DEC sales 2008 by Webb's Auction House

Cover: Lot 628 – Gordon Walters, Black and Red, 1968 (detail) pva and acrylic on canvas, 910mm X 1221mm (Private Collection, Auckland) Originally purchased from Peter McLeavey Gallery, Wellington. Purchased Webb’s 1992. $450,000 - $500,000

Inside front cover: Lot 528 – A large Satsuma Samurai decorated platter, $800 - 1,200 Inside back cover: Lot 304 – A superb contact period Mere Pounamu, $8,000 - 12,000

New Zealand’s Premier Auction House 18 Manukau Road Newmarket, PO Box 99251 Auckland, New Zealand 0800 22 00 77 +649 524 6804 +649 524 7048 auctions@webbs.co.nz www.webbs.co.nz

Fine Jewellery & Watches, Antiques & Decorative Arts, Important Works of Art, Estate of Giovanni Intra, a Collection of Works on Paper Sale 302

Viewing

DAY 1 Fine Jewellery & Watches

Evening Viewing & Christmas Drinks

Wednesday, 3 December 2008, 2.00pm & 6.00pm

DAY 2 A ntiques & Decorative Arts

Thursday, 4 December 2008, 6.00pm

DAY 3 Important Works of Art

Monday, 8 December 2008, 6.30pm

DAY 4 Giovanni Intra Estate

Tuesday, 9 December 2008, 6.30pm

Works on Paper Collection

Tuesday, 9 December 2008, 7.30pm approx.

BUYER’S PREMIUM A buyer’s premium of 12.5% will be charged on the Important Works of Art and Fine Jewellery & Watches sections of this catalogue. A buyer’s premium of 15% will be charged on the Antiques & Decorative Arts, Giovanni Intra Estate and a Collection Works on Paper section of this catalogue. GST of 12.5% is payable on the buyer’s premium only.

Friday

28 November 6.00pm – 8.00pm

Thursday 27 November Friday 28 November Saturday 29 November Sunday 30 November Monday 1 December Tuesday 2 December Wednesday 3 December Thursday 4 December Friday 5 December Saturday 6 December Sunday 7 December Monday 8 December Tuesday 9 December

9.00am – 5.30pm 9.00am – 8.00pm 11.00am – 3.00pm 11.00am – 3.00pm 9.00am – 5.30pm 9.00am – 5.30pm 9.00am – 5.30pm 9.00am – 5.30pm 9.00am – 5.30pm 11.00am – 3.00pm 11.00am – 3.00pm 9.00am – 5.30pm 9.00am – 12noon

Note: Please refer to section title pages for specific viewing times as there is limited viewing on sale days. Jewellery viewing to 5.15pm only CONDITION OF ITEMS The condition of items is not detailed in this catalogue. Buyers must satisfy themselves as to the condition of lots they bid on and should refer to clause 6 in the Conditions of Sale for Buyers printed at the back of the catalogue. Webb’s is pleased to provide intending buyers with condition reports on any lots.

highlights

sep/oct 08

02 06

16 15

14 23

21 22

Further entries now invited

feb09 :

a2 aRT ANTIQUES & decorative arts FINE JEWELLERY & watcHes

APR09 :

important works of aRT ANTIQUES & decorative arts FINE JEWELLERY & watcHes

may09 :

contemporary ART / design 20

Achieved: $3,100 18 BILL HAMMOND ‘Get It On, Bang a Gong, Get It On’ T.Rex | oil on aluminium | 305mm x 375mm | Achieved: $16,000 19 An Achille Castiglione ‘Taccio’ Lamp by Flos | Achieved: $2,600 20 An Anglo-Indian Ebony and Ivory Inlay Table Cabinet | Achieved: $2,500 21 CHARLES BLOMFIELD Auckland from the North Shore | oil on linen | 345mm x 605mm | Achieved: $47,500 22 An Isamu Noguchi Coffee Table by Herman Miller | Achieved: $3,900 23 GOTTFRIED LINDAEUR Portrait of the Artist’s Wife - Rebecca Lindaeur | oil on board | 650mm x 530mm | Achieved: $30,000 >> Note: All prices quoted exclude

New Zealand’s Premier Auction House 18 Manukau Road Newmarket, Auckland, New Zealand 0800 22 00 77 +64 9 524 6804 auctions@webbs.co.nz www.webbs.co.nz

buyer’s premium and GST on the buyer’s premium. in focus

infocus important works of art The art component of the December Sale consists of three separate sections: an Important Works of Art sale on Monday 8 December and Works from the Estate of Giovanni Intra and a Private Collection of Works on Paper to be held on the following night, Tuesday 9 December. Gracing the cover and undoubtedly a highlight of the sale is the rare and important work on canvas by Gordon Walters, Black and Red (lot 628). This work was produced in 1968, around the time Walters stopped using hardboard, moving instead to the more sympathetic nature of the texture of the canvas. For Walters, it served to soften the hard-edged image. Exquisite in its detail and exacting precision, Black and Red is a study in elegance and discomfort. The strong horizontal bands end in the koru bulbs, whose grouped concentration hold the balance of the painting’s composition. The strong assertive colour combination of red and black is typical of the considerable variation of colour Walters used in the late 1960s. Dr Michael Dunn explores the painting’s position within Gordon Walters’ oeuvre on page 74 of the catalogue. There are a number of works in the sale where artists have explored the shaped canvas. Gretchen Albrecht’s familiar ovals and hemispheres have formed the basis of her practice since the early 1980s. Small Oval – (Nomadic Geometries) (lot 609) is a compelling combination of moody blue and purple where the physicality of the paint application within the elliptical oval is made obvious. Sweeping strokes of colour, incorporating rectangular blocks of pigment float across the surface. The singing combinations allure, resonate and reflect particular emotional moods. Like Gretchen Albrecht, Max Gimblett’s shaped canvases convey a variety of associations and meanings. The physical support offers various solutions depending on the technique he is employing. His signature materials include leaves of precious metal, resins, epoxy, paint and ink. Dragon Hum (lot 622) is a calligraphic sweep of stark contrast. Overlaid pigment is poured over, splashed on, and flung at the canvas in monochromatic tones of white black and grey. The raw canvas is allowed to show through in places: evidence that the work has been tilted and spun during the course of its making. In contrast to the expressionistic flourishes of Gimblett and Albrecht, Roy Good’s Triangle Suite, (lot 615) employs the shaped canvas as an extension of his interest in the geometries of his compositional structure. Careful consideration, pure geometry and hard-edged abstraction are applied and the emotion is conveyed through lively colour combinations, rather than expressionistic use of paint. Julia Morison’s Amalgame 100 (lot 610) also employs an unusual support. This extraordinary body of work was created by Morison during her New Zealand Moet and Chandon Fellowship, of which she was the inaugural winner. It was exhibited in Cadran Solaire, Troyes, France in 1991 with 100 other pieces all resembling altar boxes. This triptych consists of hinged doors covering a glazed tray. Symbols adorn the front, inside panels and central piece, and it can be hung or stood, open or closed, creating a variety of views. Bill Hammond has been painting on screens for over 20 years. One of the first was exhibited at Fisher Gallery (now Te Tuhi Centre for the Arts) in the 1985 show entitled ‘The Folding Image’ curated by Mary Vavasour. Works included a screen by Colin McCahon, which had been shown at RKS Gallery in the 1970s and is now in the collection of the Auckland Art Gallery alongside the work of Pat Hanly, Dick Frizzell, Gavin Chilcott, Ralph Hotere and Mary McIntyre. Travel to Japan in the early 1990s cemented Hammond’s interest in the screen as an article of utilitarian furniture and elegant design, offering privacy and, over time, it was developed into decoration. The mahogany support, on which Threshing Dog The Golden Bough (lot 627) is applied, is a curved, finely grained screen, hinged

to create convex and concave structures . The work has a twodimensional intent, despite the free-standing three dimensionality of the screen as an object. Pat Hanly’s plywood constructions such as Child’s Urgent Signalling (lot 616) and Bouquet (lot 614) are works which have been made up from broken paintings. Seen as a reaction to the ‘Cleanism’ of Post-Modernism, they are deliberately crude, their making and application, their nails and staples allowed to show. The viewer is invited to re-experience the paintings through their ‘Alterations’. He urges the viewer to “Disengage your old brain!” Stephen Bambury has used aluminium panels as a primary support since 1989; this material breaks away from the conventional notions of art as being supported on stretched canvas or board. Its relative thinness enables it to be hung close to the wall challenging the notions of pictorial space. The material of “In a Continual Repetition of Nature” (Chakra #9) (lot 632) is particular to Bambury. Resin and graphite have long been important materials within his diverse and experimental approach to painting. The materials contrast in their values, their colour, their reflective nature and their transparency. We are pleased to be holding the sale of works from the Estate of Giovanni Intra (lot 800–852). Giovanni Intra (1968–2002) was an influential writer, critic, artist and curator. An Elam School of Fine Arts Master’s graduate, Intra is best known in New Zealand for founding the alternative artist-run space Teststrip in Auckland in 1992 with Denise Kum, et al., Daniel Malone, Judy Darragh, Kirsty Cameron and Lucy Macdonald. His contemporaries at art school included Michael Parekowhai, Jim Speers, Ann Shelton and Megan Jenkinson. Travelling to Los Angeles on a Fulbright scholarship in 1996, he earned a Master’s degree in Criticism and Theory from the Art Center College of Design at Pasadena, California in 2001. Intra opened the ground-breaking gallery China Art Objects in 1999; it was designed by Pae White and built by Intra and his friends. He was the West Coast editor for Art + Text and a contributor to ArtNet, ArtForum and Bookforum among other publications. Intra’s works are held in private and public collections including the Jim Barr and Mary Barr Collection, the Chartwell Collection and the Govett Brewster Art Gallery, New Plymouth. A selection of archival material is held in the E.H. Mc Cormick research Library at the Auckland Art Gallery. The works offered in this catalogue were made in the early to mid-1990s during Intra’s study at Elam or just after. This is the first cohesive offering of works on the auction market and a chance for collectors and admirers to own a work by a very talented, experimental practitioner who developed a successful international reputation. The works in the catalogue have been selected to provide an overview of early, developmental practice. Various colleagues, friends and associates have viewed the selection of work and Webb’s would like to thank those who took the time to view the collection and offer advice and catalogue information. The Private Collection of Works on Paper (lot 853–914) consists of 60+ lots of original works on paper and limited-edition prints. All produced in the late 1980s and early 1990s, works by Pat Hanly, Dick Frizzell, Fatu Feu’u and John Reynolds predominate. Low edition numbers, pristine condition and relative rarity make this an interesting and eclectic offering of original works on paper, lithographs, woodcuts and etchings. EMMA FOX

BILL HAMMOND Threshing Dog – The Golden Bough oil and metallic paint on shaped screen with mahogany support title inscribed, signed and dated 2002 1660mm x 1570mm $180,000 – $220,000

in focus

Ron Sang Publications announces the release of:

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11 Glenfell Place, Epsom, Auckland 1023, New Zealand Tel: 64-9-6388 026 Fax: 64-9-6388 079 email: ronsang@ronsangpublications.co.nz WWW RONSANGPUBLICATIONS CO NZ

Publishers of New Zealand Art

Green Fire

The December sale features a fabulous selection of

superb emeralds. Born from rising volcanic magma emeralds of f ine quality are often referred to as

“Green Fire”, the stuff of romance and a wonderful f ilm of the same name. Prized throughout history, emeralds of good colour and clarity are sought after because of their extreme rarity.

Lot 122 A magnificent pendant set with an Emerald of 14.98ct together with white and black diamonds Lot 121 A ring set with an Emerald and two trilliant cut shoulder diamonds

Lot 123 A brooch set with an Emerald and diamonds, the safety pin also set with diamonds

White Fire Also featured is a spectacular selection of diamond solitaires including several

exceptionally rare Blue-White (D) colour stones together with splendid diamond set Jewellery:

Lot 128 A Ring set with a magnificent Princess cut Diamond of over 4ct Lot 141 A magnificent necklace set with over 25ct of Diamonds

Fine Jewellery & Watches Wednesday 3 December, 2pm & 6pm

in focus

infocus

Antiques & Decorative Arts Thursday 4 December 2008, 6.00pm

This final Decorative Arts sale of the 2008 season includes a collection of New Zealand artefacts and memorablia featuring an early contact period Mere Pounamu and three, ever popular, taxidermy Kiwis. Also included in this catalogue is a fine selection of silver, Georgian and Victorian furniture, Oriental and European porcelain as well as paintings and other unique decorator items. A highlight of the sale, and an item rarely seen on the New Zealand auction market, is a cold painted, bronze and ivory figure table lamp by leading Art Déco craftsman and ivory carver Ferdinand Preiss (1892-1943). The Stile (lot 388) is mounted on marble and depicts a young woman dressed in a stylishly casual short-sleeved blouse and pair of slacks, leaning forward with her hands resting on two pillars. It was crafted c.1930.

BETHUNES@WEBB’S Further entries now invited

March 2009 Not three men in a boat but seven - in a 24 ton coasting schooner ‘Alpha’ under Captain Tom Sayers bound for the isle MacQuarrie to hunt & boil sea elephant’s blubber. A cook, a sailing master, and crew of five including a redhead (Its scarce fair to write verse on/The marks with which Nature adorneth one’s person) battle a hurricane, lose their way, enquire of the ship ‘Portland’ “Will you give us our longitude, sir if you please?.” Read of their detailed adventures in verse and ponder on the publishing of this rare item in San Franciso in 1882. Illustrated: The Cruise of the Alpha. Descriptive of a Sealing Voyage to the Auckland Islands by Walter Johnson, San Francisco, 1882 Contact Miriam Shaw +64 9 529 5602 bethunes@webbs.co.nz

Immediately after the end of WWI Preiss and his associate Arthur Kassler built a business together, which would reach full production during the 1920s. Preiss was the artistic director whereas Kassler devoted himself to the commercial side of the business. Their specialty was Art Déco-style cabinet sculptures which combined ivory with painted bronze and which were mounted on plinths made of onyz or marble and sometimes also on mantelpiece clocks or lampstands, such as this piece. The models, which were practically all designed by Ferdinand Preiss, were produced in limited editions. The Stile is signed F.Preiss and carries foundry marks to the stand and figure. From the team in the Decorative Arts department, we wish you a happy holiday season and all the best for the New Year.

Brick Bay Sculpture Trail The Brick Bay Sculpture Trail near Matakana showcases contemporary New Zealand sculpture by established and emerging artists. Experience sculpture in a unique landscape framed by towering native trees and majestic palms, abundant birdlife, green pastures and overlooking the celebrated Brick Bay Vineyard. Just 60 minutes north of Auckland. Open 10am â&#x20AC;&#x201C; 5pm daily Works for sale by: Gretchen Albrecht Jacqueline Aust Graham Bennett Ian Boyle Mary-Louise Browne Chris Charteris Fiona Connor Judy Darragh & Rachel Shearer Liz Earth John Edgar Leon van den Eijkel Fatu Feuâ&#x20AC;&#x2122;u Fiona Garlick Regan Gentry Aiko Groot Chris Hargreaves Christine Hellyar Robert Jahnke Lyndal Jefferies Gaye Jurisich Virginia King Gregor Kregar Peter Lange Barry Lett Lauren Lysaght Richard Mathieson David McCracken Juliette Milne Dane Mitchell Phil Neary Seung Yul Oh Matt Pine Phil Price Pauline Rhodes Caroline Robinson Brydee Rood Martin Selman Cat Simpson Terry Stringer Sally Tagg Tracey Tawhiao Jeff Thomson Fletcher Vaughan Rachel Walters Richard Wedekind Jim Wheeler

Artist: Gregor Kregar, Brick Bay Polyhedron

T 09 425 4690 F 09 425 4691 E sculpture@brickbay.co.nz W www.brickbaysculpture.co.nz Arabella Lane (off Mahurangi East Road) RD2 Warkworth

Announcing two fashion sales

March 2009

The Vinka Lucas Archive Collections Vinka Lucas is probably best known to a younger generation of New Zealand women as a specialist in bridal wear through her present company Vinka Brides. However, between the 1960’s and 1980’s Vinka owned and operated a designer salon named Maree de Maru and subsequently added the label Vinka Lucas After Five. During an extended period of working overseas she operated under the label Vinka Lucas Paris. Under these labels she designed and manufactured luxurious and glamorous evening and cocktail wear. The collection of approximately four hundred pieces which Webb’s has been asked to auction has been archived during the past forty years. Some gowns were designed and made for Vinka herself, others represent a selection that Vinka has chosen to retain from each label. The collection contains a large number of spectacular after five cocktail and formal evening dresses in rich and exotic fabrics as well as a small selection of bridal wear. There are also two gowns that were made for the Miss New Zealand Contest in the 60’s with the crowns and coronation cape. Watch our website in the New Year for more details of this unique and exciting auction. Illustrated: An evening dress of simple sleeveless design in tie-dyed silk velvet with a matching spectacular coat. The sleeves and hem are trimmed with red, black tipped, ostrich feathers.

Sunday 30th November, 12PM

Vintage Clothing

On behalf of the Malthouse Theatre Trust, Christchurch: a collection of costumes, dresses, furs, accessories and Oriental costumes from Victorian and Edwardian periods through the 1920s-1960s; 330 lots mostly without reserve. For details of viewing times, descriptions and illustrations see www.webbs.co.nz. Hard copy catalogue available $5.00.

• 10

Contact Ann Webb +64 9 524 6804 awebbs@webbs.co.nz

Vorsprung durch Technik www.audi.co.nz

Beauty takes on many forms.

The Audi A3. The Cabriolet. Beyond its exquisite curves, beyond even the performance of its turbo charged FSI engine, is a spectacle that takes place over ten seconds. As the classic soft-top retracts, the Audi A3 Cabriolet is transformed from a style icon into a vehicle of pure and unadulterated driving pleasure. Astoundingly economical and priced at just $59,500, the Audi A3 Cabriolet is naturally very attractive. Contact an authorised Audi dealer to experience it for yourself. BlackwoodGroup AUD0841

I-We Landscape 2006-07 Oil acrylic and stainless steel on board 1200 x 790

Bring this advertisement to the gallery before 23rd December for a special discount on artwork. (Discount varies on artwork purchased) Subscribe to our exhibition mail list by emailing info@warwickhenderson.co.nz to receive email or catalogues about our upcoming events.

BATH STREET WARWICK HENDERSON GALLERY

GARFIELD STREET

www.warwickhenderson.co.nz 32 Bath Street, Parnell, Auckland New Zealand T/F+64 9 309 7513 info@warwickhenderson.co.nz

WINDSOR STREET

PARNELL ROAD

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Day 1

Jewellery & Watches Valuable Modern Watches, Collectable Pocket Watches Fabulous Diamond Solitaires Magnif icent Jewels Fine Antique & Modern Jewellery

DAY 1

Viewing

Jewellery & Watches

Evening Viewing & Christmas Drinks

wednesday, 3 DECEMBER 2008 Two Sessions 2.00pm & 6.00pm

2pm

Lots 1000 - 1200 An excellent selection of Estate & Modern Jewelllery. A list will be available free of charge at viewings or online at www.webbs.co.nz

6pm

Lots 1- 24 Wrist & Pocket Watches Lot 25 - 30 Accoutrements, Gold Coin Lots 31 - 194 Jewellery

Friday

28 November 6.00pm – 8.00pm

Thursday 27 November 9.00am – 5.15pm Friday 28 November 9.00am – 8.00pm Saturday 29 November 11.00am – 3.00pm Sunday 30 November 11.00am – 3.00pm Monday 1 December 9.00am – 5.15pm Tuesday 2 December 9.00am – 5.15pm Wednesday 3 December 9.00am – 1pm sharp Viewing strictly until 1.00pm ONLY on day of sale

BUYER’S PREMIUM A buyer’s premium of 12.5% will be charged on this section of this catalogue. GST of 12.5% is payable on the buyer’s premium only.

J E W E L L E RY & WAT C H E S

19 3

11 29

DAY 1 WEDNESDAY 3 december

CARTIER, A Lady’s All 18ct Yellow Gold ‘Tank Française’ Wristwatch.

2.00PM AFFORDABLE, ESTATE & Modern JEWELLERY Lots 1000 - 1200

Quartz movement. White face with Roman numerals, cabochon sapphire end stone to crown. This watch was purchased new in New Zealand C1999, has been only rarely worn and is in superb condition. With original box, instructions, papers, and spare links.

A list will be available free of charge at viewings or online at www.webbs.co.nz

$12,000 - $14,000 see colour illustration page 19

___________________________________________________________________

6.00PM Wrist & pocket wATCHES Important Conditions Sale for Watches: Please note: as many of the timepieces are old, or their history is unknown, Webb’s offers no guarantee as to mechanical condition or condition of seals etc. A timepiece described as ‘fine’ or ‘as new’ is an opinion as to appearance only. All watches are sold as viewed. It shall be assumed that all buyers have inspected the lots and that they are happy with them in all respects. Watches cannot be returned on the grounds that repairs or service have been carried out, or parts (including straps or bracelets) have been supplied, by anyone other than the named maker. Notwithstanding the foregoing condition, named wristwatches are sold on the basis that the movement (or movement and case where both would normally have been manufactured by the named maker) were manufactured by the named maker. It is recommended that buyers have watches serviced promptly to ensure that damage does not arise from faulty seals or any other aspect of mechanical condition. 1

Ref 27-8236-23 S/N 1198650. Circular outline with diamonds set to bezel, and 7 free moving diamonds captured under lens. White face with Roman quarters, sweep second and date window. Quartz movement. Bezel diamonds fitted ex-factory. Cabochon sapphire end-stones to crown and lugs. As new condition with original box and papers dated Nov 2007. Report of retail market value and insurable value available on request. $7,000 - $8,000 see colour illustration page 16

$1,000 - $1,400 see colour illustration page 19

$2,500 - $3,000

CHRONOSWISS KELEK, A Gentleman’s Rolled Gold Cased 5 Minute Repeating Automatic Wristwatch. Ref DK87-211A, CAL CH 8735. Circular outline case, white enamel face with Arabic numerals. 21 jewel movement exposed under crystal lens case back. Repeat on two gongs operated by push piece at 6 o’clock. Brown crocodile strap. Ref DB87-211A, CAL CH 8735. Circular outline case, white enamel face with Arabic numerals. 21 jewel movement exposed under crystal lens case back. Repeat on two gongs operated by puch piece at 6 o’clock. Brown Crocodile

see colour illustration page 16

TAG HEUER, A Lady’s Stainless Steel Professional Diver’s Watch with Diamond Indexes. Ref WT1417, BA0561. Black face with sweep second, date window and diamond indexes. Rotating outer bezel ring. Quartz movement, water resistant 200m. With original box, spare links, undated guarantee (Saks Fifth Avenue) and diamond certificate stating the quality F/G, VVS-IF.

OMEGA, A Gentleman’s Speedmaster Stainless Steel Triple Calendar Chronograph Wristwatch. Stainless steel case and strap. Automatic movement. Grey face with black enamel outer tachymetric ring, sweep second, date hand, subsidiary chronometric and 24hour dials, day and month windows. This model we understand was discontinued. C.2000. Excellent appearance.

CHOPARD, A Lady’s “Happy Sport” Stainless Steel Wristwatch Set with Diamonds.

HUBLOT, A Gentleman’s Stainless Steel Cased ‘Subaqaneus’ Diver’s Watch.Ref 1951.NM40.1, s/n 600 846 Black face with luminous chapters, sweep second and date window. Quartz movement. Rotating outer bezel with‚ ‘Turnlock’ system. Screw down crown. Water resistant 2000m. Black rubber strap with stainless deployant clasp. With original box and papers dated October 2005.

$5,000 - $6,000 see colour illustration page 19

$2,500 - $3,000 9 3

ROLEX, A Gentleman’s Stainless Steel Oyster Perpetual Datejust Wristwatch with 18ct White Gold Fluted Bezel and Diamond Indexed Dial. Ref 16234 S/N F989640 (C2004), silver face with diamond indexes, sweep second and date window. Jubilee bracelet. $5,500 - $6,500 see colour illustration page 16

A Lady’s 18ct Yellow Gold Cased Fob Watch Decorated with Enamel.

PATEK PHILIPPE, An 18ct Yellow Gold Hunting Cased pocket watch. Movement No 30959. Extract from Patek Philippe archives shows date of manufacture 1867 and date of sale January 2, 1868. Keyless lever, 15 jewel with wolfs’ tooth winding gears. White enamel face with Roman numerals and Breguet style moon hands.The cuvette signed by supplier: Geo W.Webb, Baltimore and also signed Patek Philippe & Co Geneva. The case richly decorated with engraving. The supplier, Geo.W.Webb is listed as having been active in Baltimore 1850-1886. A desirable timepiece in superb condition. $4,000 - $5,000 see colour illustration page 19

Keyless lever, gold face with Arabic numerals and subsidiary seconds. 15 jewel movement by Sigma. Retailed by Geublin Lucerne. The bezel and case back decorated with sea blue and white enamel guilloché. Minor bruising. $650 - $750 J E W E L L E RY & WAT C H E S

BREITLING LAEDERICH. An 18ct Yellow Gold Hunting Cased Fob Watch.

Keyless lever; white enamel face (minor hairline fault), Roman numerals and subsidiary seconds. Cuvette also 18ct, numbered 35069, signed Breitling Laederich, Chaux de Fonds, Suisse. The case enhanced with restrained engine turning and further decorated with elegant black enamel highlights (minor deficiencies). $1,000 - $1,200 see colour illustration page 19

Keyless lever, white enamel face with Roman numerals and subsidiary seconds. The case back set with an old mine cut diamond, the band and cover borders decorated with engraving. Front engraved with a monogram. $450 - $650 17

$1,500 - 2,000 18

$450 - $650

ROLEX, A Gentleman’s All 18ct Yellow Gold Oyster Perpetual Day-Date Wristwatch with Rare Black Onyx Face.

$2,800 - $3,800

Ref 18238, SN E832807 (C1990/91). Plain polished face with gold rimmed day and date windows, sweep second and Rolex crown at 12 o’clock. A handsome timepiece of excellent appearance. $20,000 - $25,000

see colour illustration page 19

CARTIER, A Stainless and Gold Panthère Wristwatch,

$1,200 - $1,400 see colour illustration page 16

$1,750 - $2,250

CARTIER, A Lady’s Stainless Steel and Gold Panthère Wristwatch.

PASQUALE BRUNI, A Gentleman’s Automatic Stainless Steel Cased Chronograph Wristwatch. Cushion outline case. Black face with Arabic numerals, sweep second and chronometric subsidiary dials. Stop and return buttons in the band. Black leather strap. As new condition with original presentation box.

Unisex size, quartz movement Ref 83949008830. Cream face with Roman numerals and date window at 5 o’clock. Blue end-stone to crown.

CHAUMET, A Lady’s Stainless Steel Wristwatch Enhanced with Diamonds. Ref 12K 11153. Rectangular case and integrated gatelink bracelet. The case bordered by two lines of diamonds. Black face with diamond indexes. Quartz movement. With original box and spare links. A fashionable timepiece in good condition.

see colour illustration page 16

BELL & ROSS, A Professional Diver’s Watch In Stainless Steel. Hydromax, S/N 400S 10009. Waterproof to 11,100m!! Circular case and integrated bracelet of stainless steel. Black face with Arabic numerals, date window and sweep second. Black rotating outer bezel. As new with original box, alternative rubber strap, accessories and papers dated April 2005.

A Lady’s Art Deco Period Sterling Silver Cased Wristwatch Set with Emerald and Diamond Pastes. Rectangular outline case with tapered lugs set with lines of green and white baguette cut and round faceted pastes, the lugs each set with a pendeloque cut green paste to a single row gatelink expanding strap. Silver face with gold central panel and Arabic numerals. Manual mechanical movement. London import marks for 1924 together with unidentified Continental mark. With box.

ELGIN, A 14ct Yellow Gold Cased Fob Watch Set with A Diamond.

JAEGER-LE COULTRE, A Gentleman’s Rolled Gold Cased ‘Wrist Alarm’ Watch.

Ref 083275 S/N 166921. Quartz movement. Cream face with Roman numerals. Blue end-stone to crown. The bracelet extended with a section of plain stainless links. With original box and papers dated 1998.

Circular outline with lobed lugs. Two-tone silver face with Arabic quarters and polished batons, sweep second and inner alarm indicator mystery dial, set by second crown. Manual mechanical movement. C.1950’s. Brown Lizard strap.

$2,000 - $2,500

$2,750 - $3,250

see colour illustration page 19

see colour illustration page 16

I.W.C. - INTERNATIONAL WATCH CO, SHAFFHAUSEN, A Gentleman’s Platinum Cased Chronograph Wristwatch. Ref 3703, S/N 2486116. Circular outline, automatic movement; white enamel face with polished indexes, sweep second, date window and 3 subsidiary chronometric dials. Stop and return buttons in the band. Black leather strap. With Platinum clasp. With original papers and instruction booklet. Excellent appearance, understood to be C1995. $24,000 - $26,000 see colour illustration page 16

An 18ct Yellow Gold Hunting Cased Minute Repeating Chronograph Triple Calendar and Moon phase Pocket Watch. Keyless lever, winding gear signed IXORA. White enamel face (hairline faults and repair). Sweep second with stop/return button in band. Subsidiary dials for seconds, moonphase, day, date and month. The repeat on two gongs operated by a slide in the band. 18ct cuvette. The plain case having a monogram to back cover. Overall condition of case fair. A rare opportunity to acquire a late 19th C timepiece with several degrees of complication at an accessable price. $5,000 - $7,000 see colour illustration page 16

28 5

18 7

10 23

J E W E L L E RY & WAT C H E S

An Exquisite Blue Enamel and Diamond Ball Watch with Matching Ribbon Bow Brooch. The 17.5mm diameter watch of gold guilloché and midnight blue enamel enhanced with three circlet lines of senaille and old mine cut diamonds, the bale enhanced with further diamonds, is suspended by a ribbon bow of later date in 9ct white gold and midnight blue enamel tied by a diamond set panel. The watch, with a face of white enamel with Arabic numerals, is wound by rotating the bezel. Very minor bruising imparts insignificant visual impact to this charming piece.

Cushion outline with hinged toggles. The plates of burnished finish set with a lattice of round and blue sapphires.Gemologist’s report and valuation available on request. $2,500 - $3,000 see colour illustration page 16

$120 - $140

see colour illustration page 16

OMEGA, A Gentleman’s 18ct Yellow Gold Cased Seamaster Wristwatch.

FINE JEWELLERY

De Ville, Automatic. Gold face with polished batons and sweep second. Brown crocodile strap.

Independent Gemmological Reports And Valuations: Valuations are made available to customers for two primary purposes: Firstly to provide an independent opinion as to the quality of the stones & metals comprising the piece, and Secondly so that buyers can, if they wish, obtain suitable Insurance cover immediately upon purchase and prior to delivery.

$2,300 - $2,600 see colour illustration page 19

LOCMAN A Funky Chronograph Wristwatch. Oval bubble outline in stainless steel. Quartz movement. White face with Arabic numerals, sweep second, date window and subsidiary chronometric dials. Red leather strap. With presentation pouch and papers showing purchase in Italy 2004. $350 - $450

ACCOUTREMENTS 25

A Pair of 9ct Rose Gold Cufflinks Decorated with White Enamel. Oval twin plate design with scroll decoration. $150 - $200 see colour illustration page 19

A Masonic Ball Pendant. 9ct rose gold and silver-gilt, the six hinged pyramidal sections opening out to a Latin cross, each section engraved with Masonic symbols. 17.6mm diameter (closed). Minor dents to one panel. $400 - $600

A Brooch Set with Gold-Bearing Quartz. 18ct yellow gold triple bar design with bead finials, centred by a lozenge outline domed piece of well veined polished gold-bearing quartz. $700 - $800 see colour illustration page 19

A valuation for insurance purposes represents a calculated replacement cost allowing for maximum retail margins, such that an Insurer can assess the outer limit of their exposure to risk. It does not represent actual new retail replacement as it makes no provision for competitive trade practice, or for discounts obtained by individual bargaining. As fashion, desirability and current market forces all have variable impact on second hand or Auction value, there is no direct formula for estimation of such value by interpolation from Insurable value. As the currency exchange rate and spot metal prices have a marked effect on jewellery valuations, buyers should note the date and prevailing economic factors at the time that the valuation was produced. Once all of the prevailing parameters have been established, it is possible for an experienced person to interpolate a rough estimate of the current cost of manufacture from past insurable value, but again that exercise will give no indication of actual market forces. Buyers should also note the stated purpose of the valuation (Insurance, Retail Market, Cash Value, Estate Division etc.). All valuations remain opinions and not matters of fact. Whilst Webb’s staff will assist buyers to understand the methodology and technical details of Gemmological reports and valuations, buyers must make their own assessment of an item’s value before bidding. Webb’s its consultants and employees make no representation or warranty regarding any outside opinion, valuation or certificate of any item on offer.

Please note: where gemological reports are available these should be read together with the catalogue description. Should there be, through error, omission or introduction of better evidence, any significant difference between the catalogued description and that provided in the gemologist’s report, it shall be assumed that the buyer has inspected the report and is buying in acceptance of it. Unless otherwise stated, all stones have been assessed for weight, colour or clarity mounted and the descriptions given in the catalogue or report are therefore based on estimates which are limited in accuracy. Where an actual weight is given the stone will have been weighed loose, however while the grading of a stone loose will minimise error margins it shall be accepted by the buyer that all reports and descriptions remain opinions and not matters of fact.

A Jadeite, Diamond And 18ct Gold Compact. The cushion outline case of burnished 18ct yellow gold set with a carved jadeite vase with jadeite foliage on diamond set branches. The corners enhanced with Tao scroll motifs set with diamonds. The compact opening to reveal a fitted mirror and powder compartment. 6.9mm wide. 126.7g. An exquisite piece that would grace the collector’s cabinet. Provenance: Christie’s Hong Kong November 1999. $4,000 - $5,000 see colour illustration page 19

A Geo.V Half Sovereign. 1915, Sydney mint.

$2,750 -$3,750

A Pair of 18ct Yellow Gold and Sapphire Cufflinks.

A Muff Chain and Fob Seal of 15ct Yellow Gold. The chain of double circlet links with a single clip suspending the fob seal with a vacant cornelian plate. 1500mm. $900 - $1,200 see colour illustration page 37

A Necklace Set with Diamonds.

A Bracelet Set With Diamonds.

The flat herringbone link necklace of 18ct yellow gold having a `V’ at mid-section set with two rows of round modern brilliant cut diamonds, 29 in all with a TDW approximately 2.00ct. Gemologist’s report and valuation available on request.

Designed as a companion to the previous lot, also in 14ct white gold, pavé set with some 342 round modern brilliant cut diamonds of good quality and estimated total diamond weight 4.70ct. Gemologist’s report and valuation available on request.

$2,000 - $2,500

$5,000 - $6,000

see colour illustration page 23

see colour illustration page 33

A Jewelled Heart Motif Pendant on Chain.

Circular outline in 18ct yellow gold set with 4 diamonds, a sapphire, a ruby and a peridot scattered around a central pierced heart motif. Suspended by an 18ct yellow gold box curb neck chain.

A Cross Pendant Set with An Emerald and Seed Pearls. The 59 x 37mm Latin cross of yellow gold (tests approximately 15ct) richly decorated with foliate and floral engraving to a central `Bethlehem Star’ motif set with half-pears and an emerald-cut emerald.

$450 - $650

$450 - $650 34

A Pair of Fancy Yellow and White Diamond Drop Earrings. Each designed as an articulated drop of three rectangular panels, set with a fancy yellow Princess cut diamond within a border of round modern brilliant cut white diamonds and joined by white diamond links. 18ct white gold. Gemologist’s report and valuation available on request.

18ct yellow gold flat curb links with 6 rub-over set round modern brilliant cut diamonds at even intervals. TDW approximately 0.72 ct, 16.3g. Gemologist’s report and valuation available on request. $1,200 - $1,500

$3,000 - $3,800 see colour illustration page 31

$1,200 - $1,400 44

$500 - $600 36

Designed as a line of pierced circular and fancy double oval links separated by pairs of seed pearls, the circular links alternately set with a round old cut diamond or a round cut aquamarine.

$2,500 - $3,000 see colour illustration page 33

see colour illustration page 37

A Cornucopia Pendant on Chain Overgilded 9ct rose gold with vari-colour gold decoration suspended by a 9ct rose gold rope link neck chain.

A Finely Carved Shell Cameo Double Portrait Brooch. The 53 x 43 oval cameo of a pair of classical figures in profile is set in a frame of 18ct yellow gold with a rope-twist border. The cameo signed on reverse L. Livirillio. Very minor hairline fault.

A Chain Necklace Enhanced with Diamonds. Two rows of fine 18ct white gold cable links set with 10 round modern brilliant cut diamonds in rub-over links at even intervals. TDW 1.01ct. Gemologist’s report and valuation available on request.

A Dainty Bracelet of 15ct Yellow Gold set with Seed Pearls, Diamonds and Aquamarines.

$600 - $800

A Heavy Bracelet of 9ct Yellow Gold. Chunky curb links with a heart shaped padlock clasp. 108g.

A Victorian Insect Motif Bangle. 15ct yellow gold hinged design, the upper section enhanced with scroll work and engraving to a central inset motif set with haematite, ruby and seed pearls. With original box.

A Chain Bracelet Set with Diamonds.

$300 - $400 46

DON SALT, a Carved Greenstone Pendant. Exquisitely and finely carved in a stylised foliate manner. Black cord necklace with original presentation box.

$500 - $700 see colour illustration page 31

$1,000 - $1,400 38

A 19thC Brooch of 15ct Yellow Gold. Designed as an articulated twin demi-lune of polished and satin finish suspending a ribbed dome and three drop finials. $400 - $500 see colour illustration page 31

A Collar Style Necklace Set With Diamonds. Fringe design in 14ct white gold, a total of 109 links with the front 60 pavé set with round modern brilliant cut diamonds, some 600 in all of good quality, with an estimated total diamond weight 6.60ct. Gemologist’s report and valuation available on request.

A Pair of Diamond Drop Earstuds, Each Terminating with A Princess Cut Diamond of 1ct. Each drop of 18ct white gold designed as an articulated line of 4 baguette and round modern brilliant cut diamond set links to two split lines of diamond baguettes supporting a 1ct Princess cut diamond finial. The Princess cut diamonds described in GIA reports 16424910 and 16440139 as 1.01/1.00ct F, VS2 and H, VS2, the supporting diamonds F/I VS2/SI2. TDW 4.04ct. Gemologist’s report and valuation available on request. $15,000 - $18,000 see colour illustration page 14

$8,500 - $9,500 see colour illustration page 33, see also following lot J E W E L L E RY & WAT C H E S

136

92 169

107

91 172

135

151

185 67

150 167

103

194 173

148

174

32 149

132 134

113

99 73

125

J E W E L L E RY & WAT C H E S

A `Russian’ Bangle Set with Diamonds.

The three intertwined bangles of 9ct yellow gold each set with a continuous line of round modern brilliant cut diamonds. Gemologist’s report and valuation available on request.

Unisex design in 21ct yellow gold. Textured hinged links to a midsection curved plate enhanced with chevron motifs and lines of round modern brilliant cut diamonds to a central larger stone. The 21 diamonds of good quality having an approximate TDW 1.87ct. 57.6g. Gemologist’s report and valuation available on request.

$2,500 - $3,000 see colour illustration page 37

$2,500 - $3,500 see colour illustration page 26

A Near Flawless Loose Round Modern Brilliant Cut Diamond of 2.89ct. The diamond graded as L, VVS1, very good make

A Bracelet Set with Diamonds.

A Pendant Set with Amethysts and Pearls Circular `sunburst’ outline in 9ct yellow gold centred by a 15mm mabe pearl within a cluster of six 10mm round cut amethysts and seed pearls.

$20,000 - $25,000 see colour illustration page 37

$450 - $650 50

PIERO MILANO, A Cross Pendant Set With Pink Sapphires and A Diamond. 18ct white gold, the Latin cross suspended by an 18ct white gold foxtail link trace neck chain, with Hartfields Box.Gemologist’s report and valuation available on request.

Square outline in 18ct white gold, each set with 4 Princess cut diamonds in a square pattern. $700 - $800

$1,250 - $1,500

A Watch Collector’s Tie Pin by Breguet.

$650 - $850 60

A Ring Set With An Orange / Yellow Jade And Diamonds.

$2,250 - $3,250

$800 - $1000

A Multi Coloured Stone Bangle.

$450 - $650 62

18ct yellow gold, the inner and outer leading edges set with rows of round modern brilliant cut diamonds, 56 for the pair, with a total diamond weight 1.47ct. Gemologist’s report and valuation available on request.

A Dainty Bracelet Set with Pink Sapphires. Designed as an articulated line of flowerhead links in 18ct white gold, each set with six round cut pink sapphires. Gemologist’s report and valuation available on request. $1,500 - $1,800 see colour illustration page 33

A Good Intaglio Signet Ring. Richly ornamented 18ct yellow gold set with a carved cornelian intaglio of a classical warrior.

A Pair Of Creole Hoop Earrings Set With Diamonds.

$1,000 - $1,500

A Crescent Brooch Set with Half-Pearls and Diamonds. Yellow gold (tests as 18ct) set with a line of half-pearls graduated from the centre together with a matching row of senaille cut diamonds. 9ct safety chain.

Hinged design in 18ct white gold close channel set with a variety of coloured gemstones to provide a graduated spectrum around the entire circumference. Gemologist’s report and valuation available on request. $1,800 - $2,200

A Heavy I.D. Style Bracelet of 21ct Gold Set with Diamonds. Flat curb links to a central convex plate channel set with 6 diagonal bands containing 23 diamonds at one end, and a single rub-over set diamond at the other. The diamonds, all round modern brilliant cut of good make, estimated G/H/I VS-SI have an approximate TDW of 0.84ct. 54.8g.

The pendeloque cabochon orange / yellow jadeite is set in 18ct yellow gold within a continuous border of round modern brilliant cut diamonds. Gemologist’s report and valuation available on request.

A Bangle Scatter Set with Diamonds. 9ct yellow gold hinged design, the upper section shot set with a scattered array of round modern brilliant cut diamonds. 18.7g.

Designed as an hour and minute hand in 18ct yellow gold, each set with a small round modern brilliant cut diamond. Together with a microfibre Breguet cleaning cloth. $450 - $550

A Pair Of Diamond Cluster Earstuds.

$350 - $550 see colour illustration page 26

A Bangle Set With Rubies and Diamonds Hinged design in 18ct yellow gold, the upper section close channel set with a line of square cut rubies divided into three equal sections by two round modern brilliant cut diamonds. $750 - $850

A Long Pair of Marquise Outline Drop Earrings Pavé Set with Diamonds.

18ct white gold, each designed as an articulated two panel drop. The diamonds, some 238 in all, having a stated TDW 0.95ct. Gemologist’s report and valuation available on request.

A Ring Set With A Fine White VDB Cut Solitaire Diamond Of Approx 1.12ct. The VDB (Van der Bauwede) cut, effectively a full brilliant emeraldcut, diamond assessed as E, VVS2, very good make is set in a ring of platinum. Gemologist’s report and valuation available on request.

$1,500 - $1,800 $8,000 - $9,000

see colour illustration page 23

see colour illustration page 37

A Jade And Diamond Pendant. Crossover loop design in 18ct white finished gold set with a line of round modern brilliant cut diamonds, suspending a polished annular jadeite drop secured by a bale, also set with diamonds. With 18ct white gold trace neckchain. Gemologist’s report and valuation available on request. $800 - $1,200

A Nine Diamond Cluster Ring. The diamonds, all round modern brilliant cut centred by the largest stone, the remaining 4 large and 4 small diamonds forming an open circlet border set in an alternating sequence. 18ct (or better) yellow gold. Gemologist’s report and valuation available on request. $1,800 - $2,400

A Signet Style Cocktail Ring Set with Diamonds. The broad band of 18ct white gold set with lines of round modern brilliant and baguette cut diamonds, and pavé panels of diamonds to a central two tier circular cluster of round modern brilliant and Princess cut diamonds. TDW 2.76ct. Gemologist’s report and valuation available on request.

see colour illustration page 37

The band of 18ct yellow gold close channel set with two rows of white baguette cut diamonds over which trails a line of four flowerheads, each set with 4 marquise cut fancy yellow diamonds. TDW 1.44ct. Gemologist’s report and valuation available on request.

$3,000 - $4,000 see colour illustration page 26

A Pair of Solitaire Diamond Earstuds of 1.32ct Total.

$2,200 - $2,800

The round modern brilliant cut diamonds assessed as J, VS2 are set in six-claw studs of 18ct white gold. Gemologist’s report and valuation available on request.

see colour illustration page 23

see colour illustration page 22

A Three Stone Diamond Ring. The bridge of 18ct white gold set with a central round modern brilliant cut diamond of stated quality 0.703ct, G, SI2 (Quazar) and two trilliant cut diamonds of TDW 0.644ct and quality GH, SI. Gemologist’s report and valuation available on request. $4,000 - $5,000

$3,750 - $4,250 see colour illustration page 22, see also following lot

The rectangular mixed cut blue sapphire of reported weight 3.69ct is set in 18ct white and yellow gold with 10 round modern brilliant cut shoulder diamonds. Gemologist’s report and valuation available on request.

see colour illustration page 33

PIERO MILANO, An Eternity Ring Channel Set with Baguette Cut Diamonds 18ct yellow gold, the diamonds of fine quality (G, VS) having a TDW 1.30ct. Gemologist’s report and valuation available on request. 18ct yellow gold, the diamonds of fine quality (G, VS) having a TDW 1.30ct. Gemologist’s report and valuation available on request.

A Splendid Aquamarine and Diamond Pendant of Art Deco Design. The cushion outline mixed cut aquamarine of 21.61ct is set in 18ct white gold together with round brilliant modern and baguette cut diamonds to suit the design. Gemologist’s report and valuation available on request.

A Sapphire and Diamond Ring.

$2,500 - $3,500

An Aquamarine and Diamond Dress Ring. The cushion outline mixed cut aquamarine of 8.20ct is set in a ring of 18ct white gold within a border of round brilliant modern cut diamonds, with further diamonds to the split ‚Äì shank shoulders. Gemologist’s report and valuation available on request.

$4,000 - $5,000

A Ring Set with Baguette Cut White Diamonds Below A Floral Overlay of Fancy Yellow Diamonds.

$5,800 - $6,400 see colour illustration page 22

A Stylish Line Bracelet Set with Diamonds Designed as a single row of gatelinks in 18ct white gold secured by a ring and fold-over clasp, all set with round modern brilliant cut diamonds. TDW (stamped) 2.72ct. Gemologist’s report and valuation available on request. $3,000 - $3,500 see colour illustration page 23

$3,000 - $4,000 see colour illustration page 37

J E W E L L E RY & WAT C H E S

147

66 183

184

142

162 171 139 144

101 180 100

170 90

110 62

122

121 123

120

J E W E L L E RY & WAT C H E S

A Heart Motif Pendant Set with A Cognac Coloured Diamond And White Diamonds.

Open lattice puff heart design in 18ct white gold entirely set with lines of round modern brilliant cut diamonds to a heart shaped brilliant cut cognac coloured diamond of approximately 1.3ct set within a niello gold rub-over frame. TDW approximately 2.70ct. Suspended by a brown rope twist silk cord. Gemologist’s report and valuation available on request. $5,000 - $6,000 see colour illustration page 37

An Unusual Sapphire And Diamond Cluster Estate Ring. Circular outline in 18ct white gold centred by an old mine cut round diamond of approx 0.38ct, half bordered by 3 round cut Ceylonese blue sapphires, the remaining border with 4 square cut senaille cut diamonds. Gemologist’s report and valuation available on request. $800 - $900

A Desirable Bridge Ring Set With Three Fine Quality ‘Regent’ Cut Diamonds.

The ovoid 14.2mm fine quality pearl set in a ring of 18ct yellow gold encircled by a border of round brilliant modern cut diamonds. Gemologist’s report and valuation available on request.

Traditional design in 18ct yellow gold and platinum centred by a Regent cut (octagonal brilliant) diamond of actual weight 1.12ct and G.I.A reported E, SI1 very good make, supported by two side stones assessed as E/G VS2 very good make and total approx 0.91ct. TDW 2.03ct. Gemologist’s report and valuation available on request.

$2,500 - $3,000

$13,000 - $15,000

A White South Seas Cultured Pearl and Diamond Cluster Ring.

see colour illustration page 37

A Good Pair of Solitaire Diamond Earstuds. Each rub-over button set with a round modern brilliant cut diamond of around 0.60ct of good quality. Gemologist’s report and valuation available on request.

Rosette design in 22ct yellow gold, each set with six rectangular cut synthetic rubies centred by a round modern brilliant cut diamond.

$5,500 - $6,500

$450 - $650

see colour illustration page 26

A Ten Diamond Eternity Ring.

18ct white gold and platinum set with the diamonds in a single line. The diamonds of ine quality (E/F, SI) and estimated TDW 0.35ct. Gemologist’s report and valuation available on request.

$9,500 - $11,500 see colour illustration page 31

A Sapphire and Diamond Ring. The oval cut Ceylonese blue sapphire of approximately 2ct set in 18ct white gold with 4 marquise and 2 round modern brilliant cut shoulder diamonds of good quality and estimated TDW 0.51ct. Gemologist’s report and valuation available on request.

see colour illustration page 33

$10,000 - $12,000 see colour illustration page 37

A Bridge Ring Set with 12 Princess Cut Diamonds. Designed as a central panel and two slightly lower side panels in 18ct white gold, each panel invisibly set with 4 Princess cut diamonds of good quality (H,VS). TDW 1.06ct. Gemologist’s report and valuation available on request.

$10,000 - $12,000

A Ring Set with Baguette and Brilliant Cut Diamonds. The broad tapered band of 18ct white gold set with two lines of round modern brilliant cut diamonds centred by a line of baguette cut diamonds.Gemologist’s report and valuation available on request. $2,500 - $3,000 see colour illustration page 37

A Ring Set With An Emerald-Cut Deep Champagne Coloured Diamond of 3.01ct. The emerald cut diamond set in 14ct white gold with six round modern brilliant cut white shoulder diamonds. Gemologist’s report and valuation available on request.

$1,650 - $2,250 83

A Ring Set With A Solitaire Princess Cut Diamond Of Approx 2.13ct. The diamond assessed as M/N/O, SI1 is set in an elegantly simple ring of platinum. Gemologist’s report and valuation available on request.

$3,750 - $4,250

A Ring Set with A Near Flawless “Blue White” (D) Princess Cut Diamond of 1.00ct. The diamond described in HRD report 07001685027 as D, VVS2, good make is set in a ring of platinum. Gemologist’s report and valuation available on request.

$400 - $500 81

A Pair of Diamond and Synthetic Ruby Cluster Earstuds.

see colour illustration page 31

A Leaf Motif Line Bracelet Set with Over 9ct of Diamonds. Designed as a line of 12 articulated leaf outline links in 18ct white gold, each set with round modern brilliant, baguette and Princess cut diamonds to suit the design. TDW 9.09ct. Gemologist’s report and valuation available on request. $9,000 - $10,000 see colour illustration page 26

A Pair of Long Pendant Drop Earrings Set with Cognac and White Diamonds.

18ct white gold hinged design, the leading edges each set with a line of round modern brilliant cut diamonds of good quality. The diamonds, 58 in all, having stated TDW 4.49ct. Gemologist’s report and valuation available on request.

Each designed as an articulated fall of three open pear shaped panels graduated from the top and outlined with brilliant cut diamonds. The terminal panel suspending within an articulated triangular cushion brilliant cut cognac coloured diamond. Gemologist’s report and valuation available on request.

$6,000 - $7,000 see colour illustration page 23

$4,000 - $5,000 see colour illustration page 22, see also following lot

Designed as a companion to the previous lot, the lowermost panel suspending a trilliant cut cognac coloured diamond and the penultimate panel a triangular cushion cut cognac coloured diamond. Gemologist’s report and valuation available on request.

see colour illustration page 22

A Pair of Earrings Set with Amethysts and Diamonds. Each designed as a wire hoop of 18ct yellow gold set with a line of brilliant cut diamonds to an octagonal panel set with an octagonal cut amethyst of rich colour bordered by further diamond brilliants. Gemologist’s report and valuation available on request.

A Pendant Set with Cognac and White Diamonds.

$3,800 - $4,400

A Pair of Circular Hoop Earrings Set with Diamonds.

$2,250 - $2,750 99

A Ring Set With A “Blue White” (D) Coloured Diamond of 1.02ct. The round modern brilliant cut diamond described in GIA report 17329239 as D, I1, very good make is set in a ring of platinum enhanced with small shoulder and under bezel diamonds. Gemologist’s report and valuation available on request.

A Bracelet of 18ct White Gold Set with Diamonds. Designed as a line of eight open circular links joined by X links set with rows of round modern brilliant cut diamonds. Maker’s mark for `Carats Design’. 35g. Gemologist’s report and valuation available on request.

$7,800 - $8,800 see colour illustration page 23

$2,750 - $3,250 see colour illustration page 23

100 An Impressive Three Stone Diamond Ring.

The round modern brilliant cut diamonds of estimated TDW 3.28ct and assessed quality G, I1/I2 are set in a traditional bridge of 18ct white and yellow gold. Gemologist’s report and valuation available on request.

An Edwardian Brooch Set with Diamonds, Emeralds and A Pearl. Cushion `V’ outline in yellow gold and silver set with a graduated line of mixed cut diamonds below a floral motif set with small round cut emeralds and senaille cut diamonds. At mid-section of the upper bar a small pearl and at each end a small emerald cabochon. $500 - $700

A Diamond Necklace. The single row chain of 18ct white gold bar links all set with round modern brilliant cut diamonds to form a continuous line, caught by a semi-cylindrical toggle set with baguette and brilliant cut diamonds, below which fall two further lines of unequal length. TDW 4.69ct. Gemologist’s report and valuation available on request. $7,000 - $8,000 see colour illustration page 31

A Bracelet Set with Over 8ct of Diamonds. Designed as a line of 24 circular panels in 18ct white gold, each set with four baguette cut diamonds and five round modern brilliant cut diamonds in a cross motif rosette. Gemologist’s report and valuation available on request. $10,000 - $12,000 see colour illustration page 31

$14,000 - $16000 see colour illustration page 26

101

A Ring Set with A Solitaire Diamond of 1.95ct. The round modern brilliant cut diamond assessed as H, SI1, very good make is set in a simple ring of 18ct white gold. Gemologist’s report and valuation available on request. $22,500 - $25,000 see colour illustration page 26

102 A Marquise Outline Ring Set with Diamonds.

Art Deco influenced design in 18ct yellow gold enhanced with ajouré, set with lines of round modern brilliant cut diamonds to a central row of three rub-over set diamonds. Gemologist’s report and valuation available on request. $2,000 - $,2400 see colour illustration page 37

103 A Pair of Diamond Cluster Earstuds.

Each designed as a seven stone flowerhead cluster in 18ct white gold. The round modern brilliant cut diamonds assessed as H/I, SI2 having a TDW 2.08ct. Gemologist’s report and valuation available on request. $3,500 - $4,500 see colour illustration page 22

J E W E L L E RY & WAT C H E S

104 A Ring Set with A Solitaire Princess Cut

111

Diamond of Approximately 1ct. The diamond set in a simple modern ring of 18ct white gold and platinum. Gemologist’s report and valuation available on request.

18ct yellow gold fancy links to a mid-section of rectangular and circular links set with round modern brilliant cut diamonds to a central panel set with a heart shaped ruby cabochon within a border of further diamonds.Gemologist’s report and valuation available on request.

$6,000 - $7,000 105 A Ring Set with An Imperial Topaz and Diamonds.

The oval mixed cut topaz of reported weight 1.52ct is set in 18ct yellow gold with two trilliant cut shoulder diamonds of TDW approximately 0.37ct. Gemologist’s report and valuation available on request.

$2,500 - $3,000 see colour illustration page 31, see also following lot

112

$2,600 - $3,000

A Pair of Earrings Set with Heart Shaped Cabochon Rubies and Diamonds. Designed as companions to the previous lot in 18ct yellow gold. Gemologist’s report and valuation available on request.

106 A Ring Set With A Solitaire Diamond of Approx 1.14ct.

$1,200 - $1,600

The round modern brilliant cut diamond assessed as H/J, SI1 Good Make is partially rub-over set in a ring of 18ct white and yellow gold. Gemologist’s report and valuation available on request. $5,500 - $6,500

A Necklace Set with A Heart Shaped Cabochon Ruby and Diamonds.

see colour illustration page 31

113

A Flamboyant `Tutti Frutti’ Cocktail Ring. Designed as three heart and four pear outlines in open scroll work set with lines of round modern brilliant cut diamonds enclosing a light champagne coloured diamond and four pendeloque cut fancy sapphires: blue, deep pink, pale pink and yellow. Gemologist’s report and valuation available on request.

107 An Impressive Split-Band Triple Row Diamond Cluster Ring.

18ct yellow gold set with 20 round modern brilliant cut diamonds of various sizes, the two major stones estimated to total 1.34ct and all having a TDW 2.24ct. Gemologist’s report and valuation available on request.

$3,250 - $3,750 see colour illustration page 23

$7,500-8,500 see colour illustration page 22

114

A Pair of Earrings Set with Baguette and Brilliant Cut Diamonds Hinged hoop design in 18ct white gold, the front panels set with two lines of round modern brilliant cut diamonds about a central row of baguettes. TDW approximately 2.33ct. Gemologist’s report and valuation available on request.

108 A Diamond and Sapphire Ring of Art

Deco Influenced Design. Centred by a rub-over set round modern brilliant cut diamond of approximately 1.01ct bordered by a close set line of French cut blue sapphires in 18ct white gold. The diamond assessed as I/J, I1. Gemologist’s report and valuation available on request.

$2,500 - $3,000 see colour illustration page 31

$2,500 - $3,500 see colour illustration page 33

115

The round modern brilliant cut diamond set in 18ct white and yellow gold. Gemologist’s report and valuation available on request.

109 A Brooch Set with A Cabochon Ruby and Diamonds.

Art Deco influenced open geometric design in 18ct white gold set with round modern brilliant and baguette cut diamonds to the central ruby cabochon, and suspending a five drop tassel fringe similarly set with diamonds. Gemologist’s report and valuation available on request.

$4,500 - $5,500 116

A Full Eternity Ring Set with Black and White Diamonds.

see colour illustration page 33

The band of 10ct white gold pavé set with round modern brilliant cut black diamonds to four flowerheads of seven white diamond clusters at even intervals. Gemologist’s report and valuation available on request.

A Tennis Style Line Bracelet of Platinum set with 4.13ct of Diamonds.

$2,500 - $2,800

$4,000 - $5,000

110

A Ring Set with A Solitaire Diamond of Approximately 1ct.

Designed as a line of 44 hinged box links, each set with a Princess cut diamond of good quality (F/G, VS1-2). 36.5g. Gemologist’s report and valuation available on request. $14,000 - $16,000 see colour illustration page 26

see colour illustration page 37

117

A Ring Set with A Solitaire Oval Cut Diamond of Approximately 0.66ct. The oval brilliant cut diamond set in a ring of 18ct yellow gold and platinum. Gemologist’s report and valuation available on request. $2,200 - $2,800

158

159

112

111

163 89

118 143

87 154

114

J E W E L L E RY & WAT C H E S

118

A Stylish Black Onyx and Diamond Ring. 18ct white gold, the octagonal bezel set with black onyx to a plate set with a Princess cut diamond bordered by diamond brilliants. The trefoil shoulders enhanced with further diamonds.

124 A Bracelet Set with Emeralds and Diamonds.

Designed as an articulated line of 19 links of 18ct white gold, each obliquely set with an emerald cut emerald together with five single-cut diamonds. Gemologist’s report and valuation available on request.

$800 - $1,200 see colour illustration page 31

119

A Fashionable Ring Pavé Set With Diamonds. The broad band of 18ct white and yellow gold pavé set with some 105 round modern brilliant cut diamonds of good quality having an estimated total diamond weight 1.25ct. Gemologist’s report and valuation available on request. $1,400 - $1,800

120 A Magnificent Suite of Jewellery Set

with Rubies and Diamonds. The four piece parure comprising a necklace, bracelet, ring and pair of drop earrings in 18ct yellow gold set with over 30ct of fine quality round modern brilliant and baguette cut diamonds together with over 22ct of well matched rich, clear deep red, round, oval and pendeloque cut rubies to suit the design with its asymetric flower-head cluster supported and enhanced by lines, swags and falls of stones. This suite expresses timeless fashionable good taste. Gemologist’s report and valuation available on request.

$2,500 - $3,000 125 A Pair of Emerald and Diamond Drop Earstuds.

Each stud suspending a long hexagonal panel of platinum centred by an emerald cut emerald within a border of round modern brilliant cut diamonds. TEW approximately 1.85ct. TDW approximately 0.72ct. Gemologist’s report and valuation available on request. $4,750 - $5,750 see colour illustration page 23

126 A Cross Pendant Set with Diamonds.

The Latin cross of 18ct white gold set with Princess and round modern brilliant cut diamonds. TWD 2.70ct, assessed as G/H SI2. Gemologist’s report and valuation available on request. $2,750 - $3,750 see colour illustration page 33

127 A Bangle Set with some 5.6ct of Brilliant

121

$40,000 - $50,000 (4)

and Baguette Cut Diamonds.

see colour illustration page 27

18ct white gold hinged design; the upper section set with two lines of round modern brilliant cut diamonds centred by a line of diamond baguettes. The diamonds of good quality (G, VS/SI2) have a stated TDW 5.62ct. Gemologist’s report and valuation available on request.

An Exceptional Emerald and Diamond Ring. The emerald cut emerald of excellent colour and clarity is set in an impressive but elegant ring of platinum with two trilliant cut shoulder diamonds. Gemologist’s report and valuation available on request. $16,000 - $18,000 see colour illustration page 27

122 A Magnificent Pendant Set with An Emerald

of 14.98ct Together with Diamonds. The emerald cut emerald of exceptional colour and clarity is centred in a three-quarter octagonal outline pendant, handmade in 18ct white and yellow gold, and set with round modern brilliant fine white and black diamonds, together with a square step-cut diamond to suit the classical Art Deco influenced design. The pendant suspended by an 18ct yellow gold foxtail link neck chain. Gemologist’s report and valuation available on request. $65,000 - $85,000 see colour illustration page 27

123 A Particularly Good Emerald and Diamond Brooch.

Centred by a 2.18ct emerald cut Columbian emerald of fine colour and clarity set within a border of fine white baguette cut diamonds on a bar of 18ct white gold enhanced with two pairs of tapered baguettes. The safety chain fitted with a pin enhanced with a row of diamond baguettes. Gemologist’s report and valuation available on request. $7,000 - $8,000

$9,000 - $12,000 see colour illustration page 33

128 A Ring Set with A Magnificent Princess Cut

Diamond of Approximately 4.16ct. The diamond given a preliminary assessment as H/I, VS1 (graded in the mount, see final report when graded loose) is set in a ring of 18ct white gold enhanced with square and baguette cut diamonds. Gemologist’s report and valuation available on request. $70,000 - $100,000 see colour illustration page 14

129 A Ring Set with A Pendeloque Cut ‘Blue

White’ (D) Colour Diamond of 1.79ct. The diamond assessed loose as D, SI2, very good make is set in a ring of 18ct yellow gold and platinum with two pendeloque cut side stones assessed as E/F, VS with a combined weight of 0.34ct. TDW 2.13ct. Gemologist’s report and valuation available on request. $20,000 - $24,000 see colour illustration page 14

130 A Ring Set with A Pendeloque Cut Diamond of 2.30ct.

The diamond assessed as F, VS2 is set in a ring of 18ct white gold. Gemologist’s report and valuation available on request.

see colour illustration page 27

$35,000 - $38,000 see colour illustration page 14

152 156

127 108

109

126 160

168

186

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131

A Tennis Style Line Bracelet Set with Over 11ct of Diamonds.

137 A Ring Set With An Oval Cut Fancy Yellow Diamond

of 3.47ct Together With Other Diamonds.

Designed as an articulated line of 37 links in 18ct white gold, each set with a round modern brilliant cut diamond assessed as H, SI1/2. TDW 11.41ct (0.308ct average each). Gemologist’s report and valuation available on request.

Designed as a cluster in 14ct. white gold, the fancy yellow diamond centred within a two row border of round modern brilliant cut white diamonds. Gemologist’s report and valuation available on request.

$24,000 - $28,000

$22,000 - $26,000

see colour illustration page 14

132 A Splendid Wide Mesh Bracelet Set with Over

138 A Particularly Striking Line Bracelet Set with Over

20ct of Fancy Yellow and White Diamonds.

12ct of Fancy Yellow and White Diamonds.

The 25mm wide bracelet of 18ct white gold set with 93 marquise cut fancy yellow diamonds having a total weight of 7.24ct surrounded by and interspersed with, 1364 round modern brilliant cut white diamonds. TDW 20.25ct.Gemologist’s report and valuation available on request.

Designed as a line of 30 hinged rectangular links, each set with two Princess cut fancy yellow diamonds bordered by lines of small round modern brilliant cut white diamonds. The fancy yellow diamonds having a stated total weight 9.64ct. TDW 12.60ct. Gemologist’s report and valuation available on request.

$22,500 - $27,500

$12,500 - $15,000

see colour illustration page 23

see colour illustration page 14

133 A Splendid Tennis Style Line Bracelet Set with

139 A Pendant Set with Fancy Pink, Yellow and Light

Over 10ct of Fancy Yellow Diamonds.

Green Diamonds together with White Diamonds.

The 43 articulated links of 18ct yellow gold each set with a round modern brilliant cut light fancy yellow diamond of around 0.24ct. TDW 10.30ct assessed as VS2/SI1. Gemologist’s report and valuation available on request.

Designed as an articulated 3 panel drop in 18ct rose, yellow and white golds suspended by a rose gold trace chain. The panels set in turn with: a cushion cut pink diamond, a rectangular cushion cut fancy yellow diamond and a pear shaped fancy green-yellow diamond, each enclosed by a border of small round modern brilliant cut white diamonds. Gemologist’s report and valuation available on request.

$17,500 - $22,500 see colour illustration page 14

$17,500 - $20,000 134 A Cross Pendant Encrusted with Pavé set Diamonds.

The substantial cross of 18ct white gold semi-tubular design pavé set with round modern brilliant cut diamonds suspended by a four row trace cable link neck chain also of 18ct white gold. 26.9g. Gemologist’s report and valuation available on request.

see colour illustration page 26

140 A Splendid Pair of Fancy Yellow and

White Diamond Earrings. Each centred by an oval brilliant cut fancy yellow diamond of a little over 1ct set in 18ct white gold within a border of round modern brilliant cut white diamonds. The fancy yellow diamonds having a stated TDW 2.06ct assessed as VS2-SI1, the white diamonds TDW 1.61ct G/H SI1/2. Gemologist’s report and valuation available on request.

$5,500 - $6,500 see colour illustration page 23

135 An Impressive Bangle Set with Diamonds.

18ct white gold hinged design, the upper section channel set with a row of 18 round modern brilliant cut diamonds having a TDW 6.50ct (approximately 0.36ct each) assessed as H/I, SI1. Gemologist’s report and valuation available on request. $17,000 - $23,000 see colour illustration page 22

136 A Teddy Bear Pendant Pavé Set with Diamonds.

18ct yellow gold pavé set with some 231 round modern brilliant cut diamonds having a TDW 2.58ct. The arms and legs articulated, the eyes set with round cut rubies. Gemologist’s report and valuation available on request. $4,000 - $5,000 see colour illustration page 22

$22,500 - $27,500 see colour illustration page 14

141

A Magnificent Necklace Set with Over 25ct of Fine White Diamonds. Designed as a line of 35 spiral links in 18ct white gold graduated from the centre, from which is suspended a similar drop. The links all set with baguette and brilliant cut diamonds of fine quality, the drop centred by a 1.01ct round modern brilliant cut diamond described in GIA report 16346363 as E, I1. The baguettes and other brilliants assessed as F/G VS2-SI2. The major link spirals of Nautilus design based on the `golden ratio’. An impressive and important piece of jewellery. Gemologist’s report and valuation available on request. $37,500 - $42,500 see colour illustration page 14

142 A Diamond Cluster Cocktail Ring.

149 A Spectacular Green Fluorite and

Diamond Cluster Pendant.

Scalloped 4-tier domed circular outline in 18ct white gold set with brilliant and baguette cut diamonds in demi lune panels to a central heart motif panel. TDW 2.29ct. Gemologist’s report and valuation available on request.

Designed as a companion to the previous lot, the 44.50ct green fluorite set in a frame of 18ct white gold within a border of round modern brilliant cut diamonds, the bale pavé set with further diamonds. TDW 2.75ct. Gemologist’s report and valuation available on request.

$2,750 - $3750 see colour illustration page 26

$7,000 - $8,000 see colour illustration page 23

143 A Ring Set with A Fine White Solitaire

Diamond of Approximately 1.15ct. The diamond assessed as round modern brilliant, F/G, VS2 is set in a ring of 18ct white gold and platinum with two small baguette cut shoulder diamonds. Gemologist’s report and valuation available on request.

150 An Elegant Line Bracelet Set with Diamonds.

Designed as an articulated line of 22 rectangular 18ct white gold links, each set with four baguette cut diamonds within a border of round modern brilliant cut diamonds. Stated TDW 2.23ct. Gemologist’s report and valuation available on request.

$7,500 - $8,500 $5,000 - $6,000

see colour illustration page 31

see colour illustration page 22

144 An Emerald and Diamond Ring.

The crème-de-menthe emerald-cut emerald of 1.57ct set in a beautifully hand-crafted ring of platinum and 18ct yellow gold within a split shank crossover of 12 finest white round modern brilliant cut diamonds having a stated TDW 0.52ct.Gemologist’s report and valuation available on request. $5,500 - $6,500 see colour illustration page 26

145 A Platinum, Yellow Gold and Diamond Full Eternity Ring.

The band of platinum enhanced with pierced 18ct yellow gold filigree and set with a continuous sinuous line of round modern brilliant cut diamonds. Gemologist’s report and valuation available on request. $1,200 - $1,500 146 An Etruscan Style Ring Scatter Shot Set with Diamonds.

The wide, tapered domed band of 18ct yellow gold set with 7 round modern brilliant cut diamonds within rope edged borders. 11g.

151

An Exquisite Necklace of Belle Époque Design Set with Diamonds and Seed Pearls. The necklace of pearl lattice sections capped with 18ct white gold scrolls, joined by octagonal pierced panels, at mid-section a larger octagonal panel suspending a trapezoid and tassel fringe drop. 18ct white gold encrusted with round modern brilliant cut diamonds. Gemologist’s report and valuation available on request. $14,000 - $16,000 see colour illustration page 22

152 A Rubellite Tourmaline and Diamond Dress Ring.

The cushion outline mixed cut Rubellite of 6.33ct is set in a ring of 18ct white gold within a border of round brilliant modern cut diamonds, with further diamonds to the split shank shoulders. Gemologist’s report and valuation available on request. $3,850 - $4,850 see colour illustration page 33

153 A Five Stone Diamond Ring.

$650 - $850 147 A Butterfly and Floral Motif Ring In the

Manner of Van Cleef & Arpels. The domed band of 18ct yellow gold having pierced and raised floral motifs set with brilliant cut diamonds centred by emerald cabochons to a butterfly motif with wings of carved blue sapphires en cabochon. Maker’s mark VCA. Gemologist’s report and valuation available on request. $4,000 - $5,000 see colour illustration page 26

148 A Spectacular Green Fluorite and

Diamond Cluster Dress Ring. The emerald-cut green fluorite of 36.98ct set in 18ct white gold within a border of 22 round modern brilliant cut diamonds of good quality (G, SI2) and TDW 2.50ct. Gemologist’s report and valuation available on request. $7,500 - $8,500

The round modern brilliant cut diamonds individually rub-over set in 18ct white gold on a band of 18ct yellow gold. The diamonds of fine quality (F/G, VVS-VS) with an estimated TDW 0.75ct. Gemologist’s report and valuation available on request. $1,000 - $1,500 154 An Attractive Emerald And Diamond Cluster Ring.

The oval cut emerald of good colour and clarity, with a bright appearance and an estimated weight of 1.11ct is set in 18ct white and yellow gold within a border of eight round modern brilliant cut diamonds and two Princess cut diamonds. Gemologist’s report and valuation available on request. $4,500 - $5,500 see colour illustration page 31

155 A Ring Set with A Solitaire Diamond

of Approximately 1.01ct. The round modern brilliant cut diamond set in platinum. Gemologist’s report and valuation available on request.

see colour illustration page 23, see also following lot

$4,800-5,800 J E W E L L E RY & WAT C H E S

156 A Good Sapphire and Diamond Cluster Ring.

163 A Striking Heart Motif Bracelet Set with over

Centred by an oval cut rich blue sapphire of approximately 2.10ct, on either side of which is set an oval old cut diamond of a little over 0.80ct (Total 1.68ct) surrounding the three central stones is a further 1ct of early European cut diamonds. The shoulders are enhanced with French and Kite cut blue sapphires. 18ct white gold. Gemologist’s report and valuation available on request.

11ct of Brilliant and Baguette Cut Diamonds.

$8,000 - $9,000

$13,000 - $16,000

see colour illustration page 33

see colour illustration page 31

157 A Dress Ring Set with Diamonds.

Designed as an articulated line of 24 heart outline links in 18ct white gold, each set with graduated baguette cut diamonds to suit the design within a border of round modern brilliant cut diamonds. Stated TDW 11.79ct. Gemologist’s report and valuation available on request.

164 A Pair of Drop Earrings Set with Diamonds.

The wide band of 18ct yellow gold of crossover design to support a flat plate bezel. The plate rub-over invisibly set with 6 baguette cut diamonds, the crossover outlined with lines of round modern cut diamonds. Gemologist’s report and valuation available on request.

Each designed as a circular stud set with two rows of diamonds to a centre stone, suspended by a collet set diamond link with an articulated pair of concentric pear shaped frames outlined with diamonds and centred by a pendeloque rose cut diamond. 18ct white gold. Gemologist’s report and valuation available on request.

$1,750 - $2,250

$3,300 - $3,800 see colour illustration page 37, see also following lot

158 A Pair of Blue Kyanite and Diamond Cluster Earstuds.

Oval outline in 18ct white gold, each set with an oval cut Kyanite within a border of round modern brilliant cut diamonds. TDW 1.45ct. Gemologist’s report and valuation available on request. $2,750 - $3,250 see colour illustration page 31, see also following lot

165 A Pendant Set with Diamonds.

Designed as a companion to the previous lot, suspended by an 18ct white gold trace chain. Gemologist’s report and valuation available on request. $2,500 - $2,800 see colour illustration page 37

159 A Pendant Set with a Blue Kyanite and Diamonds.

Designed as a companion to the previous lot, 18ct white gold. TDW 1.00ct. Gemologist’s report and valuation available on request. $1,750 - $2,000

166 A Cross Pendant Set with Diamonds.

The 18ct yellow gold Latin cross set with 11 round modern brilliant cut diamonds. $600 - $800

see colour illustration page 31

160 TIFFANY & Co. a Ring Set with A

LUCIDA cut Diamond of 1.13ct. The diamond described in TIFFANY registration certificate 22690019/HO9220435 as being 1.13ct, G, VVS1, very good make, is set in a ring of platinum signed Tiffany & Co. Gemologist’s report and valuation available on request. $8,500 - $9,500

167 A Tennis Style Line Bracelet Set With

Princess Cut Diamonds. Designed as an articulated line of 78 box links in 18ct white gold, each set with a Princess cut diamond, estimated to average G, SI2 with a stated total diamond weight 3.80ct.Gemologist’s report and valuation available on request. $4,500 - $5,500 see colour illustration page 22

see colour illustration page 33

161

A Ring Set With A Champagne Coloured Princess Cut Diamond Of 2.01ct The diamond set in a ring of 14ct. white gold, each shoulder enhanced with a channel set line of five Princess cut white diamonds. Gemologist’s report and valuation available on request. $6,500 - $7,500

162 A Ring Set With An Emerald-Cut Cognac

Coloured Diamond of 2.01ct. The emerald-cut diamond set at the centre of a cluster of round modern brilliant cut white diamonds, in 14ct white gold. Gemologist’s report and valuation available on request. $7,000-8,000 see colour illustration page 26

168 An Attractive Ring Set with An Octagonal

Brilliant Cut Diamond. The diamond assessed as E/F VS+ is rub-over set above an octagonal outline border of round modern brilliant cut diamonds, the shoulders pavé set with further diamond brilliants. 18ct white gold. TDW approximately 1.41ct. Gemologist’s report and valuation available on request. $6,000 - $7,000 see colour illustration page 33

116

102 70

49 71

165

36 176 164

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169 A Riviére Necklace Of Diamonds.

175 A Signet Style Diamond Cluster Ring.

Centred by A Diamond of 1.2ct.

Designed as a line of articulated links of 14ct white gold graduated from the centre, each set with a round modern brilliant cut diamond similarly graduated in size. The diamonds, 89 in all, having an estimated total diamond weight approx 2.75ct. Gemologist’s report and valuation available on request.

18ct white and yellow gold square outline centred by a round brilliant modern cut diamond of around 1.2ct of estimated colour J, clarity VS2 box set within a border of baguette cut diamonds. Total diamond weight approx 2.20ct. Gemologist’s report and valuation available on request.

$4,000 - $5,000 $6,500 - $7,500

see colour illustration page 22

170 An Elegant Bracelet Set with 8.90ct of

176 A Pair of Solitaire Diamond Earstuds.

Baguette and Brilliant Cut Diamonds.

The round modern brilliant cut diamonds assessed as approximately 1.42ct in total, L/N, I1-2 are set in 14ct white gold. Gemologist’s report and valuation available on request.

Designed as a line of 18 hinged rectangular chamfered links each pavé set with 9 baguette cut diamonds within a slightly raised border of round modern brilliant cut diamonds. The diamonds of very good quality, assessed as G/H VS+. Gemologist’s report and valuation available on request. $12,000 - $14,000 see colour illustration page 26

171

$1,650 - $2,250 see colour illustration page 37

177 A Dainty Diamond Cluster Ring

18ct yellow gold quatrefoil design set with diamonds to a central round modern brilliant cut diamond of approximately 0.41ct assessed as H VS2+. TDW 0.74ct. Gemologist’s valuation and report available on request.

A Pair of Creole Oval Hoop Earrings Set with Diamonds. Hinged design in 18ct white gold, the inner and outer leading edges pavé set with round modern brilliant cut diamonds of good quality. TDW 7.31ct. Gemologist’s report and valuation available on request. $8500 - $10,500

$1,200 - $1,500 178 A Dainty Ring Set with A Heart Shaped

Diamond And Rubies.

see colour illustration page 26

The heart shaped brilliant cut diamond reported to weigh 0.49ct and of estimated quality I, SI1, good make, is set in a ring of 18ct yellow gold with two tapered baguette cut shoulder rubies. Gemologist’s report and valuation available on request.

172 A Ring Set with A Heart Shaped Solitaire

Diamond of Approximately 1.25ct. The heart shaped brilliant cut diamond assessed as J-K, VS2 is set in a ring of 18ct white and yellow gold. Gemologist’s report and valuation available on request. $6,000 - $7,000 see colour illustration page 22

$2,000 - $2,500 See also following lot.

179 A Wedding Band of 18ct Yellow Gold

Designed with a `V’ notch as a companion to the previous lot. $70 - $100

173 A Ring Set With A Fine White Emerald Cut

Diamond of Approximately 1.00ct. The diamond, assessed as E-F, VS1, of good make is rub-over set in a ring of 18ct yellow gold with four channel set baguette cut shoulder diamonds of similar quality. TDW approximately 1.34ct. Gemologist’s report and valuation available on request.

180 A Ring Set with A Diamond of Approximately

1.00ct Together with Shoulder Diamonds. The round modern brilliant cut diamond set in a twist style ring of 18ct yellow and white gold enhanced with lines of further round modern brilliant cut diamonds to the shoulders. Gemologist’s report and valuation available on request.

$7,000 - $8,000 see colour illustration page 23

$4,800 - $5,800 see colour illustration page 26

174 PIERO MILANO, A ring set with a Fine White Emerald-

Cut Diamond of 1.66ct and Diamond Baguettes. The emerald-cut diamond of stated quality F,VS2, good make is set in a partial rub-over band of 18ct yellow gold enhanced with lines of baguette cut diamonds. TDW approximately 3.20ct. Gemologist’s report and valuation available on request. $16,000 - $18,000 see colour illustration page 23

181

A Ring Set With A Fine White Marquise Cut Diamond of 0.53ct And Baguettes. 18ct yellow gold, centred by a marquise cut diamond of around 0.53ct graded F, VS2+, the curved band channel set with tapered baguettes on either side. Gemologist’s report and valuation available on request. $2,000 - $3,000

182 A Ring Set with Princess Cut Diamonds.

189 An Emerald and Diamond Cluster Ring.

Traditional design in platinum centred by the largest stone of 0.45ct, the shoulders channel set with a further 8 smaller diamonds. The diamonds having a reported TDW 0.82ct are assessed as H/I, SI2. Gemologist’s report and valuation available on request. $1,500 - $2,000

Centred by an oval cut emerald rub-over set within a border of brilliant cut diamonds in an oval panel. 18ct yellow gold. Gemologist’s report and valuation available on request. $750 - $850 190 A Full Eternity Ring Set With Diamonds.

18ct yellow gold set with 12 Princess cut diamonds at even intervals around the entire circumference.

183 A Striking Green Tourmaline And Diamond Ring.

The oval mixed cut rich green tourmaline of 9.38ct is set in a ring of 18ct yellow gold within a border of round brilliant modern cut diamonds, the split shank shoulders also enhanced with diamonds. Gemologist’s report and valuation available on request. $4,500 - $5,000 see colour illustration page 26, see also following lot

184 A Green Tourmaline and Diamond

Pendant of Art Deco Design. The oval mixed cut rich green tourmaline of 13.52ct is set in 18ct yellow gold together with round brilliant modern and baguette cut diamonds to suit the design. Gemologist’s report and valuation available on request. $5,250 - $5,750 see colour illustration page 26

185 A Line Bracelet Set with Sapphires and Diamonds.

Designed as an articulated line of 18ct yellow gold links set alternately with a pair of chenier set round modern brilliant cut diamonds or an oval cut blue sapphire. Gemologist’s report and valuation available on request. $3,000 - $3,500 see colour illustration page 22

186 An Art Deco Emerald and Diamond Pendant Necklace.

The pendant of tapered design in 18ct white/yellow gold doublet enhanced with ajouré is set with early modern brilliant and rose cut diamonds together with two rectangular cut emeralds to a diamond set bale, suspended by a `V’ shaped necklace of later date in 18ct white gold enhanced with two lines of round modern brilliant cut diamonds. Gemologist’s report and valuation available on request.

$600 - $800 191

A Traditional Ruby and Two Diamond Ring. 18ct yellow gold rub-over settings on an 18ct yellow gold band, centred by the oval cut ruby of around 0.45ct, the shoulder diamonds estimated to total 0.50ct, F/G VS-SI. Gemologist’s report and valuation available on request. $850 - $1,250

192 An Attractive Ring Set With A Radiant Cut Diamond

Of Approx 1.02ct Together With Other Diamonds. The broad band of 18ct white gold set with a central row of Princess cut diamonds, bordered on either side by round modern brilliant cut diamonds to the radiant cut diamond at mid section. An ideal design for a combination engagement / wedding ring. Total Diamond Weight approx 1.68ct. Gemologist’s report and valuation available on request. $5,000 - $6,000 193 A Full Eternity Ring Scatter Shot Set with Diamonds.

18ct yellow gold, the 16 round modern brilliant cut diamonds having an estimated TDW 0.50ct. Gemologist’s report and valuation available on request. $600 - $700 194 A Ring Set with A Diamond of Approximately 1.35ct.

The round modern brilliant cut diamond assessed as H/I, SI2, good make is set in a ring of 18ct white and yellow gold, the shoulders each enhanced with a panel of six close set Princess cut diamonds. TDW approximately 1.80ct. Gemologist’s report and valuation available on request.

$2,800 - $3,800

$6,750 - $7,750

see colour illustration page 33

see colour illustration page 23

187 A Cocktail Ring Set With Sapphires and Diamonds.

Folded and rectangular offset panel design in 18ct white gold pavé set with round cut blue sapphires and round brilliant modern cut diamonds to suit the design. Gemologist’s report and valuation available on request. $1,500 - $2,000 188 A Pair of Creole Earstuds Set with Diamonds.

Each convex panel of 18ct yellow gold set with 24 round modern brilliant cut diamonds in three rows of 8. Gemologist’s report and valuation available on request. $1,000 - $1,400

J E W E L L E RY & WAT C H E S

Day 2

Antiques & Decorative Arts

Illustrated left: Lot 388 ferdinand preiss table lamp ‘The Stile’

DAY 2

Viewing

Antiques & Decorative Arts

Evening Viewing & Christmas Drinks

thursday, 4 DECEMBER 2008 6.00pm Lots Lots Lots Lots Lots Lots Lots

300 348 355 399 473 499 530

- - - - - - -

347 New Zealand & Pacific 354 New Zealand Pottery 398 Miscellaneous including Ethnic 472 Silver & Silver Plate 498 Porcelain & China 529 Oriental 585 Furniture & Paintings

Friday

28 November 9.00am – 8.00pm

Thursday 27 November 9.00am – 5.30pm Friday 28 November 9.00am – 8.00pm Saturday 29 November 11.00am – 3.00pm Sunday 30 November 11.00am – 3.00pm Monday 1 December 9.00am – 5.30pm Tuesday 2 December 9.00am – 5.30pm Wednesday 3 December 9.00am – 5.30pm Viewing by appointment on day of sale BUYER’S PREMIUM A buyer’s premium of 15% will be charged on this section of this catalogue. GST of 12.5% is payable on the buyer’s premium only. Phone and absentee bids to be placed no later than 12 noon on day of sale. All lots illustrated online at www.webbs.co.nz

i m p o r ta n t w o r k s o f a r t

New Zealand & Pacific

308 A Maori Stone Toki Adze grey stone, untanged, elongated quadrangular cross-sectioned adze. Some bruising and pitting. Bartlett’s, Gisbourne written on in white ink. The largest dimension; L.225mm. W.77mm. H.35mm. Y13776.

300 A Late 19th Century Gold Mounted Kiwi Beak Large Pin Brooch bearing the marks 9ct and a raised shaped heart most probably a New Zealand maker not identified. The brooch commissioned to wear as a cloak/cape fastener. Provenance; originally gifted to the vendor’s mother 1897 King Country, an acknowledgement of gratitude for nursing a Maori chief back to health.

$120 - $180 309 A Maori Stone Mahe Sinker of pitted grey stone, oval shape with horizontal and vertical grooves running through the mid-section. Diam.85mm. Y13700.

$2,000 - $2,500 301 A Maori Stone Toki Adze rectangular cross-section, widest at cutting edge tapering to a reduced poll, slightly curved cutting edge. L.142mm. W.67mm. D.40mm. Y09830.

$150 - $220 310 Four Maori Stone Toki Adzes consisting of agrillite, basalt and greenstone. Unfinished and or broken, untanged, quadrangular cross-sectioned adzes. The largest dimension; L.125mm. W.45mm. H.30mm. Y13769, Y13766, Y13767, Y13768.

$200 - $300 302 A Maori Stone Toki Adze smooth surface, rectangular cross-section, slightly rounded cutting edge, blunt. L.114mm. W.56mm. D.29mm. Y09832.

$80 - $120 303 A Maori Stone Toki Adze smooth surface, slightly rounded rectangular cross-section, bevel steep, line of demarcation. L.122mm. W.40mm. D.35mm. Y09831.

$120 - $150 304 A Superb Contact Period Moari Mere Pounamu the long finely modeled and well balanced mere of spatula shape with reduced grip and swelling to a ridged butt knob. Deep but incomplete suspension holes on either side of handle. Fine sharp edge with only one tiny chip, smooth surface with a bright all over polish. Light flecks and grain to the stone. Possibly pre-contact as suspension holes appear to be carved from non- metal tools. Provenance; found in bushland near Plimmerton, Lower North Island c.1900 and has been in the same family since. L.405mm. W.103mm. Y7146.

$8,000 - $12,000 See Illustration page 45

$100 - $180 311

A 19th Century Post Contact Pa Kahawai with an inward curved wooden shank, knobbed at head and base. Paua shell lining and a barbed bone point lashed to head. Snood cord attached. L.100mm. Y13789.

$200 - $300 312 A 19th Century Post Contact Pa Kahawai with an inward curved wooden shank, knobbed at head and base. Paua shell lining and a barbed bone point lashed to head. Snood cord attached. L.100mm. Y13790.

$200 - $300 313 An Excellent Condition Mounted Small Kiwi Bird mounted on a rectangular wood plinth. H.330mm. L.290mm.

$1,000 - $1,800 See Illustration page 45

314 An Excellent Condition Mounted Large Kiwi Bird mounted on a weathered timber segment. H.435mm. L.520mm.

$1,400 - $2,000

The following 31 lots form part of the James Brydon Speedy and Tom Speedy collection. Refer Bethunes catalogue for November 19th for further items from the collection. 305 Three Maori Stone Toki Adzes all three adzes of grey stone, untanged, quadrangular crosssectioned with an all over polish. Collected in the Wairoa district, Hawke’s Bay by J.Brydon Speedy. The largest dimension; L.160mm. W.50mm. H.40mm. Y13772, Y13771, Y13770.

$150 - $200 306 Four Maori Stone Toki Adzes

315 A 19th Century Post Contact Pa Kahawai with an inward curved wooden shank, knobbed at head and base. Paua shell lining and a barbed bone point lashed to head. Snood cord attached. L.96mm. Y13788.

$200 - $300 316 A Maori Greywacke Stone Toki Adze a long untanged, quadrangular cross-sectioned adze with a polished surface and bruised poll. L.205mm. W.70mm. H.35mm. Y13777.

$200 - $300 317 A Moari Stone Toki Adze

three dark grey and one black untanged, quadrangular crosssectioned semi-polished small adzes. The largest dimension; L.90mm. W.55mm. H.25mm. Y13692, Y13693, Y13691, Y13690.

an untanged quadrangular cross-sectioned adze with an all over polished surface and some bruising to poll. L.140mm. W.57mm. H.26mm. Y13778.

$120 - $180

307 Five Maori Stone Toki Adzes

See Illustration page 45

318 A Moari Stone Toki Adze

various small grey and black stone untanged, quadrangular crosssectioned adzes. The largest dimension; L.100mm. W.60mm. H.20mm. Y13688, Y13685, Y13686, Y13687, Y13689.

untanged, quadrangular cross-sectioned adze blade with well defined edges and polished all over. Surface with some bruising. L.140mm. W.60mm. H.27mm. Y13781.

$150 - $200

$180 - $220

319 Two Maori Stone Toki Adzes both adzes dark grey stone, untanged and quadrangular crosssectioned. The grip reduces to a sharp triangular shaped poll, rounded cutting edge and polished all over. Y13683, Y13684.

$120 - $180 320 Two Maori Stone Toki Adzes the larger adze, mid-grey, untanged and quadrangular crosssectioned with a rounded bevel and slightly curved cutting edge. Dull surface finish. The smaller adze, black and tan, untanged and quadrangular cross-sectioned. Smooth rounded poll, curved bevel with a straight cutting edge and polished all over. Y13682, Y13775.

$120 - $180 321 Two Maori Stone Toki Adzes one large and one small agrillite stone adzes. Both unfinished and flaked all over, untanged and quadrangular crosssectioned. Collected from the Nelson region. The largest dimension; L.180mm. W.65mm. H.30mm. Y13773, Y13774.

$60 - $90 322 Three Maori Stone Toki Adzes consisting of a light grey/yellow and a black stone adze as well as an unfinished adze blade. The two fininshed adzes are untanged, quadrangular cross-sectioned with a dull finish. Both with chips and dull finish. The largest dimension; L.158mm. W.65mm. H.26mm. Y13696, Y13694, Y13695.

$120 - $180 323 A 19th Century Post Contact Pa Kahawai with an inward curved wooden shank, knobbed at head and base. Paua shell lining and a barbed bone point lashed to head. Snood cord missing. L.90mm. Y13791.

$200 - $300 324 A 19th Century Post Contact Pa Kahawai with an inward curved wooden shank, knobbed at head and base. Paua shell lining and a barbed bone point lashed to head. Snood cord attached. L.128mm. Y13787.

$250 - $320 325 A Patu Aruhe/Fern Root Beater of rounded club form with a tapering handle and pronounced flare to knob at the end. Poll reduces to a slight point. Some splitting to upper surface. L. 345mm. Diam.70mm. Y13780.

$200 - $400 326 A Maori Stone Patu Whitau/Fibre Beater of circular club like shape with reduction to grip. All over polish and pitted surface. L.240mm. Diam.80mm. Y13779.

$250 - $400 327 A Length of Bundled Muka Cord Y13699. Together with a natural fibre poi. Y13697 and a smaller bundle of dyed muka cord Y13698.

$20 - $40 328 A Wood and Cord Maori Implement a diamond shaped wooden implement of unknown use. Both ends wrapped with rolled plant fibre and connected by a central rolled cord. Notched sides, with a large loop to the top end. L.280mm. W.42mm. Y13782.

329 A Moari Stone Mahe Sinker a light grey speckled stone sinker, eliptical with a central groove running longitudinally. Pitted surface. L.80mm. W.60mm. H.80mm. Y13786.

$80 - $120 330 A Contemporary Stone Sinker oval shape with flat sides and a central drilled hole. Dull polished all over with a pitted surface. Diam.112mm.

$10 - $20 331 An Unidentified Polished Stone of elongated tapering form, rounded at both ends. A chip to the bevel. Comes with a note ‘second known specimen of the reputed Nose Stone’. L.125mm.

$10 - $20 332 Three Pieces of Greenstone one unworked, the others partially polished.

$80 - $120 333 A Piece of Kauri Gum a rectangluar opening to the top, possibly for an ink well or stand. Old repair to one end. L.190mm.

$40 - $60 334 Two Adze Blades one Melanesian from Bougainville. L.145mm. The other, a long tanged triangular type from Rarotonga. L.140mm.

$50 - $70 335 A Folk Art Carved Tobacco Pipe with carved Wheku either side, inset paua eyes. EP Mount. L.130mm.

$50 - $100 336 A Moari Stone Toki Adze a mid grey stone, untanged and quadrangular cross-sectioned. Polished all over, dull edge with a large chip. L.112mm. W.50mm. H.35mm. Y13785. Also sold with a half worked slender greenstone adze blade (Y13792) and a stone with fern fossils.

$150 - $200 337 A Maori Carved Bone Pendant an elongated, curved pendant with rounded ends, tapering to the top. Drilled suspension hole and carved chevron style pattern near the top. L.97mm. Y13784.

$200 - $300 338 A 19th Century Post Contact Pa Kahawai with an inward curved wooden shank, knobbed at head and base. Paua shell lining and a barbed bone point lashed to head. Snood cord missing. L.110mm. Y13783.

$250 - $320 339 A Hand Carved Kauri Portrait Bust of Tutanekai the young man of good birth but not of high rank who won the heart of a great Owhata (Rotorua) chief’s daughter, Hinemoa. The bust carved in the round, the incised moko, some of the facial features and hair with a blackish stain. The carver named Hemi. H.235mm.

$575 - $700

$20 - $40

A n t i q u e s & d e c o r at i v e a r t s

450 463

459

455

412

456

411

466 398a

453 460

472

462

413 407

461

518

416

398

446

470

414

501

314 346

313

304

340 A New Zealand Folk Art Pokerwork Nut Bowl the exterior with a stylised Tiki, nuts and berries motifs, the interior with a kiwi before a whare and pongas, a volcanic peak in the distance. Diam.280mm. H.70mm.

$60 - $100 341 A Photographic Print Methodist Maori Choir 1933 on original black paper mount with gilt graphics of a kiwi, figures in a Waka on a lake, with distant smoking volcano, a figure before a whare and cabbage trees. Note; the mount with distress. W.370mm. H.210mm.

$80 - $100 556

558

342 A Photographic Print Maori Concert Party Paipera Tapu C.1933 unmounted. W.195mm. H.145mm.

$50 - $75 343 A Leather-bound Black Canvas Trunk the lid and fall front enclosing a cotton ticking interior and tray with four wire mesh fixtures, the carry handle and strap mount stamped ‘Rangatira’ within a shield. Note; some wear and losses. H.370mm. W.520mm. D.430mm.

$175 - $250 344 An Ataahua Paua Shell Toast Rack embellished with two nickel silver heads, labelled ‘Maori Chief NZ’ flanking the spiral toast holder, mounted on a polished paua shell. Mid 20th century, original label to the base.

$160 - $200

555

345 A Tattersfield Pure Wool Maori Legend Rug original label verso. L.1360mm. W.685mm.

$600 - $900 346 A Good Mounted Large Kiwi Bird mounted on a rimu base. H.340mm. L.480mm.

$1,400 - $2,000 See Illustration page 45

347 A Trevor Lloyd Engraving entitled ‘A Lovely Ruin East Tamaki’. Pencilled title and signature, framed. Image size H.190mm. W.260mm.

$300 - $500 373

369

372

368

370

A n t i q u e s & d e c o r at i v e a r t s

New Zealand Pottery 348 A Graeme Storm Stoneware Large Vase foliate incised decoration showing the clay body through iron/manganese slip. Purchased at the Auckland Studio Pottersâ&#x20AC;&#x2122; 25th Annual Exhibition. H.398mm.

$350 - $450 349 Drury Pottery and Fireworks Attributed PressMoulded Classical Head Bracket bisque fired, a Greek or Roman beauty wearing a shield shaped pendant. Provenance; from Kereone Station. H.180mm. W.142mm.

$160 - $200 350 Drury Pottery and Fireworks Attributed PressMoulded Classical Head Bracket bisque fired, a Greek or Roman beauty wearing a shield shaped pendant. Provenance; from Kereone Station. H.170mm. W.140mm.

$160 - $200 351 A Len Castle Stoneware Moulded Oblong Dish with coiled rim, the interior with rope impressions under brown treacle iron oxide and ash glaze. Impressed cipher. Hairline crack. L.315mm.

$250 - $350 352 A Len Castle Stoneware Moulded Oblong Dish

359 A Stradivari Copy Contemporary Violin in Case a copy Antonio Stradivari Anno 1716 Luthier. H. Lillioja. The violin constructed with spruce top and maple back, with bow and shoulder rest. L.600mm.

$2,500 - $4,000 360 A Stradivari Copy Contemporary Violin in Case a copy Antonio Stradivari Anno 1716 Luthier. H. Lillioja. The violin constructed with spruce top and maple back, with bow and shoulder rest. L.590mm.

$2,500 - $4,000 361 A Hemba Female Ancestral Figure Grave Marker Post the half figure carved with her head to the side showing a smooth forehead, the coiffure with an incised double cross at the back, her eyes carved closed, pointed breasts above a protruding abdomen and the short arms carved with cupped hands at her sides. H.1360mm.

$400 - $600 362 A Kusu Male Ancestral Grave Marker Post the eyes accentuated beneath a smooth forehead and an upswept coiffure, scarification defining the chin line. H.950mm.

$200 - $400 363 A Songye (Kalebwe) Carved Ancestral Figure Musical Instrument

with brown glaze and wax resist abstract pattern. Impressed cipher. L.280mm.

the metal instrumental parts assembled on the chest of the hollow torso, below a carved male large head with a protruding mouth and deep chin, accentuated large eyes. H.290mm.

$180 - $220

$100 - $150

353 A Len Castle Stoneware Moulded Square Dish

364 A Luba Carved Ancestral Figure Musical Instrument

with brown glaze and wax resist abstract pattern. Impressed cipher. Sq.150mm.

the metal instrumental parts assembled on the chest of the hollow torso, below a carved small head decorated with cross scarification on each cheek. H.290mm.

$100 - $180

$100 - $150 354 A Leo King Ceramic Bowl a central bowl with a wide flared rim. The bowl with a dark glaze, the exterior and rim unglazed. Diam.330mm. H.98mm.

$700 - $900

miscellaneous including ethnic 355 A Limited Edition Equine Bronze

wood carved with six tines, surmounted by a male fertility small figure with a large head displaying an elaborate double coiffure and scarification to the chin line. H.300mm. W.110mm.

$80 - $120 366 A Hemba Carved Twin Figures Headrest

the horse modelled in a trotting gait. Impressed CAB 91, 6/10. L.400mm. H.255mm. Presented free-standing on a wood plinth.

the male and female figures seated facing each other, each with an elaborate three layered coiffure and facial scarification. Note; some wood loss to headrest panel. H.155mm. W.195mm.

$200 - $400

$200 - $300

356 A 19th Century Admiral Fitzroyâ&#x20AC;&#x2122;s Barometer, Oak Cased the interior case with Admiral Fitzroy remarks on atmospheric changes and printed Gothic decoration. H.1075mm. W.225mm.

$600 - $1,000 357 An Oak Cased Three Decanter Tantalus with silver plate mounts, holding three identical cut glass decanters with facet-cut stoppers, each with a sterling silver ticket, GIN, WHISKY, SHERRY. London 1971. W.368mm. D.135mm. H.330mm.

$225 - $350 358 An Antique Cello in good playable condition, with old unspecified restorations. Sold in a modern case and with two bows, one by M. Millanta, Paris.

$3,250 - $4,000

365 A Hemba Male Figure Comb

367 A Songye (Kalebwe) Power Figure wood, horn, reptile skin. Standing on a semi-circular base, the figure with hands resting on a swollen protruding abdomen above skin skirt which is moulded to the torso, the head with a horn-charge protruding above a plain coiffure, the mouth carved open. H.375mm.

$200 - $400 368 A Songye (Kalebwe) Female Fertility Figure standing on a semi-circular base, the enlarged feet supporting bent diminutive legs, under an elongated torso with enlarged genitalia, the arms detached from the body with the grooved hands resting on the protruding abdomen with a raised naval, the enlarged head carved with a square protruding open mouth and a deep chin obscuring the small breasts, the smooth head decorated with a small horn-charge. H.370mm.

$200 - $400 See Illustration page 45

369 A Hemba Female Fertility Figure and an Infant carved with her legs folded beneath her and supporting a male infant on her right thigh while holding a cup in her left hand below prominent pointed breasts, an enlarged cylindrical neck supports an enlarged head with refined facial features and an elaborate coiffure with incised decoration. H.240mm.

$250 - $500 See Illustration page 45

370 A Kusu Female Fertility Figure, Carved Suckling an Infant the female carved standing on bent diminutive legs, the elongated torso with diamond scarification above a protruding naval and accentuated genitalia, the arms carved supporting a cup in one hand while the other supports an infant suckling the left breast. An enlarged cylindrical neck supports an enlarged head with refined facial features and an elaborate coiffure with incised decoration. Note; repaired, some wood loss inc. infant’s left arm, the hand carved on the breast, H.440mm.

$300 - $500

378 A Pocket Brass Sundial the half spherical cover lifts to reveal a floating dial supported in a circular brass base. Maker unknown. Diam.45mm. H.25mm.

$80 - $120 379 Three Pocket Compasses including a gilt metal encased pocket compass with a white enamel dial by W Harris & Son 50 Holborn London, a brass encased pocket compass with a brass cover and a wood encased pocket compass.

$120 - $200 380 A 19th Century M Pillischer Ivory Encased Small Thermometer the scales in Fahrenheit and Reaumur. Verso M. PILLISCHER. OPTICIAN 88 NEW BOND ST. LONDON. Known to have described himself as ‘Barometer & Thermometer Maker’ 1874 - 1887 and as ‘Optician’ 1852 - 1887. L.128mm.

$300 - $500

See Illustration page 45

381 A Victorian Sovereign 1887 371 A Tabwa Male Fertility Figure carved standing with the diminutive legs below a protruding abdomen and a large phallus, the enlarged head sporting a beard with incised decoration, resting on the grooved hands. Note; some age related wood loss. H.410mm.

$300 - $550 372 A Mbudi Female Figure carved seated, her elbows resting on her knees and her head held in her hands. The figure’s pose suggests that she is perhaps infertile or suffering a great loss, the abdomen and genetalia are insignificant. H.350mm.

$300 - $500

$ 150 - $250 382 A Collection of Coins and Bank Notes including roman.

$300 - $500 383 A Pair of Bronze Marley Horses with Grooms, 19th Century Restrike marked Cousteau. Note; some minor losses. The originals made by Guillaume I, Cousteau (1677-1746) as commissioned by Louis XV to replace a pair removed from Marley. H.370mm.

$1,600 - $2,500

See Illustration page 45

384 A French Table Clock 373 A Hemba Male Fertility Figure carved standing with the diminutive legs below a protruding abdomen and a large phallus, the head with chin scarification and protruding lips below an elongated but refined nose, prominent carved ears, the coiffure back-swept with incised decoration at the back.415mm.

$300 - $450 See Illustration page 45

374 A Wood ‘Panelled’ Mystery Ball originally from a seaman’s estate, circa 1920’s.

$50 - $75 375 A Small Carved Ivory Figure of a Warrior King or knight in beasts decorated ornate armour. Note; loss to right hand. H.105mm.

$100 - $180 376 A Burr Treen and Tortoise Shell Snuff Box fine burr veneered exterior, the interior with tortoise shell lining. Note; some loss to hinged lid. W.100mm. D.48mm. H.30mm.

$150 - $250

the porcelain plaque shaped as an artists palette painted with a romantic scene, the stand formed as an easel in giltmetal, 19th century. Some restoration. H.465mm.

$400 - $600 385 A 19th Century Writing Slope engraved brass plaque and escution. W.345mm. D220mm. H.145mm.

$200 - $300 386 An Earthenware Panel by John Papas entitled Northern Panel II. H.300mm. W.250mm.

$100 - $150 387 A Marke Lehmann ‘AJAX’ Acrobatic Clockwork Tin Toy in Original Box EPL # 659, first patented 1903, USA PATD 1908, the coil wind up in working order, the black and white patterned tunic with minor age-related wear, the yellow trousers with rust spots, the paint work generally in very good original condtion. H.250mm.

$2,000 - $3,500 388 A Ferdinand Preiss Table Lamp ‘THE STILE‘

the enamelled inset decorated with a romantic scene below an white enamelled ‘watch’ dial with blue Roman numerals. Note; some faults. H.135mm. W.78mm.

the cold painted and ivory figure of a young girl leaning on a metal arch supporting shade. Black marble base signed F.Preiss. Model no.1173. Foundry marks to stand and figure. H.490mm. Literature: Shayo (Alberto) Ferdinand Deco Sculptor The fire and the flame, Antique Collectors Club 2005, p.180 for the figure and p.84 for the lamp base.

$200 - $300

$7,000 - $12,000

377 A French Ormolu and Enamelled Table Clock

See Illustration page 40

A n t i q u e s & d e c o r at i v e a r t s

389 An Art Deco Evening Bag

400 A Sterling Silver Vesta Case

the pierced chain and top in ivorine, the fabric bag with floral beading and original tassel. Circa 1920.

small lozenge shape with bright-cut engraving of leaves. Chester 1908. W.38mm.

$100 - $150

$60 - $80

390 A Bone Needle Case

401 A George III Period Set of Three Sterling Silver Wine Labels

profusely carved with dragons, birds and butterflies. Finial Absent. L.150mm.

escutcheon shaped and decorated with grapes and vine leaves, ‘Claret’, ‘Madeira’ and ‘White Wine’. Late 18th century.

$60 - $80

$400 - $600

391 A Mid 20th Century Shaw Savill Poster

402 A George III Period Sterling Silver Wine Label

depicting ship Southern Cross with map, England to Trinidad. Small tear, pin holes. H.1010mm. W.630mm.

Madeira’ impressed with grapes and leaves. Sheffield 1812.

$175 - $250

$250 - $350 392 A Mid 20th Century Shaw Savill Poster

403 A Sterling Silver Wine Label, London 1819 Bucellus’ pierced within a border of shells and gadrooning. Makers TP IP.

depicting Cape Town and Table Mountain. New Zealand to England. Tears and loss to one side. H.1010mm. W630mm.

$150 - $250

$150 - $250 393 A Mid 20th Century Matson Lines Poster

404 An Enamelled Wine Label ‘Moselle’ hand painted. Probably Staffordshire mid 19th century.

depicting SS Mariposa, SS Montery and the Golden Gate Bridge. Small Faults. H1000mm. W.605mm.

$250 - $350

$50 - $80 405 Sterling Silver Pair of Sugar Nips scissor shaped with shell shaped grips. Mid to late 18th Cent. (sterling marks but town and maker’s marks illegible). L.125mm.

394 A Mid 20th Century Shaw Savill Lines Poster depicting the flag that circle the world. Small tears and pin holes. H1010mm. W.630mm.

$250 - $350

$250 - $350 406 A Sterling Silver Mustard Pot oval shaped with a domed lid, the body with two narrow bands of reeding, with blue glass liner. Chester 1908, makers S.B&S Ltd.

395 A 20th Century Poster British Shipyards built for the world. H.760mm. W.505mm.

$75 - $100

$30 - $50 396 A Decorative Pair of Granite Spherical Large Sculptures

407 A 19th Century Russian Silver and Niello Decorated Snuff Box of a good weight. Of rectangular form, all of the exterior surfaces are foliate decorated, the hinged lid opening to reveal a gilt interior. Moscow 1845. Maker Andrei Antonvich Kovalski. W.85mm. D.35mm. H.25mm.

in pink and gery fleck, well polished finish.

$600 - $1,000 397 Signed Galle Scenic Vase Lamp Base

$800 - $1,200

the landscape scene featuring a foreground of purple trees, lavender blue distant mountains and a lake, With Continental fittings. H.245mm.

$1,500 - $2,000

See Illustration page 44

408 A George III Period Sterling Silver Snuff Box plain and curved, with a hinged lid, gilt interior. Birmingham 1810, maker William Bennet. W.64mm. D.32mm.

398 A Large Venetian Glass Toilet Bottle with finely etched foliate decoration and silver collar C.1920

$600 - $750

$150 - $200 See Illustration page 44

409 An Asprey of London Drip Catcher L.70mm.

398A A Limited Edition ’GIGI’ Stag Head

$10 - $15

with verdigris underglaze silver leaf finish.

$1,500 - $1,900

410 A Sterling Silver Punch Ladle with pouring lip, the decorated bowl inset with a 1723 English shilling. Twisted whale bone handle. L.347mm.

See Illustration page 44

$300 - $450

Silver & silver plate 399 A 19th Century Sterling Silver Vinaigrette engraved and monogrammed AS. Birmingham 1843, maker Edward Smith.

$575 - $750

411

A George III Period Sterling Silver Mustard Pot barrel shaped with a flat lid (repaired), the body decorated with four bands of parallel reeding and vertical stave marks, with blue glass liner. London 1766, maker Thomas Heming. H.84mm.

$450 - $600 See Illustration page 44

412 A George III Period Sterling Silver Half Pint Mug

423 A George III Period Sugar or Cream Ladle

barrel shaped with two bands of reeded decoration. London 1803 (maker’s mark illegible). H.86mm.

with later profuse leaf decoration, and with a fabulous animal crest. London 1767, maker ET. L.170mm.

$450 - $600

$80 - $140

See Illustration page 44

424 Withdrawn 413 A George III Period Brandy Warmer plain with a flared rim, circular base and turned wood handle. London 1775, maker William Grundy.

$1,300 - $2,000 See Illustration page 44

414 A George III Period Plated Lidded Tankard plain with a domed lid, acanthus leaf thumb-piece and wooden base, c.1800. H.200mm.

425 A George III Period Sterling Silver Fiddle Pattern Straining Ladle London 1821, maker HH. L.310mm.

$60 - $120 426 Set of Six ‘Bone’ Handled Dinner Knives, with stainless steel blades, Pearson & Sons.

$40 - $60

$600 - $900 See Illustration page 44

427 Three ‘Bone’ Handled Dessert Knives loose, with stainless steel blades, manufacturers Pearson & Sons.

415 A George III Period Sterling Silver Sweetmeat Basket oval shaped with swing handle, pierced and decorated. London 1770. Note: repaired. W.155mm. D.135mm.

$500 - $750 416 A Victorian Period Sterling silver Sugar Basket on a square base with a short stem and pierced decoration. Sheffield 1894, maker HA. Plus blue plastic liner. H.112mm.excl.handle.

$450 - $600 See Illustration page 44

417 A Sterling Silver Mustard Spoon in ‘Old English’ pattern. Incomplete bottom marks, mid to late 18th century.

$15 - $20 418 A Sterling Silver Teaspoon, Makers Peter and William Bateman Old English’ pattern, initialled D. London 1810.

$20 - $30 419 A George III Period Sterling Silver Teaspoon Old English’ pattern with ‘bright cut’ engraving, initialled TW. Marks rubbed but late 18th century, maker GG.

$20 - $25 420 A Sterling Silver Set of Six Teaspoons in ‘Old English’ pattern, initialled WC. New Castle c.1800, maker CR (possibly Christian Reid).

$100 - $180 421 A Sterling Silver Pair of ‘Old English’ Pattern Tablespoons initialled HSM. Bottom marked, New Castle 1780, maker JT. (125grams).

$100 - $200 422 A Sterling Silver Teaspoon, Makers Peter, Ann and William Bateman Old English’ pattern, monogrammed JHB. London 1804.

$20 - $30

$10 - $20 428 Set of Six ‘Bone’ Handled Dessert Knives, Boxed loose, with stainless steel blades, manufacturers Pearson & Sons. Note; some handles with staining and wear.

$30 - $40 429 Twelve Late George III Period Sterling Silver Old English Pattern Dinner Forks each engraved with ‘C’ initial, London 1814 (1), 1815 (6), 1819 (5), various makers.

$500 - $800 430 Eight George III Period Sterling Silver Tablespoons each engraved with ‘C’ initial. Four fiddle pattern, London 1823, four Old English pattern, London 1792 (1), 1795 (1), 1801 (2). Various makers.

$1,300 - $1,800 431 Two Sterling Silver Fiddle Pattern Tablespoons script initial engraved ‘C’. London1821-22, maker (WS) William Sumner.

$200 - $250 432 Two George III Period Sterling Silver Old English Pattern 11” Tablespoons each engraved with ‘C’ initial. London 1802.

$400 - $600 433 Two George III Period Sterling Silver Old English Pattern Dessert Spoons each engraved with ‘C’ initial. London 1801, 1814.

$20 - $30 434 Six Sterling Silver Old English Pattern Dessert Spoons each engraved with ‘C’ initial, London 1823 (4), 1840 (2).

$200 - $300 435 Three Sterling Silver Fiddle Pattern Dessert Spoons plain, London 1841.

$100 - $150

A n t i q u e s & d e c o r at i v e a r t s

436 Twelve George III Period Sterling Silver Fiddle Pattern Dinner Forks

448 A Gerogian Revival Sterling Silver Three Piece Tea Set

each with an engraved wheatsheaf to the back, London 1814, makers Peter & William Bateman.

The oval bodies with reeded decoration. Teapot London 1897. Milk London 1902. Sugar London 1895. Ebonised handle and finial with colour loss.

$1,100 - $1,500

$700 - $900

437 A King George Period Sterling Silver Large Teaspoon plain ‘C’ initial engraved. London

$10 - $15 438 Six Victorian period Sterling Silver Fiddle Pattern Teaspoons script initial ‘C’ engraved. Chester 1843.

$80 - $120 439 Five Sterling Silver Fiddle Pattern Teaspoons

449 A Sterling Silver Salt vine leaf decoration and inscription for 25th Feburary 1880, Sheffield 1879.

$40 - $60 450 A Sterling Silver Sugar Castor of octagonal section with pierced cover London 1925.

$250 - $350 See Illustration page 44

script initial ‘C’ engraved. London 1816 (4), London 1845.

$60 - $100 440 Two Victorian Period Sterling Silver Fiddle Pattern Teaspoons engraved ‘C’ initial. London 1866.

$20 - $30 441 A George III Period Sterling Silver Fish Slice fiddle pattern, the shaped blade pierced decorated with a fish and scales, the handle with an engraved ‘C’ initial. London 1807. Note; the blade slightly bent.

451 A 19th Century Meat Skewer with Engraved Initials pseudo marks possibly colonial Indian or African. L.300mm.

$200 - $250 452 A William IV Period Pair of Sterling Silver Highly Decorated Plates by Paul Storr each of good weight, the shaped rims foliate engraved and repousse decorated, framing a wider border of foliate embossed panels with diaper patterns, the well roundel plain. London 1834,1835, maker Paul Storr. Diam.250mm.

$7,000 - $10,000

$175 - $225 442 A George IV Period Sterling Silver Fiddle Pattern Mustard Spoon engraved ‘C’ initial. London 1825.

$30 - $40 443 Two George III Period Sterling Silver Old English Pattern Salt Spoons engraved ‘C’ initial. London 1818.

$20 - $30 444 A George III Period Sterling Silver Pair of Dessert Spoons, Cased the fruits embossed shaped bowls gilded, the handles ornately engraved. London 1788.

453 A Pair of Silver Pepper Shakers Baluster shaped. London 1758. Maker I.D.

$450 - $650 See Illustration page 44

454 A Silver Fish Slice Fiddle thread and shell pattern, with pierced diamond shaped lattice decorating the blade. London 1809 by R.H and S.H.

$250 - $350 455 A Cylindrical Silver Scent Bottle with Hinged Lid engraved Foliate Decoration. Birmingham 1911. Maker E.E.W.

$150 - $200 See Illustration page 44

$175 - $300 445 A Walker & Hall Sterling Silver Handled Sugar Basin and Matching Milk Jug plain bowls with classical engraved borders, each supported on a small pedestal foot. Sheffield 1924 & 1926.

$220 - $300 446 A Victorian Period Sterling Silver Lobed Teapot of squat form, restrained foliate engraved , acanthus scrolling handle and spout, the hinged lid surmounted by a pumpkin finial on vine leaves. London 1860, maker William Smiley. Note, some underside foot squashing. H.180mm.

$750 - $900 See Illustration page 44

447 A Cased Sterling Silver Desk Set comprised of a letter opener with an ivory or bone blade, a seal initialled ‘V’ within a shield, a sealing wax holder and a nibbed pen. Birmingham 1901.

$220 - $300 50

456 A Cylindrical Repousse Decorated Silver Toilet Box with removable engraved cover. Birmingham 1911 Maker S.WS & CO.

$120 - $150 See Illustration page 44

457 A Kings Pattern Silver Plated Serving Spoon by Mappin and Webb.

$60 - $90 458 Two Georgian Silver Salt Spoons O.E Pattern, together with four silver coffee spoons, a silver caddy spoon and a pair of Dutch Silver sugar tongs.

$50 - $120 459 A Georgian Silver Needle Case with hinged lid, fine engraved decoration.

$50 -100 See Illustration page 44

580

548

542

551

576

570

543

535

549

A n t i q u e s & d e c o r at i v e a r t s

460 An Edwardian Silver Shoe Pin Cushion Holder Birmingham 1907.

$120 - $150 See Illustration page 44

472 A Large Silver Cream Jug on Four Claw Feet Chinoiserie decoration in repousse. Excellent condition. London 1850 by I.T, probably Jos Taylor.

$450 - $650 See Illustration page 44

461 An Edwardian Silver Pin Cushion Holder in the form of a pig. Birmingham 1907.

$120 - $150 See Illustration page 44

472a A Good Edwardian Claret Jug the cut glass body with a sterling silver hinged lid and handle mount by Mappin and Webb London 1904. H.265mm.

$2,500 - $3,000

462 An Indian Silver Toilet Box with all over raised foliate decoration.

$120 - $150 See Illustration page 44

463 A Silver Plated Angostura Bitters shaker of baluster form

$60 - $80 See Illustration page 44

464 An Old Sheffield Plated Oval Form Tea Tray with pierced wavy edged gallery.

$250 - $350 465 A Sterling Silver Cigarette Box

porcelain & china 473 Walter Moorcroft Leaves and Fruit Design Medium Bowl with an everted lip, the shallow bowl interior decorated with grape and leaf designs on mottled green/ deep blue ground. Diam.252mm. H.52mm.

$250 - $400 474 A Royal Doulton Kingsware Hunting Scene Two Handled Large Candlestick typically on a glossy brown toffee ground. H.250mm.

$100 - $200 475 A Clarice Cliff Bizarre ‘My Garden’ Conical Small Vase

engine turned decoration to the lid, wood lined interior. Birmingham 1934. L135mm.

shape 452, the vase exterior surface brown and yellow streaked glazed, supported on tri-feet moulded as hollyhock branches, the moulded flowers painted in purples and reds. H.150mm. Diam.92mm.

$120 - $180

$300 - $450

466 A Georgian Period Sterling Silver Tray oval plain well with engraved crest and motto ‘Qualia Vila Fimsita’. Raised on four feet. London 1790. Maker Edward Jay.

$1,400 - $2,000 See Illustration page 44

467 An Indian Silver Box wood lined, scroll design decoration. SIL Stamp. L180mm.

$50 - $100 468 A Silver Thimble with applied scroll and floral decoration.

$80 -120

476 A Carlton Ware Oriental Inspired Lustre Wall Plaque depicting a crane in flight and a fir tree, both painted in bright enamels and gilt against blues and black painted foliage on a graduated green to bronze lustre ground. Diam.325mm.

$150 - $200 477 A Wedgwood Terracotta Jasperware Large Bowl the exterior surface decorated with a frieze of eighteen dancing classical beauties in black. Diam.262mm. H.105mm.

$150 - $250 478 A Wedgwood Bicentenary Commemoration Jug 1751-1951 a reproduction Cabbage jug from the original moulds, typical of the First Period, with paper trade label attached. H.122mm.

$30 - $40 469 A Silver Plated Wine Coaster with turned wood base. Some copper showing.

$50 - $80 470 A Silver Mounted Photo Frame with angels head decoration. Birmingham 1910.

$220 - $280 See Illustration page 44

471 A Sterling Silver BonBon Dish with pierced border. Sheffield 1896. Dia.140mm.

$60 - $90

479 An 18th Century Liverpool Chinoiserie Coffee Cup the exterior with hand painted polychrome decoration of a flowering cherry tree and rockwork, the interior with a single flower. Liverpool, Philip Christian’s factory c.1765. Note; rim chip. H.58mm.

$300 - $400 480 An 18th Century Lowestoft Polychrome Coffee Cup hand painted floral decoration of a large bouquet and scattered flowers, c.1770 - 1775. Note; fine crack near handle. H.61mm.

$300 - $400 481 A Late 18th Century Caughley Blue and White Small Plate decorated in underglaze blue with a Chinese temple pattern within a blue border, the shaped rim with key and diaper patterns. No marks, circa 1790. Diam.214mm.

$350 - $500 52

482 A Royal Crown Derby Imari Small Jardiniere

493 A French Squat Two Handled Vase

the vase with a wide mouth, pattern 1128. H.118mm.

early 20th century by Greber in-sized signature to base. H100mm.

$100 - $140

$200 - $300

483 A Royal Crown Derby Imari Oval Comport pattern 1128, the dish with gilt embellished twin acorn and oak leaves pierced handles. H.125mm. W.260mm.

$150 - $250 484 A Royal Crown Derby Imari Octagonal Large Deep Bowl

494 Ray Finch Winchcombe Studio Pottery Scgraffito Decorated Small Bowl mottled green glazed over iron underglaze. Impressed mark. Ray Finch took over management of Winchcombe Pottery 1939 while Michael Cardew set up another pottery in Cornwall, and purchased the business from Cardew in 1946. Finch was awarded the MBE in 1980.

$200 - $350

pattern 1128. Diam.252mm. H.92mm.

$200 - $350 485 Three Royal Crown Derby Imari Plates pattern 1128, comprising of a pair of smaller plates (each Diam.212mm), and a large plate, Diam.262mm.

$400 - $600 486 A Royal Worcester Highland Cattle Painted Small Pot Pourri by E. Townsend of ovoid form, shape H169A. Moulded and gilded classical decoration at the shoulder and encircling the short neck, dividing the jar’s exterior into four panels, one of which is painted with two highland cattle at a loch edge with misty hills in the background, the rear typically painted with a rock and heather vignette. The cover leaf pierced. Black mark for post 1958. Note; factory cover rim small chip gilded over during manufacture. H.160mm.

$350 - $500 487 A Royal Worcester Highland Cattle Painted Cover Vase by E. Townsend of elegant ovoid form raised on a pedestal ring foot (gilded) and with restrained classical twin handles to the shoulder, shape 2713/2. The fore painted with two highland cattle standing amongst flowering heather in a misty landscape, the rear decorated with vignette of a misted landscape. The cover plain gilded and surmounted by a knobbled finial. Black mark for post 1958. H.250mm.

$450 - $700 488 A Royal Copenhagen ‘Fajance’ Vase of oval section, H.204mm. Together with a Royal Copenhagen Fajance square shallow small dish, W.168mm. H.32mm.

$80 - $120 489 A Poole Pottery ‘Delphis’ Charger with a lime green ground and hand painted petal decoration. Shape 54, signed to base VP (Valerie Pullen). Diam.415mm.

$700 - $900 490 A Poole Pottery ‘Delphis’ Bowl on an orange ground with hand painted green and yellow heart shapes. Shape 57, signed to base AF (Andree Fontana). H.70mm. Diam. 270mm.

$300 - $400 491 A Poole Pottery Scgraffito ‘Aegean’ Plate with an image of three boats at sunset scratched into the surface of the plate, in green, orange and brown. Shape 3, signed to base AA. Diam.200mm.

$150 - $250 492 A Pair of French Arts & Crafts Vases early 20th century shaped with moulded leaf decoration by Denbac, in-sized marks and original paper labels to the bases. H.245mm.

495 An Oval China Stinton Plaque painted with a pheasant, signed J.Stinton. Sterling silver mounted and framed. Scratches to the surface. (Plaque) L.100mm.

$400 - $600 496 A Royal Worcester Ovoid Small Vase painted decoration of love in the mist on a mauve ground. Date code for 1911.

$150 - $200 497 A Royal Worcester Baluster Vase painted with roses. Unsigned. Rubbing to gilt edge. Date code for 1912. H.140mm.

$150 - $200 498 A Retro Carlton-ware Coffee Service chocolate brown glaze with green and orange geometric patterns, c.1970. Includes coffee pot, six cups and saucers, sugar, creamer and two serving dishes.

$350 - $450

Oriental 499 A Qing Dynasty Porcelain Polychrome Baluster Floor Jar and Cover the upper surface decorated with six ruyi and flower heads on an imperial yellow ground above six shaped panels of birds and flowers individual combinations on a black ground, the panels above a border of six ruyi enclosing alternating flower sprig motifs and combined symbols of the broom, stone chime and ribbon, the cover similarly decorated with six ruyi and floral motifs, surmounted by a lotus bud finial. Note; chip and crack to jar body rim, some glaze loss. Circa 1850. H.650mm.

$350 - $500 500 An Exportware Imari Oval Large Plate the foliate edged rim shadowed in cobalt blue enclosing scrolling foliage, surrounding a cobalt blue bordered panel painted with a simplistic bird amongst fruiting and flowering foliage. Note; a surface firing stress in the well. W.388mm. D.310mm.

$100 - $200 501 A Qing Dynasty Blue and White Garden Seat the large beaker vase shape decorated with four panels of traditional and auspicious flowers representing the four seasons; winter prunus, spring peony, summer lotus and autumn chrysanthemum, each panel separated by a prunus decorated pierced round coins, below encircling bands of ruyi heads and vertical plantain leaf design or jiaoyewen. The seat decorated with a camellia enclosed by diaper and flower head motifs. Circa 1850. Note; seat rim chip. H.500mm.

$300 - $500 See Illustration page 44

$450 - $550 A n t i q u e s & d e c o r at i v e a r t s

502 A Fine Quality 19th Century Japanese Porcelain Gourd Form Vase decorated with a wading bird descending amongst russet toned pond foliage, the reverse with painted with a purple and lilac iris bloom, the surfaces painted with predominantly mid blue blossoms and foliage. H.184mm.

$80 - $150

512 Two Oriental Scroll Landscape Paintings both featuring the elements of mountains, water, rocks, trees and simple dwellings.

$50 - $80 513 Late 19th Century Chinese Imperial Lady Painting on Silk circa 1890. Frame H.240mm. W.140mm.

503 A Japanese Eggshell Porcelain Blue and White Teacup and Saucer the surfaces decorated with pairings of butterflies and flowering foliage. Six character mark. Late 19th C. Note; crack to cup wall.

$50 - $80 504 A Contemporary Chinese Porcelain Imperial Dragons Decorated Medium Bowl the exterior surfaces decorated with a continuous scene of two five-clawed green dragons, each chasing a flaming pearl over a pale yellow wave decorated ground, the well turquoise glazed. Diam.180mm. H.92mm.

$50 - $80 514 Late 19th Century Chinese Bird Painting on Silk circa 1890. Frame H.278mm. W.188mm.

$50 - $80 515 Artist Unknown Japanese Woodblock Print, Framed the print depicting two women and a planked walkway over a pond and beds of iris. Note; foxing to surfaces inc. the mount. Frame H.462mm. W.334mm.

$175 - $250

$225 - $350 516 Japanese Woodblock Portrait of a Beauty, Signed 505 A Late Qing Dynasty Cloisonne Small Vase scrolling and tendrilled foliage on a turquoise ground, late 19th/early 20th C. H.165mm.

the upright panel depicting a woman with a look of consternation on her face, her fine garments caught by thorny foliage as she was walking. Note; Some loss to frame. H.462mm. W.330mm.

$80 - $120

$175 - $300

506 A Kâ&#x20AC;&#x2122;ang-hsi Period (1662-1722) Black Lacquer Ware and Mother of Pearl Inlay Cup and Tray the delicate cup of square section and chamfered corners, the walls tapering above a square foot which is capped in (possibly) silver. The surfaces decorated with fine rockwork and foliage, the cup interior lined with (possibly) silver, not tested. The matching tray also with three calligraphy characters. Cup H.38mm. W.56mm. Tray W.108mm. H.10mm.

$800 - $1,200

517 A Pair of Huang Hua Li Chairs Chinese 18th or early 19th century panelled seat and back with pierced carved decoration. H.940mm.

$1,500 - $2,000 518 A Chinese Blue and White Bowl six character yongzheng mark in double circle decorated with buddistic symbols and flowering vines. Dia. 180mm.

$1,000 - $1,500 507 A Japanese Exportware Buddha Figure Lamp Base he in a meditating position and supported on a conforming wood base, his robe typically decorated with a dragon pursuing a flaming jewel, embellished with raised jewelling in enamels and gilding. H.200mm. Sold with a shade. Overall H.370mm.

$120 - $200 508 A Chinese Old Ink Stone decorated with a fruiting bough in low relief. Calligraphy to the rear of the tablet. W.182mm. D.108mm.

See Illustration page 44

519 A Pair of Provincial Chinese Yoke Back Chairs with red paint finish. H.880mm.

$250 - $400 520 A Pair of Provincial Chinese Yoke Back Chairs with blue paint finish. H.880mm.

$250 - $400

$350 - $400 509 A Very Good Quality Copy of a Restored Tang Dynasty Saddled Horse Figure in the classic three colours. Circa 1950. H.378mm. W.435mm.

$250 - $500 510 A Chinese Decorative Circular Large Platter the surface decorated with four sages seated beneath a pine tree near rock work and engaged in a board game. Late 20th C. Diam.430mm. H.75mm.

521 A Pair of Provincial Chinese Yoke Back Chairs with grey paint finish

$250 - $400 522 An Oriental Wood Carved Figure of an Immortal on Stand the figure with a long beard to his waist, his hair tied in a knot at the back of his detacheable head, both hands also detacheable, one carved outstretched offering a fruit, the robe of applied knotted wood pieces, the figure supported on a turned plinth

$800 - $1,100

$150 - $300 511

A Chinese Decorative Circular Large Platter the surface decorated with a tranquil rural scene of nine water buffalo relaxing, their two minders playing musical instruments, enclosed by a diaper and four auspicious symbols border. The exterior surface decorated with a further four auspicious symbols. Late 20th C. Diam.470mm. H.50mm.

$150 - $300 54

523 A Jade Carving in pale green of a lidded vase with a branch of flowering Peony. H.180mm.

$180 - $220

524 A Chinese Hand Painted Porcelain Bowl of shallow circular form, sitting on a ringed foot. Interior rim and central base painted with a green and blue wave pattern, the rest painted with various flowers and leaves. The exterior painted with dragons. Signed to base. Diam.230mm.

$600 - $800 525 A Chinese Pale Green Jade Vase and Cover baluster shape with dragon mask handles on the shoulder with captured rings. The body carved in low relief with iris and peonies, the lid with a foo dog finial.

$200 - $400 526 A Chinese Carved Stone Tea Set consisting of a lidded teapot with a dragon spout and four stone cups with relief carved dragon and flowers.

$60 - $90 527 A Satsuma Fisherman Decorated Large Circular Platter depicted on a river bank with a large catch of fish, their robes and head covers with raised enamel and gilded details within a raised enamelled and gilded brocade border. Note; small hairline crack to rear surface, with old restoration.

$800 - $1,000 528 A Satsuma Warriors Decorated Large Circular Platter the shallow dish painted with six Samurai swordsmen in a fighting situation close to a tree, their attire with raised enamel and gilded details, within a gilded and enamel ‘jewelled’ various diaper patterns border. Thirteen characters in gilt to the rear. Diam.372mm. H.55mm.

$800 - $1,200 529 A Tibetan 20th Century Wood Carved and Painted Deity Ceremonial Dancing Mask probably from Kham (Cham) Province, Eastern Tibet/Western China. H.400mm.

$150 - $250

Furniture & paintings 530 An Early 19th Century Corner Cupboard in Dark Oak with key patterned borders enclosing an arch panelled door, brass fittings including ‘H’ shaped brass hinges, the interior with two fitted shelves. W.670mm. D.430mm. H.925mm.

$450 - $600

534 A Set of Four Late Victorian Style Dining Chairs in Stained Oak each with curved and pierced back, padded leatherette seat on panelled tapering legs and raised on porcelain casters.

$600 - $800 535 A French Cartonnier Filing Cabinet in Stained Pine by T.Schubert Relier, Cartonnier Specialite De Boites de Bureau a Serrure, Rue de Jardin, 34 Gant. A single bank of six compartments, each with a stylish pull-out cardboard box fitted with metal mounts to the fall-front, flanked by hinged narrow flaps, carved details to the cabinet, raised on four short legs. W.535mm. D.315mm. H.1510mm.

$1,100 - $1,500 See Illustration page 51

536 A Victorian Figured Timbers Occasional or Side Table the top with butterfly veneers enclosed by an ebonised border, supported on four tapering turned legs joined by curved end stretchers, inturn joined by a central straight stretcher surmounted by a turned urn form, the table on four porcelain casters. W.965mm. D.615mm.

$600 - $900 537 A French Art Deco Period Centre Table in Rosewood the rectangular top secured on a semi-circular base with brass detailing and raised on two broad-ski shaped supports. W.1530mm. D.990mm. H.740mm.

$600 - $800 538 A Korean Pine Split Chest the metal mounts with retractable handles, the lower chest with three full length drawers, the upper section with two doors opening to four slides. W.890mm. D.390mm. H.1190mm.

$450 - $600 539 A Mid Victorian Dressing Table the bow front above an open shelf with boldly turned supports, the super-structure with seven small trinket draws, scroll- foliate carved mirror supports and carved cresting to the shaped mirror, raised on porcelain casters. Approx. H1780mm. W.1220mm. D.570mm.

$600 - $900 540 A William IV Tea Table in Satinwood with fold-over top on a shaped octagonal pedestal which inturn is supported on a platform-base with stylised leaf and scroll feet ending on brass casters. Note; some veneer losses and fading. W.1070mm. Closed W.480mm. Closed H.770mm.

$500 - $700 531 Early 19th Century Cheval Mirror with Three Drawers each drawer with an ebony turned and ivory/bone inlay knob, the mirror stand supported on four turned bun feet. W.510mm. D.220mm. H.560mm.

$500 - $600

541 A Mid Victorian Mahogany Chiffonier with two arched panelled doors below a frieze drawer, the up-stand back with a fret-supported shelf, the carved cresting with thistle decoration. 1860s - 1870s. W.1500mm. D.530mm. H.1530mm.

$1,200 - $1,600 532 A Set of Six Victorian Mahogany-Framed Balloon Back Dining Chairs each with a scroll carved splat and supported on turned legs. Upholstered in pears and apples decorated modern fabric.

$800 - $1,000 533 A Good Quality Victorian Music Canterbury in Walnut

542 A Mid 19th century Armchair in Dark-Stained Mahogany carved cabriole legs, arm supports and cresting, upholstered in bold and vibrant contemporary fabric. H.1110mm.

$600 - $800 See Illustration page 51

of elongated form, the burr walnut top with gilt painted borders supported on four turned columns above three divided sections, a long single drawer below, the columns and base platform also embellished with gilt paint, raised on turned legs ending in porcelain casters. W.745mm. D.440mm. H.855mm.

$1,500 - $2,500

A n t i q u e s & d e c o r at i v e a r t s

543 A Fine Quality Victorian Cabinet in the French Taste decorated with burr veneers marquetry and pen-work panels decorated in the classical style and ormolu mounts, the cabinet comprising of a pagoda shaped top above a large single door opening to the interior with original velvet lining, the whole raised on turned feet. H.1200mm. W.835mm. D.390mm.

$3,000 - $5,000 See Illustration page 51

544 A Victorial Oval Occasional Table in Walnut the veneered top on a turned and carved cathedral base. W.1100mm. D.675mm. H.680mm.

552 A Victorian Five Drawer Chest in Mahogany two half drawers above three graduated full drawers, each with the cockbeading and fitted with brass escutcheons and turned handles, the chest supported on a platform base. W.1110mm. D.540mm. H.1105mm.

$800 - $1,200 553 A French Oak Armoire in the Traditional Style the two doors with shaped panelling and pierced iron escutcheons above a shaped apron and raised on cabriole legs, the armoire surmounted by a simple cornice. H.2320mm. W.1450mm. D.580mm.

$3,000 - $4,000

$300 - $500 554 An Early 20th Century Convex Mirror 545 A Victorian Inverse Breakfront Sideboard in Oak the front with four arch-panelled doors, the left side concealing slides, the right side concealing a cellarette, the recessed central doors below a central drawer, the mirror back with carved corbels, each with carved stylised shield finials and a central carved crest. H.1970mm. W.1820mm. D.570mm.

$1,200 - $2,000 546 An Oak Cased Grandfather Clock of a pleasant plain country design, the full brass square face engraved RAY Battel, with tulip spandrels and black Roman numerals. H.1850mm. W.535mm. D.230mm.

$2,000 - $2,600 547 A European Glazed Display Cabinet in Fruitwood, Circa 1900 the single door with a shaped panel to the base flanked by reeded columns with carved corbels, supported on bun feet, two shelves to the interior. H.1800mm. W.1020mm. D.505mm.

enclosed by a circular gilt-wood frame embellished with twenty two wood and turned and gilt spheres. Diam.525mm.

$80 - $140 555 A Ship Automata Clock by Vitascope Industries Ltd Isle of Man UK, circa 1944. 250 Volt electric powered and secured in a Art Deco style cream bakelite case, the ship rises and falls on a cam, the sea is lit for both sunset and sunrise with a synchronous movement which drives the hands and automata. Note; old repair to case. H.318mm. W.270mm. D.270mm.

$600 - $800 See Illustration page 45

556 A Vintage Brown Bear Skin Rug full head mount with original red felt edging with wear. L.1700mm.

$1,400 - $1,800 See Illustration page 45

$1,600 - $2,200 557 A Victorian Extension Dining Table 548 A Good Quality 19th Century Pedestal Centre Table in Mahogany the tilt top with a shaped apron frieze, supported on an octagonal pedestal on a slightly domed circular platform, raised on three carved lion’s paw feet ending in casters. Diam.1360mm.

$2,250 - $3,500 See Illustration page 51

549 A Colonial Dressing Table in Rimu and Kauri the base with two full and two half drawers, simple carved corbels, below a pair of jewellery drawers flanking a glove compartment, the arched mirror with turned and carved supports with cross-banding and burr detailing. Original cruciform brass handles. W.1110mm. H.1640mm. D.580mm.

$1,200 - $1,800 See Illustration page 51

550 A Fine Quality 19th Century Centre Table in Rosewood the top in a rich grain and supported on an octagonal urn shaped pedestal, inturn on a shaped platform with four turned feet ending in casters. Diam.1360mm.

$2,250 - $3,500 551 A Rosewood Glazed Bookcase with a Figured Red Marble Top the two glazed doors flanked by cabriole decorative supports with reeding and scroll terminals W.1120mm. D.460mm. H.880mm.

$2,500 - $4,000 See Illustration page 51

in mahogany with 2 leaves, raised on turned and leaf carved legs with porcelain castors. W.1200mm. L(extended) 2320mm. H.710mm.

$1,200 - $1,800 558 A Canadian Black Bear Skin Rug full head mount with red and black felt back/edge. L.1490mm

$2,000 - $2,500 See Illustration page 45

559 A Large Friesian Cow Skin

$800 - $1,000 560 An Art Deco Ceramic ‘Bamboo’ Standard Lamp

$250 - $450 561 A Georgian Portrait of a Gentleman Oil on canvas in carved giltwood period frame. H.890mm. W.750mm.

$800 - $1,200 562 A 19th Century Watercolour Landscape in period gilt frame. Unsigned. H.720mm. W.900mm.

$250 - $400 563 A Gilt Framed Portrait of a child in a garden eating berries. Some loses to the orginial frame. Soho label to back. Circa 1840. H.430mm. W.380mm.

$400 - $600

564 A Gilt Framed ‘Derby Day’ Oil on Board depicting a Derby Day scene, set within a deep gilt frame.

$600 - $800 565 A Gilt Framed ‘Sceptre’ Oil on Board depicting a gentleman beside a horse (Sceptre) with jockey, set within a deep gilt frame. H.460mm. W.505mm. Incl. frame.

$600 - $900 566 A Colonial Lodge Cupboard in Kauri restored and fitted as a collectors cabinet, two panelled doors opening to a red felt interior with brass hooks. H.1150mm. W.980mm. D.145mm.

$1,000 - $1,300 567 An Early 19th Century Long Case Clock by Thomas Martin of Thirsk, Yorkshire the fine oak case with canted corners in mahogany with ebony and fruitwood stringing, the hood with brass balls and eagle mounts, the painted arched face with an anemone and for-get-me-nots floral spray, painted spandrel motifs, Arabic minutes, Roman hour

$3,500 - $4,500

576 A Mahogany Plate Or Peat Bucket brass bound inlaid hinged top, three bracket feet. Some faults and losses early 19th century.

$800 - $1,200 See Illustration page 51

577 A Decorative Oriental Iron Bound Trunk in dark stained pine. The interior with three small drawers. H.470 mm. L.1050 mm. D.470 mm.

$300 - $500 578 A Late Victorian Chaise Longue in mahogany. The shaped back with carved detail and front scroll. Turned legs with white porcelain castors, comtemporary blue upholstery. H.870 mm. L.1800 mm. D.670 mm.

$1,200 - $1,800 579 An Aesthetic Movement Overmantle Mirror the ebonised and gilt frame with coved shelf supports of gilt panels painted with flowers and birds. Comprises large central bevelled mirror and six smaller. Small faults and losses. H.1450mm. W.1135mm.

$500 - $800 568 An Early 20th Century Very Good Hand Knotted Rug in wool and silk, traditional floral designs in muted shades. L.2020mm. W.1360mm.

$4,000 - $5,000 569 An Early Victorian Side Table in Mahogany the bowed front with single drawer, brass drop handles, ring turned legs and low upstand to back. H.785mm. W.910mm. D550mm.

$1,000 - $1,300

580 An Impressive Pair of Cast Metal Lamps modeled as male and female figures in antique battle costume. Supporting glass flame lamps on staffs. One sheid requires re-attachment. H.1220mm.

$1,500 - $2,000 See Illustration page 51

581 A Pair of Barbara Barry Bergere Chairs with bentwood frames, woven sides and screen-printed taupe cushions

570 A Pair of Late Victorian Thonet Side Chairs in wood and leather. Orginal pressed brass lables. Meubles Thonet Alger. H.870mm. Faults to leather.

$400 - $600 See Illustration page 51

571 A Regency Sofa Table in mahogany with inlaid stringing. Lions head handles to two drawers to one side, dummy drawers to the other. Requires restoration. H.730mm. L.1440m. W.760mm.

$2,000 - $3,000 572 A Pair of Balloon Back Chairs cabriole legs, carved decoration to the back. Circa 1870. H.920mm.

$180 - $250 573 A Sheraton Revival Parlour Chair the back with inlaid foliate decoration, tapering square sections legs. Circa 1900. H.700mm.

$1,200 - $1,600 582 A Set of Six Black Leather Eames Highback Aluminium Group Chairs by ICF

$6,000 - $7,000 583 A Black Leather Eames Highback Aluminium Group Chair by ICF

$1,000 - $1,500 584 A Black Leather Eames Highback Aluminium Group Chair by ICF

$1,000 - $1,500 585 A Black Leather Eames Highback Aluminium Group Chair by ICF

$1,000 - $1,500

All Items illustrated on our new website www.webbs.co.nz

$180 - $250 574 A Sheraton Revival Parlour Chair inlaid foliate decoration, scroll arms and sabre legs. Circa 1900. H.750mm.

$180 - $250 575 A French Giltwood Armchair with cameo back and and cabriole legs, carved floral decoration. H.920mm.

$800 - $1,200

A n t i q u e s & d e c o r at i v e a r t s

Day 3

Important Works of Art

Illustrated left: Lot 32 STEPHEN BAMBURY

“In a continual repetition of nature” (Chakra #9) (detail) resin and graphite on seven aluminium panels, title inscribed, signed and dated 1993 verso 2765mm x 500mm

$35,000 - $45,000

DAY 3

Viewing

Important Works of Art

Evening Viewing & Christmas Drinks

MONDAY, 8 DECEMBER 2008 6.30pm

Friday

28 November

6.00pm – 8.00pm

BUYER’S PREMIUM A buyer’s premium of 12.5% will be charged on this section of this catalogue. GST of 12.5% is payable on the buyer’s premium only. i m p o r ta n t w o r k s o f a r t

601 602

603

601 Colin McCahon

North Otago

woodblock print, 30/50, title inscribed, signed and dated â&#x20AC;&#x2DC;73 120mm x 150mm

$3,000 - $5,000

602 Billy Apple

As Good as Gold 16 x 375ml bottles of wine produced by Robard & Butler, in original box, unopened 250mm x 270mm x 270mm

$1,000 - $2,000

603 Gordon Walters

Kapiti

screenprint, 46/75, title inscribed and dated 1984

604

545mm x 415mm

$4,000 - $6,000

604 Allen Maddox

Single Cross oil on paper

510mm x 525mm

$4,500 - $5,500

606

605

607 605 John Walsh

Policy for Aerial Things oil on board, titled inscribed, signed & dated 2006 verso, original Brooke/Gifford Gallery label affixed verso 395mm x 595mm

$6,500 - $7,500

606 Tim Thatcher

Leave the Fallen oil on canvas, title inscribed and signed verso 560mm x 450mm

$800 - $1,200

607 Philip TrustTrum

African Head oil on canvas

608

330mm x 240mm

$2,500 - $3,500

608 Colin McCahon

Moby Dick is Sighted off Muriwai Beach, 1973 lithograph, 163/200, title inscribed, signed and dated â&#x20AC;&#x2DC;72 495mm x 595mm

$5,000 - $7,000

i m p o r ta n t w o r k s o f a r t

609 Gretchen Albrecht

Small Oval - Nomadic Geometries acrylic on canvas, title inscribed, signed and dated â&#x20AC;&#x2DC;92 (twice) verso 1170mm x 740mm

$20,000 - $30,000

610 Julia Morison

Amalgame 100

lead, transparency, found objects and wood, title inscribed, signed and dated 1993 310mm x 270mm x 50 mm (closed); 310mm x 545mm x 25mm (open) Exhibited: Cadran Solaire, Troyes, France 1993

$8,000 - $10,000

611

Peter Robinson

In Search of Having... Nothing to Say oilstick on canvas, title inscribed dated 1998 1000mm x 995mm

$16,000 - $20,000

612 Shane Cotton

Stelliferous Biblia X oil on linen, signed; title inscribed & signed verso 355mm x 355mm

$12,000 - $16,000

i m p o r ta n t w o r k s o f a r t

613 Dick Frizzell

Morning, Noon and Night

613

oil on canvas, title inscribed, signed and dated 31/10/2006 Exhibited: An Event of One // Dick Frizzell in Antarctica. Gow Langsford Gallery 2005. Sinfonia Antarctica. 12 April - 28 September 2008, The New Dowse, Lower Hutt. 1400mm x 1220mm

$30,000 - $40,000

614 Pat Hanly

Wood Bouquet fabric, enamel and acrylic on wood, title inscribed, signed and dated â&#x20AC;&#x2DC;92; inscribed Family Assemblages; Bouquets for Women. These assemblages, made from old works of mine, are a response of appreciation of the heroic results achieved by women and children. The current economic pressures force the invention of solutions from limited or reused sources and results both pathetic and beautiful all in one - a resourceful compassion occurs in these domestic management miracles and the MEN had better wake up to their obligations. Pat Hanly Aug. 92 verso 690mm x 660mm

$8,000 - $12,000 615 Roy Good

Triangle Suite 1971 acrylic on canvas, title inscribed, signed and dated 1971/08 verso 1400mm x 1220mm

$6,000 - $9,000

615

614

616

616 Pat Hanly

Child’s Urgent Signalling

617

acrylic on plywood, title inscribed, signed and dated ‘91 verso, inscribed verso: “The ‘Child’ works are my responses to the confusion of some children with confusion indicated to them by parents - unwittingly - too many rules, too often. Parents fear/embarrassment is reflected in these innocents who really have their own excellence for a time. Get intelligent now. P.H. 6/11/91” Inscribed: “ALTERATIONS, BROKEN PAINTINGS Exhibition Notes. Works have been made up from broken paintings of (mine) and are used in a reaction to the “Cleanism” of Post-Modernism. Away from the precious, the tough is broken, veneer threatened, materials exposed and explored. The nails and staples are supposed to show. Invention and creative changing, formal and informal, invite the viewer to re-experience “Alterations”. Disengage your old brain. Patrick Hanly. 1991” on original label affixed verso. 590mm x 775mm

$10,000 - $20,000

617 Don Driver

Yellow, Blue, Red wood, aluminium, acrylic and battery cases, title inscribed and signed verso 920mm x 920mm Provenance: Originally purchased at the New Vision Gallery, 1977

$8,000 - $10,000

i m p o r ta n t w o r k s o f a r t

618 Shane Cotton

Anahera

oil on canvas, title inscribed signed and dated 1998 - 1999 505mm x 610mm

$30,000 - $40,000

619 Ralph Hotere

Sangro #24, 1963 oil on canvas, title inscribed, signed and dated â&#x20AC;&#x2DC;63 verso 575mm x 790mm

$30,000 - $50,000

620 Colin McCahon

Waterfall

pva on board, signed and dated â&#x20AC;&#x2122;64 signed and dated â&#x20AC;&#x2DC;64 verso 302mm x 303mm Reference: Colin McCahon database www.mccahon.co.nz cm000175

$40,000 - $60,000

i m p o r ta n t w o r k s o f a r t

621 Richard Killeen

Carrier Ant

acrylic on 36 aluminium pieces, title inscribed, signed and dated 2002 each piece 135mm x 135mm each piece, 880mm x 770mm approximately overall

$15,000 - $25,000

622 Max Gimblett

Dragon Hum

acrylic and polymer on bleached linen, title inscribed, signed and dated 1988 verso 1050mm x 1100mm

$25,000 - $35,000

623 Jeffrey Harris

From Dream

oil on linen, title inscribed, signed and dated 2003 - 2004 2290mm x 1740mm

$35,000 - $45,000

i m p o r ta n t w o r k s o f a r t

624 Horace MoORe Jones

Table Top, Gallipoli

watercolour, ink wash and graphite on paper, signed and dated August 1914; and inscribed Painted by Sapper Moore Jones. The price $10-10-0. $5-5-0 was paid by A.A.G. The other half was a wedding gift from Sapper himself as the wedding Sept 25th 1917 was the anniversary of his own wedding. The position was taken by No 2 Troup (sic) of the 9th W.M.R. on Aug 7th 1915, lead thro’ the gulley by Serg. Max Christie followed by Fred Deans. Silently, near midnight, single file. The position was recognised as impracticable for infantry, but, said Sir Ian Hamilton, in his despatches, “No words can do justice to the achievement of Brig. Gen Russell and his men.” The scarped heights were scaled and the plateau was carried by midnight, on original note; original framing receipt dated April 27th 1918; original receipt dated Aril 29th 1918 and original news clipping, all affixed verso. 315mm x 227mm

$30,000 - $40,000

625 Petrus Van der Velden

Portrait of Van der Velden

pastel and watercolour on board signed 485mm x 395mm

$20,000 - $30,000 626 Charles Frederick Goldie

Kia Ora

red conte on paper, title inscribed and signed 182mm x 154mm

$14,000 - $16,000

i m p o r ta n t w o r k s o f a r t

Bill Hammond 627 Bill Hammond

Threshing Dog The Golden Bough acrylic on two fold screen, title inscribed, signed and dated 2002 1660mm x 1570mm Provenance: Purchased from Peter McLeavey Gallery, Wellington 2002

$180,000 - $220,000

The screen is a relatively unconventional format for painting in that it is freestanding and functional. In this case, it is also curved and made of two parts that are joined at the centre, recalling the diptych form. The screen lies somewhere between applied and fine art, often more towards the craft end of the scale unless painted by an artist of Hammond’s talent. In his hands, it becomes a major work of art in its own right independent of any functional role it might play. The format fits Bill Hammond who has often painted on unconventional supports by choice, among them old coffee table-tops and a discarded tent. It suits the off-beat aspect of his work and persona. But, as Greg O’Brien has noted, his paintings can have ‘a decorative screen-like quality’ so what better than an actual screen upon which to project his ideas. His bird man figures and fragmentary landscape seem perfectly at home in their new setting and work well in the screen’s more informal relationship with the spectator. The bird man figures are quintessential Bill Hammond more than the many other motifs he has used throughout his career. They identify the painting as his, no other signature is required. There is a strangeness about them, an otherness, reminiscent of some ancient Egyptian god, part man part bird, carved in a Pharaoh’s tomb and enacting some secret rite to do with the mystery and meaning of life, death and regeneration. And the allusion is relevant here when Hammond draws our attention in his title to Sir James George Frazer (1854– 1941) and his book The Golden Bough, a study of magic and religion published in 1922. The Threshing Dog, Frazer informs us, was the name given to the man who gave the stroke of the sickle or scythe to the last sheaf of the harvest. Hammond shows stalks of grain in his painting below the bird man figure cutting the branch of a tree with a handsaw. Animals like the dog or wolf were seen in European peasant superstition to embody the life spirit of the harvest which regenerated with the seasons. It was thought that the spirit of the animal could pass into the thresher of the last sheaf whose roll as the Threshing Dog could involve being treated like the animal he represented in festivities at the end of the harvest. Although Hammond’s meaning is difficult to fathom, it seems to relate to the harvesting of the last species of birds and trees in the colonial environment and the onus of transmitting the life force that passes to the one who harvests the last crop, the Threshing Dog. But there is no clear narrative intended here. As Hammond has said, “birds’ heads don’t show any emotion” or at least not that we can easily interpret. It is that inscrutable stare, that blank gaze which seems primeval and somewhat scary. His birds’ heads in this work look in and out of the screen spaces but are not looking at us. We seem to be in some twilight world, tinted with grey mists and lacking topographical landmarks whose setting is out of our time and comfort zone. The painter’s remarks about the Auckland Islands seem relevant: “It’s bird land. You feel like a time traveller, as if you have just stumbled upon it – primeval forest, ratas like Walt Disney would make. It’s a beautiful place but it’s also full of ghosts, shipwrecks, death ...” MICHAEL DUNN

i m p o r ta n t w o r k s o f a r t

Gordon Walters 628 GORDON WALTERS

Black and Red , 1968 pva and acrylic on canvas 910mm x 1221mm Provenance: Private Collection, Auckland, Originally puchased from Peter McLeavey Gallery, Wellington1969. Purchased Webb’s 1992.

$450,000 - $500,000

Black and Red, 1968, is from Gordon Walters’ most famous series of paintings based on the Maori motif called the koru. The koru series is now regarded by many discerning collectors and art critics as among the finest abstract painting produced in New Zealand. Walters began experimenting with the koru motif in the mid-1950s making small studies on paper in black and white, and colour. Initially these were much freer in design and handling than were the first large paintings he exhibited in the mid-1960s. He used a process of trial and error and experimentation in modifying, simplifying and geometricising the koru motif before he felt confident enough to commit it to a large painted format. Even then, he began by using hardboard supports that proved less than ideal for the smooth paint application he required to give his forms sharp definition and optimum contrast. By 1968, the year he painted Black and Red, Walters has dispensed with hardboard in favour of stretched canvas so that the PVA and acrylic paints he used could bond better with the support and not appear to be lying on top of it, as had happened with the hardboard. In this case, he carried the painted image around the sides of the stretcher to reinforce that effect. At the time, the early koru paintings seemed radical and were not immediately understood because there was little context for them. Interestingly, Colin McCahon was among the first private buyers of a koru work in 1966. Black and Red belongs to the style known as geometric abstraction, a style not much practised in New Zealand then when more gestural and expressionistic handling was the norm. The obvious feature of geometric abstraction is the focus on a few precisely drawn forms, usually made with the help of instruments such as the ruler, square and compass. Significantly, Walters had a background as a layout artist and designer which familiarised him with working on a drafting table, rather than an easel, and being exact in his calculation of divisions of the surface and geometrical relationships between forms. He transferred his image to the canvas only after he had fully resolved it by preliminary studies, sometimes employing collage as well as drawings. All his koru paintings are based on a precisely drawn linear scaffolding. In painting the image, Walters applied his medium thinly with minimal signs of process. The red was applied evenly over the surface first and allowed to dry before the black was painted over it establishing the final forms. Some of the painters he admired, like Bridget Riley and Victor Vasarely, used assistants to paint their works, an option Walters never adopted. Rather he painstakingly handpainted each work himself. This helps explain why the koru works are so rare and sought-after. Often he confined himself to monochrome because his imagery depends on the relationship between a few forms for its effect and this is maximised by the elimination of extraneous elements. More rarely he used colour, instead of black and white, as a means of coding and contrasting his forms. Here the visual counterpoint between light and dark which animates the image is brought out by the interplay of black and red. In the process, the tonal contrast is somewhat reduced and the image seems more stable to the eye than in some of the koru series where flicker and after-images appear. Op artists sought to enhance these perceptual effects but Walters rarely did so and always kept a distance from Op. He preferred to set up an interplay between positive and negative readings of his forms, as here, where an alternation between black and red bands at the left is brought to a climax at the far right in the stacked clusters of koru ‘bulbs’. These switch from red to black and back again with an insistent rhythmic beat. This substitutes for conventional spatial movement and gives the viewer a virtual equivalent that is based on our perception of how forms interact and appear to recede and advance. During this period, Walters was arguably at his most inventive and experimental in his use of the koru motif. Not only does he introduce the unexpected bright red colour but he also pushes the koru ‘bulbs’ to the far right of his canvas giving a daring asymmetry to the image. The even, hard-edged focus of his painting gives maximum impact to the design. Although Walters’ koru paintings are based on a Maori motif, he did not initially stress this aspect in his first exhibitions of them and reviewers did not make the connection. Titles like Black and Red stressed the formal properties of European abstraction rather than Maori references even though the black and red colouring, like the koru, can be sourced in Maori kowhaiwhai paintings. Soon afterwards, however, he began to use Maori titles often as a form of acknowledgement and sign of respect for his sources. By the 1990s, Walters’ koru paintings became widely influential on both Maori and Pakeha contemporary painters and his series remains the benchmark of quality to which others must aspire. MICHAEL DUNN

i m p o r ta n t w o r k s o f a r t

629 Ralph Hotere

Rain Falling Surrounds a Tree oil on canvas, title inscribed, signed with artistâ&#x20AC;&#x2122;s initials RH and dated â&#x20AC;&#x2DC;70; inscribed: rain falling surrounds a tree. The tree vanishes in rain, it is like an empty house you once lived in surrounded by rain. For John and Patricia. Poem - Bill Manhire 940mm x 660mm

$50,000 - $70,000

630 Bill Hammond

Modern Day

acrylic on linen, title inscribed, signed and dated 1991 700mm x 1000mm

$65,000 - $75,000

Set within a commercial business area of skyscrapers and dark alleys, Bill Hammond’s Modern Day features a selection of buildings with human features working on computers or tills, drinking martinis, talking on cellphones, dancing or pushing supermarket trolleys. The painting is characteristic of Hammond’s works of the 1990s, which sought to comment on the rise of consumerism, materialism and crime together with the depersonalising effect of technological advances. The work is completed in a quirky style, reminiscent of 1980s comic strips and cartoons, and all forms are sketched in a cursory manner. Hammond tempers his paucity of line with areas of thickly brushed colour and a wealth of intricate details. A mob of building-people are seen marching in a patch of black through the business district, their features bland and uniform while calligraphic

marks reminiscent of city graffiti decorate the drainpipes. Continuing in the style of comics, circles of magnification are provided, giving insight to the internal goings-on in some of the buildings, where speeches are made and transactions completed. The frenetic energy of the piece is heightened by the jumbled collection of fractured viewpoints, which in turn capture and emanate the claustrophobic feel of a concrete jungle. Indeed, Robert Leonard sums up this period of Hammond’s work: “Wired, paranoid, hyped-up, his paintings (of the late 1980s) were junky, punky and dystopian – juiced up with sadistic speed-freak cartoon-violence. They offered no pastoral idyll or redemptive promised land, but a deregulated incubator-world super-heated with information.” JEMMA FIELD

i m p o r ta n t w o r k s o f a r t

631 John Reynolds

Twilight of the Idols graphite, oilstick and acrylic on three wood panels, title inscribed, signed and dated 1992 2440mm x 3600mm

$50,000 - $80,000

Featuring a sombre ground inscribed with a series of calligraphic lines, patterns, symbols and shapes, Twilight of the Idols is testament to Reynolds’ self-professed love of drawing. Indeed, the artist himself has said: “painting was only the backdrop for the real drama – the drawing, often with a text component … I would draw with everything except a paint brush – with chunky graphite sticks, Japanese silver enamel paint markers, spray cans, any instrument that makes a mark.” Executed on a large scale, the sonorous dark grey field of colour absorbs and consumes the viewer with a subtle, calming effect. The surface is, however, somewhat deceiving. From a distance, it appears to be a flat, milky black punctuated by three large blue and red spots but closer inspection reveals that the surface comprises shifting veils of colour and a myriad of lines. Thick swathes of the artist’s brush are readily apparent and the colour oscillates between a deep, murky black to a pale, almost luminous, grey where the paint has bled, run and dripped. Little white, red and deep pink circles like air bubbles stream upwards in linear formations, like little stars punctuating the twilight firmament. Alongside these small shapes, chalky white lines weave over the surface, creating the effect of giant chrysanthemums, blooming out from the centre of the painting. It is a combination of these geometric and gestural elements that works to animate the surface and the result is a finely tuned tension. JEMMA FIELD

632 Stephen Bambury

â&#x20AC;&#x153;In a continual repetition of natureâ&#x20AC;? (Chakra #9) resin and graphite on seven aluminium panels, title inscribed, signed and dated 1993 verso 2765mm x 500mm Provenance: Purchased Gow Langsford Gallery, Auckland 1993, Exhibited: Stephen Bambury, Govett Brewster Art Gallery, New Plymouth 1993, Illustrated: Curnow, Wystan, Stephen Bambury, Ouroborus Publishing 2000 p.157 and p.159

$35,000 - $45,000

i m p o r ta n t w o r k s o f a r t

Philip Clairmont 633 Philip Clairmont

Figure Falling from Chair oil on jute canvas, title inscribed, signed with artist’s initials PC and dated Oct & Nov 1450mm x 885mm

$20,000 - $30,000

Chairs, like other objects drawn from the domestic sphere, are found frequently in Clairmont’s painting. Because of family circumstances, he spent a lot of time confined inside houses he rented in Christchurch and later Wellington. Also, as a child he was in bed for long periods suffering from bronchial problems and it was then that he began drawing objects in his room while convalescing. Figure Falling from a Chair, though undated, relates to his imagery of the early 1970s when he fragmented his compositions under the influence of amphetamines and LSD. He deliberately sought a heightened form of sensory perception and the means to make it communicable through his paintings and prints. As his biographer, Martin Edmond, observes, he created a world “where everything seems on the verge of metamorphosis into something else”. The chair is in a state of movement and its pulsating patterns of yellow, blue and red give it an electrifying presence. This aggressive appearance is reinforced by the way it seems to engulf the fragmentary figure of the artist whose screaming features – shades of Francis Bacon – clutching fingers and outspread feet, seem cramped with pain, and which appears to be almost consumed by the chair rather than simply falling from it. Both seem bound together in a desperate embrace. Needless to say, Clairmont’s chair is not the traditional still life item found in ordered scenes of suburban life. Rather it has kinship with the terrifying object of torture on which Bacon’s Pope Innocent X sits wracked with pain, guilt and self-doubt. The chair becomes an instrument of self-mortification, a means of accessing ‘the tragic scale’ that Clairmont believed great art was about. It is well documented that Clairmont was heavily indebted to German Expressionist painters for his role models and was encouraged in that direction by one of his teachers at the Canterbury School of Art, Rudi Gopas. In this kind of art, the painter is an heroic figure, alone in his studio, forced to single-handedly source his work from self-knowledge and his emotional and intellectual experience of the world; his relationship with the world is that of an outsider, a visionary, one who must be prepared to pay the ultimate price for his convictions. Clairmont often meditated on death and suicide and, not unexpectedly, the electric chair – ‘old sparky’ as he called it – featured in his thoughts and imagery. It is to that idea of the chair that our thoughts turn in viewing Figure Falling from a Chair rather than to the yellow chair of Van Gogh often seen as one of Clairmont’s sources. Clairmont is a complex and individual painter whose art is sometimes unjustly seen in simplified terms. While it is a product of its time and reflects the era of hippies, psychedelic art and rock music like that of Jimi Hendrix; Clairmont’s painting has its own identity and tragic undertone. MICHAEL DUNN

i m p o r ta n t w o r k s o f a r t

634 Bill Hammond

Forest and Bird

acrylic on canvas, title inscribed, signed and dated 2004 600mm x 400mm

$50,000 - $70,000

Bill Hammond’s Forest and Bird presents a portrait of an anthropomorphic figure in a side profile view. The sitter appears calm and poised as two birds protrude from the top and side of his bulbous head and another one from his chest. What could be a grotesque and disturbing painting is assuaged by the tranquil field of emerald green and the elegant specimens of flora and fauna that decorate the figure’s body. It is these ornithological creatures, each of which is often an amalgamation of human and bird, that have come to be distinguishing features of Hammond’s work. Silhouettes of two of these bird specimens with large angel wings are seen gliding up the side of the figure’s face, while the figure’s chest and the rest of his head are delicately etched with a selection of native New Zealand plants. To be sure, it is this aspect of the work to which the title refers, paying homage to the Royal Forest and Bird Protection Society of New Zealand, which works to protect the very species that so often are seen adorning the paintings of Bill Hammond. JEMMA FIELD

635 David Bromley

Lighthouse Boy

acrylic on canvas, signed 1230mm x 1520mm

$10,000 - $15,000

636 Edward Bullmore

Transition No. 4

oil on board, inscribed London; title inscribed and signed verso 600mm x 780mm

$20,000 - $30,000

i m p o r ta n t w o r k s o f a r t

638

637

639

637 Pat Hanly

Inside the Garden 26

638 Tony Lane

The Four Angels

639 Fred Graham

Untitled

watercolour and crayon on paper, title inscribed, signed and dated â&#x20AC;&#x2DC;69 and inscribed 26

oil and gold leaf on gesso panel, signed with initials TL and dated 4.01; title inscribed, signed and dated 2001 verso

acrylic on board, signed verso

550mm x 545mm

1940mm x 1360mm

$8,000 - $10,000

$15,000 - $25,000

$20,000 - $25,000

760mm x 2240mm

640 Virginia King

Carved Stone Sculpture sandstone 2100mm x 1100mm x 1000mm approximately

640

Note: this work is in situ at a private residence and can be seen throughout the viewing by appointment

$30,000 - $40,000

641

641 Leon van den Eijkel

Reflective Cubes 003, 2004 reflective vinyl on three ACM substrate cubes, 2 pack acrylic lacquer 600mm x 600mm x 600mm each; 1800mm x 600mm overall

$15,000 - $25,000

642 Greer Twiss

Maquette from the Tripod and Flag Series lead, steel and chain, signed and dated 1982 380mm x 335mm

$3,000 - $5,000 642

i m p o r ta n t w o r k s o f a r t

643 Ralph Hotere

Drawing for Requiem Series watercolour and ink on paper, title inscribed, signed and dated Port Chalmers â&#x20AC;&#x2DC;74 505mm x 690mm

$25,000 - $35,000

644 Allen Maddox

Untitled

oil on canvas 605mm x 595mm

$5,000 - $9,000

645 Michael Smither

The Transfiguration

oil on board, title inscribed, signed with artistâ&#x20AC;&#x2122;s intials MS and dated 69 - 74 verso

460mm x 835mm together with Study for Transfiguration, pencil, 325mm x 490mm

$30,000 - $40,000

646 Bill Hammond

Judder Bars, Murals and Love oil on canvas, title inscribed, signed and dated 1986 500mm x 600mm

$25,000 - $35,000

i m p o r ta n t w o r k s o f a r t

647

647 Roy Good

Colour Column IV acrylic on canvas, titled inscribed, signed and dated â&#x20AC;&#x2DC;74 verso 1830mm x 460mm

$6,000 - $9,000

649

648

650

648 Catherine Munro

Pace

bronze, inscribed onore and cuore 1700mm x 300mm each

$5,000 - $7,000

649 Brett Graham

Wall Relief

lead and wood 220mm x 385mm x 55mm

$2,000 - $3,000

650 Charlotte Fisher

Big Red

Australian Hardwood, copper, stain and paint 1890mm x 380mm diameter

$8,000 - $12,000

651 Alan Pearson

Portrait of Nigel Confronting the Future oil on canvas, dated Dunedin Sept â&#x20AC;&#x2DC;87 Alan Pearson was an artist in residence at Dunedin Public Art Gallery and Otago Polytechnic in 1986. He journeyed to the Otago heads and realised what our immigrant forebearers had to contend with in the new land in the southern oceans. The diseases contracted on board ship meant that many died at sea and on landing on shore. Headstones in the graveyard depicted tell this story. At the same time in Europe the Romantic era was in full swing so the mistiness of sea and sky and Nigelâ&#x20AC;&#x2122;s Byronic costume resonate with an atmosphere of adventure and the poetic nature of the struggle of those valiant early settlers. Works from this Otago series are in the Hocken Library, the University of Otago art collection and the Medical School. 650mm x 645mm

$30,000 - $40,000

652 Tony Fomison

Gurner

oil on canvas board, title inscribed signed and dated 1975 - 1976 #99 verso 180mm x 230mm

$20,000 - $30,000

i m p o r ta n t w o r k s o f a r t

653

654

655

653 Jan Nigro

Bathers II

oil on canvas, signed and dated â&#x20AC;&#x2DC;86; title inscribed and signed verso 1230mm x 900mm

$6,000 - $9,000

654 Dick Frizzell

No Sweat

oil on canvas, title inscribed, signed and dated 21/1/98 900mm x 660mm

$6,000 - $8,000

655 David Bromley

Belinda

acrylic on linen with enamel and metallic leaf, signed 1520mm x 1220mm

$13,000 - $16,000

656 Kingsley Baird

656

Portrait of the Maori Prophet Rua Kenana cast bronze, brass and wood, signed and dated 1990; inscribed Kotahi Te Ture Nga Iwi E Rua Maungapohatu 375mm x 348mm

$2,500 - $3,500

657 George Baloghy

Mount Eden Road 1986 oil on canvas, signed with artistâ&#x20AC;&#x2122;s initials GB and dated â&#x20AC;&#x2DC;86 590mm x 830mm

$4,000 - $6,000

658 Louise HEnderson

Waitakere Landscape oil and watercolour on paper 370mm x 485mm

$4,000 - $6,000

659 Toss Woollaston

657

Pah Hill

watercolour on paper, signed 345mm x 260mm

$4,000 - $6,000

659

658

i m p o r ta n t w o r k s o f a r t

660

663

661

662 660 Evelyn Page

Female Nude Study together with Female Nude Study

662 Bill Hammond

watercolour on paper, signed 360mm x 565mm

hand coloured lithograph, title inscribed, signed and dated 22/6/77

Note: This work is double sided

247mm x 200mm

$7,000 - $9,000

$5,000 - $7,000

661 Toss Woollaston

Letâ&#x20AC;&#x2122;s Get Back in the Bloody Garden

Wellington Harbour

663 Louise Henderson

Leaves

watercolour on paper, signed

oil on jute canvas

310mm x 380mm

1225mm x 910mm

$4,000 - $6,000

$8,000 - $12,000

664

665

664 Tony Lane

Untitled

oil and gold leaf on gesso panel, signed with initials TL and dated 1.95 195mm x 2280mm

$20,000 - $25,000

665 Para Matchitt

Me Whawhai Tatou Katoa mo te ora silkscreen on symtex, 05/10, title inscribed, signed and dated 9/2007 1190mm x 1610mm

$5,500 - $7,500

666 Neil Fraser

Liquid Love

oil and acrylic on canvas, signed and dated 2002 verso 1830mm x 2720mm

$8,000 - $10,000

666

i m p o r ta n t w o r k s o f a r t

667 Margaret Stoddart

Rata Flowers

watercolour, signed with initials MOS and dated 2/3/42 480mm x 650mm

$12,000 - $18,000

668 Alfred Ernest Baxter

In Otira

watercolour on paper, title inscribed and signed lower left 320mm x 400mm

$1,000 - $2,000

669 British Newlyn School

Man Returning from Work

oil on canvas, stamp applied verso: James Lanham Frame Maker, St Ives, Cornwall 470mm x 570mm

$2,000 - $3,000

670 George Charles Haite

Coarse Fishing at a Lock Gate watercolour, signed and dated 1908, original Jonathan Grant Galleries label affixed verso 345mm x 570mm

$2,000 - $3,000

671

672

673

674

671 Charles Blomfield

Diamond Lake

674 Maud Sherwood

oil on board, signed lower right and dated 1893

675

Still Life with Apples and Newspaper watercolour, signed; original John Leed Gallery and Robert McDougall Art Gallery label affixed verso

230mm x 380mm

$9,000 - $12,000

390 x 540 mm 672 Myles Birkett Foster

watercolour, signed with initials MBF, 200mm x 160mm

$800 - $1,200 673 John Barr Clarke Hoyte

$3,000 - $4,000

Christmas Decorations

Australian Harbour Scene

675 Alexander Graham Munro (RSW)

Camels at Mogador watercolour, title inscribed and signed 390 x 540 mm

$1,500 - $2,500

watercolour, signed with initials JBH 125mm x 265mm

$6,000 - $9,000

i m p o r ta n t w o r k s o f a r t

677

676

679

678

676 Dick Frizzell

680

Big Egg

From the Museum Circle Portfolio

560mm x 760mm

$1,800 - $2,800

$1,500 - $2,500

From the Museum

680 Robert Ellis

Captured and Described

screenprint 96/100, title inscribed, signed and dated 2002

From the Museum Circle Portfolio

560mm x 760mm

$1,800 - $2,800

$500 - $1,000

Journey for You screenprint 96/100, title inscribed, signed and dated 2002 From the Museum Circle Portfolio 560mm x 760mm

$1,000 - $2,000 96

Pounamu

screenprint 96/100, title inscribed, signed and dated 2002

678 John Pule

screenprint 96/100, title inscribed, signed and dated 2002

677 Richard Killeen

679 Gretchen Albrecht

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Day 4

Giovanni Intra Estate & A Collection of Works on Paper Illustrated left: Lot 820 GIOVANNI INTRA Untitled (detail)

twelve acrylic and gesso works on paper, each work approximately 410mm x 350mm to 135mm x 150mm

$1,200 - $2,000

DAY 4

Viewing

Giovanni Intra Estate

Evening Viewing & Christmas Drinks

tuesday, 9 DECEMBER 2008 6.30pm

A Collection of Works of Paper TUesday, 9 DECEMBER 2008 7.30pm approximately

Friday

28 November 6.00pm – 8.00pm

BUYER’S PREMIUM A buyer’s premium of 15% will be charged on this section of this catalogue. GST of 12.5% is payable on the buyer’s premium only.

g i o va n n i i n t r a & W OR K S ON PA P E R

800

802

801

803

800 Giovanni Intra I Love Art, acrylic on

804 Giovanni Intra The Golden Bowl of

paper. 295mm x 210mm. $100 - $200

Repression and L’enthusiaste together with MY TASTE sculpture for AIDS exhibition verso

801

Giovanni Intra

Morte),

watercolour.

Untitled (Nature

295mm

210mm.

together with Soon to be Picturesque Ruins, four graphite works on paper, titles inscribed. 295mm x 210mm. $100 - $200

$300 - $500 Evocation, three

805 Giovanni Intra Telecom Series (with

charcoal and chalk pastel drawings on paper,

incised Grid), gelatin silver print. 430mm x

title inscribed on two works. 420mm x 300mm.

420mm. $500 - $700

802

Giovanni Intra

each $150 - $250 803

Giovanni Intra

Drawing was always important for Intra. He drew Untitled, ink and

charcoal on paper, Note: This work is double sided. 755mm x 560mm. $400 - $600

incessantly to gather and trial ideas. His adolescent “pencil case” aesthetic made a feature of lettering, for instance juxtaposing refined copperplate script with corny ghoulish dripping-blood lettering. Robert

Leonard,

“Archives

Become

Him:

The Giovanni Intra Archive,” Reading Room 2, Auckland Art Gallery, Auckland, 2008, p.176.

804

100

805

806

807

808

809

810

806 Giovanni Intra Theatre of Cruelty in

809 Giovanni Intra The Bleached Mirror;

Liquid Form, acrylic on paper, title inscribed,

The Smudged Blade; The Broken Case, three

signed & dated 1991 verso. 295mm x 450mm.

watercolours

$400 - $600

640mm x 450mm each. $800 - $1,200

807

paper,

titles

inscribed.

Syringe, two

810 Giovanni Intra Fish Shop together

gelatin silver prints. 203mm x 255mm each.

with For Laure, two ink wash works on paper.

$200 - $400

645mm x 450mm each. $400 - $600

808

Giovanni Intra

Untitled (Purity),

gelatin silver print and mylar. 400mm x 300mm. $500 - $700

g i o va n n i i n t r a & W OR K S ON PA P E R 101

811

812

813

811 Giovanni Intra Untitled (Telecom Series), seven gelatin silver prints. 385mm x 390mm each. $1,000 $2,000 812 Giovanni Intra Untitled (Vaseline Series), nine gelatin silver prints. 435mm x 405mm each (one work illustrated). $1,000 - $2,000 813 Giovanni Intra Untitled (Are Like Prayers), 15 gelatin silver prints. 300mm x 400mm each (one work 814

illustrated). $3,000 - $4,000 814 Giovanni Intra A Succulence in Numbers, seven charcoal drawings on paper, original The Fish Shop Gallery label affixed to the drawings folder. 800mm x 1100mm; total 5600mm x 800mm. $2,000 - $3,000

102

815

817

816

815 Giovanni Intra Untitled (Microscope), acrylic on paper. 2390mm x 1340mm. $1,000 $2,000

816 Giovanni Intra Untitled (Microscope II), acrylic on paper. 2370mm x 1340mm. $1,000 - $2,000

817

Giovanni Intra

An Excellent Fetish

Intra ... created a series of works about punk style, its attire and gestures.

sandblasted

glass,

His relation to punk was was complex ... by the time he formed punk band

wood, Dr Martens boots, studded wristband,

The Negative Creeps with friends, punk was already over. That he later

razor blade and velvet. Reference: William

described his interest in cultures of disregard as “voyeuristic” speaks of this

McAloon,

Sculptors

belatedness. For Lifestyle Morte (1991) ... he displayed classic objects of punk

New Sculpture (Exhibition Catalogue) p.6.

tribal membership – Doc Martens boots, a studded bracelet, and a razor – in

Illustrated right. Courtesy of COCA Gallery,

a glass case, suggesting a memorial to punk’s passing. It deftly expressed

Christchurch. 1670mm x 600mm x 390mm.

the way punk’s ethos had been analysed and codified, transformed from

$3,000 - $4,000

something transgressive into a university paper – a dead lifestyle.

Lifestyle

Morte,

Vogue/Vague

New

Robert Leonard, Nine Live, The 2003 Chartwell Exhibition (Exhib. Cat.), Auckland Art Gallery, 2003, p.29.

g i o va n n i i n t r a & W OR K S ON PA P E R 103

818

Giovanni Intra

Untitled, acrylic on

paper. 755mm x 560mm. $400 - $600

829 Giovanni Intra Untitled (Magma), ink wash and graphite on paper, title inscribed.

818

205mm x 295mm. $150 - $250 819

Giovanni Intra

Whiteout, acrylic on

paper, titled, signed & dated 20.10.88 verso.

830 Giovanni Intra Untitled (Deliaâ&#x20AC;&#x2122;s Brain),

755mm x 560mm. $600 - $800

four charcoal works on paper. 295mm x 210mm. $100 - $200

820

Giovanni Intra

Untitled, twelve

acrylic and gesso works on paper. each work

831 Giovanni Intra Untitled, nine charcoal

approximately 410mm x 350mm to 135mm x

or ink on paper. 295mm x 210mm. $200 - $400

150mm. $1,500 - $2,500 832 Giovanni Intra Untitled, six charcoal 821 Giovanni Intra Untitled (Black Hand),

works on paper. 295mm x 410mm or 295mm x

acrylic on paper. 755mm x 560mm. $400 - $600

210mm. $200 - $300

822 Giovanni Intra (Untitled) Hands, acrylic

833 Giovanni Intra Studies for Sculptures,

on paper. 755mm x 560mm. $400 - $600

eleven ink, ink wash, graphite and charcoal works on paper, titles inscribed on some works. 295mm

823 Giovanni Intra Waterfall, acrylic on

x 210mm. $300 - $400

paper. 755mm x 560mm. $500 - $700 834 Giovanni Intra Untitled (Your Bones), 824 Giovanni Intra Untitled (drawings from 819

acrylic on paper. 295mm x 210mm. $100 - $200

the Evocation Series), four charcoal and pastel chalk drawings on paper. 420mm x 300mm each.

835 Giovanni Intra Untitled (Thank You Sign

$200 - $400

and Bicycle), four gelatin silver prints. 265mm x 385mm each work approximately. $300 - $500

825 Giovanni Intra Sunday Night/Monday Morning, ink on paper, Inscribed: Sunday Night / Monday Morning. 595mm x 410mm. $200 - $300

836 Giovanni Intra Who Watched as the Leopard Changed its Spots together with Who Cares about the Instant Moralaty (sic), acrylic and

826

Giovanni Intra They Ran Around in

ink on paper. 295mm x 210mm. $100 - $200

Circles..., two charcoal works on paper. 295mm x 210mm each. $100 - $200

837 Giovanni Intra Totem Arm, two charcoal works on paper, title inscribed. 595mm x 420mm.

827

Giovanni Intra

Untitled (Carnivorus

$200 - $300

Devouration), six charcoal works on paper, title inscribed. 295mm x 210mm or 420mm x 295mm each work. $200 - $400

838 Giovanni Intra Untitled (Book Pages), acrylic on found book pages. 194mm x 125mm. $100 - $200

828

Giovanni

Intra

Pilgrimage

Pleasure, charcoal on paper. 295mm x 230mm. $100 - $150

839

Giovanni Intra

$200 - $250

104

Untitled, two ink

drawings on paper. 420mm x 590mm each.

829

835

Just before leaving New Zealand to study, Intra generated what would prove to be his last works, a major series of paintings. With their white inscriptions on black grounds, these works played off McCahon’s late text paintings. But instead of conveying religious sentiment, they were littered with Artaudisms, schizophrenic footnotes, cryptic druggy neologisms, paranoid in-jokes, and anarchist slogans: “Columbianizacion”, “Panadology” and “Hollyweird”. Intra gathered small panels together in massive ensembles, regimented on base lines like city skylines, bar graphs, or books on shelves, as if to mock the very semblance of order and closure. Robert Leonard, Nine Lives, The 2003 Chartwell Exhibition (Exhib. Cat.), Auckland Art Gallery, Auckland, 2003, p.29.

820

g i o va n n i i n t r a & W OR K S ON PA P E R 105

849

851A

843

Giovanni Intra

Untitled (Mother Mary), acrylic and pva on paper.

295mm x 210mm. $200 - $300 844 Giovanni Intra Empire of the Senseless together with Untitled (three pen sketches), biro pen on paper, title inscribed with various notes inscribed on mediums. 295mm x 210mm. $200 - $400 845 Giovanni Intra Untitled (Sept ‘87), ink and graphite on paper, dated Sept ‘87. 590mm x 420mm. $200 - $300 846 Giovanni Intra Untitled, 10 charcoal and graphite drawings on paper. 420mm x 295mm each. $500 - $700 847 Giovanni Intra My Death My Life, eight charcoal works on paper, title inscribed on two works. 295mm x 410mm. $300 - $500

848 Giovanni Intra Star of David, charcoal on paper, titled inscribed and dated 20/10. 420mm x 295mm. $100 - $150 849 Giovanni Intra Documentation of a sculptural work, colour photograph. 175mm x 255mm. $100 - $150 850 Giovanni Intra Untitled, nine charcoal on paper sketches. 420mm x 295mm. $500 - $700 840 Giovanni Intra Untitled, four charcoal sketches on paper. 415mm x 295mm. $200 - $400

106

851 Giovanni Intra Wall Sculpture; Wall Sculpture - Floor Sculpture 10.88; Floor Sculpture Wall Sculpture 10.88, three works in charcoal and ink on paper, all title inscribed, works dated 10/88. 420mm x 290mm each. $200 - $300

841 Giovanni Intra Photographic documentation of “No More Hospitals”,

851A Giovanni Intra With Care; gelatin silver print;. 340mm x 300mm each.

colour photograph. 203mm x 315mm. $100 - $200

$300 - $500

842 Giovanni Intra Untitled (Landscape), four charcoal and chalk pastel

852 Giovanni Intra Blowing it in a Big Way, acylic on paper. 295mm x 230mm.

drawings on paper. 420mm x 295mm each. $200 - $400

$100 - $200

A Collection of Works on Paper TUesday, 9 DECEMBER 2008 7.30pm

853

854

855

853 John Reynolds Prometheus IV, lithograph, title inscribed, signed and dated 1992. 610mm x 430mm. $800 - $1,200 854 John Reynolds Prometheus II, lithograph, title inscribed, signed and dated 1992. 610mm x 430mm. $800 - $1,200 855 Dick Frizzell The Stump (Triptych), lithograph, 10/30, title inscribed, signed and dated 16/7/89. 570mm x 760mm each. $2,500 - $3,500

g i o va n n i i n t r a & W OR K S ON PA P E R 107

856

857

858

856 Jeffrey Harris Jesus on the Sea of Galilee, mixed media on paper, title inscribed, signed and dated 8/11/69. 462mm x 859

680mm. $4,000 - $6,000 857 Robert Ellis Pia Taka Rakaumangamanga, gouache, title inscribed, signed and dated 1990; inscribed 23 Hehetewa. 1010mm x 660mm. $6,000 - $8,000 858

Para Matchitt

Untitled (Paint and Steel Drawing), oil

and steel on paper, , signed and dated 7/92. 1025mm x 710mm. $3,000 - $5,000 859 Pat Hanly Bouquet to all Women, lithograph, 10/30, dated â&#x20AC;&#x2DC;83. 570mm x 570mm. $2,000 - $2,500

108

860

861

860 Dick Frizzell Velcome to: Escape from Salvation, Pt II, oil on paper, title inscribed, signed and dated ‘86. 760mm x 555mm. $2,000 - $2,500 861 Dick Frizzell Bowed Head, mixed media on paper, title inscribed, signed & dated 5/4/85. 755mm x 555mm.

862

$3,000 - $5,000 862 Dick Frizzell Just outside Taumarunui #2, screenprint, 41/50, title inscribed, signed and dated 18/7/89. 565mm x 750mm. $600 - $800 863 Fatu Feu’u Pale Auro, lithograph, 103/105, title inscribed, signed and dated ‘89. 760mm x 560mm. $500 - $600 864 John Reynolds Salome’s Dance, pastel and graphite on black paper, , title inscribed, signed and dated 1992. 495mm x 650mm. $2,000 - $2,500

864

863

g i o va n n i i n t r a & W OR K S ON PA P E R 109

865

866

868

867

869 865

Pat Hanly

Fire Series: Awake Aotearoa, pencil on

paper, title inscribed, signed & dated ‘83. 625mm x 555mm. $4,500 - $6,500 866 Fatu Feu’u Pili Opo, lithograph, 19/20, title inscribed, signed and dated 1988. 800mm x 645mm. $700 - $900 867 Gavin Chilcott Untitled, lithograph, 9/10, dated 1987. 470mm x 650mm. $200 - $400 868 Pat Hanly Tony F Drawing, Karekare, pencil on paper, title inscribed, signed and dated Oct ‘80. 185mm x 175mm $1,000 - $2,000 869 Dick Frizzell Untitled (Vase of Flowers), pen on paper, signed and dated 11/9/82. 260mm x 200mm. $500 - $700

110

870

871

870 Pat Hanly Twins in Light of Intelligence, pencil on paper, title inscribed, signed and dated ‘91. 290mm x 410mm. $1,200 - $1,800 871 Dick Frizzell

Still Life with Coffee Grinder,

lithograph, 22/25, title inscribed, signed and dated 19/5/87. 765mm x 570mm. $1,200 - $1,800 872 Jane Zusters Lifesaver, pastel on paper, title

872

inscribed, signed and dated ‘85. 480mm x 660mm. $500 - $700 873 Dick Frizzell Two People Talking, crayon on paper, title inscribed, signed and dated 22/7/84 . 115mm x 155mm. $1,200 - $1,800 874 Dick Frizzell The Poet, gouache on paper, title inscribed, signed and dated 31/5/84. 760mm x 550mm. $3,000 - $4,000 875

Fatu Feu’u

Alalaga, lithograph, 23/28, title

inscribed, signed and dated ‘88. 530mm x 755mm. $700 - $900

873

874

875

g i o va n n i i n t r a & W OR K S ON PA P E R 111

876

878

877

879

880

876 Pat Hanly Opshop Girls with Gifts, pencil on paper, title inscribed, signed and dated ‘92. 290mm x 415mm. $1,200 - $1,800 877 Pat Hanly Knot Stops Seeing, pencil on paper, title inscribed, signed and dated ‘91. 290mm x 415mm. $1,200 - $1,800 878 Pat Hanly Screaming Child, Confused Mother, pencil on 881

paper, title inscribed, signed and dated ‘92. 290mm x 415mm. $1,200 - $1,800 879 Pat Hanly Drawing: Figures in Light Series, ink on paper, signed and dated ‘88. 295mm x 300mm. $2,500 - $3,500 880 Dick Frizzell Men from Post Office, ink on paper, title inscribed, signed and dated 16/2/28. 410mm x 290mm. $1,200 - $1,800 881 Dick Frizzell Ladies from Post Office, ink and collage on paper, title inscribed, signed and dated 16/2/82. 295mm x 415mm. $1,200 - $1,800

112

882

882 Fatu Feu’u Ulauo, lithograph, 19/20, title inscribed, signed and dated 1988. 640mm x 800mm. $600 - $800 883 Robert Ellis City on the River Bend, woodcut, 19/22, signed and dated ‘64. 375mm x 515mm. $600 - $800 884 Dick Frizzell The Iron Pot, lithograph, 38/42, title inscribed, signed and dated ‘89. 540mm x 120mm. $800 - $1,200 885 Dick Frizzell Still Life with Sheep Skull and Plastic Lily, ink and graphite on paper, title inscribed, signed and dated 4/5/82. 170mm x 210mm. $600 - $800 886

Pat Hanly Untitled (Landscape), crayon and felt pen on

paper, dated ‘87. 195mm x 270mm. $1,800 - $2,500

884

883

886 885

g i o va n n i i n t r a & W OR K S ON PA P E R 113

887 Pat Hanly Innocence, etching, 2/7, title inscribed, signed and dated ‘81. 210mm x 210mm. $1,500 - $1,800 888 Fatu Feu’u Tui Samoa, lithograph, 24/25, title inscribed, signed and dated 1987. 560mm x 380mm. $400 - $500 889 Para Matchitt Fishing Kites II, lithograph, title

887

inscribed, signed and dated 1988. 800mm x 640mm. $400 - $600 890 Pat Hanly Torso, lithograph, 20/20, title inscribed, signed and dated ‘81. 590mm x 420mm. $2,500 - $3,500 (not illustrated) 891 John Reynolds Prometheus I, lithograph, title inscribed, signed and dated 1992. 610mm x 430mm. $800 - $1,200

888

891

889

114

900

892 Dick Frizzell Pony Tail Girl, mixed media on paper, title inscribed, signed

903 Dean Buchanan Cable Marker, lithograph, 22/23, dated 1987. 830mm x

and dated 18/11/81. 185mm x 185mm. $800 - $1,200

670mm. $200 - $300

893 Nigel Brown Crossing Urewera, Set No.1 20/21; Ridge Track, Urewera,

904 Marte Szirmay Openings / Entrances, lithograph, 20/20, title inscribed,

Set No.2 19/20; Pure Water, Urewera, Set No.3 19/20; Urewera Series, Set No.4

signed and dated ‘88. 565mm x 765mm. $100 - $150

18/19; Open Air, Urewera, Set No.5 APII, five lithographs, title inscribed, signed and dated ‘87. 600mm x 800mm each (four works illustrated) $3,500 - $5,500 894 Philipa Blair Anasazi, lithograph, 27/50, title inscribed, signed and dated 1991. 530mm x 715mm. $200 - $400 895

Christina Conrad Lurking in the Darkness, lithograph, 17/20, title

inscribed, signed and dated ‘88. 330mm x 200mm. $100 - $150 896 J. Hornell Manu Tara: Nesting Forms, lithograph, 25/26, title inscribed, signed and dated ‘87. 380mm x 570mm. $80 - $120 897 Alan Grimsdale Demise of the Unicorn, lithograph, 21/24, title inscribed, signed and dated ‘88. 380mm x 565mm $80 - $120 898 John Reynolds Prometheus III, lithograph, title inscribed, signed and dated 1992. 610mm x 430mm. $800 - $1,200 899 Alan Grimsdale Angry Bird, lithograph, 3/19, title inscribed, signed and dated ‘87. 660 x 1015mm. $200 - $250 900 Christina Conrad Leaves, lithograph, 17/20, dated 1988. 270mm x 555mm. $100 - $150 901 Alan Grimsdale Passing By, lithograph, 21/25, title inscribed, signed and dated ‘88. 380mm x 565mm. $80 - $120 902 Jenny Dolezel Unsuitable Accomodation, etching, 3/30,

905 Geerda Leenards Springs, lithograph, 1-10, title inscribed, signed and dated ‘88. 340mm x 430mm. $50 - $100 906 Christina Conrad 1 Man 2 Women, lithograph, 17/20, title inscribed, signed and dated ‘88. 320mm x 460mm. $100 - $150 907 Marte Szirmay Folding Images, lithograph, 17/20, title inscribed, signed and dated 1988. 565mm x 755mm. $100 - $150 908 Tony Lane Male and Female, lithograph, 12/24, title inscribed, signed and dated 1987. 480mm x 640mm. $200 - $300 909 Christina Conrad The Sun is a Man - The Moon is a Woman, lithograph, 17/20, title inscribed, signed and dated ‘88. 320mm x 270mm. $100 - $150 910 Jane Zusters Stepping Off the Planet (for Marcus), lithograph, 48/50, title inscribed, signed and dated ‘90. 565mm x 760mm. $100 - $150 911 Tony Lane Portrait of a Woman, lithograph, 22/23, title inscribed, signed and dated 1982. 640mm x 1210mm. $200 - $300 912 Murray Grimsdale Rewa and Bella, lithograph, 13/14, title inscribed, signed and dated ‘87. 560mm x 380mm. $100 - $150 913 Barbara Strathdee Settler Then, lithograph, 19/22, title inscribed, signed and dated ‘88. 400mm x 565mm. $80 - $120

title inscribed, signed and dated 1992. 370mm x 515mm (paper size).

914 Tony Lane Patron-Saint, lithograph, 9/10, title inscribed, signed and dated

$600 - $800

1987. 650mm x 870mm. $200 - $300

g i o va n n i i n t r a & W OR K S ON PA P E R 115

Prices Realised

* Under Negotiation

SALE 299: historical works of Art, fine jewellery & watches, antiques & Decorative arts, important works of ARt, 16 â&#x20AC;&#x201C; 22 Sept 2008 LOT

116

1 3,500 3 1,300 11 4,200 17 30,000 18 180,000 24 50,000 25 30,000 35 9,500 39 15,000 42 5,000 44 4,250 46 7,400 50 4,000 51 2,750 52 3,000 53 1,000 55 4,250 58 1,000 59 200 61 1,600 66 2,000 68 1,500 69 2,000 72 1,000 74 1,000 80 375 82 400 84 1,500 85 1,800 101 65 103 30 104 97.50 105 50 106 45 107 225 108 50 109 40 110 20 111 180 112 160 113 70 114 30 115 55 116 220 117 50 118 640 119 30 120 175 121 50 123 225 124 825 125 20 126 75 127 70 128 80 129 90 130 90 131 325 132 30 133 300 134 60 135 50 136 140 137 80 138 40 139 20 140 210 141 225 142 225 143 1,750 146 1,050 147 1,000 148 700 149 2,700

LOT 150 152 153 154 155 156 158 160 161 162 163 165 166 169 170 171 172 173 174 175 176 177 178 180 181 182 183 184 186 187 188 189 190 191 192 193 194 195 196 197 198 199 201 202 203 204 205 206 207 208 209 210 211 212 214 215 216 217 218 219 220 221 222 223 224 225 226 227 228 229 230 231 232 233

$ 100 180 375 375 300 450 110 1,700 500 280 110 300 260 300 170 170 275 200 550 30 120 140 130 50 300 90 230 120 100 500 110 50 270 50 170 160 100 70 300 100 120 70 160 90 120 35 39 80 90 260 350 350 175 400 120 90 80 120 100 100 400 80 300 400 110 250 60 200 100 50 50 75 50 50

LOT 234 235 236 237 238 239 240 241 242 243 244 245 246 247 248 249 250 251 252 253 254 255 256 257 258 259 260 261 262 263 264 265 266 267 268 269 270 271 272 273 274 275 276 277 278 279 280 281 282 283 284 301 303 304 305 306 307 308 309 310 311 313 314 315 316 317 322 323 325 326 328 329 331 335

$ 200 280 50 360 300 300 50 220 130 70 90 60 190 130 80 100 120 320 500 325 250 250 110 45 200 90 70 150 400 50 50 260 90 140 140 70 50 120 25 90 70 100 110 50 50 100 13 110 30 450 1,200 2,200 1,450 4,000 1,100 2,300 150 150 220 260 120 700 100 300 300 2,000 6,700 3,000 1,300 550 850 225 6,000 3,600

LOT 337 338 342 343 344 348 353 356 357 358 362 364 366 367 369 372 378 380 381 385 386 388 389 390 393 394 395 396 397 398 400 402 404 405 407 409 411 412 413 414 415 416 418 419 420 421 422 500 501 502 503 504 505 506 507 508 509 510 511 512 513 514 516 517 518 519 524 525 526 527 528 529 530 531

$ 700 1,750 6,000 6,000 5,000 650 4,500 7,000 3,000 70,000 9,000 500 3,500 1,500 3,200 10,000 3,850 1,800 2,000 600 1,700 1,200 3,500 3,000 700 4,750 5,000 4,000 1,600 4,500 1,800 425 1,600 375 1,750 950 550 1,200 4,750 700 4,000 850 220 220 220 750 1,400 50 50 50 140 190 140 850 50 140 240 280 160 80 100 180 100 100 100 140 1,600 13,000 3,500 625 600 750 600 6,500

LOT 532 533 534 535 538 546 548 549 550 551 552 553 557 558 560 561 562 564 565 566 567 570 572 573 574 575 578 587 588 595 597 602 603 611 615 621 622 625 626 627 628 629 630 631 634 637 638 639 640 641 642 646 648 649 650 651 652 653 654 655 658 660 661 666 667 668 670 675 676 680 697 702 705 706

$ 2,500 9,000 500 4,500 1,300 350 120 90 30 120 100 20 300 340 200 20 325 200 140 400 100 500 425 100 50 120 500 20 1,000 100 50 50 50 8,000 10,000 380 450 3,375 3,375 400 300 100 150 50 80 2,600 800 120 240 170 100 600 160 775 200 700 550 2,000 100 700 300 200 1,600 1,200 880 1,400 50 260 50 150 30 100 50 180

LOT 707 708 710 711 712 714 718 719 722 726 728 731 732 733 734 735 737 739 743 745 750 751 754 755 756 759 760 761 762 763 764 765 766 767 768 770 771 772 773 774 775 776 777 778 780 781 783 784 785 786 787 789 797 800 801 802 803 804 806 810 815 817 818 819 822 824 830 831 832 833 834 842 844 845

$ 180 160 950 500 350 100 300 400 1,800 100 100 160 50 425 200 300 250 370 800 700 250 250 120 500 100 175 1,500 200 18,000 700 100 250 800 250 250 300 320 300 200 200 200 100 50 70 50 100 80 80 80 80 180 200 40 50 50 450 150 350 150 30 425 100 250 2,500 4,000 425 50 70 100 140 50 300 30 50

LOT 846 847 848 849 851 853 854 856 858 859 860 861 862 864 865 866 869 872 874 876 878 879 880 881 882 883 886 887 888 890 891 894 897 901 904 907 915 918 923 926 927 928 1007 1008 1010 1012 1013 1015 1016 1018 1022 1023 1024 1025 1027 1030 1034 1035 1039 1040 1041 1045 1049A 1050 1052 1053 1055 1056 1058 1059 1062 1064

$ 140 90 110 80 180 375 270 450 525 1,000 14,000 50 325 300 50 60 240 250 200 200 30 650 350 250 1,600 500 80 80 150 150 310 170 175 2,000 300 250 185 1,250 8,500 1,300 100 100 5,000 3,600 6,250 14,500 16,000 27,000 20,500 37,000 21,000 89,000 36,000 62,500 66,500 15,000 11,500 12,000 16,000 16,500 18,000 4,500 2,000 2,750 4,500 2,500 8,000 5,000 8,250 6,500 6,500 2,000

Catalogue subscription form Eight catalogues including: Modern, Contemporary and Historical Paintings, Prints, Photography and Sculpture. Fine Jewellery and Watches. Antiques, Decorative and Applied Arts including 20th Century Design, New Zealand History and New Zealand Pottery.

New Zealand United Kingdom / europe

$120

Australia / Pacific

$220

$350

Usa / asia / other

$328

Include fine wine catalogue at no extra cost

YES / NO (please circle option)

All international delivery is by First Class Airmail - New Zealand Post Door-to-door courier available. Please enquire for specific charges.

Name: _ _____________________________________________________________________________________________ Email: _______________________________________________________________________________________________ Address: _____________________________________________________________________________________________ PH Work:_______________________________________ PH Home:_____________________________________________ PH Mobile:______________________________________ Fax: _ ________________________________________________ Specific areas of collecting interest: _______________________________________________________________________ ____________________________________________________________________________________________________

Payment by Cheque Amount of cheque enclosed:________________________________________________________________ Payment by Credit Card

Payment by On-line Deposit

Credit Card: Amex / Visa / Bankcard / Mastercard / Diners (please circle option)

Bank:

Card Number:

AUCKLAND

Name:

PETER WEBB GALLERIES LTD

Account No:

03-0104-0448184-00

Particulars:

SUBSCRIPTION

Code:

YOUR SURNAME

Expiry Date: All information provided will be regarded as confidential

WESTPAC, 79 QUEEN ST,

bank Account details payment by deposit Important: Fax this form to Webbâ&#x20AC;&#x2122;s: +64 9 524 7048 so payment can be confirmed and purchases released. Buyer Name:............................................................ Buyer Number: . ...............................................................

301 Sale Number:........................................................... Balance owing for purchase/s: NZ *Please include a sale number and buyer number as reference for on direct credits to enable us to dispatch your items efficiently.

Bank Account Details: Bank: WESTPAC 79 QUEEN ST AUCKLAND Name: PETER WEBB GALLERIES LTD Account Number: 03-0104-0448184-03 For international deposits Swift Code: WPACNZ2W Amount transferred (including freight if applicable): NZ Date transferred:................................................ signed: . ............................................................................. CONFIDENTIALITY: The information contained in this facsimile is legally privileged and/or confidential. If you are not the addressee listed below you are notified that except as authorised agent to the addressee any use disclosure copying or distribution of any of the contents of this facsimile by you is prohibited. Recipients other than the addressee listed below are asked to notify us immediately and return the original facsimile to us.

CATALOGUE INFORMATION

117

Bidding Slip For absentee bidders on lots in sale 301 - Jewellery & watches, antiques & decorative arts, important works of art Arts, GIOVANNI INTRA ESTATE, A COLLECTION OF WORKS ON PAPER: 3, 4, 8, 9 DECEMber 2008 Please bid on my behalf at the above sale for the following lots up to prices recorded below. These bids are to be executed as cheaply as is permitted by other bids or reserves if any. * I agree to comply with the Conditions of Sale as printed in the catalogue. I understand that in the case of a successful bid on items in the Important Works of Art and Jewellery & Watches sales a buyers premium of twelve and a half percent (12.5%) will be added to the hammer price and in the Antiques & Decorative Arts, Giovanni Intra Estate, a Collection of Works on Paper sale a buyers premium of fifteen percent (15%) will be added to the hammer price and that G.S.T is charged on the premium. On major lots customers may prefer to bid by telephone. Please enquire regarding this service which Webb’s carry out at no charge.

lot no.

catalogue description

mr/mrs/ms

Bid*

first name

home phone

surname/company

business phone

mobile

facsimilie

postal address

contact name

email address

ARRANGEMENTS FOR PAYMENT: I agree to pay immediately on receipt of notice from Webb’s of my successful bid. Payment will be by cash cheque or bank transfer. I will arrange for collection of my purchases or I agree to pay for packing and freight costs incurred by Webb’s in having any purchases forwarded to me. In order to avoid delay in clearing purchases Buyers who are unknown to us are advised to make arrangements for payment before the sale or for references to be supplied. If such arrangements are not made cheques will be cleared before purchases are delivered.

* Webb’s will do its upmost to carry out bidding instructions for absentee bidders. It will not be responsible however if circumstances prevent it doing so.

18 Manukau Rd Newmarket PO Box 99251 Auckland New Zealand Ph: 09 524 6804 / Fax: 09 524 7048 auctions@webbs.co.nz / www.webbs.co.nz 118

SIGNED & DATED

CONDITIONS of sale for buyers 1. Bidding: The highest bidder shall be the purchaser subject to the auctioneer having the right to refuse the bid of any person. Should any dispute arise as to the bidding the lot in dispute will be immediately put up for sale again at the preceding bid or the auctioneer may declare the purchaser which declaration shall be conclusive. No person shall advance less at a bid than the sum nominated by the auctioneer and no bid may be retracted.

7. Webb’s Act as Agents. They have full discretion to conduct all aspects of the sale and to withdraw any lot from the sale without giving any reason.

the following rights or remedies: a. To issue proceeding against the purchaser for damages for breach of contract. b. To rescind the sale of that or any other lot sold to the purchaser at the same or any other auction. c. To resell the lot by public or private sale. Any deficiency resulting from such resale after giving credit to the purchaser for any part payment together with all costs incurred in connection with the lot shall be paid to Webb’s by the purchaser. Any surplus over the proceeds of sale shall belong to the seller and in this condition the expression “proceeds of sale” shall have the same meaning in relation to a sale by private treaty as it has in relation to a sale by auction. d. To store the lot whether at Webb’s own premises or elsewhere at the sole expense of the purchaser and to release the lot only after the purchase price has been paid in full plus the accrued cost of removal storage and all other costs connected to the lot. e. To charge interest on the purchase price at a rate 2% above Webb’s bankers’ then current rate for commercial overdraft facilities to the extent that the price or any part of it remains unpaid for more than seven days from the date of the sale. f. To retain possession of that or any other lot purchased by the purchaser at that or any other auction and to release the same only after payment of money due. g. To apply the proceeds of sale of any lot then or subsequently due to the purchaser towards settlement of money due to Webb’s or it’s vendor. Webb’s shall be entitled to a possessory lien on any property of the purchaser for any purpose while any money remains unpaid under this contract. h. To apply any payment made by the purchaser to Webb’s towards any money owing to Webb’s in respect of any thing whatsoever irrespective of any directive given in respect of or restriction placed upon such payment by the purchaser whether expressed or implied. i. Title and right of disposal of the goods shall not pass to the purchaser until payment has been made in full by cleared funds. Where any lot purchased in held by Webb’s pending i. clearance of funds by the purchaser or ii. completion of payment after receipt of a deposit the lot will be held by Webb’s as bailee for the vendor risk and title passing to the purchaser immediately upon notification of clearance of funds or upon completion of purchase. In the event that a lot is lost stolen damaged or destroyed before title is transferred to the purchaser the purchaser shall be entitled to a refund of all monies paid to Webb’s in respect of that lot but shall not be entitled to any compensation for any consequent losses howsoever arising.

8. Collection. Purchases are to be taken away at the buyer’s expense

11. Bidders deemed Principals. All bidders shall be held personally

If this is not done Webb’s will not be responsible if the lot is lost stolen

telephone”and absentee bids”. Any person wishing to bid as agent for

2. Reserves. All lots are sold subject to the right of the seller or his agent to impose a reserve. 3. Registration. Purchasers shall complete a bidding card before the sale giving their own correct name address and telephone number. It is accepted by bidders that the supply of false information on a bidding card shall be interpreted as deliberate fraud. 4. Buyers’ Premium. The purchaser accepts that in addition to the hammer or selling price Webb’s will apply a buyer’s premium of 12.5% or 15% of the hammer price (unless otherwise stated) together with GST on such premium, which combined sum shall be the total purchase price. 5. Payment. Payment for all items purchased is due on the day of sale immediately following completion of the sale. If full payment cannot be made on the day of sale a deposit of 10% of the total sum due must be made on the day of sale and the balance must be paid within 5 working days. Payment is by cash, bank (cashiers) cheque or Eftpos. Personal and private bank cheques will be accepted but must be cleared before delivery of goods will be given. Credit cards are not accepted. 6. Lots sold as Viewed. All lots are sold as viewed and with all errors to description faults and imperfections whether visible or not. Neither Webb’s nor its vendor are responsible for errors of description or for the genuineness or authenticity of any lot or for any fault or defect in it and make no warranty whatever. Buyers proceed upon their own judgement. Buyers shall be deemed to have inspected the lots or to have made enquiries to their complete satisfaction prior to sale and by the act of bidding shall be deemed to be satisfied with the lots in all respects.

bank Account details payment by deposit

Important: Fax this form to Webb’s: +64 9 524 7048 so payment can be confirmed and purchases released.

Buyer Name:............................................................ Buyer Number: . ............................................................... immediately after the sale except where a cheque remains uncleared. and solely liable for all obligations arising from any bid including both damaged or destroyed. third party must obtain written authority to do so from Webb’s prior Sale Number:........................................................... Balancea owing for purchase/s: NZ

Any items not collected within seven days of the auction may be subject to bidding. to a storage and insurance fee. A receipted invoice must be produced *Please a sale us to dispatch your items efficiently. prior toinclude delivery of number any lot.and buyer number as reference for on direct credits to enable 12.”Subject Bids” Where the highest bid is below the reserve and the auctioneer declares 9. Licences. Buyers Details: who purchase an item which falls79 within the STaAUCKLAND sale to be “subject to vendor’s consent” words to thatLTD effect the Bank Account Bank: WESTPAC QUEEN Name: PETER WEBBorGALLERIES provisions of the Protected Objects Act 1975 or the Arms Act 1958 highest bid remains binding upon the bidder until the vendor accepts Account Number: 03-0104-0448184-00 For international deposits Swift Code: WPACNZ2W cannot take possession of that item until they have shown to Webb’s or rejects it. If the bid is accepted there is a contractual obligation upon a license under the appropriate Act. the bidder to pay for the lot.

Amount transferred (including freight if applicable): NZ

10. Failure to make Payment. If a purchaser fails either to pay 13. SALES POST AUCTION OR BY PRIVATE TREATY for or take away any lot Webb’s shall without further notice to the above conditions shall apply to all buyers of goods from Webb’s Date transferred:................................................ signed:The . ............................................................................. purchaser at its absolute discretion and without prejudice to any other irrespective of the circumstances under wheich the sale is negotiated. rights or remedies it may have be entitled to exercise one or more of

CATALOGUE INFORMATION

119

Index of ArtistS Albrecht Gretchen Apple Billy

609, 679 602

Baird Kingsley Baloghy George Bambury Stephen Baxter Alfred Ernest Blair Philipa Blomfield Charles Bromley David Brown Nigel Buchanan Dean Bullmore Edward

656 657 632 668 894 671 635, 655 893 903 636

Chilcott Gavin Clairmont Philip Conrad Christina Cotton Shane

867 633 895, 900, 906, 909 612, 618

Dolezel Jenny Driver Don

902 617

Ellis Robert

680, 857, 883

Feuâ&#x20AC;&#x2122;u Fatu

63, 866, 875, 8 882, 888 650 652 672 666

Fisher Charlotte Fomison Tony Foster Myles Birkett Fraser Neil Frizzell Dick

Gimblett Max Goldie Charles Frederick Good Roy Graham Fred Graham Brett Grimsdale Alan Grimsdale Murray

622 626 615, 647 639 649 897, 899, 901 912

Haite George Charles Hammond Bill

670 27, 630, 634, 6 646, 662 614,616, 637, 859, 865, 868, 870, 876, 877, 878, 879, 886,

Hanly Pat

120

13, 654, 676, 6 855, 860, 861, 862, 869, 871, 873, 874, 880, 881, 884, 885, 892

Harris Jeffrey Henderson Louise Hornell J. Hotere Ralph Hoyte John Barr Clarke

887, 890 623, 856 658, 663 896 619, 629, 643 673

Intra Giovanni

800 through 852

Jones Horace Moore

624

Killeen Richard King Virginia

621, 677 640

Lane Tony

38, 664, 908, 6 911, 914 905

Leenards Geerda Maddox Allen Matchitt Para McCahon Colin Morison Julia Munro Catherine Munro (RSW) Alexander Graham

604, 644 665, 858, 889 601, 608, 620 610 648

Newlyn School British Nigro Jan

669 653

Page Evelyn Pearson Alan Pule John

660 651 678

Reynolds John Robinson Peter

31, 853, 854, 6 864, 891, 898 611

Sherwood Maud Smither Michael Stoddart Margaret Strathdee Barbara Szirmay Marte

674 645 667 913 904, 907

Thatcher Tim Trustrum Philip Twiss Greer Van den Eijkel Leon Van der Velden Petrus Walsh John Walters Gordon Woollaston Toss Zusters Jane

606 607 642 641 625 605 603, 628 659, 661 872, 910

675