2
05
1
52
8825
5
,
2
5
51
,
5
, , ..
,
,
,
..
,
. .
"
notes on notation i. voice toneless whisper. If the duration is longer than a quarternet, the length will be indicated above the arrow normal singing voice
speaking voice
gradually change from normal singing voice to toneless whisper
attack the note with speaking voice then immidiately change to toneless whisper; grace note arrives on the beat
in section C, the register of voice and pitch relationship are indicated by position of the notes
exaggerated inhale/exhale; they should be treated with equal attention as regular notes clap: hand clapping
ii. trumpet the score is transposed; a plunger mute is needed toneless note. If the duration is longer than a quarternet, the length will be indicated above the arrow
exaggerated inhale/exhale through the instrument; they should be treated with equal attention as regular notes v.c
valves click, freely choose any valves or triggers
clack clack into trumpet for a percussive attack; if desired, it can be replaced by flap/slap tongue, or abrupt breath attack
iii. percussion percussionist needs a snare drum and a singing bowl are required; s/he also needs a hard rubber mallet and a brush
]
}* M
!
circular motion with the speed indicated
with hand / knuckles/ hard rubber mallet/ brush rapidly going back and forth on the skin (or bowl) with hand (or indicated beater)
speak silently near the singing bowl to get different sounds
iv. piano the pianist needs a small piece of hard plastic (ex. guitar pick, credit card), and a hard rubber mallet mute the strings of the lowest A-E with a piece of thick fabric by filling the space between strings (needs to be prepared in advance) use the hard plastic piece to pluck the string
use the hard rubber mallet to damp the string
perform action in the prepared damped string area
pedal accent
use the hand to damp the string
scrape the string with fingernail (or use a small piece of hard plastic)
these techniques can be combined with each other, for example: damp the string of the indicated note with hard rubber mallet while pluck the string with a small piece of hard plastic
damp the string of the indicated note with left hand while pluck the string with a small piece of hard plastic
following are different motions performed on the strings; the priority here should be given to the physical gesture, pianist does not need to worry about being heard all the time. rapidly alternate direction on the strings slowly and freely along the strings rhythmically go back and forth with the duration indicated
sliding on the keyboard area (as in Lachenmann's Guero) for the given duration
slide along the black keys with hand for the length of a quarter note
slide along the white keys with nails (or plastic) for the length of a quarter note
v. section D this section involve a mechanism that requires performers to interact with each other: mm.70 - 78: the interaction takes place between voice and piano, the former always triggers the latter; after each exchange, there should be space of 3 to 4 seconds before the next exchange; figure a' can be played in any octave, the numbers inside the a' indicate the intervals: +4 = augmented 4th, 2 = major second, -2 = minor second; in c, last note takes the pitch of piano in c'; mm.81 - 86: the interaction is between voice and percussion, the a triggers a'; the time interval between each exchange should between 2 to 4 seconds; mm.89 - 93: the interaction is between percussion and piano, the former triggers the latter; exchanges should happens more freguqent than before with time interval of 2 to 3 seconds in between.
trumpet plays very slow rubato.
Score
for Voice, Trumpet, Percussion and Piano A
Voice
Wei Yang
q = 60 senza misura
*
p ÷ 41 !. 3 !. ‰
U!
4-6''
u ü
p 2 " ". 4 u
P ˘"
"
ü
-
p 3 " "3 " " 4
U
4-6''
!
da
"
F h 4 " " " " .............. 4
h
u ü u ü
s s s s
v.c
Trumpet
"
÷ 41 !J p
‰
p 3 3 ÷ 4 ". ". ‰
8
Voice
!
j ¿ " J
u
v.c
÷ 43 -" p
8
‰
43 Œ
!
p 4 " ". 4
U#
Ó
˘¿ J P
q.
3-4''
u ü
Tpt.
42 " . #
clack
"
ü
-
F ˘" J
p
U#
3-4''
Œ
da
˘¿ J F
#
4 " 4 p
h
#
44 Œ
#
j Y 4œ 4
!!!!!!!!!!!!!!!!!!!!!!!!!!!!! Y /. /. /. /. P F 3
clack
‰
Œ
÷ 43 ‰
S.D
3 &4 ‰
8
Pno.
÷ 43 ‰
] != q
y. p j Y œ
p
[press down the strings]
&
°
x J
‰
Ó Ó
#
&
p
44 &
rapidly rub the skin back and forth
q
Œ. ‰
Œ
P Ó
]
J
F
‰
** Give enough time for the pedel accent to decay; then proceed before it stops 1
ü
u
ü
¿ ¿ ‰ ¿ ¿ ‰ $ ! 3
43 Œ
v.c
P
&
P
j Y œ
&
3
˘/ J F
‰
3
‰
U#
2 4
¿ ¿ ‰ $ J f
#
2 4
Œ
#
42
#
2 4
#
42
‰ Œ
Œ
3
"
S clap ¿. ¿. ‰
u
!!!!!!!!!!!!!!!!!!!!!! y 43 y J p P 3 4 Œ
3
!
h
p
p 3 5 4 " " " " " "
# #
a
3
3 4 Œ
#
* Listen to the space during the silence
F
u
U!
4-6''
3
#
snare on 8
h
¿ ¿ ‰ ¿ ¿ ‰ ¿ ¿ ‰ 44 $ % $ $
" "3 " " " " "
‰
p "
S ° >
**
F ÷ 42 "
14
Voice
u
÷ 42 v.c¿ ¿ ‰ F 5 ÷ 42 ./ J P
!
3
2 &4Œ
14
P
÷ 42
&
÷ 44 Ó ÷ 44
p
‰ ..
"
÷ 44 Y F ÷ 44 Ó
Pno.
F
÷ 44 ¿
s
Πj
‰
".
!
5
" "
da
v.c
p
u
Í r> " "
".
q.
¿ >
".
q.
da
¿ >
!
3 4
!
a
Œ
!
!
F ˘‚ 4 RÔ 4
Œ
!
44 # p
!
#
& ‰ ..
‰ ..
> Kr Y 4 œ 4
$ J
$
P "
$ J
$
"
Û ‰ P
% Û ‰
Y œ
‰
Y œ
‰
&
‰
&
‰
5
4 ] 4
p
‰. ‰.
p — J
***
Œ.
th
!
#
!
Y "
&
!
Ó
"
44 Y p
21
".
"
P
j 3 4 ££££££££££ &° freely slide along the strings
21
S.D
Ó
!
da
21
Tpt.
3
Œ
21
3 4
#
a
P j ./ p
4 " 4 4 " 4
p U $
h h
B
&
h
q = 54 alla misura
#
h
Œ
y
Ó
P
h
]
P
h [slide along the string with indicated rhythm]
*** slowly exhale with "th" (as in 'teeth') to achieve a faint, high whistle sound.
2
P
!
p
4 4
!
Y œ
4 4
!
&
4 4
!
f possible 54 — Œ . J
. 43 ± 43
p
‰ ..
Ó
snare off
Œ
P ]
m
°
45
43
"
!!!!!!!!!!!!!!!!!!!!!!! = q Y. 45 Y P p
3 4
"
5 4 "
43
"
"
P
45 j ‰ ]
m
°
&
Œ
(œ)
.
]
&Y . ! = q p
! Œ
Ó
F ˘‚ 4 Ó . RÔ 4 da
"
& ‰ Ó J
Ó
5
Œ
" Voice
P
Œ r Y œ Œ
5
Pno.
3 4
¿ ¿ ‰ ¿ ‰
14
S.D
!
3
14
Tpt.
p .j clap ¿ " " 43 J
44 # p
p $ s
!
#
accel.
44 Y
‰ ..
>K r Y œ 44
F
44
Y "
p sim.
!
"
F 3 ÷ ˘$ ˘$ $ $
Voice
a
u
a
÷#
!
27
Tpt.
P
S.D
v.c
a
¿ ¿ ¿ Œ # 3
h
rit.
÷ Y
27
p ‰ . $ 46 ! R
Œ
27
p
÷ ÷
÷ 44 Ó
p ‰ —J
Œ
th
÷ 44 "
!
32
Tpt.
p
"
h
!= q ÷ 44 Y p ÷ 44
32
Pno.
÷ 44
p
43
3 4
# h
6 .. Π8 #
68 .. "
#
68 .. !y . = p
p
° >
6 .. Π. 8
U 43 j ‰ Ó
68 .. Π.
S ˘‚ J
clack
e
S
y P Œ
&
?
œ
&
da
p
3 $ #œ œ 8 R u
+
plunger
38 b œ . P
˘/ J S
38 ¿ .
string ]
p
q
3 8
#
F
J
‰
F
f > 6 œ 8
mv
44
>œ b >œ
h n
=q
rit.
F
>œ b >œ
] h
P œ.
+
nœ.
P
&
da da
da
3
da
3-4''
U
44 Ó
$
$
U
Œ
p
Œ
Yj œ Œ
4 ‰ 4
p
4 ‰ 4
p
U
Œ
‰
U
Œ
Ó
œ.
®
Y .œ .
P
]
"
& œ
nv
‰
mm
œ J &
Œ.
Œ
!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! = e 68 Y ./ / / / / Y/. ® $ ® $ ® $ ‰ ‰ ‰ fl fl fl fl 3 P f ˘ ˘ ˘ ˘ 3 Y Y Y Y Y j 6 ®œ $ ®œ $ ®œ $ œ ‰ œ ‰ — Œ 8
P f !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! e 38 68
° >
F ‰ ‚
3-4'' p ! Œ UŒ
4 X 4 p
y h
a
68 b >œ F
p
$
$
/. /. /. /. /. /y J ] F 5
L + ~~~~~~~~~~~~~~~~~~~~~~
bœ & J p
>j Y [on the œ same
#
P
nv
P˘ ‚ da da
$
÷
5 4
Sp $ . ‚˘ % RÔ
" . ˘¿ Œ
5 4 Œ
"
F # $.
$ #.
5 4 Y. P
accel.
da a
s
#
m
4 4
]
45 # P
$
Y
4 4
F p
e=e
#
2nd time ‰Ç = e
3 ±. 4
43
32
S.D
‰.
1st time
32
Voice
& ‰.
Ó
$
&!= q 4 Y 4 p
Y œ
P 45 % #J . # $ .
"
44 # p
F !!!!!!!!!!!!!!!!!!!!!!!!!!!! 6 Ó 4 h.
Pno.
"
‰ ˘¿ Ó . J S
46 Ó
clack
6 4 Ó.
"
27
h
F ‰ .. ‚. 44 da
6 ] !!!!!!!!!!!!!!!y Ó . 4 ‰ Y J p p
=q
Y
P
F ! >! Ó
e
rit.
/
‰
/ J
Œ. e
q
‰
&
p
Voice
÷ 68 "
!
÷ 68
38
Tpt.
S.D
=q
÷ 68
"
F ÷ œ
"
H M L
H M L
s
÷
"
h
# #
p
Œ
j Y œ
s
P
‚
!
3
p
u
œ J œ
mm
œ
#
y "
‰
#
#
#
Œ.
!
ü
œ
[same pitches from m.53]
# #
˙ ~~~~~
3
,
$
~~~~~ ‚r ! ~ a
3
ü
U w
da
q = 72
j ‰ !
a
y ‰ $
a
u
Œ
h
>
da
ü
$
u
i
ü
u
œ. œ +4 >
kkkkkkkkkkkkkkkkkkk j œ #
a
œ. a
5
œ
ü
u
œ
œ
i
Ó
3
œ
a
Œ
Ó 4
}&
œ œ. p
Œ
¿ ¿ ‰ p
p !
Œ
¿ ‰ ¿ ‰
‰ ¿ ¿ ‰ 3
L L
a
u
u
a
a
"
a
L L J u
3
a
L L L L 3
u
a
j !
" 7 8
Œ
7 8
L
L
78
u
a
¿ ¿ ¿ ¿ ¿
3
L L L L 3
u
a
s v.c
%
¿ # #
clack
ü
œ
3
# Ó
3
same pitches
œ +4
a
Ó
h.
œ i
p
poco
P
U
3
"
P
a
3-4''
~~~~~ . ‚ ! œ œ ¿ !
#
}j
3
ü
clack
ü
# #
u
mv
‰.
! ‚ ‰ Ó -u -a
Í ‚r !
œä . R Ó
Œ.
‰
m
3
a
mm
espress.
3
p F S ~~~~~~~~~~~~ ˘‚ clap clack mv ~~~~~~~~~~~~~ clack ˘ . œ œ ˘¿ ‚˘ ‰ ¿ ¿ $ œ . œ +4 ‰ J J œ
~~~~~~~~~~~~F‚ 3 ‚ œ œ ‰
a
P
mv
mv
#
÷
High Mid Low
# ]
#
‚ # Œ mm
. ‚ " œ œ ¿ J
œ
p #
"
clack
.
& £££££££
p
U
mv
#
#
2-3''
very slow 3
Œ.
#
a
a
Œ.
U
‰
Œ.
]
‚
!.
C q = 72
6-8''
œ
Œ.
! ‚r !
da
55
55
T.B
!
"
÷
=q
p
h
kkkkkkkkkkkkkkkkkkkkkkkk
U
÷
55
Tpt.
s
50
!
"
y. p
!.
J
$
a
œ.
#
‚
Œ
ü
+
.. 68
3-4''
÷
u
.. 68 & Œ
!
s
!
#
45
! J
plunger
.. 68
÷ 68
H M L
2.
6 8
& ..
÷ 68 X p
38
Pno.
.. 68
h
#
38
P
rit.
1.
38
P
H M L
÷ 78 >!
61
, Sj 4 ¿ clap 4 ¿ ‰ Œ J stomp
F
>! ‚ ‰ J J
>!
a
F P œœœœ œœœœ œœœœ œ
Ó
&
5
5
u a u a
÷ 78
#
÷ 78
#
61
61
S.D
÷ 78 Œ
61
T.B
4 Œ& >y Y . 4 æJ æ 3 Í
& j 4 ‰ ¿ ‰ 4 > F % . # œ. œ. œ œ. # œ. 4 Œ 4
Œ
7 &8 Ó
61
Pno.
&
44 Ó
÷ 78
#
F
‰ #œ. P
+L +L +L +L +L +L ˙. œ p F
Tpt.
>j
4m ‰ Œ 4 > ° J
S.D
÷ ÷
67
T.B
a
u
œ & bœ & Œ
a
Pno.
÷
u
Ó
67
#
a
L
#œ J $
p
‰.
y
‰
$
y y3 ‰ ‰
y
‰ Œ
'
'
"
Ó #
L L L L L L L L L L L L L L. Y œ
#
Ó
5
j Y ‰ œ
u a u a
Y ‰ œ
p
P
5
h
da
3 Œ b œj Œ
da
u a u a
u a
#
#
#
#
L L. L L L L L L J J u a
3
3
u a
u a
‰ Œ
u
L L L
L L
a
u
u
a
a
j bœ ‰ Œ
œ ‰ Œ
p
#
÷
L
\j
#
]
#
50-60'' D q = 60
h
L
L
u
a
# #
$ 46 !J ‰ Œ 6 4
# L L
y
Y
#
L L. J
& y ‰
5
P
'
$ (echo) & œj. Œ
5
& y ‰.
F
Ó
a
# L
Œ
p !
#
67
‰
y J F
#
ü
÷
5
u a u a
3 œ œ ‰ Œ Ó & & b œJ . ‰ J ===========
a
mm
5
67
67
u a u a
plunger
#
rit.
Voice
œ.
5
u a u a
5
Tpt.
$ p ‰ "
legato
h
M != q 46 Y P 6& ¿j ‰ Œ 4 P 46
P j 46 m ‰ Œ
#
$ .. !
#
..
#
a
p clack . ¿ ‚ ‚. J
p ‚. J
s
a
u
c
b
‰
a
pmv ~~~~~~~~ pno œ. ‚. J ü
da
..
3-4'' in between
. YM ! = q .
Y p
.. (}¿ ) [hit when necessary to sustain the sound] $ .. Œ
#
.. Œ
#
a'
œ œ œ $ œ2œ-2œ
+4 +4
3
3-4'' in between
5
..
p sempre
3
.. ~~~~~~~~~~~~~~~~~~~~~~~~~
b'
Œ
÷
P
#
q
]
..
c'
&\ ¿. J p
Œ
..
#
..
tranquil, rubato
&
‰ œ J $
˙
œ.
mv
bœ
P
~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~
74
Voice
œ ‰ nœ œ
& œ
74
Tpt.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ $
3
p
bœ
œ
b œ œ ‰ n >œ P
œ.
3
,
œ ˙. mv
p
n
bœ
" P
nœ œ J
3
r nœ
b >œ ˙
œ.
mv 3 3 ‰ œ bœ œ œ œ bœ nœ œ
mv
p
œ œr b œ .
j r3 œ œ bœ
˙
poco
74
S.D
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
74
T.B
74
Pno.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ÷
Mosso q = 86
Voice
S 79 j clap ÷ ¿¿ ‰ Œ J stomp
p
œ~
mm
F b >œ >œ œ ~~~~~~~~~~
p
3
a
u
a
q = 60
U#
$ !
6-8''
a
s
p clack . ¿ ‚
‚.p J a
b
‚. ‰ J
u
a
p œmvk ~~~~~~~~~~~~~ ˘‚ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ J c
ü
da
2-4'' in between
#œ
&ΠS
79
Tpt.
f
œ. œ. œ. œ. œ. œ. œ. J 6 F
÷ Œ & + M ˘y ˘y ˘y ˘y ˘y ˘y y J f 6
79
S.D
÷ &œ J S
79
T.B
‰
÷ Ó S >j ÷ m ‰ > ° J
#
‰ & y. y. y. y. y. y. P
6
p
f ¿
Œ Œ
˘˘ ˘ ˘ ˘ ˘
F
˙
p
œ bœ.
mv
œ ‰ œ œ bœ œ bœ bœ P $ p
œ
3
#
]
#
‰
3
>œ œ .
nœ
mv
˙
,
" p P
bœ nœ J 3
r nœ
œ . b >œ ˙ mv
M != q Y ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ p sempre
] Œ
a'
. Û. Û Û.
p
S.D
3
b'
Û""""""""""" p
‰ Œ
2-4'' in between
œœœœœœ 6
&
# #
79
Pno.
‰
tranquil, rubato
] !
‰
Û. Û. Û. Û. ˘Û J $ p c'
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
low strings~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 6
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
85
Voice
& œ bœ œ p
85
Tpt.
œ bœ bœ P
j3 œ b œr b œ
nœ œ bœ.
œ
3
œ
r
˙
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
85
S.D
S j 4 ¿ clap ‰ 4
Pno.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ p ÷ 44 '
"
89
Voice
u
tranquil, rubato
& 44 œ . p
89
Tpt.
a
u
bœ J
mv
‰
mm
44 Π& + M
a
‰
œ
u
a
3
œ. œ. œ. œ. œ. œ. œ. J 6 P
F
˘y ˘y ˘y ˘y ˘y ˘y y J 6 F
‰
j °
‰
p
P
˘ œ œ œ œ œ œ
Œ
F ¿
p
M """""""""""""""""""""""" œ
‰
S 4 Ó 4 S 4 j 4m
œ
‰
P
p
6
]
4-6''
U#
4 4
#
44
#
44
#
4 4
#
4 4
#
4 4
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
'
3
stomp
p
#œ
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 44 &œJ
85
¿ J
44 ΠS
85
T.B
P ~b >œ œ ~~~~~~~~~~~~~~~~~~
q = 72
˙
œ p
b œ œ œ >œ . œ
œ nœ J
mv
3
3
˙
bœ nœ.
P
r nœ
œ
3
b >œ œ J
bœ œ œ œ 5
œ #œ nœ
œ
j 3r œ nœ bœ p
œ œ.
œ
4 4 44
M != q ÷ 44 Y ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 44 p sempre
89
S.D
2-3'' in between
. ÷ 44 Û. Û Û. ‰ $3
89
T.B
÷ 44 Œ
89
Pno.
÷ 44
a
b
. Û""""""""""""""" ‰ $
‰
b'
a'
œœœ 3
$
]
Œ
¿ J J 3 $
c
Û Û Û Û Û ‰ J poco $
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 44
c'
‰ Œ
‰
$ j
]
4
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 4 4 4
m
2-3'' in between
7
Mosso q = 86
S j clap 4 ÷ 4 ¿¿ ‰ J stomp
Voice
œ ~~~~~~
mm
4 &4 ΠS
÷ 44 Œ & + M ˘y ˘y ˘y ˘y ˘y ˘y y J 6 f ÷ 44 &œ J S
94
T.B
÷ 44 Ó
f ¿
÷ 44 m ‰ > ° J ÷
99
Voice
j ‰ Œ !
99
Tpt.
&
}j ÷ œ ‰ Œ $
99
T.B
6
]
#
}&
œ œ. Œ p
‰
¿ ¿ ‰ ‰ ¿¿‰ p 3
L L L L a
3
u
a
a
‰
Œ
j °
‰
"
‰
a
u
a
'
"
¿ ‰ ¿ ‰ ¿¿¿¿¿ Œ L L L L L L 3
u
u
a
3
b œ. œ. œ. œ. œ. œ. œ J 6 f S
$ , 3 mv 4 œ 4 J œ œ œ œ ˙ ~~~~~~~~ ~~~~ ‚r !
U#
a
u
a
‰
˘y ˘y ˘y ˘y ˘y ˘y
‰
f
S
6
6
f
6
]
mm
U w
a
..
S
]
#
4 4
#
#
#
4 4
#
#
#
44
#
#
#
44
#
#
#
4 4
#
#
Repeat until the sound completely disappears
#
.. Ó
¿ ¿ ‰ ‰ ¿¿‰ p 3
v.c
}&
a
œ
p
6-8''
&œ Œ S ˘ ˘ œ œ œ œ œ œ œ œ œ œ œ œ
¿
3
3
œ
S œ
[same pitches from m.53]
Œ
' p
u
œ
>œ
3
u
Œ
L L L L J u
b >œ
˘y ˘y ˘y ˘y ˘y ˘y ˘y J F 6 f
F 5 j 4m
F
v.c
stomp
Sj ¿ clap ‰
œ. œ. œ. œ. œ. œ. œ. J 6 f F
5 4 Œ
‰
˘˘ ˘ ˘ ˘ ˘ œ œ œ œ œ œ 45 Ó
Œ
Ó Ó
a
¿ J
& 45 œ p
Ó #
u
S
F j 5 ¿ clap ‰ 4
y. y. y. y. y. y. 45 Ó 6 f F
‰
Œ
S >j
œ
3
a
‰
94
Pno.
>œ
6
94
S.D
f > b ~~~~~~~ œ
œ. œ. œ. œ. œ. œ. œ. J
#œ
94
Tpt.
F
Œ
94
.. œ œ . Œ p only the first time
8
L L L L a
3
u
a
' p
"
a
"
.. n
¿ ‰ ¿ ‰ ¿¿¿¿¿ Œ 3
..
n
L L L L J u
'
u
3
a
L L L L L L 3
u
a
u
..
a n