Architecture PORTFOLIO Valerian Kleinschnitz

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PORTFOLIO Valerian Kleinschnitz


Valerian Kleinschnitz Mainzerstr. 26 10247 Berlin +49(0)1634555357 vkleinschnitz@gmail.com Nationality: german & french Born 17/05/1988 in Würzburg, Germany

EDUCATION 2018

University of Architecture, ENSAP Val-de-Seine (FR) Certicicate

Master of Architecture

2015/16 University of Architecture, Nagoya Daigaku (JP) Certificate

1st year of Master in Architecture

2013/15 University of Architecture, ENSAP Val-de-Seine (FR) Diploma

Bachelor of Architecture

2011/13 University of Applied Sciences Würzburg (GR) Certificate

2010

1st year of Bachelor in Architecture

Franz-Oberthür Schule, Würzburg (GR) Diploma

University-entrance Diploma

WORK EXPERIENCE 2010/11 Centre Théodore Monod, Erckartswiller (FR)

Volunteer as Social worker in a home for mental handicap people. Certificate Alternative Civilian Service

08-2011 J. P. GILCH F.KALK L.GILCH Architects, Strasbourg (FR) Trainee building engineering Certificate six weeks of internship

02-2014 UNION REMPART Coucy-le-Chateau (FR)

Volunteer as restorer for patrimony Certificate two weeks of internship at a building site

02-2015 BIECHER Architects, Paris (FR)

Trainee building engineering Certificate four weeks of internship

08-2016 FT Architects, Tokyo (JP)

Trainee building engineering Certificate two weeks of internship

09-2017/ Grüntuch-Ernst Architekten (GR) 02-2018 Trainee building engineering Certificate

six months of internship


LANGUAGES German French English Japanese

native language excellent excellent elementary 2

HOBBIES jogging & swimming painting travelling

SOFTWARE

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VECTORWORKS

PHOTOSHOP

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INDESIGN

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ILLUSTRATOR

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CONTENTS

Bauabschnitt WA3

Bauabschnitt WA2 +1 WA2-4

WA2-3

WA2-2

WA2-1

WA1

WA6-3 WA6-2 WA6-1 WA5 WA3-1 WA3-2

WA4


rste,

Auguststr . 51, 10119 Berlin Tel. 030 / 3087788 , Fax 030 / 3087787

B

23.01.2018 ks/anm/nf/vk 27.02.2018 ks/anm/nf/vk

A

Bearbeiter

Datum

Index

Änderungen

10.

Grüntuch Ernst Planungsgesellschaft mbH

Architekt

Friedenauer Höhe - WA1 + WA2 Fertigstellung Vorentwurfsplanung

Erstellung Vorentwurfsplanung

Änderungen

Din A3

Format

ohne 1-50

Maßstab

Vorentwurfsplanung

Planstand

FRH- WA12-2-AR-XX-3D-XX-001-B-P

Plancodierung

07. Modellphoto

Planinhalt

01. LAKE-SIDE RESTAURANT

02. THE COMMUNITY CENTRE

03. MUSEUM OF CONTEMPORARY ART

04. HOUSING AT THE CANAL ST. MARTIN

05. LEISURE RESIDENCE, ORIGAMI

06. ARTISANAL HOUSE

08.

09. THE VALLEY

THE NEW CULTURE PATH

FRIEDENAUER HÖHE

ANNEX



LAKE-SIDE RESTAURANT YEAR

PROGRAMS

01

1st year of Beachelor/FHWS WĂźrzburg/Germany Reataurant/ Event space

The lake-side restaurant is a place where families can make an excursion. It has a large inside space as well as a big outside space. A separated event space can be added to the inside space. The restaurant has a platform in the middle of the sea connected by a runway where guests can relax or go directly into the water. The building integrates perfectly into the terrain of a hill with its round and flat form. MODEL


SITUATION MODEL

SCHEMA OF THE FORM IN ITS SURROUNDINGS


A

01

10m

SECTION A



THE COMMUNITY CENTRE

02

YEAR

1st year of Beachelor/FHWS WĂźrzburg/Germany

PROGRAMS

Community centre/ Event space

The project is a community centre for the community of Lengfeld in WĂźrzburg. Once it had been a fire station for the community. After a new fire station had been build it left empty and unused. The building is located in a central place of the community next to a bus station. It was build in a traditional way with roof beams. The idea of the project was to give back the building to the community and to keep the identity of it. The new building is build with a couple roof and has big spaces for events. MODEL



02

PLAN FIST FLOOR

N

SECTION B

DETAIL



MUSEUM OF CONTEMPORARY ART 03 YEAR

2st year of Beachelor/ENSAP Val-de-Seine/France

PROGRAM

Museum

The site of the museum is in a backyard behind a tall dwelling. This dwelling blocks part of the light during the day. The task had been to create a space that makes the small space of the backyard feel bigger and used the few light efficiently. The idea had been to design the museum like a secret garden labyrinth disconnected form the outside world. The museum is divided into boxes that are connected with corridors and galleries. The boxes are arrange around open green spaces between small corridors. The building is in a continuous exchange with the outside space. The visitor can walk around the exhibition halls and discovers new places in transition with small corridors. Each green open space and each box offers several directions that appears the space of the museum feel endless. The exhibition halls are glass boxes with sunblocks to the south-side. PERSPECTIVE


CONCEPT ABSRACT

PRINCIPAL RULE

PLAN

SECTION

A museum as a labyrinth. Architecture creating a parcours.

A SERIES OF PICTURES

BIRD’S EYE VIEW


03

SECTION Etage 1er

GSEducationalVersion

LA SALLE DE COURS

N SECOND FLOOR Sud

GSEducationalVersion

STOCKAGE

10m

N FIRST FLOOR

GALLERY| EXPOSITION HALLS

1:100 Sud

GSEducationalVersion

MODEL



JAURÈS/ LA ROTONDE THE SITE PLACE DE LA RÉPUBLIQUE

PLACE DE LA BASTILLE

PARIS

HOUSING AT THE CANAL ST. MARTIN 04 YEAR

2st year of Beachelor/ENSAP Val-de-Seine/France

PROGRAMS

Social housing/ Public space

The site of the building is peaked and narrow, at the end of the angle of the lot. But this peak corner appears also to be the best part of the lot due to its location. From this point of view nearly the entire surroundings can be seen. Because of this reason the building has vast terraces at its peak site from where someone can appreciate a view with high quality. The building itself is shaped like a boat that berth next to the canal St. Martin. The area of the canal St. Martin is animated where people enjoy a walk or have a picnic at sunny days. The building wants to extend this life on its site with a garden at the first floor that is accessible for everybody. MODEL


CANAL ST. MARTIN WITH BUILDING

IMPRESSIONS OF THE SURROUNDINGS


HOUSING DIVISION ONE ROOM TWO ROOMS THREE ROOMS FOUR ROOMS FIVE ROOMS ATELIER TOTAL SUFACE

3x 45mq 2x 73mq 1x 104mq 2x 170mq 2x 190mq 60mq 1.165mq

04

5TH F.

4TH F.

THE SITE SUBWAY

PARC

Square des Jacques Bonsergent Récollets

SITE PLAN

Paris, 10th arr.

MIDDLE SCHOOL

Louise Michel

CHANNEL Canal Saint Martin

3TH F.

1:3.000

SECOND F.

A

SOUTH FACADE

B

FIRST F.

A

NORTH FACDE

10m


SECTION A

SECTION B

SOUTH SIDE


04

PLAN AND SECTION OF A FIVE ROOMS FLAT

NORTH SIDE

DETAIL OF THE BALCONY FACADE, SOUTHSIDE



LEISURE RESIDENCE, ORIGAMI 05 YEAR

3st year of Beachelor/ENSAP Val-de-Seine/France

PROGRAM

Holiday houses

The project required to design 12 units of holiday houses that are assembled into bigger houses. One cube of a holiday house contains two bedrooms at the first floor and all the facilities at the upper floor. One of the four leisure residence is combined out of three cubes of those holiday houses. The leisure residence are situated at the edge of a village and in front of a lake. The general architecture of the houses is very expressive so that guest that spend their vacations at the Origami Leisure Residence enjoy their stay. The expressive architecture wants to enhance the quality of the stay. MODEL


SITE PLAN FIRST FLOOR

10m


05

4th F.

SECTION A

SECTION B

1 Development of one cube of a leisure residence with the sleeping room downstairs and the living spaces upstaires.

3th F.

2

Adding three cubes together in one building with a circulation.

3

2nd F.

STUDY AND MANIPULATION OF A “BOX-FOLD”

1st F.


WEST

EAST


05

SOUTH

NORTH



ARTISANAL HOUSE YEAR

3st year of Beachelor/ENSAP Val-de-Seine/France

PROGRAMS

Housing/ Working space

06

The artisanal house combines the living and the working space of a photographer. The house is situated at the lake Leman in France. It is in a band between other houses with blind walls inbetween that separate the plots. Because of its blind walls the building opens its roof in order to let light inside. From the point of view of a pedestrian the openings on the roof look like mountains that imitate the mountains of the Alps in the background. The building itself adapts to its terrain with its flat long form like the lake and its silhouette of the mountains. Its is a line between lake and mountain. MODEL


A LINE BETWEEN LAKE AND MOUNTAINS

A SERIES OF PHOTOGAPHS OF THE HOUSE

LIVING-SPACE

Studio of the photographer

LEAKSIDE

WORKING-SPACE

STREETSIDE

DRAFT


B LV

06

B

A

10m

Rdc

PLAN

SECTION A

STUDIO OF THE PHOTOGRAPHER

LIVING-SPACE

SECTION B



THE VALLEY YEAR

1st year of Master/Nagoya Daigaku/Japan

PROGRAMS

Libary/Parking/Bus stations/Shops/Parc/Subway Exit

07

The valley is a hybrid building that combines different uses as well as public transport connections. It connects the Hoshigaoka subway station with a bus stations with eight buses. But the main use is the library that float over the bus stations. The building is called the valley because of its open space in the middle of the building that is shaped like one. This valley forms the exit of the subway station from where the people walk to their buses. It is a open green space with vegetation that grows up the stepped facades. At the exit of the subway station people walk up a wide stairs planted with big trees and a waterfall to the side that form all together a gorge inspired by the Takachiho gorge on the island Kyushu of Japan. The idea had been to bring back the nature into the city especially because of the high appreciation for nature by the Japanese. The building is designed out of different layers that creates switching atmospheres by passing throughout it. MODEL


1

SPLITING THE BUILDING BY ITS FUNCTIONS.

3

2

CREATION OF SPACE INBETWEEN THEM.

DEVELOPMENT OF A VALLY INSIDE THE BUILDING.

IMPRESSIONS OF THE SURROUNDINGS


07

PLOT AREA 2.600mq

4,3 FLOOR AREA RATIO 80% COVERED AREA

SITE PLAN

GROSS FLOOR AREA 4.588mq

HYBRIDS Uses

Urban context

PARC

SHOPS

BUSES (8)

2,2%

23,2% 63% 180 cars 52 bicycles

6,6% 0%

Nagoya Higashiyama

PARKING/ BICYCLES

5%

NAGOYA

SITE PLAN

LIBRARY

THE SITE 1:20.000

Hoshigaoka Subway Station 星ヶ丘駅

100%


REFERENCE FOR THE STAIRCASE #TAKACHIHO GORGE JAPAN

EXIT SUBWAY

WIDE STAIRCASE


07 A

The way out of the subway to the busses goes in a zigzag course through the interior park (Nakaniwa). In turning left and right the pedestrian experiences the surrounding stronger. Inside the building the path proceeds in different directions and turns around in order to give the impression of an infinitive space. The space opens itself in form of layer after layer kinematically towards a terminal (Oku).

ENTRANCE TO THE LIBRARY

A

PINHOLE PICTURE INDEX SCHEME

EXIT SUBWAY

LONGITUDINAL SECTION


x-02

EXIT SUBWAY Coupe C (4) Coupe C

Coupe C

A

B

C

D

E

F

G

H

I

J

K

L

M

N

L

M

N

GSEducationalVersion

GSEducationalVersion

GSEducationalVersion

GSEducationalVersion

GSEducationalVersion

A

B

C

D

E

F

G

H

I

J

K


07

SOUTH FACADE EXIT SUBWAY Coupe C

Coupe C (1)

Coupe C (1)

TOMOGRAPHY OF THE BUILDING O

P

Q

R

S

T

U

V

W

X

Y

W

X

Y

GSEducationalVersion

GSEducationalVersion

GSEducationalVersion

GSEducationalVersion

O

P

Q

R

S

T

U

V 10m

GROUND LEVEL PLAN


THE NEW CULTURE PATH YEAR

1st year of Master/Nagoya Daigaku/Japan

PROGRAMS

Exhibition space/Coffee shop/Children’s library/

_

Lecture rooms/Guesthouse of Nagoya city government

08

The new culture path is an extension of the Nagoya Ceramics Hall. The Nagoya Ceramics Hall was the office for the Nagoya Ceramic Commerce in 1932. The project was to redesign the building in a museum for the ceramic union with exhibition spaces in combination with other public uses like a children’s library and lecture rooms. The new building is shaped over the existing building like a snake. It has a completely different design than the existing one in order to guarantee its identity and to create a contrast. MODEL



Nagoya Ceramics Hall

1

名古屋陶磁器会館

YEAR OF CONSTRUCTION : 1932 ARCHITECTE : Kazuhide Takasu

EXTENSION OF THE CORRIDOR IN THE EXISTING BUILDING.


08

IDEA: THE USES OF THE BUILDING GROW AROUND THE EXTENDES CORRIDOR LIKE A SNAKE AROUND A BRANCH.

2

BIRD’S EYE VIEW

3

ARRANGING THE USES AROUND THE EXTENDED CORRIDOR.

CREATING CONNEXTIONS BETWEEN THE VOLUMS AND ITS USES.


PROGRAMS : 1st Floor - Exhibition space, Introduction of the Ceramic Union and Ceramic Industry, Libary of ceramics - Meeting rooms of the Ceramic Union - Resting place - Shop 2nd Floor - Coffee shop - Children’s library - Exhibition space, Introducton of the Culture Path Coupe BB (4)

3rd Floor - Guesthouse of Nagoya city government - Lecture rooms

CORRIDOR SECOND FLOOR

CHILDREN’S LIBRARY

TRANSVERSAL SECTION

GSEducationalVersion

LONGITUDINAL SECTION


08

Lecture room Lecture room

Guesthouse of Nagoya City Government

2 Floor (5)

Lecture room

THIRD FLOOR

Children's Library

Introduction of the Cultural Path with exhibition

Coffee shop for visitors

SECOND FLOOR

1 Floor (9)

NF: +4,53 = +429,53

B

B A A

A A

B

A

A

A

Resting place

Introduction of Ceramic Union and Ceramic Industry

B B

B B B

Closed-stock of the library

Meeting rooms of the Ceramic Union Selling some ceramics

Library of ceramics

B B A A

A

A

A

A A

10m

FIRST FLOOR


ENTRANCE HALL

TERRACE 3TH FLOOR

COFFEE SHOP

TERRACE OF COFFEE SHOP

AT THE AFTERGLOW


08

NORTH FACADE

SOUTH FACADE


ANNEX YEAR

10

1st year of Beachelor/FHWS Würzburg/Germany

Hand drawings of an excursion to Bolzano.

Neubaukirche, Church


10

MUSEION, Museum for modern and contemporary art

Swimming pool Lido at the lake Kalterer See


POSITIVE SPATIAL ARRANGEMENT YEAR

1st year of Beachelor/FHWS WĂźrzburg/Germany

A creation of a positive spatial arrangement of several different forms that penetrate each other differently. Some forms are attached to each other, other ones sink into each other. It is an object that creates positive space by stratifying forms.


10 NEGATIVE SPATIAL ARRANGEMENT YEAR

1st year of Beachelor/FHWS WĂźrzburg/Germany

A creation of a negative spatial arrangement of a defined volume that is deepened in different ways. Some negative forms are scratched out of the given volume, others are holed or caved. The different negative forms cross each other inside the given volume and create an interesting negative spatial arrangement.


Artwork by Gerhard Richter


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