International Discovery | April 29 - May 4, 2022

International Discovery

International Discovery

This catalogue and its contents ©

Waddington McLean & Company Ltd.

Goulven Le Morvan glm@waddingtons.ca

 Mary McMaster mm@waddingtons.ca

PIERRE LEGRAIN, FRENCH ROSALIE, WORLD WAR I MAGAZINE COVER DESIGN,

& 

Mark Gleberzon mjg@waddingtons.ca

THÉO VAN RYSSELBERGHE PORTRAIT OF SURGEON SAMUEL JEAN POZZI

  

DANIEL KOPP

UNTITLED GREEN LANDSCAPE DETAIL  

WŁADYSŁAW CHMIELIŃSKI

SLEIGH DRIVER

This auction is subject to the Conditions of Sale printed in the back of this catalogue.

Photography & design by Waddington’s All Rights Reserved.

AARON BOHRODAMERICAN

GALLOPING HORSE

oil on board; signed 12 x 16 in — 30.5 x 40.6 cm

PROVENANCE

Evere Oehlschlager Gallery, Chicago, IL; Private Collection, Ontario

PETER MAX B AMERICAN PROFILE OF A WOMAN

black ink drawing on kra paper; dated “99” and inscribed “Lou, Love Max” sight 17.5 x 16.5 in — 44.5 x 41.9 cm

PROVENANCE

Private Collection, Toronto, ON, acquired directly from the artist

JULIO AUGUSTO ZACHRISSON - PANAMANIAN

LA MASACRE

etching on paper; signed and numbered 5/50 to margin; titled and inscribed “Zachrisson” in pencil verso

plate 12.4 x 19.1 in — 31.4 x 48.5 cm

PROVENANCE

Private Collection, Toronto, ON, acquired from the artist’s agent in Panama in the late 1950s

OSSIP ZADKINERUSSIAN/FRENCH

THE SECRET WORLD OF ZADKINE

hardcover limited first edition, uncut; editioned 66/100; includes original red silk portfolio with gold le ering on spine and front cover, housed in the original red cloth slipcase, published by Arted, Editions d’Art in 1966

15.25 x 11.5 in — 38.7 x 29.2 cm

PROVENANCE

Private Collection, Ontario

PIERRE LEGRAIN - FRENCH

ROSALIE WORLD WAR I MAGAZINE

COVER DESIGN

gouache, ink and collage on paper mounted to card; signed lower right and dated “16” sheet 18 x 12 in — 45.7 x 30.5 cm

PROVENANCE

Private Collection, Toronto, ON

HANS ERNI - SWISS

THE FOUR SEASONS

FIRE WATER EARTH AIR

ERNI -

four colour lithographs on BFK Rives watermarked paper; each signed and numbered 44/150 in pencil to margin images 20.5 x 17.1 in — 52.1 x 43.2 cm; sheets 25.6 x 19.6 in — 65 x 49.8 cm

PROVENANCE

Private Collection, Toronto, ON

SIGURD WINGENORWEGIAN

RAS

etching on paper; signed, dated “49” and inscribed “tirée pour artiste” in pencil to margin

sheet 17.3 x 25.6 in — 44 x 65 cm; plate 11.7 x 20.7 in — 29.7 x 52.5 cm

PROVENANCE

Private Collection, Ontario

FINNISH SCHOOL TH CENTURY

PORTRAIT OF A GIRL WEARING A HAT oil on board; a ributed to Ole Kandelin on nameplate, indistinctly titled “Viropalle Oleta” and dated “43”

26.75 x 19.75 in — 67.9 x 50.2 cm

PROVENANCE

Private Collection, Ontario

GEORGES ROUAULTFRENCH

LE CHRIST ET MAMMON CHRIST ET LES EXÉGÈTES FROM “PASSION ” CHAPON-ROUAULT

aquatint in colours on wove paper; signed with monogram and dated in the plate lower right; from an edition of 245, published by Ambroise Vollard, Paris

plate 12.1 x 8.5 in — 30.7 x 21.6 cm; sheet 17.2 x 13.25 in — 43.7 x 33.7 cm

PROVENANCE

Gallery Moos Ltd., Toronto, ON as “Christ Among the Romans”; Private Collection, Ontario

LESTER F JOHNSONAMERICAN

STREET SCENE WITH BUILDING STREET SCENE WITH GIRLS & BUILDING THREE GIRLS FROM “STREET SCENE” PORTFOLIO

three colour screenprints on heavy wove paper; each signed, titled and numbered 67/175, 43/175 and 46/175 respectively in pencil to margins

sheet 34 x 26 in — 78.1 x 58.4 cm; sheet 35 x 26 in — 88.9 x 66 cm

PROVENANCE

Private Collection, Ontario

ANTON ROOSKENS - DUTCH

UNTITLED

colour lithograph on wove paper; signed, dated “67” and numbered 101/250; Court Gallery Graphics blindstamp lower le margin

sheet 16 x 18.25 in — 40.6 x 46.4 cm

PROVENANCE

Private Collection, Ontario —

REYMOND ROMERO B

VENEZUELAN

PICTOGRAMA

mixed media with coloured thread on plywood; signed, titled and dated in black ink to backboard verso

19.5 x 23.25 in — 49.5 x 59.1 cm

PROVENANCE

Private Collection, Montreal, QC —

DANIEL KOPP B

AMERICAN

UNTITLED GREEN LANDSCAPE

gouache on paper; signed verso sheet 14.1 x 20.1 in — 35.8 x 51 cm

PROVENANCE

Private Collection, Toronto, ON

DANIEL KOPP B

AMERICAN

UNTITLED PINK LANDSCAPE

gouache on paper; signed verso sheet 14.1 x 20.1 in — 35.8 x 51.1 cm

PROVENANCE

Private Collection, Toronto, ON

CLAUDE BREEZE B CANADIAN THE MAN WHO TALKS TO THE WIND

woodcut in black ink on Japon paper; signed, titled, dated “85/6” and numbered “4/8 Part 1” in pencil to margin block 8 x 5.4 in — 20.2 x 13.8 cm; sheet 14.3 x 10.2 in — 36.2 x 26 cm

PROVENANCE

Private Collection, Ontario —

EMIL ORLÍK - CZECH

DÄMMERUNG II PLATE FROM “AUS JAPAN” GLÖCKNER

etching with roule e and aquatint on so German laid paper with BSB watermark; signed in pencil to margin plate 6.4 x 4.6 in — 16.3 x 11.8 cm; sheet 10.4 x 8.1 in — 26.5 x 20.6 cm

PROVENANCE

Private Collection, Quebec —

PAUL CÉSAR HELLEUFRENCH

LADY GAZING AT THE VIEWER CIRCA

drypoint in black and colours on wove paper; signed sight 22.25 x 13.9 in — 56.5 x 35.3 cm

PROVENANCE

Private Collection, Ontario

PAUL CÉSAR HELLEUFRENCH

PORTRAIT OF A LADY CIRCA

drypoint in black and colours on wove paper; signed sight 21.8 x 13.75 in — 55.4 x 34.9 cm

PROVENANCE

Marianne Friedland Gallery, Toronto, ON; Private Collection, Ontario

PAUL CÉSAR HELLEU - FRENCH ÉLÉGANTE, CIRCA 1895

drypoint in black and colours on wove paper; signed sight 22.75 x 14 in — 57.8 x 35.6 cm

PROVENANCE

Marianne Friedland Gallery, Toronto, ON; Private Collection, Ontario

PAUL CÉSAR HELLEU - FRENCH

LADY LOOKING TO HER RIGHT CIRCA drypoint in black and colours on wove paper; signed sight 22.25 x 13.9 in — 56.5 x 35.3 cm

PROVENANCE

Private Collection, Ontario

RIO ALBANO - ITALIAN

PRACA PARIS

PARIS SQUARE IN RIO DE JANEIRO

watercolour on paper; signed “Albano” at “Rio”

lower right and titled lower le

11.75 x 17.75 in — 29.8 x 45.1 cm

PROVENANCE

Private Collection, Quebec

Y GIANNI

TH/ TH CENTURY ITALIAN

BAY OF NAPLES

NEAPOLITAN STREET SCENE

two watercolours on board; the first signed lower right, the second signed lower le

each/sight 13.75 x 9.75 in — 34.9 x 24.8 cm

PROVENANCE

Private Collection, Ontario

REGINALD

GRANGE BRUNDRIT - BRITISH

THE VALE AT MASHAM oil on canvas; signed lower le and titled to nameplate; inscribed with partial title “... Masham” to top selvage verso 18 x 24 in — 45.7 x 61 cm

PROVENANCE

Private Collection, Ontario —

UNIDENTIFIED TH CENTURY RUINE EHRENFELS ZUR ERINNERUNG AN STEIERMARK MINE LIFLENRK IN MURZSHAL watercolour on thick paper; signed indistinctly (Leynard?) and dated lower right; titled in pencil to backing verso sheet 6.6 x 10.25 in — 16.8 x 26 cm

PROVENANCE

Private Collection, Quebec —

WILLEM OPPENOORTHDUTCH

COWS IN FARMYARD

watercolour; signed lower right 12 x 18 in — 30.5 x 45.7 cm

PROVENANCE

Private Collection, Quebec

BENJAMIN WILLIAMS LEADERBRITISH

THE CHURCH AND HILLS

BETTWS-Y-COED SIC

oil on board; signed and dated lower le ; signed and titled verso 12.25 x 17 in — 31.1 x 43.2 cm

PROVENANCE

Private Collection, Ontario —

JWAN PETOWITSCH ORLOFF - RUSSIAN

KOSSACKS AUX RUSSLAND oil on panel; signed lower right; titled and inscribed “No. 4821/Art. No. 5/ Fr. No. 96” in pen and ink to label verso

6.25 x 12.5 in — 15.9 x 31.8 cm

PROVENANCE

Frederick Thom Gallery, Toronto, ON gallery label verso; Private Collection, Ontario

WŁADYSŁAW CHMIELIŃSKIPOLISH

SLEIGH DRIVER oil on canvas; signed 20.1 x 24.2 in — 51.1 x 61.5 cm

PROVENANCE

Private Collection, Ontario

THÉO VAN RYSSELBERGHEBELGIAN

PORTRAIT OF SURGEON SAMUEL JEAN POZZI

gouache on paper; signed “Theo” lower right

2.6 x 2.4 in — 6.5 x 6 cm

PROVENANCE

Private Collection, Toronto, ON

BERNARD SAFRANAMERICAN RECLINING NUDE

oil on hardboard; signed lower right; signed, titled and dated “June 1983” verso 18 x 40 in — 45.7 x 101.6 cm

PROVENANCE

Private Collection, Vancouver, BC

JAMES ABBOTT MCNEILL WHISTLER - AMERICAN

CHELSEA CIRCA GLASGOW

photogravure with le ers in black ink on heavy textured paper; signed with monogram, titled and inscribed “An original Etching by J. MacNeill Whistler” in the plate; published by The Art Journal, J.S. Virtue & Co., Limited, London

image 5 x 7.8 in — 12.8 x 19.7 cm; sheet 7.25 x 9.75 in — 18.4 x 24.8 cm

PROVENANCE

Zwicker’s Gallery, Halifax, NS label verso; Private Collection, Nova Scotia

CIRCLE OF FRANCESCO GUARDI - ITALIAN

FIGURES IN MOTION

sepia ink on laid paper

sheet 7.7 x 5.7 in — 19.5 x 14.5 cm

PROVENANCE

Private Collection, Ontario

HANS ERNI - SWISS

PAUL VALERY RÉFLEXIONS SIMPLE SUR LE CORPS A BOOK IN FOLIO C book with twenty-five colour lithographs on Japon Nacre with tissue guards; each full sheet loose as issued, folded interior folio cover decorated with an embossed spider web design with gilt orb; contained in a vinyl-covered cardboard box, the interior lined with black velvet overall 17.75 x 13.25 x 2.5 in — 45.1 x 33.7 x 6.4 cm

PROVENANCE

Private Collection, Prince Edward Island; By descent from the Estate of Dr. JeanMarc Klein; By descent from the Estate of Paul Bernard Klein

LITERATURE

Cramer, 41

AFTER ALBRECHT DÜRERGERMAN

ERASMUS OF ROTTERDAM

HOLLAND

engraving on wove laid paper plate 9.5 x 7.5 in — 24.2 x 19.1 cm; sheet 10.2 x 8 in — 25.9 x 20.3 cm

PROVENANCE

Ex. Collection of Mr. and Mrs. Ralph Presgrave; Gi ed to the Art Gallery of Ontario, Toronto, in 1978; Deaccessioned to benefit art purchases at the AGO

NATHANIEL BUCK ACTIVEAND SAMUEL BUCKBRITISH

THE EAST VIEW OF HIGHAM-FERRERSCOLLEGE IN THE COUNTY OF NORTHAMPTON

engraving with le ers on laid paper, with watermark

plate 7.9 x 14.6 in — 20 x 37.2 cm; sheet 10.5 x 16.9 in — 26.7 x 42.9 cm

PROVENANCE

Gi of Mr. and Mrs. Ralph Presgrave to the Art Gallery of Ontario, Toronto in 1979; Deaccessioned to benefit art purchases at the AGO

MICHEL LASNEJEAN MORIN - FRENCH

PORTRAIT DE HENRI DE BOURBON PRINCE DE CONDÉ RÉNE DE LONGUEIL MARQUIS DE MAISONS CIRCA

engraving with le ers laid down to antique watermarked paper; etching and engraving with stippling on laid paper image 13 x 9.25 in — 33 x 23.5 cm; image 12.8 x 10.4 in — 33.5 x 26.6 cm

PROVENANCE

The Lasne: Bequest of Frank Darling to the Art Gallery of Ontario, Toronto in 1923; The Morin: Ex. Collection of Mr. and Mrs. Ralph Presgrave; Gi ed to the Art Gallery of Ontario, Toronto in 1979;

Both deaccessioned to benefit art purchases at the AGO

THOMAS LUPTONGIOVANNI VENDRAMINI

AFTER SIR WILLIAM BEECHEY - BRITISH ITALIAN

-

KING WILLIAM THE FOURTH ADMIRAL SIR THOMAS DUCKWORTH K B

mezzotint with le ers on paper; stipple engraving with le ers on paper

sheet 15.7 x 12.6 in — 40 x 32.1 cm;

image 15.6 x 12.5 in — 28 x 23.5 cm; sheet 16.1 x 12.9 in — 41 x 32.8 cm;

image 12 x 10 in — 30.5 x 25.3 cm

PROVENANCE

Both gi ed to the Art Gallery of Ontario, Toronto by Mr. and Mrs. Ralph Presgrave in 1979;

Deaccessioned to benefit art purchases at the AGO

ASHER BROWN DURANDAFTER HENRY INMANAMERICAN

JOHN MARSHALL LLD

engraving with le ers; signed with facsimile signature “J. Marshall”

plate 9.5 x 6.1 in — 24.1 x 15.6 cm; sheet 10.1 x 6.5 in — 25.7 x 16.4 cm

PROVENANCE

Gi ed to the Art Gallery of Ontario, Toronto by Mr. and Mrs. Ralph Presgrave in 1978;

Deaccessioned to benefit art purchases at the AGO

SAMUEL WILLIAM REYNOLDS THE ELDER - AFTER JOSHUA REYNOLDS - BRITISH

GIRL’S HEAD LORD CARLISLE

mezzotints with le ers on thick laid paper; the first dated and numbered “No. 11” in the plate, the second dated “Aug. 1821” in the plate; published by The Engraver, Bayswater, London

sheet 8.9 x 6.3 in — 28 x 17.8 cm;

image 11 x 7 in — 9.5 x 7.9 cm;

sheet 11.4 x 7.2 in — 29 x 18.5 cm;

image 3.7 x 3.1 in — 10.6 x 8.7 cm

PROVENANCE

Ex. Coll. Mr. and Mrs. Ralph Presgrave; Gi ed to the Art Gallery of Ontario, Toronto in 1979;

Deaccessioned to benefit art purchases at the AGO

SAMUEL WILLIAM REYNOLDS THE ELDER - AFTER JOSHUA REYNOLDS - BRITISH

LORD SOUTHAMPTON JOSEPH

DEANE BOURKE D D ARCHBISHOP OF TUAM RD EARL OF MAYO

mezzotints with le ers on thick laid paper; the first published in 1820, the second numbered “Proof” in the plate and published in 1838

sheet 8.9 x 6.4 in — 32.2 x 23.8 cm;

image 14 x 9.3 in — 13.7 x 10.8 cm;

sheet 12.8 x 9.4 in — 35.8 x 23.7 cm;

image 5.1 x 4 in — 13 x 10.2 cm

PROVENANCE

Ex. Coll. Mr. and Mrs. Ralph Presgrave; Gi ed to the Art Gallery of Ontario, Toronto in 1979;

Deaccessioned to benefit art purchases at the AGO

JOSÉ OLIVA RODRIGO B SPANISH

YOUNG COUNTRY GIRL AT THE DOOR CIRCA

oil on panel; signed “José Oliva” and dated indistinctly “75” lower right

10.75 x 6.25 in — 27.3 x 15.9 cm

PROVENANCE

Private Collection, Nova Scotia

ALESSANDRO SANIITALIAN

THE KNITTING LESSON oil on canvas; signed upper right

13.25 x 16.5 in — 33.7 x 41.9 cm

PROVENANCE

Bu erfields, California, May 15, 2002, lot 3088 as “The Sewing Lesson”; From whom purchased by the present Private Collection, Ontario

HENRY EDWARD SPERNON TOZER - BRITISH

PEASANT WOMAN FETCHING WATER PEASANT WOMAN BY THE HEARTH WITH CATS

watercolours, one mounted to card and the other to plywood; the first signed and dated to the horizontal cross beam upper le , the second signed and dated lower right each 9.75 x 13 in — 24.8 x 33 cm

PROVENANCE

Private Collection, Ontario

FLORA MACDONALD REIDBRITISH

MOTHER AND CHILD oil on canvas; signed and dated lower le 18 x 24 in — 46 x 61 cm

PROVENANCE

Private Collection, Ontario

HENRICUS ENGELBERTUS REIJNTJENS - DUTCH

A QUIET GAME oil on panel; signed and dated lower right 8.25 x 7 in — 21 x 17.8 cm

PROVENANCE

Garfield Galleries, Toronto, ON; Private Collection, Toronto, ON

P HUYGENS TH/ TH CENTURY DUTCH

SEATED CHILD WITH CARROTS STANDING CHILD WITH SPOON oils on panel; each signed each 12.25 x 5 in — 31.1 x 12.7 cm

PROVENANCE Private Collection, Ontario

EUGENIO BENVENUTIITALIAN

PREPARING THE WOOL watercolour laid down on card; signed sheet 9.9 x 15.9 in — 25.2 x 40.4 cm

PROVENANCE

Private Collection, Ontario —

LUIGI G BALDERO

TH/ TH CENTURY SPANISH PLAYING CHESS oil on canvas; signed lower right 24 x 29 in — 61 x 73.7 cm

PROVENANCE

Private Collection, Winnipeg, MB —

CORNELIUS BOUTERGERMAN

MOTHER READING TO HER CHILDREN oil on canvas; signed 20 x 24 in — 50.8 x 61 cm

PROVENANCE

Private Collection, Toronto, ON

CIRCLE OF MAURICE QUENTIN DE LA TOUR - FRENCH

GENTLEMAN AT HIS WRITING DESK oil on textured paper board

11.75 x 9.75 in — 29.8 x 24.8 cm

PROVENANCE

Estate Collection, Ontario

All lots will be offered and sold subject to the Conditions of Sale which appear in this catalogue as well as any Glossary and posted or oral announcements. By bidding at auction, bidders are bound by those Conditions and Glossary, as amended by any announcements or posted notices, which together form the contract of sale between the successful bidder (buyer), Waddington’s™ (auctioneer) and the consignor (seller) of the lot. Description or photographs of lots are not warranties and each lot is sold “as is” in accordance with the Conditions of Sale.

All of the items are to be considered, unless otherwise noted in the catalogue description or condition report, in good condition. The definition of “good” when used in reference to condition, describes an object as having had no major damage or repair but as with the nature of the material, may show minor surface wear, discolouration etc., which indicates the acceptable wear that the piece may acquire with age. If you are particular about minor flaws, you should have our staff answer any questions before bidding. Sizes are approximate. Frames on artwork are not included as part of purchase or condition. It is the sole responsibility of the bidder to inquire as to the condition of a lot before bidding. Condition reports are available upon request by phone, fax, email or in person. You are advised to make any requests well in advance of the sale.

Waddington’s charges a buyer’s premium of 20% on the hammer price. Buyer’s premium and applicable Canadian taxes are added to the hammer price.

A charge of 13% HST (Harmonized Sales Tax) is applicable on the hammer price and buyer’s premium except for any items directly shipped from our premises out of Canada. In the case where purchases are shipped out of the province of Ontario, the HST or GST is charged based on the tax status of that province.

Payment for purchases must be by cash;  direct debit (CDN clients in person only); certified cheque (U.S. & Overseas not applicable); bank dra ; E-Transfer; Wire Transfer (fee applies);  or Mastercard (up to $25,000).

The auctioneers will not undertake packing or shipping. The purchaser must designate and arrange for the services of an independent shipper and be responsible for all shipping and insurance expenses. The auctioneers will, upon request, provide names of professional packers and shippers but will not be held responsible for the service or have any liability for providing this information. Reliable preauction estimates of shipping costs of lots offered in this sale may be obtained from:

PakShip

- - / - - / -taurus@pakship.ca / www.pakship.ca

Safer Shipping Inc.

- - / -perry@safershipping.ca / www.safershipping.ca

Purchases must be paid for within 48 hours of the date of the sale, and removed from premises within 10 days of the date of sale (see Conditions of Sale, conditions 8 to 15). Clients are advised that packing and/or handling of purchased lots by our employees or agents is undertaken solely as a courtesy for the convenience of clients.

Restrictions exist regarding the import and export of species protected under CITES (Convention on International Trade in Endangered Species). This includes but is not limited to items made of or containing bone (whalebone etc.), ivory, tortoise shell, seal skin, rhinoceros horn and any other animal part and is strictly controlled or forbidden by most countries.

Please review your country’s laws before bidding on pieces made of or containing these restricted items. It is the sole responsibility of the buyer to inquire about and obtain the proper permits for artwork purchased that may contain restricted materials, if such permit can be obtained.

Please contact the department for further assistance. Failure to obtain necessary import/ export permits will not void any sale.

All Narwhal Tusks must have a Marine Harvest Number or a Marine and Mammal Transport number to be sold at Waddington’s.

For more information please visit: www.cites.org

A 1% insurance charge, based on the hammer price of the property, will be applied to all accounts.

For auction advice on paintings, drawings, prints, jewellery, and various forms of decorative arts and other collectibles, please contact us via email or telephone.

We are pleased to review emails containing photographs and information on your pieces in order to provide auction estimates for you to consider.

For collections with a variety of objects, please contact our Appraisals and Consignments department (consignments@waddingtons.ca). For department-specific inquiries, please contact the specialist and/or department directly. All contact information can be found at www.waddingtons.ca.

Our offices are located in Toronto and Vancouver, but our specialists occasionally travel to major Canadian cities to meet with prospective consignors. To receive more information on Valuation Days across Canada or to arrange an appointment, please contact our Toronto office ( - - ).

Please note that property typically arrives at Waddington’s at least three months before the sale in order to allow our specialists time to research, catalogue, photograph and promote the items. Consignors will receive a contract to sign, se ing forth terms and fees for our services.

Conditions of Sale

Each lot sold is subject to a premium of 20% of the successful bid price of each lot as part of the purchase price.

Unless exempted by law, the buyer is required to pay Federal Good and Services Tax on the total purchase price including the buyer’s premium.

The auctioneer reserves the right to withdraw any lot from sale at any time, to divide any lot or to combine any two or more lots at his sole discretion, all without notice.

The auctioneer has the right to refuse any bid and to advance the bidding at his absolute discretion. The auctioneer reserves the right not to accept and not to reject any bid. Without limitation, any bid which is not commensurate with the value of the article offered, or which is merely a nominal or fractional advance over the previous bid may not be recognized.

Each lot may be subject to an unpublished reserve which may be changed at any time by agreement between the auctioneer and the consignor. The auctioneer may bid, or direct an employee to bid, on behalf of the consignor as agreed between them. In addition, the auctioneer may accept and submit absentee and telephone bids, to be executed by an employee of the auctioneer, pursuant to the instructions of prospective purchasers not in a endance at the sale.

The highest bidder accepted by the auctioneer for any lot shall be the buyer and such buyer shall forthwith assume full risk and responsibility for the lot and must comply with such other Conditions of Sale as may be applicable. If any dispute should arise between bidders the auctioneer shall have the absolute discretion to designate the buyer or, at his option, to withdraw any disputed lot from the sale, or to re-offer it at the same or a subsequent sale. The auctioneer’s decision in all cases shall be final.

7. Immediately a er the purchase of a lot, the buyer shall pay or undertake to the satisfaction of the auctioneer with respect to payment of the whole or any part of the purchase price requested by the auctioneer, failing which the auctioneer in his sole discretion may cancel the sale, with or without re-offering the item for sale.

8. The buyer shall pay for all lots within 48 hours from the date of the sale, a er which a late charge of 2% per month on the total invoice may be incurred or the auctioneer, in his sole discretion, may cancel the sale. The buyer shall not become the owner of the lot until paid for in full. Items must be removed within 10 days from the date of sale, a er which storage charges may be incurred.

9. Each lot purchased, unless the sale is cancelled as above, shall be held by the auctioneer at his premises or at a public warehouse at the sole risk of the buyer until fully paid for and taken away.

10. All lots are sold “AS IS”. Any description issued by the auctioneer of an article to be sold is subject to variation to be posted online and/or announced via email prior to the time of sale. While the auctioneer has endeavored not to mislead in the description issued, and the utmost care is taken to ensure the correct cataloguing of each item, such descriptions are purely statements of opinion and are not intended to constitute a representation to the prospective purchasers and no warranty of the correctness of such description is made. Some lots are of an age and/or nature which preclude their being in pristine condition and some catalogue descriptions make reference to damage and/or restoration. The lack of such a reference does not imply that a lot is free from defects nor does any reference to certain defects imply the absence of others. It is the responsibility of prospective purchasers to inspect or have inspected each lot upon which they wish to bid and to bid accordingly.

11. Payment for purchases must be by cash;  direct debit (CDN client in person only); certified cheque (U.S. & Overseas not applicable); bank dra ; E-Transfer; Wire Transfer (fee applies);  or Mastercard (up to $25,000).

12. In the event of failure to pay for or remove articles within the aforementioned time limit, the auctioneer, without limitation of the rights of the consignor and the auctioneer against the buyer, may resell any of the articles

a

ffected, and in such case the original buyer shall be responsible to the auctioneer and the consignor for:

(a) any deficiency in price between the r e-sale amount and the amount to have been paid by the original buyer

(b) any reasonable charge by the auctioneer for the storage of such articles until payment and removal by the subsequent buyer and

(c) the amount of commission which the auctioneer would have earned had payment been made in full by the original buyer.

13. It is the responsibility of the buyer to make all arrangements for insuring, packing and removing the property purchased and any assistance by the auctioneer or his servants, agents or contractors, in packing or removal shall be rendered as a courtesy and without any liability to them.

14. The auctioneer acts solely as agent for the consignor and makes no representation as to any a ribute of, title to, or restriction affecting the articles consigned for sale. Without limitation, the buyer understands that any item bought may be affected by the provisions of the Cultural Property Export Act (Canada).

15. The auctioneer reserves the right to refuse admission to the sale or to refuse to recognize any or all bids from any particular person or persons at any auction.