ABOUT THE ARTIST
JILLIAN BARTON, voice
Jillian Barton is a fourth-year music education major at West Chester University, demonstrating a lifelong dedication to music that began at an early age. Her musical journey commenced with active involvement in band and choir during her formative years. Jillian's commitment to musical excellence expanded as she engaged in numerous musical ensembles, including PMEA district and All-State choir, as well as NATS (Lehigh Valley Chapter) and NATS Gala Recital. Additionally, her passion for musical theater further enriched her artistic experiences. Under the tutelage of esteemed instructors such as Corrine Mammna, Jillian cultivated her vocal and piano skills through six years of private lessons, seizing countless opportunities to showcase her talents through performances. Prior to her university studies, Jillian attended Lehigh Valley Charter High School for the Arts in Bethlehem, Pennsylvania, where she continued to deepen her musical and vocal knowledge. During her tenure at West Chester University, Jillian has continued to excel as a musician, actively participating in various ensembles such as Allegro Voices and Mastersingers. Her unwavering dedication to musical education and performance underscores her commitment to musical excellence and her ongoing pursuit of artistic growth. Jillian has competed in freshman, sophomore, and junior scholarship competition here at West Chester University. After graduation, Jillian hopes to start her working experience and get a job. She hopes in the future she’ll be able to receive her Master Degree as well to further her teaching and education.
V’adoro Pupille (Giulio Cesare in Egitto), Handel (1685-1759)
George Frideric Handel was a preeminent German-British composer of the Baroque era, celebrated for his profound contributions to Western classical music. Hailing from Halle, Germany, Handel demonstrated exceptional musical aptitude from an early age, ultimately ascending to become one of the most esteemed composers of his era. Renowned for his versatility, he composed masterpieces spanning diverse genres including operas, oratorios, concerti, and anthems. Handel's enduring legacy is epitomized by iconic works such as "Messiah," "Water Music," and "Music for the Royal Fireworks," each exemplifying his unparalleled craftsmanship and emotive depth. Revered for his ability to seamlessly blend intricate harmonies with stirring melodies, Handel remains an indelible figure in the annals of music history, revered for his enduring influence and artistic brilliance.
“V’adoro Pupille” is an aria from Handel’ s opera, “Giulio Cesare.” In Act II, Cleopatra, disguised as Lidia, sings of her love and adoration for Cesare, who she has fallen in love with. The aria is a moment of introspection for Cleopatra as she expresses her deep feelings for Cesare, reflecting on the beauty of his eyes (V’adoro pupille translates to “I adore you, eyes ”). Cleopatra uses the aria as an opportunity to further her plot to seduce Cesare and secure her position of power. With its graceful melodic lines, intricate ornamentation, emotive harmonies, “V’adoro pupille” embodies the essence of Handel’ s operatic style, offering a captivating exploration of love, longing, and devotion.
Die Mainacht, Fanny Mendelssohn (1805-1847)
Fanny Mendelssohn, sister of the renowned composer Felix Mendelssohn, was a highly gifted musician and composer in her own right, though her talents were often overshadowed by the conventions of her time. Despite societal constraints that limited opportunities for female composers, Fanny's compositions exhibit remarkable sophistication and depth. Her works encompass a diverse range of genres, including piano pieces, chamber music, and lieder, displaying a keen sensitivity to melody and harmony. Fanny's contributions to music were not fully recognized during her lifetime, but modern scholarship has shed light on her significant influence on the Romantic era.
“Die Mainacht” (“The May of Night”) is a poignant art song that exemplifies the composer’ s lyrical sensitivity and profound musical expression. Set to the poetry of Ludwig Heinrich Christoph Hölty, this song captures the essence of a May night through its evocative melody and rich harmonic language. There is a delicate balance between voice and piano, weaving a narrative of love, longing, and natural beauty. The lyrics describe the serene atmosphere of the evening, with the moon shining brightly and the air filled with blossoming flowers. However, despite all the beauty of surroundings, the speaker is consumed by feelings of loneliness and yearning for a lost love. Throughout the piece, there is a delicate interplay between the voice and piano, with the piano often mirroring and enhancing the emotions expressed in the text.
Gondellied , Fanny Mendelssohn (1805-1847)
Composed in the 19th century, this vocal and piano piece captures the essence of a gondola ride through the Venetian canals with its flowing melodies and gentles undulations. Mendelssohn’ s composition combines elements of the Romantic lyricism with chromatic harmonies, creating a sense of dreamy elegance and tranquility. The rhythmic patterns within this song mimic the gentle rocking motion of a gondola, creating the idea of fluidity and motion. Mendelssohn likely wrote “Gondellied” as a musical expression of her fascination with the city of Venice and romantic imagery associated with gondola rides through its canals. During the Romantic Era, Venice was a popular destination for travelers, and its atmosphere caught the imagination of many artists and composers. The listeners and performers should feel transported to Venice, immersed in the setting, sights, sounds, and romantic feeling.
Neue Liebe, Felix Mendelssohn (1809-1847)
Felix Mendelssohn, stands as one of the most prodigious and influential composers of the Romantic era. Hailing from a prominent German family, Mendelssohn exhibited extraordinary musical talent from an early age, composing prolifically and mastering multiple instruments. Renowned for his melodic richness, harmonic ingenuity,
and meticulous craftsmanship, Mendelssohn's compositions encompass a diverse range of genres, including symphonies, concertos, chamber music, choral works, and operas. His masterpieces, such as the "Scottish Symphony" and the "Violin Concerto in E Minor," exemplify his ability to evoke profound emotional depth and convey vivid imagery through music.
“Neue Liebe” (New Love) is set to the poetry of Heinrich Heine, and captures the essence of newfound love with its tender melodies and lyrics. It is reflecting the emotional journey of the protagonist as they embark on a new romantic relationship. The music is characterized by its lyrical beauty, graceful melodies, and expressive accompaniment. Mendelssohn’ s intricate harmonic language and expressive phrasing enhance the emotional depth of the song. Drawing in on the emotions of joy, excitement, vulnerability, and longing.
O’ Mistress Mine, Amy Beach (1867-1944)
Amy Beach, an American composer and pianist, remains a pioneering figure in classical music, recognized for her groundbreaking contributions to the American musical landscape. Born in New Hampshire, Beach displayed prodigious talent from an early age and quickly garnered acclaim for her virtuosic piano performances. As one of the first American women to achieve prominence as a composer, Beach's oeuvre spans a wide array of genres, including symphonic works, chamber music, art songs, and solo piano pieces. Her compositions blend elements of Romanticism with a distinctive American voice, drawing inspiration from folk melodies and indigenous themes. Beach's enduring legacy extends beyond her musical achievements; she played a pivotal role in advancing opportunities for women in music and remains an inspiration to generations of composers and performers. Through her innovative compositions and pioneering spirit, Amy Beach continues to captivate audiences and enrich the tapestry of American classical music.
In 1897 Beach composed Three Shakespeare Songs, as part as a three song cycle using poetry by William Shakespeare. The first song in the cycle, “O Mistress Mine,” is from Shakespeare’ s timeless word from “Twelfth Night” to create a lyrical masterpiece. The song itself reflects the sensitivity and elegance from the poetic text and melodic richness. Through its graceful melodies and emotive harmonies, the song captures the essence of Shakespeares’ verse, evoking a sense of longing and melancholy. It is harmonically rich and chromatically nuanced, Beach’ s accompaniment weaves a tapestry of lush harmonies and subtle rhythmic gestures, providing the backdrop to the vocal lime. Through meticulous attention to detail and sensitive musical craftsmanship, Amy Beach creates a musical setting that captures the essence of “Twelfth Night” while imbuing it with her own artistic sensibility.
Take, O take those lips away, Amy Beach (1867-1944)
“Take, O take those lips away ” is the second song in the cycle by Beach. This is set to Shakespeare’ s poignant verse, mainly Act IV, Scene I, from “Measure of Measure.” Beach showcases the exceptional ability to marry poetry with music in the tradition of late Romantic art song and evokes a profound sense of longing and introspection. Through expressive melodies and rich harmonic textures, she captures the emotional essence of Shakespeare’ s words, infusing them with her own vocal music. There is lyrical beauty and sensitive interpretation presented throughout.
Fairy Lullaby, Amy Beach (1867-1944)
The last in the song cycle focuses on Shakespeare’ s Act II, Scene II of “A Midsummer Nights Dream.” The enchanting piano accompaniment transports the listeners to a whimsical realm, evoking imagery of fairy enchantments and dreamlike fantasies. The song brings back the listener to childhood, bringing back all the best memories. Through delicate melodies, gentle harmonies, and ethereal textures, Beach create a musical tapestry that captivates the imagination and soothes the soul. Offering a timeless journey into the realm of enchantment and wonder.
Nuit d’étoiles, Claude Debussy (1862-1918)
Claude Debussy stands as one of the most innovative and influential composers of the late 19th and early 20th centuries. A central figure in the Impressionist movement, Debussy revolutionized the language of music, transcending traditional harmonic structures and embracing new tonal colors and textures. His compositions, characterized by ethereal melodies, rich harmonies, and evocative atmospheres, transport listeners to dreamlike
realms of imagination and emotion. Debussy's seminal works, including "Clair de Lune," "La Mer," and "Prelude to the Afternoon of a Faun," reflect his profound artistic vision and commitment to breaking free from musical conventions. Beyond his own compositions, Debussy's enduring influence extends to generations of composers who continue to draw inspiration from his innovative approach to harmony, form, and expression. Through his pioneering spirit and boundless creativity, Claude Debussy reshaped the course of Western music and left an indelible mark on the history of classical composition.
“Nuit d’étolies” (“Starry Night”) is an art song that encapsulates the ethereal beauty of a starlit night through music. Set to the poetry of Théodore de Banville, this song exemplifies Debussy’ s mastery of musical impressionism, with harmonies and vivid imagery. Debussy creates a mutinous sonic landscape, weaving together delicate melodies and shimmering textures to evoke the tranquil atmosphere of a night sky with the stars. It transports to a realm of enchantment and wonder, where the celestial beauty inspires feelings of awe and introspection. The harmonic language is characterized by its ambiguity, reflecting the shifting hues and moods of the night. Feeling the sense of wonder, tranquility, and the boundless beauty of the night.
The Beauty Is (The
Lights in the Piazza), Adam Guettel (1964-Present)
Adam Guettel is a Tony Award-winning American composer and lyricist celebrated for his exceptional contributions to musical theater. Born into a distinguished musical family, Guettel's talents emerged early, leading him to carve a unique path in the world of musical storytelling. Renowned for his innovative fusion of classical and contemporary influences, Guettel's compositions captivate audiences with their emotional depth, intricate harmonies, and lyrical sophistication. Notable works such as "The Light in the Piazza" and "Floyd Collins" showcase his ability to craft compelling narratives and memorable melodies that resonate with audiences long after the final curtain falls. Guettel's unwavering commitment to artistic excellence and his dedication to pushing the boundaries of the musical form have earned him critical acclaim and a devoted following.
In “The Beauty Is” the scene unfolds in Florence, Italy, where the young protagonist, Clara, and her love interest, Fabrizio, are exploring the city together. As they stroll through the city together and marvel at the wonders around them, Clara becomes enraptured by the beauty of Florence and the blossoming feelings she has for Fabrizio. Throughout the scene and the song, Clara reflects on the enchanting sights and sounds that her around her, expressing her wonder as its timeless charm. While singing “The Beauty Is,” her emotions overflow, realizing she is not home anymore and the transformation power of love. Each moment becoming more filled with wonder, anticipation, and connection with Italy and Fabrizio.
V’ADORO, PUPILLE - HANDEL
GIULIOCESAREINEGITTO
V'adoro, pupille, saette d'amore, le vostre faville
son grate nel sen.
Pietose vi brama il mesto mio core, ch'ogn'ora vi chiama l'amato suo ben.
V'adoro, pupille, saette d'amore, le vostre faville
son grate nel sen.
DIE MAINACT - MENDELSSOHN
SWEET EYES, DARTS OF LOVE
Sweet eyes, darts of love, I adore you. Your sparks are welcome guests in my breast.
My sorrowful heart desires you to be merciful, for its beloved calls out unceasingly for you.
Sweet eyes, darts of love, I adore you. Your sparks are welcome guests in my breast.
THE MAY OF NIGHT
Wann der silberne Mond durch die Gesträuche blinkt, Und sein schlummerndes Licht über den Rasen streut, Und die Nachtigall flötet, Wandl' ich traurig von Busch zu Busch.
Überhüllet von Laub girret ein Taubenpaar Sein Entzücken mir vor; aber ich wende mich, Suche dunklere Schatten, Und die einsame Thräne rinnt.
When the silver moon twinkles through the bushes, And dusts the grass with its sleepy light, And the nightingale pipes like a flute, I wander mournfully from bush to bush.
Surrounded with leaves, a pair of doves coos Their delight to me, but I turn away, Seeking darker shadows, And a solitary tear flows.
O komm zu mir, wenn durch die Nacht Wandelt das Sternenheer, Dann schwebt mit uns in Mondespracht
Die Gondel übers Meer.
Die Luft ist weich wie Liebesscherz, Sanft spielt der goldne Schein, Die Zither klingt und zieht dein Herz Mit in die Lust hinein.
O komm zu mir, wenn durch die Nacht Wandelt das Sternenheer, Dann schwebt mit uns in Mondespracht
Die Gondel übers Meer.
Dies ist für se’ge Lieb’ die Stund, Liebchen, o komm und schau, So friedlich strahlt des Himmels Rund, Es schläft des Meeres Blau. Und wie es schläft, so sagt der Blick, Was nie die Lippe spricht, Das Auge zieht sich nicht zurück, Zurück die Seele nicht,
O komm zu mir, wenn durch die Nacht Wandelt das Sternenheer, Dann schwebt mit uns in Mondespracht
Die Gondel übers Meer.
NEUE LIEBE - MENDELSSOHN
In dem Mondenschein im Walde
Sah ich jüngst die Elfen reiten, Ihre Hörner hört’ ich klingen, Ihre Glöcklein hört’ ich läuten.
Ihre weißen Rößlein trugen
Gold’nes Hirschgeweih’ und flogen Rasch dahin; wie wilde Schwäne Kam es durch die Luft gezogen.
Lächelnd nickte mir die Kön’gin, Lächelnd, im Vorüberreiten.
Galt das meiner neuen Liebe?
Oder soll es Tod bedeuten?
GONDOLA SONG
Oh come to me, when the legion of stars wanders through the night! Then, in the glory of moonlight, the gondola will gently float with us over the sea! The air is as soft as love's teasing, the golden glow is playing gently. The zither sounds and draws your heart along with it into joy.
Oh come to me, when the legion of stars wanders through the night! Then, in the glory of moonlight, the gondola will gently float with us over the sea!
This is the hour for your love, Darling, oh come and look The sky shines so peacefully, The blue sea sleeps. And as it sleeps, so says the look, What the lip never speaks The eye does not withdraw, Do not return the soul,
Oh come to me, when the legion of stars wanders through the night! Then, in the glory of moonlight, the gondola will gently float with us over the sea!
NEW LOVE
In the moonlight of the forest
I saw of late the elves riding, I heard their horns resounding, I heard their little bells ring.
Their little white horses
Had golden antlers and flew Quickly past; like wild swans They came through the air.
With a smile the queen nodded to me, With a smile she rode quickly by, Was it to herald a new love?
Or does it signify death?
NUIT D’ETOLIES - DEBUSSY
Nuit d’étoiles, Sous tes voiles, Sous ta brise et tes parfums, Triste lyre
Qui soupire, Je rêve aux amours défunts.
La sereine mélancolie
Vient éclore au fond de mon cœur, Et j’entends l’âme de ma mie Tressaillir dans le bois rêveur.
Nuit d’étoiles, Sous tes voiles, Sous ta brise et tes parfums, Triste lyre
Qui soupire, Je rêve aux amours défunts.
Je revois à notre fontaine
Tes regards bleus comme les cieux; Cette rose, c ’est ton haleine, Et ces étoiles sont tes yeux.
Nuit d’étoiles, Sous tes voiles, Sous ta brise et tes parfums, Triste lyre
Qui soupire, Je rêve aux amours défunts.
NIGHT OF STARS
Night of stars, Beneath your veils, beneath your breeze and fragrance, Sad lyre
That sighs, I dream of bygone loves.
Serene melancholy
Now blooms deep in my heart, And I hear the soul of my love Quiver in the dreaming woods.
Night of stars, Beneath your veils, beneath your breeze and fragrance, Sad lyre
That sighs, I dream of bygone loves.
Once more at our fountain I see Your eyes as blue as the sky; This rose is your breath And these stars are your eyes.
Night of stars, Beneath your veils, beneath your breeze and fragrance, Sad lyre
That sighs, I dream of bygone loves.