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COVER
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Lot %& MAURICE!DENIS!-'./#-'1234
Lot &'( ALBERT!LESLIE!SMITH!-CIRCA!'.:"-'13"4
INSIDE9BACK9COVER Lot &)* ANTHONY!HOPKINS!-B>!'13/4
BACK9COVER9
Lot %( KEES!VAN!DONGEN!-'.//–'1:.4
0
This catalogue and its contents © !"!#$ Waddington McLean & Company Ltd.
This auction is subject to the Conditions of Sale printed in the back of this catalogue.
Photography & design by Waddington’s All rights reserved.
! HARRY!C"!EDWARDS!#$%&%-$())*+! AMERICAN CANADIAN!SOLDIER!RETURNING!HOME"! CA#!$%$& Oil on canvas; signed lower le! 27 ins x 21 ins; 68.6 cms x 53.3 cms PROVENANCE"
With MacLarenArtCentre Framing Services, Barrie, ON; Private Family Collection, Ontario since its origin LITERATURE"
Peter Hastings-Falk, “Who Was Who in American Art 1564-1975,” Vol. I., p.1019 #$%&&&-#(%&&& NOTE"
This is the only known Canadian work by the renowned American West painter and illustrator Harry C. Edwards. He was born in Philadelphia, Pennsylvania and died in Brooklyn, New York in 1922. It is recorded in Falk’s, “Who Was Who in American Art” that Edwards resided in Brooklyn, NY and in Gananoque, Ontario. He studied at the Adelphi Academy of Brooklyn and the Art Students League in New York City. Edwards painted “Saturday Evening Post” magazine covers along with Norman Rockwell, and was the American illustrator from 1894 to 1896 for the fiction books by Arthur Conan Doyle. Edwards’ paintings included Native Americans at work and play, Gold Rush prospectors and wildlife of the Rocky Mountains and the American plains. Edwards was a member of the Salmagundi Club in New York as well as the Brooklyn Society of Artists. He exhibited at the Society of Independent Artists in 1917. This specific work of a Canadian soldier returning to his wife and farm is believed to have been completed in 1917 at the end of WWI. It has never been on the market and has been with the same Canadian family ever since.
) SIR!DAVID!YOUNG!CAMERON! #$%&,-$(-,*+!SCOTTISH THE!SHADOWS!OF!CHON Oil on canvas; signed lower le!, signed and titled to the stretcher in pencil, titled to gallery label verso 19.5 ins x 37 ins; 49.5 cms x 94 cms PROVENANCE"
W. Sco" & Sons, Montreal, No. 2154 label verso; Private Collection, Toronto #*%&&&+—+-%&&&
. SIR!DAVID!YOUNG!CAMERON! #$%&,-$(-,*+!SCOTTISH BEN!LEDI Oil on canvas; signed lower le!, titled to the F.G. Gallery label verso 18 ins x 18 ins; 45.7 cms x 45.7 cms PROVENANCE"
The French Gallery, London, UK (F.R.) label verso, No. 28635;; Private Collection, Toronto #/%&&&+—+*%&&&
$ JAMES!CAMPBELL!NOBLE!#$%-&-$($.*+! SCOTTISH HIGHLAND!SCENERY Oil on canvas; signed “J. Campbell Noble” lower right, titled to gallery label to the frame verso 28 ins x 36 ins; 71.1 cms x 91.4 cms PROVENANCE"
Gi!ed to the Art Gallery of Toronto by E.F.B. Johnston of 119 St. George Street, Toronto in 1906; Collection of the Art Gallery of Toronto (the Art Gallery of Ontario), Accession no. 404 label verso; Deaccessioned from the Collection of the Art Gallery of Ontario to benefit art purchases at the AGO EXHIBITED"
The Art Museum of Toronto, exhibited at the “Loan Exhibition of Works of British & Foreign Painters,” November 24th to December 11, n.d., partial label to the frame #)%&&&+—+.%&&&
/ JAN!HENDRIK!WEISSENBRUCH! #$%)--$(/.*+!DUTCH BOATS!MOORED!ON!A!DUTCH!COUNTRY! CANAL Oil on panel; signed lower right 8.75 ins x 10.25 ins; 22.2 cms x 26 cms PROVENANCE"
Private Collection of a Gentleman, Toronto who inherited this work from a friend; Collection of Floris van Wassenaer, Toronto; By descent to the present Private Collection, Toronto #$%&&&+—+(%&&&
( ALFRED!DE!BREANSKI!SR!#$%,)-$()%*+! BRITISH THE!FALLS!AT!CALLANDER"!NB Oil on canvas; signed lower le!, signed and titled verso 16 ins x 24 ins; 40.6 cms x 61 cms PROVENANCE"
Heffel Gallery Limited, Vancouver, Lot 31 on 04-06-2006; The Estate of Johannes Van Wees, Victoria, BC #$%&&&+—+(%&&&
* ATTRIBUTED!TO!GEORGE!BAXTER! #$%/--$%&0*+!BRITISH BACCHANAL!IN!AN!IDYLLIC!LANDSCAPE! WITH!CLASSICAL!ARCHITECTURE Oil on canvas; signed with script signature indistinctly in green paint lower le! 18.5 ins x 25 ins; 47 cms x 63.5 cms PROVENANCE"
Estate of W.A. Ross MacFadden, Toronto #$%&&&+—+(%&&&
0 JAN!HENDRIK!WEISSENBRUCH! #$%)--$(/.*+!DUTCH BEACH!SCENE!WITH!FIGURES!WORKING Oil on panel; signed with an initial “W” lower le! 10 ins x 15.6 ins; 25.4 cms x 39.7 cms PROVENANCE"
Private Collection of a Gentleman, Toronto, who inherited this work from a friend; Collection of Floris van Wassenaer, Toronto; By descent to present Private Collection, Toronto #$%&&&+—+(%&&&
JAN!HENDRIK!WEISSENBRUCH! #$%)--$(/.*+!DUTCH STRANDED!BOATS!AND!FISHERWOMAN! ON!THE!BEACH!AFTER!THE!TIDE"!$%'$ Oil on panel; signed and dated 1901 lower right 6.25 ins x 12.25 ins; 15.9 cms x 31.1 cms PROVENANCE"
Framed by W. Sco" & Sons, Montreal, their label verso backing; Private Collection, Toronto #$%&&&+—+(%&&&
!& JOHN!VARLEY!THE!ELDER!#$00%-$%-)*+! BRITISH HAY!BARGE!AND!SPECTATOR!IN!A! MOUNTAINOUS!RIVER!LANDSCAPE!WITH! CASTLE!RUIN Watercolour; signed “J. Varley” in pen and ink lower right Sheet 8.5 ins x 15.75 ins; 21.6 cms x 40 cms PROVENANCE"
Mr. Murray Collins, Scarborough, ON; Private Collection, France #)%&&&+—+.%&&&
!! SAMUEL!WALTERS!#$%$$-$%%)*+!BRITISH PORTRAIT!OF!BARQUE!(OFF!TUSKAR! ROCK) Oil on canvas; strengthened signature “S. Walters” lower le! 26 ins x 36 ins; 66 cms x 91.4 cms PROVENANCE"
Ex. Coll. Be"y Mather (née Molson) of Westmount, PQ; By descent to the present Private Collection, Toronto #/%&&&+—+*%&&&
!) WILLIAM!#ANSLOW*!THORNLEY #CA"!$%./–$%(%*+!BRITISH BUSY!FISHING!PORT!UNDER!THE!SETTING! SUN Oil on canvas; signed lower le! 16 ins x 24 ins; 40.6 cms x 61 cms PROVENANCE"
Private Collection, France #!%/&&+—+)%&&&
!. SYDNEY!MORTIMER!LAURENCE! #$%&,–$(-/*+!AMERICAN IN!FULL!SAIL"!$**& Oil on canvas; signed and dated “87” lower le! 40 ins x 29.75 ins; 101.6 cms x 75.6 cms PROVENANCE"
Estate in London, ON; hung over the fireplace for some 60 years #!)%&&&+TBC+—+!0%&&&+TBC
!$ ATTRIBUTED!TO!GEORGE!MORLAND! #$0&.-$%/-*+!BRITISH STORMY!COAST!WITH!FIGURES Oil on canvas. Unsigned. 20.25 ins x 28.5 ins; 51.4 cms x 72.4 cms PROVENANCE"
The Cooling Galleries Ltd., London, UK & Toronto gallery label verso; Frederick W. Thom Ltd., Toronto gallery label verso; Estate of W.A. Ross MacFadden, Toronto #/%&&&+—+*%&&&
!/ LOUIS!JOHAN!HENDRIK!MEIJER! #$%/(-$%&&*+!DUTCH FISHING!BOATS!NEARING!THE!LIGHTHOUSE Oil on canvas; signed lower right. Unframed. 30.25 ins x 44.25 ins; 76.8 cms x 112.4 cms PROVENANCE"
Private Collection, Oakville, ON #!&%&&&+—+!/%&&&
!( EDWARD!PRITCHETT!#$%/%-$%(-*+! BRITISH THE!DOGE’S!PALACE!FROM!THE!GRAND! CANAL,!SANTA!MARIA!DELLA!SALUTE Pair of oils on canvas; each titled to gallery label verso, in matching gilt frames. Each 12 ins x 17.5 ins; 30.5 cms x 44.5 cms PROVENANCE"
Richard Green Gallery, London, UK labels verso accompanied by a copy of the original receipt dated 12 October 1988; From whom purchased by a collector in Canada #!&%&&&+—+!/%&&&
!* BAREND!VAN!KALRAET!#$&-(-$0.0!OR! $&,/-$0)$*+!DUTCH BUSY!VILLAGE!HARBOUR!WITH!BOATS! COMING!AND!GOING"!WITH!MANY!FIGURES!UNLOADING!SUPPLIES!AND!MEETING!IN!GROUPS Oil on panel; signed lower right 11 ins x 15.75 ins; 27.9 cms x 40 cms PROVENANCE"
Universal Art Studio, Montreal stamp to the stretcher; Estate of W.A. Ross MacFadden, Toronto #0%&&&+—+!)%&&&
!0 GEORGE!MORLAND!#$0&.-$%/-*+! BRITISH SCENE!IN!THE!ISLE!OF!WIGHT Oil on canvas; signed “George Morland Pinx” lower right, titled to gallery label verso 18 ins x 24.5 ins; 45.7 cms x 62.2 cms PROVENANCE"
P&D Colnaghi & Co. Ltd., London, UK gallery label verso; Estate of W.A. Ross MacFadden, Toronto #(%&&&+—+0%&&&
!MARIE-FRANCOIS-FIRMIN!GIRARD!! #CALLED!FIRMIN-GIRARD*!#$%.%-$()$*+! FRENCH A!REVERIE Oil on canvas; signed lower le!, ascribed to “Firmin Girard” in pencil to Watson Gallery label a"ached verso, inscribed erroneously “Chas Fermin Girard” and titled “A Reverie” to the nameplate on the frame recto 18.25 ins x 24 ins; 46.4 cms x 61 cms PROVENANCE"
The Watson Gallery, Montreal remains of gallery label mounted with the red wax seal of William Watson verso; Private Collection, Quebec LITERATURE"
E. Benezit, Dictionnaire Des Peintres Sculpteurs Dessinateurs et Graveurs, Vol. 5, p. 34 documents a painting entitled “Réverie” which may be this work #$%&&&+—+(%&&&
)& WILLIAM!SHAYER!THE!ELDER! #$0%0-$%0(*+!BRITISH SHIRLEY!SOUTHAMPTON!(COAST)"!CA#! $*-% Oil on canvas; signed “W. Shayer Sen” lower le!, signed, titled “Shirley Southampton...” and inscribed in pen and ink to a paper label wri"en by Shayer and to whom he sold it in Sept. 1859 detached from the backing and contained in an envelope a"ached verso 16 ins x 24 ins; 40.6 cms x 61 cms PROVENANCE"
Direct from the artist, with a signed, titled and dated inscription signed by W. Shayer; sold to Mr. *.P. Beaumont (?) of New York in Sept. 1859; “Cooling” (Gallery, London, UK & Toronto) inscribed in red crayon to the stretcher; From whom purchased by a Private Collection, North Carolina; Waddington’s, Toronto, December 7, 2000, lot 1740; Waddington’s, Toronto, December 10, 2013, lot 35; Waddington’s, Toronto, June 18, 2014, lot 24; Estate of W.A. Ross MacFadden, Toronto #$%&&&+—+(%&&&
)! WILLIAM!SHAYER!THE!ELDER! #$0%0-$%0(*+!BRITISH RETURN!OF!THE!FISHERMAN Oil on canvas; titled to the nameplate, inscribed “by William Shayer” in pen and ink to gallery label verso 15 ins x 12 ins; 38.1 cms x 30.5 cms PROVENANCE"
Laing Galleries, Toronto, as “Figures in a Landscape” inscribed to gallery label verso; Estate of W.A. Ross MacFadden, Toronto #.%&&&+—+$%&&&
)) WILLIAM!SHAYER!THE!ELDER! #$0%0-$%0(*+!BRITISH UNLOADING!THE!CATCH Oil on canvas; titled to a partial typed label inscribed ‘By William Shayer Senr” a"ached to the frame verso 18.5 ins x 23.75 ins; 47 cms x 60.3 cms PROVENANCE"
Waddington’s, Toronto, December 11, 2012, lot 59; Estate of W.A. Ross MacFadden, Toronto #.%&&&+—+$%&&&
). PIERRE!BILLET!#$%.0-$())*+!FRENCH PEASANT!GIRL!AT!THE!SEASHORE Oil on Hardy Alan stamped canvas; signed lower le! 27 ins x 21.5 ins; 68.6 cms x 54.6 cms PROVENANCE"
Private Collection Toronto, by descent through the family for at least two generations #$%&&&+—+(%&&&
)$ AUGUST!BEDRICH!PIEPENHAGEN! #$0($-$%&%*+!GERMAN FOG!LIFTING!ON!A!MOONLIT!RIVER Oil on panel; signed with initial monogram lower le! 12 ins x 11 ins; 30.5 cms x 27.9 cms PROVENANCE"
Private Collection, Ontario #.%&&&+—+/%&&&
)/ LOT!WITHDRAWN
)( ACHILLE!GRANCHI-TAYLOR! #$%,0-$()$*+!FRENCH YOUNG!BRETON!FISHERGIRL!IN!A!LANE Oil on canvas; signed lower right 13.8 ins x 9.5 ins; 35 cms x 24.1 cms PROVENANCE"
Th. Bonjean, Paris, No. 6086 inscribed in pen and ink to label verso; Prominent Private Family Collection, Dundas, ON #)%&&&+—+.%&&&
)* EDME-EMILE!LABORNE!#$%.0-$($.*+! FRENCH LA!DILIGENCE Oil on canvas; signed lower le!, titled to the nameplate 15 ins x 18 ins; 38.1 cms x 45.7 cms PROVENANCE"
Prominent Private Family Collection, Dundas, ON #.%&&&+—+$%&&&
)0 LOUIS!TIELEMANS!#$%)&-$%,&*+! FLEMISH OUTDOOR!TAVERN!SCENE"!$*-. Oil on panel stamped with Gerardts, Anvers maker’s mark verso; signed “L. Tielemans” and dated lower right 20.5 ins x 18.5 ins; 52.1 cms x 47 cms PROVENANCE"
The Cooling Galleries Ltd., London, UK & Toronto gallery label verso, inventory no.C909 inscribed in black ink verso; With Frederick W. Thom Ltd., Toronto gallery label verso; Estate of W.A. Ross MacFadden, Toronto #.%&&&+—+/%&&&
)JEAN!RAYMOND!HIPPOLYTE! LAZERGES!#$%$0–$%%0*+!FRENCH TURBANNED!VISITOR!AT!THE!DOOR Oil on panel; signed “Hipte Lazerges” lower right 21.75 ins x 14.5 ins; 55.2 cms x 37.5 cms PROVENANCE"
Private Collection, Ontario #$%&&&+—+(%&&&
.& FRANZ!ALT!#$%)$-$($-*+!AUSTRIAN RUE!DE!LA!PAIX"!PARIS"!$*/0? Watercolour on paper; signed and dated indistinctly 1842 lower le! Sheet 8 ins x 10.6 ins; 28.7 cms x 27 cms PROVENANCE"
Private Collection, Vienna, grandparents of the present Private Collection, Ontario by descent #$%&&&+—+(%&&&
.! FRANZ!ALT!#$%)$-$($-*+!AUSTRIAN CHURCH!IN!VIENNA"!$*/% Watercolour and ink on paper; signed and dated lower right 7.3 ins x 5.9 ins; 18.6 cms x 15 cms PROVENANCE"
Private Collection, Vienna, grandparents of the present Private Collection, Ontario by descent #)%&&&+—+.%&&&
.) EDWARD!SEAGO!#$($/-$(0-*+!BRITISH THE!PINK!HOUSE!-!CASCAIS Oil on canvas; signed lower le!, titled to the stretcher 20 ins x 26 ins; 50.8 cms x 66 cms PROVENANCE"
Private Collection, Montreal #!/%&&&+—+)/%&&&
.. EDWARD!SEAGO!#$($/–$(0-*+!BRITISH PLACE!HAMLIN"!HONFLEUR"!!CA#!$%-% Oil on canvas; signed and indistinctly dated, titled to the stretcher 18 ins x 23 ins; 45.7 cms x 58.4 cms PROVENANCE"
Ex Coll. V.W. Armstrong, Esq., Toronto; Private Collection, Peterborough, ON LITERATURE"
“Edward Seago, Painter in the English Tradition,” with text by Horace Shipp, Collins, London, 1952, this lot illustrated in black and white, plate 84 while in the collection of V.W. Armstrong, Esq., Toronto. #!/%&&&+—+)&%&&&
.$ EDWARD!SEAGO!#$($/-$(0-*+!BRITISH A!STREET!CORNER!-!MONTMARTRE Oil on masonite board; signed lower le!, titled in pencil verso 18 ins x 24 ins; 45.7 cms x 61 cms PROVENANCE"
Thomas Campbell Gallery, Toronto; From whom purchased by Kevin Jones, Toronto as “Montmartre” on 29 October 1986 with original receipt; Private Collection, Toronto #)&%&&&+—+.&%&&&
./ EDWARD!SEAGO!#$($/–$(0-*+!BRITISH MAN!FISHING!AT!THE!RIVER!WITH!VILLAGE!HOUSES!ON!OPPOSITE!SHORE Oil on masonite; signed lower le! 12 ins x 16 ins; 30.5 cms x 40.6 cms PROVENANCE"
Private Collection, Peterborough, ON #0%&&&+—+!)%&&&
.( EDWARD!SEAGO!#$($/-$(0-*+!BRITISH COTTAGES!NEAR!BECCLES"!$%1% Oil on masonite; signed lower le!, titled verso and dated to the remains of an inscribed pen and ink label with partial title verso 16 ins x 24 ins; 40.6 cms x 61 cms PROVENANCE"
Reportedly acquired at Laing Galleries, Toronto; From whom purchased by a Private Collection, Toronto; By descent to the present Private Collection, Ontario #!/%&&&+—+)/%&&&
.* GEORGES!CHARLES!ROBIN! #$(/.–)//.*+!FRENCH LA!SEINE!À!BOUGIVAL!-!LE!SOIR Oil on canvas; signed lower right, titled in pen and ink to label verso 18 ins x 24 ins; 45.7 cms x 61 cms PROVENANCE"
Continental Galleries of Fine Art, Montreal gallery label verso; The Estate of Johannes Van Wees, Victoria, BC #)%&&&+—+.%&&&
.0 JULES!RENÉ!HERVÉ!#$%%0–$(%$*+! FRENCH RIDERS!IN!WINTER Oil on canvas; signed lower le!, signed to the canvas verso and signed and titled to the stretcher 39.5 ins x 31.75 ins; 100.3 cms x 80.6 cms PROVENANCE"
Private Collection, Toronto #.%&&&+—+$%&&&
.CONSTANTIN!KLUGE!#$($)–)//.*+! FRENCH LE!QUAI!DES!GRANDS!AUGUSTINS"!NO#!0 Oil on canvas; signed lower right, titled to gallery labels verso, the Frost & Reed label titled and inscribed “No. 2” to label verso 29 ins x 29 ins; 73.7 cms x 73.7 cms PROVENANCE"
Frost & Reed, London, UK, Reg. No. 33717 gallery label verso; The Fine Art Galleries, The T. Eaton Co., Limited, Canada Stock No. 8083 gallery label verso; Private Collection, Ontario #.%&&&+—+$%&&&
$& LOT WITHDRAWN
$! PIERRE!EDOUARD!FRÈRE!#$%$(-$%%&*+! FRENCH GATHERING!WOOD"!$**% Oil on cradled panel; signed and dated “89” lower le!, titled to gallery label verso 18 ins x 14.5 ins; 45.7 cms x 36.8 cms PROVENANCE"
Odon Wagner Gallery, Toronto gallery label verso as “Gathering Wood”; Estate of W.A. Ross MacFadden, Toronto #.%&&&+—+/%&&&
$) ANTONIO!ERMOLAO!PAOLETTI! #$%.--$($)*+!ITALIAN A!REFRESHING!TREAT Oil on canvas; signed at “Venezia” lower right, titled to gallery label verso 12 ins x 21 ins; 30.5 cms x 53.3 cms PROVENANCE"
Richard Green Gallery, London, UK, Inv. AE15 gallery label verso accompanied by the original receipt, dated 12 October 1988; From whom purchased by a collector in Canada #$%&&&+—+(%&&&
$. ALESSANDRO!SANI!#$%,&–$()0*+! ITALIAN THE!KNITTING!LESSON Oil on canvas; signed upper right 13.25 ins x 16.5 ins; 33.7 cms x 41.9 cms PROVENANCE"
Bu"erfields, California, May 15, 2002, Lot 3088 as the “Sewing Lesson”; From whom purchased by the present Private Collection, Ontario #.%&&&+—+/%&&&
$$ FRITZ!FREUND!#$%,(–$(-)*+!GERMAN REIGEN!(ROUND!DANCE)"!CA#!$%$/ Oil on canvas; signed and indistinctly dated lower le! 16.75 ins x 31.5 ins; 42.5 cms x 80 cms PROVENANCE"
Private Collection, Cookstown, ON, acquired from an Ontario Private Collection approximately 15 years ago #.%&&&+—+/%&&&
$/ ERNEST!HEILMANN!#$%0/-$(.&*+! GERMAN PUTZIE"!$*%* Oil on canvas; signed and dated “12.98” lower le!, titled to the nameplate to the frame recto 51.5 ins x 37.5 ins; 130.8 cms x 95.3 cms PROVENANCE"
With Staff’s Gallery, Toronto on Oct. 17, 2002 labels verso; Private Collection, Toronto #/%&&&+—+*%&&&
$( EDMUND!BLAIR!LEIGHTON! #$%,.–$())*+!BRITISH A!BUDDING!ROMANCE"!$*%Oil on canvas; signed with initials “E.B.L.” and dated “95” lower le!, titled to the frame recto 13.25 ins x 18 ins; 33.7 cms x 45.7 cms PROVENANCE"
Private Collection, Algonquin Highlands, ON #!/%&&&+—+)/%&&&
$* WALTER!DENBY!SADLER!#$%,--$().*+! BRITISH THE!PRIOR"!$**0 Oil on canvas; signed and dated “82” lower right, titled to the frame recto 34.5 ins x 26.5 ins; 87.6 cms x 67.3 cms PROVENANCE"
The Cooling Galleries Ltd., London, UK & Toronto gallery label verso; ByDealers, October 6, 2020, lot 40; From whom purchased by the present Private Collection, Toronto #*%&&&+—+-%&&&
$0 CARL!BERNHARD!SCHLÖSSER! #$%.)-DIED!AFTER!$($-*+!GERMAN THE!CONFIDANT Oil on canvas; signed “Carl Schloesser” lower right 39 ins x 27 ins; 99.1 cms x 68.6 cms PROVENANCE"
Wimmer & Co., Gallery of Fine Arts, Munich stamp to the original canvas verso; Property of an east coast women’s college; William Doyle, New York, November 9, 1994, Lot 29; Private Estate Collection, Ontario #/%&&&+—+*%&&&
$JOHANNES!BOSBOOM!#$%$0-$%($*+! DUTCH INTERIOR!OF!A!CHURCH Oil on panel; signed lower le! 8.75 ins x 7.25 ins; 22.2 cms x 18.4 cms PROVENANCE"
Bequest of Gerald R. Larkin, 1961; Collection of the Art Gallery of Ontario, Toronto, Accession no. 60/73 label verso; Deaccessioned from the Collection of the Art Gallery of Ontario to benefit art purchases at the AGO EXHIBITED"
Art Gallery of Ontario, Toronto, in “The Hague School: Collecting in Canada at the Turn of the Century,” Cat. No. 5 exhibition label verso backing #.%&&&+—+/%&&&
/& CESARE!FELIX!GEORGES!DELL’!ACQUA! #$%)$–$(/-*+!ITALIAN SAINT!CATHERINE!OF!SIENA!LEADING! POPE!GREGORY!BACK!TO!ROME"!$*1. Oil on canvas; signed and dated lower le! 49.5 ins x 72 ins; 125.7 cms x 182.9 cms PROVENANCE"
Waddington’s, Toronto, June 18, 2013, Lot 183; From whom purchased by the present Private Collection, St. Petersburg, FL, formerly North Bay, ON #!&%&&&+—+!/%&&&
/! ADOLPHE!MONTICELLI!#$%)--$%%&*+! FRENCH THE!PROMENADE"!LATE!$*-'S Oil on cradled panel; titled to gallery label verso 10 ins x 8 ins; 25.4 cms x 20.3 cms PROVENANCE"
Bequest of Gerald R. Larkin, 1961 to the Art Gallery of Toronto (Art Gallery of Ontario) in 1961; Collection of the Art Gallery of Ontario, Toronto, Accession no. 60/69 verso; Deaccessioned from the Collection of the Art Gallery of Ontario to benefit art purchases at the AGO #!%)&&+—+!%0&&
/) AFTER!ERSKINE!NICOL!#$%),-$(/-*+! SCOTTISH/IRISH KEPT!IN"!$*11 Oil on canvas; titled to the collector’s inscribed pen and ink label verso, numbered “71” in pen and ink to a small label verso 29.9 ins x 23.1 ins; 76 cms x 58.7 cms PROVENANCE"
Ex. Coll. William Maxted (or Maxfed), 60 Great Russell Street, London, UK old inscribed collector’s label to the stretcher; With the American Exposition, accompanied by a le"er dated “April 6th/86,” laminated in plastic, addressed to “Mr. J. Eastwood, Hamilton Ontario Dr.” (sic), from Mr. Howard? (indistinct), Art Director of the American Exposition; Coll. Mr. J. Eastwood, Hamilton, Ontario; Waddington’s, Toronto, April 14th - April 18th, 1980, lot 1122 as “E. Nicol”; From whom purchased by the father of the present Private Collection, Toronto who received this work by descent #)%&&&+—+.%&&&
/. FERDINAND!VICTOR!LÉON!ROYBET! #$%-/–$()/*+!FRENCH THE!CAVALIER"!$*** Oil on panel; signed and dated “88” lower le! 21 ins x 14.8 ins; 53.3 cms x 37.5 cms PROVENANCE"
The Honourable George Albertus Cox and Margaret Cox; By descent to Herbert C. and Louise Cox; Gi!ed by Mr. and Mrs. H.C. Cox to the Art Gallery of Toronto (Art Gallery of Ontario) in 1926; Collection of the Art Gallery of Ontario, Toronto, Accession no. 818 gallery labels verso; Deaccessioned from the Collection of the Art Gallery of Ontario to benefit art purchases at the AGO #.%&&&+—+/%&&&
/$ CASIMIR!VAN!DEN!DAELE!#$%$%-$%%/*+! BELGIAN THE!PHYSICIAN’S!VISIT"!$*-* Oil on panel; signed “C Van den Daele,” signed with compounded initials and dated 1858 lower right 22 ins x 30 ins; 55.9 cms x 76.2 cms PROVENANCE"
J.A. Cooling & Sons, London, UK gallery label verso; Private Collection, Toronto #$%&&&+—+(%&&&
// FERDINAND!VICTOR!LÉON!ROYBET! #$%-/-$()/*+!FRENCH MUSKETEER!WITH!BRASSWARES!IN!HIS! STUDY Oil on panel; signed lower right 31.75 ins x 25.25 ins; 80.6 cms x 64.1 cms PROVENANCE"
William Rodman & Co., Limited, framer’s label verso; Frederick W. Thom Limited, Toronto gallery label verso; “Evan Golubov,” Ontario inscribed in marker to white label verso #.%&&&+—+$%&&&
/( JOHN!ABSOLON!#$%$,-$%(,*+!BRITISH PEACE Oil on canvas; signed with monogram on the stone ledge under the water vessel at the right, titled to the accompanying copy of the original receipt 28.5 ins x 21.5 ins; 72.4 cms x 54.6 cms PROVENANCE"
Mr. S. Katz, Toronto, purchased at The T. Eaton Company Limited, Canada June 1, 1951 as John Absolon, “Peace,” Stock No. 8410, together with a copy of the original receipt; His Estate Collection; By descent to the present Private Collection, Toronto #$%&&&+—+(%&&&
/* CAMILLO!INNOCENTI!#$%0$-$(&$*+! ITALIAN L’ORAGE!(WOMAN!IN!A!STORM) Oil on canvas; signed bo"om right, titled to the nameplate 24 ins x 16.5 ins; 61 cms x 41.9 cms PROVENANCE"
Prominent Private Family Collection, Dundas, ON #.%&&&+—+/%&&&
/0 HENRI!PIERRE!PICOU!#$%)--$%(,*+! FRENCH SPRING!GODDESS!AND!CHERUBS"!$*%$ Oil on canvas; signed and dated lower right 22 ins x 17.5 ins; 55.9 cms x 44.5 cms PROVENANCE"
Prominent Private Family Collection, Dundas, ON #.%&&&+—+/%&&&
/GUSTAV!POPE!#$%.$–$($/*+!BRITISH THE!JUDGEMENT!OF!PARIS Oil on canvas; signed “Gustav. Pope” lower le! 33.75 ins x 43.5 ins; 85.7 cms x 110.5 cms PROVENANCE"
Christie’s, London, UK June 8th, 2006, lot 216; From whom purchased by a Private Collection, Toronto #)&%&&&+—+.&%&&&
(& MARIQUITA!JENNY!MOBERLY!#$%,,$(.0*+!BRITISH THE!FLIGHT!OF!NICOLETTE Oil on canvas; signed lower le!, signed and titled to the top stretcher in pencil 48.25 ins x 22.25 ins; 122.6 cms x 56.5 cms PROVENANCE"
With Dicksee & Co., Bristol, UK, 1920, their printed label of the original framer adhered to the verso and inscribed “Nicole"e” in pencil; Private Collection, Toronto #$%&&&+—+(%&&&
(! MAURICE!DENIS!#$%0/-$(-.*+!FRENCH FEMMES!SUR!LE!BALCON"!ESQUISSE!I"! (WOMEN!ON!THE!BALCONY"!SKETCH!I)"! CA#!$%$. Oil on board; signed with the workshop monogram (monogramme de l’atelier) “MAVD” lower right, titled and dated “ca. 1913” to the accompanying Certificate of Authenticity from Mme. Claire Denis, dated at Saint-Germainen-Laye, France, October 10, 2020, Catalogue raisonné N° 912.0002 15 ins x 10.4 ins; 38 cms x 26.5 cms PROVENANCE"
Coll. Jean-François Denis, son of the artist by descent; Me Loudmer, Paris Drouot, June 16 1990, lot 65; Christie’s, London, UK, June 26, 1996, lot 323; From whom purchased by the Present Private Collection, Western Canada LITERATURE"
Claire Denis, granddaughter of Maurice Denis, co-author of the “Catalogue raisonné de l’oeuvre de Maurice Denis,” has viewed this work in person and provided a le"er of Authenticity to the present Private Collection, Cat. N° 912.0002 in the Catalogue raisonné currently in preparation by Madame Claire Denis #/&%&&&+—+0&%&&&
() FRANÇOIS!GALL!#$($)–$(%0*+! HUNGARIAN/FRENCH LADY!IN!THE!PARK Oil on canvas; signed at Paris lower le!, titled to a copy of the accompanying Certificate of Authentication 18 ins x 21.5 ins; 45.7 cms x 54.6 cms PROVENANCE"
Eugene Edelman Galleries, Inc., Toronto, provided an Authentication Certificate to Robert Deveau Galleries, Toronto on October 6, 1978 certifying this lot; From whom purchased by the present Private Collection, Toronto on October 6, 1978 #/%&&&+—+*%&&&
(. KEES!VAN!DONGEN!#$%00–$(&%*+! DUTCH/FRENCH DAHLIAS!(ALSO!CALLED!BOUQUET!DE! FLEURS) Oil on panel; signed in red paint lower right, the verso with a wash of oil based colours, titled “Dahlias” to the Dominion Gallery label adhered to the verso 16.25 ins x 13 ins; 41.3 cms x 33 cms PROVENANCE"
Ex. Coll. Dr. and Mrs. Max Stern, Dominion Gallery, Montreal, Inventory No., DON5i gallery label adhered to the verso, acquired directly from the artist in 1953; Gi!ed to the Beaverbrook Art Gallery, Fredericton, NB on December 20, 1985, Accession No. 85.25 (with a copy of the document dated 27th March, 1986 and another dated April 14, 1986); Deaccessioned to benefit art purchases at the Beaverbrook Art Gallery #!&&%&&&+—+!/&%&&&
($ MARCEL!DYF!#$%((-$(%,*+!FRENCH YOUNG!MODEL!WITH!HAIR!TIED!BACK"! CA#!$%1' Oil on canvas; signed lower right 18 ins x 15 ins; 45.7 cms x 38.1 cms PROVENANCE"
Galerie Castiglione, Montreal inscribed to shipper’s label verso; Estate of W.A. Ross MacFadden, Toronto #$%&&&+—+(%&&&
(/ GILBERT!BRYCE!#LATE!$(TH!CENTURY*+! BRITISH A!BEAUTY!IN!AN!ITALIANATE!GARDEN! VISITED!BY!!A!BUTTERFLY Oil on a rectangular stretched canvas, framed in the oval; signed lower right Ma"ed Oval/Overall 29 ins x 19 ins; 73.7 cms x 48.3 cms; Ma"ed Oval/Overall 30 ins x 20 ins; 76.2 cms x 50.8 cms PROVENANCE"
Private Collection, Toronto #)%&&&+—+.%&&&
(( DOROTHEA!SHARP!#$%0--$(,,*+! BRITISH A!SUNNY!MORNING Oil on textured board; signed lower le!, titled to gallery labels verso backing 17.5 ins x 22.25 ins; 44.5 cms x 56.5 cms PROVENANCE"
Estate Collection, British Columbia EXHIBITED"
The Royal Institute of Oil Painters, London, UK, Member’s Label, No. 1 verso backing; R.H. Spurr, The Romney Gallery, Southport, UK gallery label verso; Alex Fraser Galleries, Vancouver gallery label verso #)%&&&+—+.%&&&
(* FEODOR!PETROVITCH!TCHOUMAKOFF! #CHUMAKOV*!#$%).-$($$*+!RUSSIAN PORTRAIT!DE!FEMME!(IN!GAUZY!CHEMISE) Oil on canvas; signed upper le! 22 ins x 18 ins; 55.9 cms x 45.7 cms PROVENANCE"
Prominent Private Family Collection, Dundas, ON #*%&&&+—+-%&&&
(0 SIR!JACOB!EPSTEIN!#$%%/-$(,(*+! AMERICAN/BRITISH DAVID!LLOYD!GEORGE"!FIRST!EARL! LLOYD-GEORGE!OF!DWYFOR!($*1.–$%/-) Patinated bronze bust 25 ins x 33 ins x 17 ins; 63.5 cms x 83.8 cms x 43.2 cms PROVENANCE"
Gi! of Mr. John W. McConnell to the Beaverbrook Art Gallery, Saint John, NB, in 1964, Accession No. S64-1, mark to the underside; Deaccessioned to benefit art purchases at the Beaverbrook Art Gallery #)%/&&+—+.%/&&
(JOHN!JAMES!MASQUERIER!#$00%-$%,,*+! BRITISH PORTRAIT!OF!JONATHAN!DUNCAN!ESQ#"! GOVERNOR!OF!BOMBAY!($&&*-$*--) Oil on canvas; titled to the nameplate 30.25 ins x 25.25 ins; 76.8 cms x 64.1 cms PROVENANCE"
French Gallery (F.G.) label verso with indistinct inscription in pen and ink; A small label inscribed “London” verso; W. Sco" & Sons, Montreal gallery label verso; With “Blair Laing” (The Laing Gallery, Toronto) inscribed in white chalk to the centre stretcher; Estate of W.A. Ross MacFadden, Toronto #.%&&&+—+/%&&&
*& SIR!WILLIAM!ORPEN!#$%0%-$(.$*+!IRISH PORTRAIT!OF!A!LADY!IN!A!FUR!STOLE Oil on canvas board, a sculpted oval; signed lower right 23.75 ins x 19.75 ins; 60.3 cms x 50.2 cms PROVENANCE"
Estate of Lois Orkin, Toronto #!/%&&&+—+)/%&&&
*! DOROTHEA!SHARP!#$%0--$(,,*+! BRITISH A!MIXED!BUNCH Oil on textured board; signed lower le!, titled verso 22.4 ins x 19.7 ins; 57 cms x 50 cms PROVENANCE"
Alex Fraser Galleries, Vancouver, inscribed to frame verso; Estate Collection, Vancouver #)%&&&+—+.%&&&
*) EMILE!ALBERT!GRUPPÉ!#$%(&-$(0%*+! AMERICAN BIRCHES!AT!THE!BEND Oil on canvas board; signed lower right, inscribed “To Jean & Clute on Their Golden Anniversary,” signed by the artist in black marker verso 15 ins x 20 ins; 38.1 cms x 50.8 cms PROVENANCE"
Private Collection of Jean & Clute, gi!ed directly from the artist inscribed verso; Private Collection, Ontario #$%&&&+—+/%&&&
*. EUGENE!DE!BLAAS!#$%-.–$(.)*+! AUSTRIAN COQUETTE"!$*%$ Oil on panel; signed and dated lower le! edge, titled to the nameplate 13.5 ins x 10.6 ins; 34.3 cms x 27 cms PROVENANCE"
Parisienne Gallery, Toronto stamped to the verso backing; The Estate of Laura Silver, Toronto #0%&&&+—+!)%&&&
*$ JACQUES!MARTIN-FERRIÈRES! #$%($–$(0)*+!FRENCH VASE!DE!FLEURS"!$%/$ Oil on textured board laid down to panel; signed and dated lower le! 25.6 ins x 23 ins; 65 cms x 58.4 cms PROVENANCE"
Sotheby’s, New York, Impressionist and Modern Art, Part II, May 14, 1997, lot 463; Loudmer S.C.P., Importants Tableaux Modernes, October 19, 1997, lot 141; Renee Foutouhi Fine Art, New York, June 4, 1999; From whom purchased by the present Private Collection, Toronto #0%&&&+—+!)%&&&
*/ SIR!WILLIAM!QUILLER!ORCHARDSON! #$%.)-$($/*+!SCOTTISH PORTRAIT!OF!SIR!JOHNSTON! FORBES-ROBERTSON Oil on canvas; signed lower right 27 ins x 25 ins; 68.6 cms x 63.5 cms PROVENANCE"
Gi! of Col. D.H. MacLaren, Barrie, ON, to The Art Gallery of Toronto in 1922; Collection of the Art Gallery of Ontario, Toronto, Accession no. 629 gallery labels verso backing; Deaccessioned from the collection of the Art Gallery of Ontario to benefit art purchases at the AGO EXHIBITED"
“Reading Portraits/Reality, Appearance, Interpretation,” Margaret and Jim Fleck Gallery, Toronto, ON October 2, 2004 January 31, 2005 #!%/&&+—+)%/&&
*( ATTRIBUTED!TO!JOSEPH!HIGHMORE! #$&()–$0%/*+!BRITISH PORTRAITS!OF!HENRY!ST#!JOHN"!FIRST! LORD!BOLINGBROKE!AND!HORATIO"! FIRST!LORD!WALPOLE Oil on canvas; titled to an old unknown catalogue entry as “Joseph Highmore” adhered to the centre stretcher verso 53.5 ins x 78 ins; 135.9 cms x 198.1 cms PROVENANCE"
Gi! of Mr. David Pleydell-Bouverie to the Beaverbrook Art Gallery, Saint John, NB, Accession No. 1960.26; Deaccessioned to benefit art purchases at the Beaverbrook Art Gallery #$%&&&+—+(%&&&
** CECIL!KENNEDY!#$(/,–$((0*+!BRITISH VASE!OF!MORNING!GLORIES"!ROSES"! DAFFODILS"!PEONIES"!GERANIUMS!AND! VIOLAS!WITH!DEW!DROPLETS!AND!A! LADYBUG Oil on masonite; signed lower right 20 ins x 16 ins; 50.8 cms x 40.6 cms PROVENANCE"
Private Collection, British Columbia #$%&&&+—+(%&&&
*0 JANIS!FERDINANDS!TIDEMANIS! #$%(0-$(&-*+!LATVIAN LINDA"!CA#$%/'S Oil on canvas; signed lower right, titled in red crayon verso 27 ins x 21.25 ins; 68.6 cms x 54 cms PROVENANCE"
Private Collection, California by descent from his parents’ collection, who purchased a collection of Tidemanis’ paintings in Toronto in the late 1960s and early 1970s. This lot was given to the present Private Collection, Santa Monica, CA from his mother. #$%&&&+—+(%&&&
*PIERRE-NICOLAS!EULER!#$%-&-$($./$,*+! FRENCH STILL!LIFE!OF!FLOWERS!WITH!FANS Oil on canvas; signed lower le!, titled to the accompanying copy of the original receipt 45 ins x 59.25 ins; 114.3 cms x 150.5 cms PROVENANCE"
Guy Regal Ltd, Fine Art & Antiques, New York accompanied by a copy of the original receipt dated June 19, 1998; From whom purchased by Ms. Anne Cooper, Anne Cooper Interiors, Inc., Morristown, NJ; Private Collection, Toronto #(%&&&+—+0%&&&
0& MANNER!OF!SIR!HENRY!RAEBURN! #$0,&-$%).*+!BRITISH PORTRAIT!OF!A!LADY!IN!BLUE!RIBBONED! HAT!BEFORE!A!DRAPED!WINDOW"!CA#! $&%' Oil on canvas 30 ins x 25 ins; 76.2 cms x 63.5 cms PROVENANCE"
Collection of Sidney Hahn, London, UK; By descent to Paul Hahn & Co. Ltd., Bond Street, London, UK; From whom purchased by the present Private Collection, Toronto in 1991. #)%&&&+—+.%&&&
0! BERNARD!DE!HOOG!#$%&0–$(-.*+! DUTCH TAKING!CARE!OF!DOLLY Oil on canvas; signed lower right 19.75 ins x 15.75 ins; 50.2 cms x 40 cms PROVENANCE"
The Cooling Galleries, Toronto gallery label verso; Private Collection, Ontario #!%)&&+—+!%0&&
0!A PAUL!SEIGNAC!#$%)&-$(/-*+!FRENCH THE!NEST Oil on canvas; signed lower le! 14 ins x 11 ins; 35.6 cms x 27.9 cms PROVENANCE"
The Cooling Galleries Ltd., London, UK & Toronto gallery label verso; Private Collection, Ontario #!%&&&+—+!%/&&
0) CHARLES!BURTON!BARBER! #$%-,-$%(-*+!BRITISH SONGS!WITHOUT!WORDS"!$**Oil on canvas; signed and dated lower le!, titled to gallery label verso 36.75 ins x 24.9 ins; 93.3 cms x 63.3 cms PROVENANCE"
Eaton’s, Canada, Stock No. 174 partial gallery label to the verso backing; Private Collection, Quebec #.&%&&&+—+/&%&&&
0. ANTOINE!EUGÈNE!LAMBERT! #$%)--$(/.*+!FRENCH CATS Oil on canvas; signed lower right, titled to old label verso 11 ins x 14 ins; 27.9 cms x 35.6 cms PROVENANCE"
The Honourable George Albertus Cox and Margaret Cox; By descent to Herbert C. and Louise Cox, Toronto; The H.C. Cox Collection, Toronto; Presented by the H.C. Cox Collection, Toronto as a gi! to the Art Gallery of Toronto (Art Gallery of Ontario) in 1926; Collection of the Art Gallery of Ontario, Toronto, Accession no. 821-A as “Cats” to gallery labels verso; Deaccessioned from the Collection of the Art Gallery of Ontario to benefit art purchases at the AGO #!%/&&+—+)%/&&
0$ EDGAR!HUNT!#$%0&–$(,.*+!BRITISH BARN!INTERIOR!WITH!GOATS!AND! CHICKENS"!$%0& Oil on canvas; signed and dated lower right 14.25 ins x 18 ins; 36.2 cms x 45.7 cms PROVENANCE"
Private Collection, Ontario #*%&&&+—+-%&&&
0/ SIDNEY!RICHARD!PERCY!#$%)$-$%%&*+! BRITISH A!HIGHLAND!LOCH!WITH!CATTLE"!$*1Oil on canvas; signed and dated lower right, titled to a gallery label verso 24 ins x 36 ins; 61 cms x 91.4 cms PROVENANCE"
Frost & Reed, London, UK label verso as “S.R. Percy/ Landscape,” Reg. No. 21955 partial label verso; Richard Green Gallery, London, UK as “A Highland Loch with Ca"le,” Stock No. AE219, label verso, accompanied by a copy of the original receipt dated 12 October 1988; From whom purchased by a collector in Canada #!&%&&&+—+!/%&&&
0( WILLEM!CAREL!NAKKEN!#$%.,–$()&*+! DUTCH A!PICARDY!HOMESTEAD Oil on canvas; signed lower le!, titled to gallery label verso certifying the work 17 ins x 26 ins; 43.2 cms x 66 cms PROVENANCE"
Messrs. H. & P. De Casseres, London, UK gallery label verso; Private Collection, Toronto #/%&&&+—+*%&&&
0* FRANÇOIS!PIETER!TER!MEULEN! #$%-.–$()0*+!DUTCH SHEEP"!CIRCA!EARLY!0'TH!CENTURY Oil on canvas; signed lower right, titled to the exhibition label verso backing. 33 ins x 51 ins; 83.8 cms x 129.5 cms PROVENANCE"
John A. Cooling, London, UK gallery label to the stretcher; With Haynes Art Gallery, Toronto, 12/9/32 (1932) gallery label to the stretcher; Bequest of Marie Wallberg to the Art Gallery of Ontario in 1933; Collection of the Art Gallery of Ontario, Toronto, Accession no. 2137 gallery labels verso; Deaccessioned from the Collection of the Art Gallery of Ontario to benefit art purchases at the AGO EXHIBITED"
Art Gallery of Ontario, “The Hague School: Collecting in Canada at the Turn of the Century,” Cat. No. 34 exhibition label verso backing #)%&&&+—+.%&&&
00 JOHAN!FREDERIK!CORNELIS! SCHERREWITZ!#$%&%-$(,$*+!DUTCH FARMER!AIDS!HIS!HORSE!AND!CART! THROUGH!SAND!DUNES Oil on canvas; signed lower right 16 ins x 28 ins; 40.6 cms x 71.1 cms PROVENANCE"
Galerie Bernard Desroches, Montreal galley label verso, Inv. No. 3993; Private Collection, Ontario #)%&&&+—+.%&&&
0WILHELM!LOMMEN!#$%.%-$%(,*+! GERMAN HAYING!SCENE Oil on canvas; signed and inscribed indistinctly lower le!, signed in pencil to the stretcher 27.25 ins x 43.75 ins; 69.2 cms x 111.1 cms PROVENANCE"
The Estate of Ju"a Dalton, Ontario #$%&&&+—+(%&&&
-& LÉON!AUGUSTIN!L’HERMITTE! #$%---$(),*+!FRENCH HARVESTERS!AT!REST Colour pastel on laid paper mounted on canvas; signed lower le! 16 ins x 21.75 ins; 40.6 cms x 55.2 cms PROVENANCE"
Arthur Tooth & Sons, New York label verso backing; In a hand-carved frame from Robert Hubbard & Son, Toronto label verso backing; By descent to the present Private Collection, Ontario #)&%&&&+—+.&%&&&
-! HARRY!FIDLER!#$%,&-$(.,*+!BRITISH A!SCOTCH!FARM!(COWS!DRINKING) Oil on canvas; signed lower le!, inscribed “by Harry Fidler” and titled to a pen and ink label verso 17 ins x 21 ins; 43.2 cms x 53.3 cms PROVENANCE"
Bequest of F.W. Fitzgerald, October 17, 1949 as “Anton Fidler”; Collection of the Art Gallery of Ontario, Toronto, Accession no. 49/10 to gallery labels verso; Deaccessioned from the collection of the Art Gallery of Ontario to benefit art purchases at the AGO #0&&+—+!%)&&
-) HARRY!FIDLER!#$%,&-$(.,*+!BRITISH PLOUGHING Oil on canvas; signed with black initials “H F” lower right, titled to gallery label verso 12 ins x 14.25 ins; 30.5 cms x 36.2 cms PROVENANCE"
Bequest of F.W. Fitzgerald, July 5, 1949 erroneously as German artist “Anton Fidler”; Collection of the Art Gallery of Ontario, Toronto, Accession no. 49/29 to gallery labels verso; Deaccessioned from the Collection of the Art Gallery of Ontario to benefit art purchases at the AGO #(&&+—+-&&
-. HENRY!H"!PARKER!#$%,%-$(./*+!BRITISH PEASANTS!AT!HARVEST Oil on canvas; signed lower right 20 ins x 30 ins; 50.8 cms x 76.2 cms PROVENANCE"
Charles E. Luton, UK frame maker’s label verso; Frederick W. Thom Limited, Toronto gallery label verso; Private Collection, Ontario #)%&&&+—+.%&&&
-$ HUGH!CAMERON!#$%.,–$($%*+! SCOTTISH THE!REAPER"!$*1* Oil on canvas; signed and dated lower right, inscribed “Finished sketch of ‘The Reaper’ by Hugh Cameron” verso 15.25 ins x 12 ins; 38.7 cms x 30.5 cms PROVENANCE"
Private Collection, Hamilton, ON #!%&&&+—+!%/&&
-/ BENJAMIN!WILLIAMS!LEADER! #$%.$–$().*+!BRITISH THE!CHURCH!AND!HILLS!BETTWS-YCOED"!$*%% Oil on grey board; signed and dated lower le!, signed and titled verso 12.25 ins x 17 ins; 31.1 cms x 43.2 cms PROVENANCE"
Private Collection, France #)%&&&+—+.%&&&
-( DAVID!FARQUHARSON!#$%-/-$(/0*+! SCOTTISH SHOOTING!IN!PERTHSHIRE"!$*&. Oil on canvas; signed and dated lower le!, titled to the nameplate 12 ins x 18 ins; 30.5 cms x 45.7 cms PROVENANCE"
Prominent Private Family Collection, Dundas, ON #$%&&&+—+(%&&&
-* ADOLF!#CONSTANTIN*! BAUMGARTNER-STOILOFF!#$%,/-$()-*+! AUSTRIAN SELBERTRANSPORT!IN!RUSSLAND Oil on braced panel; signed lower le!, titled and inscribed “No. 1153” in pen and ink to label verso 12.25 ins x 18.9 ins; 31.1 cms x 48 cms PROVENANCE"
With Rolland Ulrich Arts Services, Montreal; Private Collection, Ontario #!%/&&+—+)%/&&
-0 JAN!VAN!CHELMINSKI!#$%,$-$(),*+! POLISH NAPOLEON!AND!PRINCE!PONIATOWSKI’S! ARMY!DURING!THE!RUSSIAN!CAMPAIGN! IN!$*$0 Oil on canvas; signed lower right 17.5 ins x 22.5 ins; 44.5 cms x 57.2 cms PROVENANCE"
Prominent Private Family Collection, Dundas, ON #)&%&&&+—+.&%&&&
-CHARLES!COOPER!HENDERSON! #$%/.-$%00*+!BRITISH THE!NIGHT!COACH,!WELLS-LYNN!TO! LONDON!ROYAL!MAIL Pair of oils on canvas; each titled to the nameplates Each 13 ins x 24 ins; 33 cms x 61 cms PROVENANCE"
Townshend’s Fine Art Galleries, Norwich, UK gallery labels to the frames verso; With Pickfords Ltd., UK labels to the frames; Estate of W.A. Ross MacFadden, Toronto #0%&&&+—+!)%&&&
!&& ARMAN!#$()%–)//,*+! FRENCH/AMERICAN UNTITLED"!CA#!$%&% Burnt violin embedded in polyester resin; signed with incised signature “Arman” to the bo"om le! side. Unique and original with custom resin stand Mounted on resin stand 24.3 ins x 11.73 ins x 3.27 ins; 61.7 cms x 29.8 cms x 8.3 cms PROVENANCE"
Private Collection, Toronto; Acquired from the above by the Present Collection, ca. 1990 #!)%&&&+—+!0%&&&
!&! MALCOLM!WOODWARD!#$(-.-)/$-*+! BRITISH KNEELING!FIGURE"!$%&& Patinated bronze 46.1 ins x 26 ins x 13 ins; 117 cms x 66 cms x 33 cms PROVENANCE"
Gi! of Mr. George J. Rosengarten, PQ., Montreal to the Beaverbrook Art Gallery, Saint John, NB, Accession No. 1884.03.S; Deaccessioned to benefit art purchases at the Beaverbrook Art Gallery LITERATURE"
Frances Spalding, “20th Century Painters and Sculptors” p. 475 #!%/&&+—+)%/&&
!&) MARK!EVANS!#B"$(0,*+!BRITISH SIR!WINSTON!CHURCHILL!WITH!TOMMY! GUN Hand-etched leatherwork made with a knife; signed with initials lower right 69.6 ins x 55 ins; 176.8 cms x 139.7 cms PROVENANCE"
By descent to the present Private Collection, Vancouver LITERATURE"
From the archives of Press Portrait Service - formerly Press Portrait Bureau, image ID: RXEGJB #!/%&&&+—+)&%&&&
!&. ALBERT!LESLIE!SMITH! #CIRCA!$%&)-$(.)*+!AMERICAN THE!NEWSBOY"!HOMER"!NY"!$**% Oil on canvas; signed lower right. Accompanied by a handwri"en pen and ink statement from the artist’s first cousin adhered to the frame verso that reads, “Albert Leslie Smith, artist, born July 18th 186_(2?) at Homer, N.Y. Died at Wilbraham, Mass, USA, May 27th 1932. Buried at Homer, N.Y. This painting was made by this artist about the year 1889, “L.T. Higgs (?)” 1st cousin of A.L.S.” 50 ins x 30.5 ins; 127 cms x 77.5 cms PROVENANCE"
Imported from England in the late 19th century; Presented to a Prominent Collection, Toronto by William Robertson in May 1952; Prominent Collection, Toronto LITERATURE"
This work is cited in “From Streets to Playgrounds Representing Children in Early 20th Century Toronto,” #.%&&&+—+/%&&&
!&$ TJANGALA!GEORGE!WALLABY! #$(./-)//)*+!AUSTRALIAN!ABORIGINAL DESIGN!WITH!/!CIRCLES Acrylic on canvas; signed “George Wallaby” and inscribed “Red Rock Art” in black ink verso 55.1 ins x 39.4 ins; 140 cms x 100 cms PROVENANCE"
Redrock Gallery, Western Australia; From whom purchased by the present Private Collection, Belfast, PE #)%&&&+—+.%&&&
!&/ DAVID!#BANGAL*!MOWAJARLAI! #$()%-$((0*+!AUSTRALIAN!ABORIGINAL JUNDART"!“LIGHTENING!MAN”"!$%%/ Natural ochre pigments on linen; signed in Ngarinyin “Bangal Mowajarlai” and dated 1994 in black paint to the lower le! selvage. Titled and numbered to the artist’s accompanying curriculm vitae, Cat. No. KA.DM./LM.01. Sight approximately 56.5 ins x 51,5 ins; 143.5 cms x 1308.1 cms PROVENANCE"
Kimberly Art, Melbourne, Australia; From whom purchased by the present Private Collection, Belfast, PE on August 2, 1995, together with a copy of the original invoice listing four other purchases including the Djawida Nadjongorie, lot 130 in this sale #!/%&&&+—+)/%&&&
!&( PIETRO!ANNIGONI!#$($/-$(%%*+! ITALIAN STUDIO!DI!TESTA!PER!AFFRESCO!(TWO! DRAWINGS3!NO#!$.!AND!NO#!$/) Two red chalk drawings on paper board; each signed in black ink lower right and lower le!, respectively Each 15.5 ins x 11 ins; 39.4 cms x 27.9 cms PROVENANCE"
Ex. Collection Dr. Anthony J. Sisti, Artist/ Owner of The Sisti Galleries, Buffalo, NY, Inventory Nos. P.A. 1 and PA 2, labels verso; From whom purchased by the present Private Collection, Ontario at The Sisti Galleries, Buffalo, New York with Pietro Annigoni in a"endance; Estate Collection, Ontario #!%/&&+—+)%/&&
!&* PIETRO!ANNIGONI!#$($/-$(%%*+! ITALIAN PAESAGGIO Red chalk on board; signed in black ink lower right, titled to gallery label verso backing and numbered “96” in black marker to the frame verso 22 ins x 15 ins; 55.9 cms x 38.1 cms PROVENANCE"
Ex. Collection Dr. Anthony J. Sisti, Artist/ Owner of The Sisti Galleries, Buffalo, NY, Inventory No. P.A. 12, label verso; From whom purchased by the present Private Collection, Ontario at The Sisti Galleries, Buffalo, NY with Pietro Annigoni in a"endance; Estate Collection, Ontario #!%&&&+—+)%&&&
!&0 $(TH!CENTURY!FRENCH ELEGANT!LADY!WITH!A!FISHING!NET"!$**% Graphite on thin laid paper with large oval, indistinct watermark laid down on paper support; bears signature “Degas” and dated in pencil lower right Sheet 4.5 ins x 3.1 ins; 11.5 cms x 8 cms PROVENANCE"
Estate Collection, Ontario #0&&+—+!%)&&
!&ATTRIBUTED!TO!MARC!CHAGALL!#$%%0-$(%,*+!RUSSIAN/FRENCH LE!RENDEZ-VOUS!DE!L’AMOUR"!$%-$ Brush and India ink on paper with indistinct watermark (Arches?) lower le! and with indistinct watermarked script initials (B.G.?) lower right on a sheet with perforations at the le! edge; signed “Marc Chagall” in black pen and ink at “Vence” in sepia pen and ink lower right and dated in black ink lower le!; titled “Le Rendez-vous de l’Amour” to the accompanying photo-certificate signed by “Paul H…,” the Director of Galerie Europe, 50, Faub. Saint-Honóre, Paris VIII, and dated at “Paris le 20 Novembre 1968” certifying this work for Galerie Agnes Lefort, Montreal. Contained in a gilt wood frame from Cadres R.G. Bonaporte - Danton 41-77 label frame verso, the framing house: Les Cadres RG rue Bonaparte in Paris, inscribed “...0140/ ORFIN GA/ 328” in blue pen and ink to their label at the top of the frame verso. The label on the backboard seems unrelated to this lot as the title and dimensions differ. This lot is accompanied by a photo certificate and statement of authenticity from Galerie Europe, Paris for the purchase of the drawing called “Le Rendezvous de L’Amour,” 1951 paid for in November 1968. Sheet 10.6 ins x 8.3 ins; 27 cms x 21 cms PROVENANCE"
Ex. Coll. Schick, Paris, direct from the artist, (ami de l’Artiste) according to the accompanying photo-certificate; Galerie Agnès Lefort, Montreal; From whom purchased by Mr. T.M. Galt, Montreal on November 15th, 1968 together with a copy of the original receipt from Galerie Godard Lefort, Montreal; By descent to the present Private Collection, Victoria, BC #.%&&&+—+/%&&&
!!& JACQUES!LIPCHITZ!#$%($–$(0.*+! FRENCH/AMERICAN SACRIFICE"!CA#!$%-' Ink, wash and pencil on paper laid down on board; signed in ink upper right Sight ma"ed 22 ins x 17 ins; 55.9 cms x 43.2 cms PROVENANCE"
Gabrielle H. Reem and Herbert J. Kayden, New York label verso backing; Christie’s, December 15, 2015, lot 510; Private Collection, Toronto #.%&&&+—+$%&&&
!!! HAROLD!SHAPINSKY!#$(),–)//-*+! AMERICAN UNTITLED"!$%10 Oil on paper; inscribed “Untitled, 1962” and “#1451 (14)” to gallery label verso; further inscribed with various pencil annotations to the backboard, “1962/Slide #24/ RB # 923” verso Sheet 22.5 ins x 28.5 ins; 57.2 cms x 72.4 cms PROVENANCE"
Helander Gallery, Palm Beach, FL gallery label verso backboard; Private Collection, Toronto #(%&&&+—+0%&&&
!!) DAVID!HOCKNEY!#B"$(.0*+!BRITISH BILLY!WILDER"!$%&1!4SCOTTISH!ARTS! COUNCIL"!$*',!TOKYO"!$1%,!GEMINI"!&$-5 Colour lithograph on Okawara Japan paper; signed, dated and numbered 41/43 in red crayon at the bo"om right edge (there were also 22 proofs). Published by Gemini G.E.L., Los Angeles with their blindstamp. Sheet 37.75 ins x 27.75 ins; 95.9 cms x 70.5 cms PROVENANCE"
Private Collection, Ontario #/%&&&+—+*%&&&
!!. MARCEL!MOULY!#$($%-)//%*+!FRENCH JAZZ!QUINTETTE"!$%%0 Acrylic on canvas; signed and dated lower right, signed, titled, dated and inscribed “Gentilly” in black marker verso 18 ins x 25.5 ins; 45.7 cms x 64.8 cms PROVENANCE"
Phillips Galleries, Palm Beach, FL, Inv. No. A8661, gallery label a"ached verso; From whom purchased by the present Private Collection, Toronto #$%&&&+—+(%&&&
!!$ LUIS!FEITO!LÓPEZ!#$()(-)/)$*+! SPANISH UNTITLED"!$%&0 Oil on canvas; signed “Feito” lower le!, signed, dated and inscribed “Bas” with a number “904” in black marker verso 36 ins x 48.25 ins; 91.4 cms x 122.6 cms PROVENANCE"
Estate of Richard LaPrairie, Toronto #!&%&&&+—+!/%&&&
!!/ ROGER!VAN!GINDERTAEL!#$%((-$(%)*+! BELGIAN VILLAGE!SCENE!AND!TREE Oil on M. Grumbacher Inc., New York stamped canvas board; signed lower right 12 ins x 16 ins; 30.5 cms x 40.6 cms PROVENANCE"
Private Collection, South Carolina acquired at an auction in Antwerp several years ago; With Gallery 100, Princeton, NJ framer’s label verso backing #$%&&&+—+/%&&&
!!( SÁNDOR!ZIFFER!#$%%/-$(&)*+! HUNGARIAN BAIA!MARE"!ROMANIA"!$%.Oil on canvas; signed “Ziffer Sandor” and dated lower right. Unframed. 13.5 ins x 17.5 ins; 34.3 cms x 44.5 cms PROVENANCE"
Private Collection, Toronto, acquired at an antique shop in Toronto several years ago #!&%&&&+—+!/%&&&
!!* GYULA!KOSZTOLÁNYI!KANN! #$%&%–$(-,*+!HUNGARIAN ORSZÁGÚT!(COUNTRY!ROAD)"!CA#!$%$* Oil on board; signed lower right, signed “Kosztolányi - Kann Gyula,” titled in Hungarian and inscribed: “ARA 2500 Ko...” in pencil to artist’s paper label verso 19.5 ins x 18.25 ins; 49.5 cms x 46.4 cms PROVENANCE"
Vassey Estate Collection, Canada, originally from Hungary EXHIBITED"
Unknown exhibition label with typeset number “308,” stamp dated 1918 verso #.%&&&+—+$%&&&
!!0 CARLOS!OTERO!#$%%&-$(00*+!VENEZUELAN SUNNY!VILLAGE!HOUSES!WITH!YOUNG! GIRL!IN!THE!SHADE"!$%/0 Oil on masonite; signed lower right, dated and inscribed “A. Ugueto” verso 28 ins x 31 ins; 71 cms x 79 cms PROVENANCE"
“A. Ugueto/ 1942” inscribed verso, possibly the geographer that discovered the Ugueto River in 1942; With Obeso Restauracion, Cuadros Marcos, Las Mercedes, Caracas framer’s label verso; Private Collection, Quebec #$%&&&+—+(%&&&
!!RENE!RICARD!#$(-&–)/$-*+!AMERICAN PLEASE!HELP!ME!OR!I!SHALL!DIE#!PLEASE! REALLY!YOU!MUST!HELP"!0''1 Mixed media with half-tone reproduction paper collage on board; signed with scratched initials “RR” in the wet paint upper le!, titled in the wet paint, the le"ers highlighted with blue pen and ink, dated lower right, signed “Rene Ricard” and inscribed “Chelsea Hotel NYC” in red and purple/blue crayon, inscribed “That we’d be more like this?” and “For Marc/ Rene/ NYC,” dated “March 16 2006” in pencil verso. Unframed. 9.5 ins x 11.7 ins; 24.1 cms x 29.6 cms PROVENANCE"
Acquired directly from the artist at his studio in the Chelsea Hotel in New York on March 16th, 2006 by the present Private Collection, Toronto #.%&&&+—+/%&&&
!)& MCCLELLAND!BARCLAY!#$%($-$(-.*+! AMERICAN COUPLE!IN!INTIMATE!POSE!(POSSIBLY! VIRGINIA!MOORE!AS!MODEL) Oil on canvas; signed lower right 30 ins x 40 ins; 76.2 cms x 101.6 cms PROVENANCE"
Private Collection, Toronto #/%&&&+—+*%&&&
!)! ANTHONY!QUINN!#$($,-)//$*+! MEXICAN/AMERICAN THE!GREAT!SPIRIT Acrylic on canvas; signed lower right 39.5 ins x 27.5 ins; 100.3 cms x 69.9 cms PROVENANCE"
Higgins Harte International Galleries LLC, Lahaina, Maui, HI; From whom purchased by the present Private Collection, Alberta #(%&&&+—+-%&&&
!)) BEDRI!RAHMI!EYÜBOĞLU!#$($$-$(0,*+! TURKISH/ROMANIAN FIRE!DANCE"!$%1$ Oil on canvas; signed “Eren Eyüboğlu” and dated lower right, titled and inscribed “#72” in pen and ink to the stretcher 44.5 ins x 25 ins; 113 cms x 63.5 cms PROVENANCE"
Private Collection, Halifax, NS #.%&&&+—+/%&&&
!). BEDRI!RAHMI!EYÜBOĞLU!#$($$-$(0,*+! TURKISH/ROMANIAN TURKISH!GIRLS"!$%1$ Oil on masonite; signed “Eren Eyüboğlu” and dated lower right, titled and inscribed “#81” in red ink to the top stretcher 71.75 ins x 48 ins; 182.2 cms x 121.9 cms PROVENANCE"
Private Collection, Halifax, NS #$%&&&+—+/%&&&
!)$ ARTURO!ESTRADA!#B"!$(),*+!MEXICAN MUJERES!COMIENDO!MELON"!$%1' Oil on canvas; signed and dated lower le!, signed and titled in red verso, titled to the stretcher in pencil and to gallery and exhibition labels verso PROVENANCE"
Galleria Arte de Coleccionistas, Mexico No. 327 (1778) gallery label verso; Estate of Richard LaPrairie, Toronto EXHIBITED"
Instituto Nacional De Bellas Artes - Museo de Arte Moderno, Mexico label verso #*%&&&+—+-%&&&
!)/ ANTHONY!HOPKINS!#B"!$(.0*+! WELSH/AMERICAN NIGHT!GHOSTS"!0''% Acrylic on canvas; signed and dated in gold paint lower right, signed and dated in black marker verso, titled to the nameplate a"ached to the top edge verso 72 ins x 60 ins; 182.9 cms x 152.4 cms PROVENANCE"
Margam Fine Art, LLC., Los Angeles accompanied by a Certificate of Provenance; From whom purchased by the present Private Collection, Alberta #)&%&&&+—+)/%&&&
!)( ANTHONY!HOPKINS!#B"$(.0*+! WELSH/AMERICAN CARLOMAN"!0'$$ Acrylic on canvas; signed and dated lower right, titled to the accompanying Certificate of Provenance document 12 ins x 12 ins; 30.5 cms x 30.5 cms PROVENANCE"
Margam Fine Art, LLC., Los Angeles with accompanying Certificate of Provenance signed and authorized by Mrs. Stella Hopkins; Private Collection, Alberta #)%/&&+—+.%/&&
!)* ANTHONY!HOPKINS!#B"$(.0*+! WELSH/AMERICAN SCHRODER"!0''% Acrylic on canvas; signed and dated lower right, also signed and dated verso, titled to the accompanying Certificate of Provenance document 14 ins x 11 ins; 35.6 cms x 27.9 cms PROVENANCE"
Margam Fine Art, LLC., Los Angeles accompanied by a Certificate of Provenance signed and authorized by Mrs. Stella Hopkins; Private Collection, Alberta #)%/&&+—+.%/&&
!)0 BEDRI!RAHMI!EYÜBOĞLU!#$($$-$(0,*+! TURKISH/ROMANIAN UNTITLED!(RED!ABSTRACT)"!$%1' Mixed media on paper; signed “B. Rahmi” and dated in white paint lower le! Sheet sight 37 ins x 11 ins; 94 cms x 27.9 cms PROVENANCE"
Private Collection, Halifax, NS #!%&&&+—+!%/&&
!)BEDRI!RAHMI!EYÜBOĞLU!#$($$-$(0,*+! TURKISH/ROMANIAN UNTITLED"!$%1$ Ink and mixed media on paperboard; signed “B. Rahmi” and dated in purple ink top le! margin Sheet 33.5 ins x 22 ins; 85.1 cms x 55.9 cms PROVENANCE"
Private Collection, Halifax, NS #!%/&&+—+)%/&&
!.& DJAWIDA!NADJONGORLE!#$(-.-)//%*+! AUSTRALIAN!ABORIGINAL RAINBOW!SERPENT"!CIRCA!$%** Natural ochre pigments and acrylic on archival paper painted with a stick. Titled and numbered “Cat. No. KA.DN.1” to the accompanying artist’s curriculum vitae. 61.8 ins x 42.1 ins; 157 cms x 107 cms PROVENANCE"
Kimberly Art, Melbourne, Australia; From whom purchased by the present Private Collection, Belfast, PE on August 2, 1995, together with a copy of the original invoice listing the purchase of four other paintings including the David (Bangal) Mowajarlai, lot 105, in this sale #.%&&&+—+/%&&&
!.! ALEXEI!BAZANOV!#B"$(,(*+!RUSSIAN THREE!GRACES"!0''/ Oil on canvas; signed with cyrillic initials lower right, signed and titled in cyrillics in black marker verso 24 ins x 30.3 ins; 61 cms x 77 cms PROVENANCE"
Private Collection, Ontario #!%&&&+—+!%/&&
!.) DELPHIN!ENJOLRAS!#$%,0-$(-,*+! FRENCH RECLINING!NUDE Oil on canvas; signed lower right 15 ins x 21.75 ins; 38.1 cms x 55.2 cms PROVENANCE"
Purchased by the father of the present Private Collection, Toronto by descent #$%&&&+—+(%&&&
!.. KONSTANTIN!LOMYKIN!#$()--$((.*+! UKRAINIAN FLOWERS!AND!YELLOW!TEACUP Oil on canvas; signed in cyrillics lower right, signed and inscribed in cyrillics verso 23.6 ins x 27.8 ins; 60 cms x 70.5 cms PROVENANCE"
Private Collection, Ontario #0&&+—+!%)&&
Index A
F
ABSOLON!"JOHN
#$
FARQUHARSON!"DAVID
&$
ACQUA!"CESARE"FELIX"GEORGES"DELL’
#%
FIDLER!"HARRY
&)!"&+
ADOLF!
&'
FRENCH!")&TH"CENTURY
)%*
ALT!"FRANZ
(%!"()
FRÈRE!"PIERRE"EDOUARD
/)
ANNIGONI!"PIETRO
)%$!")%'
FREUND!"FRITZ
//
ARMAN!
)%%
G B
GALIEN-LALOUE!"EUGÈNE
/%
BARBER!"CHARLES"BURTON
*+
GALL!"FRANÇOIS
$+
BARCLAY!"MCCLELLAND
)+%
GINDERTAEL!"ROGER"VAN
))#
BAUMGARTNER-STOILOFF"ADOLF"
GIRARD!"MARIE-FRANCOIS-FIRMIN
)&
-CONSTANTIN.
&'"
GRANCHI-TAYLOR!"ACHILLE
+$
BAXTER!"ATTRIBUTED"TO"GEORGE
'
GRUPPÉ!"EMILE"ALBERT"-)*&$-)&'*.
'+
BAZANOV!"ALEXEI
)()
BILLET!"PIERRE
+(
H
BLAAS!"EUGENE"DE
'(
HEILMANN!"ERNEST
/#
BOSBOOM!"JOHANNES
/&
HENDERSON!"CHARLES"COOPER
&&
BREANSKI!"ALFRED"DE!"SR0
$
HERVÉ!"JULES"RENÉ
(*
BRYCE!"GILBERT
$#
HIGHMORE!"ATTRIBUTED"TO"JOSEPH
'$
HOCKNEY!"DAVID ))+
C
HOOG!"BERNARD"DE
*)
CAMERON!"HUGH
&/
HOPKINS!"ANTHONY
)+#!")+$!")+'
CAMERON!"SIR"DAVID"YOUNG
+!"(
HUNT!"EDGAR
*/
CHAGALL!"ATTRIBUTED"TO"MARC
)%&
CHELMINSKI!"JAN"VAN
&*
I INNOCENTI!"CAMILLO
#'
D DAELE!"CASIMIR"VAN"DEN
#/
K
DENIS!"MAURICE
$)
KALRAET!"BAREND"VAN
)'
DONGEN!"KEES"VAN
$(
KANN!"GYULA"KOSZTOLÁNYI
))'
DYF!"MARCEL
$/
KENNEDY!"CECIL
''
EDWARDS!"HARRY"C0
)
KLUGE!"CONSTANTIN
(&
L E
L’HERMITTE!"LÉON"AUGUSTIN
&%
ENJOLRAS!"DELPHIN
)(+
LABORNE!"EDME-EMILE
+'
EPSTEIN!"SIR"JACOB
$*
LAMBERT!"ANTOINE"EUGÈNE
*(
ESTRADA!"ARTURO
)+/
LAURENCE!"SYDNEY"MORTIMER
)(
EULER!"PIERRE-NICOLAS
'&
LAZERGES!"JEAN"RAYMOND"HIPPOLYTE
+&
EVANS!"MARK
)%+
LEADER!"BENJAMIN"WILLIAMS
&#
EYÜBOĞLU!"BEDRI"RAHMI
)++!")+(!")+*!")+&
LEIGHTON!"EDMUND"BLAIR
/$
LIPCHITZ!"JACQUES
))%
LOIR!"LUIGI
+#
"
LOMMEN!"WILHELM
*&
LOMYKIN!"KONSTANTIN
)((
LÓPEZ!"LUIS"FEITO
))/
M
S
MARTIN-FERRIÈRES"#JACQUES
$%
SADLER"#WALTER#DENBY
%$
MASQUERIER"#JOHN#JAMES
&'
SANI"#ALESSANDRO
%,
MEIJER"#LOUIS#JOHAN#HENDRIK
()
SCHERREWITZ"#JOHAN#FREDERIK#CORNELIS
**
MEULEN"#FRANÇOIS#PIETER#TER
*$
SCHLÖSSER"#CARL#BERNHARD
%*
MOBERLY"#MARIQUITA#JENNY
&+
SEAGO"#EDWARD
,/"#,%"#,&"#
MONTICELLI"#ADOLPHE
)(
MORLAND"#ATTRIBUTED#TO#GEORGE
(%
SEIGNAC"#PAUL
*(A
MORLAND"#GEORGE
(*
SHAPINSKY"#HAROLD
(((
MOULY"#MARCEL
((,
SHAYER"#WILLIAM"#THE#ELDER
/+"#/("#//
SHARP"#DOROTHEA
&&"#$(
SMITH"#ALBERT#LESLIE
(+,
MOWAJARLAI"#DAVID#-BANGAL.#(+)
,,"#,)
N NADJONGORLE"#DJAWIDA
(,+
T
NAKKEN"#WILLEM#CAREL
*&
TCHOUMAKOFF"#FEODOR#PETROVITCH
&$
NICOL"#AFTER#ERSKINE
)/
TIDEMANIS"#JANIS#FERDINANDS#-(*'$-('&%.
$*
NOBLE"#JAMES#CAMPBELL
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TIELEMANS"#LOUIS
/*
THORNLEY"#WILLIAM#-ANSLOW.
(/
O ORCHARDSON"#SIR#WILLIAM#QUILLER
$)
V
ORPEN"#SIR#WILLIAM
$+
VARLEY"#JOHN"#THE#ELDER
(+
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((* WALLABY"#TJANGALA#GEORGE
(+%
P PAOLETTI"#ANTONIO#ERMOLAO
%/
WALTERS"#SAMUEL
((
PARKER"#HENRY#H0#
',
WEISSENBRUCH"#JAN#HENDRIK
)"#*"#'
PERCY"#SIDNEY#RICHARD
*)
WOODWARD"#MALCOLM
(+(
PICOU"#HENRI#PIERRE
)*
PIEPENHAGEN"#AUGUST#BEDRICH
/%
Z
POPE"#GUSTAV
)'
ZIFFER"#SÁNDOR
PRITCHETT"#EDWARD
(&
Q QUINN"#ANTHONY
(/(
R RAEBURN"#MANNER#OF#SIR#HENRY
*+
RICARD"#RENE
(('
ROBIN"#GEORGES#CHARLES
,$
ROYBET"#FERDINAND#VICTOR#LÉON
))"#),
((&
Buying at Waddington’s All lots will be offered and sold subject to the Conditions of Sale which appear in this catalogue as well as any Glossary and posted or oral announcement. By bidding at auction, bidders are bound by those Conditions and Glossary, as amended by any oral announcement or posted notices, which together form the contract of sale between the successful bidder (buyer), Waddington’s™ and the consignor (seller) of the lot. Descriptions or photographs of lots are not warranties and each lot is sold “as is” in accordance with the Conditions of Sale.
CONDITION'OF'LOTS
All of the items are to be considered, unless otherwise noted in the description or condition report, in good condition. The definition of “good” when used in reference to condition, describes an object as having had no major damage or repair but as with the nature of the material, may show minor surface wear, discolouration etc., which indicates the acceptable wear that the piece may acquire with age. If you are particular about minor flaws, you should examine the pieces in person or have our staff answer any questions before bidding. Sizes are approximate. It is the sole responsibility of the bidder to inquire as to the condition of a lot before bidding. Condition reports are available upon request by phone, fax, email or in person. You are advised to make any requests well in advance of the sale. Frames on artwork are not included as part of purchase or condition.
BUYERS'PREMIUM
A premium of 20% of the successful bid price of each lot. A charge of 13% HST (Harmonized Sales Tax) is applicable on the hammer price and buyer’s premium, except for purchases exported from Canada. In the case where purchases are shipped out of the province of Ontario, the HST or GST is charged based on the tax status of that province.
PAYMENT
Payment for purchases must be by cash, INTERAC direct debit (CDN clients in person only), certified cheque (U.S. & Overseas not applicable), travelers cheque, bank dra", electronic transfer (fee applies), VISA or Mastercard (up to $25,000). ALL'PRICES'IN'CANADIAN'FUNDS
Selling at Waddington’s BIDDING
The Auctioneer may also execute bids on behalf of the consignor to protect the reserve. The reserve is the confidential minimum price the seller is willing to accept for his or her property, below which it will not be sold.
SHIPPING
WADDINGTON’S'COMMISSION'RATES Items selling for $7,501 or more 10% Items selling for $2,501 to $7,500 15% Items selling for $251 to $2,500 20%
The Auctioneers will not undertake packing or shipping. The purchaser must designate and arrange for the services of an independent shipper and be responsible for all shipping, insurance expenses and any necessary export permits that may apply. The Auctioneers will, upon request, provide names of professional packers and shippers but will not be held responsible for the service or have any liability for providing this information. Reliable preauction estimates of shipping costs of lots offered in this sale may be obtained from:
Items selling for $250 or less 25%
PakShip
*There is a minimum handling charge of $20 per item
#$%-'($-)*('+/+#$%-'($-)*(%+/+',)--#.-*--% taurus@pakship.ca / www.pakship.ca Safer Shipping Inc. ',)--##-..)( / ',)--##-#(%$ perry@safershipping.ca / www.safershipping.ca
REMOVAL'OF'PURCHASES
Purchases must be paid for within 48 hours of the date of the sale, and removed from premises within 10 days of the date of sale (see Conditions of Sale, conditions 8 to 15). Clients are advised that packing and/or handling of purchased lots by our employees or agents is undertaken solely as a courtesy for the convenience of clients.
CITES
Restrictions exist regarding the import and export of species protected under CITES (Convention on International Trade in Endangered Species). This includes but is not limited to items made of or containing bone (whalebone etc.), ivory, tortoise shell, seal skin, rhinoceros horn and any other animal part and is strictly controlled or forbidden by most countries. Please review your country’s laws before bidding on pieces made of or containing these restricted items. It is the sole responsibility of the buyer to inquire about and obtain the proper permits for artwork purchased that may contain restricted materials, if such permit can be obtained. Please contact the department for further assistance. Failure to obtain necessary import/ export permits will not void any sale. All Narwhal Tusks must have a Marine Harvest Number or a Marine and Mammal Transport number to be sold at Waddington’s. For more information please visit: www.cites.org
*There is a minimum handling charge of $20 per item CANADIAN'ART'DEPARTMENT'COMMISSION''RATES Items selling for $7,501 or more 10% Items selling for $2,501 to $7,500 15% Items selling for $2,500 or less 20%
INSURANCE
A 1% insurance charge, based on the hammer price of the property, will be applied to all accounts.
AUCTION'ADVICE
For auction advice on paintings, drawings, prints, jewellery, and various forms of decorative arts and other collectibles, please feel free to contact us via email or telephone. We are pleased to review emails containing photographs and information on your pieces in order to provide auction estimates for you to consider. For collections with a variety of objects, please contact our Appraisals and Consignments department (consignments@waddingtons. ca). For department-specific inquiries, please contact the specialist and/or department directly. All contact information can be found at www.waddingtons.ca. Our offices are located in Toronto and Vancouver, but our specialists occasionally travel to major Canadian cities to meet with prospective consignors. To receive more information on Valuation Days across Canada or to arrange an appointment, please contact our Toronto office (',)-%$'-#,$$). Please note that property typically arrives at Waddington’s at least three months before the sale in order to allow our specialists time to research, catalogue, photograph and promote the items. Consignors will receive a contract to sign, se0ing forth terms and fees for our services.
Conditions of Sale !"#All lots are sold “AS IS”. Any description issued by the auctioneer of an article to be sold is subject to variation to be posted or announced verbally in the auction room prior to the time of sale. While the auctioneer has endeavoured not to mislead in the description issued, and the utmost care is taken to ensure the correct cataloguing of each item, such descriptions are purely statements of opinion and are not intended to constitute a representation to the prospective purchasers and no warranty of the correctness of such description is made. An opportunity for inspection of each article is offered prior to the time of sale. No sale will be set aside on account of lack of correspondence of the article with its description or its reproduction, if any, whether colour or black & white. Some lots are of an age and/or nature which preclude their being in pristine condition and some catalogue descriptions make reference to damage and/or restoration. The lack of such a reference does not imply that a lot is free from defects nor does any reference to certain defects imply the absence of others. Frames on artwork are not included as part of purchase or condition. It is the responsibility of prospective purchasers to inspect or have inspected each lot upon which they wish to bid, relying upon their own advisers, and to bid accordingly. %"# Each lot sold is subject to a 20% buyers premium as part of the purchase price. &"# Unless exempted by law, the buyer is required to pay Harmonized Sales Tax on the total purchase price including the buyer’s premium. For international buyers, taxes are not applicable when purchases are shipped out of country. Items shipped out of Ontario, the buyer is required to pay taxes as per the tax status of that province, whether it HST or GST (Goods and Services Tax).
)" Each lot may be subject to an unpublished reserve which may be changed at any time by agreement between the auctioneer and the consignor. The auctioneer may bid, or direct an employee to bid, on behalf of the consignor as agreed between them. In addition, the auctioneer may accept and submit absentee and telephone bids, to be executed by an employee of the auctioneer, pursuant to the instructions of prospective purchasers not in a*endance at the sale. +"# The highest bidder accepted by the auctioneer for any lot shall be the buyer and such buyer shall forthwith assume full risk and responsibility for the lot and must comply with such other Conditions of Sale as may be applicable. If any dispute should arise between bidders the auctioneer shall have the absolute discretion to designate the buyer or, at his option, to withdraw any disputed lot from the sale, or to re-offer it at the same or a subsequent sale. The auctioneer’s decision in all cases shall be final. 8. Immediately a,er the purchase of a lot, the buyer shall pay or undertake to the satisfaction of the auctioneer with respect to payment of the whole or any part of the purchase price requested by the auctioneer, failing which the auctioneer in his sole discretion may cancel the sale, with or without re-offering the item for sale. 9. The buyer shall pay for all lots within 48 hours from the date of the sale, a,er which a late charge of 2% per month on the total invoice may be incurred or the auctioneer, in his sole discretion, may cancel the sale. The buyer shall not become the owner of the lot until paid for in full. Items must be removed within 10 days from the date of sale, a,er which storage charges may be incurred.
'" The auctioneer reserves the right to withdraw any lot from sale at any time, to divide any lot or to combine any two or more lots at his sole discretion, all without notice.
10. Each lot purchased, unless the sale is cancelled as above, shall be held by the auctioneer at his premises or at a public warehouse at the sole risk of the buyer until fully paid for and taken away.
("# The auctioneer has the right to refuse any bid and to advance the bidding at his absolute discretion. The auctioneer reserves the right not to accept and not to reject any bid. Without limitation, any bid which is not commensurate with the value of the article offered, or which is merely a nominal or fractional advance over the previous bid may not be recognized.
11. Notwithstanding condition no. 1, if the buyer, prior to removal of a lot, makes arrangements satisfactory to the auctioneer for the inspection of such lot by a fully qualified person acceptable to the auctioneer to determine the genuineness or authenticity of the lot, to be carried out promptly following the sale of the lot, and if, but only if, within a period of 14
days following the sale a wri*en opinion of such person is presented to the auctioneer to the effect that the lot is not genuine or authentic, accompanied by a wri*en request by the buyer for rescission of the sale, then the sale of the lot will be rescinded and the sale price refunded to the buyer. 12. Payment for purchases must be by cash, INTERAC direct debit (Cdn clients in person only), certified cheque (U.S. & Overseas not applicable), travelers cheque, bank dra,, electronic transfer (fee applies), and VISA or Mastercard (up to $25,000). 13. In the event of failure to pay for or remove articles within the aforementioned time limit, the auctioneer, without limitation of the rights of the consignor and the auctioneer against the buyer, may resell any of the articles affected, and in such case the original buyer shall be responsible to the auctioneer and the consignor for: (a) any deficiency in price between the resale amount and the amount to have been paid by the original buyer; (b) any reasonable charge by the auctioneer for the storage of such articles until payment and removal by the subsequent buyer; and (c) the amount of commission which the auctioneer would have earned had payment been made in full by the original buyer. 14. It is the responsibility of the buyer to make all arrangements for insuring, packing and removing the property purchased and any assistance by the auctioneer or his servants, agents or contractors, in packing or removal shall be rendered as a courtesy and without any liability to them. 15. The auctioneer acts solely as agent for the consignor and makes no representation as to any a*ribute of, title to, or restriction affecting the articles consigned for sale. Without limitation, the buyer understands that any item bought may be affected by the provisions of the Cultural Property Export Act (Canada). 16. The auctioneer reserves the right to refuse admission to the sale or to refuse to recognize any or all bids from any particular person or persons at any auction.
Waddington’s "/% King Street East, Second Floor Toronto, Ontario!M%A!'K"
TEL﹕9GHI-JKG-LHKK TOLL9FREE﹕9H-NOO-JKG-JOKK www.waddingtons.ca