C O N T E N T ACKNOWLEDGEMENT
01 03 05 07
Introduction Problem Statement Aim & Objectives Project Brief Hypotheses Thesis Statement Issues Malay Heritage Client & Collaborators
Design Stragtergies S.O.A Design Approach Precedent Studies Hypothetical Diagram
Structural System Detail Sections
Enviromental Study Daylighting Efficiencies
02 04 06 08
The Site Macro Site Study Micro Site Study S.W.O.C Analysis Site Synthesis National Museum
Design Solutions Plans Elevations Sections Building Programme Building Typology
Special Study Balairung Seri Diraja Telescopic Floor System Folded Lattice Beam
Services Fire Protection System Water Supply Sanitary System Electrical System Vertical Transportation System
CONCLUSION
In the name of Allah, the Most Gracious and the Most Merciful. Alhamdulillah, all praises to Allah for the strengths and His blessing in completing my very first thesis. Special appreciation goes to my studio leader, Assoc Prof. Dr. Ar. Norhati Ibrahim, for her supervision and constant support throughout the final year of my Masters journey. Her invaluable help of constructive comments and suggestions throughout the experimental and thesis works had contributed to the success of this research. She had never given up in giving me chances and opportunities since the previous semester. Also, my appreciation to my supervisors, Mr. Ismail Shariff and Ar. Embong Mohamed for their endless support and knowledge regarding this topic. They never were tired to give contributions of time, ideas and the insights they had shared by giving different opinions and feedbacks on what to improve. Not forgotten, I offer regards to both of my beloved parents, Wan Abd Jalil Abdullah and Sarifah Fadzlon Mohamed. Their endless love, prayers and encouragement since I was young and clueless until this very day. To my dear siblings Wan Ahmad Syafiq, Wan Suhailah and Wan Ahmad Nukman and my other relatives that were part of the completion of this thesis. Also, special thanks to my dear Azreen Izzati Nazri, for her presence throughout my final year, whose helping hands were a great contribution to this thesis. She had given encouragement and support from the preliminary to the concluding level. Al-fatihah to her dear late father, Dr Nazri Omar, who had recently left us all behind. May Allah s.w.t forgive all of his sins and give him the highest rank in Heaven. Deepest condolences to Izzati and her family, may they be given maximum strength to overcome every obstacle there is and to achieve success, not only in the Dunya but also in the Akhirah. All praises to Allah s.w.t for the chances given to me to have known such great people, who added bits of colors into my life. To my Archirocks family, they were the cure for every hardship. Not forgetting when we were all together with the pursuit of our dreams and aspirations back in those days in Seri Iskandar, until now, even though, not all had prolonged this Post Graduate Studies together but your soul and your heart are still with us during our tough times. Next, I would like to voice out congratulations to my good friends of Pasola Studio, as we had managed to endure the two years of pain in completing this project. May you be showered with all the blessing from Allah swt and may you have a brilliant success in the world and hereafter. Last but certainly not least, not forgetting on behalf of National Muzeum of Kuala Lumpur as well as the Malaysian Muzeum Department who had given their full cooperation in providing useful information and references. Hopefully, the results of this study can be viewed back on your behalf and can be useful for those in need. Also, I highly thank other parties involved in preparing this thesis both, either directly or indirectly involved.
Wan Ahmad Taufiq Jalil. 11 January 2018
CHAPTER 01 INTRODUCTION PROBLEM STATEMENT AIM OBJECTIVES PROJECT BRIEF HYPOTHESIS THESIS STATEMENT ISSUES MALAY HERITAGE THE CLIENT
I N T R O D U C T I O N
“Heritage is our legacy from the past, what we live today and what we pass on to future generation.” - World Heritage Council, (1996)
PROJECT BRIEF To build a centralise place or spaces, where there will be many great heritage enthusiast espacially in Malay Tradition and costums. The builiding will consist of a Main Theater Hall where the real scale diorama will take place accordingly, four parmenent galleries as for exhibits the Malay Heritage items and artifacts, and major space are for rentable space can be used for any related events.
HYPOTHESIS The postmodernity has led to the occurrence of ‘Cultural Globalisation’ phenomenon. The global situation can affect the society by means of media in which the decadent values of the western world have been spread around the world. This encapsulates the advancement of social networks in the western countries that are gaining a sudden, and perhaps unnecessary increase in popularity; often expressed by the term ‘trending’. The western culture and corruption are slowly creeping into our society. Hence, unconsciously taking over the minds of our youth and leads to the loss in identity in themselves. To rejuvenate our rich and colourful identity, cultural villages should be established so that people and nations can live up to, observe, and revive the grandeur of the cultural heritage of the world forgotten by the current modernisation.
THESIS STATEMENT The country is in need of organisations or institutions that are able to figure out or classify the varying cultures there are. As for solutions, the presence of cultural villages, notably for the Malays, will help to enliven the slowly fading heritage. This would cover various aspects of heritage and culture of the observations in the visitors within and outside the country. There are also traditional Malay houses where visitors will definitely experience the true atmosphere of local Malay culture. In this village there will also be various cultural rituals and ceremonies in conjunction with the adaptation to the environment and cultural heritage of the Malays.
PROBLEM STATEMENT The culture has so far exercised a potential to drown the ingenious people in the current modernisation. The wave of globalisation , however, has transformed some Malay Arts and Culture to be less significant in the daily life of a Malaysian. Thus, the role of Malay Arts and culture is slowly becoming alien to the heart of Malaysians.
AIM To challange the Malay Ethnology Museum and build a HERITAGE CENTRE as catalysts to the conservation and preservation of the Malay heritage.
OBJECTIVES • To provide a centralise place where Malay heritage of textile, apparel, manuscript, and Malay weaponry can be preserve, exhibit, and manufacture. • To create a real scale diorama of Malay Performing Arts in order to enhance the ambience of the Malay traditional culture. • To propose new development plan of the National Museum by preserving the main building of the Museum
THE SCENARIO
dignity
culture
symbolism.
negativities
knowledge
moving forward globally
modern era
self defence
TARGET USERS
Domestic Tourist
School Students
Researchers
International Tourist
Artist / Performer
Event Organiser
THE ISSUES THE LIVING MUSEUM “Sebagai peneraju bidang permuziuman, Jabatan Muzium Malaysia akan sentiasa dilihat sebagai pemacu dalam usaha untuk memastikan masyarakat celik sejarah melalui penganjuran program- program berbentuk pendidikan dan pengembangan muzium” - Tan Sri Dr. Ong Hong Peng, Ketua Setiausaha Kementerian Pelancongan dan Kebudayaan Malaysia (2013)
“Menyedari kepentingan peranan muzium dalam pembangunan pelancongan negara dan juga sebagai lambang tamadun negara sebagaimana negaranegara maju yang lain, iaitu Jepun, United Kingdom, China dan Korea,..” - Dato’ Seri Mohamed Nazri bin Tan Sri Abdul Aziz, Menteri Pelancongan dan Kebudayaan Malaysia (2013)
CULTURAL GLOBALISATION “We need an institution to do the research, publication, learning centre and a place for this artifact being recorded.” Prof Dato’ Dr. Mohd Fauzi Ramlan, UPM Vice Chanselor. “Seramai 2.6 juta orang mengunjungi 21 buah muzium di bawah seliaan Jabatan Muzium sepanjang tahun ini.”
“The philosophy of Nusantara Malay being adopted trough its design.”
“Its undenieable that museum had a lot of sources of information and each of the artifacts had their respective historical values”
MALAY HERITAGE (SOURCE : JABATAN MUZIUM MALAYSIA, JMM)
Malay Cosmology is greatly influenced by the enviromental elements such as the state of nature and social life.
“There are three main phases of the system of thought that influence the Malay civilisation. They are the Paganism phase, the Islamic phase and the phase of the Hindu-Buddhist. Their points of view are based on a mythological cosmos dynamism. This includes some practices such as how to persuade, bending or binding forces that are accountable to natural phenomenons like wind, water, earth and fire.”
CULTURE IN MALAYSIA “The Malays in Malaysia refer to the tribes of the Malay identity as the Malays of Kelantan, Sultan of Kedah, Sultan of Perak, Sarawak Malay, Kedayans, Jakun Seta findings and tribes originating from the islands of the archipelago superti Javanese, Minang, Banjar, Rawa Bugis, subsidiaries, Bangkahulu, Kampar and Acheh.”
TRADITIONAL MUSICAL “At first, the music is generated with sound; clapping, stomping and pounding. Their instruments are made from bones, skins, shells, bamboo, wood and other natural ingredients that can be found in their surroundings.”
TRADITIONAL MALAY THEATRES “Some of the examples would be Mak Yong, Wayang Kulit, Menora, Tok Selampit dan Awang Belanga serta untuk tujuan perubatan seperti Main Puteri, Ulik Mayang dan Mek Mulung.”
TRADITIONAL GAMES Traditional games appear as a norm to the eyes of the locals. These games gradually become an integral part of a life, lived by the ancestors of the Malay communities in the past. The basic need in the continuation of these traditional games at that time is the uniformity in the way our ancestors lived their life, who were familiar with the situation since they were young. Among these games, many of them are no longer being practised and are not passed on by previous generation .Nevertheless, only very little of the amount remains until today.
THE MALAYS AND SAILING The Malays have been long known as the nation sailors since the ancient times, based on the geographical area of the Malay Archipelago that is strategic enough for means of international sea transport. Sea is listed to be one of the essential features of Malay civilization, and even cruises have become a complementary element for life needed by the traditional Malay society. “The existence of the customs and rules originally was a requirement of the voyage, but soon becoming the customs or systems that make up their everyday life culture.”
MALAY WEAPONRY Secretive to some, Malay weapons are those weapons from the ancestral heritage that feature excellent artistic workmanship. Many functions are attributed to the Malay weapons. First and foremost, as a symbol of social status, dignity, power, strength and even the glory of an individual. It is also believed that the blades of sacred and wisdom are very symbolic , representing grandeur and efficacy of the owner himself.
MALAY TECHNOLOGY Malay technologies often relate cosmology and environmental factor with them who have relationship with land and water. This reflects the socio-cultural patterns of Malay society that emphasizes functional and at the same time not forgetting the aesthetic values. Taib Osman (1989), considered the traditional technology as a ‘residual technology’ because it was what still remained and survived in the past. The various forms of Malay Technology are like the following; water transport technology, architecture, metal, textile and related technologies to the needs of domestic material culture and others. “Tingkap papan kayu bersegi, Sampan sakat di Pulau Angsa; Indah tampan kerana budi, Tinggi bangsa kerana bahasa.”
WOOD CARVING AND BLACKSMITHING
“In Malaysia, the art of woodcarving is widely spread due to an everlasting supply of high quality woods, leading to a mass production of goods.”
THE CLIENT & COLLABORATORS
VISION To develop Malaysia as a world class tourist and cultural destination as well as to build the national identity based on arts, culture and heritage. MISSION To enhance the tourism and culture sectors as well as to strengthen, conserve and preserve national arts, culture and heritage. MINISTRY’S POLICY STATEMENT To propel competitive and sustainable tourism and culture sectors towards the socio-economic development of the country. OBJECTIVES • To strengthen the arts, culture and heritage towards enhancing national unity based on the National Cultural Policy. • To enhance the synergy and cooperation among the tourism and culture industry players towards making Malaysia the preferred tourist and cultural destinations. • To strengthen the tourism and culture sectors towards empowering the nation’s economy. • To promote Malaysia’s uniqueness in arts, culture and heritage as the main catalyst for the growth in tourism and culture sectors. • To develop knowledgeable, skilled, creative and innovative human capital in tourism and culture sectors. PERSATUAN SEJARAH MALAYSIA
JABATAN MUSEUM MALAYSIA
Persatuan Sejarah Malaysia Sebagai Pertubuhan Yang Menjadi Penggerak Utama Dalam Memartabatkan, Memasyarakatkan Ilmu Sejarah Dan Pusat Rujukan Kepada Sumber Sejarah Negara
• To collect and preserve collections of significant artefacts. • To produce and document research on artefact collections. • To continuously organise interesting exhibition. • To become a major tourist destination.
CHAPTER 02 THE SITE MACRO SITE STUDY MICRO SITE STUDY S.W.O.C ANALYSIS SITE SYNTHESIS NATIONAL MUSEUM
MACRO SITE STUDY (SCALE NTS)
PENISULAR MALAYSIA
KUALA LUMPUR
KEY PLAN
MACRO SITE SYNTHESIS Located at the centre of Tourist attracttion, which is five mins walking from KL Sentral, making this as a One-stop must visit place. Surrounded by all the new highrise building does not make it drown even giving the strong opportunity to higher up the sense of the local context. STRENGTH Supported with very strong linkage of transportation.
WEAKNESS The iconic image drawn by the higrise construction
OPPORTUNITY Making new skyline of Kuala Lumpur with the new iconic building
CONSTRAINT There are few more musuems within 3km radius of the site.
1 2 3
4 5 6
KL PERDANA PARK KL BIRD PARK PDRM MUSEUM
7 8 9
ISLAMIC ART MUSEUM NATIONAL MOSQUE PLANETERIUM
KL STATION KLRCS HILTON HOTEL
2
11
4
5
3 JA L
DA M
6
SA
RA
7 8
11
AN
TR
RIVER
AV E
RS
9 10
AY ILW
RA
KLANG
AN
JA L
AN
10 LE MERIDIAN HOTEL 11 CIMB TOWER
SITE INFO ADDRESS Jabatan Muzium Malaysia, Jalan Damansara Tasik Perdana, 50566, Kuala Lumpur, Wilayah Persekutuan K.L. COORDINATE 3.138069, 101.686598 LAND OWNER Jabatan Museum Malaysia
MICRO SITE STUDY SITE FIGURE GROUND
LAND USE Public Institutional PLOT RATIO 1:6 DENSITY 80-400 Person Per Acre
SITE INVENTORIES PROPOSED DEVELOPMENT AREA Size : 4.6 acre / 18, 890 sqm The main building of the National Museum will be preserve.
PRIMARY ROAD A
A Jalan Damansara
B Jalan Travers
B
PEDESTRIAN Connecting from the National Museum to the National Planetarium and from KL Sentral to CIMB Tower
EXISTING INGRESS AND EGRESS B
The site can be enter by vehicular from Jalan Travers and Jalan Damansara but only can exit to Jalan Damansara A Public B Staff
A
A
A
B
E
D
C
G
SITE NEIGHBOURHOOD A Planeterium E KL Sentral B Housing F Tower under cons. C Le Meridian Hotel G Presscott Hotel D CIMB Tower
F
SITE ORIENTATION Widest side of the site facing north and south
POTENTIAL VIEWS Maximum views towards the site are from the north and south of the site which are from Jalan Travers and Jalan Damansara. Meanwhile, the maximum views for the visitors (internal circularion) are from the west and east side of the site.
SITE CONTOUR
+2.4
-5.3
0
SITE FIGURE GROUND
SITE EXISTING PROGRAMME H
G
F
D
E A
C
B
A B C D
National Museum MEDM & Orang Asli Museum Istana 1 & Surau Parking area
E F G H
Public Toilet Museum Cafe Temporary Gallery Jabatan Museum Malaysia
EXISTING BUILDING TYPE The original building of National Museum have been gazzeted by the the Antique Act as a National Monument.
SITE BOUNDARY & SETBACK Setback of the site facing the main road is 12m. Meanwhile the others are 3m.
SITE PHOTOS (IMAGE SOURCES: GOOGLE STREET VIEW)
S.W.O.C ANALYSIS STRENGTH OPPORTUNITY • The site are easy access • The existing main in all aspect mode of building can be transportation. the main datum in • Image of National in design stratergy. Museum will be the • The widest building main design approach orientation will be / stratergy facing north and south
WEAKNESS CONSTRAINT • The site are cramped • Site contour margin with main road on both are too high. side of the site. • There is an existing • Building skyline will be pedestrian bridge the lowest. inside the site connecting to Planetarium.
SITE SYNTHESIS The site indeed have a very strong image of the Traditional Malay, due to the existing main building which reflects a lots on Malay culture, therefore it is relevence to rejuvenate the new buildings on site to transform and enliven them with the forgotten heritage
NATIONAL MUSEUM In the year of 1910, the management of Perak & Selangor museums were examined under the ‘’Negeri Negeri Melayu Bersekutu’’ museum department. In 1930, the management, hence, separated as one big step under a centralised system by the British government. A major part of the Selangor museum had been demolished due to the bombings by the Air Force Alliance on March 10, 1945. As a result, a colossal part of the collection was destroyed. Two years after independence in 1959, the government appointed an architect from Singapore, Mr. Ho Kok Hoe to design the National Museum at the site where on the ruination of the Selangor Museum took place. The construction started in 1962 and on August 31, 1963, the National Museum building was finally completed and inaugurated by His Highness The Third Tuanku Syed Putra Al-Haj Ibni Syed Hassan Jamalullail.
RM 10J W A R A N D I P E RU N T U K K A N UNTUK MUZIUM NEGARA
94.6% PERBELANJAAN D A R I P A D A
85,355
PERUNTUKAN
JUMLAH PENGUNJUNG LAMAN WEB SETAHUN
357,506 JUMLAH PENGUNJUNG MUZIUM NEGARA SETAHUN
GALLERY INFO
B
A
D
C
SECOND FLOOR FIRST FLOOR
GALLERY A: PRE HISTORY This gallery takes the visitors on an exploration of the process behind the Earth’s formation as well as provides an insight into early civilization through each of the artifacts that are displayed here. Visitors also have the opportunity to familiarise themselves with stone tools used during the Paleolithic, Hoabinhian and Neolithic Age. Among some of the more interesting artifacts is the Perak Man, the oldest and near intact human skeleton in South East Asia found in this country approximately 10000 – 11000 years ago.
GALLERY C: COLONIAL ERA This gallery traces the events that took place from the years 1511 to 1945. It highlights the arrival of foreign powers in the country, beginning from the Portuguese colonization of Melaka in 1511, which signaled the end of the period of Malay Melaka Sultanate, until the Japanese Occupation. Also highlighted in this gallery is the impact made by the colonizers on the political, socio and economic situation of the Malay State, which consequently formed the foundation of present day Malaysia.
GALLERY B : MALAY KINGDOMS This gallery traces the development of Malay civilization through the formation of the Malay Kingdoms in the Archipelago, particularly the kingdoms that existed in the Malay Peninsula and Borneo Islands. The focus of this gallery is primarily on the Malay Melaka Sultanate, which was the golden period in the history of the Malay-Islamic civilization in this region.
GALLERY D : MALAYSIA TODAY This gallery exposes the early history of the nationalist movement championed by national figures from various races and of differing political backgrounds, beginning from the British intervention until Independence was achieved in 1957. This gallery also highlights the achievements enjoyed by the country after its independence until today.
CHAPTER 03 DESIGN STRATERGY DESIGN APPROACH PRECEDENT STUDIES HYPOTHETICAL DIAGRAM SCHEDULE OF ACCOMMODATION
INITIAL SKETCHES
DESIGN STRATERGY IDEA CONCEPT & THEOROTICAL CONSTRUCT SPACE BETWEEN SPACE “Additive form resulting from the ACCRETION OF DISCRETE ELEMENTS can be characterized by their ability to GROW AND MERGE with other forms. For us to perceive additive groupings as unified compositions of form (as figures in our visual field) the combining elements must be RELATED TO ONE ANOTHER in a COHERENT MANNER.“ Francis D.K. Ching, Architecture: Form Space And Order, John Wiley & Sons, 2014. p.63
TIMELINE - TIMELESS “Architecture is not only about DOMESTICATING SPACE. It is also a DEEP DEFENCE against the TERROR OF TIME. The language of BEAUTY is essentially the language of TIMELESS REALITY.” Karsten Harries, ‘Building and the Terror of Time’, Perspecta: The Yale Architectural Journal, New Haven, 1982. p. 59-69 “There is one TIMELESS WAY OF BUILDING. It is thousands of years old, and the same today as it has always been. The great traditional buildings of the past, the villages and tents and temples in which man FEELS AT HOME, have always been made by people who were VERY CLOSE TO THE CENTER of this way. It is not possible to make great buildings, or great towns, beautiful places, places where you feel yourself, places where you feel alive, except by following this way. And, as you will see, this way will lead anyone who looks for it to buildings which are themselves as ANCIENT IN THEIR FORM, as the trees and hills, and as our faces are. It is so powerful and fundamental that with its help you can make any building in the WORLD AS BEAUTIFUL AS ANY PLACE THAT YOU HAVE EVER SEEN.” Christopher Alexander, The Timeless Way of Building, Oxford University Press, New York, 1979, p. 7
SYMBIOSIS Symbiosis is defined as an INTERACTION between two different organisms living in CLOSE PHYSICAL ASSOCIATION, usually to the advantage of both. In the context of architecture, this translates into a view of the art of architecture as an EXPRESSION OF THE SPIRIT of an era. That is, buildings that are designed today should be part of the cultural heritage of future generations.
Acquisition and maintenance of ONE OR MORE ORGANISMS by another that results in novel structures and (or) metabolism” (Zook, 1998)
HUMBLENESS Charlotte the Spider: “NOT PROUD AND NEAR THE GROUND.” White, (1952) “abstinenceat first fromsin, from what is super fluous, from all that estranges from God... then abstinence from all perishable things by detachment of the heart... complete ASCETICISM, renunciation of all that is created”. Massignon (1913)
DESIGN APPROACH MALAY BUILT ENVIRONMENT Attap Roof • made from natural materials • waterproof • made by villagers themselves • cooling and does not absorb heat.
Jitra Toilet Well • pour-flush toilet • for washing clothes, bathing • easy to build and maintain and sometimes drinking • cheap and hygienic • coconut leaves form privacy barrier concrete slabs as pavement.
Coconut Tree • for shading • food, making impliments • construction • as fuel
Drainage • Waste water from kitchen drained and soaked into sandy ground. Raised House Level • prevents floods and animals • provides privacy • ctaches winds of higher velocity.
Storage Space • for fuel (firewood, coconut leaves, etc) • p a d i - p l a n t i n g implements • bicycle.
MALAY BUILT ENVIROMENT TYPOLOGY
House Compound • for drying materials • as space for social interaction and work • as children playground.
SPACE LAYOUT
Interior Space Of Traditional Malay House Diagram shows some common activities in the Malay house. Spaces in the Malay house are multifunctional. The use of space changes at different times of the day and year. There are minimal partitions or interior walls in the house, allowing for flexible use of space for good ventilation of the interiors. Minimal furniture is used and most activities are done on the floor.
SPATIAL RELATIONSHIP DIAGRAM NTS
Storage Security
Control Room Services
Loading Bay Archive Surau Office
Staff Parking
Retails MRT Station
Nat. Museum
Public Parking
Balai Menyambut
VIP. room
Temporary Gallery
Prep. Room
Multipurpose Hall
Storage
HYPOTHETICAL DIAGRAM SCENARIO
ISSUES
AIM OBJECTIVES
MOVING FORWARD GLOBALLY DIGNITY SYMBOLISM.
KNOWLEDGE
MALAY HERITAGE CENTRE
CULTURAL GLOBALISATION HERITAGE CENTRE
CULTURE
HYPOTHESIS
PERFORMING ARTS
MODERN ERA
SPACE BETWEEN SPA HUMBLENESS SYMBIOSIS
LIVING MUSEUM
NEGATIVITIES SELF DEFENCE
STRATEGIES
TIMELINE- TIMELESS GALLERY
Toilet
Training Area
Restaurants
Balai Utama
Pre-Function Area
Balai Rong Seri
Tix.
Gallery 1
APPROACH
Gallery 2
PROGRAMS
PERFORMING ARTS
ACE MALAY BUILT ENVIRONMENT REAL SCALE DIORAMA
PARMENENT GALLERIES
Gallery 3
USERS
DOMESTIC TOURIST INTERNATIONAL TOURIST SCHOOLS
TEMPORARY GALLERY
RESEARCHER
EVENT SPACE
ARTIST / PERFORMER EVENT ORGANISER
Gallery 4
COLLABRATORS
MINISTRY OF TOURISM MALAYSIA
JABATAN MUSEUM MALAYSIA
PERSATUAN SEJARAH MALAYSIA
PRECEDENT STUDIES
1.0 MALAY HERITAGE CENTRE, 2.0 BERLIN JEWISH MUSEUM ISTANA KAMPUNG GELAM
3.0 DRESDEN’S MILITARY HISTORY MUSEUM
BUILDING INFO Location : Kampung Gelam, Singapore Date : re-open in 2012 Programme : Museum / Gallery (now) Palace of Sultan Hussein (1830s)
BUILDING INFO Architect : Daniel Libeskind Location : Berlin, Germany Date : 2001 Programme : Museum
BUILDING INFO Architect : Daniel Libeskind Location : Germany Date : 2011 Programme : Museum
SPATIAL SPACES RELATIONSHIP
SPATIAL SPACES RELATIONSHIP
SPATIAL SPACES RELATIONSHIP
Interlocking space between the new building and the existing building DESIGN STATEMENT • consist of 6 PERMENANT galleries and 2 TEMPORARY galleries. • The tours will START FROM THE UPPER LEVEL then ENDS AT THE GROUND LEVEL A - Gallery Anjung B - Gallery Perintis C - Gallery Kehidupan D - Gallery Pustaka E - Gallery Kesenian F - Interactive Gallery
BUILDING SIGNIFICANCE
• PRESERVATION of and old palace into a Museum • RESTORATION and REPROGRAMMING the building from a PALACE INTO A MUSUEM. • The restoration DOES NOT CHANGE the original FORM and the ARCHITECTURAL ELEMENTS of the building
DESIGN STATEMENT
Existing building
New building
Entrance to the new building is from the underground tunnel BUILDING SIGNIFICANCE • Exhibits the social, political and cultural history of the Jews in Germany from the fourth century to the present, EXPLICITLY PRESENTING and INTEGRATING, for the first time in postwar Germany, the repercussions of the Holocaust. • A Void cuts through the zigzagging plan of the new building and creates a SPACE THAT EMBODIES ABSENCE.
DESIGN STATEMENT • its BOLDLY INTERRUPTS the original building’s CLASSICAL SYMMETRY. • the viewing platform provides a breathtaking views of modern Dresden • its pointing towards the triangulation of the area where the fire bombing began in Dresden, thus create a SPACE OF THAT REFLECTION
BUILDING SIGNIFICANCE
Breaking the original symmetrical of the building Part of the building design are the exibition.
SCHEDULE OF ACCOMODATION
CHAPTER 04 DESIGN SOLUTION PLANS ELEVATIONS SECTIONS BUILDING PROGRAME BUILDING TYPOLOGY
N
SITE PLAN SCALE NTS
N
GROUND FLOOR PLAN SCALE NTS
N
SUB-BASEMENT FLOOR PLAN SCALE NTS
N
FIRST FLOOR PLAN SCALE NTS
LEFT ELEVATION SCALE NTS
RIGHT ELEVATION SCALE NTS
FRONT ELEVATION SCALE NTS
REAR ELEVATION SCALE NTS
SECTION B-B SCALE NTS
SECTION A-A SCALE NTS
BUILDING PROGRAMME
PROGRAMME TYPOLOGY
Songket /Sarung Motif
Balairung Seri Utama / Open Performing Area
Balai Menyambut / Main Drop Off Zone
Open Ground Area
Taman / Open Courtyards
Balairung Seri Utama Diraja/ Performing Area
Bilik Utama / Exibition Room / Parmenent Gallery
Green Toilets
Courtyards Between Old and New Building
CHAPTER 05 STRUCTURAL SYSTEM DETAIL SECTION
STEEL FOLDED PLATE STRUCTURE
EXPLODED STRUCTURAL SYSTEM
ROOF FLR. LVL.
FIRST FLR. LVL.
GROUND FLR. LVL.
SUB-BASEMENT FLR.
DETAIL B SCALE NTS
ROOF LVL.
TELESCOPIC FLR. LVL.
WAFFLE SLAB LVL.
GROUND FLR. LVL.
SUB-BASEMENT FLR.
DETAIL A SCALE NTS
CHAPTER 06 SPECIAL STUDY EXPLODED BALAIRUNG SERI TELESCOPIC FLOOR SYSTEM FOLDED LATTICE BEAM
EXPLODED OF BALAIRUNG SERI UTAMA DIRAJA/ MAIN THEATER HALL
CHAPTER 07 ENVIRONMENTAL STUDY DAYLIGHTING EFFICIENCIES
CHAPTER 08 SERVICES FIRE PROTECTION SYSTEM WATER SUPPLY AND SANITARY ELECTRICAL SYSTEM VERTICAL TRANSPORTATION SYSTEM
CONCLUSION