Prints & Works of Art by Weschler's Auctioneers & Appraisers

WESCHLER’S Since 1890

PRINTS & WORKS OF ART Wednesday, June 12, 2013 - 10 am

WESCHLER’S Auctioneers & Appraisers Since 1890

Adam A. Weschler and Son, Inc. has served the Nation’s Capital as fine art auctioneers and appraisers since 1890. The gallery is now owned and managed by fourth and fifth generation members of the Weschler family and is supported by a highly experienced administrative staff.

In our second century, Weschler’s renews its commitment to the highest level of professionalism in auction and appraisal services. Since its founding, Weschler’s has strictly adhered to the principle that the company own none of the items it auctions, acting solely as an agent for consignors. Adam A. Weschler (1874-1951) Ralph A. Weschler, Sr. (1897-1966) Ralph A. Weschler, Jr. (1921-1982) Benjamin E. Weschler (1922-1993) William P. Weschler, Sr. (1926-2006) John S. Weschler, Sr. (1956-2011) CHAIRMAN OF THE BOARD William P. Weschler, Jr. Accredited Senior Appraiser American Society of Appraisers OFFICERS Thomas M. Weschler President Accredited Senior Appraiser American Society of Appraisers

Leonard J. Weschler Treasurer / Secretary

104

PRINTS & WORKS OF ART PROPERTY FROM THE ESTATES AND TRUSTS OF: Richard G. Brown Richard A. Herman Harry B. Hollins, II E. Gerald Lamboley Richard A. Madlener A Maryland Estate Muriel Miller Pear Agnes S. Wolf James J. Zwolenik

OTHER CONSIGNORS INCLUDE: Dewey & LeBoeuf LLP Works of Art from Howrey LLP A Washington, D.C. Collector

AUCTION

Wednesday, June 12, 2013 at 10 a.m.

PREVIEW Thursday, June 6 – 10 a.m. to 5 p.m.* Friday, June 7 – 10 a.m. to 5 p.m. Monday, June 10 – 10 a.m. to 5 p.m. Tuesday, June 11 – 10 a.m. to 2 p.m. CATALOGUES $20 at the Gallery $25 by First Class Mail, $35 Overseas In absentee bids this sale may be referred to as 1409 Front Cover: Lot 34 Back Cover: Lot 88

All lots subject to 20% buyer’s premium* as part of purchase price. (See clause 6 of the Conditions of Sale)

WESCHLER’S Auctioneers and Appraisers Since 1890

909 E Street N.W. Washington, DC 20004 202/628-1281 FAX 202/628-2366 www.weschlers.com

SPECIALISTS IN CHARGE (202) 628-1281

MANAGER OF CAPITAL COLLECTIONS Leigh Snitiker

FINE ART Danielle Isaacs Colette Chipman, Consultant

CUSTOMER SERVICE DEPARTMENTS (202) 628-1281 Fax (202) 628-2366

ABSENTEE BIDS, PURCHASER & CONSIGNOR PAYMENTS Linda Amigh

FREE VERBAL ESTIMATES: Weschler’s experts will provide a free auction-value estimate by appointment in our gallery. Alternatively, photographs which clearly depict the items may be submitted in person, by mail or via email at info@weschlers.com, if accompanied

WRITTEN APPRAISALS: by descriptive information such as dimensions, condition, signatures, provenance, and other relevant data. Weschler’s experts will be happy to visit your location to view large collections for a nominal fee, refundable if the collection is consigned within one year.

Weschler’s experts provide written appraisals for insurance, tax, estate or sale purposes. The cost is based on the time involved and the scope of the appraisal. Please contact William P. Weschler, Jr. or Thomas M. Weschler at (202) 628-1281 for further information.

SPECIALIST DEPARTMENTS SPECIALIST DEPARTMENTS

FURNITURE AND DECORATIONS

Manager of Capital Collections Leigh Snitiker 202-628-1281 1-800-331-1430

American Furniture and Decorations american@weschlers.com William P. Weschler, Jr.

Asian Works of Art asian@weschlers.com William P. Weschler, Jr.

European Furniture and Decorations european@weschlers.com Leigh Snitiker

Jewelry, Coins & Watches jewelry@weschlers.com Mark P. Weschler

Assistant to the Specialists judy@weschlers.com Judy Acs FINE ARTS American and European Paintings, Drawings, Sculpture, Prints and Photographs fineart@weschlers.com Danielle Isaacs Colette Chipman, Consultant

20th Century Decorative Arts 20thcentury@weschlers.com Leigh Snitiker Rugs, Carpets and Tapestries rugs@weschlers.com Thomas M. Weschler

CUSTOMER SERVICE DEPARTMENTS CUSTOMER SERVICE & ADMINISTRATIVE MANAGER Karen Weschler 202-628-1281 1-800-331-1430 Fax 202-628-2366 APPRAISALS Furniture and Decorations William P. Weschler, Jr. Thomas M. Weschler Fine Arts William P. Weschler, Jr. Thomas M. Weschler Jewelry and U.S. Coins William P. Weschler, Jr. Thomas M. Weschler Mark P. Weschler BIDS DEPARTMENT Linda Amigh SUBSCRIPTIONS Linda Amigh

PAYMENTS

ADMINISTRATIVE OFFICE

Linda Amigh

Virginia Weschler Linda Amigh Allison Mulholland Deborah Knott Laura Pritchard

TRUSTS & ESTATES Matthew S. Wilcox, Director William P. Weschler, Jr. Thomas M. Weschler CORPORATE AND MUSEUM SERVICES William P. Weschler, Jr. Thomas M. Weschler

SHIPPING Laura Pritchard PHOTOGRAPHY Terence D. McArdle

AUCTIONEERS

COMMUNICATIONS ASSISTANT

Thomas M. Weschler Michael J. Weschler Leonard J. Weschler Mark P. Weschler

Christian Barclay

GALLERY ASSISTANTS G. Otis Davis Ronnie Lyon Gregory Janrhett Charles Johnson Brian Sullivan

CATALOGUE PRODUCTION Karen Weschler PRINTING Todd Allan Printing Co.

INFORMATION FOR BUYERS AND SELLERS PREVIEW:

ABSENTEE BIDS:

The preview will be held the Saturday preceding the sale from 9 a.m. to Noon, Monday and Tuesday from 10 a.m. to 5 p.m., Wednesday from 10 a.m. to 7 p.m., and Thursday from 10 a.m. to 2 p.m. You are encouraged to attend the preview and to closely examine all lots of interest to you. Weschler’s staff will gladly assist you if requested.

Bidders who cannot attend the auction may submit absentee bids using the Absentee Bid form at the back of this catalogue or available online. Absentee bids may also be placed through Weschler’s FAX number, (202) 628-2366, by telephone, (202) 628.1281. Bids placed by telephone must be confirmed by FAX, letter or email. Our facilities for telephone bidding are somewhat limited so it is strongly recommended that you make arrangements at least 24 hours in advance. Please contact Linda Amigh at (202) 628-1281 for specific information on absentee bids. Absentee bidders are urged to read the Information for Absentee Bidders at the back of this catalogue.

CATALOGUES: The catalogue for this auction is available at Weschler’s Gallery during the exhibition and auction for $20. A catalogue admits two people to the auction. Catalogues can be mailed for a cost of $25 and mailed overseas at a cost of $35. Annual catalogue subscriptions are available by category. Additional information may be obtained by contacting Linda Amigh at (202) 628-1281.

PRICE LISTS AND POSTCARDS: Post sale price lists are available free of charge, approximately three weeks after the sale or online. Price lists are automatically sent to catalogue subscribers, as are Weschler’s postcards, published prior to each sale.

PRE-SALE ESTIMATES: As a convenience to bidders, Weschler’s publishes pre-sale estimates of the value of each lot in the auction. Estimates are intended as a guide and should not be considered a prediction of the selling price.

RESERVES: The “reserve” is a confidential minimum price agreed between the consignor and Weschler’s below which a lot will not be sold. Lots that have a reserve will not be marked as such, but the reserves will not be in excess of the low pre-sale estimates. Weschler’s will execute all reserves on behalf of the consignor by bidding through the auctioneer and placing successive or consecutive bids for a lot. The auctioneer may open the bidding on any lot on behalf of the consignor up to the reserve amount. In the event the bidding does not reach the reserve, the auctioneer will announce “Passed.”

BIDDER REGISTRATION: Each bidder must be assigned a bidding number before bids can be recognized. Bidding number registration will be available during exhibition hours and during the auction. Bidders already registered with an annual Weschler’s bidding number need not re-register for each sale.

CONDITION REPORTS: All property is sold “As Is” in accordance with Conditions of Sale clause 3 and neither Weschler’s nor the consignor make any express or implied warranty or representation as to the condition of any lot offered for sale and no statement made at any time, whether oral or written, shall constitute such a warranty or representation. Weschler’s staff is available to answer any questions or to provide any additional information regarding property offered; however, such condition reports do not constitute warranty and are not intended to replace first hand inspection by a prospective buyer.

BIDDING INCREMENTS: The auctioneer generally advances the bidding in the following incremental amounts: $100-499 $25 increments $500-999 $50 increments $1,000-1,999 $100 increments $2,000-4,999 $200 increments $5,000-9,999 $500 increments $10,000+ auctioneer's discretion

PURCHASER PAYMENTS: Successful bidders are requested to make total payment for purchases by cash, Visa or MasterCard or pre-approved check on the day of sale. Buyers not known to Weschler’s and planning to pay with a personal or business check are required to supply us a bank letter of credit prior to the auction. If such arrangements are not made prior to the auction, purchases will be held by Weschler's until the check has cleared our bank. The standard 20 percent* Buyer’s Premium is added to the purchase price of all items sold. District of Columbia 6 percent Sales Tax is added to that total, except for bidders who hold a valid District of Columbia re-sale tax number. *Discount for Cash, Wire or Local and/or Approved Checks.

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Please Note: The District of Columbia does not reciprocate with other jurisdictions and Weschler’s cannot accept tax numbers from other jurisdictions. Tax numbers must be registered at the time a bidding number is issued. For further information please contact Karen Weschler at (202) 628-1281 or at karen@weschlers.com.

REMOVAL OF PROPERTY: All purchases should be paid for and removed the day of sale, but in no event later than three days post sale. Weschler’s will advise you on the best way to transport large items, and will help arrange for packing, insurance and shipping. Weschler’s assumes no responsibility for the acts or omissions of carriers or packers whether or not they are recommended by us. For further information please contact us at (202) 628-1281.

EXPORTATION PERMITS: Certain lots may be subject to the provisions of the Endangered Species Act of 1973, the Marine Mammal Protection Act of 1972, and the Migratory Bird Act of 1982. In order to export these items, the buyer must obtain special licenses from the Department of the Interior, United States Fish and Wildlife Service. Some items may not be exported, and others may not be resold once purchased. Prospective bidders who intend to export or resell such items are solely responsible for obtaining such licenses and Weschler’s cannot, and will not, assure that such licenses can be obtained.

COMMISSIONS: Weschler’s receives the standard 10 percent consignor’s commission on the hammer price of each lot that sells for more than $5,001; 15 percent for lots selling between $2,001 and $5,000; 20 percent for lots selling between $1,001 and $2,000; 25 percent or lots selling between $51 and $1,000; and 40 percent for lots selling under $50. For items of exceptional value, the consignor’s commission is negotiable at the time of consignment. If property carries a reserve and does not sell, a “buy back fee” of 5 percent or $50, whichever is greater, is charged. A sample standard contract may be obtained by contacting Weschler’s office at (202) 628-1281.

CONSIGNMENTS: If you have property to consign, please contact us at (202) 628-1281 or at info@weschlers.com. Generally, items must be consigned at least six weeks prior to the scheduled auction date, but consignors are urged to consign as early as possible. Visit our website, www.weschlers.com, to view upcoming auction and deadlines.

CONDITIONS OF SALE The property listed in this catalogue will be offered and sold by Adam A. Weschler & Son, Inc. (“Auctioneer”) as agent for the “Consignor” on the following terms and conditions. No employee is authorized to alter these conditions. All bidders and consignors acknowledge knowing and agreeing to these conditions.

1. REGISTRATION Prior to sale, all bidders must register with a Weschler’s representative and receive a bidding number. A bidding number will be required of the successful bidder at the fall of the Auctioneer’s hammer for each lot. 2. “AS IS” CONDITION The Auctioneer and the Consignor assume no risk, liability or responsibility for the authenticity or the authorship of any property identified in the catalogue (that is, the identity of the creator or the period, culture, source or origin as the case may be, with which the creation of any property is identified herein). All property is sold “As Is” and neither the Auctioneer nor the Consignor makes any warranties or representations of any kind or nature with respect to the property, and in no event shall be responsible for the correctness or any implied warranty or merchantability or any implied warranty of fitness for a particular purpose as it relates to description, genuineness, attribution, provenance, safety, reliability or condition of the property. If any implied warranties of merchantability or fitness for a particular purpose can be construed from the catalogue, auction, or bill of sale, such warranties are disclaimed by the Auctioneer and the Consignor. No statement in the catalogue or made at the sale or in the Bill of Sale or invoice or elsewhere shall be deemed such a warranty or representation or an admission of liability. 3. GUARANTEE Notwithstanding the preceding condition, if within 14 days of the date of the sale, on any lot, the purchaser must give notice in writing to the Auctioneer that the lot sold is a counterfeit and, if within 7 days after such notice the purchaser returns to the Auctioneer in the same condition as when sold, and gives written proof from a recognized impartial expert which establishes beyond reasonable doubt that the returned lot is in fact a counterfeit and that this was not indicated by a fair reading of the catalogue or the Auctioneer’s comments at the time of sale, the Auctioneer as agent for the Consignor will rescind the sale and refund the purchase price paid defined as the amount of the successful bid price, plus buyer’s premium. The guarantee is made only to the original purchaser of record (i.e., the registered bidder) and not any subsequent owners. The original buyer must have remained the owner of the lot without disposing of any interest in it to any third party. The term counterfeit is defined as a modern fake or forgery, and made with the intent to deceive.

4. WITHDRAWAL The Auctioneer reserves the right to withdrawal any property at any time before actual sale. 5. BIDDING Unless otherwise announced by the Auctioneer at the time of sale, all bids are per lot as numbered in the catalogue. The Auctioneer reserves the right to reject a bid from any bidder. The highest bid acknowledged by the Auctioneer shall be the purchaser. In the event of any dispute between bidders, the Auctioneer shall have the sole and final discretion either to determine the successful bidder, or to re-offer and re-sell the article in dispute. If the Auctioneer determines that any opening bid is not commensurate with the value of the article offered, he may reject the bid; and if, having acknowledged an opening bid he decides that any advance is not sufficient, he may reject the advance. 6. PURCHASER’S RESPONSIBILITY On the fall of the Auctioneer’s hammer, title to the offered lot passes to the highest bidder who, thereupon will pay the full purchase price therefore or such part as the Auctioneer may require. All deposits may be applied to any or all purchases made by the purchaser at this or any previous sale. All property shall be removed by the purchaser at his expense on the day of sale and, if not so removed, may be sent by the Auctioneer to a public warehouse for the account, risk and expense of the purchaser. Any damage to or loss of any item purchased which is left with the Auctioneer after the day of purchase is the purchaser’s sole responsibility. If the foregoing conditions or any other applicable conditions herein are not complied with, in addition to other remedies available to the Auctioneer and the Consignor by law, including without limitation the right to hold the purchaser liable for the bid price, the Auctioneer at its option, may either (a) cancel the sale, retaining as liquidated damages all payments made by the purchaser, or (b) re-sell the property on 3 days notice to the purchaser and for the account and risk of the purchaser, either publicly or privately, and in such event the purchaser shall be liable for the payment of any deficiency plus all costs, including warehousing, the expenses of both sales, and the Auctioneer’s commission at its regular rates and all other charges due hereunder, and incidental charges. No claims shall be allowed after removal of goods and no article shall be re-sold for purchaser at the sale where purchased.

www.weschlers.com

A premium equal to 20 percent* of the successful bid price up to and including $50,000, and 12 percent of the successful bid price over $50,000 will be added thereto and is payable by the purchaser as part of the total purchase price. The District of Columbia Sales Tax is computed on this total purchase price. The purchaser will be required to pay the Sales Tax unless exempted through possession of a valid District of Columbia Sales Tax number. *Discount for Cash, Wire or Local and/or Approved Checks.

After five (5) business days and the failure to pay in full, the Auctioneer reserves the right to charge the Purchaser’s credit card on file ten percent (10%) of the entire amount due (including the hammer price, buyer’s premium, all applicable taxes and other charges). After fourteen (14) days, the Auctioneer has the right to charge the entire amount due (including the hammer price, buyer’s premium, all applicable taxes and other charges) to the Purchaser’s credit card on file. Please Note: The District of Columbia has no arrangement of reciprocity with any other jurisdiction and the Auctioneer cannot honor a Sales Tax number from any other jurisdiction. Buyers not known to the Auctioneer and planning to pay with a personal or business check are required to supply the Auctioneer with a bank letter of credit prior to the auction. If such arrangements are not made prior to the auction, purchases will be held by the Auctioneer until the check has cleared the bank. 7. RESERVES Unless the sale is advertised and announced as an unrestricted sale or sale without reserve, Consignors reserve the right to bid through the Auctioneer as agent on their own consignments. 8. ADDITIONAL CONDITIONS The Auctioneer reserves the right to cancel the sale or any portion thereof without prior or further notice, and to announce at any time additional conditions of sale.

GLOSSARY FOR PAINTINGS AND DRAWINGS The terms used in this catalogue have the meanings ascribed to them here. Please note that all statements in this catalogue as to authorship are made subject to the provisions in the Conditions of Sale printed in this catalogue. Maurits Cornelis Escher (Dutch 1898-1972)

In our opinion, a work by the artist. Attributed to Maurits Cornelis Escher (Dutch 1898-1972) In our opinion, a work of the period of the artist, probably in whole, or in part a work by the artist. Studio of Maurits Cornelis Escher (Dutch 1898-1972) In our opinion, a work by an unknown hand in the studio of the artist, possibly executed under the supervision of the artist. Circle of Maurits Cornelis Escher (Dutch 1898-1972) In our opinion, a work of the period of the artist, closely related to his style. Manner of Maurits Cornelis Escher (Dutch 1898-1972) In our opinion, a work in the style of the artist, and of a later date. After Maurits Cornelis Escher (Dutch 1898-1972) In our opinion, a copy of a known work of the artist. The terms signed, dated or inscribed mean that in our opinion, the signature date or inscription are by the hand of the artist. We also give the placement of signature on the canvas as follows: l.l. – lower left l.r. – lower right l.c. – lower center

u.l. – upper left u.r. – upper right u.c. – upper center

The terms bears a signature, bears a date or bears an inscription mean that the work has a signature, date or inscription which may have been added by another hand. Dimensions are given height before width, unless otherwise stated, and to the nearest 1/4-inch. Pictures are framed unless otherwise noted. An asterisk (*) at the end of the description indicates that the print(s) in the lot has not been examined out of its mat and/or frame. While we do our best to protect the frames, we will not be responsible for damage, regardless of cause.

ARTIST INDEX Adams, Ansel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 Appian, Adolphe. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2 Arms, John Taylor. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3 Atget, Eugène . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4 Audubon, John James (After). . . . . . . . . . . . . . . . . . . . . . . . . . 5 Badmin, Stanley Roy. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97 Bateman, Lisa. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 111, 112 Bean, Caroline van Hook . . . . . . . . . . . . . . . . . . . . . . . . . . . . 103 Bellori, Giovanni Pietro. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6 Bradshaw, George A.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95 Braque, Georges. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7 Cadmus, Max . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8 Carrière, Eugène . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9 Chagall, Marc . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10 Cheffetz, Asa. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95 Christenberry, William . . . . . 11, 12, 13, 14 , 15, 16, 17, 18, 19, Cocteau, Jean (After) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20 Cuevas, José Luis . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21 Dali, Salvador. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22 Davies, Richard . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23, 24, 25, 26 Davis, Gene . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27, 28, 29, 30, 31 De Looper, Willem . . . . . . . . . . . . . . . . . 106, 107, 108, 109, 110 Dijk, Jim van . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 114 Driskell, David Clyde . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104 Dunlap, William (Ralph) Bill . . . . . . . . . . . . . . . . . . . . . . . . . 118 Eby, Kerr. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33 Eckmair, Frank C. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94 Escher, Maurits Cornelis. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34 Faria, Candido Aragonese. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35 Fink, Sheldon . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94 French or Spanish School, 18th-19th Century . . . . . . . . . . 100 Freed, Leonard. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36 Gaskell, Percival. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97 Gilliam, Sam . . . . . . . . . . . . . . . . . . . . . . . . . . . 37, 38, 39, 40, 41 Gonzales-Torero, Sergio . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42 Gornik, April . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43, 44, 45 Grazier, John H. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 117 Greenly, Colin. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47 Gwynne-Jones, Allan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48 Haden, Sir Seymour . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97 Hankey, William Lee . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97 Hansen, Art. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94 Herring the Elder, John Frederick (After) . . . . . . . . . . . . . . 49 Hoover, Ellison. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50 Huntley, Victoria Ebbels Hutson . . . . . . . . . . . . . . . . . . . . . . . 51 Icart, Louis . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52, 53, 54 Jacoulet, Paul. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55 Jones, Lois Mailou . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56 Karsh, Yousuf . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57 Korling, Torkel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58

Kunc, Karen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59 LeGros, Alphonse . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60 Leithauser, Mark . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61 Longo, Vincent John. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62 Lucioni, Luigi . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63 Lumsden, Ernest S. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97 Marsh, Robert . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96 McNeill, Lloyd . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64, 65 Milton, Peter. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 66 Miró, Joan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67, 68 Morgan, Norma Gloria . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94 Moss, Patricia Buckley . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69 Nason, Thomas Willoughby . . . . . . . . . . . . . . . . . . . . . . . . . . . 70 Nichols, Dale . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50 Paul, Gen. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 102 Pennell, Joseph . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71, 72 Raffaëlli, Jean François. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73 Rising, E.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96 Rouault, Georges . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74 Shapiro, Joel. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75 Shepherd, Kate. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76 Simpson, Henry Jackson . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96 Sultan, Donald. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77, 78, 79 Tanner, Robin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80 Taylor, Charles William . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 81 Thompson, Heidi . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 115, 116 Toulouse-Lautrec, Henri de . . . . . . . . . . . . . . . . . . . . . . . . . . . 82 Tucker, Tom Woodbridge . . . . . . . . . . . . . . . . . . . . . . . . . . . . 117 Van Beest, Albertus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 101 Vander Sluis, George J. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 113 Villon, Jacques . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83 Walcot, William . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 84 Warhol, Andy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85 Watterson, Darren . . . . . . . . . . . . . . . . . . . . . . . . . . . 86, 87, 105 Wentzel, Volkmar. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88 Whistler, James Abbott McNeill . . . . . . . . . . . . . . . . . . . . . . . 89 Williams, Terry . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90 Winningham, Geoff . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 91 Woiceske, Ronau William . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95 Yavno, Max. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92 Yoshida, Hiroshi. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 93 Youngerman, Jack . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 93A

NOTES

PRINTS & WORKS OF ART Wednesday, June 12, 2013 10 a.m. Lots 1-118

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PROPERTY OF A WASHINGTON, D.C. COLLECTOR 1 Ansel Adams (American 1902-1984) Edward Weston, Carmel Highlands CA and Gottardo Piazzoni in His Studio: Two Works from Portfolio IV Each a gelatin silver print, 1945, each printed in 1974, each signed in pencil l.r. and numbered V1-10 52/110 in pencil l.r.; each apparently in good condition. Each unframed. Sheet size of first: 19-1/2 x 14-1/2 in (49.6 x 36.8 cm); Sheet size of second: 14-1/2 x 19-1/2 in (36.8 x 49.6 cm) $4,000-$6,000

PROPERTY FROM THE ESTATE OF E. GERALD LAMBOLEY 2 Adolphe Appian (French 1818-1989) Une Moria á Bordiquier (Italie), Un Jour d’Antoine à Artemare; Gorge de Loup (Environs de Lyon), Chemin des Roches (Environs de Crest), Avant la Pluie, Village de Villeneuve and Chemin de l’Étang de Frignon: Six Works Each an etching, 1873, 1863, and 1889 respectively, each signed within the plate and titled in pencil on mat board: the first two in apparently good condition, the third, with overall toning. The first five matted, and the sixth framed.* Largest: 311 x 460 mm (12-1/4 x 18-1/8 in) $300-$500

3 John Taylor Arms (American 1887-1953) Cavendish Common (Fletcher 370) Etching, 1938, signed and dated 1942 in pencil l.r., second state of two from an edition of 150; apparently in good condition. Framed.* Plate size: 165 x 368 mm (6-1/2 x 14-1/2 in) $500-$700

PROPERTY OF A WASHINGTON, D.C. COLLECTOR

4 Eugène Atget (French 1857-1927) Grand Trianon-Le Buffet Albumen print, unsigned and inscribed with title in pencil on verso; apparently in good condition. Unframed. Sheet size: 7 x 8-1/2 in (17.8 x 21.6 cm ) $2,000-$4,000

PROPERTY FROM THE ESTATE OF RICHARD A. HERMAN 5 After John James Audubon (American 1785-1851) Rose Breasted Grosbeak (Plate 205), American Crow (Plate 225), Orchard Oriole (Plate 219), Blue Grosbeak (Plate 204) and American Sparrow Hawk (Plate 22): Five Works from the ‘Birds of America’ Series Each a chromolithograph, 1860, published by J. Bien, New York; each with various degrees of toning and minor scattered foxing. Each framed.* Sight size of each: 1016 x 686 mm (40 x 27 in) $1,500-$2,500

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PROPERTY OF VARIOUS OWNERS 7 1 of 5

6 After Giovanni Pietro Bellori (Italian c. 1615-1696) Veteres Arcvs Avgvstorum: Triumphus Insignes (Pl. 10 and 11), Favstinae Consecratio (Pl. 49) and M. Avrelivs (Pls. 50 and 51): Five Works Each an engraving, 1690, later edition, published in Rome; each with water stains, foxing and toning, one with losses along top margin. Each unframed. Sheet size of first two: 345 x 510 mm (13-1/2 x 20 in); sheet size of third, fourth and fifth: 483 x 318 mm (19 x 12-1/2 in) $1,000-$1,500

PROPERTY FROM THE AGNES S. WOLF TRUST 7 Georges Braque (French 1882-1963) Oiseaux: Five Works Each a lithograph in color, each unsigned and unnumbered; each apparently in good condition. Each framed.* Sight size of each approximately: 178 x 229 mm (7 x 9 in) $1,000-$2,000

PROPERTY OF VARIOUS OWNERS 8 Paul Cadmus (American 1904-1999) Mother and Child Etching, signed in pencil l.r.; apparently in good condition. Framed.* Sight size: 89 x 102 mm (3-1/2 x 4 in) $1,000-$2,000

PROPERTY FROM THE ESTATE OF E. GERALD LAMBOLEY

9 Eugène Carrière (French 1849-1906) Portrait of Marguerite Carrière (Delteil 43) Lithograph in bistre, signed in pencil l.l., numbered 6/10; apparently in good condition. Framed.* Sight size: 591 x 464 mm (23-1/4 x 18-1/4 in) $300-$500

PROPERTY FROM THE ESTATE OF JAMES J. ZWOLENIK

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10 Marc Chagall (French/Russian 1887-1985) While the Angel Passes Over Egypt..., The Burnt Sacrifice Offered by Elijah..., Manoah and His Wife..., In His Anger...Moses Breaks the Tablets of the Law: Four Works Each an etching and drypoint, 1956, each unsigned, each from an edition of 275, published by Associated American Artists, New York, NY; each apparently in good condition. Each framed.* Sight size of largest: 343 x 260 mm (13-1/2 x 10-1/4 in) $500-$700

WORKS OF ART FROM HOWREY LLP 11 William Christenberry (American b. 1936) American Promise Serigraph in color, 1975, signed and dated in pencil l.l., titled l.c. and numbered AP 22/23 in pencil l.r.; apparently in good condition. Framed.* Sight Size: 686 x 914 mm (27-1/2 x 36 in) $500-$700

12 William Christenberry (American b. 1936) 5-Cent Wall C-print photograph, 1981, signed and dated in pencil l.r. on surrounding matting, and also titled on paper label affixed to verso; apparently in good condition. Framed.* Sight size: 17-3/4 x 22-1/2 in (45.1 x 57.2 cm) $1,500-$2,500

13 William Christenberry (American b. 1936) Clapboard House in Cabbages C-print photograph, 1984, signed and dated in pencil l.r. on surrounding matting, and also titled on paper label affixed to verso; apparently in good condition. Framed.* Sight size: 17-3/4 x 22-1/2 in (45.1 x 57.2 mm) $1,000-$2,000

14 William Christenberry (American b. 1936) Window Near Stewart, Alabama C-print photograph, 1988, unsigned and with artistâ&#x20AC;&#x2122;s name, title, date, medium and dimensions on gallery label affixed to verso; apparently in good condition. Framed.* Sight size: 20 x 24 in (50.8 x 61 cm) $1,500-$2,500 Provenance: Carey Ellis Company, Houston, TX

15 William Christenberry (American b. 1936) Window C-print photograph, 1994, signed and dated in pencil l.r. on surrounding matting signed and dated in pencil l.r. on surrounding matting, and also titled on paper label affixed to verso; apparently in good condition. Framed.* Sight size: 17-3/4 x 22-1/2 in (45.1 x 57.2 cm) $1,000-$2,000

16 William Christenberry (American b. 1936) Old Fence with Tree C-print photograph, signed in pencil l.r. on surrounding matting, and also titled on paper label affixed to verso; apparently in good condition. Framed.* Sight size: 17-3/4 x 22-1/2 in (45.1 x 57.2 cm) $1,000-$2,000

17 William Christenberry (American b. 1936) Green Table C-print photograph, signed in pencil l.r. on surrounding matting, and also titled on paper label affixed to verso; apparently in good condition. Framed.* Sight size: 17-3/4 x 22-1/2 in (45.1 x 57.2 cm) $1,000-$2,000

18 William Christenberry (American b. 1936) Green Barn C-print photograph, signed in pencil l.r. on surrounding matting, and also titled on paper label affixed to verso; apparently in good condition. Framed.* Sight size: 17-3/4 x 22-1/2 in (45.1 x 57.2 cm) $1,000-$2,000

19 William Christenberry (American b. 1936) Red Building C-print photograph, signed in pencil l.r. on surrounding matting, and also titled on paper label affixed to verso; apparently in good condition. Framed.* Sight size: 17-3/4 x 22-1/2 in (45.1 x 57.2 cm) $1,500-$2,500

PROPERTY OF VARIOUS OWNERS 20 After Jean Cocteau (French 1889-1963) Joan of Arc Lithograph in color, after a painting done in 1959, signed in ink l.r. and numbered 64/110 in pencil l.l.; apparently in good condition. Framed.* Sheet size: 660 x 505 mm (26 x 19-7/8 in) $300-$500

21 José Luis Cuevas (Mexican b. 1934) L’Amour Fou Lithograph in color, on BFK Rives light olive green paper, 1968, signed and dated in pencil l.r. and inscribed A.P. in pencil l.l.; apparently in good condition. Framed.* Sight size: 540 x 743 mm (21-1/4 x 29-1/4 in) $800-$1,200

22 Salvador Dalí (Spanish 1904-1989) Death of Cleopatra (Field 72-14) Etching with hand coloring, signed in pencil l.r. and numbered 291/325 in pencil l.l.; apparently in good condition. Unframed and unmatted. Sheet size: 565 x 762 mm (22-1/4 x 30 in) $800-$1,200

23 Richard Davies (American 20th Century) L’Apres-Midi Etching and drypoint, signed in pencil l.r., titled in pencil l.c. and numbered 17/60 in pencil l.l.; apparently in good condition. Framed.* Sight size: 324 x 406 mm (12-3/4 x 16 in) $700-$900

24 Richard Davies (American 20th Century) Le Belvedere Etching and drypoint, signed in pencil l.r., titled in pencil l.c. and numbered 18/50 in pencil l.l.; apparently in good condition. Framed.* Sight size: 419 x 368 mm (16-1/2 x 14-1/2 in) $700-$900 Provenance: Gallery K, Washington, DC

25 Richard Davies (American 20th Century) Le Boulevard en Automne Etching and drypoint, signed in pencil l.r., titled in pencil l.c. and numbered 24/60 in pencil l.l.; apparently in good condition. Framed.* Sight size: 381 x 457 mm (15 x 18 in) $700-$900

26 Richard Davies (American 20th Century) Je Danse Pour Toi Mon Amant de Reves Etching and drypoint, 1980, signed and dated in pencil l.r., titled in pencil l.c. and numbered 5/30 in pencil l.r.; apparently in good condition. Framed.* Sight size: 222 x 267 mm (8-3/4 x 10-1/2 in) $600-$800

WORKS OF ART FROM HOWREY LLP

27 Gene Davis (American 1920-1985) Black Watch Serigraph in color, 1984, signed and dated in pencil l.r. and numbered 81/88 in pencil l.l.; apparently in good condition. Framed.* Sight size: 914 x 718 mm (36 x 28-1/4 in) $1,000-$2,000

28 Gene Davis (American 1920-1985) WPA Serigraph in color, 1980, signed and dated in pencil l.r. and numbered AP 17/30 in pencil l.l.; apparently in good condition. Framed.* Sheet size: 1016 x 800 mm (40 x 31-1/2 in) $1,000-$2,000

29 Gene Davis (American 1920-1985) Smithsonian Institution Resident Associate Program 10th Anniversary Serigraph in color, signed in pencil l.r. and inscribed experimental print in pencil l.l.; apparently in good condition. Framed.* Sight size: 940 x 876 mm (37 x 34-1/2 in) $800-$1,200

30 Gene Davis (American 1920-1985) Smithsonian Institution Resident Associate Program 15th Anniversary Serigraph in color, 1985, signed and dated in pencil l.r. and numbered 144/200 in pencil l.r., with embossed estate stamp l.r.; apparently in good condition. Framed.* Sight size: 838 x 686 mm (33 x 27 in) $800-$1,200

31 Gene Davis (American 1920-1985) Signal Serigraph in color, 1973, signed and dated in pencil l.r. and numbered 5/250 in pencil l.r.; apparently in good condition. Framed.* Sight size: 914 x 686 mm (36 x 27 in) $1,000-$2,000

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PROPERTY FROM THE ESTATE OF E. GERALD LAMBOLEY

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33 Kerr Eby (American 1889-1946) Cider Mill, Dayâ&#x20AC;&#x2122;s End, Driftway and Light in the Woods Night, High Island, Maine: Three Works (Giardina 201, 196 and 131) Each an etching, each signed in pencil l.r.; each apparently in good condition. One matted and two framed.* Largest sight size: 229 x 400 mm (9 x 15-3/4 in) $500-$700

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PROPERTY FROM A MARYLAND ESTATE 34 Maurits Cornelis Escher (Dutch 1898-1972) Stars (Bool 359) Wood engraving, 1948, signed in pencil l.l., inscribed eigen druk in pencil l.r. and titled in pencil under matting; small dot of foxing on l.c. Framed. Sight size: 318 x 257 mm (12-1/2 x 10-1/8 in) $10,000-$20,000 Provenance: Michaelson Art & Framing, Washington, DC, by repute

PROPERTY OF DEWEY & LEBOEUF LLP 35 Candido Aragonese Faria (French 1849-1911) Lâ&#x20AC;&#x2122;Espionne de Fort-MacDonald (A Nationâ&#x20AC;&#x2122;s Peril) Movie poster, circa 1910, American Kinema, French four sheet; toning, minor restoration along seams, mounted on linen. Unframed. Sheet size: 94 x 126 in (240 x 320 cm) $1,000-$2,000

WORKS OF ART FROM HOWREY LLP 36 Leonard Freed (American 1929-2006) Amsterdam Gelatin silver print, signed, titled and numbered 64-41-92-25 on verso; apparently in good condition. Framed.* Sheet size: 292 x 368 mm (11-1/2 x 14-1/2 in) $1,000-$2,000

37 Sam Gilliam (American b. 1933) After Smoke Serigraph in color, 1985, signed, dated and numbered 22/73 in pencil l.l. and also with artistâ&#x20AC;&#x2122;s blindstamp l.l.; apparently in good condition. Framed.* Sight size: 775 x 953 mm (30-1/2 x 37-1/2 in) $1,000-$2,000

38 Sam Gilliam (American b. 1933) Pantheon Serigraph in color, 1984, signed and dated in pencil l.r. and numbered 31/80 and titled in pencil l.l., also with artistâ&#x20AC;&#x2122;s blindstamp l.r.; apparently in good condition. Framed.* Sight size: 965 x 711 mm (38 x 28 in) $2,000-$3,000

39 Sam Gilliam (American b. 1933) Pantheon Serigraph in color, 1984, signed and dated in pencil l.r. and numbered CP 1/1 and titled in pencil l.l., also with artistâ&#x20AC;&#x2122;s blindstamp l.r.; apparently in good condition. Framed.* Sight size: 965 x 711 mm (38 x 28 in) $2,000-$3,000

40 Sam Gilliam (American b. 1933) For Xavier Serigraph in color, signed, titled and numbered CP 2/15 in pencil along bottom edge, also with artistâ&#x20AC;&#x2122;s blindstamp on l.l.; apparently in good condition. Framed.* Sight size: 787 x 990 mm (31 x 39 in) $2,000-$4,000

41 Sam Gilliam (American b. 1933) In Celebration Serigraph in color, 1987, signed and dated in pencil l.r., titled in pencil l.c. and numbered CP 8/30 in pencil l.r.; apparently in good condition. Framed.* Sight size: 787 x 990 mm (31 x 39 in) $1,000-$2,000

PROPERTY FROM THE ESTATE OF JAMES J. ZWOLENIK 42 Sergio Gonzales-Torero (Chilean b. 1929) Walk in Space, Portrait of the Artist and Orangerie: Three Works Each an aquatint in color, 1966, 1965 and 1966 respectively, the first and third with embossing; each signed and dated in pencil l.r., titled in pencil l.c., and numbered 80/100, Artistâ&#x20AC;&#x2122;s Proof and 57/100 respectively; overall with mat toning. Each framed.* Plate size of largest: 629 x 521 mm (24-3/4 x 20-1/2 in) $800-$1,200

WORKS OF ART FROM HOWREY LLP 43 April Gornik (American b. 1953) Edge of the Forest Etching, 2002, signed and dated in pencil l.r. and numbered 21/30 in pencil l.l.; apparently in good condition. Framed.* Sight size: 489 x 387 mm (19-1/4 x 15-1/4 in) $700-$900

44 April Gornik (American b. 1953) Light Through the Trees Etching, 2002, signed and dated in pencil l.r. and numbered 21/30 in pencil l.l.; apparently in good condition. Framed.* Sight size: 489 x 387 mm (9-1/4 x 15-1/4 in) $700-$900

45 April Gornik (American b. 1953) Palatine Light Etching, 2002, signed and dated in pencil l.r. and numbered 21/30 in pencil l.l.; apparently in good condition. Framed.* Sight size: 489 x 387 mm (19-1/4 x 15-1/4 in) $700-$900 46 Not lot

PROPERTY FROM THE RICHARD A. MADLENER TRUST 47 Colin Greenly (American b. 1928) Energy One: A Triptych Each a digital print, 2002, signed in pen, dated and numbered 2/50 on paper label affixed to verso; each apparently in good condition. Framed as one.* Overall: 1676 x 508 mm (66 x 20 in) $300-$500

PROPERTY FROM THE ESTATE OF E. GERALD LAMBOLEY 48 Allan Gwynne-Jones (British 1892-1982) Horses Watering in a Farmyard Etching, 1928, signed and dated in pencil l.r., also with dedication To Harold Wright in pencil l.l.; minor mat toning. Framed.* Plate size: 299 x 362 mm (11-3/4 x 14-1/4 in) $500-$700

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PROPERTY FROM THE ESTATE OF HARRY B. HOLLINS, II 49 After John Frederick Herring the Elder (British 1795-1865) Fox Hunting: Four Works Each a photogravure with hand-coloring, later edition, published by E. Gambart Co., London, printed by M. and N. Hanhart, London, drawn by J. West Giles; each with varied degrees of toning and foxing, some with tears. Each framed.* Sight size of each: 699 x 953 mm (27-1/2 x 37-1/2 in) $700-$900

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PROPERTY FROM THE ESTATE OF E. GERALD LAMBOLEY 50 Ellison Hoover (American 1889-1955) and Dale Nichols (American 1904-1995) Fair & Colder and The Mountain: Two Works Each a lithograph, the first, 1949, signed in pencil l.r., from an edition of 250, the second, 1958, signed in pencil l.r.; each published by Associated American Artists, New York; each in good condition, each hinged at top. Each unframed. Sheet size of largest: 305 x 406 mm (12 x 16 in) $700-$900

WORKS OF ART FROM HOWREY LLP

51 Victoria Ebbels Hutson Huntley (American 1900-1971) Freight Lithograph, 1933, signed and dated in pencil l.r. and titled in pencil l.l.; apparently in good condition. Framed.* Sight size: 229 x 305 mm (9 x 12 in) $500-$700

PROPERTY OF VARIOUS OWNERS 52 Louis Icart (French 1888-1950) Des Grieux (Schnessel 124) Etching in color, 1930, signed in pencil l.r. and with artistâ&#x20AC;&#x2122;s blindstamp l.l.; apparently in good condition. Framed.* Sight size: 546 x 368 mm (21-1/2 x 14-1/2 in) $800-$1,200

53 Louis Icart (French 1888-1950) Coursing III (Schnessel 174) Etching in color, 1930, signed in pencil l.r. and with artistâ&#x20AC;&#x2122;s blindstamp l.l.; apparently in good condition. Framed.* Sight size: 419 x 667 mm (16-1/2 x 26-1/4 in) $2,000-$3,000

54 Louis Icart (French 1888-1950) Jeunesse (Schnessel 189) Etching in color, 1930, signed in pencil l.r. and with artistâ&#x20AC;&#x2122;s blindstamp l.l.; apparently in good condition. Framed.* Sight size: 635 x 419 mm (25 x 16-1/2 in) $800-$1,200

PROPERTY FROM THE ESTATE OF RICHARD G. BROWN

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55 Paul Jacoulet (French 1902-1960) Le Tresor, CorĂŠe; Nuit de Neige, CorĂŠe and Fleurs des Iles Lointaines, Mers du Sud: Three Works (Miles 66, 57, 65) Each a woodblock in color, 1940, 1939 and 1940 respectively, each signed in pencil and sealed within the plate, carved by Kentaro Maeda; printed by Shunosuke Fujii; each apparently in good condition. Each framed.* Plate size of first and second: 387 x 299 mm (15-1/4 x 11-3/4 in); Plate size of third: 295 x 387 mm (11-5/8 x 15-1/4 in) $1,000-$2,000

WORKS OF ART FROM HOWREY LLP 56 Lois Mailou Jones (American 1905-1980) A Shady Nook Serigraph in color, 1991, signed and dated in pencil l.r., titled in pencil l.c. and numbered 17/99 in pencil l.l.; apparently in good condition. Framed.* Sight size: 724 x 864 mm (28-1/2 x 34 in) $4,000-$6,000

PROPERTY FROM THE RICHARD A. MADLENER TRUST

57 Yousuf Karsh (Canadian 1908-2002) Marc Chagall Gelatin silver photograph, 1965, later impression, signed in ink l.l.; apparently in good condition. Framed.* Sight size: 400 x 464 mm (15-3/4 x 18-1/4 in) $2,000-$3,000

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WORKS OF ART FROM HOWREY LLP 58 Torkel Korling (American 1903-1998) Chicago River Gelatin silver print, signed in pencil on verso; apparently in good condition. Framed.* Sight size: 350 x 267 mm (13-1/4 x 10-1/2 in) $500-$700

PROPERTY FROM THE RICHARD A. MADLENER TRUST 59 Karen Kunc (American b. 1952) Always to the Well and Resolving Solstice-The Crux: Two Works Each a wood engraving in color, 1988 and 1989 respectively, each signed in pencil within the plate, the first dated, titled and numbered 13/18 in pencil l.r.; the second, dated in pencil u.l., titled in pencil l.r. and numbered 2/18 u.l., and with red calligraphy seals; each apparently in good condition. Each framed.* Sheet size of first: 406 x 940 mm (16 x 37 in); Sight size of second: 381 x 356 mm (15 x 14 in) $600-$800 Provenance: Jane Haslem Gallery, New York

PROPERTY FROM THE ESTATE OF E. GERALD LAMBOLEY

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60 Alphonse Legros (French 1837-1911) Le Voyageur à l’Abri, La Ferme du Coteau, Paysanne Assise près d’une Haie, Les Mendiants Anglais and La Maison du Charron: Five Works Etchings, drypoints and aquatints, three signed in pencil l.r. and two unsigned; each titled in pencil on the matting, some with anecdotes in pencil on lower margins; each in good condition, each hinged at top. Each unframed. Largest sheet size: 343 x 229 mm (13-1/2 x 9 in) $400-$600

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PROPERTY OF VARIOUS OWNERS 61 Mark Leithauser (American b. 1950) Birches and King George: Two Works Each an etching, the first, 1980, signed and dated in pencil l.r., numbered 99/125 l.c. and titled in pencil l.l.; the second, 1979, signed and dated in pencil l.r., numbered 150/150 in pencil l.c. and titled in pencil l.l.; each apparently in good condition. Each unframed. Plate size of first: 299 x 406 mm (11-3/4 x 16 in); Plate size of second: 406 x 299 mm (16 x 11-3/4 in) $700-$900

PROPERTY FROM THE RICHARD A. MADLENER TRUST 62 Vincent John Longo (American b. 1923) Sign, Fourth Grid and Squaring: Three works The first two, etchings and the third, a serigraph in color, 1967, 1967 and 1962, each signed and dated in pencil l.r. and each inscribed Proof in pencil l.c. and titled in pencil l.l.; each apparently in good condition. Each framed.* Sight size of largest: 813 x 419 mm (32 x 16-1/2 in) $1,000-$2,000 Provenance: Purchased directly from the artist

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PROPERTY FROM THE ESTATE OF E. GERALD LAMBOLEY 63 Luigi Lucioni (American/Italian 1900-1988) Forest Scene with Birch Trees and The Enveloping Shadow: Two Works Each an etching, each signed in pencil l.r.; the second, numbered 78/250 in pencil l.l., each published by Associated American Artists, New York; each in good condition, each hinged at top. Each unframed. Plate size of largest: 210 x 301 mm (8-1/4 x 11-7/8 in) $500-$700

WORKS OF ART FROM HOWREY LLP 64 Lloyd McNeill (American b. 1935) The Colorful Cloth Serigraph in color, 1992, signed and dated in pencil l.r., numbered PP 2/10 in pencil and with blindstamp l.l. and titled l.c.; apparently in good condition. Framed.* Sight size: 762 x 597 mm (30 x 23-1/2 in) $1,000-$2,000 65 Lloyd McNeill (American b. 1935) Rainbow People Serigraph in color, 1991, signed and dated in pencil l.r., titled in pencil l.c. and numbered 72/99 in pencil l.l.; apparently in good condition. Framed.* Sight size: 711 x 508 mm (28 x 20 in) $1,000-$2,000

PROPERTY FROM THE RICHARD A. MADLENER TRUST

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66 Peter Milton (American b. 1930) Eros Errant III: Butterfly and Eros Errant IV: Friday’s Children: Two Works (Milton 105 and 106) Each a resist ground etching and engraving, each 1982, each signed in pencil l.r. and dated in pencil l.c.; the first numberered 14/125 in pencil l.r., the second numbered 46/125; each apparently in good condition. Each framed.* Sight size of each: 267 x 305 mm (10-1/2 x 12 in) $500-$700 Provenance: Franz Beder Gallery, Washington, DC

PROPERTY OF VARIOUS OWNERS 67 Joan Miró (Spanish 1893-1983) Book II (Mourlot 1046) Lithograph in color, 1975, signed in pencil l.r., edition XXXIII/LXXX; overall with toning. Framed.* Sight size: 413 x 546 mm (16-1/4 x 21-1/2 in) $2,000-$3,000 Provenance: Phillip Trapp Galleries, Carmel, CA, 1979

68 Joan Miró (Spanish 1893-1983) Miró Scultore (Mourlot 936) Lithograph in color, 1974, signed within the plate, from an edition of 1500, published by Art Counsel; overall with toning. Framed.* Sheet size: 197 x 393 mm (7-3/4 x 15-1/2 in) $500-$700

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69 Patricia Buckley Moss (American b. 1933) Gaggle of Geese Serigraph in color, 1982, signed and dated in pencil l.r., numbered 1/7 Printer’s Proof in pencil l.l. and titled in pencil l.c.; apparently in good condition. Framed.* Sight size: 393 x 1054 mm (15-1/2 x 41-1/2 in) $300-$500

PROPERTY FROM THE ESTATE OF E. GERALD LAMBOLEY 70 Thomas Willoughby Nason (American 1889-1971) Pennsylvania Landscapes and Old Lyme Church: Four Works Each a wood engraving, each signed with artist’s monogram signature in pencil l.r.; some dated and some titled in pencil in lower margin; each apparently in good condition. Two matted and two framed.* Sheet size of largest: 229 x 308 mm (9 x 12-1/8 in) $500-$700

71 Joseph Pennell (American 1860-1926) Rainy Night, Charing Cross Shops (Wuerth 274) Etching, 1903, signed with artist’s monogram signature in pencil l.r., from an edition of about 100; apparently in good condition. Framed.* Plate size: 279 x 216 mm (11 x 8-1/2 in) $800-$1,200

Provenance: Kennedy & Co., New York, inventory no. 57651

72 Joseph Pennell (American 1860-1926) Lincoln’s Inn Fields (Wuerth 362) Etching, 1905, signed with artist’s monogram signature in pencil l.c., from an edition of 75; apparently in good condition, except for some mat toning upper margin. Framed.* Plate size: 216 x 273 mm (8-1/2 x 10-3/4 in) $500-$700

73 Jean François Raffaëlli (French 1850-1924) Au Coin de la Route and La Neige, Soleil Couchant: Two Works (Delteil 88 only state and 77 V/V) Each an etching and drypoint, 1909 and 1907 respectively, each signed in pencil l.r.; also with pencil titles, Delteil numbers and inventory notations in pencil l.r. and l.l.; each in good condition with tape hinges to top corners. Each unframed. Sheets size of first: 257 x 191 mm (10-1/8 x 7-1/2 in); Sheet size of second: 187 x 254 mm (7-3/8 x 10 in) $300-$500

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PROPERTY FROM THE ESTATE OF JAMES J. ZWOLENIK 74 Georges Rouault (French 1871-1958) Le Christ en Croix, Jesus Honni and Toujours Flagelle: Three Works Each an aquatint, each signed within the plate; each apparently in good condition. Each framed.* Sight size of first: 330 x 254 mm (13 x 10 in); Sight size of second: 508 x 381 mm (20 x 15 in); Sight size of third: 508 x 381 mm (20 x 15 in) $1,000-$2,000

WORKS OF ART FROM HOWREY LLP 75 Joel Shapiro (American b. 1941) Untitled Diptych: Two Works Each an etching and aquatint in color, 1990, each signed and dated in pencil l.r. and numbered 36/60 in pencil l.l.; each apparently in good condition. Each framed.* Sight size of each: 813 x 610 mm (32 x 24 in) $2,000-$4,000

76 Kate Shepherd (American b. 1961) Still Gallery, View Between Reds, Thread Line Serigraph in color, 2001, signed and dated in pencil l.r. and numbered 31/45 in pencil l.l.; apparently in good condition. Framed.* Sight size: 762 x 1016 mm (30 x 40 in) $800-$1,200

77 Donald Sultan (American b. 1951) Sunflowers and Yellow Roses: Two Works Each a lithograph and serigraph in color, the first, 1996, titled and dated in pencil along the left side and numbered 55/100 in pencil l.r., the second, 1999, titled and dated in pencil along the left side and numbered AP 14/25 in pencil l.r.; each apparently in good condition. Each framed.* Sheet size of each: 559 x 584 mm (22 x 23 in) $3,000-$5,000

78 Donald Sultan (American b. 1951) Blue Flowers and Fruit and Flowers III: Two Works Each a lithograph and serigraph in color, the first, 1991, titled and dated in pencil along the left side and 32/125 in pencil l.r., the second, 1992, inscribed Acanthus and dated in pencil along the left side and numbered 1/25 in pencil l.r.; each apparently in good condition. Each framed.* Sheet size of each: 559 x 584 mm (22 x 23 in) $3,000-$5,000

79 79 Donald Sultan (American b. 1951) Pomegranate and Tulips: Two Works Each a lithograph and serigraph in color, the first, 1999, titled and dated in pencil along the left side and numbered AP 13/25 in pencil l.r., the second, 1990, titled and dated in pencil along the left side and numbered 32/125 in pencil l.r.; each apparently in good condition. Each framed.* Sheet size of each: 559 x 584 mm (22 x 23 in) $3,000-$5,000

PROPERTY FROM THE ESTATE OF E. GERALD LAMBOLEY

80 Robin Tanner (British 1904-1988) Christmas (Garton 9) Etching on wove paper, 1929, signed in pencil l.r., inscribed 1st print of plate in pencil l.l. and numbered a79278 in pencil on verso, from an edition of 50; apparently in good condition except for scattered foxing and mat toning to margins, three quarters of left edge of margin slightly trimmed, cloth tape hinge across the top edge. Plate size: 330 x 276 mm (13 x 10-7/8 in) $1,500-$2,500

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81 Charles William Taylor (British 1878-1960) Near Lamberhurst, Sussex; Harringfield; To Chuderduch; Fobbing; Sussex-Noon; St. Mary’s in the Cotswold; Essex and Before Burford: Eight Works The first five wood engravings, and the last three etchings, the first six numbered 8/50, 8/50, 10/50, 11/55, 17/55 and 17/55 respectively, the last two, signed with artist’s monogram signature in pencil l.c.; each in good condition. Each unframed. Sheet size of largest: 254 x 340 mm (10 x 13-3/8 in) $500-$700

PROPERTY OF VARIOUS OWNERS 82 After Henri de Toulouse-Lautrec (French 1864-1901) Jane Avril Lithograph in color, 1898, Maîtres de l’Affiche pl. 110, printed by Chaix, Paris with blindstamp l.r.; overall with toning and a minor tear l.l. Unframed. Sheet size: 381 x 279 mm (15 x 11 in) $2,000-$3,000

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83 Jacques Villon (French 1875-1963) Henri Matisse, Lâ&#x20AC;&#x2122;Espagnol Ă la Mantille (Ginestet/Pouillon E645) Aquatint in color, 1925, unsigned and with Chalcographie du Louvre blindstamp l.c., published by Chalcographie du Louvre, Paris; apparently in good condition. Framed.* Sight size: 451 x 292 mm (17-3/4 x 11-1/2 in) $1,000-$1,500

PROPERTY FROM THE ESTATE OF E. GERALD LAMBOLEY 84 William Walcot (British 1874-1943) Views of London: Four Works Each an etching, each signed in pencil l.r.; each apparently in good condition. One matted and three framed.* Sight size of largest: 108 x 273 mm (4-1/4 x 10-3/4 in) $500-$700

PROPERTY OF VARIOUS OWNERS 85 Andy Warhol (American 1928-1987) Hans Christian Andersen (Feldman/Schellmann 11.401) Serigraph in color on Lenox paper, 1987, apparently unsigned, with blindstamp l.l. corner and numbered AP 2/8, signed Peter Thomsen & Evan Frederiksen, ART EXPO DENMARK, publishers, Rupert Jasen Smith, printer and Fred Hughes, Warhol Corporation in pencil on Certificate of Authenticity on verso; also stamped @1987 The Andy Warhol Foundation for the Visual Arts on verso; mounted on black linen covered foam core. Framed.* Sheet size: 965 x 965 mm (38 x 38 in) $1,000-$1,500

WORKS OF ART FROM HOWREY LLP 86 Darren Waterston (American b. 1965) Hedon Etching and aquatint in color, 2001, signed and dated in pencil l.r. and numbered 36/40 in pencil l.l.; apparently in good condition. Framed.* Sight size: 533 x 445 mm (21 x 17-1/2 in) $800-$1,200

87 Darren Waterston (American b. 1965) Night-In-Gale Etching and aquatint in color, 2001, signed and dated in pencil l.r. and numbered 30/40 in pencil l.l.; apparently in good condition. Framed.* Sight size: 533 x 445 mm (21 x 17-1/2 in) $800-$1,200

88 Volkmar Wentzel (American 1915-2006) Pennsylvania Avenue, Washington, DC Gelatin silver print, signed and numbered 35/36 in pencil l.r. and titled in pencil l.l. ; apparently in good condition. Framed.* Sight size: 19 x 15 in (48.3 x 38.1 cm) $800-$1,200

PROPERTY OF VARIOUS OWNERS

89 James Abbott McNeill Whistler (American 1834-1903) En Plein Soleil (Kennedy 15) Etching, 1858, later edition, signed Whistler in the plate; apparently in good condition. Framed.* Plate size: 102 x 133 mm (4 x 5-1/4 in) $800-$1,200

WORKS OF ART FROM HOWREY LLP 90 Terry Williams (American b. 1949) Shadowgraph I-XII: Twelve Works Each a woodcut engraving, 2002, each signed and dated in pencil l.r. and each numbered 6/36 in pencil l.l.; each apparently in good condition. Each framed.* Sheet size of each: 533 x 635 mm (21 x 25 in) $2,000-$3,000

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91 Geoff Winningham (American b. 1943) San Jacinto Monument Gelatin silver print, 1981, signed, titled, dated and numbered 3/8 in pencil on verso; apparently in good condition. Framed. Sheet size: 19-1/2 x 16-1/2 in (49.6 x 41.9 cm) $800-$1,200

92 Max Yavno (American 1911-1985) Golden Gate Bridge Gelatin silver print, 1949, signed and inscribed in pencil on verso, also with Max Yavno Estate and authentication stamp; apparently in good condition. Framed.* Sight size: 13-1/2 x 10-1/2 in (34.3 x 26.7 cm) $1,500-$2,500

PROPERTY FROM THE ESTATE OF RICHARD G. BROWN 93 Hiroshi Yoshida (Japanese 1876-1950) Hirosaki Castle, Sarusawa Pond, Plum Gateway and Kinkaku: Four Works (Ogura, 192, 187, 205, 184) Each a woodblock in color (oban tate-e),1933-1935, each signed in pencil l.r. with jizuri seal, stamped with title l.l. and signed in ink with seal Hiroshi within the plate l.r.; each apparently in good condition with some fading. Framed.* Sight size of each approximately: 393 x 260 mm (15-1/2 x 10-1/4 in) $1,000-$2,000

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PROPERTY FROM THE ESTATE OF MURIEL MILLER PEAR 93A Jack Youngerman (American b. 1926) Tropical Fish Serigraph in color, 1970, signed indistinctly and dated in pencil l.r. and numbered 170/175 in pencil l.l.; apparently in good condition. Framed.* Sheet size: 1092 x 838 mm (43 x 33 in) $500-$700

PROPERTY FROM THE ESTATE OF E. GERALD LAMBOLEY

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94 Associated American Artists, Publishers Group of Five Works A. and B. Sheldon Fink (American b. 1925) Country Boy and Dreamer: Two Works Each a lithograph, each signed in pencil l.r., titled in pencil l.c., numbered 140/250 and 197/250 respectively C. Norma Gloria Morgan (American b. 1928) Moorland Sanctuary Soft-ground etching, signed in pencil l.r. and titled in pencil l.c., numbered 14/250 D. Frank C. Eckmair (American b. 1930) Roadway Wood engraving, 1978, signed in pencil l.r. and titled in pencil l.c., numbered 114/250 E. Art Hansen (American 20th Century) Winter Forest Etching, signed in pencil l.r. and titled in pencil l.l., numbered 112/250 Each in good condition, each hinged at top. Each unframed. Largest sheet size: 305 x 448 mm (12 x 17-5/8 in) $400-$600

95 Associated American Artists, Publishers Group of Four Works A. and B. Asa Cheffetz (American 1897-1965) Winter Weather and Mid-Winter Each wood engravings, each signed in pencil l.r., the first titled in pencil lower margin C. Ronau William Woiceske (American 1887-1953) Winter Etching, signed in pencil l.r. and titled in pencil l.l. and inscribed Ed. 45 D. George A. Bradshaw (American b. 1880) Winter Rural Landscape with Farm House Etching, signed in pencil l.r. Each apparently in good condition, unframed works hinged at top. Three unframed and one framed.* Largest plate size: 248 x 318 mm (9-3/4 x 12-1/2 in) $1,000-$1,500

96 Various British and American Artists, 20th Century Group of Four Works A. Henry Jackson Simpson (British, b. after 1893-d. after 1963) The Don Valley Drypoint, signed in pencil l.r. and titled in pencil and with artistâ&#x20AC;&#x2122;s blind stamp l.l. B. and C. Robert Marsh (American Late 20th Century) Farmyard and Barn Each a soft ground etching, each signed in pencil l.r. and titled in pencil l.l., numbered 19/250 and 17/40, respectively D. E. Rising (American Late 20th Century) Deserted Farm Etching, signed in pencil l.r. and titled in pencil l.l.; each apparently in good condition, each hinged at top. Each unframed. Largest sheet size: 428 x 330 mm (16-7/8 x 13-3/8 in) $400-$600 97 Various British Artists, 19th-20th Century Group of Five Works A. William Lee Hankey (British 1869-1952) A Breton Lady in an Interior Etching, signed in pencil l.c. B. Ernest S. Lumsden (British 1883-1948) The Connoisseur - Malcolm Salaman Etching, 1920, signed in ink l.c., numbered 36/54 C. Stanley Roy Badmin (British 1906-1989) Priory Pond, King Stanley, Glos Etching, 1932, signed l.c. and titled l.l. in pencil D. Percival Gaskell (British 1868-1934) Plowing in the Fields Etching, signed in pencil l.c. E. Sir Seymour Haden (British 1818-1910) Kensington Gardens (Harrington, 12) Etching in drypoint, 1859, unsigned; each apparently in good condition, each hinged at top. Two framed* and two unframed. Largest plate size: 251 x 292 mm (9-7/8 x 11-1/2 in) $600-$800

PROPERTY FROM THE RICHARD A. MADLENER TRUST 98 Group of Eight Rob Barnard Wood-Fired Stoneware Vessels Each with incised circle and dot mark. Height of tallest: 10 in (25.4 cm) $800-$1,200

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99 Group of Eight Rob Barnard Wood-Fired Stoneware Vessels Each with circle and dot mark. Height of tallest: 12 in (30.5 cm) $800-$1,200

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100 French or Spanish School, 18th-19th Century Christ in the Wilderness and Figures Outside a Church: Two Works Each unsigned The first, gray wash and ink drawing on paper and the second, ink on paper with brown wash with double ink and gold border; each apparently in good condition, the first hinged at top. The first unframed and the second framed.* Sheet size of first: 7-3/4 x 5-7/8 in (19.7 x 14.9 cm) Sheet size of second: 5-3/4 x 9-1/2 in (14.6 x 24.1 cm) $500-$700

101 Albertus van Beest (Dutch 1820-1860) Fishing Boats Shrouded in Fog Signed A van Beest l.r. Sepia watercolor on paper; apparently in good condition. Framed.* Sight size: 7-1/2 x 11-1/2 in (19.1 x 29.2 cm) $400-$600

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PROPERTY FROM THE ESTATE OF JAMES J. ZWOLENIK

PROPERTY OF VARIOUS OWNERS 102 Gen Paul (French 1895-1975) Head of a Young Woman Signed Gen Paul l.r. Ink on postcard; apparently in good condition. Framed.* 6 x 4 in (15.2 x 10.2 cm) $600-$800

103 Caroline van Hook Bean (American 1879-1980) Views of the U.S. Capitol and The White House: Two Works The first, signed C. Bean l.l., the second, signed C. Bean and dated â&#x20AC;&#x2DC;70 l.r. Each oil on canvasboard Each: 11-1/4 x 15-1/2 in (28.6 x 39.3 cm) $800-$1,200

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WORKS OF ART FROM HOWREY LLP 104 David Clyde Driskell (American b. 1931) Fall Pines Signed Driskell l.r. Tempera on paper; apparently in good condition. Framed.* Sheet size: 25-1/2 x 19-1/2 in (64.8 x 49.6 cm) $2,000-$4,000

105 Darren Waterston (American b. 1965) Untitled Unsigned Watercolor on paper; apparently in good condition. Framed.* Sheet size: 32-1/2 x 41 in (82.6 x 104.1 cm) $1,000-$2,000

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106 Willem De Looper (American b. 1932) Blue and Gold Abstract and Red and Blue Abstract: Two Works The first, unsigned; the second, signed de Looper and dated 93 l.r. Each acrylic on paper; each apparently in good condition. Each framed.* Sheet size of each: 14-1/2 x 11-3/4 in (36.8 x 29.9 cm) $500-$700

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107 Willem De Looper (American b. 1932) Diptych â&#x20AC;&#x153;Redâ&#x20AC;?: Two Works Signed William de Looper and dated 1978 l.r. on left half Each acrylic on paper; each apparently in good condition. Each framed.* Sheet size of each: 32 x 25-3/4 in (81.3 x 65.4 cm) $800-$1,200

108 Willem De Looper (American b. 1932) Diptych Gray: Two Works Unsigned Each acrylic on paper; each apparently in good condition. Each framed.* Sheet size of each: 27-1/2 x 39-1/2 in (69.9 x 100.3 cm) $800-$1,200

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109 Willem De Looper (American b. 1932) Blue Gray Stripe Signed de Looper and dated 31 VIII 80 l.r. Acrylic on paper; apparently in good condition. Framed.* Sheet size: 31-3/4 x 39-1/2 in (80.6 x 100.3 cm) $700-$900

110 Willem De Looper (American b. 1932) ‘20 III’ (Blue and Gold Abstract) Signed de Looper and dated 20 III 90 l.l. Acrylic on paper; apparently in good condition. Framed.* Sheet size: 18-1/4 x 14-1/2 in (46.4 x 36.8 cm) $300-$500

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PROPERTY FROM THE RICHARD A. MADLENER TRUST 111 Lisa Bateman (American Late 20th-21st Century) Blue Emblem Signed LBateman and dated ‘87 l.r. Watercolor on paper; apparently in good condition. Framed.* Sheet size: 22 x 29-1/4 in (55.9 x 74.3 cm) $500-$700

112 Lisa Bateman (American Late 20th-21st Century) Yellow Storm Painting Signed LBateman, dated ‘91 and titled on verso Oil on panel. Unframed. 41 x 30-3/4 in (104.1 x 78.1 cm) $800-$1,200

113 George J. Vander Sluis (American 1915-1984) # 41 Signed G. Vander Sluis and dated ‘67 on verso Oil on Masonite 15-7/8 x 11 in (40.3 x 27.9 cm) $400-$600

114 Jim van Dijk (American Late 20th Century) Untitled Abstract Unsigned Acrylic on Masonite in a back-lit light box 30 x 39 x 8 in (76.2 x 99 x 20.3 cm) $500-$700

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115 Heidi Thompson (Canadian b. 1956) â&#x20AC;&#x153;A Mass of Tiny Moving Particlesâ&#x20AC;? Signed Heidi Thompson, dated 1999 and titled on verso Acrylic on canvas. Unframed. 68 x 36 in (172.7 x 91.4 cm) $500-$700

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116 Heidi Thompson (Canadian b. 1956) Blue Particles Signed Heidi Thompson, dated 2007 and titled on verso Acrylic on canvas 29 x 21-1/2 in (73.7 x 54.6 cm) $500-$700

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PROPERTY FROM THE ESTATE OF E. GERALD LAMBOLEY 117 John H. Grazier (American b. 1946) and Tom Woodbridge Tucker (American Late 20th Century) Eleven Rings and Mount Headley: Two Works The first, signed and dated 1974 l.l.; the second, signed and dated 1970 u.c.r. Each graphite on paper; each apparently in good condition. Each framed.* Sheet size of first: 10 x 15-7/8 in (25.4 x 40.3 cm); Sight size of second: 9-1/2 x 15 in (24.1 x 38.1 cm) $500-$700 Provenance: Fendrick Gallery, Washington, DC

WORKS OF ART FROM HOWREY LLP 118

118 William (Ralph) Bill Dunlap (American b. 1944) Fence Row Signed W Dunlap l.r. Watercolor and ink on paper; apparently in good condition. Framed.* Sheet size: 32 x 42 in (81.3 x 106.7 cm) $1,000-$2,000

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1409

AUCTION SCHEDULE Sale Date

Sale Title

Sept. 20, 2013

Capital Collections Estate Auction

Consignment Deadline

Aug. 2, 2013

Preview begins the Saturday prior to the auction

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