February 2014 by We Are Greensboro

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February/March 2014

the center of our rights i n s i d e t h e i .c . r .c . m .

A G l o r i o u s g a l l e ry

the art of ebenezer luther an church

a t. r e x n a m e d s u e

n e w at t h e g r e e n s b o r o s c i e n c e c e n t e r

We Are More Than Where... Itâ&#x20AC;&#x2122;s Who We Are Volume: 02

ISSUE: 07

EDITORIAL Managing director /editor

Tony Bates | tbates@wearegreensboro.com creative director

AJ Bates | abates@wearegreensboro.com Non-profit coordinator

Veronica Bates | vlb@wearegreensboro.com staff writer

Carol Bates Morris | cmore@wearegreensboro.com MUSIC EDITOR/CONtrIBUTING WRITER

Sierra Dennis | SierraD@wearegreensboro.com

ADVERTISING advertising manager

John Graham | jgraham@wearegreensboro.com

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ÂŠ We Are Greensboro 2012-2013 All material is strictly copyright and all rights are reserved. Reproduction in whole or in part without the written permission of We Are Greensboro is strictly forbidden. The greatest care has been taken to ensure the accuracy of information in this magazine at the time of going to press, but we accept no responsibility for omissions, errors, products, services, information or statements made by contributing editors or advertisers. We Are Greensboro reserves the right to deny advertising or any other type of submission that does not meet our standards. 02

The work of local artist and A&t State University Professor James Barnhill, the “February One” statue of, from left to right; David L. Richmond, Franklin McCain Sr., Jibreel Khazan & Joseph A. McNeil forever immortalizes in bronze, the four young men who began the Sit-In movemnent in 1960. Today, the International Civil Rights Center and Museum is a living testament to their accomplishment and it’s global implications. See page 14 for more on the I.C.R.C.M. and it’s far reaching mission this page and cover by t. bates 03

04 04

s u o i r Glo

liv e!

Contents in greensboro G oi ng Li ve 12

A Glorious Gallery Sometimes the most wonderful things are found in the most unexpected places. Such is the case with the art of Ebenezer Lutheran Church.

The Center of Our Rights

The International Civil Rights Center and Museum is so much more than a group of exhibits. Find out what makes this Greensboro landmark so special.

SUE!!

Live in Greensboro There are moments in each of our lives that can really define who we are. Join Sierra as she explores local bands and the moments that make them.

The Cool Community Greensboro is one cool place to live and Jasmine will tell you why as you read about her love of the place we call home.

A Love Story 14

A T. Rex Named Sue

This travelling exhibit at the Greensboro Science Center is not to be missed! Come on over and visit with Sue, a

Tyrannosaurus rex that roamed North America 67 million years ago.

Photo Gallery I

ROLLER DERBY... Images of January’s Girls & Guys Gone Wild bout at the Greensboro Sportsplex. Images courtesy of Rick Lucas

Photo Gallery II

2 for 1... “A Few Friends” & “An Elements Gallery Makeover”... Check out the all new, remade Elements Gallery. Okay, they kept the great art. Some things will never change.

GREENSBORO SCIENCE CENTER AQUARIUM MUSEUM ZOO

The Center of Our Rights pg. 16 05

T. Bates

ithout exception, all great works of art must be inspired. With the understanding that a great deal of that inspiration is found in the form of divine guidance, it only stands to reason that many of the worldâ&#x20AC;&#x2122;s masterpieces hold some type of religious or spiritual meaning and having such can be found in churches, cathedrals or other religious surroundings. Generally, when we think of such art, we envision the old world settings of some of the great cities of Europe. Few of us however, myself included, ever realized that there are magnificent and important works of religious art right here in Greensboro. Ebenezer Lutheran Church is one such place and it is here where we find what is perhaps the most significant and noteworthy permanent collection of religious art in the entire region. continued on pg. 20

Glorious Gallery

Take a Stroll Down State Street

When was the last time you took a stroll down State Street? If it wasn’t today, then it’s time you head back. State Street is evolving right before our eyes. The shops, boutiques, restaurants and other businesses that call State Street home have new and exciting merchandise, food and services every day. Take a moment, for that matter take a few. Stroll down State Street today and find out what’s new and what you’ve been missing.

08 08

ith new stores being added and others expanding, State Street has been abuzz with activity lately, and nowhere is that activity more exciting than the transformations at Linnea’s Boutique and Vera’s Threads. The leader in plus sized fashion in Greensboro since they opened their doors 14 years ago, Linnea’s Boutique has done an outstanding job of providing women the opportunity to get high quality, natural fiber fashions that are not available in department stores. So popular are their offerings that the unusual happened, women wearing misses sizes began looking to Linnea’s for similar outfits in their sizes. From these simple requests, Vera’s Threads was born. However, it wouldn’t be long before important decisions needed to be made. Guided by her understanding of fashion and the need to expand, owner Jody Martin began restructuring her space to offer her customers the fashions AND THE SIZES they were seeking. In a bold move, Jody closed her plus size consignment shop next door, Rubenesque For Less (she now refers customers to other area consignments shops) and expanded both

Linnea’s Boutique and Vera’s Threads, allowing more space and therefore more fashions for each. Both stores offer fun, funky, and casual clothing that should honestly be described as wearable art. Likewise, both shops feature clothing and accessories in natural fibers such as cotton, modal, rayon, linen, bamboo, beech wood and silk from designers that are not available in local “big box” stores. Jody has taken “plus size with an attitude” to a whole new level, but as popular her offerings are, she still loves to circulate ideas and get feedback from her customers. That’s part of the reason she hosts “Ladies Night” at the boutiques the 3rd Thursday of each month. During these fun times, both shops are open an extra hour (until 7pm) while customers are invited to enjoy wine, finger foods and good conversation. You can stop by Linnea’s Boutique and/or Vera’s Thread’s, or if you’re so inclined, visit them online. Either way, you’re bound to find something you’ll love that you won’t see on everyone else.

511-515 State Street • linneasboutique.com

e already knew that A Special Place is the area’s premier wig gallery for women with hair loss and normally that would be enough of an accomplishment and more than enough of a reason for us to believe you should know about them too, however, this is A Special Place and it’s more than just a name. Not only the “go-to” gallery for medically related hair loss patients, A Special Place is uniquely qualified to present their clients with the industry’s best in terms of the products they offer and the services they provide for fashion wigs as well. Board certified with years of experience, in wig fitting and styling, A Special Place specializing in what owner Jamela Hodgson refers to as “alternative hair”, offering “human and synthetic wigs, hairpieces and extensions, as well as hats, scarves and accessories to a wide variety of customers, from chemotherapy patients and women with thinning hair to women who wear wigs and hairpieces just for fun and fashion”. Jamela also realizes that changing your look can be a stressful experience for some. But, one visit here and any fears you may have will be quickly allayed, as she and her excellent, caring staff take you through the private process from start to finish. One visit and you’ll notice that their effortless understanding of your needs, the business (both brought on by years of experience) in addition to the industry leading products they provide , will make your time spent here rewarding and maybe even a little fun. You’ll leave with renewed confidence and a more positive outlook and best of all, no one will know, unless you tell them. The quality here is unparalleled and the

outcome almost undetectable, so it’s totally up to you who knows. But remember, A Special Place is truly a special place, so if you are even a little curious about a wig, or any of the hair related product Jamela offers, stop by and see for yourself, it’s a new day and your new look is waiting for you.

! e il vin greensboro local music profiles Sierra Dennis

Local Bands and the M

am slightly obsessed with “that” moment in music. You have bands that go under the radar and never reach the general population’s ears until “that” moment. After “that”, they’re everywhere. They’ve crossed the line, broken the glass ceiling and they are suddenly everywhere at all times as opposed to nowhere at all. There are two bands that I’ve come to find have similar sounds, and as much as I really enjoy one band, I’ve loved the other for a few years now. The former band seemed to come from nowhere with hit after hit on a pop station and an alternative rock station, whereas the latter hasn’t been on mainstream radio, at least not those same stations that favor the former band, even though they sound a good bit like the latter.

These two bands? The Neighbourhood (aka The NBHD), from Newbury Park, California and Paper Tongues from Charlotte, North Carolina. The NBHD is from a place where dreams are made of and Paper Tongues actively wrote a song about getting to that place entitled “Ride To California”. If a listener or fan of music isn’t paying attention, then these two bands have no reasons to cross paths but I would be super stoked if they just met in the middle of the country in the Midwest and had a dual concert. I’d pay to watch that because these two bands have SUCH similar sounds it’s ridiculous and Paper Tongues would finally get to “that” moment that’s 4 years in the making so far, whereas it’s taken almost 3 years to get to “that” and more.

2 12

Going Live:

Moments That Make Them I remember seeing Paper Tongues for the first time in their hometown of Charlotte, North Carolina. They were opening for Switchfoot. They were an unknown local band to me but by the end of their set, they had definitely grown on me and I am always on the lookout for them on the radio here in the Greensboro/Raleigh area. What do I find instead? The Neighbourhood on the local pop station and the rock/alternative station. Dang. Aswan North (the lead singer of The Paper Tongues) has a swagger, a sense and a sound that’s just far reaching. You can tell that he’s putting his soul into his music and hoping that people feel it, agree, and dig their music. Jesse Rutherfood (lead singer of The NBHD) is not only singing of his personal pains, but I believe the difference between these two bands and these two singers is that The NBHD is relatable. Paper Tongues talks about where you want to be with tracks like “Get Higher”, “Trini-

Photos: 1. Switchfoot 2. Switchfoot 3. Paper Tongues 4. Switchfoot 5. Papertongues

ty” and “Ride To California” whereas The NBHD talks about where you are right now with songs like “Female Robbery”, “Flawless” and “Afraid”.

I could go on and on for pages about these two bands and their similarities and their differences, but at the end of the day, these two bands complement each other. I wish they’d make a double album and tour together and just embrace that yin-yang factor that they have together. Lucky for us, we have ears and souls, feet that tap, heads that bob back and forth when we’re picking up what these bands are putting down. So from one music lover to another, check out The NBHD’s youtube channel and Paper Tongue’s youtube channel and just make a day of it because local musicians need exposure and breakout artists need fans. We can supply them with new fans and exposure that help create “those” moments and it all makes our playlists that much sweeter.

6. Paper Tongues 7. Paper Tongues 8. Switchfoot 9. Paper Tongues 10. Paper Tongues

d e m a N x e r . A T

hat better way to learn about dinosaurs than to stand in the presence of a massive Tyrannosaurus rex, the â&#x20AC;&#x153;Tyrant Lizard Kingâ&#x20AC;? (or in this case, Queen), look up in awe at its mouth full of fearsome foot-long teeth or get eye to eye with its enormous 5-foot skull? Greensboro Science Center visitors are able to do just that! A cast of Sue, the largest and bestpreserved T. rex ever discovered is on display at the Center for a limited engagement. A T. rex Named Sue features a spectacular full-sized skeleton cast of Sue, a colossal carnivore that roamed North America about 67 million years ago. At the age of 28, considered a long life for a T. rex, Sue passed away and her massive structure was covered in fine silt from an ancient river. There she lay for millions of years and the centuries ticked by around her. In that time, climates changed, species came and went, all the while, Sue remained 14

buried in the Black Hills of South Dakota. That was until August 12, 1990 when fossil hunter, Sue Hendrickson came upon the dinosaur. Made up of more than 250 bones and teeth, Sue the T.rex is the most complete fossil of its kind to be unearthed. There is no doubt Sue is a giant and a wonder to behold, but she is so much more than just a fossil. Sueâ&#x20AC;&#x2122;s fossilized remains have provided an abundance of information to the scientific world. While T.rex is one of the most recognizable dinosaurs, much about this creature is not understood. However, Sue has shed light on some mysteries surrounding this apex predator. Sue has a furcula, or wishbone, something we commonly associate with our Thanksgiving Day turkey or birds in general. She also has intact ear bones; the tiniest bones in the body which have helped scientists better understand the evolution of hearing. These are just a few examples of information that this unique specimen has provided to the scientific community.

Sue

n Erica Brow

Images courtesy of Greensboro Science Center 4301 Lawndale Dr • Greensboro • NC • 27455 336.288.3769 • www.greensboroscience.org

At the Science Center, not only will visitors get to stand beside this prehistoric giant, but interactive elements throughout the exhibit will also allow them to look through the eyes of a dinosaur, sniff out food, water and shelter, and experience how scientists think the T. rex could - and couldn’t - move its arms. They will be challenged to assemble a large-format 3D puzzle of Sue’s skeleton and sort dino-fact from dino-fiction by examining clues about dinosaurs. The Center’s resident paleontologist, Indiana Bones, will periodically visit the exhibit, which is home to Bones’ base camp. A hands-on fossil pit encourages visitors to dig in and search for fossils. On Saturdays, from 10am – 2pm, puppeteer Ed Bounds will be at the exhibit to greet kids of all ages with his Dakota and Baby T characters. Dakota is a full-grown, life-sized Deinonychus and Baby T is an adorable T. rex hatchling. Exhibit guides and educators will be on hand to answer questions, provide addi-

tional educational activities and explain Sue’s importance to the scientific community. Occasionally, visitors might even be able to hold, pet and kiss an augmented reality T. rex. For those who want more dinosaur, the Greensboro Science Center is offering a special discount for visitors to A T. rex Named Sue to view the 3-D OmniSphere show Waking the T-Rex: The Story of Sue. For just $1, A T. rex Named Sue visitors can witness Sue come alive in state-of-the-art 3D animation and watch her life events unfold, including an epic battle with a Triceratops! Although Sue has been around for millions of years, she won’t be in Greensboro long. The exhibit will only be at the Greensboro Science Center through May 4, 2014, so plan your visit today! For more information, including hours of operation and ticket prices, visit www.greensboroscience.org.

here seems to be a misunderstanding in Greensboro, a confusion that, in reality, seems to be prevalent throughout most of the country and in fact, much of the world. The idea that civil rights refers only to equal treatment for African Americans in this country is a misnomer that has been around since the term “civil rights” began being used here. However, we live in Greensboro and we have the International Civil Rights Center and Museum (ICRCM) and contrary to what we may have thought the sole purpose of the center is, they are doing an excellent job of setting the record straight. Often intertwined with the older, global philosophy of “human rights”, the concept of civil rights can be traced back from ancient Rome through the renaissance in Europe before Women’s Suffrage and the efforts of Gandhi to include the concurrent movements; “The Troubles” (Protestant/Catholic) in Ireland in the 1960’s and the “American Civil Rights Movement” that began here in the late 50’s. We live in what is truly becoming a global community. Particularly when viewed on this larger scale, it becomes easier to see that the right to equal treatment is farther reaching than many comprehend, and includes the ongoing quest for the equal treatment of everyone regardless of gender, religion, sexual preference, disability or 16

race. Several years into an American civil rights movement that was gaining notoriety, four students from North Carolina Agricultural and Technical State University decided to add a tactic in Greensboro that had proven somewhat successful in other cities. On February 1st 1960 David Richmond, Franklin McCain, Ezell Blair Jr. (now Jibreel Khazan) and Joseph McNeil sat down at a segregated local Woolworth’s lunch counter for a bite to eat and to make a silent statement regarding equal consideration for Blacks; yet never did they imagine the huge, swift and wildly successful impact it would have. What would seem like a completely unobtrusive act today was extremely controversial and actually dangerous in the era of Jim Crow; yet it would, in a very short time, change history. Withstanding harsh treatment including both verbal and physical abuse, and while maintaining the non-violent approach representative of much of the overall movement, their actions soon drew local media attention and with it additional student support. Spreading quickly from city to city and catapulted into the national spotlight, sit-ins helped energize and incorporate students of all races and backgrounds into the larger movement, increasing its already substantial momentum.

the center of our rights Tony Bates

While many of our history books will tell us that the Civil Rights Movement lasted from 1955 (Montgomery Bus Boycott) to 1968 (the murder of Martin Luther King), the fact is that as long as ANYONE is being denied civil rights the Civil Rights Movement will continue to exist. This continuing struggle for the equality of all people is at the very heart of the reason we need the International Civil Rights Center and Museum. The brainchild of local elected officials Melvin “Skip” Alston and Earl F. Jones, the ICRCM occupies the very location where the famous sit-in took place. As of its grand opening February 1st 2010, the sit-in’s 50th anniversary, this former F.W. Woolworth store, is now a 45,000sf living tribute to the struggles and sacrifices of the Civil Rights Movement in America and throughout the world. Each year, the museum hosts approximately 70,000 paid visitors. Although many from middle schools in North and South Carolina and Virginia, there have been and continue to be visitors from across the country and around the world. As a museum the ICRCM represents a time in our history, and as such houses artifacts and exhibits that do a wonderful job illustrating this important era in a captivating manner

and with uncompromising detail. Inside, the famous lunch counter where the determined protestors sat, remains exactly in its original location. Having never been moved from its historic footprint, it serves as the starting point for the fascinating guided tours. Wanting to get an honest idea of the public’s reaction to the various exhibits, I tagged along with a group from a local middle school on their guided tour. This proved to be the perfect opportunity, not only because area public schools include the ICRCM as a planned 8th grade field trip, but because the chaperones for this trip spanned two additional generations and included a fairly wide ethnic mix. It was heartwarming to hear oohs and ahhs from the enthralled eighth-graders as our knowledgeable docent managed to keep three generations of visitors equally interested and engaged. In the end, almost to a person, each student and chaperone had their own favorite points of interest, each having left with more awareness and a greater understanding of civil rights than when they arrived. Continued on pg. 24 Background image: Students wait in the lobby of the ICRCM after their guided tour

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c an recall a time when I loathed Greensboro. The agitation was never personal; I simply needed a change of scenery. The curry accented walkways of Tate Street, the hurried bustle on UNCG's campus as 2:00p promptly approached and the benches outside of Yum Yums were constant reminders that I developed a dream here. Embarking on new adventures and continuing to discover an even cooler and weirder me was imperative now. I reached a breaking point; where reveling at the idea of being safely anonymous in a new city with new people was a no-longer-acceptable line on my wish-list. Leaving Greensboro needed to happen. It was so vital that my fiancĂŠ and I believed the series of unfortunate events that occurred throughout almost the entire year of 2013 was the universe giving us a nice shove out the door (way sooner than we planned). And it wasn't until I returned from Atlanta that I really missed Greensboro. I came back and realized Greensboro is an amazing city filled with even more amazing people and I was thankful to have been a resident to such a progressive community. "How do I love thee? Let me count the ways..."

The Cool Community of Greensboro: a lov e sto ry

Jasmine Simmons Contributing Writer

Imagining Greensboro: When I shut my eyes and envision

Greensboro, plenty of people, places, and memories surge from my heart. As I stroll onto Tate Street, my inner-foodie overrides any previous plans that may have been set and urges me to grab a Mixed Bowl and a bubble tea (amongst other scrumptious eats) from my former second residence, Boba House Vegetarian Restaurant (332 Tate Street). The friendly and earthy staff at Boba House is family to me, so I make it a point to catch up when I'm in town. Additionally, there is NO place like Boba House outside of Greensboro; I've discovered it's a tiresome journey searching for delicious budget-considerate vegetarian/vegan eateries. And Valentine's Day! Boba House is the go-to place for your Vday plans. Already outfitted as a charming date night venue, the energy that fills the restaurant on the holiday of love is perfect for sharing an amorous night with a special friend. Staying on Tate Street, I have to run across the street to pizzeria/live music venue, New York Pizza (337 Tate Street), to see what bands are playing for the night and give hugs to my favorite staff members. NYP welcomes live independent music of all genres and provides a platform for visual artists by commissioning art installations that also garnish their walls. The building hugs the corner of Tate Street and serves pizza into the wee hours of the morning. Any local restaurant that stays open late is "okay in my book" as Stuntman Mike would say. By now I'm bouncing off the walls, ready to visit my derby family, Greensboro Roller Derby (www.greensbororollerderby.com). Catch me and my fiance on a bout day and our excitement meter is turned up to colossal. Follow us to the Greensboro Coliseum and you'll be sure to see our faces covered in paint, screaming our lungs out for the All Star team, Gate City Roller Girls and my home-team the Mad Dollies.

Image of Jasmine by Heather Lashun

It's one thing to keep up with updates and watch this skater-ran community via their website, but it's an adrenaline pumping experience to see these amazing athletes in action. My love for Greensboro doesn't end there and neither does the adventure. Greensboro Roller Derby usually houses their special after-parties at the local watering hole, Westerwood Tavern (508 Guilford Ave). Tucked away in the neighborhood of Westerwood, lives a locally owned dive bar that attracts a community of hilariously fascinating characters who enjoy indulging in the company of Greensboro's finest of citizens. The faces behind the bar are my favorite part of Westerwood, but I can't deny the Jello shots are pretty tasty and occasionally support a non-profit organization. The commonality within just a few of my favorite places, & spaces & people to play with mentioned above is the sense of community; each of my aforementioned loves, support non-profit organizations and local enterprises. This is what I love most about Greensboro and it is a rare find! Supporting your local community is how you enhance your future. Supporting a small business, independent artist, or local sports team is way bigger than the tangible item you purchased. You are investing in the hours of trial and error, fits of frustration, and thousands of failures. You are acquiring the upchuck bile of the terrifying guttural feeling that comes with following your dream. You are obtaining the overwhelming chill-bumps of joy and success. Already support local businesses? Well, keep on keeping on! New to this idea? Start by supporting one of the businesses mentioned here today! A home away from home, Greensboro will always have a piece of my heart; the community makes the city exponentially cooler. To my Greensboro family, â&#x20AC;&#x153;I miss you--A little too much, a little too often, and little more every day.â&#x20AC;?

Glorious Gallery from pg. 15

stablished in the fall of 1907, Ebenezer has undergone significant changes throughout the years. While never straying from their core principles, they have managed to adapt to an ever growing, ever changing community and cultural environment. Over time, Ebenezer has expanded from the beautiful yet humble chapel built in 1929 to todays’ much larger, more modern church completed 1998. With a very active, involved and diverse congregation, there is always something of interest going on at, or involving the congregation of, Ebenezer.

and protector of the Protestant Reformation). As Mr. Smith explained, this oil on panel is in its original wood frame and was painted in the studio of Lucas Cranach The Elder, himself a wellknown Protestant Reformationist who it turns out was a very close friend of Martin Luther, standing best man at his wedding and godfather to his first born son. A nearly identical piece, also from the studio of Lucas Cranach The Elder, hangs inside room 20 (Dürer and German Paintings) in the well-known Uffizi Gallery in Florence.

Yet it remains that even with all of their good deeds, the architectural beauty and the lively activity taking place here, it was the unexpected addition of their absolutely stunning artwork which took me most by surprise. Much of it gifted by church member, Ebenezer benefactor and Greensboro resident Norman B. Smith, the collection of art found at Ebenezer has been carefully selected not simply for its aesthetic beauty, but also as a representation of the church’s Lutheran beliefs and doctrines as explained in the Holy Scriptures. Encompassing originals and reproductions, the collection includes many works that are hundreds of years old, some of which have undergone painstaking, professional restoration, returning them to their original splendor. Even the frames, most of which have been carefully restored or handcrafted to enhance the paintings, are themselves works of art.

The main sanctuary at Ebenezer holds several important works, two of which are paintings hung on either side of the altar, both being exquisite reproductions of works by Italian Renaissance master Giovanni Bellini and painted by Paul DeLorenzo (Sadly, Paul passed away just two short weeks after completing the pair). One painting (hanging to the right facing the alter) is the “Transfiguration of Christ”, a beautiful and moving depiction of the miracle and Synoptic Gospel narrative in which Jesus travels to the top of Mount Tabor with Peter, James and John; where Moses and the Prophet Elijah appear to him while God speaks to him, calling him “son”.

Having been offered and accepting an invitation from Mr. Smith to view the collection, I was immediately taken aback by the casual ease with which he not only recalled the details of each piece, but its relevance to scripture and historical bearing as well. For instance, the first piece we encountered was an original portrait of John the Steadfast, Elector of Saxony (staunch supporter

On the opposite wall (left side of the altar) is another masterwork of Bellini’s, the “Baptism of Christ”, illustrating the biblical story of Jesus’s baptism by John the Baptist (Matthew 3:13-17). It’s interesting to note that each of these paintings holds several less than obvious religious references. For instance, each has four hidden crosses. With the originals of these works hanging in Italy, it is only through high quality, hand painted reproductions such as these that we can experience some semblance of this truly inspirational form of biblical art.

As captivating as Bellini’s works are, the pièce de résistance (at least in my humble opinion) resides within the original chapel. From the hand carved and expertly restored entrance door to the high, beamed ceilings and delicate yet time-tested stained glass, this small tranquil setting is charming to say the least and in itself an inspirational oeuvre. The original main sanctuary, this space is now used primarily for reflection and meditation as well as the pastor’s bible classes, while proving to be the perfect place to display some of the churches most awe inspiring pieces. Here, with the light gracefully falling through the stained glass, we find one of the area’s only fully restored, complete sets of the famous “Stations of the Cross” paintings, a group of fourteen works depicting Christ carrying the cross to his crucifixion. These particular oils on canvas were completed by Irish artist Joseph Malachy Kavanagh during the 1890’s and made even rarer by the fact that most of this renowned painter’s works were lost when Dublin’s Hibernian Academy (where many of Images: Opposite: Small chapel facing the altar Center: Portrait of John the Steadfast - Elector of Saxony c.1532 Top: Bibbia di Borso d’Este c.1461

Kavanagh’s paintings were stored) was destroyed by a fire at the onset of the Irish Revolution on Easter morning, 1916. Not only are these museum quality pieces remarkable finds for any church (and museum or gallery for that matter); they also have a strong local connection. Norman Smith found the set in its original, “less than pristine” condition through Mike Joyce at Lions Crown Antiques (a local antique dealer located in the South End section of Greensboro). Wishing only the best in restoration, he sought the expertise of Ambleside Gallery owner Jackson Mayshark to facilitate that process. Mr. Mayshark spent the next four months meticulously restoring the “stations” to their original beauty. Once the process was complete, he paired each painting with a gold frame, the simplicity of which still serves to enhance the beauty of each image itself. The result of this local group effort is a breathtaking display that rivals the offerings of any major gallery. Also in this small chapel, on the back wall of the altar, is a visually stunning representation of another well know work, “The Adoration of the Magi”. Originally painted by a follower of Peter Paul Rubens (think Rubenesque) in 1638, this painting depicts the nativity as described in Mathew 2:11. With such a wealth of direct biblical references intermingled with so much subjective meaning (i.e. were the Magi meant to be representatives from the three parts of the known world?), it’s easy to see why this was one of Rubens most well received works. continued on pg. 24

continued from pg. 17

Yes, as a museum, the ICRCM focuses on history, but there is so much more. As a civil rights “center”, the ICRCM is a learning/teaching tool, the benefits of which are vast and only beginning to reach their potential. Few outside of the historical, educational and civil rights communities’ are aware of the resources this local center has to offer. For instance, for younger children the ICRCM has SIMI’s Room, a space dedicated to helping children understand historical and current issues in a fun and relatable manner. Every Saturday, this popular educational vehicle hosts the “Children’s Storytelling and Reading Hour”. Each week various community and civic leaders connect with the children; reading, discussing and answering questions about the story. Afterwards the children engage in topic related “make & take” crafts activity, further enhancing both, their fun and understanding. Another facet of the ICRCM that I was previously unaware of yet found particularly interesting was the Changing Exhibitions Gallery. The last exhibit, “The Guantánamo Public Memory Project” which closed on January 31st, was a compilation of image and text collages as well as interactive media that told the story of the U.S. naval base on the island of Cuba. Crafted by university students from across the country (including UNCG); this exhibit included information about the military installations’ history, current uses and possible future. The next exhibit, “The Art of Activism: Civil Rights History on US Stamps”, begins February 10th, and explores milestones in civil rights history through artist’s renditions produced as postage stamps. These exhibits, as with every other aspect of the museum are always thought provoking and add an additional dimension to the overall experience. The ICRCM also hosts a variety of special events, utilizing every square foot of the facility. There is an auditorium with seating for 180 where larger lectures and discussions are held; that same space often being used to show movies such as the documentaries “February One” or “The Trials of Muhammad Ali”. There are several additional areas of various sizes throughout, that can be used for any number of reasons from a small meeting (15 person max.) in the Joint Room to the two 35 person classrooms or the conference room which holds twenty. Even the gallery and the lobby (125 and 225 respectively) can be set up for receptions or gatherings of almost any sort, making the center an ideal location to hold a meeting or host an event. Not only do they have the room, today’s technology is being employed here as well. The ICRCM has already held teleconferences with educators and advocates from around the world with plans to continue connecting globally. Recognizing the ICRCMs value as both a teaching aide and an economic driver for the city, North Carolina Agricultural and Technical State University along with High Point University have joined the ICRCM in presenting “Building a Better America through Core Democratic Values”. An educational 24

initiative for social studies students in grades 4, 5, 8 and 11, the program will utilize community and corporate funding to ease the financial burden on schools for field trips to the museum, while creating a positive economic effect on other area cultural and historical sites and local businesses. In addition to the educational field trip aspect of the program, Building a Better America offers more than forty lesson plans including pre and post-visitation classroom exercises designed to engage the students and enrich their entire experience. Also, as a further enhancement for teachers, the program includes a combination of online webinars and onsite seminars to help ensure more effective implementation of the lesson plans. As the ICRCM’s Executive Director, Bamidele Demerson says, “this innovative and exciting program will have a very positive impact on the community as a whole”. Further explaining that, “Our goal is to make the program available to 112,000 students each year from across the state (in addition to the ever increasing paid admission to the museum). Not only will the effect on the students’ education be considerable, the positive economic impact to the area will be substantial as well”. Citing examples regarding the economy, he continued explaining that “the school busses that bring the students to Greensboro from across the state will have to refuel here before heading home. Likewise, many of the students, as well as their teachers and chaperones will choose to eat locally, or visit a local shop while they are downtown”. With all it has to offer, perhaps one of the greatest impacts the ICRCM brings to the community is awareness. While the museum itself does focus on the American Civil Rights Movement, as a civil rights center, they do an excellent job of expounding upon the idea that civil rights as a whole is not an issue pertinent to only one group of people. The idea that everyone, worldwide, regardless of race, sex, religion, disability or any other individual tenet or creed we encompass; all of us deserve to have our civil rights upheld. Continued on pg.28 Photo - Above: The Guantánamo Public Memory Project in the Changing Exhibits Gallery

3 1

Glorious Gallery from pg. 21

ith all of the framed beauty on the walls, it’s important to remember that not all of the works of art gracing Ebenezer are paintings. Aside from the beautiful chapel door and stained glass windows, on the back wall of the main sanctuary, directly above the main entrance, hangs a large cross. What makes this particular piece so special is that it was handcrafted using pieces of wood supplied by members of the congregation, each with a personal meaning to the person who donated it. For example, one of the pieces came from an old Lutheran church that is no longer standing, yet through this cross remains, at least in part, still with us. Similar stories abound within this piece, each story as personal as the next. Two more exceptional pieces stand out at Ebenezer both of which are bibles, yet far from the copies any of us are likely to carry around. One is a handcrafted exact replica of the Gutenberg Bible. The first book ever printed, it is consider a masterpiece of both literature and art. With only 22 originals known to still exist, even detailed replicas like this one are rare finds. The other bible is the “Bibbia di Borso

d’Este” (Bible of Borso d’Este). While not quite as well known as the Gutenberg it is no less stunning and in terms of the artwork inside, actually more so. Considered an “illuminated manuscript”, every page of the Bibbia di Borso d’Este is embellished with beautiful miniature paintings (many of which are in color) depicting the bible verses on that particular page. This version’s artwork was created by Italian master Taddeo Crivelli. Considered his most prestigious creation, he worked tirelessly on this volume from 1455 until its completion in 1461. It’s true that all artwork must be inspired by something, but then truly great artwork is that which actually inspires us. What better setting in which to be inspired than a house of worship, and what better inspirational aid than that which visualizes the lessons to be learned there? With all of the religious and spiritual references to artwork in a church the most amazing, most stirring and most wonderful fact about the artwork in the Ebenezer Lutheran Church is that it can also touch, be appreciated by and inspiring to, even the most secular among us. Beauty like that is quite simply glorious.

6 7 IMAGES:

from opposite page top:

1 - Gutenberg Bible - Closed 2 - Gutenberg Bible - Open 3 - Hand carver chapel door 4 - Gutenberg Bible under stained glass & Stations of the Cross 5 - “Baptism of Christ” 6 - “Adoration of the Magi” 7 - “Transfiguration of Christ” 8 - Chapel wall with “Stations of the Cross”

Special thanks to: 8 Mr. Norman B. Smith Mr. Mike Joyce - Lions Crown Antuques - 104 Barnhardt St, Greensboro, NC 27406 (336) 275-5765 Mr. Jackson Mayshark - Ambleside Gallery - 528 S Elm St, Greensboro, NC 27406 (336) 275-9844 27

continued from pg. 24

But, how does that message, the idea of equality for all people, not just those whom the term has customarily been applied to, get spread in a manner that will allow it to foster and grow? Ask Mr. Demerson and he will tell you to “teach it, present the idea and the understanding of culture as a bridge not a barrier, teach it and begin with the children”. Adding that “making the information available to our youngsters in a manner that they can understand and process, allows them to more comfortably discuss the information in class and then further at home”. Describing the ICRCM as “more than a building”, Mr. Demerson refers to it as “a symbol, a symbol not only to our general community, but to the world, serving other countries and our youngest citizens as well” (the last part being a reference to both, those who are newly sworn in as citizens and the young people who visit). This idea of the ICRCM as a symbol is enhanced by the fact that the center has already been used as the location for the swearing-in ceremony of our newest citizens. Few comprehend and fewer still have within themselves the wherewithal to stand (or sit) for a cause, or to step up and take action that brings with it potential life-threatening consequences. The words of philosopher George Santayana, “Those who cannot remember the past are condemned to repeat it”, are as relevant now as they ever were. Luckily we have reminders and we have lessons and both can be found here. Today, the International Civil Rights Center and Museum exists to honor those who have sacrificed to make the world a better place; standing directly in the center of our rights as a staunch reminder that the actions of a few can be felt by the masses. It is an ever evolving testament to the civil rights of everyone and a beacon of learning that continues shine; because not only is everyone equally deserving, but because if we fail to honor and uphold the civil rights of even a few, what happens when that few includes us? For more information about the ICRCM or to plan your own visit, visit them online at www.sitinmovement.org or call them at 336.274.9199 INTERNATIONAL CIVIL RIGHTS CENTER AND MUSEUM 134 South Elm Street Greensboro, NC 27401 www.sitinmovement.org 336.274.9199 28

Photos: 5 - Greensboro Four. Day 1 of Woolworth Sit-In ( McCain, Ezell Blair and Joseph McNeil on Feb. 1, 19 Rights Center & Museum)

2 Photos: 1 - ICRCM exterior at night (courtesy of the International Civil Rights Center & Museum) 2- Bamidele Demersom, Exceutive Director of the ICRCM

Photos: 3 - Ronald Martin, Robert Patterson, and Mark Martin stage sit-down strike after being refused service at a F.W. Woolworth luncheon counter, Greensboro, N.C. Feb.1 1960 (courtesy of the International Civil Rights Center & Museum) 4- The lunch counter as it appears today remains unchanged and in its original location

(From left) David Richmond, Franklin 960.(courtesy of the International Civil 4

Images courtesy of Rick Lucas 30

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