Deux Danses (Jean-Michel Defaye, 1932–2025)
I discovered this piece during lessons with Professor Paul Bryan last year, and it holds a special place for me as a showcase of musical growth. A celebrated French composer and arranger, Jean-Michel Defaye crafted "Deux Danses" as a two-movement work that blends the elegance of classical traditions with vibrant rhythmic energy. The first movement, Danse Sacrée, captures a mystical and ceremonial character, showcasing intricate harmonic textures and lyricism. Defaye's works are highly regarded for their ability to explore the expressive potential of brass instruments, making this piece a stunning example of 20th-century brass repertoire.
Cousins (Herbert L. Clarke, 1867–1945)
When I heard of this piece, I was trying to find a way to include my family in the rectial. My uncle Dave mentioned the idea, and I really enjoyed the piece after I had listened and wanted to learn it. Herbert L. Clarke, a legendary cornetist and composer, was a central figure in early 20th-century American band music. Cousins is a playful duet originally composed for cornet and trombone. This lively theme-and-variations piece demonstrates Clarke's mastery of melodic lyricism and virtuosic technique. Performed with me today by David Seals, this work highlights both technical brilliance and heartfelt expression, hallmarks of Clarke’s enduring legacy.
Misty (Erroll Garner, 1921–1977)
Suprise Gee and Poppie, this one is for you! For those who were not informed on the context, this is my grandparents’ wedding song, and they were a very large inspiration to my musical career. I hope y’all enjoy! Misty is a jazz standard written by pianist Erroll Garner, and it became an iconic piece through its lush harmonies and evocative melody. Garner’s original 1954 composition has since been reinterpreted by countless artists, cementing its place in the Great American Songbook. My performance this evening features a jazz trio: Mandy Smith on piano, Jack Harnish on bass, and Mason Stroop on drums, offering a soulful and dynamic rendition of this timeless classic.
Devil’s Waltz (Steven Verhelst, b. 1981)
Steven Verhelst, a Belgian trombonist and composer, brings a contemporary voice to the brass repertoire. Devil’s Waltz is a theatrical and expressive piece for two trombones, weaving dark, brooding melodies with moments of playful virtuosity. The music draws listeners into a whimsical, almost mischievous narrative, offering both technical challenges and a rich emotional palette. Nathan Hansen joins me, bringing this imaginative work to life in tonight’s performance.
Florentiner Marsch (Julius Fučík, 1872–1916)
When I was eight years old and was just starting my musical career, I saw Mnozil brass play the Florentiner Marsch in concert, and it was breathtaking. Known as the “Bohemian Sousa,” Julius Fučík was a Czech composer renowned for his rousing marches. Florentiner Marsch stands out as one of his most popular works, exuding grandeur and elegance. Inspired by the Italian city of Florence, this march combines stately melodies with lively, celebratory rhythms. Tonight, I am joined by a brass ensemble featuring trumpets (James Parker Lobb, Christian McClay, Sean Jones), trombones (Nathan Hansen, John Turner), and tuba (Connor Carbonell), showcasing the brilliance and power of Fučík’s compositional style as played by Mnozil brass and arranged by Patrick Skoniczin.