V136: "GISELERAMA" WITH GISELE BÜNDCHEN by V Magazine

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ABOVE THE CLOUDS EDITORIAL

Editor-in-Chief / Creative Director Stephen Gan Managing Editor / Production Director Melissa Scragg Editor / Sales & Distribution Director Czar Van Gaal Digital Director Mathias Rosenzweig mathias@vmagazine.com Managing Digital Editor Dania Curvy dania@vmagazine.com Social Media Manager Kevin Ponce kevin@vmagazine.com Senior Editor Alex Blynn Photo Director Goran Macura Creative Producer Felix Cadieu Entertainment Editor Greg Krelenstein Contributing Editor-at-Large Derek Blasberg Weibo Editor Meng Ji Copy & Research Editor Lynda Szpiro Executive Assistant to the Editor-in-Chief Jacob-Cole Norton

ADVERTISING/FINANCE

Publisher 93HUB Nicola Bernardini de Pace nicola@93hub.nyc Magazine International (Advertising Office for Italy and Switzerland) Luciano Bernardini de Pace luciano@bernardini.it Eleni Gatsou Bureau (Advertising Office for France and America) Eleni Gatsou eleni@elenigatsou.com Camille Pignol camille@elenigatsou.com Marie-Loup Faggioli marie-loup@elenigatsou.com Managing Director Todd Kamelhar Distribution David Renard

ART/FASHION

Associate Art Director Shibo Chen Consulting Creative / Design Greg Foley Freelance Graphic Designer Sonya Olomskaya Type Design Consultant BÜRO UFHO Fashion Director Gro Curtis Fashion & Market Editor Aryeh Lappin Associate Fashion & Beauty Market Editors Stephan La Cava Emma Oleck Contributing Fashion Editors Anastasia Barbieri George Cortina Nicola Formichetti Anna Trevelyan Carlyne Cerf de Dudzeele Jacob K Amanda Harlech Joe McKenna Melanie Ward Jane How Panos Yiapanis

CONTRIBUTORS

Nick Knight Hedi Slimane Blair Getz Mezibov Domen & Van de Velde Alvaro Beamud Cortés Brais Vilasó Marcus Ohlsson Jack Bridgland Niklas Haze Jordan Kelsey Antoni Tudisco CARLOS + ALYSE Eric Hart Jr. Leban Osmani Mattia Balsamini Matthew Velasco Ahad Sanwari Kala Herh Bailey Bujnosek Jo Rosenthal

SPECIAL THANKS

CAA Anne Nelson SHOWstudio Charlotte Knight WYO Artists Karen Long Art + Commerce Amanda Fiala John Van Alstyne CLM Lily Mersh Interlude Project Elena Mereu Lundlund Karin Lund DAIS Agency Louise Porter Elite Pedja Govedarica Kate Moss Agency Chelsea Price Joe Brotherton The Lions Clayd Yila NEXT Alex Jackson Exposure NY Stacy Fischer Kirby Calvin Muse Talent Group Manny Ezugwu Streeters Paula Jenner Sasha Respinger The Wall Group Mandy Smulders Jason Woo Caitlin Mazonas Melissa Pursel Grace de Ville Forward Artists Shae Cooper ABTP Timothy Priano Premier Hair and Make-up Lindsay Cruickshank Calliste Agency Julie Dumas Bryant Artists Hanna Söderblom Julian Watson Agency Claudia Zanna Blend Management Claudia Piazzolla IIT- Istituto Italiano di Tecnologia Valeria delle Cave Photobomb Productions Johnny Pascucci The Ritz Carlton South Beach Miami Dade College Kendall Campus Interns: Anthony Sennett Chaeha Kim Ciara Collins Carlos Chinn Carson Stannard Pilar Bradley Hudson Bohr Angelina Zaphyria Caias Kim Jiawen Shang

PRESS & EVENTS

Purple PR Andrew Lister andrew.lister@purplepr.com Amy Choi amy.choi@purplepr.com Dylan Hunt dylan.hunt@purplepr.com

Art Antoni Tudisco

Louis Vuitton Square Bag (in terracotta monogram velour.) (Price upon request, available at select Louis Vuitton boutiques nationwide.)

table of contents

WELL OF WEALTH

Chanel (Métiers d’art 2022 collection) Vanity Purse (in metal and lambskin) ($4,950, available at select Chanel boutiques nationwide.)

Cover 1 Gisele wears swimsuit Norma Kamali Sunglasses Alain Mikli Gloves Carolina Amato Bag Amina Muaddi Tights Wolford Necklace (in 18k yellow gold with black lacquer, onyx, moonstone, and tsavorite garnets) Indomptables de Cartier

IN THIS ISSUE: 16. HEROES 18. V NEWS 20. V GIRLS 22. V TRENDS 24. LA DOLCE VITA 30. GISELERAMA 46. CYBER COUTURE 60. SHAPES OF STROMAE 68. GIRLS ON FILM 78. THE EIZA EFFECT 84. GOLD RUSH 88. THE D’AMELIO DYNASTY 96. WHAT V WANT

Cover 2 Shirt, swimwear, and shoes Chanel Headpiece Heather Huey Gloves Vex Tights Falke Bracelet (in 18k white gold, onyx, and emeralds) Indomptables de Cartier Cover 3 Necklace and bracelets (in 18k yellow gold with black lacquer, onyx, moonstone, and tsavorite garnets Indomptables de Cartier Cover 4 Bodysuit and tights Dior Haute Couture Hat Philip Treacy Gloves Atsuko Kudo Shoes Jimmy Choo Cover 5 Dress Armani Privé archive Hat Khia Tullae Gloves Atsuko Kudo (Necklace in 18k yellow gold with black lacquer, onyx, moonstone, and tsavorite garnets) Indomptables de Cartier Gisele wears Dior Beauty throughout

BLOSSOMING BEINGS

Balenciaga Lindsay Shoulder Bag (in Pleated mirrored calf leather) ($2,490, available at select Balenciaga boutiques.)

EDITOR’S LETTER We’re so often praising our cover subjects and the other talented people who grace the glossy pages of V. How could we not? Truly, we could talk about our love of Gisele until the end of time—what you’ll read in the following pages is just the tip of that (very tall, very Brazilian) iceberg. But it is less often that we praise the unsung heroes of fashion and pop culture: the fans. You, the reader, viewers, and so on, are the people who buy our magazine, stream those songs, watch those films, and cut out photos of Gisele to hang on your walls. You are, effectively, what makes this magical world of fashion go round. In fact, many of the faces you see on our pages were once simply fans of the magazine. And for that, we are forever grateful. You could say we’re not just fans of Gisele (although indubitably, we certainly are). Rather, we’re fans of fandom itself. We’re fascinated by the public’s passion for beauty and creativity, and how their actions are actually the fuel of this industry.

That’s why we’re calling this issue “GISELERAMA,” taken from the ancient Greek word ‘ ρ μ ’ (pronounced ‘hórāma’), which literally translates to “a spectacle.” Because are we, the fans, not all spectators of Gisele’s almighty grip on fashion? And, really, what is a spectacle without its spectators? Gisele in particular is a perfect fit for our Summer issue, because who among us— fashion lovers or not—can refuse the Brazilian powerhouse’s awe-inspiring career, million dollar smile, and famously contagious positivity and winning personality? With a built-in fan base as strong as Gisele’s, a few years out of the spotlight only means an even more attentive and eager audience filling those seats as they anticipate her return. Gisele’s star has nothing if not brightened over the years! We’re proud that Gisele has decided to make her return to the spotlight on our cover. In many ways, V Magazine and Gisele have grown up together. So to all of the fans who have made this reality possible, we thank you! MR. V

editor’s letter

heroes

DIONNE WARWICK THE R&B PIONEER REVITALIZED Photography Eric Hart Jr. Text Ahad Sanwari “Don’t make me over / Now that you know how I adore you,” -“Don’t Make Me Over” When Dionne Warwick released her debut solo single, “Don’t Make Me Over” in 1962, despite a decade-long career singing either in a group or providing background vocals, no one could anticipate the storybook musical era that would begin. From the ‘60s to the ‘80s, Warwick was untouchable, setting the standard for what a “hit” really meant. She had a constant presence on charts Stateside and internationally. A household name in the truest sense, the world really couldn’t get enough of her stories or her voice, powerful and shaky in the same breath, anguished and devotional in the same lyric, swaying through each note with an ease that belies a life spent with musical titans. But even beyond that stage, what keeps Warwick going is the fact that she wants to. If 15-year-old activists get you wondering where your life went, how would you feel about an 81-year-old icon in the opening stages of a Las Vegas residency and a brand-new album, with a documentary about her storied life on the horizon? “I’ve performed all over the world and what excites me is every moment is different, day by day,” Warwick says to V as she prepares for her residency. “An Intimate Evening with Ms Dionne Warwick” is exactly what it sounds like, in her own words, “low-key but full of great music.” If that part of her story isn’t enough, there’s her new documentary,

Photographed March 26, 2022 in London titled after her debut single, that will show the world that it wasn’t just her music that made her a global icon. “My career launched during the civil rights movement, and I was very involved in desegregation in the U.S. During the rise of the AIDS epidemic, I also served as the U.S. Ambassador of Health under two presidents, educating folks about the disease and the need for a cure. So I have seen it all.” Plus, she’s on the cusp of releasing a new gospel album, her first since her work with the Drinkard Singers, a gospel group composed of several Warwick family members. “I bring experience to every record I make and put that into play when I sing,” she says. “I want to keep the themes a surprise, but what I will say is, the message throughout the album is giving praise to God.” Currently nominated as an inductee for the Rock and Roll Hall of Fame and in the middle of a world tour, Warwick hasn’t slowed down one bit. But then again, why would she? “Music is what keeps me going; it’s my driving force.” For the R&B pioneer, it’s about saying a little prayer and just keeping on. The lyrics from Warwick’s “Don’t Make Me Over” hold just as true in 2022 as they did in 1962. Except now, we know just how much she adores us. Over six decades, hit after hit after hit, sold-out worldwide concerts, several roles on the screen, and a lifetime of activism, we sure do know it. And sure enough, she says it herself. “I’ll be on your side forever more / That’s what friends are for,” -“That’s What Friends Are For”

LIAM GALLAGHER U.K.’S RESIDENT ROCKER IS BACK WITH A BITE

Photographed March 23, 2022 in New York City 16

Photography Charlie Lightening Text Mathias Rosenzweig Over the phone, Liam Gallagher asks, “Do you know what I mean?” in between each sentence. It’s a warm and yet odd quirk for a man who, after more than 35 years of success as the frontman of the illustrious band Oasis and then many solo projects, doesn’t really give a damn if he’s understood or not. He’s a rock star—one of the last, according to a recent comment from Foo Fighters founder Dave Grohl—and he doesn’t have anything left to prove. “I appreciate what Dave said, and I kind of agree with him,” Gallagher says, flatly. We’re connecting the day after the Grammys, and I ask if he finds anyone in the younger generation to be a bonafide rock star as well. “We’re all just watching our p’s and q’s too much,” he replies, “I honestly think that it’s not good.” Whether you’re for it or not, it’s true that political correctness has put a damper on what public figures dare to do or say—a newfound conservativeness that directly battles the notion of a vodka-swigging, sloppily dressed rocker with a sailor’s mouth. “I think Oasis wouldn’t be allowed to live in this world we’re living in now,” he adds. Despite being an industry veteran, Gallagher remembers what it was like to dream a little dream of rock stardom. “When you’re young, you just wanna be in a band. You know what I

mean? You just wanna be playing music,” he says. “You wanna be like the Beatles. You want to have tons of girls and be drinking at all the fancy places and then, obviously, fame kicks in. If that happens, you, sort of, lose your privacy. But I’d take that any day.” How has being a career musician compared to that dream? “It’s been everything and more, man. It’s been exactly how I saw it in my head. Otherwise, I wouldn’t have done it.” As for what’s next, Gallagher’s third solo studio album, C’mon You Know, will be upon us on May 27. The album’s title is a call to action, reflecting the singer’s feeling that we all know what needs to be done, or how we should be living our lives to better ourselves and the world, and that it’s time to just start doing it. This new body of work also sees Gallagher becoming more experimental with his sound as he continues his passage through these strange and tumultuous times. “There’s definitely some peculiar sounds on there that I’ve never done before…but, you know, I’m not yodeling or anything.” (Laughs) Reflecting back on a life that’s been heavily documented by British tabloids, Gallagher says he would never dare regret the career path he took. “No way, no way,” he insists. “I’ve made some mistakes, but they’ve been beautiful.” C’mon You Know is out on May 27th, 2022. 17

Maria and Nikita wear clothing and bags CELINE by Hedi Slimane

V NEWS

In the era of the it-bag, no one has produced as much iconic arm candy as Givenchy. From the Pandora and the Antigona to the Sway and the Horizon, the French fashion house has continually topped itself with each distinctive and covetable bag. Their latest must-have: the Kenny, a handbag inspired by Givenchy’s historic couture savoir faire. The Kenny is a bold and glamorous accessory, sure to be found at the center of exclusive nightlife scenes around the globe. From its supple calf leather to its unique bourse-style shape and hand-draped folds, the Kenny emanates sheer luxury. Creative Director Matthew M. Williams’ affinity for hardware can be seen in several of the bag’s tactile elements, from the striking double G-Cube chain straps to the staple Givenchy padlock. Williams has been praised for invigorating Givenchy with his fun, modern perspective, and the Kenny is no exception. Besides incorporating the elements Givenchy has become known for, several of the Kenny’s iterations show off the house’s traditional couture techniques, including motherof-pearl embroidery, sleek satin, manipulated organza, and shimmering sequin detailing. A subtle magnetic closure serves as an exquisite finishing touch. It’s easy to imagine the evening-ready Kenny on the red carpet or in the nightclub. Not only is it crafted from luxurious materials, but it embodies the vibrant energy of Williams’ Givenchy down to the slightest detail. With the Kenny, the Parisian house proves that they’re still undisputed royalty in the world of accessories—and what a glorious reign it is. BAILEY BUJNOSEK Maria wears dress and bag Givenchy

GAME ON WITH LOUIS VUITTON

Photography CARLOS + ALYSE Fashion Leban Osmani

SEEING DOUBLE WITH CELINE

GIVENCHY BRINGS THE ARM CANDY

Nikita wears dress and bag Louis Vuitton

THE SEASON’S MOST-COVETED CARRYALLS HAVE ENTERED THE CHAT

Double the Celine, double the chic. As part of the house’s upcoming fifth session of their “La Collection Des Grands Classiques” line for Fall 2022, Hedi Slimane is bringing back a viral classic and introducing a new staple. First debuting back in 2018 on the arms of the one and only Lady Gaga, officially marking a new creative chapter for the beloved French fashion label under Slimane’s transformative eye, the 16 handbag now arrives in an adorable, new shrunken mini size. Having been named after the maison de couture’s Paris address, the Hôtel Colbert de Torcy at 16 rue Vivienne, the petite carryall with its cropped flap top and belted details crafted in a satinated calfskin fully transforms into the latest covetable evening bag of the season–the perfect size to fit your lipstick, black Amex card, and

Makeup Mari Shten (The Wall Group) Hair Takuya Yamaguci (The Wall Group) using Oribe Models Maria Keidj, Nikita Wiorek (The Lions) Photo assistant Shinobu Mochizuki Stylist assistant Emma Oleck Location Slate Studios

v news

a cigarette or two (only the necessities!). Need an option with a little more wiggle room? Meet the Triomphe Bucket. Continuing Celine’s focus on refined accessories for the everyday woman, the new bag featuring a decorative metallic logo plaque emblazoned on the house’s sumptuous staple calfskin leather offers a hyper-focused look on excellence in quality and the necessity of functionality with its multi-way use of hand or shoulder carry–exemplifying the true French way of wearing a bag, with ease and grace. As trendy it-bags come and go with each quarterly fashion period, the “16” and Triomphe Bucket are truly style treasures that are here to stay and stand the test of time. KEVIN PONCE

It’s a match point this spring/summer season as Nicolas Ghesquière is getting his head in the game, unveiling Louis Vuitton’s latest sport-centered creations. As part of the house’s Pre-Fall 2022 collection, the latest rendition of the Coussin PM, a bag beloved by fashion’s elite style stars and seen on Vuitton aficionados everywhere, sees a sporty and jubilant remix. The reimagined staple takes inspiration from the four world-famous tennis tournaments that are watched by millions and played by the globe’s top athletes (the U.S. Open, U.S. Australia, Rolland-Garros, and Wimbledon). Reminiscent of the rich colors of the massive courts, played by tennis greats such as Roger Federer and Novak Djokovic, and the game-ready equipment and apparel that graces the bodies of the top players, the new crossbody sees an exterior of monogram embossed, puffy lambskin in a vibrant kelly green, paired exquisitely with a chunky white acetate chain-link strap–contrasting strikingly against each other for a pairing that undeniably exudes the tennis aesthetic. With a use of shoulder or crossbody straps for easy carry, the versatile new carryall is perfect for grab-and-go ensembles or even getting lunch with Serena and Venus Williams. Spotlighting one of Ghesquière’s true passions, the ball is certainly in Nicolas’ court as the latest release hones true to the beauty of the sport and the celebrated legends that practice it. KP 19

Makeup Mona Leanne (The Wall Group) Hair Ernesto Montenovo Photo assistant Alex Kim Stylist assistant Mao Miyakoshi Location Quest Studios

v girls

PIP MILLETT THE GENRE-BENDING MUSICIAN SINGING TO HER OWN TUNE In a world that feels starved for fame without long-term meaning, remaining true to oneself is no easy task. But for 24-year-old Manchester-native Pip Millett, a musician creating her own narrative, there has never been a better time to change previous notions and turn those new perceptions into something magical. With her enormous capacity for emotional understanding and her signature sleek and stylish look, Millett defines a musician in it’s truest form. She’s someone who has worked for years to understand how she’s feeling and how to turn those powerful emotions into a melodic form of poetry. Today, with multiple EPs and a highly anticipated 2022 European tour to support her latest project Motion Sick as well as her recent single, “Ride With Me” nothing is getting in the way of Millett saying exactly how she feels. Millett considers herself an empathic writer first. The fun parts of her job, like making music videos and going on tours, are actually secondary. Millett doesn’t categorize herself as any type of artist in particular, but more of a “crossover between R&B and pop.” Her music is so much more than that, so she doesn’t even want to give it a genre. It’s “just her soul.” Millett knows in her gut that she’s a rock star because it’s how she’s always felt…and no one can change that. If

artists like Lauryn Hill, Joni Mitchell, and Bob Marley were the sparks that started her fire, her own music is the kindling that keeps it burning. But how has the artist mastered the ability to maintain self-awareness while surviving—and thriving—in one of the toughest industries in the world? “Prioritizing alone time,” she says. “Even if it’s just a half-hour where you can sit in silence.” Millett also counts frequent long walks and waking up early as mechanisms for staying at ease. To her, opening up a dialogue of how to deal with your own emotions is most important. “The whole world would benefit from people prioritizing their mental space and health.” Through her music, Millett wants people to know that there is someone there for them, ”even if it’s just through a song,” she explains. “There is always someone to talk to and to listen to and feel what you’re feeling.” Like many musical talents before her, she never wants other people to feel alone. And for anyone who wants to do what she does, Millett says, “Focus on building yourself. Trust your gut. Trust your instincts. Make sure that you’re happy and healthy. Don’t just do things because you feel you have to. Do things because they make you feel good.” JO ROSENTHAL

Pip wears swimsuit, coat Versace by Fendi Tights Atsuko Kudo Shoes, vintage (stylist’s own)

DOUBLE DOWN ON LONDON’S LATEST CREATIVE FORCES WHO ARE SERVING UP THE SOUND OF THE SUMMER Photography Niklas Haze Fashion Jordan Kelsey

GRIFF POP’S PRODIGIOUS POWERHOUSE Griff is something of a prodigy. The English artist, born Sarah Griffiths, taught herself how to produce music on her brother’s computer at the precious age of 11. She messed around with Logic Pro software, making beats and recording vocals so she could harmonize with herself. “I didn’t realize it was a huge thing until I started to meet industry people, because [then I saw] it wasn’t a thing for girls to produce,” she says. As with most of her early dabblings in music, she saw it as a form of selfexpression first and foremost. The daughter of a Chinese immigrant mother and a Jamaican father, Griff had always struggled to find her place in her predominantly white hometown of Kings Langley. “I wonder sometimes whether that’s why I threw myself so much into music,” she reflects, “because it was a place where I felt confident and good at what I was doing.” Her natural passion and aptitude for music, combined with a fierce work ethic, helped her catch the attention of high-profile music executives while she was still a teenager. “I’d go to lessons in the morning and then travel into London, meet a new producer and write a song, come back, finish my homework, and do it all over again,” she recalls of early efforts to get her name out there. And that unwavering persistence was eventually rewarded. When she was just 17 years old, the budding 20

Griff wears all clothing Chanel

singer-songwriter inked a record deal with Warner Records, but put off releasing music for the first year of the deal to finish her A-Level exams. In 2019, she made good on her promise with the release of her highly successful debut single “Mirror Talk.” The euphoric vocals and sensitive, honest lyricism immediately struck a chord with listeners. A stream of playlist-worthy tracks followed, from the sparkling alt-pop song “Paradise” to the immensely catchy R&B-influenced “Forgive Myself.” Before she knew it, Griff became one of Britain’s hottest young artists, winning the prestigious Brit Award for Rising Star in 2021. But despite having her share of award show invites, powerhouse performances, and celebrity encounters—she lists playing Monopoly with Ed Sheeran on his private jet as one of the most surreal. The 21-yearold artist is still figuring out the whole pop star thing, but as we know from her prodigy status, she’s a quick study. Her career has accelerated nonstop since “Mirror Talk,” but as she’s proven before, she has the talent and drive to keep up with the best of them. She’ll spend the majority of 2022 on tour, first with Dua Lipa and then Ed Sheeran, along with a few festival appearances. After that? She’s ready to tackle her next project. “I need to try to write an album,” she says. “A really, great album. It’s my debut album. So, that’s the next challenge I’ll face.” BAILEY BUJNOSEK 21

READY TO GET INTO CHARACTER? THESE TRANSFORMATIVE PIECES ARE HERE TO FULFILL YOUR STYLE FANTASIES

V TRENDS

v trends

Photography CARLOS + ALYSE Fashion Leban Osmani

BOHO BABE All clothing and accessories Etro, jewelry David Yurman

POSH PLAYER Nikita wears all clothing Guess, jewelry Messika

THE Y2K GIRLS All clothing Dsquared2 POP ART MUSES Maria and Nikita wear all clothing and accessories Moschino, jewelry Messika

BEACH BOMBSHELLS All clothing and accessories GCDS, jewelry David Yurman

THE BROOKLYNITE Maria wears all clothing and accessories Diesel, jewelry David Yurman 22

‘70S GODDESSES All clothing Missoni, jewelry Messika

DESERT DIVA All clothing and accessories MM6, jewelry Messika 23

LA DOLCE VITA

v people All clothing Gucci Jewelry, Coco’s own

Dress Versace Bracelet, Elodie’s own On eyebrows Dior Beauty Diorshow Brow Styler Ultra-Fine Precision Brow Pencil in #002 Universal Dark Brown

THE MUSES OF ITALY’S RISING CULTURAL SCENE ARE ESTABLISHING NEW NORMS AND GEARING UP TO TAKE THE GLOBAL STAGE IN THE BEST OF MILAN’S SS22 Photography Alvaro Beamud Cortés Fashion Brais Vilasó

ELODIE

COCO REBECCA EDOGAMHE Coco Rebecca Edogamhe is the titular character of the wildly popular Italian Netflix series, Summertime. She plays Summer, an introverted young girl living in a quaint seaside village on the Adriatic coast who yearns to experience more of the world, and sees her chance to do so when Ale, a handsome, single, and famous motorcyclist, rides into the small town from Rome. Edogamhe, being of Italian and Nigerian descent, represented a sea change in Italian media and entertainment when she accepted the role back in 2020; she is, after all, a Black woman playing the lead of a hit new show, in a country which still 24

suffers from a scarcity of BIPOC representation. “When Summertime came out, I was nervous, because in Italy there really were no series or movies starring a Black actress,” Edogamhe says. “I thought I would receive a lot of racist comments about it. But, seeing the success of the series, I’ve actually been thrilled. I’ve gotten a lot of positive messages from all over the world. In that way, I realize what I have done is very important. I represent all those second and third generation boys and girls who have never had representatives. There is still a long way to go, and I want to take part in that change.” ALEX BLYNN

“Italian music is truthful [with] ancient roots and a genuine message,” Elodie Di Patrizi, known simply as Elodie, explains. For the dynamic singer, that undying sense of oldmeets-new is certainly embedded in synth-filled sound and personal, yet universal lyrics that are fueled by female empowerment. With an Italian father and a French-Creole mother, Elodie grew up in the outskirts of Rome. Enamored by songstresses like Loredana Bertè, Mina, and Ornella Vanoni, the singer was steadfast in pursuing music: “As a child, I knew I would become a singer,” Elodie says. “I never had the courage to say it, but I knew it in my heart.”

After appearing on the talent show, Amici di Maria De Filippi, Elodie made her debut with the 2016 album Un’altra Vita—a soulful journey of self-exploration and relationships. Since, the songstress has churned out a bustling cross-genre catalog of powerful vocals that recall the heyday of bel canto—an Italian operatic vocal style—and upbeat melodies that touch on femininity and love. With a slew of influences—R&B, pop, rap—Elodie shuns genre distinctions. As Italy welcomes an emerging generation of creatives, Elodie’s chart-topping hits are redefining Italy’s sound, one toe-tapping single at a time. MATTHEW VELASCO 25

v people

v people Dress Valentino

All clothing Dsquared2 Rings Bea Bongiasca Tights TYT Paola, (on left) wears shoes The Attico Pamela, (on right) wears shoes Giuseppe Zanotti

PAOLA & PAMELA AMEYIBOR

VERONICA YOKO PLEBANI For most, winning a medal can be the goal of a lifetime. But for Veronica Yoko Plebani, the Italian Paralympian, winning is de rigueur–as the 26-year-old already boasts more than 30 major medals, including multiple golds in competitions for snowboarding, kayaking, and in triathlons, respectively. But Plebani’s achievements were not easily won. In 2011, a sudden onset of meningitis C left the young creative and dance-enthusiast with permanent physical damage. But upon leaving the hospital, a powerful urge to reclaim her body awoke. She used athletic training to heal and ease into her new reality. “Being an athlete 26

helped me to recover faster,” she says. “It was a kind of magic formula, actually.” Now an inspiration to millions through her athletics, Plebani has appeared on glossy magazine covers and in fashion editorials—like this one. “Representation can change the lives of so many,” she says. “Because seeing a disabled person in the fashion industry shouldn’t be so sensational, when 15 percent of the world’s population has a disability. I’m not a hero because I train every day to get a medal at the Paralympic Games. I’m just an athlete, and a person with a disability who struggles with daily problems like everyone else.” AB

As twins, Paola and Pamela Ameyibor, aka Polly & Pamy, recognize that good things often come in twos. And for the DJs and rising fashion forces, that comes through in their dual Ghanaian and Italian heritage. Having spent their formative years in Lecco, they were introduced to the world of clubs early. Their twinergy allowed them to create a euphoric presence in a culture where female DJs haven’t really established a presence. Plus, it also introduced them to the nation’s thriving fashion scene, becoming style mavens renowned for their presence in several high-profile shows, citing Prada as a favorite.

However, the three years they spent in Ghana as toddlers informed where they would take their place in these spaces. As influencers of sound, they take pride in bringing Afrobeat to the mainstream from the music their mother blasted at home every Sunday. And as influencers of style, their streetwear comfort-oriented aesthetic emphasizes a freedom of expression, one that can especially compliment darker skin tones and hair. As Polly & Pamy “break the rules in Italy” and take their crafts to the world, it’s their dual identity that makes them such a singular force. AHAD SANWARI 27

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v people Dress Marni

Top and skirt Prada Tights Emilio Cavallini

Photo assistants Simone Triacca, Luca Soncini Stylist assistant Talia Restrepo Hair assistant Giuseppe Sestito Casting assistant Irene Germano Production assistant Martina Fiorioli (Interlude Project) Location Erreci Studios

Makeup Michiko Ikeda (Blend Management) Hair Lorenzo Barcella (Julian Watson Agency) Manicure Giovanna Demarco (Blend Management) Casting Director Simone Bart Rocchietti (Simone Bart Casting) Producer Elena Sophia Ivaldi (Interlude Project) Digital technician Giulia Diegoli

On lips Fenty Beauty Gloss Bomb Universal Lip Luminizer

MATY FALL

FLAMINIA VERONESI The world, oddly enough, thrives on contradiction. And in that space, so does the work of Flaminia Veronesi. The Italian artist has always held a fascination for using the mythical, the fantastical, and the otherworldly to challenge our notions of the realistic and scientific, but only by embracing and understanding what they are first. “Holding in my hands something conceived from my imagination and coming up with the way to make that process a reality was my new favorite game of all, and still is,” she says of her first tissue sculpture, made when she was five years old. She exists in a space where a boat supported by chicken legs and a painting of a 28

mermaid befriending a dragon can be in the same room. Despite the patriarchal society she grew up in and the difficulty of initially sustaining herself on her art, “the use of play and fantasy to challenge reality, its taboos, and nowadays shame regimes,” is too enticing to refuse. Veronesi has taken her art to the world, having exhibited in London, Milan, even Paris. By bringing the beings of her dreams into the real world, she’s managed to bring the life of her dreams to the real world, too. And as long as humans can keep imagining, Veronesi will keep creating. AS

If you aren’t familiar with Maty Fall’s signature, sultry strut on the catwalks of Dior, Chanel, Fendi, and countless others, now is the time to take notice of the rising Senegalese-Italian model. The 20-year-old made her runway debut for Saint Laurent and Valentino during the Spring/Summer 2020 season. Walking an impressive 37 shows the following season—Fall hasn’t shown any signs of slowing down. Born in Senegal, Fall moved to Chiampo, Italy—a sleepy town in the north of the country—at the age of nine. “Being a model has always been a dream of mine,” Fall says. “My mom was a tailor so I grew up surrounded by fabric, clothes, and

sketches.” At the age of 18, Fall submitted photos to several Milanese modeling agencies, and ultimately signed to IMG Models shortly thereafter. Since, the in-highin-demand model has become a mainstay on the covers of fashion’s glossiest publications and the face of labels like Cartier, Etro, and Prada. Despite her whirlwind success, Fall is intent on charting her own course in the industry while also recognizing her status as a changemaker and role model. “I hope that the young women who want to pursue [modeling] can look at me and say, ‘I can do it too.’” MV 29

GISELERAMA

The first time I met Gisele was at a 1998 Missoni campaign shoot, orchestrated by Mario Testino in Paris. She was a 18-year-old Brazilian beauty who was Testino’s new muse. This was her first campaign, as it was mine, so we were both quiet and shy. Mario kept declaring her “the next new supermodel,” which at the time was a bold statement to make, considering Linda, Naomi, and Christy were still completely ruling all the magazines and catwalks! Over the years that followed, Gisele remained a staple within the V realm. And in 2007, I witnessed her love story with now husband, Tom Brady, blossom in real time. It was Valentine’s Day, and I was in New York with Inez and Vinoodh photographing Tom Brady for the cover of VMAN. He was chatting on the phone with her in between shots and said, “Gisele says hi to everyone!” Little did we know then that Tom and Gisele would become “Tom and Gisele.” A couple days later in Paris, I found myself reunited with Gisele once more. This time around, I was introducing the burgeoning Brazilian bombshell to Karl Lagerfeld for a couture story we were to shoot for Harper’s BAZAAR. Not too long after that, Tom [Brady] hung out in Karl Lagerfeld’s living room, sitting on a sofa, as Gisele gracefully glided into the room in an incredible Chanel couture wedding gown. The rest is history!

SOME PEOPLE ARE JUST BORN TO BE MODELS–BUT NOT ALL GET TO BE GISELE. REVISIT THE ICON’S LONG-STANDING HISTORY WITH V MAGAZINE

1998 PHOTOGRAPHY BY MARIO TESTINO “I remember I had just turned 18, and I was so excited about this campaign. Angela Missoni was the nicest lady ever, there was such a motherly energy to her. I did the Missoni show first, and then she booked me for the campaign. When I got to set, I saw Mario [Testino] and I was relieved. It’s always great working with Mario [Testino] but also he speaks Portuguese, and at the time I barely spoke any English. So, I knew I could chat with him. After hair and makeup, I was almost unrecognizable. Today, I look back, and it’s one of my favorite images. But back then I was young, so I was like ‘Why are they covering my face?’ This was one of my first major campaigns and my face was covered (laughs)” —Gisele Bündchen

2004 PHOTOGRAPHY BY INEZ & VINOODH “Gisele is one of the few supermodels who realized she could reach her full potential being unburdened by hang-ups around physical appearance, which hold back most humans. She brings unbridled energy to every shoot and managed to harness that to now use her platform and fame to inspire us all to take care of the Earth as a climate activist. She is the original, on time and no drama supermodel ringing in the 2000s with this new, sporty, no-nonsense attitude mixed with a strong sense of spirituality.” —Inez & Vinoodh 30

In 2008, Gisele’s supermodel-dom reached new heights, furthermore proving Testino had been right from the start. Gracing countless covers of V, and seen in pages of several fashion stories within the magazine, Gisele always made the time for V, despite the trailblazing trajectory she was on. A year later, Gisele added environmental activist to her already impressive resume. Through her appointment as the United Nations Goodwill Ambassador, the model brought substance to fashion, stepping far beyond the limitations of catwalks, campaigns, and covers, to champion environmental causes back when it was much less popular to do so. Looking back, this mini-retrospective has illuminated the fact that we often try to classify fashion into tenses—the past, the present, and the future—whereas in reality, they all exist at once. Drop dead glamour and unabashed sexiness from the ‘90s are taking over the runways again, just as they will at some other point in time. So, too is Gisele—always present in fashion, regardless of whether she’s on a magazine cover or not. Her body of work, only some of which we’ve captured below, is constantly referenced, perpetually admired, and a permanent chapter in the book of fashion lexicon. V are proud to have this cover as the latest page in that book, although the rest is still to be written. STEPHEN GAN

2005 PHOTOGRAPHY BY MARIO SORRENTI Gisele is one of the most amazing models I’ve ever worked with. She’s also a great friend, she is Loyal, kind and generous. As a supermodel she is Incredibly versatile. She is always eager to create interesting pictures that push the boundaries of conventional fashion imagery. Gisele has been a driving force in our industry, a true powerhouse of focus, sincerity and commitment. —Mario Sorrenti 2007 PHOTOGRAPHY BY KARL LAGERFELD “We were all having fun shooting at Karl Lagerfeld’s beautiful home in Paris. It was a night shoot on Valentine’s Day and Tom came to pick me up at midnight. He arrived before the shoot ended and he saw the moment that Karl captured me in that dress. It was a special Valentine’s day. One I will never forget.” —Gisele Bündchen

2006 PHOTOGRAPHY BY SØLVE SUNDSBØ “I often compare an extraordinary model to great actors. Gisele understands the character you develop and adds nuance. She adds that depth, and she has the work ethic of a superhuman. On several shoots, she has pushed me and challenged me. The shoot can be over, and I am happy with the images. But she drags me back to set and says, ‘I think I can do better. Look!’ and she starts again. That is the essence of Gisele.” —Sølve Sundsbø

2007 PHOTOGRAPHY BY INEZ & VINOODH “While on set with Inez & Vinoodh, shooting Tom [Brady] for the cover of VMAN, Gisele called to check in. Beaming with glee, Tom spent some time on the phone with her before returning to finish shooting. V has always had the luck of being in the right place, at the right time. And Tom and Gisele’s love story happens to be one of those many experiences where we had a front-row seat to witness the poetic spontaneity of kismet in real time.” —Stephen Gan

2008 PHOTOGRAPHY BY MARIO TESTINO “This was supposed to be a straightforward swimwear story, but as always with V, it evolved into something magical. We had this secret location on a beach in Malibu, shooting Gisele against the horizon. But this was around the time of the height of her fame, and even though it was a secret location, there were paparazzi everywhere, taking photos with extra-long lenses. We had to change the concept completely on the spot, plus move the shoot entirely. But Gisele totally rolled with it. And it turned out to be even cooler, with the cut-up Diesel denim bikini against her gorgeous, naturally tanned skin. As a model and a professional, that’s what makes her so special.” —Nicola Formichetti 31

Gisele wears swimsuit Norma Kamali Shoes Giuseppe Zanotti Sunglasses Alain Mikli Gloves Carolina Amato Bag Amina Muaddi Tights Wolford Necklace and bracelet (in 18k yellow gold with black lacquer, onyx, moonstone, and tsavorite garnets) Indomptables de Cartier On skin Dior Beauty Dior Forever Foundation in #3N On lips Dior Beauty Dior Addict Lipstick in #100 Nude Look

V CAN ALREADY SEE THE HEADLINES: “GISELE MAKES HER COMEBACK AT 42 AND LOOKS BETTER THAN EVER!” BUT IT’S NOT REALLY A COMEBACK WHEN YOUR STAR POWER AND INFLUENCE ARE AS BIG AS GISELE’S, THE WORLD-FAMOUS MEGA-MODEL WHOSE NAME IS SYNONYMOUS WITH FASHION. JUST AS A MUSICIAN MIGHT TAKE A FEW QUIET YEARS BEFORE DROPPING A NEW ALBUM, SO TOO CAN ONE OF FASHION’S BIGGEST NAMES TAKE A BREAK AND THEN STEP BACK IN FRONT OF THE CAMERA WHENEVER SHE IS READY.HOWEVER YOU WANT TO LOOK AT IT, WE’RE THRILLED TO HAVE GISELE GRACE THE COVER OF V136! WITH HER BRIGHT PERSONALITY, WE’RE COMMEMORATING THE COMING OF WARMER MONTHS WITH OUR FAVORITE FIERY BRAZILIAN SPORTING THE BEST OF SPRING/SUMMER COUTURE. FASHION IS BACK…AND GISELE IS LEADING THE CHARGE! Photography Blair Getz Mezibov Fashion Gro Curtis Makeup Sam Visser for Dior Beauty Hair Panos Papandrianos 32

“I don’t see this as a job, it’s my life. It truly means everything for me to be able to work. Being a model is about becoming a blank canvas. It’s about really allowing yourself to dive deep into whichever environment and whatever character you need to create, to get the perfect shot. That’s the fun part about it, getting to play different roles and explore different parts of yourself.” —Gisele Bündchen

Necklace (in 18k yellow gold with black lacquer, onyx, moonstone, and tsavorite garnets) Indomptables de Cartier Bracelet (on left, in 18k yellow gold, black lacquer, onyx, and tsavorite garnets) Indomptables de Cartier Bracelet (on right, in 18k yellow gold, black lacquer, onyx, moonstone, and tsavorite garnets) Indomptables de Cartier Earrings (worn thoughout) Gisele’s own On eyes Dior Beauty Dior 5 Couleurs Couture in #519 Nude Dentelle Diorshow Mascara On cheeks Dior Beauty Dior Forever Bronze in #04 Tan Bronze

Dress Armani Privé archive Hat Khia Tullae Gloves Atsuko Kudo Necklace (in 18k yellow gold with black lacquer, onyx, moonstone, and tsavorite garnets) Indomptables de Cartier Bracelet (on left, in 18k yellow gold, black lacquer, onyx, and tsavorite garnets) Indomptables de Cartier Bracelet (on right, in 18k yellow gold, black lacquer, onyx, moonstone, and tsavorite garnets) Indomptables de Cartier

Dress and shoes Fendi Haute Couture Necklace (in 18k yellow gold with black lacquer, onyx, moonstone, and tsavorite garnets) Indomptables de Cartier Bracelet (on left, in 18k yellow gold, black lacquer, onyx, and tsavorite garnets) Indomptables de Cartier Bracelet (on right, in 18k yellow gold, black lacquer, onyx, moonstone, and tsavorite garnets) Indomptables de Cartier

“You can’t get [anywhere] without being committed, dedicated, and putting all of your energy into something. That’s how you become disposable in this industry. My mindset always is: how do I show up and give my best every day? How do I better myself? When your goal is to be the best version of yourself, that drive to be your best will make your work better. —Gisele Bündchen

This page Shirt, swimwear, shoes Chanel Headpiece Heather Huey Gloves Vex Bag Atsuko Kudo Tights Falke Bracelet (in 18k white gold, onyx, emeralds, and diamonds) Indomptables de Cartier

“As a model—or even just in everyday life—you have to allow yourself to let go and trust...that’s when the creativity becomes so much more expansive. Allow yourself to go beyond your comfort zone, and real magic will happen. I’ve found that when you take a chance, you discover things that you never knew were possible. But it can only happen when you have the courage to take a leap of faith. The courage to believe in yourself.” —Gisele Bündchen

Bodysuit and tights Christian Dior Haute Couture Hat Philip Treacy Gloves Atsuko Kudo Shoes Jimmy Choo Bracelets (in 18k yellow gold, black lacquer, onyx, and tsavorite garnets) Indomptables de Cartier On face Dior Beauty Dior Forever Cushion Powder in #030 Medium

Dress Gaultier Paris Haute Couture On lips Dior Beauty Dior Addict Lipstick in #329 Tie & Dior

Dress, coat, tights Valentino Haute Couture Necklace and bracelet (in 18k yellow gold with black lacquer, onyx, moonstone, and tsavorite garnets) Indomptables de Cartier

Dress Alaïa Necklace and bracelets (in 18k yellow gold with black lacquer, onyx, moonstone, and tsavorite garnets) Indomptables de Cartier

This spread Swim Norma Kamali Gloves Sermoneta Shoes Giuseppe Zanotti Necklace and bracelets (in 18k yellow gold with black lacquer, onyx, moonstone, and tsavorite garnets) Indomptables de Cartier On body Dior Beauty Dior Backstage Face & Body Glow

This page Shirt, swimwear, shoes Chanel Headpiece Heather Huey Gloves Vex Bag Atsuko Kudo Tights Falke Bracelet (in 18k white gold, onyx, emeralds, and diamonds) Indomptables de Cartier

Swimwear Chanel Gloves Sermoneta Bracelets (in 18k yellow gold, black lacquer, onyx, moonstone, and tsavorite garnets) Indomptables de Cartier On eyes Dior Beauty Dior 5 Couleurs Couture in #629 Coral Paisley

“When you’re in your twenties, you try to fit in and you try to belong. When you’re in your forties, you feel more comfortable in your skin. I feel like I have only gotten stronger with time, and that’s in all [aspects] of my life.” —Gisele Bündchen

Swim Norma Kamali Gloves Sermoneta Shoes Giuseppe Zanotti

Dior Beauty Diorshow On Set Brow in #03 Brown Diorshow Pump ‘N’ Volume Mascara Diorshow On Stage Liner in #091 Black Bodysuit Fleur du Mal Necklace and bracelets (in 18k yellow gold with black lacquer, onyx, moonstone, and tsavorite garnets) Indomptables de Cartier

CYBER COUTURE

SHOWCASING DIGITAL INNOVATION THROUGH THE ART OF FASHION ILLUSTRATION, NICK KNIGHT AND ANNA TREVELYAN CAPTURE SS22 COUTURE LIKE NEVER BEFORE Photography Nick Knight Fashion Anna Trevelyan 46

Georgia wears dress Charles de Vilmorin Couture Earrings Bulgari Shoes Amina Muaddi

Opposite page Dress Alexandre Vauthier Couture Jewelry Messika

This page Dress Area Couture Earrings Tiffany & Co. Illustration by Jacquetta Crook

Dress, shoes Christian Dior Haute Couture Earrings Swarovski Ring Shaun Leane

Earring Tiffany & Co.

Opposite page Dress Valentino Haute Couture

This page Suit Viktor & Rolf Couture Earrings Van Cleef & Arpels Shoes Christian Louboutin

This page Dress Gaultier Paris Haute Couture Jewelry Swarovski Illustration by Paola Travers

Opposite page Dress and earrings Schiaparelli Couture On lips L’Oreal Paris True Match Nude Plumping and Hydrating Tinted Serum

Dress and headpiece Schiaparelli Couture Necklace and earrings Cartier On eyebrows L’Oréal Paris Eyebrow Artist Plump & Set in #109 Ebony

Dress Fendi Haute Couture Earrings Keren Wolf

Opposite page Dress Chanel Haute Couture Earrings and necklace Chopard

This page Illustration by Uzo Hiramatsu

Makeup Val Garland (Streeters) Hair Sam McKnight (Premier Hair & Make-up) Model Georgia Palmer (Kate Moss Agency) Manicure Adam Slee (Streeters) Executive Producer Kat Davey (Liberte Productions) Producer Bella Hollamby (Liberte Productions) Technical & Projections Supervisor Michael Gossage (SHOWstudios) Project Manager Lily-Rae Hewitt Jasilek (SHOWstudio) Digital technician Joe Colley 1st Photo assistant Grace Hodgson Photo assistants Christoph Langenberg, Joe Smart, Anita Boamah Stylist assistants Hamish Wirgman, Kit Rimmer Makeup assistants Laisum Fung, Beau Wilson Hair assistants Valerie Benavidos, Joanne O’Neill Production assistant Sonny Ray-Casson Retouching Epilogue Imaging Location SHOWstudio

SHAPES OF STROMAE GEARING UP FOR HIS SOLD OUT NORTH AMERICAN TOUR THIS FALL, THE MULTIDIMENSIONAL BELGIAN MUSICIAN SHAPE-SHIFTS UNDER THE MAGIC WAND OF DIOR BEAUTY’S IMAGE & CREATIVE DIRECTOR, PETER PHILIPS Photography Domen & Van de Velde Fashion Gro Curtis Makeup Peter Philips for Dior Beauty

This page Stromae wears Dior Beauty Dior Backstage Face & Body Primer in #001 Universal Rouge Dior Lip Balm in #000 Diornatural velvet finish Diorshow On Set Brow in #00 Universal Clear

“For most artists, success can be measured by streams and album sales. But for me, it’s about being able to fulfill my vision and have it resonate with people all around the world...that’s what makes it all worthwhile. These past few months have been a whirlwind due to the fact that I haven’t been in the spotlight for nearly 7 years. It has taken some adjusting to get used to being in the public eye again. But it feels good to return with my album Multitude, and it feels good to have feedback on my latest work after spending years creating it in private. When I finished working on the album, I spent a lot of time thinking of an appropriate title. I originally wanted to call it Folklore but Taylor Swift released her album with that title before me. So, I had to change my 60

plans. It was my brother and creative director, Luc, who pointed out to me, that in my lyrics, I like to put myself in the shoes of different characters. That’s where the idea for the title Multitude came from. It represents both the multitude of characters present in this album, but also the multitude of influences, since I was inspired by traditional and folk music from all over the world. Most importantly it speaks to the multitude of facets that a single human being can have, we are all multi-dimensional. We all have layers that are just waiting to be pulled back.” PAUL VAN HAVER (STROMAE)

Opposite page Dior Beauty Dior Backstage Face & Body Primer in #001 Universal Dior Backstage Face & Body Foundation in 7N Dior Backstage Face & Body Flash Perfector Concealer in 5N Dior Backstage Powder-no-Powder in 5N Diorshow On Set Brow in 032 Dark Brown Rouge Dior Lip Balm in #000 Diornatural velvet finish

Multitude is now available on all streaming platforms.

Shirt, jacket, tie Dior Men (worn throughout)

This page Dior Beauty Diorshow On Set Brow in #03 Brown Rouge Dior Lip Balm in #000 Diornatural Velvet Finish Opposite page Dior Beauty Diorshow On Set Brow in #03 Brown Diorshow On Stage Liner in #091 Matte Black

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’’ OW N . S L C A LIP OF VER. ARK SIDE PETER PHI O S E D K — ILD TA S AND THE H C R C NE HI THE INTYLE GRAP E R E H -S ENT W, MEMPHIS M O M DS AL U R R E OW C LO U S A G B IN IN CREATE PONY’ RA , S E P A TL HIC SHND ‘MY LIT P A R ND G WE FI ORS A

This page Dior Beauty Diorshow On Set Brow in #00 Universal Clear Diorshow On Stage Liner in #001 Matte White Opposite page Dior Beauty Diorshow Mascara in #090 Black Diorshow On Stage Liner in #091 Matte Black Rouge Dior in #999 Matte

This page Dior Beauty Diorshow Mascara in #090 Black Diorshow On Stage Liner in #091 Matte Black Rouge Dior in #999 Matte Opposite page Dior Beauty Diorshow Mascara in #090 Black Diorshow On Stage Liner in #001 Matte White Rouge Dior in #999 Matte Diorshow On Set Brow in #00 Universal Clear

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Makeup Peter Philips (Art + Commerce) for Dior Beauty Hair Joeri Rouffa (The Wall Group) Producer Sara Bielecki (Photobomb Production) Stylist assistant Juliana Bassi Makeup assistant Ayana Awata Production Coordinator Vincente Luna (Photobomb Production) Production Assistant Omar Quiroga (Photobomb Production) Location Popsicle Studio L.A.

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OLIVIA DEJONGE HEDI SLIMANE POINTS HIS LENS TOWARD THE LATEST GENERATION OF CINEMA STARS Photography Hedi Slimane Interviews by Czar Van Gaal Alex Blynn Kevin Ponce 68

“I first got into acting when I was around nine or 10 years old. I did after-school acting classes for a while, and really just saw it as a means of self-expression and fun. Both my parents were a brilliant combination of support but also never pushed me into it, which I think is important as a kid. I owe them a lot for that. Reading [each] script thoroughly and understanding it inside and out always comes first. I’ll watch videos, interviews, listen to music, and make playlists that are either related or I feel are inspired by the characters. [The most challenging character yet is] probably Priscilla Presley–definitely a lot of imposter syndrome walking onto that set, as well as pressure that I put on myself. [I just want] to keep making movies with people who love making movies, for people who love watching them.” DeJonge is starring in Elvis in theaters

HAVANA ROSE LIU “I think the art forms I was straddling [at NYU Gallatin] subconsciously led me to acting. Doing visual art gave me a way of perceiving the world through its symbolism and metaphors. Dance gave me an understanding of collaboration, crafted emotion, presence, timing, and my own body. And experimental performance art gave me this slightly playful relationship to defined reality. I also think being mixed race and having to jump between cultures has made me feel like I’ve been learning to act my whole life. All this being said, sometimes in discussion with other actors about acting…I start the conversation so eagerly, but then I break out in a sweat. Because occasionally it doesn’t feel like the same craft at all, and I start to think I must be doing it all wrong. Brutal imposter syndrome, hugging me again!” Liu is starring in No Exit on Hulu

RACHEL SENNOTT “I was a theater kid. So if anyone thought I was cool, sorry to disappoint. I would write and direct these plays that I forced my siblings to be in and I was always filming music videos to my favorite songs. I really became infatuated with the art of acting when I got a really bad case of pneumonia right after my ninth birthday. I had just gotten a childsize vanity and the Guys and Dolls DVD, and I would just sit in front of the mirror and lip sync to all the songs until I got better. My parents have always believed in me and supported me even when they didn’t necessarily get what I was doing. When I first got into acting, I did not fit into the mold and struggled with it. I have since realized that your uniqueness and individuality is what gets you work.” Sennott is starring in A24’s Bodies Bodies Bodies

EMMA APPLETON “My first experience of acting was when I started dancing and doing musical theater. Singing was not my forte, so I threw myself into the acting and dancing parts of it. I found it surprisingly easy to pretend to be the scarecrow from The Wizard of Oz, or a cat, completely immersing myself in a character that felt utterly freeing and magical. Every single role is different, but what I find myself doing more is just spending time in their headspace. I try to get the basics down and flow from there, because if you have the truth of the person, then you always have that to go back to if it feels like they’re running away from you. I want to keep exploring a range of roles so I’m always surprising myself. But honestly, as long as I can stay acting and collaborating with creatives that I love working with, then I’m more than happy.” Appleton is starring in Pistol on FX

ISABELLE KUSMAN “I was cast as Annie in a small Annie production my freshman year of high school. The concept of acting was foreign to me. I auditioned solely for the required credit. It’s inscrutable to me how quickly and deeply I fell in love with the art through such an incidental occasion. I am violently ambitious by nature. I have this horrific problem where I don’t register failure. If I want something and I can see myself doing it, I go for it until it happens. As a kid, I was mesmerized by Natalie Portman, specifically her performance in Léon: The Professional. She inspired me before my acting career intentions had revealed themselves. I admire the trajectory of her career, how she devotes herself to projects with genuine meaning.” Kusman is starring in The Fabelmans on Amazon

QUINTESSA SWINDELL “My dad would bring this portable TV into his office when he was working late. It kept me busy, but I also became mesmerized with the beauty of film, which would later inspire me to audition for a theater school and pursue acting. Years later, my high school acting teacher taught me to hone in on my skills, to always take my time, and to be honest with my emotions in every role. I think my most challenging role yet will be in Deadpoint. I’ve begun 12 weeks of rock climbing training. I’m really tough on myself when it comes to physical work in films. If I’m projecting a character with a particular skill…it’s gotta be perfect. Physical training has given me a newfound comfort in my mental and physical strength that I never knew I could have. I’m finally starting to look at myself in the mirror and be proud of the person looking back.” Swindell is starring in Black Adam in theaters

DASHA NEKRASOVA “I was obsessed with late-night television as a kid, in particular David Letterman, and I think my earliest aspirations to be an actress arose out of a desire to be seen and affirmed by someone like Dave. It wasn’t until I started studying Strasberg technique with a teacher named Tony Greco that I started to take acting seriously as a vocation, as something that required discipline and could be generative, generous, and meaningful. I don’t know if I am especially adept at grounding myself at all [when coming out of a role], though I’m trying. I think I will always be drawn to intense emotional states, and acting provides a context for immersion that feels healthy or at least productive.” Nekrasova is starring in Succession on HBO

SASHA CALLE “Representation in the entertainment industry really matters, and I’m super honored, honestly [to be the first Latina Supergirl]. There was a moment when we were shooting, when Andy [The Flash director Andrés Muschietti] was like, “Hey, come over here and watch this scene on the playback monitor.” And I go over and I see her [Supergirl], and she’s in her full glory. And suddenly, I got really emotional. Because I’m looking at that, and I’m like, “Wow, I wish I would have had this when I was little.” It meant a lot to me. I turned into child Sasha watching this person [on the screen]. So it’s really important. And I’m really happy and really thankful to DC and Warner Brothers for doing this now. It’s so cool that we’re doing this, and, ya know, it’s about time.” Calle is starring in The Flash in theaters

ISADÓRA BJARKARDÓTTIR BARNEY Makeup Aaron de Mey (Art Partner) Hair Esther Langham (Art + Commerce) Manicure Honey (Exposure NY) Production Spencer Morgan Taylor (Harbinger Creative) Studio Coordinator Fleur Bougon Digital technician Olivier Looren Photo assistants Morgan Roudaut, Matthieu Boutignon, Niko Margaros Makeup assistants Tayler Treadwell, Brian Dean Hair assistant Ginger Ryan Photo Project assistant Simone Bertrand Location Hook Studios

“There was a bit of a role switch when my mom [Björk] came onto set. I had already been with the cast and crew for a couple months at that point, and, you know, I’ve also been training in stage acting for quite a while, so I felt very comfortable. Acting is less her zone, but it was really sweet of her to submit to the art form that I offer. My artistic process is also definitely dissimilar to hers. She is so completely in tune with her voice. That is her medium. It sounds corny, but in my brain, that’s like her stage, her landscape. That’s her play zone. So, a lot of her character work was created around her voice and the intention that comes out of that. I’m very movement—and physicality-based. I’m very affected by my spatial awareness. My physical self, my body, is what informs my acting.” Barney is starring in The Northman in theaters

THE EIZA TRANSFORMING WITH THE POWER OF BULGARI JEWELRY, MEXICAN TELEVISION STAR AND ACTION MOVIE HEROINE EIZA GONZÁLEZ ENTERS THE LATEST CHAPTER OF HER CAREER

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Photography Jack Bridgland Fashion Anna Trevelyan Text Kevin Ponce

Eiza wears top and leggings Loewe Earrings and bracelets Bulgari 78

All clothing and accessories Miu Miu Jewelry Bulgari On lips Fenty Beauty Stunna Lip Paint Longwear Fluid Lip Color in Uncensored

ith more than seven million Instagram followers and a burgeoning cinema presence (having worked with the likes of Lily James, Jamie Foxx, Dwayne Johnson, and Jason Statham, just to name a few!), it’s hard to have not heard of Eiza González. Having entered the world of acting when she was just a teenager, González was catapulted into superstardom when she made her grand debut as the lead in Televisa’s teen musical telenovela, Lola: érase una vez. 224 episodes later, a star truly was born. After dazzling Latin audiences globally with her quickwitted charm and mesmerizing allure, she was ready to take on Hollywood—quickly landing lead roles in shows and films like From Dusk till Dawn: The Series, Baby Driver, and even Fast & Furious spin-off Hobbs & Shaw. As the screen chameleon’s acting chops blossomed before the world’s eyes, opportunities in fashion and beauty soon appeared, as Bulgari, the Italian luxury jeweler, tapped González as their first Latin-American brand ambassador. And now, as the actress celebrates 15 years in the industry and looks forward to an abundance of exciting, new projects in the works for her fans to enjoy, V catches up with González to discuss the trajectory of her wide-spanning career, and why Latin representation is crucial, perhaps now more than ever before. V Magazine: Where in the world are you now, Eiza? Eiza González: I am currently in London, but I recently moved to New York last year. I really didn’t get the chance to fully experience it yet but I love it. I went to school in New York—I went to the [Lee Strasberg Theatre & Film Institute]—it’s my first love. V: I always love hearing that! How did you like the photo shoot? EG: I’m super excited [about it]! I love when I get the chance to collaborate with people who are just really talented. I’ve always wanted to work with V Magazine for a very long time, so I was happy to be shooting for you because it’s very rare [that] I find people who understand how to push me to a different place. Especially as a Latin woman, there’s a predisposed idea [of us], but I feel like the times are changing and so is fashion and people are becoming a bit more ballsy and pushing boundaries—but V has been doing it for a very long time. I called Jack [Bridgland] the day before and I was like, “I really wanna bleach my hair and eyebrows, and he’s like, ‘Oh my God, really?’ and even on the day of, they were on the fence, [but] I was like, ‘Let’s just do it. It’s gonna be so cool!’” V: Our jaws quite literally dropped—it’s definitely another side of you that your fans and viewers haven’t fully seen over the course of your work from the last 15 years. EG: You know, I’ve [had] many lives—I’ve been a child star, I’ve been a pop star, I’ve been a soap opera actress, I’ve been a Nickelodeon girl, and I’ve transitioned [in my career] to the American market. I’ve never really liked to define myself as one thing specifically, especially because I started [my career] in the early 2000s in a country that puts you in a specific box for a very long time. V: Fast-forward to now, where a lot of us watch you because of the Western boom that you brought to your career. So from having made it in Mexico to experiencing a career rebirth in the states, what do you think has been the main driving force in guiding your career path to where you’ve been? EG: Since I was really young, no one was really crossing over besides Salma [Hayek] and she did it way before I even started working. But I [was] always guided by passion. I never had Hollywood as a goal—I was just always inspired by art. My mom let me leave Mexico at the age of 15, and I went to New York and then Argentina for almost three years [and] I was really influenced by the world, so my transition [to the Western market] wasn’t as hard when it comes to cultural adaptation. I think what shocked me was discovering the discrimination around the world, I never experienced that before. I just learned how to navigate it [and] not let it affect me, but empower me. V: It’s interesting that you bring up discrimination. Especially being a Latin woman in any sort of industry, you’re gonna be facing the odds against you. Did you ever feel that the hardships were even that much tougher when you entered the Western market? Or that the system was setting you up for failure? EG: 100 percent. I was naive [when] I moved [to the U.S.] right after my last soap opera. I was full of excitement and had the dream in my back pocket and [then] it was all sort of shocking. I moved to the U.S. in 2012 and the Me Too movement hadn’t happened yet, and Black Lives Matter either. There wasn’t such an awakening of understanding [women and] minorities yet, so it was definitely tough throughout my career. You are going on an uphill battle for sure, and it takes a lot of pushing and pulling, and I’ve learned with time to feel more confident in taking up space. That’s why it’s important to have mentorship, too—to support your own people and your community because it’s a really challenging business. And I do believe the Latin woman really struggles in this business because it’s hard for us to deconstruct stereotypes and re-educate people. V: Absolutely. Did you ever have a mentor in your life or were you your own support system? EG: I was my own support system, and that’s something that I find a shame. Inherently, the setup for women, in general, is a competition against each other by default, no matter what your ethnicity is—add a layer of being the 5 percent of people in this industry and then everyone’s killing for a job. It doesn’t allow us to bond in a way that could be more proactive. So, I’m really grateful for other women that are making an active effort in my business. I’m moving toward a place where my platform’s becoming a bit bigger and I wanna be able to use that and bring more opportunity to my people and the talented female cinematographers, writers, and actresses that we have in our country. I don’t want to wait forever, I want to start

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soon because then we can take up so much space that no one can say no to us. With the little power that I have, I will try my best to do so. V: And when it comes to your industry, do you feel that the Latin representation is getting to a place that is growing for the better? Or is it still stagnant in the way it operates? EG: I think that the movements and standpoints that a lot of people have taken, including the bravery of other actors, have helped us open and craft a conversation [for] people to become more aware of these issues. There’s this sort of thing that happens in [cinema]—whatever role breaks you into the industry, it will determine what [characters] you get and what kind of actor you’re being addressed as. For the longest time, people saw me as just a bombshell because I starred in certain roles due to the time we were in. I think that if I would’ve broken into the industry today, people would have a completely different point of view of me. I’m finally getting to a place in my career where I feel really comfortable with what I’m doing. V: Growth takes time! And it’s the 15th anniversary of your career, which really all started when you were just a kid, transitioning professionally and personally from one era to another. Within those past 15 years, what are some lessons you’ve learned that impacted you the most? EG: I perfectly remember my first few auditions and how terrified I was, and how terrified I still am. What I’m learning is that I’m my best when I’m vulnerable and open, and when I let someone’s opinion influence me—that’s when I feel the most inspired. I would recommend that to a lot of people because inherently, we’re all terrified of failure. And this industry will forever reiterate failure on you. So if you are letting failure dictate your art, then there’s no expansion—there’s no room for growth. You have to fail. You have to be open to being redirected and always learning, V: Being a forever student is sometimes the best approach to life. Opportunities for growth, whether that is professional or even just personal, are the lessons that stick with you. The best method is to let it affect you—whatever happens, it will bring a lesson or two. Everyone should be lucky to learn a lesson or two in life. EG: I think that the most dangerous place to sit is in a righteous place. And we see it, especially with our world leaders right now, more than ever. It’s so dangerous, not to only you but to society, and I think that it’s just such a poor way of living and such a disservice to yourself. V: And after the 15 years that you’ve been in the industry, you’re not showing signs of slowing down any time soon. And with a few new projects that you have coming up, such as the new movie Ambulance, I want to discuss the impact that roles have on you nowadays. What was it about the role of Cam, especially after this milestone that you’ve just had, that heralds importance for you? EG: I would say Cam is my most important role yet. It’s my first big female lead role [that] I’ve never done. When this role came to me, I opened ten pages [of the script] and I closed it—I was terrified. I was like, “Who do I think I am that I’m gonna bring to life a first-line responder in the middle of a pandemic?” I was out of my mind, [thinking] people are gonna think I’m a bimbo, running around in a costume. [But] I grabbed the script again and I just fell in love with her. She was jaded, which is something I can relate to, from a business that can be really tough on women, and from also seeing death left and right. I just knew I needed to do it because I felt the obligation [to do so]. I felt like it was the one thing that I really wanted to give back to frontline responders. It’s really about the dynamic between three complicated people when society fails you and it’s such an interesting conversation about what defines the American dream. The process [of Cam] for me was insane because I was studying the script, but I was also really studying what it was like to be an EMT. V: What did that EMT research look like? EG: [It was about] what [the job] looked like, how they live, how they breathe. I would park outside of Cedars-Sinai and I would watch them come in and out from the ER and analyze how they speak. I talked to medics, nurses, surgeons, learned the [medical] lingo and dialogue, how they actually would say it. I just prepped myself for four months and rode on ambulances, just [experiencing] the whole thing. That’s how much admiration and respect I have for frontline responders, and I hope that I do them justice. V: Anyone in the profession of giving their lives to help the public is something that I think should always be respected and spotlighted. I think everyone’s going to be excited to see it, and your other projects. EG: That [was one of the] projects I’m excited about. I’m doing a TV show right now with [David] Benioff and [D.B.] Weiss, who created Game of Thrones. It’s based on this book called The Three-Body Problem and it’s a massive Chinese sci-fi novel about the possibility of what actually would happen if we had real connection with [extraterrestrial] life. I did another show called Extrapolations, in which I got to work with Marion Cotillard and Forest Whitaker. After COVID, I just really felt like I wanted to take risks that were going to force people into looking at me differently. That’s the other beauty about this business—nothing has to be forever. I also want to start flexing my other chops, like directing. I’m really taking it seriously so it’ll probably be sooner than rather than later, for sure. I’m also producing a movie about this mega movie star in Mexico, Maria Félix. The process of producing has been incredible— it’s just unbelievable to discover so much talent around the globe. I really want to encourage women to take risks by going for it, doing it all, and being okay with failing and trying again—that’s part of discovering what your journey is like. V: Exactly. If there’s anything I think society knows for sure, especially with the way women have evolved over the years, we can do it all. EG: Totally! You’ve just gotta push and shove to get that seat at the table because you are capacitated to be in that seat—that’s for sure. Head to VMagazine.com to read the extended interview.

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Makeup Porsche Poon Hair Franco Gobbi (Streeters) Manicure Simone Cummings (CLM) Production Louise Porter (DAIS Agency) Digital technician Jon Rose Photo assistants Henry James, Aaron Crossman Stylist assistant Rosie Borgerhoff Mulder Makeup assistant Elaine Lo Hair assistant Vimal Chavda

REMINISCENT OF COUTURE GOWN FASTENINGS, THE CARTIER AGRAFE COLLECTION TURNS UP THE HEAT WITH THE SEASON’S MOST SULTRY JEWELRY Photography Marcus Ohlsson Fashion Gro Curtis

Felice wears bikini Hermès Bracelets in pink gold and diamonds Cartier Agrafe

Swim Nina Ricci Sunglasses Panthère de Cartier Bracelet in pink gold and diamonds Cartier Agrafe On lips Chanel Beauty Chanel Rouge Allure L’Extrait Review in #812

Swim Alaïa Necklace in pink gold and diamonds Cartier Agrafe Swim Chanel Necklace in pink gold and diamonds Cartier Agrafe On skin Clarins Super Restorative Day SPF 20

Casting Director Shaun Beyen (Plus Three Two) Production Karin Lund (LundLund) Digital technician Filip Hanning Lighting assistant Maya Zardi Stylist assistant Marie Poulmarch

Makeup Lili Choi (Calliste Agency) Hair Jacob Kajrup (Calliste Agency) Model Felice Nova (Elite Models) Prop stylist Sati Faulks (Bryant Artists)

Clockwise, from left Charlie wears dress Prada Dixie wears dress Valentino Heidi wears top Etro Jewelry Tiffany & Co. On eyes Charlotte Tilbury The Feline Flick in Panther

AHEAD OF THE NEW SEASON OF HULU’S BUZZIEST REALITY SERIES, THE D’AMELIO SHOW, TIKTOK’S FIRST FAMILY CHATS ABOUT THEIR RAPID RISE TO FAME AND THE ALL-IMPORTANT NOTION OF TOGETHERNESS, WHILE SPORTING THE LATEST TREASURES FROM TIFFANY & CO. Photography Domen & Van de Velde Fashion Director Nicola Formichetti Set Stylist Joey Thao Text Kala Herh The D’Amelios lounge on the couch, surrounded by the warm affection of each other’s company and the Californian sun. This is an unfamiliar sight for the teenage sisters (better known for their quippy TikTok videos), but one that’s come to light in their recent Hulu docuseries, The D’Amelio Show. Where there were once the Duggars, Kardashians, there are now the D’Amelios–leaping from the app universe to the big screen, exposing both the thrills and challenges of newfound fame. And this scene, which sees the family navigating their new life, is the ne plus ultra of their core, one that is rooted in family love and support. Chatting about Charli’s 17th birthday festivities, they seem like your typical American family (and in many ways they are). But unlike other families, the D’Amelios (made up of daughters Charli, Dixie, and mother Heidi) have a whopping 205 million TikTok followers between them. Known affectionately as the “First Family of TikTok,” the D’Amelios have created an empire built on influence, powered by lucrative brand deals, alluring magnetism and, more importantly, family values. “My parents have definitely been my rocks throughout all of this. I feel like I can go to them with anything,” Charli tells us from their new home in Hollywood Hills, where they moved to after the sisters became wildly, inexplicably famous for their “Savage,” “Supalonely,” and “Cry Baby,” dance renditions. It’s quite a jarring transition to go from the quiet shore town of Connecticut to the sunny, often fame-obsessed hills of California, but one the family is taking with stride. The D’Amelios lead a new wave of Gen-Z content creators who are continuing to dominate the Internet, replacing the likes of conventional celebrities (a term, by traditional definitions, the family doesn’t consider themselves ones). And if you ask the family why or how they’ve been anointed with TikTok stardom, they don’t have a clear answer. But as you scroll through their respective social media accounts, you slowly come to the answer yourself. They’re undeniably charming, charismatic, and humble–adding to the latter point, Charli and Dixie credit most of their success to their parents. “We’ve gotten a lot of comments that say, ‘The parents are in control, they want this and they want that,’” Dixie says. “If I see anyone say anything like that it really hurts because my parents are the best thing in my life.” And perhaps, this down-to-earth nature lies at the heart of the whole family’s appeal. Despite all the fame they’ve accumulated over the years, they’re still the same D’Amelios you first fell in love with. 88

Instead of following the traditional grain of influencer culture, which often conveys unattainable standards of beauty, the sisters are a refreshing breath of air–cultivating a fan base founded on being unapologetically themselves. Put yourself out there on your own terms, and as the family has proven with true authenticity, they will come. But with all ups, come downs. And when you’re an influencer who’s famous for being yourself, you face a lot of scrutiny. Since amassing millions of followers on all different platforms aside from TikTok, the D’Amelio sisters have openly expressed their periodic torrents of scorn by commenters. But like every other aspect of their life, they leaned on their family to get through the worst bits. “They’ve had so many firsts and I think that’s my favorite part, being able to be there and witness them,” shares their mom, Heidi, who often reminds her girls to lean into the positive in bouts of overwhelming negativity. These “firsts” Heidi is referring to are ones her fans know all too well–Charli’s Teen Choice Awards nomination and win, Dixie’s performance at Madison Square Garden and both of their names on the Forbes 30 Under 30 list. It’s clear that while the family may have cultivated their star status from social media, those were merely springboards toward larger, more ambitious goals and aspirations. And like all profitable family empires that came before them, the family has laid stake in diverging realms, taking over entertainment (debuting their own reality TV show), fashion (partnering with Hollister to create a teen clothing line, Social Tourist) and even music (Dixie’s first single reached Billboard’s Top 40 list). Throughout it all, the family has brought their fans on their journey and won over the hearts of millions. Just this year, Charli and Dixie were crowned the coveted title of highest-earning TikTokers by Forbes. But even from the top, the family recognizes the risks of the industry and how stardom can go as quickly as it came. Yet, they are seemingly unfazed by this challenge, instead, fearlessly forging ahead and creating formidable barriers to maintain their empire. And with that universal truth, comes another one: despite all the fame and popularity they’ve amassed, it seems that the D’Amelio dynasty has just begun. Head to Vmagazine.com to read the exclusive interview where Dixie, Charli, and Heidi D’Amelio detail their latest endeavors that will put them one step closer to world domination.

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From top to bottom Dixie wears dress Valentino Charlie wears dress Prada Jewelry Tiffany & Co.

Dress Prada Jewelry Tiffany & Co.

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Jewelry Tiffany & Co.

Dixie, (on left) wears dress Valentino Charlie, (on right) wears dress Prada

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Jewelry Tiffany & Co.

Makeup Cedric Jolivet (The Wall Group) Hair Joeri Rouffa (The Wall Group) Set design Enoch Choi Production Sara Bielecki (Photobomb Production) Fashion Director assistant Hunter Clem Stylist assistant Summer Horchem, Byron Alvarado Makeup assistant Kay Wamser Hair assistant Brandon Mayberry Production Coordinator Vincente Luna Location JK Media Group Studios

Producer Raffaele Panizza Photo assistant Mattia Gallo

WHAT V WANT STORIED ITALIAN HOUSE, VALENTINO, REVAMPS ITS SIGNATURE METAL STUD DETAILING AS THEY DEBUT THIS SEASON’S MUST-HAVE BAG Photography Mattia Balsamini

From allover monograms to understated design notions, luxury houses are masters at reconstructing house codes for the present-day. For Valentino, the brand’s romantic legacy has been refocused through its signature stud detailing. Featured across a bevy of the Italian house’s sought-after footwear and accessories, the stud detail was conceptualized in the early 2010s as an ode to the stringent lines of rustic Roman architecture. Now, Creative Director Pierpaolo Piccioli is boldly reimagining the label’s trademark for the Fall 2022 season. Set against the collection’s powder-pink gowns and jet-black outerwear, fresh iterations of the stud emblem took center stage throughout. Emerging from the stylish pack of slouchy shoulder bags and padded clutches was the house’s newly unveiled One Stud bag. Boasting a sleek leather facade with an adjustable chain, the accessory harkens to the early days of the stud as well as the structured accessory silhouettes of the house. This time, an enlarged single stud is the focal point of the streamlined bag—the ideal keepall for a glamorous night out or quiet afternoon stroll. Veering from previous multi-stud designs, Valentino’s new must-have is a welcomed option for those seeking a glossy, versatile bag grounded in simplicity and craft. Without shunning its sartorial past, Valentino has re-upped its vision for the dynamic, statement-making woman, of course, with a handful of stud details to tout. MATTHEW VELASCO 96

Valentino Garavani One Stud bag ($3,200, available at select Valentino boutiques.) Robot by IIT- Istituto Italiano di Tecnologia