July/August 2013

free

July/august 2013

INTRODUCING

S ou thE nd

UP CLOSE & PERSONAL

t h e c a r o l i n a s c i q ua r i u m

TAKING FORM Jim Barnhill

CONCERT PHOTOGRAPHY

s o n g s , s t o r i e s & s t o ry t e l l e r s

We Are More Than Where... It’s Who We Are Volume: 02

ISSUE: 04

EDITORIAL Managing director /editor

Tony Bates | tbates@wearegreensboro.com

creative director

AJ Bates | abates@wearegreensboro.com Non-profit coordinator

Veronica Bates | vlb@wearegreensboro.com staff writer

Carol Bates Morris | cmore@wearegreensboro.com MUSIC EDITOR/CONtrIBUTING WRITER

Sierra Dennis | SierraD@wearegreensboro.com

ADVERTISING advertising manager

John Graham | jgraham@wearegreensboro.com

Published by: We Are Greensboro 415 Pisgah Church R.d #186 Greensboro, NC 27455 www.wearegreensboro.com 336.987.3545

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Š We Are Greensboro 2012-2013 All material is strictly copyright and all rights are reserved.

Reproduction in whole or in part without the written permission of We Are Greensboro is strictly forbidden. The greatest care has been taken to ensure the accuracy of information in this magazine at the time of going to press, but we accept no responsibility for omissions, errors, products, services, information or statements made by contributing editors or advertisers. We Are Greensboro reserves the right to deny advertising or any other type of submission that does not meet our standards.

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Six Inches...

Where can you get this close?

Carolina SciQuarium At the Greensboro Science Center

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liv e!

Contents in greensboro local music profiles

Concert Photography 06.

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Introducing South End S. Elm St. from the railroad tracks south to Lee St. is exploding with activity.

Come see what’s new and exciting in “South End”

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Enhance Your Community Get up, get out...Meet your neighbors and make some friends. Everybody wins!

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Wordsmiths

An electric poem by a 13y.o. poet.

Hopefully “Consequences” will make everyone take a breath and think.

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Live in Greensboro MEMORIES!!! let’s discuss the importance of concert photography

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Taking Form

A look into the life and Sculpture of Greensboro’s own James Barnhill

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Visitors MUST eat at The Worx! One of the newest eateries in one of the newest (old) parts of town.

Join us for an up close and personal look at the new Carolina SciQuarium.

It’s all just six inches away!

Visitors Must Eat

SciQuarium!

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Photo Gallery

We’ve got pictures of the new Greensboro City Market and this year’s Summer Solstice... Were you there?

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f downtown is the heart of Greensboro, then certainly south Elm Street is a major artery. Yet, even with all the traffic that flows through this active hub, South End has far too long remained underutilized and vastly underappreciated. Fortunately, a new and exciting metamorphosis has already begun; with even more stirring changes on the horizon.

And, where much of the traffic (pedestrian, bicycle and even cars) heading south on Elm would at one time either veer off or make a U-turn before crossing over the tracks, it is now, in ever increasing numbers, continuing further to explore South End. 06

What they will find here is more, more than even the wonderful shopping and dining and galleries; because in truth there have always been special shops in South End. There is a vibe here again, something akin to a living pulse; a state of mind similar to that found in some of the most well-known and culturally significant areas of almost every great city. New York has it in Soho, in Chicago it’s the Arts District, while the Mission District in San Francisco is yet another example.

South End is that eclectic part of town that seamlessly mixes the classical and modern, the casual and formal or the retro and en vogue.

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rom the end of the Great Depression until well into the 1970’s, shopping in Greensboro m e a n t h e a d i n g d o w n t o w n . M o r e s p e c i f i c a l l y, i f y o u w e r e i n t h e m a r k e t f o r o r i g i n a l a r t o r wanted to browse through the treasures in antique shops, you knew traveling across the tracks on South Elm Street would put you in the heart of an art and antique district that was r e c o g n i z e d s t a t e w i d e . H o w e v e r, t h e e x p a n s i o n o f G r e e n s b o r o u s h e r e d i n t h e a g e o f t h e s h o p p i n g c e n t e r. W h e t h e r t h e y s p r a n g u p i n s m a l l l o c a l s t r i p m a l l s o r h u g e m e g a c e n t e r s , t h e i n f l u x of chain stores and franchises offered the convenience of shopping a little closer to home that few were willing to pass up. As our priorities shifted and we embraced faster paced, suburban lifestyles, we gave up much of the personalized service and superior goods that epitomized the “local” shopping experience. In doing so, the shops that once made up a vibrant downtown began to fade and while many factors may have ultimately contributed, the result was the same, d o w n t o w n G r e e n s b o r o s l i p p e d o u t o f f a v o r.

It took years for the renaissance of downtown to begin and even longer for that area south of the tracks on Elm to rebound, but rebound it has. Thanks to strong business, community and c i t y i n v o l v e m e n t t h e a r e a o n c e r e f e r r e d t o s i m p l y a s “a c r o s s t h e t r a c k s ” h a s b e e n r e b r a n d e d a n d recently renamed to express the trendy art, antique, shopping and dining destination it was a l w a y s m e a n t t o b e . To d a y, w i t h t h e t r a n s f o r m a t i o n n e a r l y c o m p l e t e a n d p r i m e d t o s u r p a s s e v e n i t s o w n f o r m e r g l o r y, p l e a s e j o i n u s i n …

T Bates

Introducing

South End

Young and old alike can, and do, come to South End, find something special and leave fulfilled.

South End is more than an amalgamation of the businesses that are located here; it’s an experience unto itself.

And while certainly not the only way to get to a particular destination here, walking is undoubtedly the best way to experience it. To amble down Elm Street most people must first park, but as many of you already know, storefront parking is at a premium. However, the limited number of spaces and two hour time limit are no longer hindrances. Thanks to Momentum Development Partners (more on them later);

a new 170 space parking lot offers convenient, safe, well lit parking for unbelievably low rates. Crossing over the tracks on the southbound traffic side of South Elm Street and turning right onto Barnhardt Street will lead directly to the lot and the perfect starting point in the heart of South End.

Long known for the delightful antique shops that have called South End home for decades, the same still holds true today. The six different shops featuring antiques and collectables offer a range of vintage and antique pieces with such remarkable variety that collectively they are certain to satisfy the predilections of every decorating taste.

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Courtesy of Momentum Development Partners.

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South End Continued from pg. 28

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f you were to begin browsing by leaving the parking lot and walking along Barnhardt St., the first shop you would encounter is Lions Crown Antiques (104 Barnhardt St). This smaller shop has a homey, comfortable feel that speaks volumes in accentuating how antique pieces that span centuries can work well together. Inside you will find proprietors Mike Joyce and Archie Carter not only willing but, with more than 16 years in the field, more than able to answer any questions you may have. As Mike puts it, “our shop while small is defined by its value and quality and to some extent its little oddities. Come visit with us and be lulled by the ticking and chiming of our clock collection, and our antique light fixtures. Enjoy a respite from a far too busy world and maybe take home something you’ll enjoy. We’re down an alley but well worth the few steps”.

Turning right and heading south onto South Elm Street, the next stop is The Browsery, Used Books and Antiques (516 S. Elm St) where you will not only be able to peruse what is perhaps the largest selection of collectable E.A.P.G. (Early American Pattern Glass), Depression Era and recent stemware in the Triad, you will find a huge collection of used and rare books impressive enough to draw customers from across the state. Providing reading material “for the intelligent reader” since 1979, owner Ben Mathews (books) and Charles Gibson (glass) not only maintain the personal customer care attitude that is prevalent throughout South End, they are both truly knowledgeable, especially regarding their respective wares.

The next stop on your antiquing journey will be Jules Antiques and Fine Art (530 S Elm St). Six years in business makes Jules owners Gary Brame and Agnes PrestonBrame the new kids on the block, but their personal love for and knowledge of anything antique makes them old souls in the field. More than their two floors of amazing assorted antique furniture, accent pieces and various collectables, Jules also offers an impressive collection of fine art, much of which is by local artists. In the section of town with the highest concentration of antique shops, Jules is like a magnet for collectors and browsers alike.

Here I have seen firsthand how the engaging personalities of Gary, Agnes and their staff have Jules packed with customers even on a rainy Friday when many shoppers have opted to stay at home.

With so many hidden treasures in this must stop antique shop, make sure you save enough time, to take your time at Jules.

Crossing Lewis Street, still on the right side you can’t miss the lime green sign (incorporating the Eye of Horus) and the decorative entryway of Thrill of the Hunt (604 S Elm St).

And you shouldn’t, not if you don’t want to miss a world where antique meets art. This floating co-op where 8-12 artists display their “up-cycled” furniture and art is the very definition of eclectic. Created using found objects and antique/vintage pieces, the findings you’ll uncover at Thrill of the Hunt include one of a kind art, furniture, decorative & vintage jewelry pieces and accessories in quirky, funky colors and patterns. Their assortment of original/vintage prints tops off a well-rounded mix.

In business for 10 years, owner Carol Poling moved from her previous location on Battleground Avenue to South End in June of 2012. Here, besides showing the work produced by co-op members, she offers classes in DIY as well as craft and painting projects. Happy with many of the changes underway in South End, Carol is always on the lookout for new and exciting artists to join the Thrill of the Hunt co-op.

As you continue along, it’s time to cross the street and head to Mary’s Antiques (604 S Elm St). Specializing in architectural pieces, including shutters, and hardware, doors of every type (wine, front and interior), as well as printing pieces and home décor accessories of every imaginable style, owner Mary Wells prides herself on the casual nature of her inventory. With 48 years in the antique business (38 of them on S. Elm St.), this “Grande Dame” of Greensboro antiques is one of the busiest people I know, yet still has time to greet and engage you as you visit her very unique shop. Continued on pg. 26 09

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in greensboro local music profiles Sierra Dennis Contributing Writer

Concert Photography Songs, Stories and Storytellers

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saw a quote by Diane Arbus recently which said “I always thought of photography as a naughty thing to do – that was one of my favorite things about it, and when I first did it, I felt very perverse.” Nothing could have been truer about my first experiences with concert photography than that quote right there. I had this new Olympus E-500 with these two fancy lenses. I had a passion that was just getting ready to bloom. I didn’t want anybody to see me, and I certainly didn’t want anybody to see themselves the way that I saw them when I captured their essence through my new camera.

After my first few experimental stages with my camera, I started working for my school’s paper which allowed me to catch some rock bands at Greene Street. One of these bands was a band called bob from Washington DC. They had so much energy and the audience was really getting into this band that they hadn’t heard before. I stood in the crowd and snapped away, but when I looked over my pictures at the end of the night, I thought to myself “this is it. This is what I should be doing.” I made it my new passion to do concert photography and/or videography from that day forward.

What I found interesting about concert photography was that these bands could be so amazing and pull faces and throw water and sweat, scream, etcetera and I would capture that. But then offstage they were just like everybody else plus or minus a few tattoos and piercings. Not too long after that first experience, I started to peruse Greensboro’s music scene through photography and I found that there were not only other bands, there were other photographers.

One of the first photographers I saw in town was Kim Newmoney. With an almost guerrilla approach, I witnessed her stand on things behind drummers to get that one shot.

I’ve seen her hit her head on stage lights to show off the crowd. I’ve seen her stand on speakers and show a no holds barred approach to photography and that’s a wonderful thing to see. To this day, she still does amazing photography of all sorts (portraits, candid, concerts etc) and she shows no signs of slowing down or “losing her touch”. Kim Newmoney is a fairly big fish in a small pond and her pictures can literally blow all the other fishes out of the water. You can connect with her at http://www. flickr.com/photos/newmoneysays.

I went to high school with this next photographer and it wasn’t until extremely recently that I learned she even was into the art that is photography. Her name is Sara Spangler.

As of now she lives in Alexandria, VA and got into photography in her junior year at Virginia Tech. She’s always loved music, especially live music. She claims that live music photography allows her to “combine my love for music and photography, and I hope to turn it into at least a side career eventually!” She’s photographed bands like Green River Ordinance, a rock band from Fort Worth, Texas. She’s captured Tony Lucca, a musician who was a finalist on The Voice.

He “always puts on a great show full of lots of energy”. She’s also photographed Michael Pearsall, the lead singer of Honor By August, a local band from DC. Her photographs are just like the music itself: gritty, fun, emotional and full of stories to tell. You can see more of her work at www.saraspanglerphotography.com. Continued on pg. 30

Photo Credits - Clockwise from opposite page top left:

Matt Santoro from bob (now Super bob)-photo by Sierra Dennis New Boyz concert-photo by Sierra Dennis Hope-photo by Sierra Dennis Pearl and the Beard-photo by Christopher Lubinski Tony Lucca-photo by Sara Spangler Michael Pearsall of Honor by August-photo by Sara Spangler

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Take a Stroll Down State Street When was the last time you took a stroll down State Street? If it wasn’t today, then it’s time you head back.

State Street is evolving right before our eyes. The shops, boutiques, restaurants and other businesses that call State Street home have new and exciting merchandise, food and services every day. Take a moment, for that matter take a few. Stroll down State Street today and find out what you’ve been missing.

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EARNHARDT OPTICAL

509 State Street Greensboro, NC 336.275.5639 www.earnhardt-optical.com

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www.lillobella.com | 336.275.7645

Footwear, Apparel & Accessories

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James Barnhill

TAKING FORM T Bates

is works have been viewed by thousands in such esteemed public places as the Birmingham Botanical Gardens in Alabama and Pack Square in Asheville, NC. The fact that they’ve graced the gardens, grounds, campuses and interiors of private, public, even corporate collections throughout the country serves to reinforce and in no small way justify the outpouring of critical acclaim and public admiration they receive. Still, nowhere can the bronze sculptures of James Barnhill be viewed more easily and with more pride than where they are created, right here in Greensboro, North Carolina.

Most, including myself, would assume that having the talent that “Jim” Barnhill has displayed would serve as a strong

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indication that sculpting was something he was born to do.

This may very well be true, but in speaking with Jim it also becomes obvious that there were some very key people and moments in his life that brought him to where he is today. The son of what Jim describes as a more “analytical” mother and more “artistic” father, Jim’s earliest recollections of an interest in art came around the age of five when he would copy some of his father’s drawings, oh and of course that time in fifth grade when he was devastated because being sick for a day meant staying home and missing art class. Yet, it was “tinkering”, as he puts it, that he found even more gratifying, enjoying the tactile experience of building things or taking them apart and putting them back together.

Still, throughout his childhood and teens Jim’s artistic expressions took shape mostly in drawing and painting, so in selecting his college major, something art related was the logical choice. After graduating from UNC Chapel Hill with his Bachelor’s degree in Art Education, Jim spent time alternating between traveling the world and working.

Feeling unfulfilled creating and installing stained glass, yet maintaining the love of art which he found little time to pursue; Jim began looking into continuing his education by visiting schools where he could earn his Master’s Degree.

One such visit to UNC Greensboro and a chance encounter with world renowned sculptor Peter Agostini would change

Jim’s life forever and put him squarely on the path to exactly where he was meant to be.

At a time when he had become so involved in reproducing the “image” that painting became tedious and as a result “less fun”, observing the way sculptors in Agostini’s class worked from live models was quite fascinating to Jim. It goes back to his enjoyment of the tactile experience of actually “making” something, or as he describes “the entire process was more active and physically more involved, I liked the idea of simply being able to move around the thing”.

Continued on pg. 36

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Enhance Your Community!

Jasmine Simmons

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h brother! I battled with constructing this article. So much that I let out a shriek of guttural frustration, considered scrapping my efforts and searching for another topic to delve into. What was the problem? I so deeply wanted to explore a subject that would compel my readers to go out and take action.

It wasn’t until my unceasing curiosity led me to the hub of my inspiration that I knew all hope wasn’t lost. There I was, at the Curb Market surrounded by a plethora of creators that weren’t stifled by the governing rule of corporate authorities; a community of authentic people, selling their homemade treasures, handpicked produce and homegrown edibles.

I felt a sudden obligation to preserve and support this community of entrepreneurs and share this discovery amongst my peers. But the obligation didn’t end there.

I thrive for the self-satisfaction that transpires from nurturing my community. I’m incessantly networking to increase my net worth, but also to better relate with the occupants of my current territory. The strikingly bonny entertainer and former spouse of Ronald Reagan, Jane Wyman, profoundly stated, “The opportunity for brotherhood presents itself every time you meet a human being.” I strongly believe it is essential to interact with those you come in contact with on a daily basis to make the world a better place.

That moment I stopped to observe the aura of kinship within the market, it sparked something within me. I unveiled an inner self that protested against complacent passersby and desired a world where people made conscious efforts to achieve new communal heights. A big aspiration indeed, but it starts with a com-

mitment. I decided to dedicate this summer to consciously interacting with my community and challenging others to do the same.

As a result of that dedication, I challenge you to enhance your community. Start by building relationships with the people you come in contact with. It begins with asking your bank teller or cashier at the supermarket, how their day is going or simply addressing them by name, or by investing your money into local businesses, conserving waste, or volunteering at one of the many feed the homeless programs in Greensboro. There are plenty of ways you and I can contribute to our community, take action, be inspired or inspiring, challenge your peers to participate and be cunningly creative, but most importantly have fun. After all, we are making the world a better place!

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T Bates

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t’s an understatement to say that there are many different types of restaurants to choose from with menus to suit every conceivable taste.

Foodie that I am, when it comes to dining, there are only a two “musts” that I need to return for another meal, cleanliness and good food. For me alone that’s about all it takes. However, if I’m bringing my visiting family and friends, who I know will inform me immediately of any shortcomings, the requirements increase exponentially. Of course the chosen eatery has to be clean and the food worthy, but in addition they must have a knowledgeable and courteous staff as well as an atmosphere conducive to a good time. To their credit, The Worx has every base covered, and then some.

Before entering I noticed that the “front porch” of The Worx already had several couples and

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a few families enjoying what promised to be a fun evening of al fresco dining. Once inside, I was immediately taken in by the stylish yet laid back décor with wood floors and a rustic appeal that spoke of fun times and relaxation. I was also struck by the genuine friendliness and upbeat manner of the staff especially that of the host who seated me without delay.

As a disclaimer, I must admit that I’d already heard great things about The Worx. A month or so ago, learning that there were new and exciting changes taking place in the area just south of the railroad tracks on South Elm Street I went to investigate. While interviewing merchants for the South End article (Introducing South End, Pg. 6) I was told of a new restaurant, recently opened

and by all accounts worth a look. What I found particularly remarkable was not only that several of the merchants mentioned The Worx when discussing recent changes in the area, but that all of those who did had already eaten there and each seemed to have a different favorite dish. Armed with the merchants’ suggestions which ranged from Seafood Mac (& cheese) to Chicken Oscar, I was ready to order before ever perusing the menu.

When my server, Monica, arrived and introduced herself I asked my standard question, really just to see if we were on the same page, “what do you recommend?” Far from the standard list of “daily specials” she instead informed me that her answer would depend entirely upon my likes and dislikes and more importantly, what I was in the mood for. Hmmmm, I knew I was supposed to

order the Chicken Oscar which came highly recommended by several people, but until I was asked I hadn’t realized that what I really wanted was a burger. Besides, if a restaurant that serves cheeseburgers can’t get that right, the rest of the menu doesn’t really stand a chance. So, after considering the options that Monica described, I went with the Mill Burger, a simple 8oz ground chuck burger on a buttermilk bun, which I chose to top with bleu cheese (a particular favorite of mine, unavailable in many of the supposedly “better” burger places around town).

It’s amazing how often we forget the simple things in life and how much we’ve become accustomed to excess. I feel certain that had I requested it, my burger could have been piled high with extras of all sorts.

Continued on pg. 34

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ince my very first visit to the Greensboro Science Center as a chaperone for one of my son’s school field trips, I have been at the same time fascinated and truly interested in all of the areas of science it encompasses and eager to witness its expansion.

Yet, through all those years of growth; throughout the many added attractions and visiting exhibitions, never have I been as excited about an addition as I am about the new Carolina SciQuarium. So when Steffany Reeve, Marketing Director for the Greensboro Science Center, offered me a sneak peek ahead of the grand opening on June 29th, I leapt at the opportunity for an up close and personal look. Arriving at the impressive, newly completed 23,000sf building, my only hope was that I wouldn’t embarrass myself by appearing too giddy. Once inside I knew I was in trouble.

The SciQuarium sign, a mural that greets visitors at the entrance, heralds your arrival and the start of your adventure, from which point on it only gets better. It’s not just me, there’s good reason to be excited. With its many exhibits and a combined tank capacity of over 250,000 gallons, the Carolina SciQuarium is far more than what we think of in terms of a mere “aquarium”. The combination of wetland and underwater environments offer a glimpse into the lives of some of the world’s most interesting creatures, many of which have never been seen in this part of the country. Add to that the interspersion of the interactive, hands-on, information and educational stations known as “SciPods” and you begin to get some idea of the scope of possibilities here.

Culminating in a massive 90,000 gallon shark reef ocean tank that features as some of its inhabitants live coral, sharks, stingrays and eels, the SciQuarium also offers the rare opportunity to see a truly amazing variety of underwater and water dependent animals and fish from otters to penguins to puffers. Only at the SciQuarium will you find exotic exhibits featuring animals, fish and possibly even birds from such varied environs as oceans, lakes and the Amazon River, living in ultra-realistic fabrications of their natural habitats.

Here you can actually pet a stingray in a touch tank, or watch a snake as it makes its way from the trees to the ground into the water and continue watching from underneath as it swims along. The Carolina SciQuarium is the place you can poke your head up into an observation area that will put you directly in the middle of the otter’s environment where you can hang out with them as they go about the intricate business of being otters or if you’re lucky, watch a fishing cat “dive in” after its prey. With nothing to hide, those who relish a more technical look have the opportunity to peek “behind the curtain” on a unique tour of the SciQuarium’s inner workings to learn how the facilities exhibits and wildlife are created and maintained.

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UpClose&Personal

Carolina SciQuarium At the Greensboro Science Center T Bates

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UpClose&Personal

The Carolina SciQuarium

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earning and the excitement of the adventure aside, the Greensboro Science Center and the Carolina SciQuarium in particular (especially because it’s new) should thrill you if for no other reason than the impact it will have on Greensboro as a city. This is huge, more so than I’d imagined when I first learned of it over a year ago, the SciQuarium is a really big deal. Only the first part of what the science center refers to as its three-phase “Science City, USA Master Plan”, North Carolina’s first inland aquarium, the Carolina SciQuarium is also the first AZA-accredited aquarium in the United States to receive the U.S. Green Building Council’s LEED certification. Expected to increase area tourism exponentially and with it the local economy, plans are already in place to accommodate visiting students from every county in North Carolina as well as areas beyond our state borders. The financial benefits 24

to Greensboro will most certainly be tremendous, making a visit to the SciQuarium a wonderful way to have fun, learn something new, “keep it local” and help our city all at the same time.

There is so much going on here that the Carolina SciQuarium could really be called “a learning intensive, water world observation area where (like the rest of the science center) education meets adventure for a really great time”. Or, it could just keep the name SciQuarium. You can always decide what to call it when you visit, which if you’re anywhere near as excited as I am, will be very soon, but visit you must. And when you do, remember that up close and personal is the only way to experience the Carolina SciQuarium where the only thing separating you from the shock of an eel and the bite of a shark is a six inch piece of glass.

Background Image: Exterior of the completed Carolina SciQuariumat the Greensboro Science Center Below, colckwise fron top left: Steffany Reeve at the SciQuarium entrance, Welcome to the Greensboro Science Center, The SciQuarium Touch Tank, Photo-op with penguin look-alikes Center: An Otter’s -eye view of their habitat

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“

...even businesses not generally thought of as “art related” have wonderful pieces available on display for public viewing

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”

South End Continued from pg. 09

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ast, but by no means least on this antiques walking tour is Rhyne’s Corner Cupboard Antiques (603 S Elm St), where owner Richard Rhyne offers up a fascinating collection of folk art, collectables, decorative lighting, arts and crafts. Richard enjoys helping his customers find those special items that will “spike” their interest and invites you to search his shop for “an investment you can enjoy”.

Another highlight of South End, perhaps one that it is equally well known for, is its abundance of fine art. In addition to the wealth of art that is available in the various shops, boutiques and other businesses, South End is home to four stand-alone art galleries, each with their own unique style and character.

Taking the same route we did with our antiques walking tour and starting on the southbound side of Elm at Barnhardt Street, the first art encounter is Earthworks Gallery (500 S Elm St) where you will find the largest collection of North Carolina pottery available under one roof. Artists and Earthworks owners Molly Lithgo and Jim Rientjes display not only their own works, but the works of the no less than 45 area potters and craftsmen represented in this two story gallery. In providing not only amazing pottery, but cards, jewelry, soaps, candles and assorted collectables of various styles, sizes and price ranges, Earthworks ensures that everyone is able to find that perfect item regardless of taste or budget.

Art is such an important part of the district that even businesses not generally thought of as “art related” have wonderful pieces available on display for public viewing.

Just a few doors down at Edward Jones Investments (512 S Elm St) you can view the works of local abstract talent and UNCG MFA graduate James Williams. While financial advisor Tommy Faggart Jr. will be more than happy to discuss your financial future, he shows his support of our local arts by allowing his office space to serve as a public gallery, even staying open late on First Fridays as art enthusiasts stop in to view James Williams’s canvased abstracts. In fact the same holds true just a few steps further at Tried & True Tattoo (524 S Elm St), where owners Jason and Christy Spainhour

always have the work of a variety of local artists on display.

No matter what type of art you love, you are sure to find something you absolutely must take home at Elements Gallery (526 S Elm St). A co-op offering the works of (on average) 35-40 artists of every imaginable style and medium, Elements features such locally renown artists as Meg Smither (fiber and collage) and Allie Scott (painting – watercolor) as well as the amazing pottery of Brad & Bryan Caviness and the truly inspirational paintings of Leigh Rodenbough, both of whom have been featured in We Are Greensboro magazine in previous issues. One of a kind ceramic place settings, unique handmade jewelry and custom crafted collectables only scratch the surface, especially when considering that sculptures, pottery and painting can all be found here.

After the sheer volume of talent and substantial diversity of Elements you will certainly appreciate the quiet calm and understated elegance of Jackson Mayshark’s Ambleside Gallery right next door (528 S Elm St). The soft quiet tones and sophisticated décor only serve to enhance what are consistently some of the finest artist showings in Greensboro. For instance this month, in addition to the works of the more than thirty artists represented here including local favorite Leigh Rodenbough and China’s preeminent master watercolorist Guan Weixing, Ambleside is featuring new works of artist and mariner Reid Stowe. Record holder for the longest continuous sea voyage without resupply or within sight of land, Stowe’s works will be shown at Ambleside June 7th -29th, with what is certain to be a very enlightening “artist talk” on the 14th. Always a crowd favorite n First Friday, anytime is the right time to visit Ambleside.

Continuing south and crossing Lewis St. you will find the last stop on our tour of the dedicated galleries in South End. Turn right at the sign that says “Fresh Art” and enter Artmongerz (610 S Elm St), a co-op gallery generally hosting in the neighborhood of ten of the area’s most creative artists. Using a wide variety of different media from acrylic and clay to fabric and found objects, the collective minds at Artmongerz easily demonstrate the creative range found within the Greensboro art scene.

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South End

Continued from pg. 28

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hile antiques and artwork may be the cornerstones of South End, they are by no means the only attractions offered. Yet the artistic influence of the area is such that it can easily be found in the most unsuspecting places.

For instance, Jae-Mar Brass and Lamp Company (102 Barnhardt St) not only sells all manner of home lighting, owners Jim and Marilyn Forster repair lamps and other light fixture as well.

While more than capable of repairing more modern pieces, their true artistry surfaces in their ability to restore vintage and antique lighting, being one of the few shops in Greensboro with the necessary experience to do so comfortably.

Next door to Earthworks Galler y, Bradley Tuggle and the six additional stylists at the eco-friendly Boho Salon (506 S Elm St) are all artists in their own right.

Having relocated to their current location in November of 2012, the stylists at Boho Salon are perfectly at home in an area known for creativity. Each one using their own unique approach as their medium and hair as the pallet in their creations, their styling’s range from simple yet fashionable cuts to more cutting edge coifs. Intent on continuing their participation in the Summer Solstice celebrations and “Zombie Runs”, active involvement in community events is definitely a priority for the folks at Boho Salon. Whether it’s before or after you check out the rest of South End, stop by and find out what an artist can do for your hair.

Speaking of hair, no one knows more about hair c a r e than the Dudley Beauty Corporation. In the business of hair for the better part of forty-six years, Dudley has maintained a presence in South End since 1972.

At different time having alternated between a beauty school and salon, their location at 519 S. Elm Street is once again returned to teaching hair care. The Dudley Beauty College (519 S Elm St) just opened their doors and as Eunice Dudley tells me they are ready for you to enroll. Convenient to public transportation and safe parking and with so much to do both before and after class, South End makes the perfect campus.

One of the more unique shops in South End and certainly one that’s fun to explore is Terra Blue (518 S Elm St) This self-described “departure from the norm” offers not only one of the area’s largest selections of beads and beading supplies, they also maintain a wide variety of alternative spirituality and new age resources. Additionally, their selection of coffees and teas is not to be missed; after all, this is where I get my favorite sugar-free Mocha Frappuccino!

Across the street, Civic Threads (527 S Elm St) epitomizes local shopping at its best. After scout-

ing several locations throughout Greensboro, this community based store selected South End 1½ years ago and from our perspective it’s been a perfect fit.

Proprietress Chelsea Clayton reiterates the stores determination to provide “consciously made clothing and locally made crafts”. Embracing “a passion for seeing people thrive”, Civic Threads deals primarily in fair trade items, locally made crafts , jewelry, soap and or course artwork. Manager Tristan and her dedicated staff continue every day to give as much of themselves as possible so that their customers will feel truly appreciated and be happy to walk away with something great. Civic threads has made their newest goal to increase the amount of “guys” fashions and accessories they sell, being well on their way to their desired 60% (guys) 40%(gals) item split. Always with a penchant for giving back, many of the goods found at Civic Threads are made by companies that donate a portion of their proceeds to worthy causes locally and worldwide. All this plus, if you’re looking for some North Carolina/Greensboro swag either for yourself or as a gift, this the place to get it…

The fourth in a chain birthed in Charlotte, Social Status (602 S Elm St) had to open in South End, because where else would you locate a fashion forward menswear boutique like this. Effortlessly blending the latest in sneakers, street wear and fashion, Social Status aims to breathe new life into menswear here in Greensboro. With impeccable styling and a knowledgeable and friendly staff, we say…inhale!

Nowhere in South End, or Greensboro for that matter is the melding of antique and art more exemplified than Elsewhere (606 S Elm St). This thrift store turned “living museum” is akin to a giant puzzle that is ever evolving thanks to the artists who repurpose the original contents into new and exciting creations. An adventure for kids of all ages, their story is amazing and one that everyone at Elsewhere will be happy to share.

Although nothing here is for sale, everything is worth seeing, so for now suffice it to say that in the 10 years of their existence and aided by the fifty or so artists who contribute here annually, Elsewhere has continued to change by layering the new onto and into the old. “Never start with a white/ clean canvas…Life isn’t like that”, is a saying often spoken here that sums up their philosophy nicely. The artwork at Elsewhere evolves constantly so don’t miss an opportunity to see it, because it will never be exactly the same again.

“...art can, and often does, come

in the most unexpected forms”

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Art in South End is in no way limited to the visual as evidenced the first Friday of each month when galleries, antique shops and even hair salons will often host live musical performances. If waiting until the first Friday proves too long to endure without being entertained, then by all means head over to The Community Theatre of Greensboro (520 S Elm St). A community staple since 1949 and the oldest arts organization in Guilford County, CTG now in their 63rd, season consistently puts on top of the line, professional quality productions. If you want to support your community and watch a great play this is your place, but you if you want to do more, that’s even better. CTG is always looking for community involvement and welcomes everyone to come on down.

Whether you can sing, dance, act, repair sets, usher or simply help out where needed, there is always a need (and want) HERE.

In thinking about art, we really need to think “outside the box” and realize that art can, and often does, come in the most unexpected forms. Most of what is considered fine art needs some type of frame or pedestal to accentuate it, which is where the next shop in South End comes in. When most of us search for antiques we are not actually considering filling entire rooms with them. On the contrary, we are generally thinking in terms of accent pieces; those few items that will highlight our central, usually more modern décor in much the same way a work of art does. This very reason is why Area (515 S Elm St) is such a welcome and needed addition to South End. In what owner Mark Hewett describes as a “modern lifestyle furniture” store he has managed to put together a collection of what are perhaps the perfect accompaniments for the thousands of antiques in South End. While also carrying such well-known brands as Calligaris and Pablo Lighting, much of the furniture here is designed by Mark himself and built locally, which means it’s only available at Area. By “keeping it local” and

working closely with their local manufacturers, Area is able to provide visually stunning yet timelessly classic furniture at affordable prices.

Available in a wide variety of color and fabric choices, the clean lines and robust designs of the furniture in this 5000sf showroom work equally well as focal points and/or accessories in almost any contemporary interior design. Never limit yourself. Whenever visiting South End, stop by Area for those special items that are sure to unlock the full potential of whatever interior style you prefer.

One can only browse through the delightful shops and galleries of South End for so long before getting hungry, after all shopping requires energy. Luckily there are several excellent eateries available with options that are sure to entice every taste bud.

Continued on pg. 32

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e l iv

inlocal greensboro music profiles

Concert Photography

Songs, Stories and Storytellers

A

Continued from pg. 11

nother amazing local photographer who doesn't slow down for anything is Christopher Lubinski. I came in contact with him during various visits to Open Mic at The Flat Iron on Tuesday nights. I always saw him with his camera attached to him in some way and he always saw things through the viewfinder. He's been in the photography game as a teacher of photography and a photographer himself for over forty years. Originally from Poland, but spending most of his life in New Haven Connecticut he says that "the energy on the stage and in the audience is very unique and inspiring to capture as it happens." This man is not only a photographer, although he does do such beautiful shots that he should make that his main thing, in my opinion. He's also a printmaker and a sculptor as well as a graphic designer for 25 years. He is a photographer who documents Greensboro's music scene very well. He says that he's "inspired to document the scene as it's evolving" and that scene is evolving every second of every day. I'm sure there will never be a shortage of work for him. You can see his photography and other artistic abilities at http://www.lazycatarts.

com/.

I, myself, have delved into the videography side of music these days but I'll always be a concert photographer at heart. To see that the photography field has, and continues to grow, with truly intuitive photographers like Kim Newmoney, Sara Spangler and Christopher Lubinski, makes me feel quite proud to even be a part of the legacy that they've created, they are creating and they will create through visual imagery. Music means so much to so many people all over the world and even in "smaller" towns like Greensboro, North Carolina. For fans, to see concert photography means that they'll always have a piece of that one show or that one song forever on print or in digital format. For bands and artists alike, concert photography is the chance to see themselves the way that their fans see them. They get to see themselves sweat and dance. Sing and glow. There's no way to recreate half the experiences that they produce in shows and when the sets done, if pictures are taken, they get to see how the show felt. And last but not least, for photographers, concert photography is the ability to capture experiences and moments. We get to live that moment again and again every time we scroll the hundreds of shots at the end of the night, and every one of them is just too good to throw out because it's ours. It came from our hearts and our passion. Every once in awhile, it's just nice to let people see that.

Alfred Stieglitz once said "“In photography there is a reality so subtle that it becomes more real than reality.� From one concert photographer to many others, it's awesome to share that reality with you and with our hometowns.

Top-left: Pearl and the Beard-photo by Christopher Lubinski Bottom-right: Jamey Ice of Green River Ordinance-photo by Sara Spangler 30

0931

Continued from pg. 29

I

f you’re looking for a nice snack or the perfect dessert, you definitely want to head to the corner of South Elm and Lee Streets where The Sweet Shop (631 S Elm St) has just what you need.

Expanding on a recipe that has been in her family since 1945, owner and designer Margaret Elaine offers 250 varieties of Pound Cake. In a world where many bakeries maintain a “jack of all trades” philosophy, Margaret has become the master of what have quickly become her locally famous Pound Cakes. The sweet Shop has become so popular that many regulars know when the fresh, newly baked cakes will be ready (usually 4-5 times daily) and there is always a line to get them hot. Putting out 20 cakes at a time, you may feel the need to call ahead to see if your favorite is on the current baking list, but don’t. Each one of these creations is so good that you’ll soon hope you “have” to try something new. Whether you’re stopping in to enjoy a slice and a cold glass of milk, or a whole cake to take home and share (your family will love you even more), the Sweet Shop has works of art you can really sink your teeth into.

If you’ve worked up an appetite on your tour of South End, especially if you’re in the mood for a little Italian fare; The Mellow Mushroom (609 S Elm St) is where you want to head. Specializing in their own unique twist on this classic, The Mellow Mushroom has created an art form out of the pizza. Stop in, for a few slices, a hoagie, calzone or any of their other favorites or bring out your inner artist and create a pie of your own.

It’s entirely possible that perusing fine art all day will put you in the mood for fine dining. If this holds true and your palette leans towards the fresh and exotic, then Table 16 (600 S Elm St) is a must stop. Ideally located in the heart of South End, this brainchild of Chef Graham Heaton offers al fresco seating where you and your guests can enjoy your meal and a nice bottle of wine as the rest of the world strolls by. Of course larger parties and more intimate affairs can be seated at one of the elegant yet comfortable interior tables where the distractions of the outside world soon fade away.

Using old style cooking techniques to create their “New World Cuisine”, Table 16 employs what General Manager Susan Zapach refers to as a “12 season approach” in which Chef Heaton creates an entirely new menu every month. Even more remarkable is that he has done so for each of the five years they’ve been open, never having repeated a menu. Currently on menu #68, this month’s choices span the culinary gamut from appetizers such as Jerked wild boar and a Cocktail of Knuckle Size Blue Crab to entrees that include Grilled Wahoo Etouffee and Heritage Farms Pork Tenderloin. Table 16 is another local establishment that continually gives back by supporting and sponsoring local events, hanging local art around the restaurant and buying most of their ingredients from local growers and producers. Not only a dinner restaurant, Table 16 also available for special events, luncheons and private dining. Reservations are not always necessary, but they are suggested, so the next time you’re heading to South End, call ahead to Table 16, after all, better safe….

fine art all day will put “...perusing you in the mood for fine dining ” 34

In all honesty I haven’t yet had the opportunity to try all of the dining choices in South End and even if I had, I would be hard pressed to pick a favorite. However, I have eaten at The Worx (‎106 Barnhardt St), and if their inclusion is any indication how I feel about this combination pub/bistro, you can read all about them in our Visitors Must Eat section in this very issue. Until you do, know this, they have a wonderful, friendly staff, are adjacent to ample parking, offer outside dining on the front porch, inside dining in a relaxed comfortable atmosphere and the burgers? Well… wow! I certainly don’t want to spoil the surprise, but this new and integral part of South End is convenient and worth the trip, whether you’re coming or going.

While the organic nature of the philosophy here and the cooperation and mutual consideration of the merchants and artists is something to be greatly admired, South End and its more recent resurgence is no accident. Working in concert with area shop, restaurant and gallery owners and DGI (Downtown Greensboro Inc.), Momentum Development Partners (106 Barnhardt St) has made a considerable investment of resources in the area.

While only recently coming to fruition, it seems Momentum has been working on the development of what is in essence a destination within the destination of South End for over five years. Known as “The Railyard at South End”, the project is actually divided into at least Four Phases.

Sitting down with Momentum Partner Nick Piornack in The Worx restaurant, I found out just how much this area has changed and how much more there is to come. The restaurant (The Worx) is only one part of phase one. With the restaurant occupying the ground floor, the upstairs of the refurbished 123 year old building is the new home of Momentum and represents the completion of phase one. Such is their long range commitment to the area that Nick and his partners at Momentum have relocated their business and families to Greensboro from their original location in Raleigh.

With The Worx (see Visitors Must Eat) completed and open for business, Nick and his partners moved into phase two, The South End Parking Lot. Transitioned from what was in essence an empty lot behind South Elm St, this 170 space privately run, public parking facility affords easy access to every shop in South End. With entrances via Barnhardt and Lewis Streets (exiting only onto Lewis) the lot greatly enhances area parking and accessibility to all of the shops in South End.

As of this printing, phase three The Railyard Event Space is also complete. The 10,000sf green recreational area is available to rent for events such as festivals and concerts. With the first event, The City Market (www.gsocitymarket.com), scheduled for Thursday June 20th, and every third Thursday thereafter, the event space is primed to add a much needed open venue to the area.

The completion of the first three phases of the Railyard project means the way is clear for the expected early fall opening of The Spice Cantina (phase four). Billed as a truly authentic Mexican restaurant, every effort has been made to ensure that it lives up to the already huge expectations. Chefs have been brought in from central Mexico to create an accurate and genuine menu. The décor will blend traditional Mexican designs with (repurposed) wood from the original building to ensure a comfortable and enticing environment. The Spice Cantina also features a variety of unique seating arrangements that vary from counter-height bistro tables and sofa lounge areas to long family style tables and an immense outdoor patio. With what promises to be a lively atmosphere and world class cuisine, The Spice Cantina will be a welcome addition and healthy draw to the area.

Understanding that the more attractive and desirable the area becomes, the more it will benefit not only their businesses but those of their neighbors as well, is at the very heart of the dedication that Nick and his partners have already demonstrated. With what promises to be at least a 15 year commitment to South End they show no sign of letting up, an indication exemplified by the additional improvements and renovations they already have planned moving forward.

In most of the shops and galleries in South end you will find items that you will ONLY find in South End, yet that’s only part of the draw. Another part of the allure is in the seamless way worlds seem to collide here and the way that through those collisions new and exciting things evolve. In an area where a new furniture showroom can thrive mere steps from antique shops and somehow share the same customers, where fine art galleries can prosper a few doors from a living museum, ever evolving yet created from the remnants of a thrift store or where people can dine on completely different types of cuisine, yet find commonality in the same live performance a block away, in a place like this anything is possible. The official archway announcing the entrance is coming soon, but until it does, consider this your… WELCOME TO SOUTH END.

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Continued from pg. 21

2

1

H

4

owever, what Monica returned with was exactly what I’d ordered; an unassuming burger topped with just the right amount of melting (not overly runny) bleu cheese, thick enough to be considered “man-sized”, but not so excessively large as to be an embarrassment to eat. Accompanied by a leaf of lettuce and a single slice of tomato, a few (of their house made) pickles on the side and a healthy portion of steak fries, this burger didn’t really need the few compulsory drops of ketchup I added.

It was juicy and very flavorful while remaining modest and unpretentious in its simplicity; the limited accompaniments serving only to enhance the taste, not overpower it. Oh, and considering there are only 3-4 places in all of Greensboro where I will eat the fries, these were delicious, being firm and golden brown outside and soft yet fully cooked within.

M o r e than great food, the emphasis on customer service is apparent in every aspect of The Worx. Such is their devotion to

34

images: 1. at the bar with monica

2. fresh spinich salad

3. chicken Oscar

4. my burger...delicious!!!

5. the railyard entrance

3 it that they are constantly looking for customer feedback which they use to fine tune and adjust everything from the ambience to the menu options, all in an effort to enhance the overall customer experience. Yet as good as the food and service are The Worx offers even more. The ideal spot for a downtown lunch, the full bar, the relaxed atmosphere and a kitchen that stays open until 10pm (11pm Fri & Sat), also make it the perfect place to stop in for a drink or a late supper after visiting the shops in South End. Also a great setting to catch a game on TV or meet with friends to catch up on weekends, the overall vibe in this “bistro meets pub” is reminiscent of what a slightly upscale “Cheers” might be.

My only regret is that after my meal I was fully sated and in no condition to try the Chicken Oscar, fearful that when I return I will once again be drawn to the burger. However, when I bring my visitors (and of course I will) if I can convince one to try the chicken, and another the Seafood Mac, I could taste both and as long as they leave my burger alone, all will be right with the world.

The Worx

106 Barnhardt St.Greensboro, NC 27406

www.theworxrestaurant.com Phone: 336-285-9391 || Fax: 336-275-3322 Tuesday-Thursday: 11 a.m.-10 p.m.

Friday-Saturday: 11 a.m.-11 p.m.

Sunday: 11 a.m.-10 p.m.

519 S. Elm St. Greensboro, NC 27406

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(336) 252-1004

T AKING FORM Continued from pg. 17 ut finding his passion was only one step in his march to becoming the artist he is today. Understanding that all artists continue to evolve, Jim is also quick to welcome the continual learning process of art. Embracing the idea that his own work has continued to progress and develop as he perpetually hones his craft, Jim notices what most of us never will, the subtlest variation in structure and technique and the overall “improvement” between his past works and more recent projects. “I’m a better sculptor than I used to be” he tells me as he relates a story from college. At UNCG he was working on a plaster portrait head of what he describes as “a very classic, elegant looking girl with her hair braided on top of her head”, recalling that “I thought I was a hotshot, it was darn good”. It was only after doing four more renditions of the same piece over a two year period that he was able to clearly see the differences between them and realize just how far he had advanced in that small time. The final piece in bronze, the one Jim clearly believes is the best of the five, is pictured on the front page of his website (jamesbarnhill.com).

Whether it’s from his own imagination and musings, nature, his surroundings or the works of other artists; inspiration comes from many areas for Jim Barnhill. One of his favorite pieces, the statue of “Perseus with the Head of Medusa” by Benvenuto Cellini, could very well be one of the reasons he maintains his passion as sculptor today. As he tells the story, twelve or thirteen years ago Jim was visiting Europe with a friend when they had the opportunity to go to Florence for a day. While there he was viewing the “Perseus” statue when an “odd physical sensation” came over him. As he recounts, “it came up whelming sensation that I’d been here before”. returning home Jim asked his father if during Florence. It was only after his father confirmed one day when he was seven, that the memory looking at the Perseus as a child. That sensation and still has had a strong impact on his feelings

B

my legs and through my entire body, this overWith no recollection of a previous visit, upon their travels in his youth they had ever visited that indeed they had been in Florence for only came back of him standing in that exact spot he felt during the second visit never left him toward sculpture.

Although some of the smaller pieces he has completed are for sale in galleries, most of Jim’s work is commissioned and as such generally comes with some parameters, yet it’s surprising just how much creative leeway he’s given in designing his works. For instance, his statue of “Christ the Healer” at the Mission Hospital Regional Medical Center in Mission Viejo, California was commissioned by the Sisters of Saint Joseph with only the following conditions; it had to be a figure of Christ and another adult, include a child and somehow be about healing. The finished sculpture of Christ taking a child from his mother not only satisfied those objectives, it went much further. The three figures form an equilateral triangle which is indicative of the trinity. Also, in recognizing that hospital stays can have various outcomes and that Mission Hospital is a spiritual institution, that same act of Christ can be interpreted in several different ways, hopefully offering some level of comfort and hope to those who see it.

Not one to rest on his laurels, Jim spends his time away from sculpting and the A&T classroom, sailing or restoring his vintage Austin Healey 3000, which has been an ongoing project for more than 30 years. With all of his “hobbies”, Jim still finds time for other artistic pursuits. In addition to teaching an independent eight week sculpting class he continues to paint, currently working on a 7 X 11 1/2 feet painting of the BP Deep water Horizon oil spill. Done as a response and to bring attention to hydraulic fracturing or fracking (a cause Jim is passionate about) this vivid depiction of the flames and firefighters efforts to douse them is a sister piece to his 8 X 11 1/2 feet painting of the Exxon Valdez oil spill. photos: Top Left: February One on the campus of NC A&T State University Center: Jim Brnhill working on the clay sculpture of February One (Courtesy of the astist’s website) 36

photos-clockwise from top: Minerva: UNC Greensboro Eve, The First Day: Northern Telecom - Research Triangle Park, North Carolina Christ The Healer: Mission Hospital Regional Medical - Center Mission Viejo, CA

Although these paintings are large, they are very precise in their use of space and spatial dynamics, the Golden Ratio (or Golden Rectangle) in particular. Understanding that mathematical shapes play an important role in our emotional responses to art and offer a deeper (if only subconscious) appreciation to visual stimuli is an important factor in the details of Jim’s work. A closer look reveals how Jim’s “Eve the Sixth Day” in Research Triangle Park makes use of angles, ovals and arcs in a pose that dramatically heightens the visual appeal of the overall work. Similarly, a study of his statue of General Nathanael Greene uncovers the repeated use of triangles throughout the piece; done intentionally because of the pleasing symmetry of triangles and the comforting/ sturdy nature of the shape. Even the most minimal changes can affect the outcome. Slight changes to the eyes and a seemingly minor adjustment to the stance of General Greene have translated into the more concentrated and indomitable look seen on the Greensboro namesake.

The use of mathematics is but a part of the overall technique that Jim employs. In proving that there is more to a precise rendering than mathematical precision alone, Jim utilizes his acute sense of detail. The attention to the smallest of those details is part of what makes the February One monument on the campus of NC A&T State University (where Jim is an Assistant Professor) such a powerful statement to determination. Although rendered from a photograph, in this instance Jim has brought to life the single-minded focus and united front of the four students at the center of one of the most important moments in the fight for civil rights. Even though the original photo captures the students leaving Woolworth, the look of purpose and drive and the feeling of walking “into” the fray are overwhelmingly evident; yet I could look at that statue a dozen times and find a dozen different reasons why.

Why is a good question and how is another. For example, why do so many of the people I have stopped and spoken with either don’t know who the stature in the roundabout at the southern end of Greene Street is, or for that matter that it’s even there. It amazes me that a 22 foot tall statue could appear in the middle of a street and so many of the people that see it don’t seem concerned with how or why it’s there, let alone take a few moments to look it over and read the inscriptions. In the case of the February One monument, people visiting from around the world make the effort to stop and see it, while local school children scarcely know it exists. Maybe it’s because of the classic nature, but the same holds true for Minerva on the campus of UNC Greensboro. Here Jim has created a masterful rendition of the Goddess of Wisdom, so how is it possible that although they knew a statue was located in one of the most heavily traveled parts of campus; few students I approached knew whom it was or who created it when I asked for it by name.

These are great works of art that will continue to stand the test of time, but equally important, this is our history. Especially in the case of General Greene and February One, these are monuments to specific periods in the story of Greensboro. Not every city is lucky enough to have their history taking form the way ours does, maybe because not every city has a sculptor with the talent of Jim Barnhill. But part of the beauty of Greensboro is that you don’t have to be one of those lucky enough to have a Barnhill sculpture in your collection to enjoy his work. Just as you wouldn’t visit Rome without seeing the artwork, grab a map and take a walk around Greensboro or better still ask someone where you can find these works. Learn something, teach something, and by all means enjoy something historical and beautiful. for additional information visit jim barnill’s website at: www.jamesbarnhill.com you can view/purchase additional works at: Ambleside Gallery 528 South Elm Street,

Greensboro, NC 27406 (336) 275-9844

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The Greensboro City Market

June 20th 2013

Join us at the next Greensboro City Market July 18th at the South End parking lot (enter on Barnhardt or Lewis Streets)

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Summer Solstice 2013

June 22th

fall fest<<< 35 39