takamine_2009

THE DELICATE S O U N D B OA R D B A L A N CE Spruce and cedar soundboards have been used for well over a millennium, and the modern bracing system has been around for at least 150 years. We use a traditional ‘X’ bracing pattern on our steel strings, differently voiced for each application.

many small changes that add up to a significant difference in volume, balance and richness.

Takamine soundboards are braced and voiced by hand. By tapping each top, a skilled luthier knows just how to shape the braces for the best possible response.

TOBY KEITH

ASHTON SHEPHERD

SIMPLE PLAN

JOHN SCOFIELD

CHRISTINE KANE

JON BON JOVI

BRUCE SPRINGSTEEN

NANCY WILSON

GOOD CHARLOTTE

DARYL STUERMER – PHIL COLLINS

HOWIE DAY

CHESTER BENNINGTON – LINKIN PARK

Adam Lazarra – Taking Back Sunday

INDIA.ARIE

JASON ORME / DAVE LEVITA – ALANIS MORISSETTE

JAMIE JOHNSON / TERRY ELDREDGE – THE GRASCALS

MONTGOMERY GENTRY

MARTY ROE – DIAMOND RIO

Marty Schiff – Martina M c Bride

JOE NICHOLS

SCOTT PATTON – SUGARLAND

Jerry Cantrell – Alice in Chains

TOM DUMONT – NO DOUBT

FRED MASCHERINO – THE COLOR FRED

Rather than take a radical departure, we make

Is There a Pe r f e c t N e c k S h a p e ?

A hundred years ago, the wide classical shape with a flat fingerboard was the only shape considered “proper,” but we’ve become more open-minded since then. Some players feel you can never be too thin, while others feel it’s phat to be fat. It’s that personal taste thing again.

Takamine necks have an “asymmetrical ‘C’ shape” – an ergonomic contour that’s slightly thinner on the treble side of the neck so that it fits the natural shape of your hand. Overall, it’s thin from front to back, medium in width, with a gentle fingerboard arch. Perfectly comfortable.

The Fret Secr e t Most makers don’t give frets enough credit or attention. A good fret job can help a player reach new heights.

Examine the frets on a Takamine Tradesman.

What you see is the work of a laser-guided fret finishing system that levels and crowns each fret

to within 0.0001” of dead-on. Fret a note.

Notice how the string contacts the centerline of the fret perfectly. And hear the clarity when you play. A good fret job can be the difference between a nice guitar and a great guitar.

BODY TALK A guitar body, with its many curves, accommodates a wide range of frequencies.

Different body shapes favor different frequencies giving them a distinct character.

Dreadnoughts are typically louder, with stronger lows. Smaller bodies, like our NEX, tend to be

more balanced. A thinner body may project less, but sound more pleasing to the player. Play as many sizes as you can with comfort and sound in mind. Your choice is very personal - what sounds and feels best to you.

APPOINTMENTS B Y DE L U X E Takamine pioneered the use of uncommonly artistic and complex inlays on guitars for the common man. We have developed the art of design and the craft of precise inlay work far beyond the capability of most other guitarmakers.

Look closely at Takamine rosettes and inlays.

This meticulous handwork is a highly visible reminder of our commitment to excellence on every part of our guitars.

Prices and specifications subject to change without notice.

SKI N DE E P A N D M O R E Your Takamine is beautiful on the outside, but beauty is more than skin deep. Look inside and see for yourself. Finely sanded braces and meticulously cut linings display a level of hand craftsmanship that’s fast disappearing from modern guitars.

KCG-446

There’s a century-old phrase from the Arts & Crafts movement: “Anything worth doing is worth doing well.”

That spirit lives on today. At Takamine, we’re artisans and craftspeople at heart.

©2009 KMC Music, Inc. P.O. Box 507 Bloomfield, CT 06002 USA BLAKE SHELTON

BRIAN SPRADLIN – JOE NICHOLS

Avril Lavigne

Dave Stewart

www.Takamine.com

SYSTEM-MATCHED ACCESSORIES – ALL PERFORMANCE – NO HASSLE

Your Takamine is stage-ready right out of the case – there’s nothing extra to buy or fiddle with to get the sound you want.

But some of us want more. More versatility.

More options. More things to play with.

That’s why we offer two optional pieces of gear – a magnetic, body-sensing pickup and a dedicated direct box – that are system-matched to your CoolTube preamp.

TRUE TUBE SOUND

Tri-Ax Pickup

5 FUNCTIONS FOR ACOUSTICS

The Takamine CoolTube is the first and only on-board tube preamp for acoustic guitar.

It gives you the tonal warmth and harmonic richness that only a true tube preamp can deliver – with mild, natural tube compression and plenty of even-harmonic sweetness. Along with a semi-parametric eq, a second-source input and blend control let you add a pickup like the Tri-Ax to the CoolTube.

The Takamine Tri-Ax active soundhole pickup is system-matched to the CoolTube preamp and can also be used as an add-on pickup for any acoustic guitar.

It features patented Tri-Axial body-sensing technology for a clear, rich and acoustically accurate tone.

Takamine DI-Plus – the Direct Inject unit specifically designed for the needs of acoustic guitarists. The DI-Plus has a switchable effects loop with a return gain control so you can setup your effects and bring them all in at once with one tap of your toe.

Creating the system couldn’t be easier.

Just plug the Tri-Ax into the CoolTube and you’re ready to go. Control the blend of the Tri-Ax with the Aux knob on the CoolTube.

A mute circuit lets you change instruments noiselessly, even if the soundman isn’t quite on the job. There’s even a boost function to deliver the hottest signal the board can handle, or boost volume when you want to rip off a solo.

The DI-Plus can also phantom power your CoolTube preamp so you never have to worry about fading batteries.

DREADNOUGHT

NEX/GRAND AUDITORIUM

FXC

OM

JUMBO

CLASSIC

The most popular body shape of the past half century, the Dreadnought delivers a strong low end with plenty of volume.

This original Takamine body is a scaled-down Jumbo at heart. The NEX has a silky balance to the tone that supports vocals beautifully.

The FXC is very close to traditional Grand Concert proportions.

Excellent feedback control with a true and warm acoustic tone.

The Orchestra Model shape, with its strong lower midrange and versatile dynamics, is enjoying a resurgence.

The Jumbo excels as a rhythm guitar - big, meaty chords, plenty of volume and outstanding balance.

Takamine classic guitars respect tradition. The fan bracing and body shape deliver a clear tone and a strong voice.

Length_________ 20 1/16” (51cm) Depth___________ 4 5/16” (11cm) Upper bout______11 1/4” (28.5cm) Lower bout_______15 3/4” (40cm)

Length_________ 19 1/8” (48.5cm) Depth________________4” (10cm) Upper bout__________ 11” (28cm) Lower bout______14 3/4” (37.5cm)

Length__________19 1/2” (49.5cm) Depth_____________ 4 1/4” (11cm) Upper bout___________11” (28cm) Lower bout_______15 3/8” (39cm)

Length_________ 20 1/16” (51cm) Depth_________4 15/16” (12.5cm) Upper bout_______ 11 1/8” (30cm) Lower bout_______15 3/4” (40cm)

Length_________ 20 7/8” (53cm) Depth_________4 15/16” (12.5cm) Upper bout______12 9/16” (32cm) Lower bout______17 1/8” (43.5cm)

Length_________ 19 5/16” (49cm) Depth________________4” (10cm) Upper bout______ 11 7/16” (29cm) Lower bout_______14 9/16” (37cm)

Making guitars is like making music – part art and part craft.

Like music, guitarmaking is more than just having the parts fit together.

There’s a right way and a wrong way – and it takes artistic commitment to make sure the right way prevails.

At Takamine, we work together a lot like your band probably works together.

We talk ideas out, we state our case, we argue some, and stand up for our beliefs.

In the end, we come together.

Over the past 40-plus years, guitar players around the world have given us their respect.

We hope to keep earning it by crafting the best instruments we can in the most artful way we know.

GOLDEN AGE GUITARS

TNV460SC

The Golden Age of guitarmaking is alive and well at Takamine. The Nashville Series is an expression of our deep admiration for the great vintage instruments that in-the-know players have coveted for decades.

TNV360S

Well covet no more.

The Nashville Series proudly invites comparison to the great guitars of yesteryear. The tops are solid, hand-selected “bear claw” spruce – a rare, naturally occurring figure pattern that marks luthiers’ most highly-prized soundboard spruce. Each is individually voiced to maximize its power and dynamic range. The back and sides are solid bookmatched Indian rosewood, the fingerboard is ebony and the inlays are deep, vivid abalone.

COMMON FEATURES: Solid Top • Ebony Fingerboard • 25 3/8” (644mm) Scale Length Gloss Natural Finish • CoolTube Preamp • Hard Shell Case Included MODEL TNV360S TNV360SC TNV460SC

BODY STYLE Dreadnought Dreadnought C/A NEX/Gr.Aud C/A

TOP Solid “Bear Claw” Spruce Solid “Bear Claw” Spruce Solid “Bear Claw” Spruce

For a full listing of all currently available models, visit www.Takamine.com

BACK & SIDES Solid Indian Rosewood Solid Indian Rosewood Solid Indian Rosewood

PREAMP CoolTube CoolTube CoolTube

NUT WIDTH 1 3/4” (45mm) 1 3/4” (45mm) 1 3/4” (45mm)

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G O L DE N T O N E If you’ve got a sharp eye for craftsmanship and a love for the vintage, these guitars will stop you in your tracks. But seeing is only the beginning. The Nashville Series delivers acoustic purity and vintage vibe in abundance. The on-board tube-driven preamp brings it home in the warmest way possible.

TNV360SC

Takamine has a big vintage sound acoustically that makes you want to pick for hours.

DANN Y GROA H – ALAN JAC KSON BAND

SCOTT CONEY – ALAN JACKSON BAND

I can leav e my p rized pre war dreadnoug hts at home and still get the same feel and sound on the road

KC70

SW341SC

EF360GF

JJ325SRC

GB7C

COMMON FEATURES: Solid Top • Rosewood Fingerboard • Hard Shell Case Included 25 3/8” (644mm) Scale Length • 1 11/16” (43mm) Nut Width MODEL KC70 SW341SC EF360GF JJ325SRC JJ325SRC-12* GB7C

BODY STYLE OM Dreadnought C/A Dreadnought Dreadnought C/A Dreadnought C/A Dreadnought C/A

FINISH Satin Natural Gloss Black Gloss Natural Gloss Red Stain Gloss Red Stain Satin Natural

TOP Solid Cedar Solid Cedar Solid Spruce Solid Spruce Solid Spruce Solid Cedar

BACK & SIDES Solid Mahogany Back Solid Mahogany Back Solid Rosewood Back Bubinga Bubinga Solid Rosewood Back

*Not shown. For a full listing of all currently available models, visit www.Takamine.com

PREAMP CT4B CT4B CT4B DSP DSP CT4B

SPECIAL

Rosette by Kenny Chesney Abalone Binding, “SW” inlay 1980s specs Abalone Rosette, “JJ” Inlay 12-String, 1 7/8” Nut Width Guitar-shaped Soundhole

KENNY CHESNEY Playing for tips in college, with nothing but a dream and an acoustic guitar, Kenny Chesney now plays for a million-plus fans per year. What hasn’t changed is his love affair with acoustic guitar. Kenny spec’d out his own cedar top mahogany OM and designed the inlays and rosette.

STEVE WARINER Steve Wariner is a nearly full-time resident of the country music charts as a guitarist, singer and songwriter – with Takamine in hand, of course. The solid cedar top and solid mahogany back give Steve’s signature model a deeper, warmer acoustic voice.

G LE N N F R E Y Take it Easy. The opening lick of that song is a cultural icon in its own right. Another icon is Glenn’s “#1” – the Takamine he’s been playing for over 20 years.

The Glenn Frey Model is a duplicate of one of the most well-traveled guitars in rock and roll.

JOHN JORGENSON For years, Takamine has been adjusting and tweaking the bracing of John Jorgenson’s guitars.

What you first notice in the JJ models is their sweeping dynamic breadth. John certainly knows the sweet spot when he hears it.

GARTH BROOKS Nothing short of a perfectionist, Garth worked closely with us on the GB7C. Its solid cedar top and rosewood back and sides deliver an evenness of tone and a solid, reliable fullness. That original guitar-shaped soundhole is Garth’s personal touch.

Photos (top to bottom) by: 1. Glen Rose 2./3./4. McQuire

SI G N A T U R E M O DE L S When you hear an acoustic guitar at a gig, odds are high that it’ll be a Takamine.

So what’s the deal? Why is Takamine the live player’s favorite? Maybe it’s because no other acoustic/electric guitar works so well on stage. Among the hundreds of Takamine artists are five who’ve worked with us to design their own signature models.

5

Let’s face it: you don’t go pro in the music biz because the money is easy, or your father thinks it’s a growth industry.

You do it because it’s what you’re built to do.

You’re called to walk into a club full of strangers with nothing but your axe and your mojo and lead them on an expedition to elsewhere.

Easy?

No. Worth it?

Absolutely.

We agree.

Wherever the Joy of Music intersects with Serious Business, there’s a headstock that says “Takamine.”

I know I can alw ays de p end on my T a k amine to sound greaT no matter wh at I do to it !

PIERRE BOUVIER – SIMPLE PLAN

P E R F E C T T O O L S . WO R K S OF ART. Purpose-built guitars for a specific job. Tradesman guitars are designed to be the perfect tools for flatpicking, fingerstyle, vocal accompaniment and bass excursions.

TF430SS

SINGER/SONGWRITER If you and your songs are center stage, you owe it to yourself to audition the Takamine Singer/Songwriter. It’s voiced to complement and support the vocal range, with a balance and sweetness that will give your songs extra dimension.

TF740FS

FINGERSTY LE Our latest contribution to the world of fingerstyle. The wide neck gives your right hand fingers some room to dance, and the 12-fret body puts the bridge in the sweet spot of the lower bout for added fullness and depth.

TB10

B ASS The Takamine TB10 rules the vast valley between acoustic bass guitar and upright bass. As flexible as it is gorgeous, the telescoping endpin lets you play it either way. Its remarkable acoustic fullness carves out an identity all its own.

COMMON FEATURES: Ebony Fingerboard • Hard Shell Case Included • 25 3/8” (644mm) Scale Length • Bass 34” (864mm) Scale Length MODEL BODY STYLE FINISH TOP BACK & SIDES EF340SBG Dreadnought Gloss Natural AAA Sitka Spruce Solid Mahogany TF340SBG* Dreadnought Gloss Natural AAA Sitka Spruce Solid Mahogany EF360SBG* Dreadnought Gloss Natural AAA Sitka Spruce Solid Indian Rosewood TF360SBG Dreadnought Gloss Natural AAA Sitka Spruce Solid Indian Rosewood TF430SS NEX/Gr. Aud Satin Sunburst Select Solid Cedar Solid Ovangkol TF740FS OM C/A 12-fret Gloss Natural Select Cedar Solid Mahogany TB10 Archtop C/A Satin Violin Spruce Maple *Not shown. For a full listing of all currently available models, visit www.Takamine.com

PREAMP TLD CoolTube TLD CoolTube CoolTube CoolTube CoolTube

NUT WIDTH 1 3/4” (45mm) 1 3/4” (45mm) 1 3/4” (45mm) 1 3/4” (45mm) 1 11/16” (43mm) 1 7/8” (48mm) 1 13/16” (46mm)

F L A TP I CK ER We have a friend who melts down flat picks at the rate of one-per-solo.

He llllllooovvvvves this guitar. We can’t print the non-technical term he uses to describe the extraordinary presence and clarity of this powerful dreadnought.

EF340SBG

The recording studio is the toughest quality b enchmark for any guitar.

The Tradesman passes with flying colors

TF360SBG

As a 21-year music veteran, Brad Davis admits to having tried hundreds of different guitars in his search for The Grail. His search is over – the two main guitars he plays for recording and touring are both Takamine Flatpickers.

When Brad came to Takamine, he was brimming with ideas about how to make a better modern dreadnought for flatpicking.

He talked and we listened. As we put Brad’s ideas into prototypes, it became clear that he was on to something. If you’re a flatpicker, you’ve got to try one of these.

BRA D D A VI S

9

TAN16C

COMMON FEATURES: Solid Top • Abalone Rosette • Rosewood Fingerboard 25 3/8” (644mm) Scale Length • Gloss Natural Finish • CoolTube Preamp • Hard Shell Case Included MODEL TAN15C TAN16C TAN45C TAN76* TAN76C TAN77

BODY STYLE Dreadnought C/A Dreadnought C/A NEX/Gr.Aud. C/A OM OM C/A OM

TOP Solid Cedar Solid Spruce Solid Cedar Solid Spruce Solid Spruce Solid Cedar

BACK & SIDES Solid Rosewood Back Solid Rosewood Back Solid Rosewood Back Solid Rosewood Back Solid Rosewood Back Solid Koa

*Not shown. For a full listing of all currently available models, visit www.Takamine.com

NUT WIDTH 1 11/16” (43mm) 1 11/16” (43mm) 1 11/16” (43mm) 1 11/16” (43mm) 1 11/16” (43mm) 1 3/4” (45mm)

V INTAGE NO W Our passion for the great guitars of yesteryear is unabashed. Case in point: the SuperNaturals.

The look and feel of these instruments declare a noble lineage.

These guitars leverage the sonic potential of their premium materials. Soundboards are supported by harmoniously matched hand-scalloped bracing.

Backs and sides are bookmatched tonewoods.

And when it’s time to sing it out loud, the CoolTube preamp is a fast tweak to perfect warm, fat tone, right for any size venue.

TAN45C

TAN15C

TAN77

TAN76C

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THE SOUND OF TRUTH The stripped-down essence of Takamine guitarmaking is represented by the Natural Series. These instruments are a union of forthright, old-world design, meeting meticulous craftsmanship, in the service of a single intention: the widest, richest sonic radiance possible.

ETN10CTBS

And radiant it is.

The select materials – like the solid cedar top and solid mahogany back – are chosen for their sonic excellence. Every process is aimed at increased vibrancy and dynamism. Freedom of vibration ensured by the restrained touch of a thin satin finish and a pickguard is left on the parts shelf.

ETN70C

ETN40C

COMMON FEATURES: Solid Cedar Top • Solid Mahogany Back • Rosewood Fingerboard 25 3/8” (644mm) Scale Length • 1 11/16” (43mm) Nut Width • CT4B Preamp • Hard Shell Case Included MODEL ETN10C ETN10C-LH* ETN10CTBS ETN40C ETN70C

BODY STYLE Dreadnought C/A Dreadnought C/A Dreadnought C/A NEX/Gr.Aud C/A OM C/A

FINISH Satin Natural Satin Natural Tobacco Burst Satin Natural Satin Natural

TOP Solid Cedar Solid Cedar Solid Cedar Solid Cedar Solid Cedar

*Not shown. For a full listing of all currently available models, visit www.Takamine.com

BACK & SIDES Solid Mahogany Back Solid Mahogany Back Solid Mahogany Back Solid Mahogany Back Solid Mahogany Back

SPECIAL Left-hand

13 ETN10C

I always want the best sound I can get , as I ’ m sure e very b ody does .

My Ta k amine instruments ena ble me to do just th at – get the best acoustic guitar sounds possi b le

Quincy Jones, Ella Fitzgerald, Steely Dan, David Benoit, Chicago, Luther Vandross, Michael Jackson, George Duke, Gladys Knight, Barry White, Kenny Rogers, Aretha, Elton, Barbra … are we running out of space yet?

Grammy-nominated guitarist, composer and arranger Paul Jackson, Jr. is America’s go-to guitarist. If you have a track that needs to be just a little sweeter, your next call is to Paul.

More than a few million people a week hear Paul’s sweetness on American Idol, where he flat-out nails every style. Such a truly amazing player needs guitar sounds that get it done. When it’s acoustic time for Paul, it’s time for Takamine.

PA U L J A C KS O N J R .

EF740SGN

TF450SMSB

EF508KC

GU I T A R S TH A T DE FY C A T E G O RY Maybe it’s the sound. Maybe it’s the fit. These alternatives to the dreadnought reflect Takamine’s long-standing promise to give artists as broad a palette as possible.

A studio favorite – the Noveau Jumbo – brims with personality and still leaves plenty of room in the mix. Engineers love it.

The solid spruce top and choice of solid flame maple or mahogany back delivers great presence and balance.

Noveau small-bodies are favorites of both coffeehouse and arena guitarists. The exclusive NEX/Grand Auditorium body delivers a focused sound with clear articulation and pleasing brilliance.

COMMON FEATURES: Solid Top • 25 3/8” (644mm) Scale Length • 1 11/16” (43mm) Nut Width • 12-String 1 7/8” (48mm) Nut Width MODEL BODY STYLE FINISH TOP

BACK & SIDES FNBRD PREAMP EF261SAN* FXC C/A Gloss Antique Stain Solid Cedar Mahogany Rosewood CT4B EF261SBL FXC C/A Gloss Black Solid Cedar Mahogany Rosewood CT4B EF241S* Jumbo Gloss Black Solid Spruce Solid Mahogany Back Rosewood CT4B EF281S* Jumbo Gloss Black Solid Spruce Solid Mahogany Back Rosewood CT4B EF740SGN OM Satin Antique Solid Cedar Sapele Rosewood CT4B EF508KC NEX/Gr. Aud. C/A Gloss Natural Koa Koa Rosewood CT4B TF241DLX* Jumbo C/A Gloss Black Solid Spruce Solid Mahogany Back Rosewood CoolTube TF281DLX* Jumbo C/A Gloss Black Solid Spruce Solid Mahogany Back Rosewood CoolTube TF250SMC* Jumbo C/A Gloss Natural Solid Spruce Solid Flame Maple Back Ebony CoolTube TF250SMCSB Jumbo C/A Gloss Sunburst Solid Spruce Solid Flame Maple Back Ebony CoolTube TF250SMC12 Jumbo C/A Gloss Natural Solid Spruce Solid Flame Maple Back Ebony CoolTube TF250SMCSB12* Jumbo C/A Gloss Sunburst Solid Spruce Solid Flame Maple Back Ebony CoolTube TF450SM* NEX/Gr. Aud Gloss Natural Solid Spruce Solid Flame Maple Back Ebony CoolTube TF450SMSB NEX/Gr. Aud Gloss Sunburst Solid Spruce Solid Flame Maple Back Ebony CoolTube TSF48C NEX/Gr. Aud. C/A Gloss Natural Solid Spruce Solid Rosewood Back Ebony CoolTube

*Not shown. For a full listing of all currently available models, visit www.Takamine.com

SPECIAL

12-String

12-String 12-String 12-String Black Crow Rosette/ Eagle Fbd. Inlays

TF250SMC12

EF261SBL

TF250SMCSB

Whether I’m playing delicate acoustic shows or roaring rock — caressing them or manhandling them – they deliver!

Takamine guitars are built and sound better than ever.

TSF48C

Complex Santa Fe inlays and beautifully themed rosettes have been lovingly developed, almost to the point of painterly expression. The rich traditions of the American Southwest are embodied and honored in this fine instrument.

Stunning inlay work with rare woods and select shell is a Santa Fe trademark.

N I L S LO F G R E N

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THIN K A C O U S T I C … L IV E E LE C T R I C Your Takamine will hold its own with any acoustic guitar in the room.

Now plug it in and watch lesser guitars raise the white flag. The pickup is unique in acoustic/electric guitars – actually six pickups embedded in the bridge plate, where the full sound of the guitar comes home.

When the venue is bigger than your living room, your acoustic guitar needs a preamp, and Takamine has a range of electronics to suit every need and taste.

COOLTUB E – WAR M SOUND The CoolTube preamp is the first and only on-board tube preamp for acoustic guitar. It has a warm, fat sound that makes you wonder, “Why don’t all acoustic/electric guitars sound like this?”

The CoolTube gets its name from Takamine’s unique technology that runs the 12AU7 dual triode vacuum tube at very low voltages.

The amount of “Tube Effect” can be adjusted from bright and brilliant to fat and warm.

The EQ section utilizes shelving filters for bass and treble frequencies, with the midrange shaped by a semi-parametric EQ. The center frequency can be adjusted with a rotary knob between 200Hz and 8.5kHz. A built-in chromatic tuner is standard equipment.

C r e a te a System – Add a Tri-Ax

17

The Takamine Tri-Ax magnetic, body-sensing pickup is system-matched to the CoolTube.

The blend of the two can be controlled directly from the CoolTube.

C T 4 B – WARM AND WARMER The CT4B preamp delivers warmth and purity of tone in generous amounts. Three bands of carefully chosen EQ make it easy to shape your tone the way you like it. The CT4B is a favorite among critical players and soundmen across the musical spectrum.

The built-in chromatic tuner earns rave reviews from players everywhere. One touch of the tuner button mutes the guitar output and the tuner quickly locks on to the note you’re tuning.

T L D – T h e Basics

2:00

The Takamine Line Driver – TLD for short – is the most basic bit of electronics you could want. It buffers the pickup from the rest of your amplification setup and makes the signal ready to be processed by external gear. There are no controls on the guitar – no holes and a minimum of wiring. The TLD is acoustic/electric for the purist.

I f you ’ ve nev er h ad the pleasure of p lay ing th roug h a nice tu b e pream p , here’s your chance.

The CoolT u be delivers it to you big, warm and fat – just li k e you always wanted your guitar to sound .

THERE’S NO IDEA LIKE A PRO IDEA A revolutionary idea began to take shape when we noticed acoustic players like John Jorgenson using tube preamps in the studio to warm up their recorded tracks. Could we bring this studio idea to the stage?

Could we put it in the guitar?

John was keen to find out and jumped into what became the CoolTube project. The collaboration was fruitful.

John took a prototype on the road and showed it no mercy. It came home in one piece and many of the CoolTube’s final specs are the result of John’s input.

We’ve partnered with dozens of pro players who take our test gear out on the road and frankly, don’t treat it very kindly. They come back and tell us what worked and what didn’t.

It’s a process that guarantees that the Takamine you take out onstage won’t ever let you down.

J OH N J O R G E N S O N

C AN’T DECIDE? S WAP YO UR PRE AM P IN 2 MINUTES Want the best of all worlds? You can have it. The Takamine CoolTube and CT4B are designed to be interchangeable.

While we match Takamine model guitars with the most appropriate preamp for the application, don’t feel limited by our choice. Since the preamps use the same mounting bracket, they can be interchanged by simply swapping the input and output cables. Two minutes and you’re ready to go.

EF360SC

EF340SCTBS

EF341SC

EF340SC

Always clear as a bell, with tons of definition to cut through even the densest of mixes.

Oh yeah ... the electronics are friggin’ sweet too!

A d a m Dutkiewicz – Kil lswitch ENGAGE

T RA D I T I O N , B U T BI G G E R EF350SMCSB

All hail the mighty dreadnought! The extrovert of the acoustic guitar world is singing louder and prouder than ever, thanks to the Takamine Keystone Series. These versatile instruments have made the whole world their home – everywhere from the porch swing to the platinum seller.

EF381SC

Every Keystone Dreadnought starts with a hand-selected solid spruce or cedar soundboard, voiced to classic dreadnought perfection.

Choose a model with your favorite back and side woods – mahogany, rosewood or maple.

All feature the fabled Takamine pickup and CT4B preamp, giving you an instrument that’s ready for any stage or studio.

Keystone Dreadnoughts feature backs and sides made of select tonewoods – rosewood, flame maple, and mahogany.

COMMON FEATURES: Dreadnought Cutaway Body • Rosewood Fingerboard 25 3/8” (644mm) scale length • CT4B Preamp • Hard Shell Case Included MODEL EF340SC EF340SCTBS EF341SC EF350SMCSB EF360SC EF381SC

FINISH Gloss Natural Tobacco Burst Gloss Black Gloss Sunburst Gloss Natural Gloss Black

TOP Solid Spruce Solid Spruce Solid Cedar Solid Spruce Solid Spruce Solid Spruce

For a full listing of all currently available models, visit www.Takamine.com

BACK & SIDES Solid Mahogany Back Solid Mahogany Back Maple Flame Maple Solid Rosewood Back Maple

NUT WIDTH 1 11/16” (43mm) 1 11/16” (43mm) 1 11/16” (43mm) 1 11/16” (43mm) 1 11/16” (43mm) 1 7/8” (48mm)

H8SS

TH5C

H5

TH90

FROM THE HEART OF H IRADE The classical guitar is where it all started for us at Takamine.

It’s a passion we inherited from the late Mass Hirade, an early driving force at Takamine. Both brilliant designer and highly skilled luthier, Hirade’s innovative instruments were markedly superior in volume, richness of tone, and playability.

Hirade’s characteristically meticulous drawings continue to guide the small group of Takamine luthiers who build a limited number of fine concert classics. Hirade instruments are also favored by jazz and pop artists who require a classical guitar robust enough to hold its own in an ensemble sound mix.

COMMON FEATURES: Solid Top • Solid Rosewood Back & Sides • Ebony Fingerboard

- 25 9/16” (650mm) Scale

Gloss Natural Finish • Hard Shell Case Included MODEL H5 H8SS TH5* TH5C TH90 TH8SS*

BODY STYLE Classical Classical Classical Classical C/A Classical with Oval Soundhole C/A Classical

TOP Solid Cedar Solid Spruce Solid Cedar Solid Cedar Solid Spruce Solid Spruce

BACK & SIDES Solid Rosewood Solid Rosewood Solid Rosewood Solid Rosewood Solid Rosewood Solid Rosewood

*Not shown. For a full listing of all currently available models, visit www.Takamine.com

FNBRD Ebony Ebony Ebony Ebony Ebony Ebony

NUT WIDTH 2” (51mm) 2” (51mm) 2” (51mm) 2” (51mm) 2” (51mm) 2” (51mm)

PREAMP CoolTube CoolTube CoolTube CoolTube

21

TC135SC

TRADITION MOV ING F O R WA R D Classic guitars -- steeped in tradition though they are -can still be relevant in today’s music. These Takamines have the definitive, full-throated voice of a true classic guitar, but they’re nuanced for today’s technology. If you need to add a nylon string to your on-stage guitar arsenal, Takamine is the way to go.

TC132SC

EC132C

COMMON FEATURES: Gloss Natural Finish • Rosewood Fingerboard MODEL C132S* EC132C EC132C-LH* EC132SC* TC132SC TC135SC

BODY STYLE Classical Classical C/A Classical C/A Classical C/A Classical C/A Classical C/A

TOP Solid Cedar Spruce Spruce Solid Cedar Solid Cedar Solid Spruce

- 25 9/16” (650mm) Scale • Hard Shell Case Included

BACK & SIDES Solid Rosewood Back Rosewood Rosewood Solid Rosewood Back Solid Rosewood Back Solid Rosewood Back

*Not shown. For a full listing of all currently available models, visit www.Takamine.com

NUT WIDTH 2” (51mm) 2” (51mm) 2” (51mm) 2” (51mm) 2” (51mm) 2” (51mm)

PREAMP CT4B CT4B CT4B CoolTube CoolTube

SPECIAL Left-hand 14-Fret

EG530SSC

TA KAMINE F O R

GS330S

EG340SC

EG531SCDR

EV ERYONE Built to Takamine designs in some of the most modern guitar shops in the world, G-Series instruments are priced for every budget. In addition to the extensive line of Dreadnoughts and Jumbos, the G-Series features smaller NEX/Grand Auditorium and FXC sizes. Your G-Series guitar is every bit a Takamine, from its acoustic performance to the latest in pickup and preamp design.

EG523SC12

EG540SC

23 EG561C

EG540C-STRY

EG540C-STBY

EG540C-STCY G128S

MODEL GS330S EG340SC EG530SSC EG531SCDR EG523SC-12 EG540SC EG540CSTCY EG540CSTRY EG540CSTBY EG561C G128S

BODY STYLE Dreadnought Dreadnought C/A Dreadnought C/A Dreadnought C/A Jumbo C/A NEX/Gr.Aud C/A NEX/Gr.Aud C/A NEX/Gr.Aud C/A NEX/Gr.Aud C/A FXC C/A Classical

FINISH Satin Natural Gloss Natural Gloss Natural Gloss Black Gloss Natural Gloss Natural Transparent Black Transparent Red Transparent Blue Gloss Black Gloss Natural

TOP Solid Cedar Solid Spruce Solid Spruce Solid Spruce Solid Spruce Solid Spruce Flame Maple Flame Maple Flame Maple Spruce Solid Spruce

BACK & SIDES PREAMP SPECIAL Mahogany

Mahogany TP4T Solid Sapele Back TK40 Mahogany TK40 Dragon inlay Flame Maple TK40 12-String Mahogany TP4T

Flame Maple TK40 Flame Maple TK40 Flame Maple TK40 Nato TK40 Rosewood

For a full listing of all currently available models, visit www.Takamine.com • Refer to the G-Series Catalog Supplement for information on currently available models.

We aim to craft guitars in an artful and thoughtful way – guitars that bring more spice to life.

High-volume builders make use of production machinery to speed up their output, but for us, speed isn’t the issue – it’s the quality of the instrument.

We’re proud of our level of craftsmanship and we invite you to take a close look at our instruments, part by part.

THE DELIC A T E S O U N D B OA R D B ALANCE Spruce and cedar soundboards have been used for well over a millennium, and the modern bracing system has been around for at least 150 years. We use a traditional ‘X’ bracing pattern on our steel strings, differently voiced for each application.

many small changes that add up to a significant difference in volume, balance and richness.

Takamine soundboards are braced and voiced by hand. By tapping each top, a skilled luthier knows just how to shape the braces for the best possible response.

TOBY KEITH

ASHTON SHEPHERD

SIMPLE PLAN

JOHN SCOFIELD

CHRISTINE KANE

JON BON JOVI

BRUCE SPRINGSTEEN

NANCY WILSON

GOOD CHARLOTTE

DARYL STUERMER – PHIL COLLINS

HOWIE DAY

CHESTER BENNINGTON – LINKIN PARK

Adam Lazarra – Taking Back Sunday

INDIA.ARIE

JASON ORME / DAVE LEVITA – ALANIS MORISSETTE

JAMIE JOHNSON / TERRY ELDREDGE – THE GRASCALS

MONTGOMERY GENTRY

MARTY ROE – DIAMOND RIO

Marty Schiff – Martina M c Bride

JOE NICHOLS

SCOTT PATTON – SUGARLAND

Jerry Cantrell – Alice in Chains

TOM DUMONT – NO DOUBT

FRED MASCHERINO – THE COLOR FRED

Rather than take a radical departure, we make

Is There a P e r f e c t N e c k S hape?

A hundred years ago, the wide classical shape with a flat fingerboard was the only shape considered “proper,” but we’ve become more open-minded since then. Some players feel you can never be too thin, while others feel it’s phat to be fat. It’s that personal taste thing again.

Takamine necks have an “asymmetrical ‘C’ shape” – an ergonomic contour that’s slightly thinner on the treble side of the neck so that it fits the natural shape of your hand. Overall, it’s thin from front to back, medium in width, with a gentle fingerboard arch. Perfectly comfortable.

The Fret S e c r e t Most makers don’t give frets enough credit or attention. A good fret job can help a player reach new heights.

Examine the frets on a Takamine Tradesman.

What you see is the work of a laser-guided fret finishing system that levels and crowns each fret

to within 0.0001” of dead-on. Fret a note.

Notice how the string contacts the centerline of the fret perfectly. And hear the clarity when you play. A good fret job can be the difference between a nice guitar and a great guitar.

BODY TAL K A guitar body, with its many curves, accommodates a wide range of frequencies.

Different body shapes favor different frequencies giving them a distinct character.

Dreadnoughts are typically louder, with stronger lows. Smaller bodies, like our NEX, tend to be

more balanced. A thinner body may project less, but sound more pleasing to the player. Play as many sizes as you can with comfort and sound in mind. Your choice is very personal - what sounds and feels best to you.

APPOINTME N T S B Y DE L U X E Takamine pioneered the use of uncommonly artistic and complex inlays on guitars for the common man. We have developed the art of design and the craft of precise inlay work far beyond the capability of most other guitarmakers.

Look closely at Takamine rosettes and inlays.

This meticulous handwork is a highly visible reminder of our commitment to excellence on every part of our guitars.

Prices and specifications subject to change without notice.

S K I N DE E P A N D M O RE Your Takamine is beautiful on the outside, but beauty is more than skin deep. Look inside and see for yourself. Finely sanded braces and meticulously cut linings display a level of hand craftsmanship that’s fast disappearing from modern guitars.

KCG-446

There’s a century-old phrase from the Arts & Crafts movement: “Anything worth doing is worth doing well.”

That spirit lives on today. At Takamine, we’re artisans and craftspeople at heart.

©2009 KMC Music, Inc. P.O. Box 507 Bloomfield, CT 06002 USA BLAKE SHELTON

BRIAN SPRADLIN – JOE NICHOLS

Avril Lavigne

Dave Stewart

www.Takamine.com

SYSTEM-MATCHED ACCESSORIES – ALL PERFORMANCE – NO HASSLE

Your Takamine is stage-ready right out of the case – there’s nothing extra to buy or fiddle with to get the sound you want.

But some of us want more. More versatility.

More options. More things to play with.

That’s why we offer two optional pieces of gear – a magnetic, body-sensing pickup and a dedicated direct box – that are system-matched to your CoolTube preamp.

TRUE TUBE SOUND

Tri-Ax Pickup

5 FUNCTIONS FOR ACOUSTICS

The Takamine CoolTube is the first and only on-board tube preamp for acoustic guitar.

It gives you the tonal warmth and harmonic richness that only a true tube preamp can deliver – with mild, natural tube compression and plenty of even-harmonic sweetness. Along with a semi-parametric eq, a second-source input and blend control let you add a pickup like the Tri-Ax to the CoolTube.

The Takamine Tri-Ax active soundhole pickup is system-matched to the CoolTube preamp and can also be used as an add-on pickup for any acoustic guitar.

It features patented Tri-Axial body-sensing technology for a clear, rich and acoustically accurate tone.

Takamine DI-Plus – the Direct Inject unit specifically designed for the needs of acoustic guitarists. The DI-Plus has a switchable effects loop with a return gain control so you can setup your effects and bring them all in at once with one tap of your toe.

Creating the system couldn’t be easier.

Just plug the Tri-Ax into the CoolTube and you’re ready to go. Control the blend of the Tri-Ax with the Aux knob on the CoolTube.

A mute circuit lets you change instruments noiselessly, even if the soundman isn’t quite on the job. There’s even a boost function to deliver the hottest signal the board can handle, or boost volume when you want to rip off a solo.

The DI-Plus can also phantom power your CoolTube preamp so you never have to worry about fading batteries.

DREADNOUGHT

NEX/GRAND AUDITORIUM

FXC

OM

JUMBO

CLASSIC

The most popular body shape of the past half century, the Dreadnought delivers a strong low end with plenty of volume.

This original Takamine body is a scaled-down Jumbo at heart. The NEX has a silky balance to the tone that supports vocals beautifully.

The FXC is very close to traditional Grand Concert proportions.

Excellent feedback control with a true and warm acoustic tone.

The Orchestra Model shape, with its strong lower midrange and versatile dynamics, is enjoying a resurgence.

The Jumbo excels as a rhythm guitar - big, meaty chords, plenty of volume and outstanding balance.

Takamine classic guitars respect tradition. The fan bracing and body shape deliver a clear tone and a strong voice.

Length_________ 20 1/16” (51cm) Depth___________ 4 5/16” (11cm) Upper bout______11 1/4” (28.5cm) Lower bout_______15 3/4” (40cm)

Length_________ 19 1/8” (48.5cm) Depth________________4” (10cm) Upper bout__________ 11” (28cm) Lower bout______14 3/4” (37.5cm)

Length__________19 1/2” (49.5cm) Depth_____________ 4 1/4” (11cm) Upper bout___________11” (28cm) Lower bout_______15 3/8” (39cm)

Length_________ 20 1/16” (51cm) Depth_________4 15/16” (12.5cm) Upper bout_______ 11 1/8” (30cm) Lower bout_______15 3/4” (40cm)

Length_________ 20 7/8” (53cm) Depth_________4 15/16” (12.5cm) Upper bout______12 9/16” (32cm) Lower bout______17 1/8” (43.5cm)

Length_________ 19 5/16” (49cm) Depth________________4” (10cm) Upper bout______ 11 7/16” (29cm) Lower bout_______14 9/16” (37cm)

SYSTEM-MATCHED ACCESSORIES – ALL PERFORMANCE – NO HASSLE

Your Takamine is stage-ready right out of the case – there’s nothing extra to buy or fiddle with to get the sound you want.

But some of us want more. More versatility.

More options. More things to play with.

That’s why we offer two optional pieces of gear – a magnetic, body-sensing pickup and a dedicated direct box – that are system-matched to your CoolTube preamp.

TRUE TUBE SOUND

Tri-Ax Pickup

5 FUNCTIONS FOR ACOUSTICS

The Takamine CoolTube is the first and only on-board tube preamp for acoustic guitar.

It gives you the tonal warmth and harmonic richness that only a true tube preamp can deliver – with mild, natural tube compression and plenty of even-harmonic sweetness. Along with a semi-parametric eq, a second-source input and blend control let you add a pickup like the Tri-Ax to the CoolTube.

The Takamine Tri-Ax active soundhole pickup is system-matched to the CoolTube preamp and can also be used as an add-on pickup for any acoustic guitar.

It features patented Tri-Axial body-sensing technology for a clear, rich and acoustically accurate tone.

Takamine DI-Plus – the Direct Inject unit specifically designed for the needs of acoustic guitarists. The DI-Plus has a switchable effects loop with a return gain control so you can setup your effects and bring them all in at once with one tap of your toe.

Creating the system couldn’t be easier.

Just plug the Tri-Ax into the CoolTube and you’re ready to go. Control the blend of the Tri-Ax with the Aux knob on the CoolTube.

A mute circuit lets you change instruments noiselessly, even if the soundman isn’t quite on the job. There’s even a boost function to deliver the hottest signal the board can handle, or boost volume when you want to rip off a solo.

The DI-Plus can also phantom power your CoolTube preamp so you never have to worry about fading batteries.

DREADNOUGHT

NEX/GRAND AUDITORIUM

FXC

OM

JUMBO

CLASSIC

The most popular body shape of the past half century, the Dreadnought delivers a strong low end with plenty of volume.

This original Takamine body is a scaled-down Jumbo at heart. The NEX has a silky balance to the tone that supports vocals beautifully.

The FXC is very close to traditional Grand Concert proportions.

Excellent feedback control with a true and warm acoustic tone.

The Orchestra Model shape, with its strong lower midrange and versatile dynamics, is enjoying a resurgence.

The Jumbo excels as a rhythm guitar - big, meaty chords, plenty of volume and outstanding balance.

Takamine classic guitars respect tradition. The fan bracing and body shape deliver a clear tone and a strong voice.

Length_________ 20 1/16” (51cm) Depth___________ 4 5/16” (11cm) Upper bout______11 1/4” (28.5cm) Lower bout_______15 3/4” (40cm)

Length_________ 19 1/8” (48.5cm) Depth________________4” (10cm) Upper bout__________ 11” (28cm) Lower bout______14 3/4” (37.5cm)

Length__________19 1/2” (49.5cm) Depth_____________ 4 1/4” (11cm) Upper bout___________11” (28cm) Lower bout_______15 3/8” (39cm)

Length_________ 20 1/16” (51cm) Depth_________4 15/16” (12.5cm) Upper bout_______ 11 1/8” (30cm) Lower bout_______15 3/4” (40cm)

Length_________ 20 7/8” (53cm) Depth_________4 15/16” (12.5cm) Upper bout______12 9/16” (32cm) Lower bout______17 1/8” (43.5cm)

Length_________ 19 5/16” (49cm) Depth________________4” (10cm) Upper bout______ 11 7/16” (29cm) Lower bout_______14 9/16” (37cm)

THE DELICATE S O U N D B OA R D B A L A N CE Spruce and cedar soundboards have been used for well over a millennium, and the modern bracing system has been around for at least 150 years. We use a traditional ‘X’ bracing pattern on our steel strings, differently voiced for each application.

many small changes that add up to a significant difference in volume, balance and richness.

Takamine soundboards are braced and voiced by hand. By tapping each top, a skilled luthier knows just how to shape the braces for the best possible response.

TOBY KEITH

ASHTON SHEPHERD

SIMPLE PLAN

JOHN SCOFIELD

CHRISTINE KANE

JON BON JOVI

BRUCE SPRINGSTEEN

NANCY WILSON

GOOD CHARLOTTE

DARYL STUERMER – PHIL COLLINS

HOWIE DAY

CHESTER BENNINGTON – LINKIN PARK

Adam Lazarra – Taking Back Sunday

INDIA.ARIE

JASON ORME / DAVE LEVITA – ALANIS MORISSETTE

JAMIE JOHNSON / TERRY ELDREDGE – THE GRASCALS

MONTGOMERY GENTRY

MARTY ROE – DIAMOND RIO

Marty Schiff – Martina M c Bride

JOE NICHOLS

SCOTT PATTON – SUGARLAND

Jerry Cantrell – Alice in Chains

TOM DUMONT – NO DOUBT

FRED MASCHERINO – THE COLOR FRED

Rather than take a radical departure, we make

Is There a Pe r f e c t N e c k S h a p e ?

A hundred years ago, the wide classical shape with a flat fingerboard was the only shape considered “proper,” but we’ve become more open-minded since then. Some players feel you can never be too thin, while others feel it’s phat to be fat. It’s that personal taste thing again.

Takamine necks have an “asymmetrical ‘C’ shape” – an ergonomic contour that’s slightly thinner on the treble side of the neck so that it fits the natural shape of your hand. Overall, it’s thin from front to back, medium in width, with a gentle fingerboard arch. Perfectly comfortable.

The Fret Secr e t Most makers don’t give frets enough credit or attention. A good fret job can help a player reach new heights.

Examine the frets on a Takamine Tradesman.

What you see is the work of a laser-guided fret finishing system that levels and crowns each fret

to within 0.0001” of dead-on. Fret a note.

Notice how the string contacts the centerline of the fret perfectly. And hear the clarity when you play. A good fret job can be the difference between a nice guitar and a great guitar.

BODY TALK A guitar body, with its many curves, accommodates a wide range of frequencies.

Different body shapes favor different frequencies giving them a distinct character.

Dreadnoughts are typically louder, with stronger lows. Smaller bodies, like our NEX, tend to be

more balanced. A thinner body may project less, but sound more pleasing to the player. Play as many sizes as you can with comfort and sound in mind. Your choice is very personal - what sounds and feels best to you.

APPOINTMENTS B Y DE L U X E Takamine pioneered the use of uncommonly artistic and complex inlays on guitars for the common man. We have developed the art of design and the craft of precise inlay work far beyond the capability of most other guitarmakers.

Look closely at Takamine rosettes and inlays.

This meticulous handwork is a highly visible reminder of our commitment to excellence on every part of our guitars.

Prices and specifications subject to change without notice.

SKI N DE E P A N D M O R E Your Takamine is beautiful on the outside, but beauty is more than skin deep. Look inside and see for yourself. Finely sanded braces and meticulously cut linings display a level of hand craftsmanship that’s fast disappearing from modern guitars.

KCG-446

There’s a century-old phrase from the Arts & Crafts movement: “Anything worth doing is worth doing well.”

That spirit lives on today. At Takamine, we’re artisans and craftspeople at heart.

©2009 KMC Music, Inc. P.O. Box 507 Bloomfield, CT 06002 USA BLAKE SHELTON

BRIAN SPRADLIN – JOE NICHOLS

Avril Lavigne

Dave Stewart

www.Takamine.com