ARCHI PORTFOLIO JINGWEN HUO
2015-2019
PHILOSOPHY STATEMENT The journey of my architecture design study is one adventurous one that discovers the direction of my design
philosophy as well as style, project by project. From urban scale design to architecture, then to interior design, every step regardless of its size is itself a new opportunity and challenge to me, to guide me towards my design philosophy. This journey, as it furthers, I find myself walking down this avenue of “relationships”, the kind of relationships between human, architecture and the environment. And on this path, I can vaguely see the end of the avenue, where architecture seems to be sitting in the centre of this rhizomic relationship. As this is how I understand, by elevating the architecture is when the sublimation of human and environment arise.
I believe that architecture is a responsible not only to those it accommodate, architecture ought to response to its
surroundings; Architecture improves people’s life, while solving critical issues of its environment. Thus, I am intrigued by the notions brought up by Kenneth Frampton – critical regionalism, and the oeuvres done by some remarkable architects on this very land, including Glenn Murcutt. Such belief becomes my compass in the path of creating valuable dialogues between architecture, people and environment.
These five years of study journey really did have me thinking lots on environment while designing. Renewable
resources, energy efficiency, carbon footprint, healthy living environment, and so forth, have become phrases that imprint in my mind. As a future architect, there is no other way but to design sustainably if one cares about people and environment, I believe. Architecture is not just merely a pursuit of aesthetical contentment nor solely a functional meeting operation. To me, it is all about the perfect balance between the combination of sensibility and rationality. I am eager to have the opportunity to go further on the road of architectural design.
JINGWEN HUO (WENDY) PERSONAL INFORMATION Date of Birth : 12/11/1996 Language : English/Mandarin/Cantonese Location: Launceston, Tasmania Email : jingwen.hjw@gmail.com Contant Number : +61439857248 Linkedin : https://www.linkedin.com/in/ jingwen%EF%BC%88wendy%EF%BC%89-h4657a3a2/
EDUCATION 2018-2019 UNIVERSITY OF TASMANIA MASTER OF ARCHITECTURE 2017-2015 UNIVERSITY OF TASMANIA BEnvDes-BACHELOR OF ENVIRONMENT DESIGN(ARCHITECTURE) 2015-2013 ELIZABETH COLLAGE, HOBART HOUSING AND DESIGN ART PRODUCTION
EXPERIENCE JULY 2018 INTERN
Fairbrother , Hobart ,Tas A short-term practice to learn and get familiar with building construction processes, construction management , construction work schedule planning and building technology knowledge.
ACHIEVEMENT 2019 SHORTLISTED FOR BARRY MCNEILL AWARD TASMANIA 2018 M.Arch BUILDING TECHNOLOGY EXCELLENCE AWARD UNIVERSITY OF TASMANIA 2018 TASMANIAN INTERNATIONAL SCHOLARSHIP FOR M.ARCH UNIVERSITY OF TASMANIA 2014 BEST ALL-ROUND STUDENT IN THE INTERNATIONAL PROGRAM ELIZABETH COLLEGE , HOBART 2013 STUDY TASMANIA AWARD INTERNATIONAL EDUCATION IN TASMANIA 2013 BEST ALL-ROUND STUDENT IN THE INTERNATIONAL PROGRAM ELIZABETH COLLEGE , HOBART
SKILLS Design Thinking Creativity & Problem Solving Collaboration & Communication Excellence ArchiCAD skill InDesign / PhtotShop /Adobe Illustrator Sketch Up /AutoCAD / Rivet / Rhino Hand Drawing / Painting Excellence PowerPoint skill Sustainable Design Architectural Details Model Making
3
REFLECTANCE 0.4 AND SHEER BLISS WHITE WALL PANEL, ABSORPTION 0.4; REFLECTANCE 0.4 .
SOUNDSCREEN (88MM) AND THE FRAMING LINED ON THE INTERNAL SIDE WITH ONE LAYER OF 10MM GYPROCK PLASTERBOARD.TOTAL RVALUE 3.28 AND U-VALUE 0.30
FOOD PREPARATION ZONE
COUNTER ZONE
EATING AND COUNTER ZONE WITH FLOOR SURFACE MATERIAL: LIGHTING COLOUR TIMBER, ABSORPTION:0.1; REFLECTANCE 0.4. (PRESCRIBED 160 Lux AND 40-55 db REFER TO AS 2017. TABLE 1 AND AS1680 .1 TABLE 3.1)
NE
C
2
01 THE HOUSE
30MM THK AVANTI SYSTEM ACOUSTIC GLAZED WALL (ACOUSTIC PERFORMANCE TO 35 db)
SECTION A-A
OF HANFU
READING ZONE WITH FLOOR SURFACE MATERIAL: BROWN COLOUR CARPET, ABSORPTION:0.3; REFLECTANCE 0.3 (PRESCRIBED 320 Lux AND 40-45 db REFER TO AS 2017. TABLE 1 AND AS1680 .1 TABLE 3.1)
D
ZONE 15.9M2
3000MM HEIGHT VERTICAL ADJUSTABLE ALUMINUM LOUVER AT SOUTH -WEST SIDE WINDOW FOR DAYLIGHT CONTROL
1 EXISTED CONCRETE WALL
02 UTAS ACADEMIC
EATING ZONE
COMMONS DESIGN
WALL TYPE 2 NON-LOADBEARING INTERNAL WALL: R1.7 BRADFORD SOUNDCREENTM (60MM) INSULATION FILLED IN WITH 64MM STEEL STUD, FINISHED WITH 13MM STANDARD GYPROCK PLASTERBOARD ON BOTH SIDES. TOTAL R-VALUE 1.85 AND U-VALUE 0.73
A
WALL SURFACE : 13MM GYPROCK PLASTERBOARD, ABSORPTION 0.1; REFLECTANCE 0.4
1:100 D-06 GENERAL LIGHTING SOURCE
SECONDARY LIGHTING SOURCE
03 CAFE INTERIOR
DESIGN SECTION DETAIL B-B
Design project
RENDER PHOTO 2(CAFE NIGHT TIME)
ELECTRICAL LIGHTING CALCULATION
Interior project
RENDER PHOTO 3(READING AREA NIGHT T
CETUS LED 2000 FP(24.6W)
INDEX 04 THE FUTURE
WORKPLACE
05 THE ANNEXE
THEATER
06 HAND DRAWING
& MODEL MAKING
Renovation project
Artwork project
01 THE HOUSE
OF HANFU
A new culture center which presents itself to showcase the traditional costume
of Han chinese - it is not only a further exploration of the exhibition-type architectural design but also a new attempt to demonstrate and revitalize traditional culture through the architecture itself.
V-01
There exists, in China, a situation in which many contemporary Han Chinese sadly find
themselves culturally incompetent as they do not fully recognize or understand Hanfu, worse yet some are unaware of its existence at all. This epidemic is a paramount issue that threatens the identity of Chinese culture and must be rectified. This eminent concern is a calling for a demographic reinvigoration of Hanfu to allow Hanfu to be formally re-introduced to Han Chinese people which is key for improving both cultural confidence and competence. A demographic reinvigoration will also give the rest of the world a perspective to Hanfu and will aid it in further understanding Chinese culture. This project, therefore, proposes a new Hanfu Cultural Center in the cradle of Hanfu - Xi’an to showcase the charm of Hanfu in its own right rather than just a box for Hanfu collection. The project is a new exploration of cultural centre designs that mainly include exhibition, education, research and performance facilities to support and unearth Hanfu culture to encourage Hanfu Revival and the architecture itself become an exhibition of Hanfu to showcase City Concext the embodiment of the traditional cultural values and principles of the Han nationality. The house of hanfu tells the story of Hanfu culture, starting from the original conceptual pattern of the most primitive Hanfu design and then slowly guiding the visitor to experience the current situation of unearthing the Hanfu culture. The arrangement of the unearth journey will be the reinterpretation of the evolutionary journey that is aiming to showcase Hanfu has flourished from inclusiveness and constantly dynamic development by its acceptance and integration of elements from different national costumes. Then further lead on to encourage people to explore the Han culture values and beliefs behind Hanfu in the process of reflecting on history which pins the hope for the prosperity of Hanfu culture in the future. The design relies on the delicate relationship between human skin, clothing and architecture to reinterpret special fragments of Hanfu design such as its unique shapes, overlapping fabrics, soft and light texture through architectural language to trans- Site Proximity form and enhance the human experience on Hanfu and shape the impression of Hanfu.
Conceptual Pattern
Conference Room 11
Library/Archive Foyer
Roving Exhibition
09
08
01
Prep Workshop 10
Ticket Office Design workshop
04
09
Round sky and square earth
The conceptal pattern of ‘Round sky and square earth’ Locker
Event Space 13
Preformance Stage 13
The “Round sky and square earth” is a basic concept in the traditional ancient Chinese view of the universe that developed from Yin-Yang philosophy. It has a great influence on ancient Chinese designs, which can be found from the design of ancient Chinese coins and ancient Chinese architecture such as the Temple of Heaven. The “Round has alsoExhibition be obeyed by the Gift Shopsky and square earth” concept Permanent
Collect Room 12
03
Multi-Purpose Hall Meeting Room
09
11
06
design of Hanfu.
07
Cafe
Researcher/ Designer Studio
Admin Office
10
12
05
Repeat and transform the pattern to form relationships and organise space of the building. Conference Room 11
Key concept exploratory visualisation of The “Round sky and square earth "pattern
Library/Archive
Foyer
Key concept exploratory visualisations of the conceptal pattern
Roving Exhibition 08
01
09
Prep Workshop 10
Ticket Office
Design workshop
04
09
Collect Room 12
Locker
Event Space
03
13
Multi-Purpose Hall 09
Meeting Room 11
Conference Room
Preformance Stage 13
11
Gift Shop 06
Permanent Exhibition 07
The Journey of Evolution Access and connection Research and Staff Working Zone
The journey of unearth Exhibition Zone
Welcoming Zone
The slowly upward journey progress of the unearth journey shows the state of the visitors during the journey - the gradual understanding and clearness of the Hanfu culture Continue to connect to the research area provide the possibility for the visitors to explore further
Forming four progressively elevated exhibition spaces for temporary & roving Exhibitions Exhibition journey enterence
Main Enterence
Guide visitors directly into the underground permanent exhibition
The permanent exhibition is buried underground reminds the current state of Hanfu culture that it has not been completely explored. Main access
Secondary access
2070 B.C.E.
1000 B.C.E.
1644 C.E.
1 C.E.
1000 C.E.
Time-base organizing
Elements from different ethic have influenced hanfu design.
Permanent Exhibition Design
Fragment of Hanfu Form of the roof & fabric ceiling hanging
Facade design ‘y’ shape collar timber screen Right side is covered on the left side
Front view
Outside view
Inside view
The twirling skirt - Shows the state of the fabric is fluttering when spinning
0.
0.
GSPublisherVersion 0.12.100.100
Ground Floor (8)
1:141.87
Ground Floor (8)
GSPublisherVersion 0.12.100.100
Tell a series of the story during the upward journey
Ground Floor (8)
Section A-A
Isometric View
V-02
V-03
02 UTAS ACADEMIC
COMMONS DESIGN
A public academic commons space design project & Material (Brick) research study - The project is aiming to provide a common and open learning space for Launceston public, while to increase urban vitality and provide opportunities to promote learning exchanges and communication between students and citizens.
W VIE ER RIV A
DOWN
18
17
RIV ER VIE W
Followed tra track and fra the river vie
Followed tram Foll track and framed trac the river view
POINT
In addition, the language of opacity to transparency has also become a driving strategy applied in the design of the building's facade. Bricks and glass are used to construct narrow but attractive apertures so that people will notice the framed river view instantly. They wrap around the building, switching between different modes to control daylight and allow building becomes more permeable around public areas.
Project Location: UTAS Inveresk Campus Launceston TAS, Australia
the Create center plaza Increase opportunities for communication POINT
RIVER BANK PARK
A
The upper level of the building is a flexible, informal learning space, including a series of community learning pods, public seating space and a cafĂŠ that is facing beautiful views. The top floor is divided into two parts, but both are opened to the rooftop garden for people to enjoy and meet new friends.
CENTER
a common and open learning space. The flowing form of the entire project VisERa metaphor of a conveyor belt RI gathered that to send people from AY N O D ILW various areas to the central area of the A R TE SI building. The central area is a circular outdoor plaza that provides opportunities for a variety of public events. It also acts as a striking stage that is surrounded by a series of stepped seating space at three sides. The building Ris a VE three-story high library that provides RI Y A N O LW I indoor learning spaces. It isDdesigned RA TE SI cenby using the old railway track as tral axis and is completely opened to the river view. It is elevated on stilts to guide people to the riverbank along the tram tracks, while also maintaining circulation in the community and provides shading for summer activities. 16
14
6
13
7
12
4
10
2
UP
11
3
8
5
1
CENTER
15
0.193 x 0.250 x 18R 18G
9
OOR Y IVIT
This project is designed to provide
P
T
DRAINAGEMAT MAT PEBBLEDRAINAGE AND ABOVE ABOVE RESEARCH RESEARCH GLASS DRAINAGE GLASS MAT RESEARCH WATERPROOF GLASS ABOVE WATERPROOF CENTER CENTER MEMBER MEMBER WATERPROOF CENTER MEMBER READING READING AND AND READINGLEARNING ANDLEARNING LEARNING GROUP GROUP RESEARCH GLASS GLASS PARAPET WALL RESEARCH PARAPET WALL GROUP MEETING MEETING RESEARCH PARAPET WALL STRUCTURE GLASS STRUCTURE CENTER CENTER MEETING STRUCTURE CENTER
COLLECTION COLLECTION COLLECTION CENTER CENTER CENTER
DESIGN ANALYSIS
CAFECAFE
CAFE
COLLECTION COLLECTION RECEPTION RECEPTION COLLECTION CENTER RECEPTIONCENTER CENTER
READING READINGAND AND ROOF ROOF SLABSLAB CAFE CAFE CENTER CENTER COMMUNITY COMMUNITY READING AND LEARNING LEARNING ROOF SLAB CENTER CAFE COMMUNITY KITCHEN PIAZZA KITCHEN PIAZZA LEARNING GROUP GROUP KITCHEN PARAPET PARAPETWALL WALL PIAZZA GROUPMEETING RECEPTION RECEPTION MEETING STRUCTURE STRUCTURE PARAPET WALL RECEPTION LOAD－ MEETING STRUCTURE LOAD－ LOAD－ BEARING BEARING ROOF SLAB SLAB BEARINGROOF STRUCTURE STRUCTURE CENTER CENTER COMMUNITY COMMUNITY STRUCTURE MEMBER ROOF SLAB MEMBER CENTER KITCHEN KITCHEN PIAZZA PIAZZA COMMUNITY MEMBER KITCHEN PIAZZA LOAD－ LOAD－ BEARING LOAD－BEARING STRUCTURE STRUCTURE BEARING MEMBER MEMBER STRUCTURE MEMBER
OOF CONSTRUCTION FNSTRUCTION CONSTRUCTION MARKET MARKET MARKET OUTDOOR OUTDOOR ACTIVITY AREA ACTIVITY AREA OUTDOOR ACTIVITY AREA PUBLIC TOILTE PUBLIC TOILTE DIAGRAM DIAGRAM PUBLIC TOILTE DIAGRAM MARKET MARKET OUTDOOR OUTDOORACTIVITY ACTIVITYAREA AREA MARKET PUBLIC PUBLIC TOILTE TOILTE OUTDOOR ACTIVITY AREA PUBLIC TOILTE
Y
DRIVEWA
CAR PARKING
STAIRS STAIRS STAIRSELEVATOR ELEVATOR ELEVATOR DISABLED DISABLEDACCESS ACCESSRAMP RAMP DISABLED ACCESS RAMP
VISUAL CONNECTION VISUAL CONNECTION VISUAL CONNECTION CENTER PIAZZA WITHWITH CENTER PIAZZA WITH CENTER PIAZZA
VISUAL VISUALCONNECTION CONNECTION VISUALWITH CONNECTION WITHCENTER CENTERPIAZZA PIAZZA WITH CENTER PIAZZA
R OO TD GE OU T A S
OF F CONSTRUCTION CONSTRUCTION ONSTRUCTION DIAGRAM DIAGRAM DIAGRAM
STAIRS STAIRS STAIRS ELEVATOR ELEVATOR ELEVATOR DISABLED ACCESS RAMP DISABLED ACCESS RAMP DISABLED ACCESS RAMP
OU
EN TE R
T W DOO IT H RC ST O EP MM PE U D NIT SE Y AT AR IN EA G DOW
N
9R 9G x 0.20 x 0.25 0 0
9
8
7
6
5
K
AL
W
DE
SI
4
UP
3
2
1
PTIO
N
UP
LI
1 0 0 x 0.18 0.25 15R x 15G
DR MA IVE RK WA ET Y F SE OR TU P
RECE
FT
2 3 4 5 6 7 8 10 14
13
12
9
11 N
15
DOW
9 9R 9G x 0.200 x 0.250
8
T
7 6 5 4
L OI
TE
3 2
UP
OUTDOOR ACTIVITY AREA
OUTDOO R STAGE
CENTE R PARK
LI
FT
1
GR OU PL EA RN ING
LL
MAR
RK
SA PC E
OUTDOO R STAGE
CENTE R PIAZZA
G IN AD RE ING AL RN RM EA FO D L PCE AN SA
IN
L AL
ST
CENTE R PARK
B
STALL
ET
RK
MA
KET
MA
ET
A ST
ET
RK
MA ST AL
L
L
AL
ET
ST
RK
MA
RK
ET
ST
AL
L
MA
R
OO
TD
OU
KITCHEN
K AL
UP 1 2 3 4 5 6
4
3
2
1
DOWN
5 6 7
7 8 12
11
10
9
LIFT
DOWN
PUBLIC TOIL
E AC
COMMUNITY
EW SID
UP
G IN AD RE ING AL RN RM LEA CE O F IN AND SAP
SP
TE
NG TI
EA
x 0.150 12R x 0.350 12G
18R x 0.150 18G x 0.300
FOYER 18
17
16
15
14
13
12
11
9
8
10
ENTER
RECEPTION
OUTDOOR COMMUNITY AREA WITH STEPPED SEATING
DOWN
UP
5R x 0.150 5G x 0.350
RE
O
ST
TO
LIFT
5
ET
4 DOWN
N
2 x 0.150 5R x 0.350 5G
TIO
1
TA
5
4
3
2
1
LOADING DOCK FOR KITCHEN AND MARKET
3
SS
UP
BU
FIRST FLOOR PLAN 1:800
GROUND FLOOR PLAN 1:800 FIRE TRUCK
IBLE
ESS
ACC
TOIL
ILE
T
THERMALHERT® ALUMINUM FRAME SOLLING SLIDING DOORS WITH WEATHER RESISTING SILL.
WATER
BUILDING CONSTRUCTION DETAILS
POND STRUCTURE
munication
RENO-T FLOOR EDGE TRIM CARPET 230X110X76 BRICK
ACOUSTIC UNDERLAER AND WATERPROOFING MEMBER
MORTAR JOINT
PEBBLE AND DRAINAGE MAT ABOVE WATERPROOF MEMBER
EXP RIDGE INSULATION BOARD CONCRETE SLAB STRUCTURE
RESEARCH CENTER
GLASS
COLLECTION CENTER
READING AND LEARNING GROUP MEETING
PARAPET WALL STRUCTURE
STEEL TIE TO CONCRETE
ROOF SLAB
WALL WRAP
CAFE RECEPTION
CENTER PIAZZA
COMMUNITY KITCHEN
30MM THK ESP RIGID INSULATION BOARD
LOAD－ BEARING STRUCTURE MEMBER
SUSPENDED CEILING SYSTEM
ROOF CONSTRUCTION DESIGN DIAGRAM ROOF CONSTRUCTION DIAGRAM
PACKER FIRE RATED AIR SEAL MARKET AND BACKING ROD
STAIRS ELEVATOR DISABLED ACCESS RAMP
OUTDOOR ACTIVITY AREA PUBLIC TOILTE
FLASHING
VISUAL CONNECTION WITH CENTER PIAZZA
PRINTED SHELF METAL ANGLE THERMALHERT® ALUMINUM FRAME SOLLING SLIDING DOORS WITH WEATHER RESISTING SILL.
D-01
Brick façade detail
1:10 1:5
ME
ET
ING
LI
FT
RO
OM
TOILET
BEAD BLASTED EXTRUDE ALUMINUM CAP
CH AR SE RE
25MM SANDBLASTED LAMINATED GLASS
ER NT CE
OUTD OOR SHA RING GAR DEN
CAFE
B
PAINTED STEEL GUARDRAIL SHOE
METAL CAPPING
IPE FLOORING DECKING
PAINTED STEEL CLEAT AND BRACING
ADJUSTABLE FLOORING SUPPORT
STAINLESS STEEL ROUND BAR
GEOTEXTILE FABRIC
METAL CONNECTION MEMBER
10MM THK DRAINAGE MAT
MORTAR JOINT
WATERPROOFING MEMBRANE
230X110X76 BRICK WALL WRAP 30MM THK ESP RIGID INSULATION BOARD
100MM RIGID INSULATION BOARD M
O
O
ER
CT G LLE DIN CO REA R D E AN ENT C
STEEL TIE TO CONCRETE CONCRETE SLAB
TING
MEE . RM
ed tram nd framed er view
ION
LIFT
IBLE
SS ACCE
TOILET
SECOND FLOOR PLAN 1:800
D-02 Roof and Balustrade detail
1:10 1:5
D-02
HoloLens.
HoloLens .
TON
BIG
S L NCE HOO 5.Using a spirit level ruler to reassure the LAU R E SC horizontal PICTU arrangement is correct.
Rotation Angle & Opacity -Translucent -Transparently
S SHED TRAM CENTRE THE N CTIO FUN
6.Using a spirit level ruler to reassure the vertical arrangement.
Essendon 76
Rich
GE ID BR OP GH SH EI W ORK W ALK EW SID
N STO NCE LAU Y MWA TRA EUM MUS
OF OL S & SK HO RT RE SC E A VE AS TIV IN UT EA AFE CR ST US TA MP CA
2.Community to the brick layer 3.Starting to constructure 4.Checked the plan to make sure the colour of the Prototype of Material and showed how to System use the the and brick wallsTectonic by using bricksJoint is in the correct order.
1.Using the HoloLens HoloLens to measure the distance and angle between bricks.
AG M UM QV SE U M
R OO TD GE OU STA
DRIVEWAY
CAR PARKING
OU
OR TDO GE STA
OU
ENT ER
TD WIT OO H R CO STE PP MM ED UN SE ITY ATI AR NG EA DOWN
9R 9G x 0.200 x 0.250
9
8
7
6
5
ALK EW SID
4
UP
3
2
1
RECEPT
ION
UP
LIF
1 x 0.180 0.250 15R x 15G
DRI MA VEW RKE AY T SET FOR UP
T
2 3 4 5 6 7 8 10 15
13
14
12
9
DOWN
11
9 9R 9G x 0.200 x 0.250
8
TO
7 6 5 4
ILT
E
3 2
UP 1
CENTER PIAZZA
R DOO OUT ITY IV ACT
CENTE
B
R PIAZZA
OUTDOOR STAGE
CENTE R PARK
OUTDOOR STAGE
RKE
MA
LL STA
CENTE R PARK
T
STA T RKE MA
CENTER PARK
OUTDOOR ACTIVITY AREA LL
T STALL MARKE
BUS ION STAT
OUTDOO R STAGE
A
T RKE MA LL STA
LL T
STA
T STA RKE MA
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RKE
MA
R OO
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OU
PUBLIC TOILTE
UP
1
2
3
4
5
6
5
6
7
TION
45
123
x 0.150 5R x 0.350 5G
1
BUS
3
1
T CI
Richmond 76
K
AL
DW
AR
G
BO
TIN
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Parkville 76
7.Cleaning the brick wall, removing the messy and unnecessary
Parkville 76
Fit
Fitzroy 76 OFF SET 110 mm
6.Using a spirit level ruler to reassure the vertical arrangement.
7.Cleaning the brick wall, removing the messy and unnecessary mortar between bricks.
OFF SET 110 mm
18°
16°
14°
OFF SET 110 mm
18°
16°
14°
2
UP
K UC TR AY E W FIR IVE DR
4
0.193 x 0.250 x 18R 18G
E RS NT E VE IN RTM A AP
FIRE TRUCK DRIVEWAY
5
LOADING DOCK
6
ALK
18
17
16
15
14
13
12
11
9
8
10
2
STA
LOADING DOCK FOR KITCHEN AND MARKET
N
3
7
EW
SID
DOWN
12
11
10
789
4
UP
8
E
4
DOWN
123
LIFT
5
DOWN
ER ATIO TIG ST S BU
9
AC
SP
UP
R x 0.150 5G x 0.350
DOWN
6.Using a spirit level ruler to
Par
G
TIN
EA
KITCHEN
ED OS ' OP S PR UTA WAY G E IN AT 'G ILD BU
mortar between bricks. Essendonreassure 76 the vertical arrange-Richmond 76 ment.
g a spirit level ruler to reassure the horizontal ement is correct.
COMMUNITY
OUTDOOR COMMUNITY AREA WITH STEPPED SEATING
UP5
7.Cleaning the brick wall, removing the messy and unnecessary mortar between bricks.
Essendon 76
5.Using a spirit level ruler to reassure the horizontal arrangement is correct.
x 0.150 12R x 0.350 12G
6.Using a spirit level ruler to reassure the vertical arrangement.
Richmond 76
OAD
g a spirit level ruler to reassure the horizontal ement is correct.
R RMAY INVE
Essendon 76
18R x 0.150 18G x 0.300
12°
10°
Parkville 76 Essendon 76
Richmond 76
Richmond 76
Parkville 76
Fitzroy 76
Richmond 76
Parkville 76
Fitzroy 76
Fitzroy 76
Essendon 76
BEAD BLASTED EXTRUDE ALUMINUM CAP
RIVE R VI
EW
25MM SANDBLASTED LAMINATED GLASS PAINTED STEEL GUARDRAIL SHOE
METAL CAPPING
IPE FLOORING DECKING
PAINTED STEEL CLEAT AND BRACING
ADJUSTABLE FLOORING SUPPORT
STAINLESS STEEL ROUND BAR
GEOTEXTILE FABRIC
METAL CONNECTION MEMBER
10MM THK DRAINAGE MAT
MORTAR JOINT
WATERPROOFING MEMBRANE
230X110X76 BRICK WALL WRAP
R VE RI Y A N DO ILW RA TE SI
30MM THK ESP RIGID INSULATION BOARD
100MM RIGID INSULATION BOARD
RIVER BANK PARK
Followed tram track and framed the river view
STEEL TIE TO CONCRETE CONCRETE SLAB
A
DOWN
POINT
D-02 Roof and Balustrade detail
1:5
18 17 16 15 13
CENTER
14 12 11 10
TO T S EC PU NN AM CO C E TAS G ID E U BR R D TU SE FU PO D O AN PR TY
4°
THERMALHERT® ALUMINUM FRAME SOLLING SLIDING DOORS WITH WEATHER RESISTING SILL. RENO-T FLOOR EDGE TRIM CARPET
Create center plaza Increase opportunities for communication
230X110X76 BRICK
ACOUSTIC UNDERLAER AND WATERPROOFING MEMBER
MORTAR JOINT
EXP RIDGE INSULATION BOARD CONCRETE SLAB STRUCTURE
OFF SET 110 mm UTAS EXPANSION CAMPUS LOCATION
STEEL TIE TO CONCRETE WALL WRAP 30MM THK ESP RIGID INSULATION BOARD
12°
10°
8°
6°
SUSPENDED CEILING SYSTEM
4°
PACKER FIRE RATED AIR SEAL AND BACKING ROD FLASHING PRINTED SHELF METAL ANGLE THERMALHERT® ALUMINUM FRAME SOLLING SLIDING DOORS WITH WEATHER RESISTING SILL.
D-01
Brick façade detail
1:5
OFF SET 110 mm OFF SET 110 mm 18°
ity to the brick layer 3.Starting to constructure how to use the the brick walls by using HoloLens .
16°
14°
12°
10°
4.Checked the plan to make sure the colour of the 5.Using a spirit level ruler to reassure the horizontal bricks is in the correct order. arrangement is correct.
8° 6.Using a spirit level ruler to reassure the vertical arrangement.
6°
4°
7.Cleaning the brick wall, removing the messy and unnecessary mortar between bricks.
D-02
18°
16°
14°
12°
10°
8°
6°
4°
18°
16°
14°
12°
10°
8°
6°
4°
D-01
SECTION A-A 1:200
03 CAFE INTERIOR
DETAIL DESIGN
A cafe interior detail design project
- through the meticulous details design and materials selection to achieve a good, comfortable and healthy indoor environment, especially energy efficiency, daylight control, acoustic and artificial light are considered in the design.
B
A
B
A
3
3
2 x 150 = 300
Project Location: Launceston,TAS,AU EATING ZONE 47.4M2
24 x 170 = 4,075
5
4
3
2
1
F
COUNTER ZONE 14.9M2
F
C
C
2 F
F
2 3
2
1
C
D F
COUNTER ZONE 14.9M2
FOOD PREPARATION ZONE 17.3M2
A
FOOD PREPARATION ZONE 2 17.3M A
F
B
B
D
EATING ZONE 47.4M2
READING ZONE 15.9M2
B
1
D
READING ZONE 15.9M2
B
1
A
A C
D
A
B
3
2
1
B
A
The cafe has four core sections - eating zone, reading zone and counter and kitchen. Filled with natural light, the bright and airy eating zone
design can provide a relaxing and casual experience for breakfast and lunch.in addition, using a bright warm white artificial down light as the nighttime primary lighting source and the warmer color wall lamps for contrast adds a comfortable and leisurely atmosphere to allow guests to be more calm and relaxed to enjoy the coffee and food.
SECTION A-A
1:50 MATERIAL
D-01
ABSORPTION REFLECTANCE
EATING
suspended timber
EATING ZONE D-05 READING
COUNTER ZONE ZONE
acoustic panel
0.5
0.45
0.1
0.85
0.1
0.85
o.1
0.4
0.43
0.68
ZONE FOOD PREPARATION ZONE FOOD PREPARATION ZONE
CEILING
COUNTER ZONE COUNTER ZONE
13mm gyprock plasterboard
D-02
FOOD PREPARATION ZONE 13mm gyprock aquachek
light colour timber
SECTION C-C
1:50
SECTION A-A SCALESECTION 1:100 A-A SECTION A-A
1:50
SECTION B-B
1:50
FLOOR
light grey tile
COUNTER ZONE
SECTION A-A0.3
0.3
brown carpet
1:50
Smooth
D-03
unpainted concrete(existed
0.05
0.4
0.1
0.85
0.1
0.85
wall) Gyprock
READING
EATING
ZONE
ZONE
WALL
D-05
READING READING ZONE ZONE
ZONE
D-01
Aquachek 13mm
D-05
EATING
EATING ZONE
Gyprock Standard 13mm Plasterboard
FOOD PREPARATION ZONE COUNTER ZONE
ZONE
Acoustic glazed
D-04
EATING ZONE
WINDOW
wall
0.09
0.1
Double glazing
0.09
0.1
GENERAL LIGHTING SOURCE
D-06
D-02
D-06
Bookcase:dark SECONDARY LIGHTING SOURCE o.1 0.35
D-06
colour plywood
SECTION D-D
SECTION B-B
B-B SCALESECTION 1:100 SECTION B-B SECTION C-C
READING
1:50 1:50
FUNITURE Light colour chair:hard chair
0.24
0.4
1:50 SECTION B-B
1:50
D-03 D-01 D-01 D-01
READING COUNTER ZONE COUNTER ZONE
ZONE
EATING ZONE EATING ZONE COUNTER ZONE
EATING ZONE
D-02
FOOD PREPARATION ZONE
D-02 D-04
SECTION C-C SECTION C-C SECTION D-D
SECTION C-C SCALE 1:100
D-02
1:50 1:50
1:50 SECTION C-C
SECTION D-D SCALE 1:100
D-03 D-03 D-03
1:50
D-06 GENERAL LIGHTING SOURCE
The materials using for the cafe was under sustainable
MATERIALS Slection
food preparation zone has light limestone countertop ，it can help brighten up space which helps reduce the wattage consideration with higher energy efficiency. The floor ma- of the lighting source to decrease the power density of the SOURCE terial of SECONDARY eating and counterLIGHTING area is sustainable regeneration electrical lighting. Tasmania timber, the light-colored timber floors can help to improve the brightness of the entire space and increase The main building materials are plasterboard，timthe energy efficiency of the lighting. The reading area is ap- ber，black and white metal and light-color limestone. plied silentstop underlay cover with carpet; those materi- Simple materials match purpose to create an industrial als can effectively reduce the transmission of footfall and style cafe, but the entire space still got a kind of comfortable noise, to create a quieter reading environment. Within the casual feeling under the lighting effect.
A
glass wall with acoustic performance 35db is used as a sound barrier to separate the eating and reading zone. Moving into the reading zone, the atmosphere changes from a relaxed and warm eating area to a bright reading environment. The reading zone has the adjustable horizontal louvers allow the user to more conveniently adjust daylight to achieve the most suitable lighting environment for reading. For nighttime use, it has numerous of bright pendant lights to help create a private feeling.
SECTION B-B
1
:10
1:10
SUSPENDED RONDO TIMBER CEILING SUSPENSION ROO ACOUSTIC PANEL WITH EYE FRECK OAK HANGER FIXING FINISH ,NCR=0.85 TO SLAB HEIGHT ADJUSTMENT CUP 50MM THK BRADFORD RONDO CEILING FFIBERTEX SUSPENSION ROO BUILDING WITH EYE BLANKET HANGER FIXING TO SLAB HOOK HANGER FIXED TO METAL HEIGHT OMEGA SUPPORT ADJUSTMENT CUP RAILS 20X20MM AT 2500MM 50MM THK CENTERS BRADFORD FFIBERTEX RANDO BUILDING SUSPENDED BLANKET TIMBER ACOUSTIC PANEL HOOK HANGER WITH OAK FIXEDFRECK TO METAL FINISH OMEGA,NCR=0.85 SUPPORT RAILS 20X20MM AT 2500MM CENTERS
GYPROCK® STANDARD 8MM THK TILES PLASTERBOARD 13MM 20MM THK CEMENT SCREED GYPROCK® STANDARD 60MM THK R1.7 PLASTERBOARD BRADFORD 8MM THK DURACOUSTIC S.T.O.P.™ SOUNDSCREENTM LOUVER FRAMS 23MM TIMBER 64MM THK RONDO STEEL STUD FRAME 1700MM HEIGHT HAHN ADJUSTABLE LOUVER FOR 13MMDAYLIGHT CONTROL GYPROCK® STANDARD PLASTERBOARD EXISTED WINDOW FRAME LOUVER FRAMS 23MM THK TIMBER 1700MM HEIGHT HAHN ADJUSTABLE LOUVER FOR DAYLIGHT CONTROL EXISTED WINDOW FRAME
RANDO SUSPENDED TIMBER ACOUSTIC PANEL WITH FRECK OAK FINISH ,NCR=0.85
1700MM HEIGHT HAHN ADJUSTABLE LOUVER S9 FOR DAYLIGHT CONTROL EXISTED WINDOW FRAME EXISTED OLD CONCRET WALL 13MM GYPROCK® STANDARD PLASTERBOARD 60MM THK R1.7 BRADFORD SOUNDSCREENTM 64MM RONDO STEEL STUD FRAME 1700MM HEIGHT HAHN ADJUSTABLE LOUVER S9 FOR DAYLIGHT 13MM CONTROL GYPROCK® STANDARD PLASTERBOARD EXISTED WINDOW FRAME 20MM THK TIMBER TOP EXISTED OLD CONCRET COVERING WALL STR-ADURO HIGHHAHN 1700MM HEIGHT POWER LED LOUVER ADJUSTABLE 13MM STRIP(10.8W/METER) S9 FOR DAYLIGHT GYPROCK® STANDARD CONTROL PLASTERBOARD 50X100MM TIMBER SUPPORTWINDOW EXISTED FRAME 60MM 10MM THK R1.7 METAL BRADFORD PLATE OLD CONCRET EXISTED TM SOUNDSCREEN WALL 50MM THK DECORATIVE PEBBLE 64MM 13MM RONDO STEEL STUD 150MMFRAME THK PLANTING GYPROCK® STANDARD MEDIA PLASTERBOARD 13MM 50X100MM TIMBER GYPROCK® STANDARD SUPPORT 60MM THKTHE R1.7CHAIR PLASTERBOARD BACK BRADFORD SOUNDSCREENTM TIMBER CHAIR BACK 20MM THK TIMBER TOP COVERING 64MM RONDO STEEL
DETAIL DESIGN EXAMPLE ARTIFICIAL LIGHTING &DAYLIGHT & ACOUSTIC DETAIL SCALE 1:10
04 THE FUTURE
WORKPLACE
A
renovation proposal for the future workplace in the UTAS Launcestin Inveresk campus stone building.
The stone building was a railway
1 STADIUM UTAS
)
k al 0m s w 203 min
SHOPPING CENTER
(
1 1
1
0m s 203 min
k)
al
m w 00 ins
k)
l wa
SHOPPING CENTER
(
m
lk)
i
ns
wa
2
(
2
2
0m 40 walk)
0m )
2
m 00 lk)
SHOPPING CENTER
4
(6
s min
NORTH ESK RIVER
40 walk
(6
ins
4
s
min
m (6
wa
)
lk 0m wa 60 mins (9
3
m 00 lk) a
sw
in 6m
SHOPPING CENTER
sw
in 6m
SHOPPING CENTER
NORTH ESK RIVER
SHOPPING lk) CENTER 200mmins wa (3 0m 40 alk)
(
2 3m
SITE (STONE BUILDING) MAIN TRAFFIC ROAD
(
SITE (STONE BUILDING) MAIN TRAFFIC ROAD
SITE (STONE BUILDING)
CURRENT RECREATIONAL SOCIAL AREA
MAIN TRAFFIC ROAD
FUTURE COMMERCIAL
) CURRENT RECREATIONAL m alk SOCIAL AREA 00 ins w
6
m
(9 CURRENT RECREATIONAL LAUNCESTON CBD FUTURE COMMERCIAL SITE (STONE BUILDING) SOCIAL AREA 3 & CITY lk) PARK FUTURE CBD MIX USE MAIN TRAFFIC ROAD 0m wa FUTURE COMMERCIAL 60 mins FUTURE ) PROPOSED UTAS EXPANSION CURRENT RECREATIONAL k l CBD MIXLAUNCESTON USE 5 CBD m wa AREA (9 s & CITY PARK FUTURE RIVERSIDE PARK 00 inSOCIAL 6 PROPOSED UTAS EXPANSION m 3 (9 FUTURE COMMERCIAL MAIN PATHWAY FROM CBD FUTURE RIVERSIDE PARK5 0m ) 3 FUTURE CBD MIX USE 80 walk) m walk s 0 1 n QVMAG MUSEUM s i MAIN PATHWAY FROM CBD m 0m 60 min SITE (STONE BUILDING) SITE (STONE BUILDING) PROPOSED UTAS EXPANSION 80 walk) (12 s (9 2 NATIONAL AUTOMOBILE LAUNCESTON CBD min 1 QVMAG MUSEUM 12 SEAPORT & MAIN TRAFFIC ROAD FUTURE RIVERSIDE PARK MUSEUM OF (TASMANIA MAIN TRAFFIC ROAD & CITY PARK ROYAL PARK 2 NATIONAL AUTOMOBILE LAUNCESTON CBD CURRENT RECREATIONAL 3 ALBERT HALL MAIN PATHWAY FROM CBD CURRENT RECREATIONAL MUSEUM OF TASMANIA SOCIAL AREA & CITY PARK SOCIAL AREA 5 4 BURNINGS NORTH 1 QVMAG MUSEUM 3 ALBERT HALL FUTURE COMMERCIAL LAUNCESTON FUTURE COMMERCIAL 5 2 NATIONAL AUTOMOBILE LAUNCESTON CBD 4 BURNINGS NORTH ) 5 DESIGN CENTER TASMANIA lk FUTURE CBD MIX USE FUTURE CBD MIX USE m MUSEUM OF TASMANIA a m LAUNCESTON 0 & 0CITY 0 w PARK 80 walk) PROPOSED UTAS EXPANSION PROPOSED UTAS EXPANSION3 ALBERT HALL 6 mins s 5 DESIGN CENTER TASMANIA min (9 0mlk) 2 CITY PLAN 0 1 ( 8 HERITAGE 5 FUTURE RIVERSIDE PARK a SITY FUTURE RIVERSIDE PARK 4 BURNINGS s w NORTH n FUTURE USE OF TRAM RAILWAY CONNECTIVITY i N LAUNCESTON m 2 50m CITY PLAN 10m 100m MAIN PATHWAY FROM CBD MAIN PATHWAY FROM CBD (1 5 DESIGN CENTER TASMANIA m) N 0 50m 1 QVMAG MUSEUM 0 alk MUSEUM 10m 100m 1 8QVMAG w ins 2 NATIONAL AUTOMOBILE 22 mNATIONAL AUTOMOBILE CITY PLAN 1 ( MUSEUM OF TASMANIA MUSEUM OF TASMANIA 1
3 ALBERT HALL
3 ALBERT HALL
4 BURNINGS NORTH LAUNCESTON
4 BURNINGS NORTH LAUNCESTON
(1
10m
50m
MAIN CAR CIRCULATION
100m
10m
MAIN BICYCLE & 50m PEDESTRIAN CIRCULATION 100m
N
MAIN PATHWAY FROM CBD
1 QVMAG MUSEUM
2 NATIONAL AUTOMOBILE MUSEUM OF TASMANIA 3 ALBERT HALL
5 DESIGN CENTER 4 BURNINGS NORTH TASMANIA LAUNCESTON
5
CENTER TASMANIA CITYDESIGN PLAN
CITY PLAN 50m
10m 10m
50m
N 100m
N
100m
UTAS INVERESK CAMPUS
LAUNCESTON RAILWAY WORKSHOP HERITAGE 4
SITE (STONE BUILDING)
RAILWAY WORKSHOP NO. 6-14 BUILDING
EXISTING UTAS BUILDING SITE(STONE BUILDING)
STONE BUILDING SITE
(RAILWAY WORKSHOP NO.9,constructed 1920-1923,designed by EG Stone, which is the largest railway workshop on the site.)
1 OLD YORK PARK CYCLE TRACK
PROPOSED BRIDGE & PATHWAY CONNECT UTA EXPANSION BUILDING
TRAM RAILWAY TRAMWAY MUSEUM AND RESTORATION (MAIN TRAM STSAION)
2 TRAM SHEDS CONFERENCE CENTER & MUSEUM 3 WEIGHBRIDGE WORKSHOP
SCALE 1:4000
PROPOSED UTAS EXPANSION BUILDING
PROPOSED NEW TRAM PLATFORM
4 DON RIVER RAILWAY SITE
STORNG INTERACTION WITH CBD AND FUTURE UTAS CAMPUS GSEducationalVersion
FUTURE RIVERSIDE PARK
TRAM RAILWAY 3
SITE(STONE BUILDING)
N
PROPOSED UTAS EXPANSION
100m
2
5 DESIGN 0m CENTER TASMANIA5 DESIGN CENTER TASMANIA 80 walk) s n i CITY PLAN 2m CITY PLAN
FUTURE CBD MIX USE
N
50m
10m
workshop, a tram is still running through the Inveresk site. According to the analysis of the site context and combine the city scale plan, there is a need to utilize a new tram station to connect the site & the artery road, which is “Invermay road”. Then the location of the stone building site, the new tram route, the existing bridge, and the new proposed bridge will allow the stone building have very strong interaction with Launceston CBD area.The and interacSITE (STONEconnection BUILDING) MAIN ROAD tion isTRAFFIC important, because the goal RECREATIONAL ofCURRENT the project is to make the stone SOCIAL AREA building become a “ future workFUTURE COMMERCIAL place" that with a healthy and balFUTURE CBD MIX USE anced work it is not PROPOSED UTASenvironment, EXPANSION FUTURE PARK only forRIVERSIDE the local community, such PATHWAY teacher, FROM CBD and staff who asMAIN student, 1 QVMAG MUSEUM work in UTAS, it is also open for 2 NATIONAL AUTOMOBILE visitors outside of Tasmania, MUSEUM from OF TASMANIA 3including foreign business people ALBERT HALL 4toBURNINGS NORTH use. LAUNCESTON
GSEducationalVersion
PROPOSED UTAS SQUAR PARK & OUTDOOR RIAWUNNA CULTURE GARDEN
(ENHANCED THE INTERACTION BETWEEN STONE BUILDING AND THE INVERESK SITE) GSEducationalVersion
VIEW (STONE BUILDING CONNECT WITH INVERES SITE)
GSEducationalVersion
SCALE 1:4000
CONNECTIVITY
SCALE 1:4000
HERITAGE SITY
FUTURE USE OF RAILWAY
SCALE 1:4000
UTAS INVERESK CAMPUS
DESIGN Proposal C
SHARE KITCHEN MINI UNIGYM & ENTERTAINMENT CENTER
FLEXIBLE CLASS ROOM & LECTURE THEATER
STORAGE
RECEPTION
5 4 3 2 1
A
A
B
B 1
1
3 2
1 2 3
CAFÉ
BOOK & GIFT STORE
RIAWUNNA CULTURAL GARDEN
MULTIFUNCTION DISPLAY AREA
STORAGE
C
ABORIGINAL OUTDOORS GARDEN & GALLERY
GROUND FLOOR PLAN
1,000
4,000
DESIGN Process GROUND FLOOR PLAN
1:200
C
MOTION WORKING SPACE
1
MAIN ENTRANCE GUIDE THE DETAILED ZONING 2
4
24
22
23
21
20
LEARNING AND WORKING SPACE
3
18
MOTION WORKING SPACE
CREATE GROUND FLOOR ZONING
19
A
BRING THE TWO MOST SIGNIFICANT RAILWAY BACK AND SET THEM AS MAIN CIRCULATION
17
FIVE OLD RAILWAY PASS THROUGH THE STONE BUILDING
5 6
7 8
9
16
GROUP ROOM
1 2
TRESS AND COLUMN 3
4 5
6 7
8 9
15
14 13
12
11
10
9
8 7
6 5
4 3
2
1
A
C
GROUND FLOOR PLAN
1:200
SHARE KITCHEN MINI UNIGYM & ENTERTAINMENT CENTER
C
FLEXIBLE CLASS ROOM & LECTURE THEATER
STORAGE
RECEPTION
5 4 3 2 1
A
A
C
SHARE KITCHEN B
B 1
MINI UNIGYM & ENTERTAINMENT CENTER
1 2 3 1
CAFÉ
MOTION WORKING SPACE 5
STORAGE
3 2
FLEXIBLE CLASS ROOM & LECTURE THEATER
A
RECEPTION
4 3 2 1
BOOK & GIFT STORE
GROUP ROOM
1
1
22
24
23
20
21
18
19
2
2
3
3
4
4
5
5
6
6
7
7
8
8
9
9
A
17
RIAWUNNA CULTURAL GARDEN
MULTIFUNCTION DISPLAY AREA
16
15 14 13 12 11 10 9 8
LEARNING AND WORKING SPACE
7 6 5
MOTION WORKING SPACE
A
4 3 2
STORAGE
1
A
B
B
C
1 1 2 3
1
3 2
ABORIGINAL OUTDOORS GARDEN & GALLERY
BOOK & GIFT STORE
CAFÉ
B
B 1
RIAWUNNA CULTURAL GARDEN
MULTIFUNCTION DISPLAY AREA
ABORIGINAL STUDIO 1
2
3
2
1,000
4
4,000
4
6
26
5
7
25
8
24 23
9
5 3
22
10
6 7
21
11
4 8
20
12
9 5
13
19
10
14
18
15
16
17
11 6 12 13 7 14 15
STORAGE
LEISURE AND RELAXATION AREA
16
17
19
18
20
GROUND FLOOR PLAN
8
1:200 C
9
10
ABORIGINAL OUTDOORS GARDEN & GALLERY RAINWATER HARVESTING TANK
C
C
1,000
4,000
MOTION WORKING SPACE GROUP ROOM
1
24
23
22
20
21
18
19
2
3
3
4
4
5
5
6
6
7
7
8
8
9
9
17
FIRST FLOOR PLAN
1
2
16
FIRST FLOOR PLAN
1:200
15 14
1,000
13 12
4,000
11 10 9 8
LEARNING AND WORKING SPACE
7 6 5
MOTION WORKING SPACE
A
4 3 2 1
A
GROUND FLOOR PLAN
1:200 B
B 1
ABORIGINAL STUDIO 3
2
1
2
4
4
6
26
5
7
25
8
GSEducationalVersion
24 23
9
5 3
22
10
6 7
21
11
4 8
20
12
9 5
13
19
10
14
18
15
16
17
11 6 12 13 7 14 15
LEISURE AND RELAXATION AREA
16
17
19
18
20
8
9
10
C
RAINWATER HARVESTING TANK
C
MOTION WORKING SPACE
1,000
4,000
1
GROUP ROOM
1 2
2
3
3
4
4 24
23
22
21
20
19
18
17 5
5
6
6
FIRST FLOOR PLAN
7 8 9 16
1:200
7 8 9
15 14 13 12 11 10 9 8
LEARNING AND WORKING SPACE
7 6 5
MOTION WORKING SPACE
A
4 3 2 1
CREATE ISLAND AND ATRIUM AREA GSEducationalVersion
CREATE FIRST FLOOR ZONING REFER TO GROUND FLOOR
SHAPE THE FIRST FLOOR ZONING,TO PROVIDW HIGE QUALITY PUBLIC SPACE
GROUND FLOOR ZONING
FIRST FLOOR ZONING AND CONNCETION A
B
B 1
ABORIGINAL STUDIO 3
2
4
1
2
DESIGN Concept The
main concept is about interaction, both human-space interaction and also human-technology interaction. For the human-space interaction, the right-side diagram shows the spirally-vortex-like screens communicate the inside and outside, as well as the change in materials between the screen inside and outside. The second interaction was done by emphasizing the two most sensitive human senses, which are visual and auditory senses. Imagine someone is playing the soothing piece on the piano, the smell of coffee and soft clinking noise form cafĂŠ at the background, those
who work at the upstairs workspace will feel more relaxed and unrestrained. While on the other hand, those enclosed spaces can look out into the ground floor filled with the public flow, almost like a nature scene, water running through beneath where you stand. Moreover, there are several corners designed for human interaction opportunities. For example, the reading staircase space, connecting the different floor level also allow people freely share their book and have interesting unpredictable interaction. The bridge can create more interaction between each part of the first floor and also some of the main collaboration areas have been set up for human interaction.
HUMAN-SPACE INTERACTION
INTERACTION BETWEEN INSIDE AND OUTSIDE
INTERACTION BETWEEN THE UPPER AND LOWER FLOOR LEVEL
INTERACTION AND COLLABORATION AREA
HUMAN-TECHNOLOGY INTERACTION
In
terms of human–technology interaction, there are 3 aspects included.
The second one is the cable car above the railway used to transport people on the first floor in the horizontal direction; Convenient for people with disabilities and also cable cars can be used as extremely private meeting stations. It also creates a very interesting interaction between heritage and future technology.
SUSTAINABLE STRATEGIES! SUSTAINABLE STRAT
First one is led light that follows human motion along the track, this is also the conThe third technology is sustainable energy struction detail that has been developed. floor modules. Clearly sees the section，you The details showing that the glass floor panwill found some of the floor levels is higher els allow the display of railway track and or the areas have timber and carpet finish, the Light penetration. People will see of the which are the area that ESF models have railway track, usually, they cannot see the been applied. The floor modules flex slightunderground part of the track, but the dely when stepped on. And converts the kisign bring it out, allows people see more netic energy of people’s footsteps to elecdetail of the track and feel ENERGY the heritage. SEF(SUSTAINABLE SEF(SUSTAINABLE FLOOR ENERGY FLO W trical power )forMODULES the stone buildingWITH to use.
KINETIC ENERGY OF PEOPLE’S KINETIC FOOTSTEPS ENERGY OF TO PEOPLE’S ELECTRF !
!
! !
SEF (Sustainable Energy Floor ) Modules with wood /
INTERACTIVE! INTERACTIVE! carpet converts EVERY FOOTSTEP MOVE ON ONE OF SEFfinish, SYSTEMS EVERY FOOTSTEP MOVE ON ON of GENERATES ELECTRICAL ENERGY. kinetic WITHenergy THIS GENERATES ELECTRICAL ENERG ENERGY WE POWER PLUGINS THATpeople’s SHOWENERGY THE footsteps WE to POWER PLUGINS T DIRECT OUTPUT OF PEOPLE’S MOVES.! electricalDIRECT power OUTPUT OF PEOPLE’S M ! !
S-01
1MM THK PRINTED SOLAR 1MMPANEL, THK PRINTED CONVERT SOLAR SOLAR PANEL ENE
RAINWATER HARVEST AND RAINWATER REUSE HARVEST FOR TOILET AND FLUSH REU !
!
RAINWATER TANK USED IN CONJUNCTION WITH ROOFING, GUTTERS, DOWNPIPES AND RAINWATER TANKS TO PROVIDE COMPLETE RAINWATER REUSE SOLUTIONS.!
RAINWATER TANK USED CONJUNCTION WITH R GUTTERS, DOWNPIPES RAINWATER TANKS TO COMPLETE RAINWATER SOLUTIONS.!
MESH ! GINAL LLERY!
RED OCHRE COLOUR WALL PAINT FOR MATERIALS ABORIGINAL BOARD STUDIO!
COPPER MESH ! OR ABORIGINAL DOOR GALLERY!
FLEXIBLE GLASS WALL ! CONCRETE & POLISHED CONCRETE! FOR WORKSTATION, ETC.!
COPPER MESH ! FOR ABORIGINAL UTDOOR GALLERY! C.! CONCRETE & POLISHED CONCRETE!
EXISTING FLOOR &WALL MATERIAL,! GROUND FLOOR MAIN MATERIAL! !
RED OCHRE COLOUR WALL PAINT FOR ABORIGINAL STUDIO!
!
COPPER MESH ! FOR ABORIGINAL OUTDOOR GALLERY!
EXISTING FLOOR &WALL MATERIAL,! RED COLOUR FABRIC! MAIN MATERIAL! GROUND FLOOR MAIN MATERIAL! FOR FURNITURE:! !
RE ALL OR AL DIO! BLACK) INDUSTRIAL LIGHTING A ! FOR GROUP AND MEETING ROOM!
CHAIR AND SOFA !
RED OCHRE COLOUR WALL PAINT FOR ABORIGINAL STUDIO!
(COLOUR: LIGHT TIMBER)! PREMIUM-TASMANIAN OAK TIMBER FLOOR! CONCRETEFOR & POLISHED CONCRETE! FLOOR FINISHED MATERIAL ! FLOOR &WALL MATERIAL,! GROUND FLOOR ISLANDSEXISTING AND FIRST GROUND FLOOR FLOOR CIRCULATION, ETC.! MAIN MATERIAL!
!
�COLOUR :BLACK ! SWERX WALLINDUSTRIAL ! PROFILE LIGHTING! CONCRETE & POLISHED CONCRETE! ION,LEARNING ETC.! FOR AND WORKING SPACE,! EXISTING &WALL MATERIAL,! STUDENT CENTER FLOOR RECEPTION, ETC.!
H! L Y!
GROUND FLOOR MAIN MATERIAL! !
RED OCHRE COLOUR WALL PAINT FOR ABORIGINAL STUDIO!
RED COLOUR FABRIC! MAIN MATERIAL! FOR FURNITURE:! CHAIR AND SOFA !
CONCRETE & POLISHED CONCRETE! EXISTING FLOOR &WALL MATERIAL,! GROUND FLOOR MAIN MATERIAL! RED COLOUR FABRIC! MAIN MATERIAL!
(COLOUR:BULE) CARPET! FOR FURNITURE:! FLOOR MATERIAL FOR ! CHAIR AND SOFA ! LEARNING AND WORKING SPACE,! GROUP POT ,MEETING ROOM,! ABORIGINAL STUDIO,! LEISURE AND RELAXTION AREA! (COLOUR: BLACK) INDUSTRIAL LIGHTING A ! RED COLOUR FABRIC! FOR GROUP AND MEETING ROOM! MAIN MATERIAL! FOR FURNITURE:! CHAIR AND SOFA !
INDUSTRIAL LIGHTING A ! ONCRETE & POLISHED CONCRETE! OUP AND MEETING ROOM! ER MESH ! XISTING FLOOR &WALL MATERIAL,! ORIGINAL GALLERY! ROUND FLOOR MAIN MATERIAL!
!
(COLOUR: LIGHT TIMBER)! (COLOUR: LIGHT TIMBER)! PREMIUM-TASMANIAN OAK TIMBER FLOOR! PREMIUM-TASMANIAN OAK TIMBER FLOOR! FLOOR FINISHED MATERIAL FOR ! GROUND FLOOR ISLANDS AND FIRST FLOOR FINISHED MATERIAL FOR ! FLOOR CIRCULATION, ETC.! GROUND FLOOR ISLANDS AND FIRST ACK (COLOUR: ! STEEL COLUMN!LIGHT TIMBER)! FLOOR CIRCULATION, ETC.!
G A ! OM!
ING! ACE,! ETC.!
TASMANIAN OAK TIMBER FLOOR! CONCRETEFOR & POLISHED CONCRETE! FLOOR FINISHED MATERIAL ! FLOOR &WALL MATERIAL,! UND FLOOR ISLANDSEXISTING AND FIRST GROUND FLOOR FLOOR CIRCULATION, ETC.! MAIN MATERIAL!
!
OUR: BLACK)! STEEL-UNIVERSAL BEAMS!
MULTIFUNCTION DISPLAY AREA AND ABORIGINAL STUDIO
RED COLOUR FABRIC! MAIN MATERIAL! FOR FURNITURE:! CHAIR AND SOFA !
CONCRETE & POLISHED CONCRETE! EXISTING FLOOR &WALL MATERIAL,! (COLOUR:BULE) CARPET! GROUND FLOOR MAIN MATERIAL! RED COLOUR FABRIC! MAIN MATERIAL!
(COLOUR:BULE) CARPET! FOR FURNITURE:! FLOOR MATERIAL FOR ! CHAIR AND SOFA ! LEARNING AND WORKING SPACE,! GROUP POT ,MEETING ROOM,! ABORIGINAL STUDIO,! LEISURE AND RELAXTION AREA!
K) INDUSTRIAL LIGHTING A ! GROUP AND MEETING ROOM!
(COLOUR:BULE) CARPET! FLOOR MATERIAL FOR ! LEARNING AND WORKING SPACE,! GROUP POT ,MEETING ROOM,! ABORIGINAL STUDIO,! LEISURE AND RELAXTION AREA!
!
(COLOUR: LIGHT TIMBER)! (COLOUR: LIGHT TIMBER)! PREMIUM-TASMANIAN OAK TIMBER FLOOR! NIAN OAK TIMBER FLOOR! FLOOR FINISHED MATERIAL FOR ! GROUND FLOOR ISLANDS AND FIRST R FINISHED MATERIAL FOR ! FLOOR CIRCULATION, ETC.! LOOR ISLANDS AND FIRST OUR: BLACK) INDUSTRIAL LOOR CIRCULATION, ETC.!
FLOOR MATERIAL FOR ! LEARNING AND WORKING SPACE,! GROUP POT ,MEETING ROOM,! ABORIGINAL STUDIO,! LEISURE AND RELAXTION AREA!
RED COLOUR FABRIC! MAIN MATERIAL! FOR FURNITURE:! CHAIR AND SOFA !
LIGHTING A ! FOR GROUP AND MEETING ROOM!
(COLOUR:BULE) CARPET! FLOOR MATERIAL FOR ! LEARNING AND WORKING SPACE,! GROUP POT ,MEETING ROOM,! ABORIGINAL STUDIO,! LEISURE AND RELAXTION AREA!
(COLOUR: LIGHT TIMBER)! REDTIMBER COLOUR FABRIC! PREMIUM-TASMANIAN OAK FLOOR! MAIN MATERIAL! FLOOR FINISHED MATERIAL FOR ! FOR FURNITURE:! (COLOUR:BULE) CARPET! GROUND FLOOR ISLANDS AND FIRST CHAIR ANDETC.! SOFA ! FLOOR MATERIAL FOR ! FLOOR CIRCULATION, LEARNING AND WORKING SPACE,! GROUP POT ,MEETING ROOM,! ABORIGINAL STUDIO,! LEISURE AND RELAXTION AREA!
05 THE ANNEXE
THEATER
An existing building renovation project - The new design of the Annex theater building focuses on the extension of foyer, improve circulation of the users, connectivity between internal and exterior through the use of glass, and creating urban public space for community.
TRANSFORMATION OF THE FORM
Extend the front space of the building to to create a double volume foyer with curtain wall at the front.
Extend the west side and the back side of the building to have larger space for activities and circulation. FIRST FLOOR DIRGRAM Push in and push out the extended spaces. Pushing in is for creating inclined facade at the front while pushing out is to create small lounge spaces sitting among the trees on the first floor.
GROUND FLOOR DIRGRAM
SECTION (AFTER RENOVATION)
Move the main staircase out to the extended space with the glass wall. It also forms a walkway on first floor wrapping the building leading to the back, and the small lounges sitting along the walkway. With the use of glasses, it allows external view and creates connectivity between indoor and outdoor.
INTERIOR SPACE RENOVATION : - Shift the existing studio out and move the dressing room and store room to the back for create a wide and grant foyer at the front (referring to the front foyer internal image). -Ticket counter and lift are added facing the front. - Add an outdoor garden between the laneway and expand to the front of the building. -Add a bridge to connect both first floor of Annex theater and the art building. -The front mezzanine is design to allow view to outdoor garden from the side and the front, as well as downstairs view to the foyer. -Bar is moved to the first floor and a student space (drama seminar room) is added for learning and teaching. From the diagrams, it can be seen that circulation of visitor and UTAS community as separated. EXISTING BUILDING FLOOR PLAN
NORTH VIEW RENDER
WEST VIEW RENDER
FIRST FLOOR PLAN
GROUND FLOOR PLAN
SOUTH VIEW RENDER
INTERIOR FOYRT DESIGN
06 HAND DRAWING
& MODEL MAKING
MODEL MAKING MODEL MAKING
MODEL MAKING FRONTISPIECE DESIGN
PEN DRAWING
MODEL MAKING
PEN DRAWING
WATER COLOUR