a n g Fall 2015

Nested within the Preikestolen Cliff, Terraria begins as a personal journey that is shaped by the multi- sensory realms of architecture. As users enter a space of the A S C E the N S I Onotion N A X O of time fades, and the sacred is non-physical, embodied within the layering of senses. The spatial experience is divided into preeminent moments of vantage, echo and ascension, creating a balance between landscape, architecture and human body. Each moment allows users to engage in constant dialogue with their surroundings, amplifying their senses and further enhancing an emotionally- charged atmosphere.

Transcending one’s physical self, Terraria becomes a cavity sculpted in the interior of the mind.

Entry

632

624

616

608

600

ASCENSION AXO

3

PLAN | 1:200

2

4

632

SURFACE

3

600

ASCENSION

598

ECHO

596

VANTAGE

2 1

1

Surface

08

Au ra .

Glad st o ne H o tel W inte r 2 0 15 In t e r i o r D e si gn VI In st r u ct o r : An d rew Furma n

Recognizing the foundation and values of the Gladstone Hotel, Aura is a reinvention of the space that focuses towards a design that caters to the local community. The redesign of the public spaces are divided into 3 components that allows users to buy, dine and rest. The space is split into a gallery space, restaurant and an indoor market. To allow for better circulation and movement, all spaces are connected without a physical barrier at each end of the area. Using the idea of the 12 senses, Aura introduces the human experience of how one processes and interprets a space through senses and experiences in their environment.

AURA

06

GLADSTONE HOTEL Interior Design VI Advisor : Andrew Furman Winter 2015

Recognizing the foundation and values of the Gladstone Hotel, Aura is a reinvention of the space that focuses towards a design that caters to the local community. The redesign of the public spaces are divided into 3 components that allows users to buy, dine and rest. The space is split into a gallery space, restaurant and an indoor market. To allow for better circulation and movement, all spaces are connected without a physical barrier at each end of the area. Using the idea of the 12 senses, Aura introduces the human experience of how one processes and interprets a space through senses and experiences in their environment.

Level 1

Plan

Level 1

Plan

Level 2

Plan

Level 2

Plan

Longitudinal Section

Latidudinal Section

Market

Lobby - Day

Lobby - Night

LIGHTING CONCEPT

Ca d e n ce L U M I N A I R E

The luminaire, formed from a single piece of paper, was designed to explore how light could be diffused through a series of layers before projecting out into the surrounding space.

09

The luminaire, formed from a single piece of paper, was designed to explore how light could be diffused through a series of layers before projecting out into the surrounding space.

This luminaire was created with a single piece of bond paper. An angled incision was made asymmetrically on the paper, which was then manipulated and taped to create the undulating form. The iterations above illustrate the exploration of different folding methods used.

Combined with the translucency of the material, this effect was

LIGHTING CONCE P T to create a series of ‘light filtration layers’ that harmoniously intended

Combined with the translucency of the material, this effect was intended to create a series of ‘light filtration layers’ that harmoniously blend into a single luminaire, yet encapsulates and redirects light from a single source. Made from a single sheet (measuring 30cm x 40cm), the design challenge was to find the right amount of ‘folds’/surfaces in which light could be bounced off without further dimming.

I G H T I Ntion G CONCEPT D esig n LFabrica & Representa tio n .

blend into a single luminaire, yet encapsulates and redirects light from a single source. Made from a single sheet (measuring 30cm x 40cm), the design challenge was to find the right amount of ‘folds’/surfaces in which light could be bounced off without further dimming.

ARC3202 PROJECT 1

The luminaire is intended to provide an even diffusion of light into the space, but was designed with the intent to achieve mood lighting. The light is primarily directed downwards, with diffused light redirected to its adjacent ‘pockets’. The remaining light is bouncedVoff I Vthe I Aadjacent N KWOK surfaces, which results in a soft, ‘glowing’ effect.

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999804216

The luminaire, formed from a single piece of paper, wasDes designed to i gn Ite ra ti o n s The luminaire is intended to provide an even diffusion of light into the Wood veneer, chrome explore how light could be diffused through a series of layers before space, but was designed with the intent to designed achieve mood lighting.

The formed from a single piece of paper, was to projecting out into the space. lightsurrounding is primarily directed downwards, with diffused light redirected to MELISSA POON | 999902887

Se l e cted Wo r ks *

The luminaire, Cadence Luminaire This luminaire was Fusion its adjacent ‘pockets’ remaining is bouncedbefore off the adjacent I G H T I N G be C O Ndiffused CEPT explore how light Lcould through a. The series oflightlayers asymmetrically on New Synagogue surfaces, which results in a soft, ‘glowing’ effect.

The iterations Parametric Scutes with the translucency of the material, thisform. effect was projecting out into Combined the surrounding space.

Architectural Visualization E L E VAT I O N S : T H R E E D I M E N S I O N A L L AY E R I N G

LUMINAIRE ITERATIONS: MATERIAL ALTERATION

intended to create a series of ‘light filtration layers’ that harmoniously

White-Lined Sphinx Moth Pap er

The luminaire, formed from a single piece of paper, was designed to Polished Bla ck Ex terior, Pa per Wood Veneer blendhow into single luminaire, yet encapsulates and redirects light from explore lightacould be diffused through a series of layers before projecting out into the surrounding space. a single source. Made from a single sheet (measuring 30cm x 40cm)

C hro me-lined Myla r

Combined with the translucency of the material, this effect was LUMINAIRE ITERATIONS: MATERIAL ALTERATION the design challenge was the right amount of ‘folds’/surfaces in intended to createCombined a series filtration layers’ that with of the ‘light translucency ofto thefind material, this effect was harmoniously intended createcould a seriesbe of ‘light filtration layers’ that harmoniously whichtolight bounced off without further dimming. blend into a singleblend luminaire, yet encapsulates and light redirects light from into a single luminaire, yet encapsulates and redirects from a single source. Made from a single sheet (measuring 30cm x 40cm), a single source. Made from a was single sheet (measuring 30cm xof40cm), the design challenge find the right of ‘folds’/surfaces in The luminaire is to intended toamount provide an even diffusion light into the which light could be bounced off without further dimming. space, but was designed with the intent to achieve mood lighting. the design challenge was to find the right amount of ‘folds’/surfaces in The light is primarily diffused light redirected to The luminaire is intended towithout provide andownwards, even diffusion ofwith light into the which light could be bounced offdirected further dimming. space, but was designed with the intent to achieve mood lighting. The [Res ult: N ot e nough illumina tion]

[Res ult: Too much d ire ct light + gla re]

[ Res ult : Too m uc h direc t light ]

[ Res ult : Effec t ive m ood light ing]

its adjacent ‘pockets’. The remaining light is bounced off the adjacent

light is primarily directed downwards, with diffused light redirected to which results inlight a soft, ‘glowing’ effect. itssurfaces, adjacent ‘pockets’ . The remaining is bounced off the adjacent Pap e r surfaces, which results in a soft, ‘glowing’ effect.

Ch rome-l i n ed M y l a r The luminaire is intended to provide an even diffusion of light into the space, but was designed with the intent to achieve mood lighting. The light is primarily directed downwards, with diffused light redirected to its adjacent ‘pockets’ . AThe isA T Ibounced off the adjacent LUMIN I R E I T Eremaining R A T I O N S : M A T E R Ilight AL ALTER ON L U M I Nin A Ia R Esoft, I T E R‘glowing’ A T I O N S : M effect.

ATERIAL ALTERATION surfaces, which results [Resul t: Not enough i l l umi nati on]

[Res ult: Too much direct lig ht + glare

Cade n ce

FINAL LUMINAIRE DESIGN: WHITE PLASTIC FILM

L U M I N A I R E

ARC3202 PROJECT 1 Pap e r

C hro m e - line d My lar

[Resul l l umi Too A much ght + gl are] LUMINAIRE ITERATIO Nt: Not S :enough M iA TnatiEon]R I A L A L[Resul T Et: R T dIi rect O l iN

VIVIAN KWOK

|

Pol i s h ed Bl a c k Ex te

[Res ult: Too much dire

999804216

MELISSA POON | 999902887

Pa per [ Result: Not enough illumination]

Chrome-lined Mylar

[ Result: To o much direct light + gla r

LIGHTING CONCEPT

The luminaire, formed from a single piece of paper, was designed to explore how light could be diffused through a series of layers before projecting out into the surrounding space.

W

[ Res u lt:

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T

Combined with the translucency of the material, this effect was intended to create a series of ‘light filtration layers’ that harmoniously FINAL LUMINAIRE DESIGN: WHITE PLASTIC FILM Pa pblend e r into a single luminaire, C h ro m eand -l i nredirects e d M y llight a r from yet encapsulates N o t e n o uag single h illuminat ion] Made from a single [Result : Too muc h d irect30cm light +x gla re] source. sheet (measuring 40cm),

Wood veneer, chrome linedand paper paper of various Wood veneer, chrome lined paper bond and paperbond of various weights were usedweights to explorewere form. used to explore form.

This luminaire was created with a single piece of bond paper. An angled incision was made

This luminaire was created with a single piece of bond paper. An angled incision asymmetrically on the paper, which was then manipulated and‘ taped to create the undulating Cadence Luminaire ’ Lighting Design asymmetrically on the paper, which was then manipulated andused. taped to create the u form. The iterations above illustrate the exploration of different folding methods form. The iterations above illustrate the exploration of different folding methods use

,

o s elined paper and bond paper of various weights were used to explore form.

s created with a single piece of bond paper. An angled incision was made the paper, which was then manipulated and taped to create the undulating ss above illustrate the exploration of different folding methods used.

y m ), n

E L E VAT I O N S : T H R E E D I M E N S I O N A L L AY E R I N G

e e o t Pol i s h e d B l a c k Ex te ri o r, Pa per

Wo o d Ven e e r

[ Res u lt : To o mu c h d irec t ligh t ]

[Resu lt : Effect ive m ood l i ghti ng]

e]

E L E VAT I O N S : T H R E E D I M E N S I O N A L L AY E R I N G

E L E VAT I O N S : T H R E E D I M E N S I O N A L L AY E R I N G

E L E VAT I O N S : T H R E E D I M E N S I O N A L L AY

erior, Pape r

Wo o d Ven eer

ec t li g h t ]

[ Res u lt : E f fec t ive m ood ligh t in g]

Design Ite rat io n s Wood veneer, chrome lined paper and bond paper of various weights were used to explore form.

Po l i s h e d Bl a c k Exteri o r, Paper

Woo d Veneer

[Res u l t : Too m uc h d irec t light]

[ Result: Effective mood lighting]

re]

This luminaire was created with a single piece of bond paper. An angled incision was made asymmetrically on the paper, which was then manipulated and taped to create the undulating form. The iterations above illustrate the exploration of different folding methods used.

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M

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Po lish ed B l a ck Ex ter i o r, Pa p e r

Wo o d Ve n e e r

[Resu l t : To o m u ch dire ct lig h t]

[Result : Effec t ive mood lig ht ing ]

‘ Fusion ’ Utensil Design

‘ New Synagogue ’ Case-Study - Circulation, Parti, Detail, Sightlines

‘ Parametric Scutes ’ 3d Printing

‘ Architectural Visualization ’ Plan, Section, Oblique

‘ S p e c i e s & Va r i a b l i t y ’ Fo r m , G e o m e t r y & Pa t t e r n through grasshopper

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