ABOUT THE ARTIST
Born and raised in New Jersey, Danielle discovered a passion for music at the tender age of 7. From that moment, a lifelong journey towards becoming a pianist was set in motion. With a classical foundation beginning at age 16, Danielle embarked on a dedicated path of musical exploration and education.
Danielle's early immersion in music was not solely driven by personal ambition; inspiration flowed from revered musical figures. The timeless compositions of J.S. Bach ignited a natural love for the keyboard. As Danielle delved deeper into the repertoire, a profound connection with the emotive works of Frédéric Chopin solidified, nurturing a lifelong affinity for the Romantic era. From then, Danielle participated in all musical activities throughout her academic journey such as band, marching band, choir, recitals, and more.
Throughout Danielle's musical journey, various mentors and experiences have left an indelible mark. Engaging in pre-college competitions and attending multiple summer festivals at a young age honed Danielle’s performance skill, paving the way for enriching experiences at prestigious summer festivals and competitions. Adept at both solo and ensemble settings, Danielle has collaborated with accomplished soloists and musical groups, elevating performances with nuanced accompaniment and ensemble cohesion. Danielle’s musical achievements span notable venues and festivals. Notably, Danielle has graced the stage of Carnegie Hall twice, showcasing exceptional talent and dedication. Furthering her musical education, Danielle participated in the New Orleans Piano Festival under the tutelage of esteemed teachers such as Dr. Kevin Chance, Dustin Gledhill, and Dr. Igor Resnianski from the Wells School of Music. At the Wells School of Music, Danielle's contributions extend beyond solo performances. Serving as an accompanist for many of the students and various ensemble groups like the percussion ensemble, Danielle exemplifies versatility and artistic collaboration. Additionally, Danielle actively participates in and volunteers for precollege competitions, enriching the musical community through support and mentorship. Beyond piano performance, Danielle's musical pursuits encompass organ studies under the guidance of Professor Anita Greenlee. Danielle's dedication extends to church accompaniment, where her talents shine as both a pianist and organist, enriching local musical experiences within the community.
Guided by distinguished instructors such as Kleinfeld, Craig, and Cramer, Danielle has absorbed invaluable insights from renowned faculty members, further enhancing their musical prowess. This exposure, complemented by an academic focus on piano literature, music history, and pedagogy, has sculpted Danielle's multifaceted approach to music.
As a music ambassador, Danielle has served as a liaison for the art form within educational settings, promoting musical education and appreciation. As a music counselor at summer camps within the Wells School of Music, Danielle has shared knowledge and enthusiasm, nurturing budding musicians. The rich musical heritage of Danielle's upbringing has imbued a commitment to teaching. Looking towards the future, Danielle aspires to establish a studio and pedagogical enterprise catering to pre-college students, fostering musical growth and expression.
Rooted in a large musical setting, Danielle finds joy in embracing diverse musical styles – from Baroque to contemporary. This comprehensive musical journey is driven by a desire to enable others to discover their expressive musical voice.
Tonight's performance is not just a culmination of Danielle's musical endeavors; it is a testament to the enduring passion and dedication that underpins Danielle's musical odyssey. Grateful for the opportunity to share this musical journey, Danielle looks forward to enriching lives through the universal language of music.
SonatainDminor,K9,L413, DomenicoScarlatti(1685-1757)
Domenico Scarlatti (1685-1757) was an Italian composer known for his massive contributions to the development of keyboard music during the Baroque Period. Born in Naples in 1685, the same year as J.S Bach and G.F. Scarlatti was the son of Alessandro Scarlatti, a prominent composer of Opera and sacred music. Scarlett's work, mainly his 555 keyboard sonatas, is praised worldwide for their virtuosity, innovative use of form, and rich harmonic language. Despite the known simplicity and limited resources available, Scarlatti's music helped to expand the technical and musical possibilities of the harpsichord.
Scarlatti’s Sonata in D minor, K 9, L.413, is considered a gem within his vast collection of keyboard sonatas. Showcasing his mastery level of keyboard writing, Scarlatti cleverly displays the complex technique of ornamentation, dynamic contrast, and compelling rhythmic drive throughout his works.
The Sonata begins with a melancholic theme, emphasizing the key’s somber tonality. As the piece begins to progress, Scarlatti introduces multiple contrasting sections, each exploring their different melodic ideas and textures. These sections are filled with Scarlatti's use of rapid 32nd passages and elaborate ornamentation, adding to the rich complexity of pianistic technique. As the sonata unfolds, the piece introduces moments of tension and release, building towards a bigger climactic passage. This climax serves as the emotional peak of the piece, drawing the listener into the multiple emotions before a satisfying closure. The sonata gradually dies down, reuniting with the initial somber theme in D minor.
PianoSonatainBminor,Hob.XVI:32,FranzJosephHaydn(1732-1809)
Franz Joseph Haydn (1732-1809) was an influential Austrian composer of the Classical period. Recognized as the "Father of the Symphony" and the "Father of the String Quartet," Haydn's compositions are celebrated for their clarity, balance, and formal perfection. Serving as Kapellmeister for the Esterhazy family, he significantly contributed to Viennese musical culture. Haydn's works, which include symphonies, string quartets, and oratorios, exhibit inventive structure and thematic development, influencing composers like Mozart and Beethoven. His enduring legacy marks him as one of the most important figures in the history of Western classical music.
Joseph Haydn’s B Minor Piano Sonata, Hob. XVI:32 was composed in 1776 and emerged during a period of significant and cultural developments. Marked by the Enlightenment Era in the late 18th century, it was influenced by ideas of reason, individualism, and liberty. Often reflecting the evolving musical taste and styles of the time, this piece, composed by one of the central Classical composers of all time, incorporates mastery of clever wit, combined with stylistic features of Sturm and Drang within Haydn’s later works.
Its first movement begins with an expressive melody that establishes a reflective and powerful mood. As you listen, you hear its exquisite interplay of emotions through the piano's developing capabilities with dynamics and textures. Haydn articulates this theme with intricate ornamentation and clever surprises that contribute to the emotional depth and somber atmosphere. The nature of this movement becomes immediately evident through its rich dark tones, creating a “profound sense of introspection”. Additionally, it incorporates unusual moments of musical surprises that sounded new to the public.
Haydn then moves on to his second movement, a Menuet with a contrasting trio section. The Minuet employs a graceful dance-like rhythm, which serves as an interlude from the intensity of the first moment. Progressing to the trio section, it immediately offers a delightful contrast with its light and airy character, resembling a moment of playfulness within the sonata's overall emotional depth.
The third movement is a force of virtuosity and vitality. Known to be a stark contrast to the Menuet, the Presto opens the listener into a world of energy and intensity. Characterized by its brisk tempo and relentless rhythmic drive, this
PROGRAM NOTES
movement is a testament to Hayden's ability to infuse technical demands with expressive depth. The Presto movement is in sonata-allegro form, a structure that was very common in Hayden’s time. Beginning with a lively theme, it undergoes many variations and develops through sections that explore different tonalities to create new tensions and drama. Within this section, it incorporates a sense of urgency and playfulness. The continuous stream of sixteenth notes in both hands challenges the pianist's sense of skill throughout the piece. The dynamic contrast and sudden articulation shifts add to the excitement of the movement's intense nature. The recap brings its audience back to the main theme with its usual sense of resolution and unity. Thus, showcasing a masterful work of harmonic ingenuity from the Classical era.
BalladeNo.2inFmajor,Op.38,FrédéricChopin(1810-1849)
Paste bio here: Frederick Chopin was born in Zelazowa Wola, Poland in 1810. As a composer and virtuoso, he wrote mainly for solo piano and was renowned worldwide as the leading musician within his era of living. His repertoire consists of mazurkas, waltzes, Preludes, , nocturnes, polonaises, etudes, impromptus, to ballads. Written at the height of his career, this piece reflects Chopin's deepest connections to his Polish heritage and his desire for freedom. Composed at a time when Poland was partitioned and ruled by foreign powers, this significantly affected its political and cultural traditions. This deeply affected his identity and output as a musician. A passionate patron of Poland, he said his music expresses his longing for freedom and the cultural heritage of his homeland.
Chopin's Ballade No. 2 in F Major op 38, is a remarkable composition that captures the Romantic era’s spirit of expression and individualism. Written in 1836, this composition is a testament to Chopin's role as a trailblazer in Romantic music, defying convention structures and emphasizing individuality and emotion. With his contribution, this piece remains a cherished piece within classical piano repertoire today.
His ballade no.2 is a single movement piece that explores unusual form as it tells its story to the audience. Often borrowing sonata allegro and rondo forms, this type of genre creates a sense of unpredictability and excitement throughout the work. As you listen to the piece, pay attention to the work's poetic and narrative qualities. Chopin was considered a master of creating vivid musical stories, and this ballade is no exception to that factor. As you listen between sections, listen to how the piece unfolds like musical drama, with dramatic contrast and emotional intensity. The piece begins with its opening melody as a lyrical section marked “Largo.” This opening often evokes a sense of nostalgia, inviting the listener into a dreamlike atmosphere and setting the stage for the emotional narrative that unfolds. The tempo then changes to “Allegro con brio” and here we reveal the fiery and virtuosic passage, reflecting Chopin’s mastery of the piano. As this section ends, we enter the “meno mosso” section, where the tempo slows, and the mood becomes more contemplative. This transition provides a moment of introspection and continues the narrative's story by reflecting on their journey or perhaps encountering an obstacle. We then get to our second allegro section where we are launched with a contrasting theme filled with energy and passion. This section features rapid runs and intricate passages that help demonstrate Chopin’s exceptional writing ability. The music is emotionally charged with a sense of urgency through this section. We finally arrived at the coda (piu lento). Here, the piece winds down only slightly until arriving at the poignant and introspective conclusion to the piece. This leaves the listeners with a sense of nostalgia and longing as it gently ends with its last chord.
SuadadesdoBrasil:SuitedeDanses,Op., DariusMilhaud(1892-1974)
Milhaud, a French composer known for his prolific output and electric musical style that incorporates elements of jazz and polytonality, was a prominent figure of the 20th century. His musical works ranged from classical compositions to film scores, collaborating with artists like Pablo Picasso. His works have received both praise and curiosity from audiences. The suite's unconventional harmonies have challenged traditional European sensibilities, yet it captivated audiences with its unique Brazilian flavor and style.
Darius Milhaud’s “Suadades do Brasil: Suite de Danses,” Op. 67, is a vibrant and exciting musical suite transporting it’s audiences through the colorful landscapes of Brazil. Composed by the French composer during his visit to Brazil
in the early 1920s, this suite marks an incredible fusion of classical music and Brazilian folk traditions that capture the essence of the country’s vibrant culture.
This suite comprises a collection of dances, each one portraying a different region. Each dance invites the listener to embark on this incredible journey through the country's musical heritage, landscapes, and people. As you listen, pay close attention to the suites' striking rhythmic vitality and exotic harmonic colors. Milhaud employs very unusual instrumental combinations that evoke the spirit of Brazil through his use of percussion, woodwinds, and brass melodies.
“Sorocaba '' is a captivating and vibrant dance that embodies the essence of Brazilian culture through its vivid melodies and rhythmic vitality. The opening theme of the piece immediately captures the listeners’ attention with its infectious syncopated rhythms and lively tempo. The percussion section establishes a groove with the beats, conjuring images of dancers moving to the music. The melodies then introduce a joyful and playful tune. In the middle section, the piece shifts into syncopated rhythms and the elements of surprise. This section includes a sense of joyful celebration, invoking colorful images and expertly blending elements of samba and other Brazilian folk traditions that feel both exotic and inviting. As this piece concludes, it weaves various moods and dynamic contrasts, mirroring the dynamic and diverse landscapes of Brazil.
“Copacabana” is a musical portrait of Rio de Janeiro’s world-famous neighborhood in the early 20th century. This movement incorporates a vibrant and rhythmic celebration of the lovely spirit that permeates Copacabana and its beaches. The piece captures the carefree and festive atmosphere as tourists and locals come together to reveal the epic landscapes of Rio de Janeiro. Beginning with its syncopated rhythms that evoke the spirit of Brazilian samba, the melodies are playful and uplifting, often mirroring the joy and excitement of fellow beachgoers and dancers. The listener is immediately transported by the piece's lively samba rhythm and vivacious melody, introduced through the percussive sounds and woodwinds. As it progresses to its middle section, the music takes a brief respite, transitioning into a more introspective and reflected mood that explores the contrasting facets of Copacabana. The melodies here become more lyrical, and the harmonies evoke a sense of nostalgia. By the end, Milhaud brings the listener back to the dynamic atmosphere of the beach. The samba rhythms continue with vigor, excluding jubilant emotions. The music crescendos to a thrilling climax, with the percussion intensifying with sound and colors, like a joyful explosion of rhythm and celebration.
“Laranjeiras' ' named after the Laranjeiras in Rio de Janeiro, is known for its historical significance and elegant architecture, conveying a sense of elegance and refinement through its music. Its playful melodies evoke the quiet charm of the neighborhoods. The music begins with a gentle yet inviting introduction that represents a stroll through the neighborhood of Laranjeiras. The melodies unfold gracefully, creating an atmosphere of colors and peace. It then proceeds into more intricate rhythms, reaching its peak with Brazilian folk music and dance forms. The final section of the piece brings the listener back to the initial grace and charm of its original melody. The ending gently guides the listener towards a sense of closure filled with delight and richness.
“Ipanema” pays a musical homage to the Ipanema neighborhood in Rio de Janeiro. This movement reflects the unique blend of natural beauty, cultural richness, and fiery rhythm that captures the listener’s attention. The journey begins with its fiery rhythm that matches the intense energy of samba and bossa nova characteristics. The melodies then take a sudden shift, transitioning into serene and softly melodic lines that are carried by a lush orchestration. The final part of the piece brings the listener back and ends with a feeling of unity and shared joy. Its beautiful melody continues until its final notes are played. With its seductive charm and landscape that mirrors Ipanema’s beauty, Milhaud masterfully incorporates this composition with the unmistakable sounds of Brazil.
“Corcovado” is named after the famous Corcovado Mountain in Rio de Janeiro, renowned for its iconic Christ the Redeemer statue overlooking the city. As it begins, the piece starts with a lively and syncopated rhythm that sets the stage for images of bustling city streets. The melodies that dance atop these rhythms are catchy and infectious, making it impossible to not tap your foot and sway with the music. Approaching the middle section, the music becomes more relaxed and romantic. The atmosphere of Brazilian nightlife takes over, and the harmonies become soother as the
tempo slows down. By the end, the music gradually builds in intensity and reintroduces the rhythms from the beginning. The movement concludes with a festive flourish, leaving the audience with a sense of desire to dance.
Piècesbrèves,op.84,GabrielFauré(1845-1924)
Gabriel Faure (1845-1942) was a renowned French composer and organist, known for his significant impact on late 19th and early 20th century music. Born in Pamiers, France, he studied at the Niedermeyer School in Paris and soon the Paris Conservatory, excelling in composition and organ. His musical style evolved from Romantic to Impressionistic, which influenced other composers such as Ravel and Debussy. He also held high organ positions at notable churches which helped his choral and sacred compositions. His famous works consist of Requiems, Pavane, and chamber music. Recognized for his sophisticated harmony and expressiveness, Faure is a key figure in French music and is a lasting figure of influential composers.
Gabriel Faure’s “ 8 Pieces breves, Op.84” is a collection of short piano pieces composed in 1901. These miniatures showcase the flawless characteristic of harmonic richness and delicacy that captures each movement. This set serves as a testament to the composer's ability to create a profound musical landscape that tells a compelling musical journey. In the opening piece of “ 8 Pieces breves, Op.84” titled, “Capriccio” in F Major, Faure introduces the collection with a vibrant character of colors. A capriccio, by definition, is a composition known for its lively, free-spirited, and improvisational nature, and Faure embodies these qualities at its finest. The lively and playful nature of this piece is immediately detected.
The piece begins with a lively intro. The piano introduces the main thematic material, setting the stage for the playful character that defines the Capriccio. The key choice adds a sense of brightness and warmth to the composition, creating a delightful auditory experience for the listener. The first theme then emerges with a series of dancing melodies. Faure's signature charm becomes apparent in the elegant lines that invite the listener to join in a cheerful dance. As the piece develops, Faure explores variations and developments of the initial theme. The composer's mastery of this craft is clearly on display. Faure then navigates through the dynamic shifts and rhythmic nuances, which adds to the depth and playful atmosphere. A slight transitional passage leads to the contrasting section. Faure introduces new melodic elements which alter the mood. This builds anticipation and curiosity that prepares the listener for the unfolding musical narrative. The second theme is then introduced with clever usage of harmonies. It explores the full range of the piano which creates a sense of expansiveness within the beauty of the piece. The music then reaches its climax. Faure builds tension through dynamic contrast and rhythmic intensity. This moment shows a focal point before the piece begins to wind down towards its coda, where it concludes with earlier elements from the beginning. The piece ends with a charming flourish that leaves the listener with a sense of fulfillment and joy.
The fifth piece of this set, “ Improvisation” in C sharp minor, is moving and expressive. The music starts with a contemplative mood and simple melodies. As it unfolds, the music unravels with freedom, making it sound like they’re inventing the music on the spot. Faure uses rich harmonies and allows for creative exploration, giving the piece a sense of unrestrained creativity. The music builds intensity, reaching a climax before gently resolving. The piece concludes with a reflective and contemplative feel, leaving a lasting impression of beauty and introspection in C-sharp minor tonality.
The final piece of this set, “Nocturne” in D-flat Major is a testament to the composer's mastery of emotive expression and musical forms. Written in the styles of the traditional nocturne, this genre is popularized by composers such as Frederick Chopin, and John Field, exhibiting unique harmonic language and sensitivity to the piece. By listening to this piece, it invites the listener into a world of immense beauty and reflection.
The piece begins with an airy introduction, establishing the mood of tranquility and peacefulness. Faure often employs gentle arpeggios and soft sustained chords to evoke a sense of stillness, setting the stage for the emotional narrative to come. As the introduction passes, the first theme begins with its lyrical melody and expressive harmonies. This theme emerges naturally, drawing the listener closer and closer to its strong narrative. With the theme established to the audience, Faure begins to embark on a journey of development. This section often features complex pianistic
textures with overlapping melodies and shifting harmonies, adding to the emotional depth and complexity of the music. Within the piece, Faure adds contrasting parts for tension. They switch tempo and dynamics, breaking the mood briefly. Then, as the music reaches its climax, Faure intensifies the narrative through multiple harmonic changes that heighten the piece's sense of urgency and intensity. The listener has no other choice but to be drawn into the storm of emotions. Following this impact, Faure gradually eases the tension, allowing the music to return to a state of tranquility and reflection.
SonataforTwoPianosinD,K.448,WolfgangAmadeusMozart(1756-1791)
Wolfgang Amadeus Mozart (1756-1791) was a profound composer of the Classical era. Born in Salzburg, Austria, Mozart, known for his exceptional musical talent since childhood, composed and performed extensively throughout Europe. Renowned for mastering many musical genres such as symphonies, operas, chamber music, and piano works, Mozart's compositions are celebrated for their beauty, innovation, and emotional richness. Although his life was brief, Mozart's enduring legacy set him as one of the greatest composers in the history of Western classical music Mozart's Sonata for Two Pianos in D major, Movement I Allegro con spirito, is a lively and spirited piece that showcases Mozart’s exceptional ability of composition and mastery of the piano. Written for two pianos in 1781, this movement is praised for its energetic tempo, delightful melodies, and intricate interplay between the two pianos.
The first movement opens with a lively theme introduced by both pianos. The theme is then echoed and elaborated upon by the second piano, establishing a dialogue between the two instruments right from the start. As the movement unfolds, you can hear the clear distinction between the alternating voices in playful counterpoint. Throughout the movement, you'll hear many moments of dynamic contrast. Listen for sudden shifts in volume and texture, as well as the use of articulation to highlight different phrases and motifs. As the movement approaches its conclusion, Mozart then builds towards a massive climax. Notice the intensity of rhythmic patterns, his use of sequences, and most of all, the interaction between the two pianos as they end in a thrilling finale!
Ultimately, this movement incorporates the delightful and dynamic conversation between two pianos, filled with Mozart's trademark elegance, wit, and musical craftsmanship. It is truly a wonderful example of Mozart's genius
ACKNOWLEDGMENTS
Tonight marks a significant milestone in my musical journey, and I am deeply grateful to all those who have played a part in shaping and supporting me along the way.
First and foremost, I extend my heartfelt thanks to the Wells School of Music and its exceptional faculty members. It is through their guidance, mentorship, and unwavering belief in my potential that I have been able to grow and evolve into the soloist and artist I am today. To Dr. Craig, Dr. Klinefelter, and especially Dr. Cranmer thank you for your years of dedicated instruction and for imparting your invaluable knowledge. Your commitment to nurturing my talent and transforming my playing into art has been truly inspiring.
To my family, I owe a debt of gratitude that words cannot fully express. Mom and Dad, your endless love and unwavering support have been the cornerstone of my success. I am profoundly thankful for everything you have provided me in life to help me succeed, both academically and musically. Amanda and Allison, thank you for always having my back and being by my side through every triumph and challenge.
To my cherished friends Maddie, Alexa, and Kiley thank you for being the epitome of true friendship. Your unwavering support, laughter, and camaraderie have enriched my life beyond measure. Together, we have shared unforgettable experiences filled with joy and sisterhood.
To my extended family and all my friends gathered here tonight, your presence and encouragement mean the world to me. Thank you for celebrating my craft and for your steadfast support throughout my journey.
Lastly, to my audience thank you for being here tonight and sharing in this special moment with me. Your presence and applause fuel my passion and inspire me to continue striving for excellence in my musical endeavors. I am profoundly grateful for every one of you who has contributed to my growth and success.
Tonight, I perform not only for myself but also in honor of all those who have believed in me and helped me reach this stage. Thank you from the bottom of my heart.
With deepest appreciation, Danielle