THESIS PORTFOLIO- 2022
Museum Of Contemporary Art And Architecture
PRESENTED BY NAME: VAISHNAVI. VK REG NO :183701200 SEM :VIII B MSAP MAHE
PROJECT FORMULATION
TOPIC BRIEF
AIM To create a space providing an intimate experience between people and art by incorporating design and aesthetic into the structure and by promoting local artists and contemporary art into the museum and to act as a landmark in the city of Mangalore
OBJECTIVES Physical To create a comforting environment with adequate lighting and thermal levels to cater to the visitors/ tourists. To create a liesure space which is ideal to visitors.
REASON/ PURPOSE OF VISIT MANGALORE (TOURISTS)
The proposed thesis project aims to construct a “Museum of Contemporary Art and Architecture” promoting contemporary art which is the art of today, which aims to break the conventional ideas of museum instilled in people. The “Museum of Contemporary art” aims to expose the people of India to diverse art styles, technology and design on a global level while representing architecture through its design and structure.
DEVELOP MANGALORE INTO A PREFFERED TOURIST SPOT MODES OF TRANSPORT TO ARRIVE IN MANGALORE
8.3 8.3
21.67, 22%
30, 30% 46.67
11.67, 12%
FOCUS
21.6
36.67, 36% 15
TO CREATE A WORLD CLASS STRUCTURE THAT ACTS AS A LANDMARK IN THE CITY.
Pilgrimage Business
Economic
Rest and liesure Curiosity
Improved transport
Maintainance and clean
hotels/ accomodation
own vehicle train
SOURCE: https://citeseerx.ist.psu.edu/viewdoc/download?doi=10.1.1.567.5038&rep=rep1&type=pdf
EXISTING ART GALLERIES
The museum acts as a tourist attraction which promotes economic boost as well as provide employment and promote local artists.
Additional attractions/ facilities
taxi/tourist vehicle public transport
NO OF VISITORS IN MANGALORE
16 To create a world class structure.
Educate It educates people about modern and contemporary art as well as display cultures of Mangalore. Architecturally structured to amaze and promote architecture as an art form.
12 10
To create a platform to represent futuristic art forms
Culture
14
Promote cultural art
8 SCOPE
To create a barrier free museum.
CHITRALAYA ART GALLERY
6
To promote the culture of Mangalore by promoting local artists and promoting social relationships between people and artists or art.
4 To create an immersive experience
METHODOLOGY Relevance of project in Mangalore
Project proposal
2 To attract tourists and promote economy
0 jan
feb
march
april
may
june
july
august
sept
oct
nov
dec
By analysing the statistics of domestic overnight visitors, foreign overnight visitors and day visitors, the graph is produced. In which in total February carries the highest number of visitors. PRASAD ART GALLERY
Site study
KARNATAKA TOURISM POLICY 2020-25 • Provide a conducive business environment with investment-friendly policies to encourage private sector participation in the tourism sector • Tap the tourism potential of Karnataka to offer world-class experience to visitors through a diverse array of high-quality products and services
As a developing town which makes it a hub of culture, economy, education and tourism this museum of contemporary art will create an interest in the cities recreational and leisure scene as there is a shortage of museums in Mangalore. With the growing population of Mangalore at a 1.54% growth rate with a population of 7,24,000 Even after the covid pandemic, Karnataka was one of the top 5 visited states in India. The online survey had a total sample size of 1,448 adults and fieldwork was undertaken between September 21 and 27, 2021.
2 MONTHS VISITORS COUNT
Literature study Literature/ case study
https://www.thehindu.com/news/cities/bangalore/karnataka-among-topfive-most-visited-states-survey/article37409483.ece
Art and Design
Bye laws
types of museums
Standards
Contemporary art
Guidelines
Visual art types
Barrier free design
Guggenheim museum
Museum of contemporary art Tokyo
National museum, New Delhi
Bihar museu m, Patna
Comparative analysis
What is Contemporary art? Contemporary art refers to art—namely, painting, sculpture, photography, installation, performance, and video art—produced today,
IMPORTANT ASPECTS OF MUSEUM DESIGN
What is a museum? A Museum is a non-profit, permanent institution in the service of society and its development, open to the public, which acquires, conserves, researches, communicates and exhibits the tangible and intangible heritage of humanity and its environment for the purposes of education, study and enjoyment.
Contemporary artists work in a globally influenced, culturally diverse, and technologically advancing world. Their art is a dynamic combination
ART GALLERIES
of materials, methods, concepts, and subjects that continue the challenging of boundaries that was already well underway in the 20th century.
EXHIBITIONS
ADMINISTRATION
LIBRARY
RESTAURANT
Contemporary art is part of a cultural dialogue that concerns larger contextual frameworks such as personal and cultural identity, family, community, and nationality.
Museum Of Contemporary Art and Architecture
CIRCULATION
ACOUSTICS
COLOUR
STORAGE
SERVICES/ DISASTER MANAGEMENT
DISPLAY TECHNIQUES
GALLERY DESIGNS
SECURITY
MAINTAINANCE
ENERGY EFFICIENT
FURNITURE
Project consists of spaces like LANDSCAPE
Diverse and eclectic, contemporary art as a whole is distinguished by the very lack of a uniform, organising principle, ideology, or "-ism".
USER BEHAVIOUR
THEATRE
SERVICES
VAISHNAVI.VK 183701200 PROJECT FORMULATION
1
LITERATURE
GALLERY DESIGN
Difficulties encountering in viewing details 3ft below or 1ft above
DISPLAY TECHNIQUES PASSIVE COMMUNICATION - Graphic panels – text and images - Object labels – for individual objects - E-labels- incorporate text, images, video, audio and interactivity. - Images and illustration – photographs, maps, drawings and diagrams. - Models – scale models, dioramas, props, reconstructions. ACTIVE COMMUNICATION -audio – spoken word, oral testimony, music, foreign languages - video- film, interviews, archive films, moving image effects. REACTIVE COMMUNICATION -user activated( push button, pressure pad, proximity switch -lighting effects- sequenced presentations -immersive effects- sequenced presentations with audio. -films – movies, documentaries, video
Exhibition rooms with side lighting
NATURAL LIGHTING TYPES
INTERACTIVE COMMUNICATION - Educational technology, microprocessor controlled devices, online databases - Low tech interactives- incorporate text, film, flipbooks, audio - Live interpretation – staff or actors in role play - High-tech interactives- programmed and computerised VISITOR CATEGORIZATION
Viewing distance increase with greater size of object
DISPLAY TYPES
User-friendly hands-on exhibit
Tourists, school children, college students, families, specially abled people, visually impaired people, elderly, leisure learners etc.
EXHIBITION SPACE DIVISION
Measurement of adult and 6yo visitor in relation to cases
USER BEHAVIOUR ANALYSIS VISITOR CATEGORIZATION Hanging display s
Wall mounted display
Modular display
Container display
Open display
1.
CORE AND SATELLITES
3.
LABYRINTH
LOOP
LINEAR PROCESSION
2.
MUSEUM SECURITY CONCEPT
COMPLEX
TYPES OF MUSEUM CIRCULATION OPEN CIRCULATION
Interactive display
4.
ACTIVITY ANALYSIS
SPACE ORGANISATION DIAGRAM
7 PRINCIPLES OF UNIVERSAL DESIGN TYPES OF LIGHTING
FAÇADE LIGHTING
COLOUR -Walls, walkways and furniture are usually separated from the floor colour. -Avoid certain colour combinations particularly within the same tonal range -If a space requires low lighting for conservation purposes think about putting lighter colour ranges to compensate.
USER
EQUITABLE USE
Possible gallery arrangements ACTIVITY Visual experience Shopping Reading Dining Parking Walking Sanitation
OUTDOOR LIGHTING
NATURAL AND ARTIFICIAL LIGHTING TYPES OF ARTIFICIAL LIGHTING - ROOM LIGHTING - EXHIBIT LIGHTING - DIFFUSED LIGHTING - INDIRECT LUMINARIES - WALLWASHERS - SPOT LAMPS - DIRECTIONAL LIGHTING - LUMINOUS CIELINGS - COVE LUMINARIES - INTERGRATED LIGHTING
Socio-demographic- age, sex, occupation, education, type of community. Museological characteristics: interest in exhibits, professional etc. Range characteristics: visitor time, type, frequency of visit etc. Psychological characteristics: visual, acoustic, passiveactive response etc. Source – Time savers standards, NBC
FLEXIBILITY IN USE
SPACES Gallery spaces Exhibition Restaurant Shops Library Reception Conference
TOURIST
outdoor space as well as the architecture itself also determine visitors' lasting impressions. In outdoor spaces, too, the objective is to present art in ideal light – whether this be an atmospherically illuminated sculpture garden or a tantalisingly accentuated statue on the forecourt.
Façade lighting is used to highlight architectural lines, textures, and focus points. However, from dusk till dawn, lighting and shadows can be used creatively to alter a building’s architectural identity
LOW PHYSICAL EFFORT
TYPES OF GALLERIES
SIZE AND SCALE FOR APPROACH AND USE
SIMPLE AND INTUITIVE USE
Office work Monitoring Meeting Retiring Dining Sanitation
Reception Info centre Office Security room Staff rest room Meeting hall
Working Servicing Retiring Dining Sanitation
Janitor Housekeeping Maintainance HVAC room High tension room Toilet
ADMIN TOLERANCE FOR ERROR
EARTH/ LAND ART
PERCEPTIBLE INFORMATION
INSTALLATION ART SERVICERS
PHOTOREALISM
CONCEPTUALISM
MINIMALISM
DIGITAL ART
STREET ART
PERFORMANCE ART
Source – Time savers standards, NBC
Museum Of Contemporary Art and Architecture
Restoration Storage Service Dining Sanitation WORKERS
VAISHNAVI.VK 183701200
Storage Store Workshop Archive Rest room Staff canteen Toilet
LITERATURE STUDY
2
CASE STUDY
BIHAR MUSEUM, PATNA MUSEUM OF CONTEMPORARY ART TOKYO
GUGGENHEIM MUSEUM BILBAO The work of American architect Frank O. Gehry, the Guggenheim Museum has played a key role in the urban revitalization and transformation of the area, in addition to becoming the symbol of the city of Bilbao, Spain. The building is a perfect example of the more avant-garde architecture of the twentieth century and represents a landmark for its innovative architectural design both abroad and domestically, forming a seductive backdrop for the exhibition of contemporary art. Visits can be made to both the interior and the exterior of the building.
Location : Bilbao, Spain Architects : Frank O Gehry Area : 11,000 sqm
Location : Bihar, Patna Architects : Maki And Assosiates, Opolis Client: Department Of Art, Culture And Youth, Government Of Bihar,india. Area : 58,480 Established :2018 Built Up Area : 24,658m2
LOCATION : Tokyo, Japan ARCHITECTS :Takahiko Yanagisawa AREA : 24,000 SQM MAJOR SPACES: exhibition space, art library.
Established : 18TH october 1997 Visitors : 13,22,611 (2017) Built up area : 32,500 M2
With a total of 4,000 square meters of floor space on three floors, each with different ceiling heights (4m/6m/9m), as well as an Atrium which captures natural light (h.19m), it was able to utilize space as an important element, presenting contemporary creative activities in an effective fashion, striving to display the works in a manner that will create a fresh and surprising space in order to attract a wide range of visitors the museum.
MATERIALS limestone, glass and titanium, the museum used 33,000 pieces of titanium half a millimeter thick, each with a unique form suited to its location. As these pieces are so thin, a perfect fit to the curves is necessary. The glass has a special treatment to let in the sun’s light, but not its heat.
The edges of the clouds are sharp yet soft, and always in motion. Their color, density and brightness are constantly changing in tune with the weather and time of day. The temperature and humidity inside the container are controlled to keep the clouds at their designed height. The air inside the container forms three distinct strata, one cool and dry, at the bottom, a warm and humid middle stratum, and a hot and dry stratum at the top. The warm, humid layer is where the clouds form.
COMPARITIVE ANALYSIS
SITE DISTRIBUTION A small bank of clouds in the Sunken Garden of the Museum of Contemporary Art Tokyo. The clouds billow softly in a compact, transparent container and can be seen from the entrance hall, exhibition galleries, outdoor plaza, and other parts of the museum. The Art Library specializes in contemporary art. It collects and stores literary materials and exhibition catalogues related to modern and contemporary art as well as art periodicals, making them widely available to the public. Anyone can use the library without charge. The Art Library for Children features art books for children
Between six and eight temporary exhibitions are held every year, covering a wide range of themes and genres centered around contemporary art, ranging from those that introduce and review artistic trends, focusing on emerging artists here and abroad, to those that examine the historical contexts of the works with reference to the museum’s collection. These highquality exhibitions, based on wideranging, continuing research and collaborations, present new viewpoints from which to consider contemporary art in the present day while questioning people’s values.
AREA DISTRIBUTION 3%
SECTION
Name
Guggenheim museum Bilbao
Museum of contemporary art Tokyo
National Gallery of modern art, New Delhi
Bihar museum, Patna
Built up area
11,000 sqm
24,000 sqm
18,000 sqm
17,000 sqm
Climate
Temperate climate
Humid subtropical
Composite climate
Humid subtropical
Ground coverage
80%
20%
25%
33z%
Total area
24,000 sqm
24,000 sqm
30,000 sqm
56,250 sqm
Major spaces
Permanent and visiting exhibits
Exhibition space, art library
Conservation gallery, library, historic gallery
Galleries, shopping areas, administrative spaces.
Architect
Gehry partners
Takahiro Yanagisawa
Gwyer committee
Maki and associates, Opolis
Inference
The sharp contrast makes it stand out in its surrounding. The interior gallery spaces deigned according to the exterior building envelope was to be studied.
Provides an immersive art experience creating an interactive experience . the largest library of its kind is in this museum. 5 zones of activity which are categorised according to spaces.
Circulation and zoning is designed to keep visitor experience in mind. Central atrium to create a focal point. Open space and built-up space almost equal. And majority of building area for exhibitions
Integration of spaces and use of natural lighting are the main aspects to be studied as well as the scale of the building . site and building distribution incorporated as exhibition spaces take the majority of built space with open space as the majority in site zoning.
It is situated on a plot of 32,500 square meters, of which 24,000 square meters are occupied by building. 9,066 square meters are devoted to exhibition spaces
NATIONAL GALLERY OF MODERN ART, NEW DELHI
SITE DISTRIBUTION
A L U M I N I U M
•Managed by: Ministry of culture •Year : 1954 •Location : New Delhi, India
AREA DISTRIBUTION
W O O D
Site plan
National Museum of India, in New Delhi, museum devoted to Indian art history and iconography as well as to Buddhist studies. The museum was merged with the Asian Antiquities Museum to bring the treasures of India and Central Asia together. The collections include examples of art and archaeology, anthropology, decorative arts, and epigraphy. 18,500 SQM CONCEPT DEVELOPMENT
CIRCULATION
BASEMENT AND GROUND FLOOR PLANS
Museum Of Contemporary Art and Architecture
VAISHNAVI.VK 183701200
CASE STUDY
3
SITE SELECTION
SITE ACCESSIBILITY / CONNECTIVITY And according to the Mangalore bye laws areas that are used for exhibition spaces, library, cultural buildings are permitted under the agriculture zone. As per a new agreement the land owner agrees to construct a world class IT infrastructure in the adjacent site deeming it a commercial land use. Source: https://www.daijiworld.com/news/newsDispla y?newsID=888750
MANGALORE
DAKSHINA KANNADA
INDIA
Vehicles can easily access the site by the KochiKanyakumari highway. There is a bus stand almost 15 mts in proximity to the site. Closest bus stand – Bejai KSRTC bus stand Closest airport – 9.9 km away Mangalore International airport. Which will increase tourism and accessibility.
KARNATAKA
Closest railway station –6 Kms away . Mangalore central railway station.
7.5 km away to Tannirbhavi beach on route. Mangalore city is part of the new smart city initiative and is also home to new developments and infrastructure. The site is located towards the west of Mangalore which attracts tourists due to the water features present around.
THE SITE IS A PRIVATE LAND AND
CLIMATE ( MACRO) Karnataka experiences climatic variations that range from arid to semi-arid in the plateau region, sub-humid to humid tropical in the Western Ghats and humid tropical monsoon in the coastal plains. It comes under the warm and humid climate.
COMES UNDER THE COMMERCIAL AND URBAN AGRICULTURAL LAND USE ACCORDING TO THE LAND USE MAP OF MANGALORE. CLIMATE ( MICRO)
With an average of 28.9 degree Celsius, April is the warmest month. August has the lowest temperature of the year. It is 25.2 degree Celsius
Kuloor - Kavoor Rd, Kuloor, Kavoor, Mangaluru, Karnataka 575013
GPS COORDINATES 12.918859, 74.833803
The average amount of annual precipitation is: 999.9 mm (39.37 inch)
The driest month is February. There is 0.1 inch of precipitation in February. With an average of 27.8 inch. The most precipitation falls in July.
•On average, the most wind is seen in August. •On average, the least wind is seen in September.
SITE CONTEXT / ROAD NETWORK
STRENGTHS -Adjacent to the kochiKanyakuamri highway making it a suitable location for tourism. - Good circulation and entry -Not much vegetation on site present so no need to clear site.
-Heavy rain may cause stagnant water due to negligible slope
-Close to tourist water bodies so site attracts tourists -
SITE AREA – 5.5 ACRES, 22,125.23 m²
WEAKNESSES Due to the approach road requiring passing the circle, road widening may be needed. Alloting exact site demarcation as a site is huge.
OPPORTUNITIES
THREATS
SITE VIEWS
PERMISSIBLE GROUND COVERAGE – 50% TOTAL BUILDABLE AREA –88,500 SQM PERMISSIBLE FAR – 4 SETBACKS – FRONT -6M ,REAR – 8M CLIMATE –WARM HUMID TOPOGRAPHY – FLAT VEGETATION – COCONUT TREES, BUSHES GPS COORDINATES 12.918859, 74.833803 SITE SLOPE – NEGLIGIBLE SLOPE ENTRY ROAD WIDTH – 12M SOIL TYPE – LATERITIC SOIL (RED) SITE ORIENTATION – N
KOCHI- KANYAKUAMI HIGHWAY ROAD WIDTH ON 5-6 MTS ON EACH LANE
SITE BOUNDARY
RELIANCE PETROL PUMP SITE ENTRY VIEWS
Museum Of Contemporary Art and Architecture
ROYAL OAK FURNITURE
DELTA INFRALOGISTICS (WORLDWIDE) LTD
INFERENCE DUE TO THE SHORTAGE OF CULTURAL/ RECRETIONAL SPACES IN MANGALORE AND AS A PART OF DEMAND IN PEOPLE, THE SITE CHOSEN ON THE OUTSKIRTS OF MANGALORE PROVIDES A PERFECT SOLUTION TO THE NEED FOR MUSEUMS AS A PART OF KARNATAKAS NEW TOURISM POLICY WHICH BENEFITS THE CITY AS WELL AS THE ECONOMY OF THE SITE.
VAISHNAVI.VK 183701200
CASE STUDY
4
SITE ANALYSIS
WIND FLOW
WIND ROSE DIAGRAM
Wind direction from southwest to northeast according the macroclimate and wind rose diagram.
According to the wind direction, open spaces such as viewing deck can be placed towards the west to maximize air flow. Also providing views to the highway.
According to the shadow analysis in the winter solstice, the sun leans towards the south which throws a shadow towards the north so the south end of the buildings should have shading or less openings to let sunlight in.
PERIMETER=585.66 m
ACCESS POINTS
The access to the site is through one gate which is the entry and exit for the site in which the circulation inside the site goes around the buildings mass.
Due to noise coming from the highway and adjacent buildings towards the northwest and north of the site, silent spaces like galleries and exhibition spaces can be placed on the other side of the site or natural or artificial buffering can be done.
The site is covered with red laterite soil and less vegetation so runoff of soil during rainy season is possible.
NOISE
CLIMATE ANALYSIS SHADOW ANALYSIS
Majority of vegetation including coconut trees scattered around the site but none of them inside the site.
Electric poles present in the entry border of the site with electric connection to the existing site gate.
TERRAIN(FLAT)
The earthquake zoning map of India classifies the city of Mangalore under zone 3 which is low risk of damage due to zone 2 being the lowest seismic activity whereas zone is highest seismic activity. WINTER SOLSTICE
SUMMER SOLSTICE
INFERENCE 1. Drainage connection can be introduced in the site due to existing commercial and retail buildings in the proximity of the site. 2. Water supply from the Mangalore city corporation 3. Drainage runoff due to rains is possible as the site has no vegetation to hold the soil. 4. Existing gate and border wall to indicate entry and exit. 5. Electricity connection from MESCOM Mangalore.
LATERITE SOIL THROUGHOUT THE SITE
SITE SECTION
Museum Of Contemporary Art and Architecture
VAISHNAVI.VK 183701200
SITE ANALYSIS
5
AREA PROGRAMMING
DESIGN BRIEF PROJECT OVERVIEW
SITE OBJECTIVES AND GOALS
SPACES
TARGET AUDIENCE/ CAPACITY PRIMARY USER GROUPS
TOURISTS
FAMILIES
DESIGN GUIDELINES
The objectives and goal to be achieved in the site is to create a contemporary volumetric structure facing the highway to display its landmark design features. With ample area for road access and circulation inside the site for parking and service areas.
OCCUPANCY RATE Total built up area – services – circulation space = occupancy rate 8,200sqm – 1,893sqm – 1,020sqm = 5,287 sqm As per requires space per person in museums = Min 2.7 sqm per person Total capacity in contemporary museum = 5,287 / 2.7 = 1,959 people for 8,200 sqm of total built up area ROAD WIDTH As per Mangalore zonal regulations for plot area of more than 4000sqm with an existing road width of 12m and a proposed road width of 12m the permissible FAR is 2.5 with premium FAR of 1.0 and TDR od 0.5 = 4 Total plot area = 22,125 sqm x 4 = 88,500sqm total built up area. With a plot coverage of 50% for public buildings the total height is 8 floors with a height of 24m For a road width of 12m the minimum setbacks for all types of buildings except residential and industrial are 6m in the front and 8 m in the rear and sides. Total ground coverage = 10,908 sqm BASEMENT Every basement storey shall be at least 2.4m in height from the floor to the bottom of the roof slab/beam/ceiling (whichever is less) and this height of basement floor shall not exceed 4.5m Approach for car parking- one number of 4.5m width of 2 number of 3.5 m width minimum. RAMP A ramp provided from surface level of the site to the basement floor shall have a minimum width of 3.50m and slope of not more than 1 in 8. The slope of the ramp shall commence from 1.5m of the front property line or 1.0m after the road widening line CORRIDOR, STAIRCASE AND PEDESTRIAN RAMP For assembly or public buildings the minimum width of corridor= 2.0m Minimum width of staircase = 2.0m Minimum ramp width = 2.0m MEZZANINE FLOOR A mezzanine floor shall be accessible only from its lower floor and shall be allowed only in non residential buildings between ground and first floor. PARKING Allotted space for Motor vehicles shall not be less than 12.5m2 = 2.5 x 5m Two wheeler = 2.0m2 = 2.0x 1.0m TOILETS: - One special water closet in a set of toilets shall be provided for the use of handicapped persons with wash basin keeping in view the following provisions: a) The minimum size of toilet shall be 1.50 m x 1.75 m. b) The maximum height of the W.C. set shall be 0.50 m above the floor.
AREA (SQM)
UNITS
TOTAL AREA(SQM)
ADMIN ISTRATION ENTRANCE HALL
The project is to design a “Museum of Contemporary Art” in the city of Mangalore as a smart city initiative. Mangalore is a city full of rich culture and heritage. With the introduction of a new museum which displays contemporary art from around the world, the people of India can be exposed to the various art forms and see the mixture of Mangalore cultural art contrasting to modern contemporary art.
CS 1 (BIHAR)SQM CS2 (DELHI)SQM CAPACITY(no of people)
STUDENTS
400
250
50
250
1
250
RECEPTION
30
30
2
30
1
30
TICKET COUNTER
20
20
2
20
1
20
BACK OFFICE
20
20
2
30
1
30
INFORMATION HELP DESK
20
20
1
20
1
20
SECURITY CHECK IN / OUT
30
20
1-2
30
1
30 = 380
PHOTOGRAPHY ART
100
200 - 400
50- 70
250
1
250
INSTALLATION ART GALLERY
300
200 - 400
100
400
1
400
DIGITAL ART
300
200 - 400
80
350
1
350
AR/VR
200
200 - 400
80
350
1
350
EARTH ART
200
200 - 400
100
200
1
200
SCULPTURE ART
300
200 - 400
50-100
200
1
200
INDIAN GALLERY
400
200 - 400
50-100
250
1
250
INTERNATIONAL GALLERY
400
200 - 400
50-100
250
1
250
PAINTING GALLERY
300
200 - 400
50-100
250
1
250
KIDS ZONE
600
30-50
180
1
180 = 2680
EXHIBITION SPACES
ARTISTS
MATERIALS
SELF HEALING CONCRETE STRUCTURAL STEEL
GLASS
TEMPORARY EXHIBITION
1000
1000
100-200
1000
1
500 = 3180
300
200
100
300
1
300
30
30
20
30
1
30
MULTIPURPOSE HALL
200
200
100
250
1
250
CONFERENCE ROOM
200
20-30
90
1
90 = 670
EDUCATION AND RESEARCH LATERITE STONE
WHITE TILE
PAVERS
FINANCIAL FEASIBILITY Revenue generation for keeping the museum functional by ticketing for visitors as well as renting of exhibition spaces or seminar halls also the restaurant as well as souvenir shops acts as income for the museum ARCHITECTURAL GOAL
BUILDING FEATURES
LIBRARY AND RKIVE DIGITAL LIBRARY
RECREATION
SUSTAINABILITY FEATURES
RESTAURANT/ CAFÉ
250
250
50-100
250
1
250
Solar panels Rain water harvesting
GIFT STORE
200
100
20-50
150
2
300
60
30
5-10
100
1
100
200
100
2-3
40
3
120
100
50
100
1
100
600
1
600
30-50
100
1
100 = 1,070
KITCHEN
Displacement ventilation
STOREROOM COURTYARD PLAZA/ OPEN AIR THEATRE STAFF CANTEEN
200
SERVICES ADMIN
SERVICES BARRIER FREE DESIGN
MAINTAINANCE
100
50
1
50
1
50
LOADING AREA
400
400
1
400
1
400
STORAGE ARTIFACTS ROOM
200
100
20
100
1
100
50
20
1
50
1
50
HOUSEKEEPING CENTRE
100
20
1-2
20
3
60
HIGH TENSION CONTROL ROOM
200
200
1
200
1
200
HVAC ROOM
200
200
1
50
1
50
50
50
100
50
3
150 = 1020.
JANITOR ROOM AREAS OF ACTIVITY
TOILETS Education and research
Exhibition spaces
Museum Of Contemporary Art and Architecture
Recreation spaces
TOTAL AREA
30% CIRCULATION SPACE
= 1893SQM
VAISHNAVI.VK 183701200
=8,200 SQM
DESIGN BRIEF/ AREA PROGRAMMING
6
CONCEPTUAL DESIGN DEVELOPMENT CONCEPT- “FLOW”
CONCEPTUAL FORM DEVELOPMENT
noun
1.the action or fact of moving along in a steady, continuous stream. THE FLOW OF WATER THE FLOW OF AIR THE FLOW OF LIGHT ‘THE FLOW OF CIRCULATION AND THE FLOW OF EXTERIOR STRCUTRE
TIME
PEOPLE
ENTRY
CONTEMPORARY STYLE OF ARCHITECTURE
PLACE
OPEN PUBLIC SPACE
USERS APPROACH
CONCEPTUAL SKECTHES OPEN SPACES/ COURTYARD
CURVED EDGES FOR CONTINUITY AND FLOW
ASYMMETRIC PLAN
PHOTOGRAPHY ART
A free flowing contemporary structure representing a contrast towards the surrounding to prove as a landmark. With a large area for landscape including water bodies and circulation around the site.
BUILDING LEVEL ZONING
SCLUPTURE GALLERY DIGITAL INTERACTIVE GALLERY
SITE LEVEL ZONING Admin and entry spaces in the entrance towards the west of the site.
WINTER SUN
2
3
4
1
Basement parking provided along with a few parking on site close to building envelope.
WATER BODY
SECOND FLOOR
5
2
6 LANDSCAPING
1. 2. 3. 4. 5. 6.
ROAD/ PAVEMENT BUILDING MASS
4 2
SUMMER SUN
5
1
1
PARKING CIRCULATION
1. 2. 3. 4. 5. 6.
6
FIRST FLOOR 3
USERS APPROACH
ENTRY
Water body with surrounding landscape close to building envelope which can be viewed from all floors due to glass facade.
3 1.
2
1
Library placed in the interior of the site away from the roads to prevent noise and dust from the road.
MULTIPURPOSE HALL CONFERENCE SPACES EXHIBITION SPACES GALLERY GALLERY SPACES TOILETS/ SERVICES
0
6
Open space for outdoor gallery or public recreation space .
RESTAURANT / CAFÉ STAFF CANTEEN KITCHEN EXHIBITION SPACES VIEWING DECK EART ART ROOM
2. 3. 4. 5. 6.
4 5
ADMIN/ ENTRY HALL/ RECEPTION/ SECURITY. PUBLIC HALL SPACE SERVICE AND STORAGE TOILETS LIBRARY GIFT STORES
GROUND FLOOR 1. GROUND COVERAGE ACHIEVED – 14.5 % ACHIEVED FAR – 0.37 %
Museum Of Contemporary Art and Architecture
CIRCULATION
2.
STAIRCASES, RAMPS AND ELEVATORS PRESENT ON EVERY LEVEL DIFFERENCE PUBLIC WASHROOMS AS WELL AS STAFF WASHROOMS
VAISHNAVI.VK 183701200 CONCEPTUAL DEVELOPMENT
7
TRANSFORMER
SITE MASTERPLAN
GENERATOR
SEPTIC TANK UNDERGROUND PARKING EXIT
SUMP
SITE VIEW
MATERIALS
TILE- DROP OFF POINT
INTERLOCK PARKING PAVERS
UNDERGROUND PARKING ENTRY
PAVERS-FOOTHPATH
SITE AREA – 5.5 ACRES, 22,125.23 m² PERMISSIBLE GROUND COVERAGE – 50% TOTAL BUILDABLE AREA –55,313 SQM PERMISSIBLE FAR – 2.5
SPACE FOR OUTDOOR EXHIBITIONS.
SETBACKS – FRONT -6M ,REAR – 8M CLIMATE –WARM HUMID TOPOGRAPHY – FLAT VEGETATION – COCONUT TREES, BUSHES, DECIDUOUS TREES.
LANDSCAPING
SITE SLOPE – NEGLIGIBLE SLOPE DECIDUOUS TREES
ENTRY ROAD WIDTH – 12M SOIL TYPE – LATERITIC SOIL (RED) SITE ORIENTATION – N
PALM/ COCONUT
TOTAL GROUND COVERAGE ACHIEVED – 14.5 % BUILDING ENVELOPE – 3200 SQM TOTAL BUILT UP AREA- 9,690 SQM
SECURITY BOOTH
BOUGAINVILLA
ENTRY ROAD WIDTH – 9M
Museum Of Contemporary Art and Architecture
VAISHNAVI.VK 183701200
SITE PLAN
8
GROUND FLOOR PLAN
Services are provided at the back of the structure as well as unloading area. LIBRARY
ADMIN SPACE PUBLIC SPACES Gift and souvenir shops provided close to the entrance and exit pathway for tourists to access easily
INDOOR PUBLIC SPACE SERVICES
Administration and office spaces for museum staff and other back of house spaces
Washrooms provided on each floor
Library and digital archive provided towards the east corner of the structure to reduce noise and improve views towards the waterbody and outwards towards the site.
GROUND FLOOR
Waterbody provided for flow concept and views which reflect on glass façade.
SCALE 1:200
Museum Of Contemporary Art and Architecture
VAISHNAVI.VK 183701200
FLOOR PLANS
9
FIRST FLOOR PLAN PRIVATE SPACE SEMI PUBLIC SPACE INDOOR PUBLIC SPACE
Flow of gallery spaces all the way to temporary exhibitions.
SERVICES
Conference rooms towards the south west which can be directly accessed by elevators to reduce time usage in circulation. Washrooms provided on each floor
GLASS FACADE
WATER BODY
Temporary exhibition area has a large volumetric area so that division of spaces can be altered according to individual exhibitions.
FIRST FLOOR Multipurpose hall towards the southwest for ample space and privacy during private events.
SCALE 1:200
Museum Of Contemporary Art and Architecture
VAISHNAVI.VK 183701200
FLOOR PLANS
10
SECOND FLOOR PLAN PRIVATE SPACE Flow of gallery spaces all the way to temporary exhibitions.
SEMI PUBLIC SPACE INDOOR PUBLIC SPACE SERVICES
Staff canteen close to the restaurant kitchen and service elevator.
Washrooms provided on each floor
GLASS FACADE
View below from balcony on all floors.
WATER BODY
Rooftop restaurant that provides a view to site landscaping as well as highway and consists of outdoor and indoor seating.
Temporary exhibition area has a large volumetric area so that division of spaces can be altered according to individual exhibitions.
SECOND FLOOR
SCALE 1:200
Museum Of Contemporary Art and Architecture
VAISHNAVI.VK 183701200
FLOOR PLANS
11
BASEMENT PLAN 1.
Ramp Width – 6.7m
RAMP LEADING TO THE BASEMENT
2. TWO WHEELER PARKING
Ramp length -24 meters for 3 m height.
3. FOUR WHEELER PARKING
No of 2 wheeler parking 36 + 36= 72 parking.
4. RAMP LEADING TO BELOW BASEMENT PARKING
No of 4 wheeler parking – 107+ 107 = 214.
5. RAMP LEADING TO EXIT 6. ELEVATOR ROOM
Total parking underground – 286 total parking on site = 17 cars +14 2 wheelers
7. ELEVATOR ROOM
Overall total parking = 317 nos Basement floor height : 3m Second basement floor height : 3m
5 6 4
7
3
2 3
3
3
1
Museum Of Contemporary Art and Architecture
VAISHNAVI.VK 183701200
FLOOR PLANS
12
ELEVATIONS
SOUTH ELEVATION
NORTH ELEVATION
EAST ELEVATION
Museum Of Contemporary Art and Architecture
VAISHNAVI.VK 183701200
ELEVATIONS
13
SECTIONS
INDOOR AND OUTDOOR SEATING RESTAURANT
GLASS FAÇADE FROM THE INTERIOR OF THE BUILDING.
CURVATURE OF THE BUILDING
DIGITAL ART ROOM
STAFF CANTEEN
A’
B’
ENTRY INTO THE BUILDING.
RESTAURANT
HALLWAY
INDIAN GALLERY
MULTIPURPOSE HALL
HALLWAY PHOTOREALSIM GIFT SHOP
GIFT SHOP
A
RECEPTION
HALLWAY
B
BASEMENT PARKING BASEMENT PARKING
KEY PLAN
RAMP LEADING TO BASEMENT PARKING
SECTION A-A’
CLOSED COURTYARD WITH DIFFUSED LIGHTING FOR EART ART GALLERY
ANGLED GLASS FAÇADE TO LET NATURAL LIGHT IN THROUGH THE SOUTH
EARTH ART GALLERY
WATERBODY TOWARD THE SOUTH END OF THE BUILDING FOR VIEWS.
TEMPORARY EXHIBITION
LIBRARY
TEMPORARY EXHIBITION
TEMPORARY EXHIBITION
W/C PROVIDED ON EACH FLOOR.
TEMPORARY EXHIBITION
TEMPORARY EXHIBITION
LIBRARY
W/C
W/C
W/C
LIBRARY
LIFT
CURVATURE OF THE BUILDING
CONSTRUCTION DETAILS
Spider fin glass façade
Angled glass façade
WAITING ROOM
WAITING ROOM
WAITING ROOM
Water body BASEMENT PARKING BASEMENT PARKING
SECTION B-B’ COLUMN GRID SIZE : 10*10m FLOOR HEIGHT – 4 M COLUMN SIZE – 400*400M
COLUMN: RCC WALL MATERIAL : LATERITE/ WHITE PAINT FOUNDATION: STEPPED FOOTING
Museum Of Contemporary Art and Architecture
VAISHNAVI.VK 183701200
SECTIONS
14
VIEWS
WATER BODY FLOATING DISPLAY
GLASS FAÇADE VIEW
Museum Of Contemporary Art and Architecture
VAISHNAVI.VK 183701200
VIEWS
15
VIEWS
SITE VIEW
WATER BODY FLOATING DISPLAY
LIBRARY INTERIOR
EARTH ART GALLERY
WATER BODY FLOATING DISPLAY
LIBRARY INTERIOR
ANGLED GLASS FAÇADE
GLASS COURTYARD AND EXTERIOR VIEW SITE VIEW
Museum Of Contemporary Art and Architecture
VAISHNAVI.VK 183701200
VIEWS
16
THANK YOU
PRESENTED BY NAME: VAISHNAVI. VK REG NO :183701200 SEM :VIII B MSAP MAHE