The Kudzu Queen by Mimi Herman

MADVILLE PUBLISHING shines a spotlight on these essay collections by the incomparable essayist, Sam Pickering.

(Some say… Sam is the guy Robin Williams’ character, John Keating, was based on in the critically acclaimed film, Dead Poet’s Society).

The World Was My Garden, Too (2019)

He roams New England, Arkansas, the Caribbean, Nova Scotia and the familiar and odd plots of mind and thought. He explores shorelines and climbs “hillish” mountains. He sits on porches and talks to passersby and their dogs. He meets strange and delightful people, most of whom are real. “Reading Pickering,” a reviewer wrote in The Smithsonian decades ago, “is like taking a walk with your oldest, wittiest friend.” “Now,” Pickering says, “I am old, and the friends who thought me witty have fallen off the perch. But that’s okay. What I write makes me smile and mutter, ‘What a guy.’” And what wonderful essays these are—pages that awaken the affections and make readers smile and embrace the beauty of this bruised world.

Terrible Sanity (2021)

Terrible Sanity is wondrous sanity. Pickering’s essays are acetaminophen for hippish days. “Life doesn’t have a neat beginning and a tidy end,” Roger, a character in V. S. Naipaul’s Half a Life, says. “Life is always going on.” In this collection, Pickering depicts the joy and sadness of life’s going on. Great knowledge often brings small pleasure while the small knowledge that all people experience brings great pleasure. A dental hygienist tells him that every day patients greet her on the street and in stores. “Their faces are always unfamiliar, and I never recognize them,” she says, “but if they opened their mouths wide, I’d know them immediately.” For the record she also volunteers that in twenty years of toothscrubbing, she had only been bitten once.

The Gate in the Garden Wall (2022)

Last year Sam Pickering announced that he’d written his final word. “I intend to sit in a chair at the edge of the driveway and on sunny days doze through hours waking up occasionally to identify birds on the feeder. My hands and lap will be empty, and I won’t worry about a wind scattering papers across the yard.” Three days later Mike a college classmate wrote him. “Given all the books you have written, it makes me sad to hear that you have written your last book. Please remember what mighty things 80-year-olds can do. For instance, Goethe taught himself Greek when he was 80. Too bad he died at 81.”

“The Truth” (2023)

This summer Sam Pickering and his wife Vicki attended a professional wrestling match in a small arena in Nova Scotia. They sat in folding chairs on the front row. They ate “Montreal Sausages” drowning in ketchup and awash with onions. They cheered heroes and laughed at villains. In the middle of one match, a naughty wrestler leaned over the ropes and staring at Sam, said, “If you keep laughing that hard, old-timer, you’ll have a heart attack.” “What?” Sam said to Vicki. “Old-timer? Not me. That poor man had better see an eye doctor before he gets hurt.”

In addition to these four essay collections, Sam also co-edited MADVILLE’s essay anthology Being Home (2021)