component 1 ART

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Vlada Turcan War & Conflict

Throughout history, war has played a significant role in shaping and influencing various aspects of human life, including art The impact of war on art has been undeniable and far-reaching, affecting everything from the type of artwork produced to its content, technique, and style While war may be a painful and destructive force, it has inspired artists to capture the realities of conflict, bringing to light the emotions, trauma, and societal changes that come with war

One of the most notable ways war has impacted on art is the way in which it has influenced artists' choice of subject matter During times of war, art tends to reflect the realities of conflict, including the devastation, destruction, and loss of life that comes with war Artists use their work to convey the human impact of conflict, depicting scenes of bloodshed, destruction, and tragedy that seek to convey a message of caution and empathy

Additionally, war has led to the emergence of new art forms and techniques For instance, the use of photography to document the horrors of war and the various conflicts of the 20th century has been a powerful tool The graphic images captured by war photographers provide a raw and unfiltered depiction of the devastation wrought by war, highlighting the physical and emotional toll that it takes on those involved

War has also brought about significant changes in the art world, leading to the development of new artistic movements that seek to convey the message of peace and reconciliation For instance, after World War I, the Dada movement emerged as artists sought to create a style that was anti-war, anti-rational, and anti-establishment Similarly, after World War II, the Abstract Expressionism movement emerged, seeking to promote a new sense of freedom, human expression, and universalism

Finally, war has played a role in shaping the way that art is received and consumed For example, during times of war, art tends to be more politicized, with artists using their work to make strong political statements about the conflict This politicalization can lead to controversy, with some people supporting the artist's message while others disagree with it. Additionally, the trauma and emotional upheaval brought about by war can mean that art is viewed in a more emotional, introspective way, with viewers seeking to find meaning and hope in the bleakness of war

In conclusion, the impact of war on art cannot be understated War has influenced and shaped various aspects of art including its content, techniques, styles, and movements It has inspired artists to capture the realities of conflict, bringing to light the emotions, trauma, and social changes that come with it. Furthermore, war has brought about significant changes in the art world, leading to the emergence of new artistic movements and the politicization of art Therefore, it is clear that war has had a profound and lasting impact on art and the way it is created, received, and consumed

Drone 9, Alison Wilding

The Angels of Destruction, Norman Adams

Sam Winston

Sam Winstone is an up-and-coming artist known for his distinct and striking typographical designs His work combines traditional typography techniques with contemporary design principles, resulting in a unique and visually stunning aesthetic that sets him apart from other designers in the industry Winstone's typography is characterized by clean lines, bold colors, and a minimalist approach to design His use of negative space is particularly impressive, as he expertly balances the empty areas with text to create a sense of balance and harmony in his designs One of the most impressive aspects of Winstone's work is his attention to detail He understands the importance of typography in communication and ensures that every element of his designs contributes to the overall message he is trying to convey From the choice of font to the spacing between letters, Winstone considers every detail to create designs that are both visually appealing and effective Winstone's typography has been used in a variety of applications, from branding and advertising to album art and book covers His work is particularly well-suited for use in the music industry, where his designs have been used by several high-profile musicians, including Coldplay and Ed Sheeran Overall, Sam Winstone is a talented artist who has brought a fresh perspective to the world of typography His innovative use of negative space, attention to detail, and minimalist design principles have made him one of the most exciting designers to watch in the industry As he continues to create new and exciting designs, it will be fascinating to see how his work evolves and continues to shape the world of typography

Christopher Wool

Christopher Wool is an American artist who is widely recognized for his unique approach to typography and text-based art Wool's distinctive style is characterized by his use of stenciled and hand-painted text, which are often repeated and layered to create complex and visually striking compositions One of Wool's most notable early works is a series of paintings that feature black stenciled letters and symbols against a white background These works, which are reminiscent of the urban graffiti and street art of the 1980s, were highly influential in the development of the postmodern textual and visual art movements Over the years, Wool has continued to experiment with typography, often incorporating other media such as photography and digital imagery into his work. His compositions are typically characterized by a sense of tension and fragmentation, as letters and symbols overlap and intersect with each other to create a disjointed and chaotic visual landscape Despite the apparent chaos of his work, there is a distinct sense of order and structure underlying Wool's approach to typography His use of repetition and layering serves to create a sense of rhythm and harmony within his compositions, while his careful selection of letters and symbols imbues his work with a sense of meaning and intentionality Although Wool's work is often heavily influenced by street culture and the visual language of urban graffiti, it is also deeply rooted in the history of conceptual and minimalist art His use of typography and text serves to challenge traditional notions of what constitutes "art," while also exploring the complex relationship between language, image, and meaning Overall, Christopher Wool's typographical art represents a fascinating and innovative approach to text-based art, one that continues to inspire and challenge artists around the world Through his creative use of typography and his willingness to experiment with different media and techniques, Wool has made a lasting contribution to the field of contemporary art and has established himself as one of the most influential and innovative artists of his generation

This is a quote that I decided to use and create it a piece using the same technique that Christopher wool is using. This quote suggests that wars are never successful in bringing about longterm peace, but do lead to the destruction of life. While wars may seem necessary in certain circumstances, the violent means by which they are fought can have grave consequences for both the victors and the losers. Even if a war is won, the lasting effects of the conflict can linger for generations, creating ongoing tensions and bitterness between nations or peoples. Ultimately, the quote speaks to the high cost of war and the need for alternative solutions for resolving conflicts.

I combined Christopher Wool's and Sam Winston's methods using acetate. I often used the phrase "wars don't bring lasting peace, only lasting death" to create the impression of a lengthy paragraph or essay It overlays an image of my native country where soldiers are stationed all around a conflict zone.

Additionally, I attempted to replicate my artwork on transparent acetate so that it could be positioned above the repeated text of the same statement.

Mel Bochner

Mel Bochner was a renowned American artist and one of the pioneers of Conceptual art. Born in Pittsburgh, Pennsylvania, in 1940, Bochner's work spans over five decades and has encompassed several fields, including painting, sculpture, and printmaking. Bochner's artistic practice was characterized by a rigorous engagement with language, typography, and text-based works of art

One of the defining features of Mel Bochner's work is the use of typographical elements to create visual and linguistic puns. Bochner was fascinated by the possibilities of language and typography to convey meaning and to transform the visual appearance of words His works often included a mix of different font sizes, weights, and styles, with letters and words arranged in playful and unexpected ways

In the early 1960s, Bochner became interested in the use of language as a medium for art He contributed to the development of Conceptual art, which sought to emphasize the idea or concept behind a work of art rather than its physical form Bochner's early works such as the 1966 painting "Blah, Blah, Blah" and the 1967 installation "Measurement Room" explored the use of language and typography as a way to create meaning and provoke the viewer.

In the 1970s, Bochner continued to explore typography in his work, creating a series of prints and drawings that featured text and typography as the central element These works often used simple typographical devices such as the repetition of a word or phrase, the use of color, and the manipulation of font size and style to create visual impact and meaning

One of Bochner's most famous works is the "Thesaurus" series, which he began in 1969 The series comprises of prints and drawings that feature lists of synonyms for the words "truth" and "lie " These works were designed to highlight the ambiguity and complexity of language, and the different meanings that can be ascribed to a single word Bochner's use of typography in these works was both playful and subversive, challenging the viewer to question the conventional ways in which we use language

In the 1980s and 1990s, Bochner continued to experiment with typography and expanded his practice to include large-scale installations and sculptures. Works such as "Blah, Blah, Blah" (1990) and "Working Drawings" (1985) featured typographical elements that were both humorous and thought-provoking, revealing Bochner's ongoing fascination with the possibilities of language and typography.

“JUST WAIT “

• This piece of art is typographic; the words are written in a variety of ways

• Every component conveys a distinct emotions and meaning

• However, I chose this phrase because "just wait" means to me to be patient and wait for peace to come in Ukraine because I am in a different country and cannot influence the war. This is also true for people from Ukraine who immigrated to other countries, particularly the women who were forced to leave their husbands in Ukraine; they are just waiting for news from them because they cannot predict what will happen.

Alexander Calder

American sculptor Alexander Calder, also referred to as "Sandy," was from Pennsylvania. He was the famous sculptor Alexander Stirling Calder's son, and both his mother and grandpa were prominent painters Alexander Calder is credited with creating the mobile, a form of kinetic art that relied on careful balancing to achieve equilibrium and suspension in the air, as well as wire sculptures. At first, Calder utilised motors to move his pieces, but he quickly stopped using them and switched to just using air currents.

jesus Rafael Soto

The incorporation of time and genuine movement through the treatment of space was the next phase in Soto's works. The work should be an independent object in which "actual" conditions are played out, rather than a plan in which a predetermined vision is projected. Time and physical movement were merged at the same time as the observer moved in front of the work of art to receive its optical vibrating effects. Soto began a series retaking Malevich's methods, particularly the use of the square as the "sole valid form" with his Dos cuadrados en el espacio (1953).

A paper sculpture showing the soldiers' clean souls and the violent souls they formed after their battles and murders.

The impure soul is shown by the red tissue paper.

Similar to how the news we see on television about Ukraine is presented differently by each channel, the sculpture in this image appears different when viewed from various angles and perspectives. As a result, people's perspectives and sources of information vary.

Erica Baum was born in 1961 in New York. Baum's primary subject is the printed page, which she photographs at close range with fragments of found language. Her works, which combine image and text, frequently function as both a photograph and a poem

Reduction work.

This method enables you to address the audience directly since, when I was creating these pieces, I carefully selected the words I used and arranged them such that they made sense

RUSSO-UKRANIAN WAR

The Russo-Ukrainian War is a long-running conflict between Russia (together with pro-Russian separatists) and Ukraine. It began in February 2014, following the Ukrainian Revolution of Dignity, and initially centred on the international recognition of Crimea and the Donbas as part of Ukraine. The Russian annexation of Crimea (2014) and the war in Donbas (2014–present) between Ukraine and Russian-backed separatists, as well as maritime incidents, cyberwarfare, and political tensions, marked the first eight years of the conflict. Following a Russian military build-up on the Russia–Ukraine border beginning in late 2021, the conflict escalated substantially on February 24, 2022, when Russia launched a full-scale invasion of Ukraine. There was a major Russian military build-up around Ukraine's borders in 2021 and early 2022 NATO accused Russia of plotting an invasion, which the Russian government rejected. Russian President Vladimir Putin has described NATO's expansion as a threat to his country and has urged that Ukraine be prohibited from joining the military alliance. He also espoused Russian nationalist sentiments, questioned Ukraine's right to exist, and incorrectly claimed that Ukraine was formed by Soviet Russia. Russia recognised the two self-proclaimed separatist governments in the Donbas on February 21, 2022, and openly sent soldiers into the region Russia attacked Ukraine three days later Russia has been widely denounced for its actions in post-revolutionary Ukraine, with many accusing it of breaking international law and infringing on Ukrainian sovereignty Many countries imposed economic penalties on Russia, Russian persons, or Russian companies, particularly after the invasion of 2022.

• Taras Shapravskyi, deputy mayor of Bucha, said 50 of some 300 bodies found were the victims of extra-judicial killings carried out by the Russians. The Kremlin has rejected those accusations

• Some people were shot in the head and had their hands bound, and some bodies showed signs of torture, rape and burning, he said

• Kyiv Mayor Vitali Klitschko said civilians were “shot with joined hands,” and told German newspaper Bild that “what happened in Bucha and other suburbs of Kyiv can only be described as genocide ”

Ivan Aivazovsky

Ivan Aivazovsky was a Russian Romantic painter regarded as one of the finest artists of maritime painting The mid-nineteenthcentury movement in Russian art from Romanticism to Realism exposed Aivazovsky, who would always maintain a Romantic style, to criticism. The position of Feodosia in the vast Russian empire, far from Moscow and Saint Petersburg, was suggested as a factor for his refusal or incapacity to adapt. His thinking and worldview were also regarded as outdated and out of step with advancements in Russian art and culture. Despite being Vorobiev's student, Alexandre Benois claimed in his The History of Russian Painting in the Nineteenth Century that Aivazovsky stood apart from the overall growth of the Russian landscape school. Later works by Aivazovsky included dramatic settings and were usually done on a greater scale. In nineteenth-century Russian art, Aivazovsky was the most important seascape painter "He was the first and for a long time the only representation of seascape painting," according to the Russian Museum, and "all later artists who painted seascapes were either his own students or influenced by him "

Brig "Mercury" Attacked by Two Turkish Ships (1892)

The burning of the Turkish flagship by Kanaris (1881) Tempest (1855)

I'm overly impressed, and I get a lot of inspiration from his work because when you look at his paintings you get a sense of peace but the same time you see the conflict in his work for example in his Battle of Cesme at Night painting. This painting makes me feel the fear and the trauma the soldiers felt in that moment, I get a warm feeling from the fire, and I get the pictures in my head as if I was there.

“Disaster in the world.”

Petter Kennard

Kennard is a professor of political art at the Royal College of Art and an expert in ohotomontage He shifted from painting to photomontage in an effort to better depict his role in the anti-Vietnam War movement When it comes to analyzing the work of Peter Kennard, a number of key themes are evident One of the most prominent is his focus on political issues. Throughout his body of work, Kennard has consistently tackled topics related to social justice, war, and environmentalism His images are often deeply critical of those in power, using sharp commentary and stark visual language to make a point At the same time, Kennard is a true master of the medium of photography His images are carefully composed, often utilizing multiple layers and textures to create a sense of depth and complexity He also frequently incorporates text and other graphic elements into his work, further enhancing its power and impact. Overall, the work of Peter Kennard is a testament to the power of art to speak truth to power. Whether he is highlighting the horrors of war or castigating politicians for their inaction, his images cut straight to the heart of the issues at hand and demand that we pay attention It is no wonder that Kennard has been named one of the most important photographers of his generation Peter Kennard is a highly influential British artist and activist whose work has sparked discourse, provoked thought and action, and critiqued the socio-political systems of our times In this analysis, we will explore Kennard's style, themes, and contributions to contemporary art and activism Kennard's artistic style is best described as photomontage, an art form that involves creating a composite image by clipping and combining various photographic images Through his use of startling juxtaposition of image and text, Kennard's photomontages question the dominant narratives perpetuated by governments, corporations, and media networks

He employs a subversive visual language to challenge the viewer's assumptions about power dynamics, social justice, and war. One of Kennard's most renowned works is his 1982 photomontage, "Haywain with Cruise Missiles," which depicts the famous John Constable painting of a rural landscape being bombarded by missiles The image critiques the deployment of American missiles in Europe during the Cold War and the British government's complicity in the arms race. Another striking example of Kennard's work is his 2010 photomontage, "Camera in Chain," which highlights the prison-industrial complex and surveillance culture, depicting a camera mounted on a chain around the neck of a prisoner Kennard's themes cover political, social, environmental, and cultural issues. He is particularly interested in the power structures that perpetuate the oppression of marginalized communities and the ecological devastation caused by human actions His focus on the intersectionality of these issues has brought attention to the interconnectivity of socio-political and environmental justice Beyond his contribution to the art world, Kennard has also been a crucial figure in activism. His collages have been widely displayed in grassroots movements, rallies, and public spaces, making art more accessible to a broader audience and integrating it into political activism. His artistic intervention in the political arena has inspired many artists and activists to use

their art for social change

In conclusion, Peter Kennard's photomontages showcase the immense power that art possesses to convey powerful messages, question the status quo, and critique the structures that govern society. His contributions to the art world and political activism have been paramount in using art for socio-political change. The combination of visual imagery, text, and political commentary has made Kennard's works a potent reminder of the injustices that still exist in our world today.

British contemporary artist Kennard has created a project titled "Ukraine 2022" in partnership with the faculty of arts and humanities, the royal college of art, where he teaches political art. Red Cross personnel have been working nonstop throughout the battle to provide lifesaving treatment to those who need it most. Due to the continued violence, a huge number of individuals are in immediate need of assistance.

A collection of paintings with the Ukrainian flag and little details illustrating the conflict in the country are presented. Each flag has a distinctive detail, but they all carry the stain of human blood

Flora yukhnovich

Instead of focusing on specific sources of reference, Flora Yukhnovich is renowned for her paintings that alternate between abstraction and figuration. Each piece she creates synthesises a variety of inspirations to depict the shifting representations and meanings of Venus. Here, the goddess of love, motherhood, sexual reproduction, and passionate desire Venus meets the Venus of violent origin and hybrid gender, who is promiscuous and vengeful. She also brought up the notion that some tastes can be hidden out of shame, while others might be developed in an effort to blend in or impress others. According to the artist, her method involves "looking for a language that is in between figuration and abstraction." I appreciate the concept of fusing these two heavily gendered periods of art history: the machismo of abstraction and the lovely Rococo iconography. However, I don't really perceive a distinction between abstraction and figuration. They represent two distinct stages of the same process and are situated on a spectrum that extends from very free, abstracted markings to precisely articulated figuration. Despite its figuration, I do want the finished paintings to be vague and open I hope that forcing the viewer to fill in the blanks in their minds will result in a variety of diverse readings.

Yukhnovich has always been fascinated by the notion of the fête galante, a style of painting popularised by Watteau that shows the affluent partaking in romantic frolic in parkland settings. Her paintings may appear to be figurative when viewed from a distance because of the evocative brushstrokes that evoke complex eighteenth-century scenarios. But up close, the meticulously planned structure gives way to pure texture and colour. Yukhnovich's artwork gives me the impression of a dream you can only vaguely recall and cannot clearly see. Her creations have the appearance of memories and a hazy, colourful picture Due to the Ukrainian war, I believe that those who have left the nation or even those who have remained experience flashbacks of their former lives, which were tranquil and full of fun times spent with friends and family. They might see images of the ruined area where they formerly resided and only be able to recall a hazy memory of the location because you can't go back there.

Ukrainian Flag (abstract)

Transforming images of war into paintings of peace.

These images depict the ongoing conflict. The artist, Peter Kennard, gave me the idea to paint over the image and make it appear less melancholy and sorrowful, making the political issues appear less severe than they actually are.

Lesia Sochor

Lesia sochor is an ukranian American painter, she has a hard time seeing the current news about Ukraine. her parents left the country in 1944, and from there they lived in united states . “I’m reliving all my parents’ stories. Just the other day, I saw a young woman crying and crying She was leaving, and she said, ‘I don’t know if I’ll ever see my parents again.’ And she had her baby That’s exactly what happened to my mother,” said sochor. She was born in Philadelphia but her parents immigrated to the united states with her older sister Sochor parent never saw their parents again In response to the crisis the museum of Russian icons in Clinton has remounted sochor’s exhibition “pysanka: symbol of renewal” When Russia invaded Ukraine the display which was originally was build in 2020and 2021 was remained in the storage of the museum Sochor’ painting feature Ukrainian easter eggs. The eggs represent wealth, health, fertility, and abundance. In Philadelphia, sochor’s mother taught her how to colour eggs when she was young girl.

“All of the writings on the eggs were directly associated with all the symbology and the allegorical magic that the egg contained,” Sochor said “The egg is a trilogy It’s the shell, right? And then the yolks represent the sun, and the whites represent the moon. So you have this whole universe in this seemingly inanimate object But, of course, it’s just full of potential new life.” In additionl to paintings of pysanky , sochor made a trio of images of a babushkas head in an icon style, on wood with gold leaf and acrylic, with Cyrillic lettering. She made two of them when the conflict stared in 2014, the third one”freedom” with a white babushka is a response to the current war “‘Mir,’ written in the brown babushka, means peace,” said Sochor “The blue one is obviously just tears But the actual title of that is ‘Homeland’ because I was grieving for my homeland then, just as I am now. The last one, the white one, I just finished, and that’s ‘Volia,’ which means freedom.” The first two pieces - Homeland and Peacewere done in 2014 in response to the Maidan Revolution. The third is called Freedom and was done in the last month "in response to this hellish event," Sochor said from her home in Belfast, Maine. Babushka are traditional scarves that are often worn by Slavic women

Sochor discovers different themes in her work and does a serie of similar painting or similar stule that cover a some of the worlds problems. Each person can fing in her work something personal or something that relates to their problems "It is where I have gone every time there has been conflict," Sochor said. "It gives me a sense of doing something. It is somehow empowering. It give me hope. It accesses the deepest parts of myself " As the ukranian conflict continues sochor started to work on another series of paintin using ripped jeans that represent repair and mending. Creating a feeling of hope with the images inside the holes of the ripped jeans that includes a map of ukrain and other relavant images.

"Standing in solidarity with Ukraine is so important," she said.

Planning a final piece

I made a tiny drawing by tracing the image I had taken myself.

Due to the fact that this image was taken in a conflict-ridden area in Moldova, where I am from, I want to produce a work that demonstrates that you can see what hides behind the lovely and calm scene and surroundings

❖ I chose to compose a phrase in Ukrainian and put it to the rapid tracing I produced because I was using typography in my job.

❖ I decided to use this statement since many individuals fled Ukraine and migrated to other countries as a result of the war The phrase "no matter where I am, I will not forget home" should be demonstrated by this quotation.

❖ Because it makes me think of my childhood in Moldova, where my grandma used to teach me how to use the embroidery hoop, I chose to use fabric paints to paint on fabric and place the cloth on the embroidery hoop in order to make the work more traditional

❖ In other words, "no matter where I am, I will not forget home" and my origins

This is my final piece

I made the decision to make the painting appear blurry in order to represent how our thoughts are when we reflect on the past.

I utilised the embroidery hoop's back to depict the county's devastation. I also included the quote's translation. This work demonstrates to the observer how the Ukrainians saw their country and how the Russians shaped it

The lovely fields that Ukraine had were devastated.

illustrating catastrophe with a spatula knife.

The second embroidery hoop depicting the ongoing violence makes me nervous and frightened since I tried to depict blood, destruction, and flames.

Rough textures can add depth and complexity, creating a sense of physical and emotional weight.

In an experiment, I created a concrete texture using white paint and sand to show the disaster. In recent years, the world has witnessed various disasters with the different degrees of devastation. One such disaster that has caught the attention of many is the ongoing crisis in Ukraine. This tragedy has claimed many lives, displaced thousands and caused widespread devastation.

Unbalanced, chaotic composition can convey a sense of disorientation and confusion, with this abstract piece I tried to create the illusion of broken buildings, shattered glass and darkness The use of muted, desaturated colours or darker, more intense hues creates a somber or foreboding atmosphere that reflects the emotional weight of the disaster

“The final chaos “

“The serenity is shattered.”

Given that colours are too bright to convey happiness and calm, this attempt at peace is unsuccessful. The colours should look dirtier the same tone as the military uniform.

“Defeated soldier“

My final pieces showing the thoughts of a soldier, many soldiers from the army have no experience and they are very scared of the surrounding and because they are very young, they don’t have experience and the horrible truth is they don’t make it till the end. The red dots represent death.