WESCHLER’S
Friday, December 5, 2014
WESCHLER’S Since 1890
CAPITAL COLLECTIONS ESTATE AUCTION Sale 1419
Capital Collections Estate Auction Friday, December 5, 2014 10 AM
AUCTION SCHEDULE
WESCHLER’S Auctioneers & Appraisers Since 1890
Sale Date
Adam A. Weschler and Son, Inc. has served the Nation’s Capital as fine art auctioneers and appraisers since 1890. The gallery is now owned and managed by fourth and fifth generation members of the Weschler family and is supported by a highly experienced administrative staff. 20
In our second century, Weschler’s renews its commitment to the highest level of professionalism in auction and appraisal services. Since its founding, Weschler’s has strictly adhered to the principle that the company own none of the items it auctions, acting solely as an agent for consignors.
Sale Title
Consignment Deadline
Dec.17, 2014
Metro Online Auction
n/a
Feb. 20, 2015
Capital Collections Estate Auction
Jan. 2
169
281
Adam A. Weschler (1874-1951) Ralph A. Weschler, Sr. (1897-1966) Ralph A. Weschler, Jr. (1921-1982) Benjamin E. Weschler (1922-1993) William P. Weschler, Sr. (1926-2006) John S. Weschler, Sr. (1956-2011) 375
192
373
CHAIRMAN OF THE BOARD William P. Weschler, Jr. Accredited Senior Appraiser American Society of Appraisers OFFICERS 100
Thomas M. Weschler President Accredited Senior Appraiser American Society of Appraisers 54 detail
67
Leonard J. Weschler Treasurer / Secretary 91 & 92
108
150
243 detail
CAPITAL COLLECTIONS ESTATE AUCTION PROPERTY FROM THE ESTATES OF:
OTHER CONSIGNORS INCLUDE:
Donna Jean Artin Joan Benesch Irene Moore Barbara Ruml Douglas Woods Sprunt
A Chevy Chase, Maryland Trust Margaret S. Harper Trust A Local Historical Institution A Maryland Collector A Northern Virginia Collector A Private Collection A Russian Collector A Southern Maryland Collection St. Olaf College A Washington, DC Collection A Washington, DC Collector Charles Weiner Trust
AUCTION Friday, December 5, 2014 at 10 a.m. PREVIEW Saturday, November 29 – 9 a.m. to 12 p.m. Sunday, November 30 – 11 a.m. to 4 p.m. Monday, December 1 – 10 a.m. to 5 p.m. Tuesday, December 2 – 10 a.m. to 5 p.m. Wednesday, December 3 – 10 a.m. to 5 p.m. Thursday, December 4 – 10 a.m. to 2 p.m. CATALOGUES $20 at the Gallery $25 by First Class Mail, $35 Overseas In absentee bids this sale may be referred to as 1419 Front & Back Cover: Lot 273 All lots subject to 20% buyer’s premium* as part of purchase price. (See clause 6 of the Conditions of Sale)
WESCHLER’S Auctioneers and Appraisers Since 1890
909 E Street N.W. Washington, DC 20004 202/628-1281 FAX 202/628-2366 www.weschlers.com
SPECIALISTS IN CHARGE (202) 628-1281 MANAGER OF CAPITAL COLLECTIONS Leigh Snitiker RUGS AND CARPETS Thomas M. Weschler EUROPEAN & AMERICAN FURNITURE AND DECORATIONS Leigh Snitiker ASIAN WORKS OF ART William P. Weschler, Jr. FINE ART Danielle Isaacs JEWELRY, COINS & WATCHES Mark P. Weschler 20TH CENTURY DECORATIVE ARTS Leigh Snitiker CUSTOMER SERVICE DEPARTMENTS (202) 628-1281 Fax (202) 628-2366 ABSENTEE BIDS & CONSIGNOR PAYMENTS Linda Niehaus PURCHASER PAYMENTS Karen Weschler FREE VERBAL ESTIMATES: Weschler’s experts will provide a free auction-value estimate by appointment in our gallery. Alternatively, photographs which clearly depict the items may be submitted in person, by mail or via email at info@weschlers.com, if accompanied
WRITTEN APPRAISALS: by descriptive information such as dimensions, condition, signatures, provenance, and other relevant data. Weschler’s experts will be happy to visit your location to view large collections for a nominal fee, refundable if the collection is consigned within one year.
Weschler’s experts provide written appraisals for insurance, tax, estate or sale purposes. The cost is based on the time involved and the scope of the appraisal. Please contact William P. Weschler, Jr. or Thomas M. Weschler at (202) 6281281 for further information.
SPECIALIST DEPARTMENTS SPECIALIST DEPARTMENTS
FURNITURE AND DECORATIONS
Manager of Capital Collections Leigh Snitiker 202-628-1281 1-800-331-1430
American Furniture and Decorations american@weschlers.com Leigh Snitiker
Asian Works of Art asian@weschlers.com William P. Weschler, Jr.
European Furniture and Decorations european@weschlers.com Leigh Snitiker
Jewelry, Coins & Watches jewelry@weschlers.com Mark P. Weschler
Assistant to the Specialists judy@weschlers.com Judy Acs FINE ARTS American and European Paintings, Drawings, Sculpture, Prints and Photographs fineart@weschlers.com Danielle Isaacs
20th Century Decorative Arts 20thcentury@weschlers.com Leigh Snitiker Rugs, Carpets and Tapestries rugs@weschlers.com Thomas M. Weschler
CUSTOMER SERVICE DEPARTMENTS CUSTOMER SERVICE &
PAYMENTS
ADMINISTRATIVE OFFICE
ADMINISTRATIVE MANAGER
Karen Weschler
Virginia Weschler Linda Niehaus Allison Mulholland Deborah Knott Megan Alderfer
Karen Weschler 202-628-1281 1-800-331-1430 Fax 202-628-2366 APPRAISALS Furniture and Decorations William P. Weschler, Jr. Thomas M. Weschler
TRUSTS & ESTATES William P. Weschler, Jr. Thomas M. Weschler CORPORATE AND MUSEUM SERVICES William P. Weschler, Jr. Thomas M. Weschler
SHIPPING Megan Alderfer PHOTOGRAPHY Terence D. McArdle
Fine Arts William P. Weschler, Jr. Thomas M. Weschler Jewelry and U.S. Coins William P. Weschler, Jr. Thomas M. Weschler Mark P. Weschler BIDS DEPARTMENT Linda Niehaus SUBSCRIPTIONS Linda Niehaus
AUCTIONEERS Thomas M. Weschler Leonard J. Weschler Mark P. Weschler
CATALOGUE PRODUCTION Karen Weschler PRINTING
GALLERY ASSISTANTS G. Otis Davis Ronnie Lyon Gregory Janrhett Charles Johnson Brian Sullivan ASIAN TRANSLATION Chen Wen Kinu Matsuyama
KCP Communications
INFORMATION FOR BUYERS AND SELLERS PREVIEW:
ABSENTEE BIDS:
The preview will be held the Saturday preceding the sale from 9 a.m. to Noon, Sunday from 11 a.m. to 4 p.m., Monday, Tuesday and Wednesday from 10 a.m. to 5 p.m., and Thursday from 10 a.m. to 2 p.m. You are encouraged to attend the preview and to closely examine all lots of interest to you. Weschler’s staff will gladly assist you if requested.
Bidders who cannot attend the auction may submit absentee bids using the Absentee Bid form at the back of this catalogue or available online. Absentee bids may also be placed through Weschler’s FAX number, (202) 628-2366, by telephone, (202) 628.1281. Bids placed by telephone must be confirmed by FAX, letter or email. Our facilities for telephone bidding are somewhat limited so it is strongly recommended that you make arrangements at least 24 hours in advance. Please contact Linda Niehaus at (202) 628-1281 for specific information on absentee bids. Absentee bidders are urged to read the Information for Absentee Bidders at the back of this catalogue.
CATALOGUES: The catalogue for this auction is available at Weschler’s Gallery during the exhibition and auction for $20. A catalogue admits two people to the auction. Catalogues can be mailed for a cost of $25 and mailed overseas at a cost of $35. Annual catalogue subscriptions are available by category. Additional information may be obtained by contacting Linda Amigh at (202) 628-1281.
PRICE LISTS AND POSTCARDS: Post sale price lists are available free of charge, approximately three weeks after the sale or online. Weschler’s postcards are automatically sent to catalogue subscribers prior to each sale.
CONDITION REPORTS: All property is sold “As Is” in accordance with Conditions of Sale clause 3 and neither Weschler’s nor the consignor make any express or implied warranty or representation as to the condition of any lot offered for sale and no statement made at any time, whether oral or written, shall constitute such a warranty or representation.
As a convenience to bidders, Weschler’s publishes pre-sale estimates of the value of each lot in the auction. Estimates are intended as a guide and should not be considered a prediction of the selling price.
Weschler’s staff is available to answer any questions or to provide any additional information regarding property offered; however, such condition reports do not constitute warranty and are not intended to replace first hand inspection by a prospective buyer.
RESERVES:
BIDDING INCREMENTS:
PRE-SALE ESTIMATES:
The “reserve” is a confidential minimum price agreed between the consignor and Weschler’s below which a lot will not be sold. Lots that have a reserve will not be marked as such, but the reserves will not be in excess of the low pre-sale estimates. Weschler’s will execute all reserves on behalf of the consignor by bidding through the auctioneer and placing successive or consecutive bids for a lot. The auctioneer may open the bidding on any lot on behalf of the consignor up to the reserve amount. In the event the bidding does not reach the reserve, the auctioneer will announce “Passed.”
BIDDER REGISTRATION: Each bidder must be assigned a bidding number before bids can be recognized. Bidding number registration will be available during exhibition hours and during the auction. Bidders already registered with an annual Weschler’s bidding number need not re-register for each sale.
The auctioneer generally advances the bidding in the following incremental amounts: $100-499 $25 increments $500-999 $50 increments $1,000-1,999 $100 increments $2,000-4,999 $200 increments $5,000-9,999 $500 increments $10,000+ auctioneer's discretion
PURCHASER PAYMENTS: Successful bidders are requested to make total payment for purchases by cash, Visa or MasterCard or pre-approved check on the day of sale. Buyers not known to Weschler’s and planning to pay with a personal or business check are required to supply us a bank letter of credit prior to the auction. If such arrangements are not made prior to the auction, purchases will be held by Weschler's until the check has cleared our bank. The standard 20 percent* Buyer’s Premium is added to the purchase price of all items sold. District of Columbia Sales Tax is added to that total, except for bidders who hold a valid District of Columbia resale tax number. *Discount for Cash, Wire or Local and or Approved Checks.
www.weschlers.com
Please Note: The District of Columbia does not reciprocate with other jurisdictions and Weschler’s cannot accept tax numbers from other jurisdictions. Tax numbers must be registered at the time a bidding number is issued. For further information please contact Karen Weschler at (202) 628-1281 or at karen@weschlers.com.
REMOVAL OF PROPERTY: All purchases should be paid for and removed the day of sale, but in no event later than three days post sale. Weschler’s will advise you on the best way to transport large items, and will help arrange for packing, insurance and shipping. Weschler’s assumes no responsibility for the acts or omissions of carriers or packers whether or not they are recommended by us. For further information please contact us at (202) 628-1281.
EXPORTATION PERMITS: Certain lots may be subject to the provisions of the Endangered Species Act of 1973, the Marine Mammal Protection Act of 1972, and the Migratory Bird Act of 1982. In order to export these items, the buyer must obtain special licenses from the Department of the Interior, United States Fish and Wildlife Service. Some items may not be exported, and others may not be resold once purchased. Prospective bidders who intend to export or resell such items are solely responsible for obtaining such licenses and Weschler’s cannot, and will not, assure that such licenses can be obtained.
COMMISSIONS: Weschler’s receives the standard 10 percent consignor’s commission on the hammer price of each lot that sells for more than $5,001; 15 percent for lots selling between $2,001 and $5,000; 20 percent for lots selling between $1,001 and $2,000; 25 percent or lots selling between $51 and $1,000; and 40 percent for lots selling under $50. For items of exceptional value, the consignor’s commission is negotiable at the time of consignment. If property carries a reserve and does not sell, a “buy back fee” of 5 percent or $50, whichever is greater, is charged. A sample standard contract may be obtained by contacting Weschler’s office at (202) 628-1281.
CONSIGNMENTS: If you have property to consign, please contact us at (202) 628-1281 or at info@weschlers.com. Generally, items must be consigned at least six weeks prior to the scheduled auction date, but consignors are urged to consign as early as possible. Visit our website, www.weschlers.com, to view upcoming auction and deadlines.
CONDITIONS OF SALE The property listed in this catalogue will be offered and sold by Adam A. Weschler & Son, Inc. (“Auctioneer”) as agent for the “Consignor” on the following terms and conditions. No employee is authorized to alter these conditions. All bidders and consignors acknowledge knowing and agreeing to these conditions.
1. REGISTRATION Prior to sale, all bidders must register with a Weschler’s representative and receive a bidding number. A bidding number will be required of the successful bidder at the fall of the Auctioneer’s hammer for each lot. 2. “AS IS” CONDITION The Auctioneer and the Consignor assume no risk, liability or responsibility for the authenticity or the authorship of any property identified in the catalogue (that is, the identity of the creator or the period, culture, source or origin as the case may be, with which the creation of any property is identified herein). All property is sold “As Is” and neither the Auctioneer nor the Consignor makes any warranties or representations of any kind or nature with respect to the property, and in no event shall be responsible for the correctness or any implied warranty or merchantability or any implied warranty of fitness for a particular purpose as it relates to description, genuineness, attribution, provenance, safety, reliability or condition of the property. If any implied warranties of merchantability or fitness for a particular purpose can be construed from the catalogue, auction, or bill of sale, such warranties are disclaimed by the Auctioneer and the Consignor. No statement in the catalogue or made at the sale or in the Bill of Sale or invoice or elsewhere shall be deemed such a warranty or representation or an admission of liability. 3. GUARANTEE Notwithstanding the preceding condition, if within 14 days of the date of the sale, on any lot, the purchaser must give notice in writing to the Auctioneer that the lot sold is a counterfeit and, if within 7 days after such notice the purchaser returns to the Auctioneer in the same condition as when sold, and gives written proof from a recognized impartial expert which establishes beyond reasonable doubt that the returned lot is in fact a counterfeit and that this was not indicated by a fair reading of the catalogue or the Auctioneer’s comments at the time of sale, the Auctioneer as agent for the Consignor will rescind the sale and refund the purchase price paid defined as the amount of the successful bid price, plus buyer’s premium. The guarantee is made only to the original purchaser of record (i.e., the registered bidder) and not any subsequent owners. The original buyer must have remained the owner of the lot without disposing of any interest in it to any third party. The term counterfeit is defined as a modern fake or forgery, and made with the intent to deceive.
4. WITHDRAWAL The Auctioneer reserves the right to withdrawal any property at any time before actual sale. 5. BIDDING Unless otherwise announced by the Auctioneer at the time of sale, all bids are per lot as numbered in the catalogue. The Auctioneer reserves the right to reject a bid from any bidder. The highest bid acknowledged by the Auctioneer shall be the purchaser. In the event of any dispute between bidders, the Auctioneer shall have the sole and final discretion either to determine the successful bidder, or to re-offer and re-sell the article in dispute. If the Auctioneer determines that any opening bid is not commensurate with the value of the article offered, he may reject the bid; and if, having acknowledged an opening bid he decides that any advance is not sufficient, he may reject the advance. 6. PURCHASER’S RESPONSIBILITY On the fall of the Auctioneer’s hammer, title to the offered lot passes to the highest bidder who, thereupon will pay the full purchase price therefore or such part as the Auctioneer may require. All deposits may be applied to any or all purchases made by the purchaser at this or any previous sale. All property shall be removed by the purchaser at his expense on the day of sale and, if not so removed, may be sent by the Auctioneer to a public warehouse for the account, risk and expense of the purchaser. Any damage to or loss of any item purchased which is left with the Auctioneer after the day of purchase is the purchaser’s sole responsibility. If the foregoing conditions or any other applicable conditions herein are not complied with, in addition to other remedies available to the Auctioneer and the Consignor by law, including without limitation the right to hold the purchaser liable for the bid price, the Auctioneer at its option, may either (a) cancel the sale, retaining as liquidated damages all payments made by the purchaser, or (b) re-sell the property on 3 days notice to the purchaser and for the account and risk of the purchaser, either publicly or privately, and in such event the purchaser shall be liable for the payment of any deficiency plus all costs, including warehousing, the expenses of both sales, and the Auctioneer’s commission at its regular rates and all other charges due hereunder, and incidental charges. No claims shall be allowed after removal of goods and no article shall be re-sold for purchaser at the sale where purchased.
www.weschlers.com
A premium equal to 20 percent* of the successful bid price up to and including $50,000, and 12 percent of the successful bid price over $50,000 will be added thereto and is payable by the purchaser as part of the total purchase price. The District of Columbia Sales Tax is computed on this total purchase price. The purchaser will be required to pay the Sales Tax unless exempted through possession of a valid District of Columbia Sales Tax number. *Discount for Cash, Wire or Local Approved Checks.
and or
After five (5) business days and the failure to pay in full, the Auctioneer reserves the right to charge the Purchaser’s credit card on file ten percent (10%) of the entire amount due (including the hammer price, buyer’s premium, all applicable taxes and other charges). After fourteen (14) days, the Auctioneer has the right to charge the entire amount due (including the hammer price, buyer’s premium, all applicable taxes and other charges) to the Purchaser’s credit card on file. Please Note: The District of Columbia has no arrangement of reciprocity with any other jurisdiction and the Auctioneer cannot honor a Sales Tax number from any other jurisdiction. Buyers not known to the Auctioneer and planning to pay with a personal or business check are required to supply the Auctioneer with a bank letter of credit prior to the auction. If such arrangements are not made prior to the auction, purchases will be held by the Auctioneer until the check has cleared the bank. 7. RESERVES Unless the sale is advertised and announced as an unrestricted sale or sale without reserve, Consignors reserve the right to bid through the Auctioneer as agent on their own consignments. 8. ADDITIONAL CONDITIONS The Auctioneer reserves the right to cancel the sale or any portion thereof without prior or further notice, and to announce at any time additional conditions of sale.
GLOSSARY FOR FURNITURE & DECORATIONS The terms used in this catalogue as to authorship, period, culture, source and origin are made subject to the provisions in the Conditions of Sale printed in this catalogue. George III Satinwood Inlaid Mahogany Sideboard Circa 1800 This heading, with the date, indicates a piece that in our opinion is essentially of the period with no major alterations or restorations. George III Satinwood Inlaid Mahogany Sideboard This heading, without the date, indicates a piece that in our opinion is essentially of the period but has been significantly altered or restored. George III Style Satinwood Inlaid Mahogany Sideboard This heading, with the word style, indicates a piece that in our opinion was made as an intentional copy of an earlier work. While some defects and damages are mentioned in this catalogue, it is the responsibility of the purchaser to note the condition of each piece.
GLOSSARY FOR PAINTINGS AND DRAWINGS The terms used in this catalogue have the meanings ascribed to them here. Please note that all statements in this catalogue as to authorship are made subject to the provisions in the Conditions of Sale printed in this catalogue. Johann Friedrich Overbeck (German 1789-1869) In our opinion, a work by the artist. Attributed to Johann Friedrich Overbeck (German 1789-1869) In our opinion, a work of the period of the artist, probably in whole, or in part a work by the artist. Studio of Johann Friedrich Overbeck (German 1789-1869) In our opinion, a work by an unknown hand in the studio of the artist, possibly executed under the supervision of the artist. Circle of Johann Friedrich Overbeck (German 1789-1869) In our opinion, a work of the period of the artist, closely related to his style. Manner of Johann Friedrich Overbeck (German 1789-1869) In our opinion, a work in the style of the artist, and of a later date. After Johann Friedrich Overbeck (German 1789-1869) In our opinion, a copy of a known work of the artist. The terms signed, dated or inscribed mean that in our opinion, the signature date or inscription are by the hand of the artist. We also give the placement of signature on the canvas as follows: l.l. – lower left l.r. – lower right l.c. – lower center
u.l. – upper left u.r. – upper right u.c. – upper center
The terms bears a signature, bears a date or bears an inscription mean that the work has a signature, date or inscription which may have been added by another hand. Dimensions are given height before width, unless otherwise stated, and to the nearest 1/4-inch. Pictures are framed unless otherwise noted. An asterisk (*) at the end of the description indicates that the print(s) in the lot has not been examined out of its mat and/or frame. While we do our best to protect the frames, we will not be responsible for damage, regardless of cause.
ARTIST INDEX Paintings, Prints, Drawings and Sculpture
Adams, Ansel . . . . . . . . . . . . . . . . . . . . . . . . . . . . 287 American School, 19th Century . . . . . . . . . . . . . 258 American or British School, 19th Century . . . . 239 Antonini, Dante . . . . . . . . . . . . . . . . . . . . . . . . . . 206 Appleby, Anne . . . . . . . . . . . . . . . . . . . . . . . . . . . 288 Barbieri, Giovanni Francesco (After) Called Il Guercino . . . . . . . . . . . . . . . . . . . . . . . . 175 Barthé, Richmond . . . . . . . . . . . . . . . . . . . . . . . . 169 Barye, Antoine-Louis . . . . . . . . . . . . . . . . . . . . . . 162 Bell, Robert Charles. . . . . . . . . . . . . . . . . . . . . . . 249 Bemelmans, Ludwig . . . . . . . . . . . . . . . . . . 272, 273 Benton, Thomas Hart . . . . . . . . . . . . . . . . . . . . . 289 Blinks, Thomas . . . . . . . . . . . . . . . . . . . . . . . . . . . 226 Bogert, George H. . . . . . . . . . . . . . . . . . . . . . . . . 261 Botello, Angel . . . . . . . . . . . . . . . . . . . . . . . . . . . . 286 Brandt, Warren. . . . . . . . . . . . . . . . . . . . . . . . . . . 279 Brett, John . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 218 British School, 19th Century . . 211, 212, 217, 222, . . . . . . . . . . . . . . . 224, 229, 230, 233, 236, 238, 244 British School, 19th-20th Century . . . . . . . . . . . 232 British School, Late 19th-Early 20th Century . 235 British School, 20th Century . . . . . . . . . . . . . . . 237 Buffet, Bernard. . . . . . . . . . . . . . . . . . . . . . . . . . . 290 Callens, Tammy (Tamera) Jean . . . . . . . . . . . . . 256 Cappiello, Leonetto . . . . . . . . . . . . . . . . . . . . . . . 291 Carmiencke, Johann Hermann . . . . . . . . . . . . . 193 Castro, Enrique . . . . . . . . . . . . . . . . . . . . . . 202, 203 Chappel, Alonzo . . . . . . . . . . . . . . . . . . . . . . . . . . 263 Cobbe, Bernard H.. . . . . . . . . . . . . . . . . . . . . . . . 242 Collyer, Margaret (Circle of) . . . . . . . . . . . . . . . 246 Colombo, Renzo . . . . . . . . . . . . . . . . . . . . . . . . . . 163 Cox the Elder, David . . . . . . . . . . . . . . . . . . . . . . 219 Danish School, 20th Century . . . . . . . . . . . . . . . 197 Dasveldt, Jan . . . . . . . . . . . . . . . . . . . . . . . . . . . . 228 De Lacy, Charles John . . . . . . . . . . . . . . . . 214, 215 De Vos, Vincent . . . . . . . . . . . . . . . . . . . . . . . . . . 231 Dolph, John Henry . . . . . . . . . . . . . . . . . . . . . . . 225 Drumalbin, A. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 221 Dubord, Jean Pierre . . . . . . . . . . . . . . . . . . . . . . 209 Dutch School, 19th Century. . . . . . . . . . . . 181, 188 Dutch School, 19th-20th Century . . . . . . . . . . . 182 Duveneck, Frank . . . . . . . . . . . . . . . . . . . . . . . . . 262 Ejsmond, Franciszek Teodor. . . . . . . . . . . . . . . . 198 English School, 19th Century . . . . . . . . . . . . . . . 216 Erté (Romain de Tirtoff) . . . . . . . . . . . . . . . . . . . 292 Flight, Graham . . . . . . . . . . . . . . . . . . . . . . . . . . . 247 Francis, John F. . . . . . . . . . . . . . . . . . . . . . . . . . . 259 French School, 19th Century . . . . . . . . . . . 204, 234 French School, Early 20th Century . . . . . . . . . . 293 Fueschel, Hermann . . . . . . . . . . . . . . . . . . . . . . . 195 Fugère, Henri . . . . . . . . . . . . . . . . . . . . . . . . . . . . 167
Gerardia, Helen . . . . . . . . . . . . . . . . . . . . . . . . . . 274 German School, 19th Century . . . . . . . . . . . . . . 194 Gernon, V. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 208 Gorter, Arnold Marc . . . . . . . . . . . . . . . . . . . . . . 191 Grachev, Vassili Yacolevich. . . . . . . . . . . . . . . . . 161 Graeme, Colin (Attributed to) . . . . . . . . . . . . . . 232 Guys, Constantin Ernest Adolphe Hyacinthe (Attributed to). . . . . . . . . . . . . . . . . . . . . . . . . . . . 205 Hardy, Jeremiah Pearson . . . . . . . . . . . . . . . . . . 223 Hellmundt, C.J. (Attributed to). . . . . . . . . . . . . 240 Hitchens, Joseph . . . . . . . . . . . . . . . . . . . . . 253, 254 Hodes, Suzanne . . . . . . . . . . . . . . . . . . . . . . . . . . 275 Holston, Joseph Deweese. . . . . . . . . . . . . . . . . . 270 Italian School, 18th Century . . . . . . . . . . . . . . . . 172 Italian School, 19th Century . . . . . . . . . . . . . . . . 174 Joiner, Harvey . . . . . . . . . . . . . . . . . . . . . . . . . . . 257 Kendrick III, James L. . . . . . . . . . . . . . . . . . . . . 276 Kopman, Benjamin D. . . . . . . . . . . . . . . . . . . . . . 267 Korecki, Wiktor . . . . . . . . . . . . . . . . . . . . . . . . . . 200 Lanceray, Evgeni Alexandrovich (After) . . . . . 160 Landseer, Edwin (After) . . . . . . . . . . . . . . . . . . . 241 Landseer, Edwin (School of) . . . . . . . . . . . . . . . 227 Lee, Lawrence W.. . . . . . . . . . . . . . . . . . . . . . . . . 283 Leonardi, Achille (After) . . . . . . . . . . . . . . . . . . . 173 Lerner, Howard . . . . . . . . . . . . . . . . . . . . . . . . . . 282 Lewis, Edmund Darch . . . . . . . . . . . . . . . . . . . . 250 Lochrie, Elizabeth Davey . . . . . . . . . . . . . . . . . . 255 Loder of Bath, Edwin (School of) . . . . . . . . . . . 245 Mazur, Michael. . . . . . . . . . . . . . . . . . . . . . . . . . . 294 Mcinness, James P. . . . . . . . . . . . . . . . . . . . . . . . 248 Miller, Richard Edward. . . . . . . . . . . . . . . . . . . . 266 Moore, Henry . . . . . . . . . . . . . . . . . . . 295, 296, 297 Motherwell, Robert . . . . . . . . . . . . . . . . . . . . . . . 298 Mulertt, Carl Eugene. . . . . . . . . . . . . . . . . . . . . . 265 Murillo, Bartolomé Esteban (After). . . . . . . . . . 177 Murphy, Joseph Francis . . . . . . . . . . . . . . . . . . . 251 Neeffs the Elder, Pieter (Follower of) . . . . . . . . 186 Nevins, Daniel Gerard. . . . . . . . . . . . . . . . . . . . . 284 Nicholson, George Washington . . . . . . . . . . . . . 264 Overbeck, Johann Friedrich . . . . . . . . . . . . . . . 192 Palamedesz, Anthonie (Studio of) . . . . . . . . . . . 179 Pickering, Joseph Langsdale . . . . . . . . . . . . . . . 221 Piranesi, Giovanni Battista (Circle of). . . . . . . . 178 Pratt, Hilton Lark. . . . . . . . . . . . . . . . . . . . . . . . . 213 Purcell, Ann . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 285 Rampaso, Luciano . . . . . . . . . . . . . . . . . . . . . . . . 207
ARTIST INDEX Paintings, Prints, Drawings and Sculpture (cont.)
Reinhardt, Louis Ludwig . . . . . . . . . . . . . . . . . . 190 Reni, Guido (After) . . . . . . . . . . . . . . . . . . . . . . . 171 Rockwell, Norman (After) . . . . . . . . . . . . . . . . . 299 Ronner-Knip, Henriette. . . . . . . . . . . . . . . . . . . . 243 Rosen, Charles . . . . . . . . . . . . . . . . . . . . . . . . . . . 281 Schadeberg, J端rgen . . . . . . . . . . . . . . . . . . . . . . . 300 Schanker, Louis . . . . . . . . . . . . . . . . . . . . . . . . . . 278 Schmidt, Albert H. . . . . . . . . . . . . . . . . . . . . . . . . 269 Schneider, Frank . . . . . . . . . . . . . . . . . . . . . . . . . 260 Sendak, Maurice. . . . . . . . . . . . . . . . . . . . . . . . . . 271 Steen, Jan (Manner of). . . . . . . . . . . . . . . . . . . . 189 Tamburini, Arnaldo . . . . . . . . . . . . . . . . . . . . . . . 176 Tuite, Joseph Thomas . . . . . . . . . . . . . . . . . . . . . 227 Turner, Joseph Mallord William . . . . . . . . . . . . 220 Underwood, William . . . . . . . . . . . . . . . . . . . . . . 210 van Couver, Jan (Hermanus Koekkoek Jr.) . . 185 van den Tempel, Abraham Lambertsz Jacobsz 183 van Ravesteyn, Jan Anthonisz . . . . . . . . . . . . . . 180 Venetian School, 18th Century . . . . . . . . . . . . . . 170 Verboeckhoven, Eugene . . . . . . . . . . . . . . . . . . . 187 Viana, Eduardo. . . . . . . . . . . . . . . . . . . . . . . . . . . 201 Westchiloff, Constantin A.. . . . . . . . . . . . . . . . . . 199 Weyl, Max. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 252 Wiggins, Guy A. . . . . . . . . . . . . . . . . . . . . . . . . . . 280 Williams, David A. . . . . . . . . . . . . . . . . . . . . . . . . 277 Winkler, Fritz . . . . . . . . . . . . . . . . . . . . . . . . . . . . 196 Wouwerman, Philips (After). . . . . . . . . . . . . . . . 301 Wouwerman, Pieter (After) . . . . . . . . . . . . . . . . 184 Wright, Stanton MacDonald . . . . . . . . . . . . . . . 268
CAPITAL COLLECTIONS ESTATE AUCTION Friday, December 5, 2014 10 a.m. Lots 1 - 375 View items in the sale and leave bids online at www.weschlers.com Register to bid live on-line at www.invaluable.com, www.auctionzip.com and www.ebay.com
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RUGS PROPERTY OF VARIOUS OWNERS 1 Keshan Rug Circa 1950 Blue ground with flowering urn, garland and bird field within a palmette and trellising floral guard border on red ground. 7 ft 2 in x 4 ft 9 in (218 x 145 cm) $600-$800
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2 Laver Kerman Rug First Quarter 20th Century Beige ground with floral spray field within seven floral trellising guard borders on variegated grounds. 11 ft 9 in x 9 ft 2 in (358 x 279 cm) $4,000-$6,000
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PROPERTY FROM A LOCAL HISTORICAL INSTITUTION 3 Sarouk Rug Second Quarter 20th Century Red ground with floral spray field within a palmette and floral spray guard border on blue ground. 11 ft 8 in x 9 ft 1 in (356 x 277 cm) $800-$1,200
4 Sarouk Rug Second Quarter 20th Century Red ground with floral spray field and palmette and trellising vine guard border on blue ground. 16 ft 9 in x 10 ft 4 in (511 x 315 cm) $1,500-$2,500
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PROPERTY FROM THE ESTATE OF IRENE MOORE 5 Tabriz Partial Silk Rug Circa 1950 Beige ground with floral spray field centering three joined shaped medallions on rose ground within a palmette and garland guard border on rose ground. 13 ft 1 in x 2 ft 9 in (399 x 84 cm) $1,000-$2,000
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PROPERTY OF VARIOUS OWNERS 6 Tabriz Rug Circa 1950 Green ground with floral trellising field centering a lobed medallion on gold ground, beige-gold-lavender spandrels within a floral spray guard border on red ground. 12 ft 7 in x 9 ft 6 in (384 x 290 cm) $2,000-$3,000
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7 Tabriz Rug Circa 1950 Red ground with floral spray field centering a lobed medallion on blue-beige ground, gold-blue spandrels within a floral spray guard border on blue ground. 6 ft 9 in x 4 ft 8 in (206 x 142 cm) $500-$700
PROPERTY FROM A CHEVY CHASE, MARYLAND TRUST 8 Heriz Rug Second Quarter 20th Century Red ground with herati field centering a star medallion on blue ground, beige-red spandrels within a rosette and trellising vine guard border on blue ground. 15 ft 4 in x 11 ft 8 in (467 x 356 cm) $1,000-$1,500
PROPERTY OF VARIOUS OWNERS 9 Qum Silk Rug Third Quarter 20th Century Red ground with flowering urn and bird field centering a lobed medallion on blue ground, complementary spandrels within a palmette and floral spray guard border on blue ground. 5 ft 9 in x 3 ft 6 in (175 x 107 cm) $500-$700 10 Isphahan Rug Second Quarter 20th Century Beige ground with palmette and floral spray field within a palmette and trellising vine guard border on red ground. 11 ft 7 in x 7 ft (353 x 213 cm) $2,000-$3,000
11 Isphahan Partial Silk Meditation Rug Circa 1950 Within prayer arch, blue ground with bird, animal and floral spray field within a complementary guard border on blue ground. 5 ft 5 in x 3 ft 7 in (165 x 109 cm) $500-$700
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12 Turkish Rug Contemporary Red ground with floral bouquet field within a floral garland guard border on blue ground. 20 ft 8 in x 13 ft 11 in (630 x 424 cm) $3,000-$5,000
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PROPERTY FROM THE ESTATE OF IRENE MOORE 13 Tabriz Partial Silk Rug Circa 1950 Ivory ground with palmette and floral spray field within a palmette and garland guard border on rose ground. 6 ft 7 in x 4 ft 11 in (201 x 150 cm) $800-$1,200
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PROPERTY FROM A CHEVY CHASE, MARYLAND TRUST 14 Bidjar Rug First Quarter 20th Century Shaded rust ground centering a stepped medallion on blue ground enclosing trees, blue spandrels within a rosette and trellising vine guard border on rust ground. 11 ft 5 in x 5 ft 6 in (348 x 168 cm) $2,000-$3,000
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PROPERTY FROM THE ESTATE OF IRENE MOORE 16 Tabriz Partial Silk Rug Contemporary Blue ground with palmette and floral garland field centering a roundel medallion on pink ground, greenbeige spandrels within a palmette and floral spray guard border on pink ground. 11 ft 8 in x 8 ft 3 in (356 x 252 cm) $7,000-$10,000
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PROPERTY OF VARIOUS OWNERS 17 Bidjar Rug Second Quarter 20th Century Blue ground with floral spray field within a rosette and trellising vine guard border on shaded blue ground. 11 ft 1 in x 5 ft 6 in (338 x 168 cm) $1,500-$2,000
19 Shirvan Rug Circa 1900 Red ground with six borders of diagonal stripes and rosettes on variegated grounds. 8 ft 6 in x 4 ft 2 in (259 x 127 cm) $1,000-$1,500
18 Kerman Rug Second Quarter 20th Century Beige ground with floral spray field within a floral vignette guard border on blue ground. 19 ft 5 in x 8 ft 9 in (592 x 267 cm) $3,000-$5,000
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PROPERTY FROM THE ESTATE OF IRENE MOORE 20 Tabriz Rug Signed Iran Weaver Sa’ee Tabriz, Contemporary Wine-red ground with palmette and floral spray field centering a roundel medallion on pink ground, lavendergreen spandrels within a palmette and floral garland guard border on blue ground. 11 ft 6 in x 8 ft 2 in (351 x 249 cm) $8,000-$12,000
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PROPERTY OF VARIOUS OWNERS 21 Afghan Rug Circa 1950 Beige ground with diagonal rows of botehs centering a stepped medallion on red-blue ground within a rosette and trellising vine guard border on beige ground. 12 ft x 10 ft (366 x 305 cm) $2,000-$3,000
22 Laver Kerman Rug Circa 1900 Beige ground with floral spray field centering a shaped medallion on red-gold ground, blue spandrels within a floral spray guard border on beige ground. 9 ft 10 in x 6 ft 5 in (300 x 196 cm) $150-$2,000
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23 Mahal Rug Second Quarter 20th Century Red ground with floral spray field within a rosette and trellising vine guard border on blue ground. 12 ft x 8 ft 6 in (366 x 259 cm) $1,000-$2,000
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PROPERTY FROM A LOCAL HISTORICAL INSTITUTION 24 Sarouk Rug First Quarter 20th Century Red ground with flowering urn and floral spray field within a rosette and palmette guard border on blue ground. 8 ft 9 in x 5 ft 11 in (267 x 180 cm) $500-$700
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PROPERTY OF VARIOUS OWNERS 25 Mahal Rug Second Quarter 20th Century Red ground with rosette and floral spray field within a rosette and floral spray guard border on blue ground. 11 ft 6 in x 9 ft 1 in (351 x 277 cm) $3,000-$4,000
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26 Heriz Rug Second Quarter 20th Century Red ground with herati field centering a star medallion on blue-red-beige ground, complementary spandrels within a rosette and floral trellising guard border on blue ground. 11 ft 2 in x 8 ft 9 in (340 x 267 cm) $800-$1,200
27 Kazak Rug Circa 1900 Red ground with latchhook field centering an octagonal medallion on beige ground within a serrated leaf guard border on blue ground. 7 ft 4 in x 6 ft 4 in (224 x 193 cm) $800-$1,200
28 Indo-Keshan Rug Circa 1950 Blue ground with palmette and floral spray field centering a star medallion on red ground, gray-beige spandrels within a floral spray guard border on red ground. 11 ft 8 in x 8 ft 3 in (356 x 252 cm) $1,500-$2,500
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29 Bidjar Rug Second Quarter 20th Century Beige ground with rosette and floral spray field centering a pulled stepped medallion on red ground enclosing floral sprays within a rosette and serrated leaf guard border on blue ground. 6 ft 7 in x 4 ft 1 in (201 x 125 cm) $500-$700
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30 Sarouk Rug Second Quarter 20th Century Red ground with floral spray field centering a shaped medallion on blue ground, blue-beige spandrels within a palmette and trellising vine guard border on blue ground. 11 ft 10 in x 8 ft 9 in (361 x 267 cm) $2,000-$3,000
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31 Tabriz Rug Second Quarter 20th Century Blue ground with diagonal rows of botehs within a floral and trellising vine guard border on red ground. 6 ft 8 in x 4 ft 6 in (203 x 137 cm) $700-$900
ASIAN WORKS OF ART 32 Two Similar Chinese Pale Celadon Jade ‘Dragon’ Buckles 19th Century Each serpent-form buckle with a boss button and carved and under-cut with a sinuous confronting chilong. Length of larger: 4-3/4 in (12.1 cm) $1,000-$1,500
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33 Chinese Pale Celadon Jade Cylindrical Cricket Box 19th Century Carved in sunken relief and pierced with two immortals traveling on a mountainside with rocky outcrops and pine trees, both end-caps incised with key-fret banding, one end with twist-off cap. Height: 7-1/2 in (19.1 cm); Diameter: 1-5/8 in (4.1 cm) $2,000-$3,000
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34 Chinese FlambĂŠ Glazed Bottle Vase 19th Century Some glaze imperfections. Height: 14-3/4 in (37.5 cm) $500-$700 35 Chinese Painted Buff Pottery Figure of a Horse with Female Rider Tang Dynasty (618-907 AD) With traces of salmon, dark brown and white pigment. Restorations. Height: 16 in (40.6 cm) $2,000-$3,000 36 Japanese Bronze Incense Burner (Koro) Meiji Period (1868-1912) The compressed bulbous body with brown patina having continuous low relief scenes of onis in a pine forest beneath an inverted and pierced neck flanked by handles cast with oni and cloud bands, the removable top cast with a group of a mythological man and child on a rocky outcrop, underside with cast seal mark, raised on a circular splayed and footed base ending in three mythological mask feet. Height: 21 in (53.3 cm) $700-$900
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37 1 of a pair
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PROPERTY FROM A CHEVY CHASE, MARYLAND TRUST 37 Tosa School, 18th-19th Century Environs of Kyoto: A Pair of Six-Panel Screens Unsigned Ink and color on gold leaf paper mounted on gold and green brocade silk. Each overall: 42 x 112-1/4 in (106.7 x 285.1 cm) $2,500-$3,500
PROPERTY OF VARIOUS OWNERS 38 Japanese Sword (Katana) Unsigned, Edo Period, 19th Century
Configuration (sugata): slightly curved with shallow peak back (iori-mune), and medium point (chu-kissaki) Forging pattern (ji-hada): very fine grained wood pattern (itame) Tempering pattern (hamon): irregular invections (gonome-midare) in nie and with ‘swept sands’ (sunagashi) and loose clouds of nie Tang (nakago): tapering with curving end (ubu); file marks (yasuri mei): slanted (katte-sagari); holes (mekugi ana): one; signature (mei): none. Together with an inscribed wood shira-saya. Length (nagasa): 25-3/8 in (64.4 cm) $2,000-$3,000
39 Japanese Bizen Sword (Katana) Signed Bizen Osafune Katsumitsu, Dated February 1494
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Configuration (sugata): slightly curved with shallow peak back (iori-mune), and medium point (chu-kissaki) Forging pattern (ji-hada): very fine grained wood pattern (itame) Tempering pattern (hamon): medium width sugaba in ko-nie Tang (nakago): tapering with curving end (ubu); holes (mekugi-ana): two; signature (mei): one side, Bizen Osafune Katsumitsu and the other side, Mei-o San Nen Ni Gatsu (in the second month, the third year of Mei-o). Together with an inscribed wood shira-saya. Length (nagasa): 24-1/2 in (62.2 cm) $4,000-$6,000
40 Japanese Sword (Katana) Signed Mino no Kami Fujiwara Jumyo, 17th Century
Configuration (sugata): slightly curved with shallow peak back (iori-mune), and medium point (chu-kissaki) Forging pattern (ji-hada): very fine grained wood pattern (itame) Tempering pattern (hamon): small, irregular, slanted invections (saka-gonome) Tang (nakago): tapering with curving end (ubu); holes (mekugi ana): one; signature (mei): one side, Mino no Kami Fujiwara Jumyo. Together with an inscribed wood shira-saya. Length (nagasa): 23-3/4 in (60.3 cm) $5,000-$7,000
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41 Japanese Sword (Katana) Signed Bishu Osafune Norimitsu, 16th-17th Century
Configuration (sugata): slightly curved with shallow peak back (iori-mune), longitudinal ridge line (shinogi zukuri), and medium point (chu-kissaki) Forging pattern (ji-hada): very fine grained wood pattern (itame) Tempering pattern (hamon): irregular invections (gonome-midari) in nie and with ‘swept sands’ (sunagashi) and loose clouds of nie Tang (nakago): tapering with curving end (ubu); file marks (yasuri mei): slanted (katte-sagari); holes (mekugi ana): three; signature (mei): one side, Bishu Osafune Norimitsu. Together with an inscribed wood shira-saya. Length (nagasa): 26-5/8 in (67.6 cm) $3,000-$4,000
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42 Japanese Sword (Katana) Signed Bishu Osafune Sukesada, Dated February 1572
Configuration (sugata): slightly curved with shallow peak back (iori-mune), and medium point (chu-kissaki) Forging pattern (ji-hada): very fine grained wood pattern (itame) Tempering pattern (hamon): irregular invections (gonome-midare) in nie and with ‘swept sands’ (sunagashi) and loose clouds of nie Tang (nakago): tapering with curving end (ubu); holes (mekugi ana): two; signature (mei): one side, Bishu Osafune Sukesada and the other side, Genki San Nen Ni Gatsu (in the second month, the third year of Genki) and Ha Cho (cutting edge length) Ni Shaku (two feet, approximately) San Zen (three inches, approximately). Together with an inscribed wood shira-saya. Length (nagasa): 27-1/4 in (69.2 cm) $5,000-$7,000
43 Japanese Sword (Ko-Tachi) Mounted in a Patinated Brass Mounted Gold Nashiji Lacquer Scabbard Signed Katsu-i-e, First Generation, Oei Period (1394-1428)
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Configuration (sugata): slightly curved with shallow peak back (iori-mune), and medium point (chu-kissaki) Forging pattern (ji-hada): very fine grained wood pattern (itame) Tempering pattern (hamon): florid and extremely small irregular clove patterns (choji-midare) in ko-nie Tang (nakago): tapering with curving end (ubu); file marks (yasuri mei): indistinguishable; holes (mekugi ana): two; signature (mei): one side, Katsu-i-e Furniture (koshirae): patinated brass strap and mounted gold nashiji lacquered shagreen scabbard; brown silk cord with shibuichi armour menuki and gold-inlaid shakudo with seashell fuchi and brass kashira and four-lobed brass shakudo mokko and tsuba. Length (nagasa): 28-1/8 in (71.4 cm) $4,000-$6,000
44 World War II Japanese Army Officer’s (Gunto) Sword (Katana) Signed Yoshida Kaneyoshi, Showa Period, Circa 1940s
Configuration (sugata): slightly curved with shallow peak back (iori-mune), and medium point (chu-kissaki) Forging pattern (ji-hada): very fine grained wood pattern (itame) Tempering pattern (hamon): florid and extremely small irregular clove patterns (choji-midare) in ko-nie Tang (nakago): tapering with curving end (ubu); file marks (yasuri mei): indistinguishable; holes (mekugi ana): one; signature (mei): one side, Yoshida Kaneyoshi Furniture (koshirae): scabbard (saya) shark’s skin copper ring retaining bands, and gold-inlaid copper end-cap (kogiri); brown silk cord wrapped handle with gold-inlaid triple blossom menuki and gold-inlaid copper fuchi-kashira with four-lobed mokko and gold-inlaid tsuba. Length (nagasa): 25-1/5 in (64.8 cm) $2,000-$3,000
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45 Japanese Halberd (Naginata) Edo Period, 17th-18th Century The blade (nagasa) of long gentle curve with a shallow curved longitudinal ridge saki-zori, the hamon with irregular meandering tempering line to the point (midare komi), unsigned elongated tang (nakago), in a roiro lacquer scabbard (saya), the upper section of the haft (koshirae) mounted with alternating shaped shakudo bands and copper alloy rings on a sparkling ground of mother-of-pearl (aogai) pieces; the lower section with gilt mon decorated roiro lacquer. Overall length: 99 in (251.5 cm); Blade length: 15-3/8 in (39 cm) $1,500-$2,500
46 Two Japanese Wrought-Iron Samurai Police Weapons (Sodegarami) Edo Period, 19th Century Each with wrought-iron curved and barbed spikes on the collar and tip, mounted on wood hafts. Overall lengths from: 99 to 99-1/2 in ( 251.5 to 252.7 cm) $1,000-$1,500
47 Group of Four Japanese Netsuke 19th-20th Century The first, a pierced-wood seated fox with inlaid eyes, signed; the second, an ivory group of two boys pursuing a young tiger, unsigned; the third, an ivory group of a boy embracing a recumbent water buffalo, signed; and the fourth, an ivory figure of a seated fox priest holding a coral and ivory mallet striking a mokugyo, on a red lacquer stand with a peering ivory mouse, signed. Length of largest: 2 in (5.1 cm) $800-$1,200
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48 Japanese Earthenware Vase Signed Dai Nihon Shuzan and with Satsuma Mon, Taisho Period (1912-1926) The ovoid body with rounded rim enamel and gilt painted on opposing sides with rectangular tapering friezes depicting a court lady with an attendant and peacock outside a pavilion, verso painted with birds in a flowering landscape, all within a gilt-decorated pond with stylized butterflies, chrysanthemums and ferns on cobalt blue ground. Some wear to gilded rim. Height: 12 in (30.5 cm) $500-$700
50 Pair of Japanese Earthenware ‘Butterfly’ Cabinet Vases Each Signed Satsuma Yaki, Meiji-Taisho Period (1868-1926) Each ovoid body with narrowing neck and rounded rim with a pair of animal-form gilt handles, overall enamel and gilt painted with butterflies on a shippo ground. Some wear to gilded rims. Height: 4-1/2 in (11.4 cm) $500-$700
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49 Japanese Earthenware Box Signed Hozan, Meiji-Taisho Period (1868-1926) Round and raised on three gilt bracket feet, the cover enamel and gilt painted with ladies and children in a pavilion and bridge with hanging wisteria above a pond filled with iris, the sides of the cover and body painted with floral wreath reserves scattered on a gilt and black key-fret diaper banding, the interior enamel painted with peony and cherry blossom sprays. Some wear to gilded edge to cover. Height: 4-1/2 in (11.4 cm); Diameter: 8-1/4 in (21 cm) $800-$1,200
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51 Japanese Earthenware ‘Millefiore’ Bowl and Charger Taisho Period (1912-1926) The round bowl with crimped rim, overall interior and exterior enamel and gilt painted with chrysanthemum and peony blossoms, signed Koshida; the round charger with interior enamel and gilt painted depicting six officials in a bamboo grove on a white enamel beaded ground. Diameter of charger: 14-3/4 in (37.5 cm) $600-$800
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52 Set of Five Arita Polychrome and Gilt Dishes Meiji-Taisho Period (1868-1926) Each enamel and gilt painted with various scenes of a woman on a terrace, ho-o birds and flowers, underside of each with underglaze impressed Kangxi mark. Diameter: 8-3/8 in (21.3 cm) $500-$700
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53 Japanese Iro-e Brown Lacquer Picnic Box (Sage-Jubako) Meiji-Taisho Period (1868-1926) Of typical form, with a removable top tray enclosing five rectangular dishes over a graduated nesting of five compartmented food boxes and a two-bottle container with silver-plated sake bottle over a removable deep dish; overall decorated in silver and gold with bamboo trees on a brown ground with silver-plated bail carrying handle. 12-1/2 x 12 x 6-3/4 in (31.8 x 30.5 x 17.1 cm) $800-$1,200
Provenance: Sold in these rooms December 4, 1976, lot 1020 Formerly the Property of Mrs. Courtney Whitney, widow of the late Major General Courtney Whitney Note: General Whitney was General Douglas MacArthur’s aide during most of World War II and also served alongside MacArthur during the Korean War. Thereafter, General Whitney gained fame as MacArthur’s biographer.
54 Japanese Gold Lacquer Incense Chest (Kodansu) 19th Century Rectangular cabinet form, decorated in variously colored gold hiramaki-e, takamaki-e, kirikane and kirigane with a continuous mountain scene with huts by riverbanks, amongst pine trees and rockwork, the door panels each with foliate-incised silvered metal latch, escutcheons and hinges and side bail handles, the doors opening to reveal four fitted drawers with silvered metal chrysanthemum knop pulls and similarly decorated with a pavilion entrance with a bridge over a stream leading to a red flaming Buddhistic emblem, the interior of the drawers decorated in nashiji. Two small chips to lacquer at top. 4-1/2 x 5-1/4 x 3-3/4 in (11.4 x 13.3 x 9.5 cm) $1,500-$2,500
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55 Japanese Iro-e Gold Lacquer Writing Box (Suzuribako) 19th Century Rectangular form lacquered with a nashiji ground decorated in iroe-hiramaki-e, taka-maki-e, hirame and nashiji and inlaid in mother-of-pearl and gilt metal, with butterflies over flowering plants from a rocky outcrop over a winding river, the interior nashiji with bamboo, prunus and pine trees on a rocky hill, fitted with a central inkstone, a silver triple plum blossom water dropper, five brushes, a sancai carp brush holder, an inkstone and an ink stick in a brocade silk case. Some fading to exterior lacquer. 2 x 9-1/4 x 10-1/2 in (5.1 x 23.5 x 26.7 cm) $1,500-$2,500
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SILVER AND SILVER PLATE
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56 Elkington & Co. Rococo Style Silver Plate Jewelry Casket Dated 1882 The elongated oval body repoussĂŠ decorated with putti at play in a forest landscape; the hinged lid opening to view a blue silk-lined interior. Underside with impressed factory mark, date letter W and 14151. Some minor wear to silver on high points of decoration. Height: 4-1/2 in (11.4 cm); Length: 11-5/8 in (29.5 cm) $500-$700
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57 William IV Sheffield Plate Wine Cooler J. Watson & Co., Circa 1830 The urn-form body with grape leaf and cluster embossed rim, enclosing a removable liner, flanked by two reeded and leafage-applied handles ending in a shell and leafage-cast pedestal base. Underside with palm factory mark. Height: 11-1/2 in (29.2 cm) $600-$800
58 Continental Enamel Pictorial Silver Gilt Snuff Box Apparently unmarked, Possibly Swiss, Late 18th Century The rectangular enameled box with canted corners, having a hinged lid depicting a pastoral scene with figures within a silver gilt and blue enamel border, opening to view a silver gilt interior. Height: 1 in (2.5 cm); Width: 2-7/8 in (7.3 cm); Depth: 2 in (5.1 cm) $800-$1,200
59 Continental RepoussĂŠ Silver Mounted Ivory Tusk Spice Tower (Besamim) Apparently unmarked, Circa 1900 Lacking flag. Height: 11-1/2 in (29.2 cm) $2,000-$3,000
60 Continental RepoussĂŠ Silver Mounted Ivory Tusk Traveling Menorah Apparently unmarked, Circa 1900 The domed lid opening to view an interior fitted with eight candle holders, the shammash and a snuffer. Height: 7 in (17.8 cm) $2,000-$3,000
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61 German Rococo Style Four-Piece Silver Coffee and Tea Service First Quarter 20th Century Consisting of a coffeepot, teapot, covered sugar bowl and covered cream jug; each with swirl molded bodies. Each impressed on underside 800 and with crown and crescent mark. Height of coffeepot: 9 in (22.9 cm) Total gross weight: 73.6 oz $1,000-$1,500
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62 Pair of German Sterling Single-Handle Dishes J.H. Werner, First Quarter 20th Century Each having a shaped circular body with engraved foliate banding and gilt-washed interior; each with screw-off ebonized wood handle. Underside of each with impressed crown and crescent mark, factory mark and 925. Cracks to handles. Height: 2-5/8 in (6.7 cm); Diameter excluding handle: 7-1/4 in (18.4 cm) Total weight: 32.3 oz $800-$1,200
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63 Group of Three American Sterling Serving Spoons Late 19th-Early 20th Century Each monogrammed. The first, George W. Shiebler, New York, Etruscan pattern, introduced 1880, engraved with date 1890; the second, George B. Sharp, Philadelphia, circa 1868, with ball finial; and the third, Wallace, Wallingford, CT, Eton pattern, introduced 1903, engraved with dates 1857-1907. Lengths from: 8-7/8 to 10-3/8 in (22.5 to 26.3 cm) Total weight: 12.8 oz $500-$700
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64 Dominick & Haff Sterling Punch and Soup Ladles New York, King Pattern, Introduced 1880, Retailed by B.H. Steif Co., Nashville Each monogrammed and with gilt-washed bowls. Each with impressed factory mark and retailer’s name. Length of longer: 12-1/2 in (31.8 cm) Total weight: 18.1 oz $600-$800 65 Pair of Tiffany Sterling Asparagus Tongs New York, Richelieu Pattern, Introduced 1892 Monogrammed. Impressed with factory mark. Length: 7-1/4 in (18.4 cm) Weight: 5.7 oz $500-$700
66 Group of Six Gorham Sterling Flat Serving Articles Providence, Medallion Pattern, Introduced 1864 Each monogrammed. Consisting of a two-piece fish set, retailed by Tiffany & Co.; a macaroni server; a two-piece salad set; and a shell-bowl ladle with twisted handle. Each with impressed factory mark. Lengths from: 7-3/8 to 11-1/2 in (18.7 to 29.5 cm) Total weight: 20.8 oz $1,000-$2,000 67 Gorham Mixed-Metal Hammered Sterling Demitasse Pot Dated 1881 In the Japonesque taste, the bulbous body having a long cylindrical neck, engraved with clouds and a landscape and with applied copper berried branch and bird, verso with figures and a butterfly; monogrammed on top of lid. Underside impressed with factory mark, E23 and date letter N. Height: 7 in (17.8 cm) Gross weight: 15.9 oz $1,500-$2,500
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68 Set of Twelve Gorham Sterling Wine Goblets Providence, Second Half 20th Century Each impressed on underside with factory mark and 272. Height: 6-1/2 in (16.5 cm) Total weight: 72 oz $1,200-$1,800
69 Set of Twelve Stieff Sterling Wine Goblets Baltimore, Dated 1957 Each engraved with monogram WEW. Each impressed on verso with factory mark, date cipher Y and 0801. Height: 6-1/2 in (16.5 cm) Total weight: 65.1 oz $1,000-$1,500
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PROPERTY FROM THE ESTATE OF IRENE MOORE 70 Wallace Sterling ‘Coventry’ Five-Piece Coffee and Tea Service and Plated Tray Wallingford, CT, Mid-20th Century Consisting of a coffeepot, teapot, covered sugar bowl, cream jug and waste bowl; each initialed C. Each impressed on underside with factory mark, pattern name and number 365. Together with a Wallace ‘Baroque’ silver plate tray, impressed on verso with factory mark, pattern name and number 294F. Height of coffeepot: 10-3/4 in (32.4 cm); Length of tray: 28-3/4 in (73 cm) Total gross weight of tea service: 176.5 oz $2,000-$3,000
PROPERTY OF VARIOUS OWNERS
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71 Wallace Sterling Flat Table Service Wallingford, CT, Grande Baroque Pattern, Introduced 1941 Consisting of: 2 Tablespoons 12 Dinner forks 1 Gravy ladle 12 Salad forks 1 Cream ladle 12 Teaspoons 1 Cold meat fork 12 Cream soup spoons 1 Jelly server 12 Dinner knives 1 Lasagna server 12 Two-piece butter knives 1 Pierced tablespoon 1 Master butter knife Total number of pieces: 81 Total weight of weighable silver: 89.4 oz $1,500-$2,000 72 Alvin Sterling Flat Table Service Providence, Bridal Rose Pattern, Introduced 1903 Initialed B Consisting of: 12 Dessert knives 12 Place forks 12 One-piece butter knives 12 Dessert forks 1 Gravy ladle 12 Salad forks 1 Small cold meat fork 3 Tablespoons 1 Tomato server 12 Dessert spoons 1 Sugar spoon 12 Boullion spoons 1 Ice cream slicer 36 Teaspoons 1 Individual pie fork 12 Five o’clock teaspoons 1 Large jelly spoon 12 Dinner knives Total number of pieces: 154 Total weight of weighable silver: 151 oz $3,000-$5,000
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73 Kirk/Stieff Repoussé Sterling Assembled Flat Table Service Baltimore, Predominantly Repoussé Pattern, Introduced 1828 Consisting of: 10 Place forks (Stieff Rose pattern) 10 Salad forks 10 Soup spoons 8 Iced teaspoons (Stieff Rose pattern) 10 Teaspoons 10 Dinner knives Total number of pieces: 58 Total weight of weighable silver: 60.6 oz $1,000-$1,500
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74 S. Kirk & Son Sterling Flat Table Service Baltimore, RepoussĂŠ Pattern, Introduced 1828 Some monogrammed. Consisting of: 20 Place forks 20 Salad forks 23 Ice cream forks 20 Teaspoons 19 Demitasse spoons 20 Steak knives Total number of pieces: 122 Total weight of weighable silver: 101.9 oz $1,800-$2,200
75 Dominick & Haff Sterling Flat Table Service New York, Chippendale Pattern, Introduced 1885, Retailed by J.E. Caldwell & Co., Philadelphia Monogrammed. Consisting of: 24 Dinner forks 24 Salad forks 24 Soup spoons 24 Tablespoons 24 Teaspoons 24 Dinner knives 24 Luncheon knives Fitted within the original wood case. Total number of pieces: 168 Total weight of weighable silver: 250.4 oz. $4,000-$6,000
76 Goodnow & Jenks Sterling Five-Piece Tea Service Boston, Late 19th Century, Retailed by Bigelow, Kennard & Co. Consisting of a hot water kettle-on-burner-stand, teapot, covered sugar bowl, cream jug and waste bowl; each bulbous squat body embossed with leaves alternating with pendant flowers. Each impressed on underside with factory mark, retailer’s mark, and pattern number 36. Handle of hot water kettle lacking one pin and with one replaced pin. Height of hot water kettle-on-stand: 10-1/2 in (26.7 cm) Total gross weight: 130.3 oz $3,000-$5,000
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77 Shreve, Crump & Low Sterling Tea Tray Boston, Late 19th Century The cartouche-shaped tray with openwork sides and integrated handles, engraved with a rampant lion and hatchet crest below the motto NE CEDE MALIS with engraved foliage. Verso impressed with retailer’s mark and sterling. Length: 24 in (61 cm) Weight: 112.6 oz $2,000-$3,000
79 Kennard & Jenks Repoussé Sterling Five-Piece Coffee and Tea Service Boston, Circa 1876 Consisting of a coffeepot, teapot, covered sugar bowl, waste bowl and cream jug; each overall repoussé decorated with foliage on a stippled ground. Underside of each impressed Sterling and 441; each except coffeepot with impressed factory mark. Height of coffeepot: 9 in (22.9 cm) Total gross weight: 80.4 oz $2,000-$3,000
78 Shreve, Crump & Low Sterling Center Bowl Boston, Circa 1911 The navette-form pedestal bowl with gilt-washed interior; the exterior chased and engraved with scrolling foliage; with engraved presentation on one end of border dated June 1st, 1911. Underside with eagle mark, Shreve, Crump and Low Co., Sterling and 645. Wear to gilding. Height: 9-1/8 in (23.1 cm); Length: 16-3/8 in (41.5 cm) Weight: 77 oz $2,000-$3,000
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80 S. Kirk & Son RepoussĂŠ Silver Six-Piece Coffee and Tea Service Circa 1880-1890 Consisting of a coffeepot, two teapots, covered sugar bowl, waste bowl and cream jug; each overall repoussĂŠ decorated with scrolling foliage on a stippled ground, each with monogrammed reserve; the lids with grape cluster finials. Fitted in the original wood case with brass carrying handles. Height of coffeepot: 11-3/4 in (29.9 cm) Total gross weight: 159.3 oz $6,000-$8,000
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AMERICAN FURNITURE AND DECORATIONS 81 Chippendale Cherry Chest of Drawers Massachusetts or Connecticut, Circa 1770-1790 Brasses replaced; top with some cracks; repairs to central front molding; repairs to stiles and bottoms of three feet. Height: 34 in (86.4 cm); Width: 39-1/2 in (100.3 cm); Depth: 19 in (48.3 cm) $1,000-$2,000
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82 Chippendale Mahogany Oxbow Slant-Front Desk-and-Bookcase Boston, Circa 1760-1780 In two parts: the upper section having two cyma-molded inset panel doors enclosing an arrangement of nine cubbyholes above two short drawers and a central adjustable shelf above two candle slides, the slanted hinged writing lid opening to view a central arch glazed prospect door enclosing two shell-and-block drawers flanked by two half-pilaster turned document drawers and an arrangement of four valanced pigeonholes surrounded by two sunburst-carved square drawers and an arrangement of six drawers. Finials probably replaced; chip to right section of writing lid; prospect door glazed panel probably added and lacking lock; area broken where slant-front lock engages. Height: 92 in (233.7 cm); Width: 44-1/2 in (113 cm); Depth: 22 in (55.9 cm) $8,000-$12,000
83 Federal Cherry Linen Press Mid-Atlantic States, Pennsylvania or Maryland, Circa 1790 In two parts: the upper section having two arched panel doors with inlaid bone shield-shaped escutcheons opening to view two shelves. Some cracks and losses to veneered skirt. Height: 80 in (203.2 cm); Width: 39-1/2 in (100.3 cm); Depth: 20-3/4 in (52.7 cm) $1,500-$2,500
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84 Federal Cherry Tall Case Clock Dialed signed Jacob Hostetter, Hanover, PA, Circa 1810-1820 Having a polychrome painted and raised gilt sheet-iron dial with strawberry spandrels and black Arabic numerals with crescent calendar dial beneath an urn and festoonpainted lunette with single-train movement striking a bell on the hour. Dial with restorations to painted ground. Height: 88 in (223.5 cm) $2,000-$4,000
85 Classical Brass Inlaid Mahogany Work Table New York, Circa 1815-1820 Height: 28-3/4 in (73 cm); Width: 22-3/4 in (57.8 cm); Depth: 17-1/2 in (44.5 cm) $600-$800
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86 Classical Mahogany Sofa Boston, Circa 1825 With red cloth upholstery and tufted loose cushion with four pillows. Height: 34 in (86.4 cm); Length: 81-1/4 in (206.4 cm) $1,000-$2,000 Provenance: Northeast Auctions, Portsmouth, NH, Annual Summer American Auction, August 2-4, 2013, lot 1527 87 American Rococo Revival Laminated and Carved Rosewood Side Chair Attributed to John Henry Belter, New York, Circa 1855 With gold and champagne floral embroidered beige-ground silk upholstery. $700-$900
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88 Ithaca Clock Co. Maple and Rosewood Perpetual Calendar Clock Third Quarter 19th Century Dial signed Ithaca Clock Co./ H.B. Horton’s Patents, April 18th, 1865 and August 28th, 1866/ Ithaca, New York Having a secondary calendar dial with day of the week and month aperture. Some wear to both dials. Height: 28-3/4 in (73 cm) $600-$800
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89 John Rogers Polychrome Decorated Figural Group of ‘The Traveling Magician’ Last Quarter 19th Century Title incised on front of base. Height: 22-3/4 in (57.8 cm) $1,500-$2,500
90 E. G. Arnold (American 19th Century) Topographical Map of the Original District of Columbia and Environs Lithograph in color, 1862, published by G. Woolworth Colton: New York; linen backed, deep crease marks along fold lines, scattered paper loss along crease marks and edges, overall with toning. Presented in original black paper envelope. Sheet size: 762 x 826 mm (30 x 32-1/2 in) $3,000-$5,000
91 American Oak Congressional Armchair Designed by Thomas Ustick Walter for John Hammitt of the Desk Manufacturing Company, Philadelphia, Circa 1857 Having brass nail-studded black vinyl upholstered armpads and backrest above a caned seat. Lacking casters. $5,000-$7,000
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Provenance: By repute, John Godfrey Schumaker (1826-1905), who served in the House of Representatives during the 41st, 43rd and 44th Congresses
92 American Oak Congressional Desk Designed by Thomas Ustick Walter for Doe, Hazelton & Co., Boston, Circa 1857 The three-quarter gallery top with great seal pediment, one side with applied brass disc stamped No. /102/E above a hinged inkwell with cast-iron insert above a slightly slanting black vinyl inset writing lid opening to view a well. Left side lacking vertical piece of applied molding. Height: 36-1/4 in (92.1 cm); Width: 29-1/2 in (75 cm); Depth: 21 in (53.3 cm) $4,000-$6,000 Provenance: By repute, John Godfrey Schumaker (1826-1905), who served in the House of Representatives during the 41st, 43rd and 44th Congresses Note: John G. Schumaker occupied seats 12E and 2E during his tenures and most likely purchased this desk when the House was refurbished in 1873. The last Representative to occupy this desk was Robert Porter Caldwell of Tennessee.
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93 Pair of E. F. Caldwell Renaissance Style Silver Plate Bronze Three-Light Wall AppliquĂŠs Circa 1900 Each having an urn back plate flanked by two putti heads continuing to three candle arms. Each with two impressed factory marks and impressed number 01818. Each with some wear to silver plate. Height: 16-1/2 in (41.9 cm); Depth: 9-1/8 in (23.1 cm) $1,000-$1,500
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94 Mission Oak Bookcase Circa 1915 Having two Gothic arched mullioned glazed panel doors enclosing four adjustable shelves. Some losses to mullions. Height: 56-3/4 in (144.1 cm); Width: 38-1/2 in (97.8 cm); Depth: 12-3/4 in (32.4 cm) $500-$700
95 L. & J. G. Stickley Oak Drink Stand and an Arm Rocker #573 and #803, Circa 1910-1915 Rocker with brown vinyl slip seat. Each unmarked. Each possibly refinished; table with water stains. Height of table: 29 in (73.7 cm); Diameter: 18 in (45.7 cm) $500-$700
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96 L. & J. G. Stickley Oak Extension Dining Table and Five Dining Chairs #722 and #1350/1352-1/2, Circa 1910-1915 The table having two leaves; the dining chairs consisting of an armchair and four side chairs each with brown vinyl upholstered slip seats. Each unmarked. Table with faded top and base refinished; chairs possibly refinished. Height of table: 29-1/2 in (75 cm); Diameter: 48-1/4 in (122.6 cm); Diameter when open: 72-1/4 in (183.5 cm) $1,000-$2,000
97 L. & J. G. Stickley Hammered Copper Mounted Oak Sideboard #735, Circa 1915 Unmarked. Refinished. Height: 46-1/2 in (118.1 cm); Width: 56 in (142.2 cm); Depth: 22 in (55.9 cm) $2,000-$3,000
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98 Jay Spectre Chrome, Glass and Aluminum Coffee Table Manufactured by Century Furniture, Last Quarter 20th Century The circular glass top having an acid-etched border above a chrome base with spherical feet. Height: 16 in (40.6 cm); Diameter of top: 42 in (106.7 cm) $1,000-$2,000
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PROPERTY FROM THE ESTATE OF BARBARA RUML
99 Steuben Blue Aurene Vase Early 20th Century The ovoid base with short neck and ruffled rim raised on a circular base. Base inscribed Aurene and 541. Height: 8-1/2 in (21.6 cm) $1,000-$1,500
100 Two Tiffany Favrile Glass Bowls First Quarter 20th Century The first, dated 1916, gold with purple highlights, having a stretched rim, the interior with a separate two-tier flower frog; each inscribed on underside L.C. Tiffany-Favrile and 4786-K; the second, blue with purple highlights, a shallow bowl with scalloped edge; inscribed on underside L.C.T. Favrile. Flower frog lacking one loop. Diameter of first: 9-3/4 in (24.8 cm); Diameter of second: 7 in (17.8 cm) $1,000-$1,500
ENGLISH AND CONTINENTAL
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GLASS AND CERAMICS PROPERTY OF VARIOUS OWNERS 101 Pair of Bohemian Enamel Decorated Ruby Glass Portrait Vases Late 19th Century Each depicting a three-quarter length portrait of a young woman within an oval reserve, verso with bouquet of flowers. Height: 17-1/8 in (43.5 cm) $800-$1,200
102 Waterford ‘Lismore’ Stem Table Service Modern Consisting of: 7 Water goblets 7 Claret glasses 8 Hock glasses 8 Martini glasses 8 Old fashioneds 7 Tumblers 8 High balls 8 Brandy snifters 8 Champagne flutes Each with acid-stamped factory mark. Each in original boxes. 69 pieces. Heights from: 3-1/4 to 7-3/8 in (8.3 to 18.7 cm) $1,200-$1,800
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103 Baccarat ‘Massena’ Stem Table Service Modern Consisting of 12 water goblets, 12 champagne flutes and 12 wines. Each with acid-stamped factory mark. 36 pieces. Heights from: 6-3/8 to 8-1/2 in (16.2 to 21.6 cm) $1,500-$2,500
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104 Limoges Porcelain ‘Imperial’ Dinner Service Ceralene, A. Raynaud & Cie, Circa 1992; After a design by Prud’hon Consisting of: 12 Dinner plates 12 Salad plates 12 Bread and butter plates 12 Cups and 12 saucers 1 Demitasse cup and 1 saucer Each with green, blue and gold printed factory mark; dinner plates with pattern identification. 62 pieces. Diameter of dinner plates: 10-3/4 in (27.3 cm) $1,500-$2,500
105 Limoges Porcelain ‘Vieux Chine’ Dinner Service Ceralene, A. Raynaud & Cie, Circa 1986-1996; After a design by Compagnie Française des Indes for Madame de Pompadour Consisting of: 12 Dinner plates 14 Salad plates 12 Bread and butter plates 12 Cups and 12 saucers Each with green and blue printed factory mark; dinner plates with pattern identification. 62 pieces. Diameter of dinner plates: 10-3/4 in (27.3 cm) $1,500-$2,000
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106 French Porcelain Plaque of a Turkish Lady Third Quarter 19th Century Signed V. Peccatte l.r. Set within a leafage-decorated wood frame. Plaque: 17 x 12 in (43.2 x 30.5 cm) $3,000-$5,000 Note: The apparent pair to this plaque was sold in these rooms, May 14, 2011, lot 164
107 German Porcelain Plaque of ‘Psyche am Wasserspiegel’ After Paul Thumann, Circa 1900 Verso incised 29-18. Set within an openwork giltwood frame. Plaque: 9-3/4 x 7-1/4 in (24.8 x 18.4 cm) $800-$1,200
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108 Berlin Porcelain Plaque of Andromeda K.P.M., After Guido Reni, Circa 1900 The circular plaque set within an openwork giltwood frame. Verso impressed K.P.M. below a scepter, with blue painted Lamm decorator’s mark and black painted scene identification Andromeda di Guido Reni. Diameter of plaque: 13-1/2 in (34.3 cm) $4,000-$6,000
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PROPERTY FROM THE ESTATE OF DONNA JEAN ARTIN 109 Herend ‘Chinese Bouquet Green’ Dinner Service Modern Consisting of: 12 Service plates 12 Salad plates 12 Crescent salad plates 12 Soup bowls 12 Bread and butter plates 12 Footed cups and 12 saucers Each with blue printed factory mark, form number and pattern AV; some with impressed form number. 84 pieces. Diameter of service plates: 11 in (27.9 cm) $2,000-$4,000
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PROPERTY OF VARIOUS OWNERS 110 Set of Ten Copeland Floral Decorated Dinner Plates 1851-1885 Each having a central polychrome floral spray on a white ground continuing to a French blue basketweave-molded border with gilt highlights ending in a shaped gilt edge. Each with green printed factory mark and iron-red painted pattern number 1182. A few plates with wear to floral decoration and to gilt edges. Diameter: 10 in (25.4 cm) $700-$900
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111 Copeland Dinner Service Dated November 1879 Consisting of: 1 Nest of five oval platters 18 Dinner plates 1 Oval dish 12 Soup plates 2 Shaped dishes 12 Salad plates 2 Open vegetable dishes 11 Bread and butter plates 2 Tazze 12 Coffee cups and 12 saucers 1 Tureen 11 Teacups and 12 saucers 1 Pedestal salad bowl 12 Demitasse cups and 12 saucers 2 Round covered vegetable dishes 12 Fruit bowls 2 Oval covered vegetable dishes 12 Butter pats 1 Small covered sauce tureen with undertray 1 Sauceboat with undertray Each with impressed factory mark and most with impressed registry mark. 169 pieces. One demitasse cup with chip and one with hairline. Diameter of dinner plates: 10-1/4 in (26 cm); Length of tureen: 13-3/4 in (35 cm) $1,000-$1,500
PROPERTY OF A WASHINGTON, DC COLLECTOR 112 British Delft Blue and White Charger Attributed to Delftfield, Glasgow, Circa 1760 The central scene depicting a Chinese landscape with figure on a sailboat, another figure on the shore, within a grape cluster border. Unmarked. Restoration to rim; crack to restoration and to outer edge of cavetto. Diameter: 13-7/8 in (35.3 cm) $600-$800
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ENGLISH FURNITURE AND DECORATIONS PROPERTY OF VARIOUS OWNERS 113 George III Style Fruitwood Apple-Form Tea Caddy 19th Century Of typical form, opening to view a foil-lined interior. Height: 5 in (12.7 cm) $600-$800
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114 George III Style Fruitwood Apple-Form Tea Caddy 19th Century Of typical form, opening to view a foil-lined interior. Escutcheon lacking one pin. Height: 5-1/2 in (14 cm) $600-$800
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115 George III Style Fruitwood Apple-Form Tea Caddy 19th Century Of typical form, opening to view a foil-lined interior. Some worm damage around escutcheon. Height: 5-1/4 in (13.3 cm) $600-$800
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116 George III Brass Inlaid Scrolled Paper Mahogany Tea Caddy Late 18th Century Having a hexagonal filigree scrollwork body with inlaid brass flowerheads and ivory escutcheon, the lid opening to view a foil-lined interior. Height: 4-7/8 in (12.4 cm); Width: 7 in (17.8 cm); Depth: 4 in (10.2 cm) $800-$1,200 Provenance: Northeast Auctions, Portsmouth, NH, March Weekend Auction, March 3-4, 2012, lot 630
PROPERTY OF A WASHINGTON, DC COLLECTOR 118 Two English Painted Trays The first, tôle, early 20th century, depicting a Groom with Bay Hunter, inscribed on verso Hand Painted for Gordon & Hughes - London, with pierced gilt leafy vine gallery; the second, pâpier-maché, late 19th century, decorated with a spaniel within a gilt-decorated and mother-of-pearl inlaid border. The second with loss to underside of rim. The first: 22-1/4 x 17-1/2 in (56.5 x 44.5 cm); The second: 29-1/2 x 24 in (75 x 61 cm) $1,000-$1,500
117 Regency Yewwood Tea Caddy Early 19th Century The canted corner case with slightly domed lid surmounted by an ivory finial, opening to view two complementary lidded compartments. Some cracks and some loose veneer. Height: 6 in (15.2 cm); Width: 7-1/2 in (19.1 cm); Depth: 4-1/4 in (10.8 cm) $800-$1,200 Provenance: Northeast Auctions, Portsmouth, NH, March Weekend Auction, March 3-4, 2012, lot 632
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PROPERTY FROM THE ESTATE OF DOUGLAS WOODS SPRUNT 119 George III Style Walnut Bust of Shakespeare with a George IV Style Mahogany Pedestal Circa 1900 The pedestal on an ebonized square stepped base. Some cracks to the plinth of bust; repaired crack to top of pedestal. Height of bust: 17 in (43.2 cm); Height of pedestal: 40 in (101.6 cm) $800-$1,200
120 Queen Anne Satinwood Featherbanded Figured Walnut Cabinet-on-Chest Circa 1700-1710 In two parts: the upper section having two inset-panel doors opening to view three compartments over three aligned drawers and two graduated drawers; the lower section having two aligned drawers over two graduated drawers. Height: 78 in (198.1 cm); Width: 39-1/2 in (100.3 cm); Depth: 22 in (55.9 cm) $2,000-$3,000
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123 PROPERTY OF ST. OLAF COLLEGE 121 George III Yewwood Corner Chair Circa 1790 $600-$800
PROPERTY OF VARIOUS OWNERS 122 George III Style Mahogany Cellaret Last Half 19th Century The hinged top with brass knob pull opening to view a well with a central drilled hole, the sides with brass bail handles. Lacking lead liner. Height: 28 in (71.1 cm); Width: 27-1/2 in (69.9 cm); Depth: 17-1/2 in (44.5 cm) $500-$700
PROPERTY FROM THE ESTATE OF BARBARA RUML 123 George III Style Ebonized and Satinwood Inlaid Mahogany Corner Cupboard Late 19th Century Having a Gothic arch mullion-glazed panel door enclosing a yellow painted interior with three serpentine shelves over an inset-panel door enclosing a similarly painted interior with one shelf. Scattered repairs to inlay and to mid-molding. Height: 85-3/4 in (217.8 cm); Width: 28 in (71.1 cm); Depth: 16-1/2 in (41.9 cm) $800-$1,200
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PROPERTY OF VARIOUS OWNERS 124 George III Style Satinwood Crossbanded and Inlaid Mahogany Server Late 19th Century Height: 32-1/2 in (82.6 cm); Width: 42 in (106.7 cm); Depth: 19-3/4 in (50.2 cm) $800-$1,200
125 George III Style Brass Nail-Studded and Leather and Beechwood Folding Library Ladder Last Quarter 19th Century Some scuffs and tears to leather. Length: 101-3/4 in (258.5 cm); Length when open: 92 in (233.7 cm); Width when open: 12 in (30.5 cm) $800-$1,200
126 George III Style Mahogany Silver Table Last Half 19th Century Minor losses to pierced gallery. Height: 29-3/4 in (75.6 cm); Width: 36-1/4 in (92.1 cm); Depth: 19-3/4 in (50.2 cm) $800-$1,200
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127 George III Style Mahogany Chest-on-Chest First Half 19th Century In two parts. Brasses replaced. Height: 72-1/4 in (183.5 cm); Width: 44-1/4 in (112.4 cm); Depth: 22 in (55.9 cm) $700-$1,000
128 George III Satinwood Inlaid Mahogany Fold-Top Tea Table Circa 1790-1800 Height: 28-1/2 in (72.4 cm); Width: 35-3/4 in (90.8 cm); Depth: 17-3/4 in (45.1 cm) $1,000-$1,500
129 George III Style Mahogany Tall Case Clock Works Signed Martin Hall, Framingham, Late 19th Century Having a square brass dial plate with applied pierced foliate and female mask spandrels and a pewtered chapter ring with Roman numerals and a two-train movement striking a bell on the hour. Feet replaced. Height: 79-1/4 in (201.3 cm) $1,000-$1,500
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130 George III Style Mahogany Three-Pedestal Dining Table Last Quarter 19th Century Together with four leaves. Height approximately: 28 in (71.1 cm); Length: 118-3/4 in (301.6 cm); Length when fully extended: 206-3/4 in (525.1 cm); Width: 54 in (137.2 cm) $3,000-$5,000
PROPERTY FROM A WASHINGTON, DC COLLECTION 131 George III Mahogany Slant-Front Bureau Circa 1790 The slanted hinged writing lid opening to view a central cymainset panel prospect door flanked by two reeded document drawers and an arrangement of eight drawers and four valanced pigeonholes. Brasses replaced. Height: 42-1/2 in (108 cm); Width: 36 in (91.4 cm); Depth: 20 in (50.8 cm) $600-$800
PROPERTY OF VARIOUS OWNERS
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132 George III Style Mahogany Linen Press Edwards & Roberts, London, Circa 1900 In two parts: the upper section having a removable flat cornice above two inset-panel doors enclosing five linen shelves. Top drawer stamped EDWARDS & ROBERTS. Some losses and restoration to applied molding to upper section; brasses and feet probably replaced. Height: 84-1/2 in (214.6 cm); Width: 52-3/4 in (134 cm); Depth: 23-1/4 in (59.1 cm) $1,000-$2,000
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133 Regency Satinwood Inlaid and Crossbanded Rosewood Fold-Top Games Table Circa 1800 The hinged top opening to view a green baize-lined playing surface. Height: 28-1/2 in (72.4 cm); Width: 35-1/2 in (90.2 cm); Depth: 17-1/4 in (43.8 cm) $1,000-$2,000
134 Regency Style Ormolu Mounted Mahogany Pier Table Mid-19th Century Some cracking to top. Height: 34 in (86.4 cm); Width: 38 in (96.5 cm); Depth: 12-3/4 in (32.4 cm) $700-$900
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135 Regency Style Mahogany Two-Part Pedestal Dining Table Last Half 19th Century Together with one leaf. Top with some scratches and abrasions. Height approximately: 30 in (76.2 cm); Length: 73-1/2 in (186.7 cm); Length with leaf: 95-1/2 in (242.6 cm); Width: 48 in (121.9 cm) $800-$1,200
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136 Regency Parcel Gilt Rosewood Recamier Early 19th Century With beige and light blue striped silk upholstery with loose cushion and bolster. Regilded. Height: 31-1/2 in (80 cm); Length: 79 in (200.7 cm) $1,000-$2,000
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137 Regency Style Ormolu Mounted Rosewood Pier Cabinet Last Half 19th Century Having a central recessed mirror panel flanked by two brass lattice-grill inset panel doors each enclosing two adjustable shelves. Some cracking to top. Height: 39 in (99 cm); Width: 61-1/2 in (156.2 cm); Depth: 16 in (40.6 cm) $800-$1,200
138 William IV Mahogany Pivoting Fold-Top Games Table Circa 1830 Top with some cracks and small loss to veneer; cracks, losses and restorations to veneer at plinth of base. Height: 28-3/4 in (73 cm); Width: 36 in (91.4 cm); Depth: 17-3/4 in (45.1 cm) $500-$700
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139 Scottish George IV Mahogany Tall Case Clock Alexander Lang, Larkhall, Circa 1830-1835 Having a polychrome painted sheet-iron dial with white painted Roman numerals and subsidiary minute and calendar dials and a two-train movement striking a bell on the hour, with allegorical painted spandrels depicting the seasons and beneath a lunette painted with ‘The Cotter’s Saturday Night’. Height: 88-1/4 in (224.2 cm) $1,000-$1,500
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141 Pair of Victorian Brass Nail-Studded Brown Leather Upholstered Beechwood Tub Chairs Circa 1900 Some cracking and tears to leather. $1,000-$1,500 140 Edwardian Style Satinwood Inlaid Mahogany Display Cabinet George C. Flint Co., New York, Early 20th Century The glazed panel door opening to view five adjustable shelves. With manufacturer’s paper label. Height: 61 in (154.9 cm); Width: 32-3/4 in (83.2 cm); Depth: 16 in (40.6 cm) $700-$900
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142 Victorian Gothic Revival Mahogany Two Pedestal Architect’s Desk Last Quarter 19th Century Having a molded edge double-hinged slanting top above three cockbeaded aligned drawers over two pedestals with three graduated drawers. Verso with two pull-out partial pedestals supporting the top. Top with losses to one edge; various cracks, losses and repairs to the pedestals; brasses replaced. Height when closed: 31-3/4 in (80.6 cm); Width: 56-1/4 in (142.9 cm); Depth: 31-3/4 in (80.6 cm) $1,000-$1,500
CONTINENTAL FURNITURE AND
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DECORATIONS 143 Pair of Continental Renaissance Style Brass ‘Griffin’ Andirons First Quarter 20th Century Height: 17 in (43.2 cm) $700-$900
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144 Italian Renaissance Style Walnut Armchair Circa 1915 With floral and leaf machine tapestry upholstery. Label affixed to underside of chair U.S. Customs/ Panama-Pacific International Exposition/ *xhibit. $500-$700 Note: This chair was exhibited in the Italian Pavilion of the 1915 Panama-Pacific International Exposition held in San Francisco 145 French Renaissance Revival Oak Hall Bench Circa 1900 Having a wine-red velvet upholstered hinged seat opening to view a storage compartment. Each arm with screw repairs at the front stile. Height: 47-1/4 in (120 cm); Width: 53 in (134.6 cm) $800-$1,000
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146 Louis XV Provincial Walnut Serpentine Commode Mid-18th Century Bronze mounts replaced; restorations to legs. Height: 33-3/4 in (85.7 cm); Width: 49 in (124.5 cm); Depth: 22-3/4 in (57.8 cm) $1,000-$1,500
147 Louis XVI Style Brass Mounted Plum-Pudding Mahogany and Marble-Top Cylinder Desk Early 20th Century Having a mottled brêche d’Alep marble top above three aligned drawers and a cylinder opening to view a pullout gilt-tooled leather-inset writing surface beneath a shelf and three aligned drawers. Height: 45-1/2 in (115.6 cm); Width: 39-1/4 in (99.7 cm); Depth: 21-3/4 in (55.2 cm) $1,000-$1,500
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148 Louis XVI Style Ormolu Mounted Parquetry Mahogany Four-Piece Bedroom Set Early 20th Century Consisting of a double bed, a pair of marble-top bedside stands and a mirrored door armoire. Armoire height: 99-3/4 in (253.4 cm); Width: 84 in (213.4 cm); Depth: 21 in (53.3 cm); Bed height: 62-3/4 in (159.4 cm); Width: 62 in (157.5 cm) $1,500-$2,500
149 Continental Neoclassical Style Parcel Gilt Fruitwood Marble-Top Console Table Probably Italian, Early 19th Century Having a mottled green marble top. Some cracks to rear corner brackets; restorations to veneer. Height: 35-1/2 in (90.2 cm); Width: 52-1/4 in (132.7 cm); Depth: 24-3/4 in (62.9 cm) $2,000-$3,000
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150 Italian Neoclassical Marquetry and Satinwood Crossbanded Fruitwood Commode Early 19th Century Some restorations; cracks and losses to veneer. Height: 36-3/4 in (93.3 cm); Width: 50 in (127 cm); Depth: 24-3/4 in (62.9 cm) $5,000-$7,000
151 German Ivory Figure of a Lady with Birds Circa 1908 Raised on an ivory pedestal base dated 20 Februar 1883-1908. Height overall: 7-1/8 in (18.1 cm) $500-$700
152 Pair of Continental Plaster Intaglio Groups Circa 1900 Each giltwood octagonal shadow box frame containing approximately 16 plaster intaglios depicting busts of classical and 18th century men. Frames: 13-1/2 x 13-1/2 in (34.3 x 34.3 cm) $500-$700
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153 Regency Brass Inlaid Mahogany Repeating Bracket Clock Signed Betteridge, Birmingham, Early 19th Century Having a two-train movement striking a bell on the hour with pull repeat, within a flowerhead-carved pagodaform case with an inlaid brass foliate molding and fishscale sound frets, raised on four brass ball feet. The dial signed Betteridge,/ Birmingham. Together with a complementary bracket. Cracks to dial surround. Height of clock: 18-1/4 in (46.4 cm); Height of bracket: 9-1/2 in (24.1 cm) $800-$1,200
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154 Biedermeier Brass Mounted Rosewood Cuckoo Bracket Clock Attributed to Ketterer Brothers, Mid-19th Century Having a two-train movement with outside countwheel striking a gong affixed to the back panel and on two bellows; the back panel with illegible pencil inscription and numbered 35. Lacking cuckoo door. Height: 16-1/4 in (41.3 cm) $600-$800
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155 French Renaissance Revival Three-Piece Clock Garniture Japy Frères, Late 19th Century The clock having a two-train movement striking on a gong within an arched case surmounted by an urn; the works impressed with Japy Frères Medaille d’Honneur medallion and retailer’s stamp H & */ Paris; together with a complementary pair of five-light candelabra. Solder repairs needed to several candle sockets. Height of candelabra: 20-1/2 in (52 cm) $800-$1,200
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156 Egyptian Revival Ormolu, Patinated Metal and Slate Three-Piece Clock Garniture Japy Frères, Retailed by Tiffany & Co., Last Quarter 19th Century The clock having a two-train movement striking on a bell within a gilt-decorated slate case flanked by busts of women, and surmounted by an urn, the dials signed Tiffany & Compy/ New York; the movement impressed Tiffany & Co./ New York and with Japy Frères Medaille d’Honneur medallion; together with a pair of complementary two-handled vases. Height of clock: 21-1/2 in (54.6 cm) $1,500-$2,500
157 Charles X Ormolu Allegorical Mantel Clock Second Quarter 19th Century Having a two-train movement striking on a bell with outside countwheel and silk-suspended pendulum within a barrel-form case raised on a floral-cast column flanked by a putto astronomer with globe and telescope. Works impressed 945. Pendulum of a different origin; putto lacking element in hand. Height: 12-1/2 in (31.8 cm) $1,000-$2,000
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158 Pair of Empire Ormolu and Bronze Figural Convertible Two-Light Candelabra Early 19th Century Each having a bronze winged putto standard supporting an urn issuing two swan-form candle arms with urn-form sockets. Height: 17-5/8 in (44.8 cm) $800-$1,200
SCULPTURE 160 After Evgeni Alexandrovich Lanceray (Russian 1848-1886) Troika Group Signed E. Lanceray in Cyrillic Bronze sculpture with dark brown patina mounted on a white veined black marble base. Together with an illuminated black acrylic base. Bronze: 9 x 20-1/2 in (22.9 x 52 cm); Height of illuminated base: 30-3/4 in (78.1 cm) $800-$1,200
159 Russian Silver Mounted Icon of St. Nicholas Maker’s mark IK in Cyrillic, Assayer’s mark A:B in Cyrillic, Kaluga, Dated 1849 Marked on halo and on edge of oklad, set within a carved stained oak frame. Icon: 10-1/2 x 8-1/4 in (26.7 x 21 cm) $1,000-$1,500
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161 Vassili Yacolevich Grachev (Russian 1831-1905) Galloping Cherkessians Signed LBP Grachev in Cyrillic; with founder’s mark Fabr. C.F. Woerffel/ St. Petersburg and with circular medallion dated 1882 Bronze sculpture with dark brown patina. One rider lacking rifle. Height: 16-1/2 in (41.9 cm); Length: 17-1/2 in (44.5 cm) $10,000-$15,000
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PROPERTY OF A WASHINGTON, DC COLLECTOR 162 Antoine-Louis Barye (French 1795-1875) Basset Anglais (Tête Tournée à Gauche) Signed Bayre Bronze sculpture with medium brown patina Height: 5-3/4 in (14.6 cm); Length: 9-1/4 in (23.8 cm) $800-$1,200
164 PROPERTY OF VARIOUS OWNERS 163 Renzo Colombo (Italian 1856-1885) Bust of Napoleon Signed and dated R Colombo/ 1885, also with circular founder’s seal impressed Bronze Garanti au Titre Paris Bronze sculpture with reddish-brown patina Height: 22 in (55.9 cm) $2,000-$3,000
PROPERTY OF A WASHINGTON, DC COLLECTOR 164 Pair of Italian Partial Silvered Giltwood Figures of Seated Whippets 20th Century Height: 18-1/2 in (47 cm) $800-$1,200
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PROPERTY OF VARIOUS OWNERS 165 Continental Neoclassical Style Onyx Pedestal 20th Century In shades of brown and cream onyx. Together with a matching pedestal; the shaft in need of repair. Height: 42-1/4 in (107.3 cm) $500-$700 166 Continental Marble and Onyx Bust of Hercules 20th Century After the antique, mounted on an olive-green marble socle. Height: 30 in (76.2 cm) $1,000-$1,500
PROPERTY FROM A SOUTHERN MARYLAND COLLECTION 167
167 Henri Fugère (French 1872-1944) Dancer with Cymbals Signed on underside H. Fugère and with founder’s mark Made in Austria Polychrome bronze sculpture raised on a brown onyx base Height overall: 19 in (48.3 cm) $700-$900
PROPERTY OF VARIOUS OWNERS 168 Continental Art Deco Alabaster Figural Lamp Circa 1925 The semi-nude woman standing on a pink-tinged base flanked by a columnar lamp with conical shade. Loss to tip of shade. Height: 32-3/4 in (83.1 cm) $500-$700
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169 Richmond Barthé (American 1901-1989) The Lovers Signed Barthé and numbered 1/6 Bronze with brown patina raised on a rotating base Height: 20-1/2 in (52.1 cm) $20,000-$30,000 Provenance: Mrs. Robert Lehman Hence by descent to her daughter, Kaywin Smith Private Collection, Florida Purchased at Shannon’s Fine Art Auctioneers, Milford, CT, American & European Fine Art Sale, April 26, 2012, lot 96
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FINE ART 170 Venetian School, 18th Century Capriccio of Ruins with Figures Unsigned Oil on canvas 36-1/2 x 50 in (92.7 x 127 cm) $1,500-$2,500
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PROPERTY OF A MARYLAND COLLECTOR 171 After Guido Reni (Italian 19th Century) Beatrice Cenci Unsigned Oil on canvas 18-3/4 x 14-1/2 in (47.6 x 36.8 cm) $500-$700
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PROPERTY OF VARIOUS OWNERS 172 Italian School, 18th Century Portrait of a Young Man Unsigned Oil on canvas mounted on board 17 x 14 in (43.2 x 35.6 cm) $600-$800
PROPERTY OF A MARYLAND COLLECTOR
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173 After Achille Leonardi (Italian 19th Century) Beatrice Cenci in Her Cell with the Artist Unsigned Oil on canvas 38-1/2 x 53 in (97.8 x 134.6 cm) $800-$1,200
PROPERTY OF VARIOUS OWNERS
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174 Italian School, 19th Century View of Naples Unsigned Oil on canvas 23 x 19 in (58.4 x 48.3 cm) $700-$900
175 After Giovanni Francesco Barbieri, Called Il Guercino (Italian 1591-1666) Saint Jerome Unsigned Oil on canvas 51 x 55-1/2 (129.5 x 141 cm) $800-$1,200
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176 Arnaldo Tamburini (Italian 1843-1908) Study of a Monk Signed A. Tamburini/Florence u.r. Oil on canvas 12-3/4 x 10-1/2 in (32.4 x 26.7 cm) $1,500-$2,500
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177 After BartolomĂŠ Esteban Murillo (Spanish 19th Century) Christ and the Infant St. John the Baptist Unsigned Oil on canvas 29 x 35 in (73.7 x 88.9 cm) $800-$1,200
178 Circle of Giovanni Battista Piranesi (Italian 1720-1778) Capriccio of the Interior of a Ruin Unsigned Oil on canvas 24 x 19 in (61 x 48.3 cm) $1,500-$2,500
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179 Studio of Anthonie Palamedesz (Dutch 1601-1673) Portrait of a Mother and Child Signed indistinctly and dated 1634 c.r. Oil on canvas 30 x 50-1/2 in (76.2 x 128.3 cm) $3,000-$5,000 Provenance: Purchased by the current owner in these rooms, May 20, 1979, Lot 1194 180 Jan Anthonisz van Ravesteyn (Dutch 1570-1657) Smiling Girl (Hague Mona Lisa) Signed Ravesteyn and dated 1614 c.r. Oil on cradled panel 29-1/2 x 23-1/2 in (75x 59.7 cm) $3,000-$5,000 Provenance: Higgs Gallery, New York Purchased by the current owner in these rooms, May 20, 1979, Lot 1187 Exhibition: The Carnegie Institute of Art, Pittsburgh, Exhibition of Paintings by Old Masters, April, 1930 Literature: International Studio (Associated with The Connoisseur), February 1931, published by the International Studio, New York, page 33
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181 Dutch School, 19th Century Battle Skirmish Unsigned Ink and blue wash on paper; apparently in good condition. Framed.* Sight size: 3-3/4 x 10-3/4 in (9.5 x 27.3 cm) $1,000-$2,000 Provenance: Purchased by the current owner in these rooms, February 23, 1980, Lot 718 182 Dutch School, 19th-20th Century Interior Scenes: A Pair of Paintings Each unsigned Each oil on panel First: 12 x 9-1/4 in (30.5 x 23.5 cm); Second: 9-1/2 x 7-1/2 in (24.1 x 19.1 cm) $1,000-$2,000
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Provenance: C.G. Sloan and Company, Washington, DC, February 13, 1981, Lots 1059 and 1061 183 Abraham Lambertsz Jacobsz van den Tempel (Dutch 1622-1672) Laura de Diante, Duchesse of Ferrara (after Titian) Signed ATempel on verso Oil on panel 12-1/2 x 8-3/4 in (31.8 x 22.2 cm) $800-$1,200 Provenance: Borghese Museum, Rome, No. 71-1899 Purchased by the current owner in these rooms, October 11, 1985, Lot 1299
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184 After Pieter Wouwerman (Dutch 19th Century) Battle Skirmish: A Pair of Paintings Each unsigned Each oil on canvas Each: 8-3/4 x 12-3/4 in (22.2 x 32.4 cm) $1,000-$1,500 Provenance: Purchased by the current owner at C.G. Sloan and Company, Inc., Washington DC, April 29, 1978, Lot 1333
186 Follower of Pieter Neeffs the Elder (Belgian 1578-1661) Cathedral Interior Unsigned Oil on panel 11 x 13-3/4 in (27.9 x 35 cm) $1,000-$1,500 Provenance: Purchased by the current owner from C.G. Sloan and Company, Inc., Washington, DC, November 1, 1981, Lot 1817
185 Jan van Couver (Hermanus Koekkoek Jr.) (Dutch 1836-1909) View of Rotterdam Signed J Van Couver l.r. Oil on canvas 18 x 24 in (45.7 x 61 cm) $1,000-$1,500 Provenance: Purchased by the current owner in these rooms, September 22, 1985, Lot 1307
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PROPERTY OF A MARYLAND COLLECTOR
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187 Eugene Verboeckhoven (Belgian 1799-1881) Cows and Sheep in the Fields Signed Eugene Verboeckhoven and dated 1850 l.r. Oil on panel 8-1/2 x 12 in (21.6 x 30.5 cm) $3,000-$5,000
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PROPERTY OF VARIOUS OWNERS 188 Dutch School, 19th Century First Steps Unsigned Oil on canvas 17 x 22 in (43.2 x 55.9 cm) $1,000-$2,000
189 Manner of Jan Steen (Dutch 1626-1679) Tavern Singer Unsigned Oil on canvas 16 x 14 in (40.6 x 35.6 cm) $800-$1,200
190 Louis Ludwig Reinhardt (German 1849-1870) Shepherdess with Sheep Signed L. Reinhardt l.l. Oil on canvas 27-1/2 x 36 in (69.9 x 91.4 cm) $1,000-$2,000
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191 Arnold Marc Gorter (Dutch 1866-1933) Forest Landscape Signed AM Gorter l.r. Oil on canvas 24-1/2 x 17 in (62.2 x 43.8 cm) $1,500-$2,500
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192 Johann Friedrich Overbeck (German 1789-1869) Elias in the Chariot of Fire Signed Overbeck l.l. Graphite and ink wash on paper; with minor foxing and toning. Framed.* Sight size: 10 x 12 in (25.4 x 30.5 cm) $10,000-$15,000 Provenance: Presented as a gift to the consignor’s parents by Alfred and Margaret Barr; Mr. Barr was the first director of the Museum of Modern Art, New York Literature: Atkinson, J. Beavington, Overbeck, Scribner and Welford: New York, circa 1882, page 55-56. “Overbeck brought with him to Bavaria a drawing of exceptional power, Elias in the Chariot of Fire (1827), a composition which reflects as indubitably the greatness of Cornelius as Raphael's Isaiah responds to the grandeur of Michelangelo.”
PROPERTY OF A NORTHERN VIRGINIA COLLECTOR
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193 Johann Hermann Carmiencke (German 1810-1867) Chaudière Falls, Canada Unsigned Oil on canvas 35-1/4 x 49-1/4 in (89.5 x 125.7 cm) $1,500-$2,500 Provenance: Art Gallery of Ontario, Toronto
PROPERTY FROM A PRIVATE COLLECTION
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194 German School, 19th Century Mountain Landscape with Figures Unsigned Oil on canvas 31 x 45 in (78.7 x 114.3 cm) $1,000-$2,000
195 Hermann Fueschel (German 1833-1915) Mountain Lake, Glacier Park, Montana Signed H. Fueschel l.l. Oil on canvas 26-1/2 x 42-1/2 in (67.3 x 118.1 cm) $4,000-$6,000
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PROPERTY OF VARIOUS OWNERS 196 Fritz Winkler (German 1894-1964) Evening Landscape Signed F. Winkler and dated 1924 l.r. Oil on canvas 40-1/2 x 35-1/2 in (102.9 x 90.2 cm) $800-$1,200
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197 Danish School, 20th Century Canal Scene Unsigned Oil on canvas 20 x 16 in (50.8 x 40.6 cm) $800-$1,200
198 Franciszek Teodor Ejsmond (Polish 1859-1931) Milkmaid at the Well Signed Ejsmond l.l. Watercolor on paper; apparently in good condition. Framed.* Sight size: 18-1/2 x 25-1/2 in (47 x 64.8 cm) $800-$1,200
PROPERTY OF A RUSSIAN COLLECTOR
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199 Constantin A. Westchiloff (Russian 1877-1945) Winter Landscape with Cottage Signed C. Westchiloff l.r. Oil on canvas 22-1/2 x 29 in (57.2 x 73.7 cm) $1,000-$2,000
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PROPERTY OF VARIOUS OWNERS 200 Wiktor Korecki (Russian 1890-1980) Winter Landscape Signed Wiktor Korecki l.l. Oil on canvas 24-1/4 x 34 in (61.6 x 86.4 cm) $1,000-$1,500 201 Eduardo Viana (Portuguese 1881-1967) Afternoon Ride Along the Boulevard Signed Viana l.l. Chalk on paper; apparently in good condition. Framed.* Sight size: 13 x 7 in (33 x 17.8 cm) $1,500-$2,500
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PROPERTY FROM A WASHINGTON, DC COLLECTION 202 Enrique Castro (Argentine 20th Century) Polo Player and Man Riding a Horse: Two Works Each signed Enrique Castro l.r. Each oil on board First: 11 x 15 in (27.9 x 38.1 cm) Second: 10-1/2 x 13-1/2 in (26.7 x 34.3 cm) $700-$900
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203 Enrique Castro (Argentine 20th Century) Bayo and Zaino Curado: Two Works Each signed Enrique Castro l.r. Each oil on board Each: 9 x 11-1/2 in (22.9 x 29.2 cm) $700-$900
PROPERTY OF VARIOUS OWNERS 204 French School, 19th Century Lovers in the Garden Unsigned Oil on canvas 71-1/2 x 36-1/2 in (181.6 x 92.7 cm) $2,000-$3,000
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205 Attributed to Constantin Ernest Adolphe Hyacinthe Guys (French 1802-1892) Fiançailles dans la Forêt Unsigned and stamped on verso C.Guys Watercolor on paper; apparently in good condition. Unframed. Sheet size: 11-1/4 x 8 in (28.6 x 20.3 cm) $800-$1,200
207 Luciano Rampaso (French b. 1936) Place de la République Signed Luciano Rampaso l.r. Oil on canvas 20 x 24 in (50.8 x 61 cm) $1,500-$2,500
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206 Dante Antonini (French 1914-1985) Portrait of a Young Peasant Woman Signed DAntonini l.l. Oil on canvas 19 x 16 in (48.3 x 40.6 cm) $800-$1,200
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208 V. Gernon (French 20th Century) Parisian Street Scene Signed V. Gernon l.l. Oil on canvas 12 x 16 in (30.5 x 40.6 cm) $600-$800
209 Jean Pierre Dubord (French b. 1949) Voiliers sur la Siene Signed JDuboard l.l. Oil on canvas 10 x 20 in (25.4 x 50.8 cm) $1,500-$2,500 Note: A certificate of authenticity will accompany this lot
210
PROPERTY FROM A WASHINGTON, DC COLLECTION 210 William Underwood (British 19th Century) The Fox Hunt Signed Wm Underwood l.l. Oil on canvas 27-1/4 x 35-1/4 in (69.2 x 89.5 cm) $1,000-$2,000
PROPERTY OF VARIOUS OWNERS
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211 British School, 19th Century FĂŞte Galante Unsigned Oil on canvas 20-1/2 x 24-1/2 in (52.1 x 62.2 cm) $1,000-$1,500
212 212 British School, 19th Century Guard Ship Unsigned, and with title in pencil l.r. and dated 1838 l.c. Watercolor on paper; apparently in good condition. Framed.* Sight size: 5-1/2 x 7-5/8 in (14 x 19.3 cm) $700-$900 Provenance: Alexander Gallery, New York
213 Hilton Lark Pratt (British 1838-1875) Winter on Lake Windermere Signed Hilton Pratt l.r. Oil on panel 12 x 16 in (30.5 x 40.6 cm) $1,500-$2,500
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214 Charles John De Lacy (British 1856-1936) Pool of London Signed C.J. De Lacy l.r. Oil on canvas 24 x 36 in (61 x 91.4 cm) $1,500-$2,500
216
PROPERTY FROM THE ESTATE OF JOAN BENESCH 215 Circle of Sir Peter Lely (British 1618-1680) Portrait of a Lady Unsigned Oil on canvas 29 x 25 in (73.7 x 63.5 cm) $1,000-$2,000
PROPERTY OF VARIOUS OWNERS 216 English School, 19th Century Portrait of a Gentleman and a Lady: Two Works Each unsigned Each oil on canvas Each: 18-1/2 x 15 in (47 x 38.1 cm) $2,000-$4,000
216
217 British School, 19th Century Portrait of a Gentleman and Lady: Two Works Each unsigned Each oil on canvas Each: 21-1/2 x 17 in (54.6 x 43.2 cm) $800-$1,200
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218 John Brett (British 1830-1902) On the South Coast of England Apparently unsigned and dated 1895 l.r. Oil on canvas 7 x 14 in (17.8 x 35.6 cm) $3,000-$5,000
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219 David Cox the Elder (British 1783-1859) Entrance to Woodhall Signed David Cox l.r. and inscribed Entrance to Woodhall/ Westerly Gate/ Yorkshire 1812 l.l. Watercolor on paper; apparently in good condition. Framed.* Sight size: 13 x 9-1/2 in (33 x 24.1 cm) $2,000-$3,000
220 No Lot
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221 Joseph Langsdale Pickering (British 1845-1912) Country Path with Cart Signed J.L. Pickering l.r. Oil on canvas 20-1/4 x 14-1/2 in (51.4 x 36.2 cm) Together with A. Drumalbin (British 19th Century) Riverscape Unsigned Oil on panel 8-1/2 x 13 in (21.6 x 33 cm) $800-$1,200
222 British School, 19th Century Cottage with Mill Unsigned Oil on canvas 24-1/2 x 36 in (62.2 x 91.4 cm) $1,500-$2,500
222
PROPERTY OF A WASHINGTON, DC COLLECTOR
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223 Jeremiah Pearson Hardy (American 1800-1887) Spaniel Resting in a Forest Unsigned, with artist’s name, title and medium on gallery label affixed to verso Oil on canvas 20-3/4 x 28 in (52.7 x 71.1 cm) $1,500-$2,500 Provenance: Victor D. Spark, New York Baltimore Museum of Art, Rental Gallery
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224 British School, 19th Century Portrait of a Brown Bay in Landscape Unsigned Oil on canvas 31 x 41-1/2 in (78.7 x 105.4 cm) $2,000-$3,000
225 John Henry Dolph (American 1835-1903) The Standoff Signed JDolph l.l. Oil on panel 10 x 8 in (25.4 x 20.3 cm) $2,000-$4,000
226
226 Thomas Blinks (British 1860-1912) The Oakley Dandy Signed T.Blinks l.l. and inscribed with artist’s name and title on paper label affixed to verso Oil on canvas 20 x 22 in (50.8 x 55.9 cm) $7,000-$9,000 Provenance: The Sporting Gallery, Inc., Middleburg, VA
227
227 School of Edwin Landseer (British 1803-1878) Bull Terrier Unsigned Graphite on paper; apparently in good condition. Framed.* Sight size: 3 x 4 in (7.6 x 10.2 cm) Together with Joseph Thomas Tuite (British 19th Century) Barden Tower Unsigned Ink and gray wash on paper; apparently in good condition. Framed.* Sight size: 9-1/2 x 13 in (24.1 x 33 cm) $1,000-$2,000
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228 Jan Dasveldt (Dutch 1770-1855) Sleeping Dog Unsigned Oil on paper 2-1/2 x 3-1/2 in (6.4 x 8.9 cm) $800-$1,200 Provenance: E. Feist Gallery, New York Collection of Mrs. Vincent Astor William Secord Gallery, New York
229 British School, 19th Century Toy Spaniel on Cushion Unsigned Oil on canvas mounted to panel 9-1/4 x 12 in (23.5 x 31.1 cm) $800-$1,200
229
Provenance: Hooper’s Books and Art, Washington, DC
230 British School, 19th Century Greyhounds in a Landscape: Two Works Each unsigned, and the second inscribed TAMAR l.r. Each oil on canvas First: 14 x 18-1/4 in (35.6 x 46.4 cm); Second: 16 x 20 in (40.6 x 50.8 cm) $1,000-$2,000
230
231 Vincent de Vos (Belgian 1829-1875) Dog Ratting Signed De Vos l.l. Oil on panel 6 x 8-1/2 in (15.2 x 21.6 cm) $800-$1,200
231
Provenance: Susquehanna Antique Company, Washington, DC
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232 Attributed to Colin Graeme (British 1858-1910) Portrait of a Terrier Unsigned Oil on panel 10-1/2 x 8 in (26.7 x 20.3 cm)
232
Together with British School, 19th/20th Century Portrait of a Boxer and Lame Leading the Blind: Two Works Each oil on panel Each unsigned First: 7-1/2 x 6 in (19.1 x 15.2 cm) Second: 7-1/2 x 10-1/2 in (19.1 x 26.7 cm) $1,500-$2,500
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233 British School, 19th Century Portrait of a Man with Spaniel Unsigned Oil on board 12-1/2 x 10-1/2 in (31.8 x 26.7 cm) $600-$800
234 French School, 19th Century Portrait of Hounds: A Pair of Works The first initialed L.C. l.r., and the second initialed L.C. l.l. Each oil on panel Each: 8-1/4 x 5-3/4 in (21 x 14.6 cm) $800-$1,200
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235 British School, Late 19th-Early 20th Century Jack Russell Terriers: A Pair of Works Each unsigned Each oil on canvas Each: 16 x 12 in (40.6 x 30.5 cm) $1,000-$1,500
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236 British School, 19th Century Hounds and Setters Pursuing Quail: A Pair of Works Each unsigned Each oil on canvas Each: 15 x 19-1/2 in (38.1 x 49.6 cm) $2,000-$4,000
236 1 of a pair
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237 British School, 20th Century Spaniel on a Green Upholstered Chair Unsigned Oil on canvas mounted on aluminum 30 x 26 in (76.2 x 66 cm) $800-$1,200
238 British School, 19th Century Quail Hunter in a Landscape Unsigned Oil on canvas 28 x 35 in (71.1 x 88.9 cm) $3,000-$5,000
239
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239 American or British School, 19th Century Young Child with Pet Dog Unsigned Oil on canvas 30 x 24 in (76.2 x 61 cm) $2,000-$4,000
241 After Edward Landseer (British 1803-1878) Highland Music Unsigned Oil on canvas 19 x 23-1/4 in (48.3 x 59.1 cm) $1,000-$1,500
240 Attributed to C.J. Hellmundt (German 18th Century) Court Lady with Dog Unsigned and inscribed C.J. Hellmundt on verso Oil on canvas 27 x 24 in (68.6 x 61 cm) $800-$1,200 Provenance: Susquehanna Antique Company, Washington, DC
241
242 Bernard H. Cobbe (British fl. 1868-1883) Chewing Over the Accounts Signed B. Cobbe l.r. Oil on canvas 13-1/4 x 19 in (33.7 x 48.3 cm) $1,500-$2,500
242
Provenance: Susquehanna Antique Company, Washington, DC
243
243 Henriette Ronner-Knip (Dutch 1821-1909) Returning from the Sea Signed Henriette Ronner l.l. Oil on canvas 22 x 33 in (55.9 x 83.8 cm) $5,000-$7,000
244 British School, 19th Century Sportsmen and Hunter Unsigned Oil on panel 22 x 28 in (55.9 x 71.1 cm) $1,500-$2,500
245
245 School of Edwin Loder of Bath (British 19th Century) Profiles of Terriers: A Pair of Works Each unsigned Each oil on panel Each: 8-1/2 x 11-1/4 in (21.6 x 28.6 cm) $1,500-$2,500 246 Circle of Margaret Collyer (British 19th Century) Trouble in the Store Unsigned Oil on canvas 18 x 22 in (45.7 x 55.9 cm) $1,000-$2,000 Provenance: Christie’s, South Kensington, Sporting Art & Dogs, June 14, 2001, Lot 336
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247 Graham Flight (British 20th Century) British Racehorses: Favonias, Hermit, Kettledrum and Gladiator: Four Works Each unsigned and initialed A.W. l.r. Each oil on panel Each: 14 x 16-1/2 in (35.6 x 41.9 cm) $1,000-$2,000 Provenance: Susquehanna Antique Company, Washington, DC
248
248 James P. Mcinness (British 19th Century) Portrait of a Dog Signed Mcinness l.l. Oil on canvas 19-1/4 x 24 in (48.9 x 61 cm) $1,000-$1,500
249
249 Robert Charles Bell (British 19th Century) Bell’s Life in London Unsigned Oil on canvas 19-1/2 x 23-1/2 in (49.6 x 59.7 cm) $800-$1,200 Note: Paper label on verso reads Presented to the Sussex County Club/by F.J. Horniman F.R.G.S./on his selection April 1890
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251
PROPERTY OF VARIOUS OWNERS 250 Edmund Darch Lewis (American 1835-1910) Lakeside Landscape Signed Edmund D Lewis and dated 1894 l.r. Watercolor on paper; apparently in good condition. Framed.* Sight size: 20 x 29-1/2 in (50.8 x 74.3 cm) $1,500-$2,500
252 Max Weyl (American 1837-1914) Washington Landscape Signed Max Weyl and dated 93 l.r. Oil on canvas 15 x 21-1/2 in (38.1 x 54.6 cm) $1,500-$2,500
251 Joseph Francis Murphy (American 1853-1921) Wind Blown Landscape Signed John Francis Murphy l.r. Oil on panel 13 x 17 in (33 x 43.2 cm) $700-$900
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253 Joseph Hitchens (American 1838-1893) Mountain Landscape and Mountain Landscape with Mill: Two Works Each signed J. Hitchens l.r. Each oil on canvas First: 14-1/4 x 24-1/4 in (36.2 x 61.6 cm); Second: 19-1/2 x 13 in (49.6 x 33 cm) $800-$1,200
254 Joseph Hitchens (American 1838-1893) Boats off the Dock and Landscape with Cottage: Two Works Each signed J. Hitchens l.r. The first oil on board, and the second oil on canvas First: 14 x 21-1/2 in (35.6 x 54.6 cm); Second: 14 x 24 in (35.6 x 61 cm) $1,000-$2,000
255 Elizabeth Davey Lochrie (American 1890-1981) Western Landscape Signed E. Lochrie and dated 1953 Oil on canvas 23 x 32 in (58.4 x 81.3 cm) $700-$900
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256 Tammy (Tamera) Jean Callens (American b. 1962) River Landscape Signed T Callens l.r. Oil on canvas 19-1/4 x 11-3/4 in (48.9 x 29.9 cm) $500-$700
257 Harvey Joiner (American 1852-1932) Autumn Landscape with Trees Unsigned Oil on panel 10 x 20-1/2 in (25.4 x 52.1 cm) $1,500-$2,500
258 American School, 19th Century Portrait of James Richards Unsigned Oil on canvas 29-1/2 x 36 in (75 x 92.1 cm) $800-$1,200
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260 Frank Schneider (American 1881-1935) Ship in Battle Signed F. Schneider l.r. Oil on canvas 24-1/4 x 36-1/4 in (61.6 x 92.1 cm) $800-$1,200
259 John F. Francis (American 1808-1886) Woman with a Letter Unsigned Oil on canvas 30 x 25-1/4 in (76.2 x 64.1 cm) $2,000-$3,000 Provenance: Sold in these rooms, October 20th, 1990, Lot 20
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261 George H. Bogert (American 1864-1944) Venice in the Moonlight Signed George Bogert l.r. Oil on canvas 19-1/4 x 29-1/4 in (48.9 x 74.3 cm) $1,500-$2,500
262 Frank Duveneck (American 1848-1919) The Sermon Unsigned Oil on canvas 15 x 13 in (38.1 x 33 cm) $3,000-$5,000
262
Provenance: Purchased by current owner from Sloan’s Auctioneers, Bethesda MD, December 5, 1982, Lot 1613
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263 Alonzo Chappel (American 1828-1887) Putnam’s Escape at Horse Neck Signed Chappel and dated 57 l.l. Charcoal with white heightening on brown paper; apparently in good condition. Framed.* Sight size: 17-1/2 x 12 in (44.5 x 30.5 cm) $1,000-$2,000
264 George Washington Nicholson (American 1832-1912) Middle Eastern Interior Scene Signed GWNicholson l.l. Oil on canvas 9-1/4 x 11-1/2 in (23.5 x 29.2 cm) $1,000-$2,000
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265 Carl Eugene Mulertt (American 1869-1915) Mother and Child Signed Eugene Mulertt l.r. Oil on board 18 x 23-1/2 in (45.7 x 59.7 cm) $1,000-$2,000
266 Richard Edward Miller (American 1875-1943) Woman with Flowers Signed Miller l.r. Oil on board 9-3/4 x 8 in (24.8 x 20.3 cm) $5,000-$7,000
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267 Benjamin D. Kopman (American 1887-1965) In the Artist’s Studio Signed Kopman and dated ‘57 l.l. Gouache on paper: apparently in good condition. Framed.* Sight size: 34 x 41-1/2 in (86.4 x 105.4 cm) $800-$1,200
269 Albert H. Schmidt (American 1885-1957) Blacksmith Signed A.H. Schmidt l.r. Oil on canvas 29-1/4 x 37-1/2 in (74.3 x 95.3 cm) $1,000-$2,000
268 Stanton MacDonald Wright (American 1890-1973) Kyoto Signed Stanton Wright and dated 1963 l.c. Graphite and watercolor on paper; apparently in good condition. Framed.* Sight size: 27 x 19 in (68.6 x 48.3 cm) $1,500-$2,500
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270 Joseph Deweese Holston (American b. 1944) Portrait of a Woman in a Turban and Portrait of an Elderly Woman: Two Works The first, pastel on paper, and the second a sepia toned etching The first unsigned, and the second signed Holston and dated 1976 in pencil l.r. and marked artist’s proof in pencil l.l; each apparently in good condition. Each framed.* First: 24 x 26 in (61 x 66 cm) Second: 248 x 203 mm (9-3/4 x 8 in) $1,500-$2,500 Note: The artist’s studio has confirmed the authenticity of these works
271
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271 Maurice Sendak (American 1928-2012) Sheet of Assorted Illustrations Signed Maurice Sendak l.r. Graphite on tracing paper; apparently in good condition. Unframed. Sheet size: 7-3/4 x 11 in (19.7 x 27.9 cm) $1,500-$2,500
272 Ludwig Bemelmans (American 1898-1962) Sheikh and His Harem Signed Bemelmans in pencil l.r. Ink and paper collage with white heightening; apparently in good condition. Framed.* Sight size: 14-1/2 x 11 in (36.8 x 27.9 cm) $2,000-$3,000
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273 Ludwig Bemelmans (American 1898-1962) Madeline and Her Class Visiting the Monuments Signed Bemelmans l.r. Oil on canvas 24 x 32 in (61 x 81.3 cm) $40,000-$60,000 Provenance: Hammer Galleries, New York Purchased from the above by present owner, 1960
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274 Helen Gerardia (American 1903-1988) Untitled Signed Gerardia l.r. Casein on paper; apparently in good condition. Framed.* Sight size: 24 x 30 in (61 x 76.2 cm) $700-$900 275 Suzanne Hodes (American b. 1939) 52nd Street Reflections Signed Hodes and dated 95 l.r. Oil on canvas 48 x 36 in (121.9 x 91.4 cm) $1,000-$1,500
276
PROPERTY FROM A WASHINGTON, DC COLLECTION 276 James L. Kendrick III (American 20th/21st Century) LeFitte’s Blacksmith Signed Kendrick III and dated ‘78 l.l. Oil on canvas 15-1/2 x 19-1/2 in (39.3 x 49.6 cm) $700-$900
277 David A. Williams (American b. 1969) Ashby Inn Signed David Williams l.r. and with artist’s name, title and dated 2001 on paper label affixed to verso Oil on canvas 19 x 23 in (48.3 x 58.4 cm) $1,000-$2,000
PROPERTY OF VARIOUS OWNERS
277
278
278 Louis Schanker (American 1903-1980) Three Figures Signed Schanker l.r. Pastel and graphite on paper; apparently in good condition. Framed.* Sight size: 7-1/2 x 14 in (19.1 x 35.6 cm) $800-$1,200
279 Warren Brandt (American 1918-2002) Untitled Abstract Signed Warren Brandt l.c. and signed on verso Oil on canvas 20 x 16 in (50.8 x 40.6 cm) $800-$1,200
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280 Guy A. Wiggins (American b. 1920) Peonies in Bloom Unsigned and inscribed Peonies in Bloom/For Joan Whalen,/The best art dealer in/New York/with admiration/and affection/Guy A. Wiggins/East Hampton New York on verso Oil on canvas 20 x 16 in (50.8 x 40.6 cm) $1,500-$2,500 281 Charles Rosen (American 1878-1950) Stone Crusher Signed Charles Rosen l.r. Oil on canvas 32-1/2 x 40-1/4 in (81.3 x 101.6 cm) $3,000-$5,000 Literature: Peterson, Brian H., Form Radiating Life: The Paintings of Charles Rosen, Doylestown, PA: James A. Michener Art Museum, 2006, pg. 130. 282 Howard Lerner (American 20th Century) Clock Tower Signed Lerner and dated 96 l.r. Oil on board 60 x 48 in (152.4 x 121.9 cm) $800-$1,200
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283 Lawrence W. Lee (American b. 1947) Dream Dancer Signed Lawrence Lee and dated 1977 l.r. Acrylic on canvas 35-1/2 x 47-1/2 in (90.2 x 120.7 cm) $5,000-$7,000
284 Daniel Gerard Nevins (American 20th/21st Century) Loss Signed David Gerard Nevins and titled on verso Oil on panel 20 x 21-1/2 in (50.8 x 54.6 cm) $700-$900
284
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285 Ann Purcell (American b. 1941) Kali Poem #37 Unsigned and inscribed with artist’s name, title and dimensions on verso Acrylic on canvas 72 x 60 in (182.9 x 152.4 cm) $3,000-$5,000
286
286 Angel Botello (Puerto Rican 1913-1986) Reclining Nude Signed Botello l.r. Oil on panel 12 x 30 in (30.5 x 76.2 cm) $10,000-$15,000 Provenance: Galleria Botello, San Juan, Puerto Rico
287 Ansel Adams (American 1902-1984) Images 1923-1974 Book with duotone reproductions of photographs, 1974, published by the New York Graphics Society, with a forward by Wallace Stegner, signed Ansel Adams in ink on last page Book measures: 14 x 17-1/2 in (35.6 x 44.5 cm)
287
Together with Fern Spring, Dusk, Yosemite Valley, California Gelatin silver print, 1961, later edition, signed Ansel Adams in pencil l.l.; apparently in good condition. Framed.* Sight size: 305 x 229 mm (12 x 9 in) $1,000-$2,000
287 288
288 Anne Appleby (American b. 1954) Verona Variation #8 Aquatint in color with burnishing, 2003, signed Anne Appleby in pencil l.r., titled in pencil l.c. and numbered 2/10 in pencil l.l.; apparently in good condition. Unframed. Sheet size: 813 x 800 mm (32 x 31-1/2 in) $800-$1,200
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289 Thomas Hart Benton (American 1889-1975) The Meeting Lithograph, signed Benton in pencil l.r.; overall with toning and light foxing. Framed.* Sight size: 254 x 318 mm (10 x 12-1/2 in) $1,500-$2,500
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290 Bernard Buffet (French 1928-1999) New York Scene (Sorlier 58) Lithograph in color, signed Bernard Buffet in pencil l.r. and number 64/150 in pencil l.l.; apparently in good condition. Framed.* Plate size: 546 x 737 mm (21-1/2 x 29 in) $1,500-$2,500
291 Leonetto Cappiello (Italian 1875-1942) Nitrolian Lithograph in color, 1929, Devambez, Paris; apparently in good condition. Framed.* Sight size: 1581 x 1181 mm (62-1/4 x 46-1/2 in) $700-$900
292 Erté (Romain de Tirtoff) (Russian 1892-1990) Harmony Serigraph, signed Erté in pencil l.r. and numbered 121/300 in pencil l.l.; apparently in good condition. Framed.* Sight size: 762 x 648 mm (30 x 25-1/2 in) $2,000-$4,000
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293 French School, Early 20th Century La Française Diamant 8 Fois Champion de France Lithograph in color, circa 1930, published by Gaillard-Paris; apparently in good condition. Framed.* Sight size: 908 x 762 mm (35-3/4 x 30 in ) $700-$900
294
294 Michael Mazur (American 1935-2009) Wakeby Sunflower Monotype with pastel, 1986, signed Mazur in pencil l.r.; apparently in good condition. Unframed. Sheet size: 876 x 1200 mm (34-1/2 x 47-1/4 in) $3,000-$5,000
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295 Henry Moore (British 1898-1986) Ideas for Sculpture Lithograph, signed Moore in pencil l.r. and numbered 39/100 in pencil l.l.; apparently in good condition. Framed.* Sight size: 406 x 508 mm (16 x 20 in) $1,000-$2,000
296 Henry Moore (British 1898-1986) Reclining Figure Lithograph, signed Moore in pencil l.r. and numbered 17/50 in pencil l.l.; apparently in good condition. Framed.* Sight size: 533 x 470 mm (21 x 18-1/2 in) $1,000-$2,000
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297 Henry Moore (British 1898-1986) Sheep Before Shearing Lithograph, signed Moore in pencil l.r. and numbered 31/50 in pencil l.l.; apparently in good condition. Framed.* Sight size: 229 x 330 mm (9 x 13 in) $800-$1,200
298 Robert Motherwell (American 1915-1991) Capriccio Color collotype with pochoir, 1961, signed Robert Motherwell in pencil l.r. and numbered 116/200 in pencil l.l.; apparently in good condition. Framed.* Sight size: 533 x 419 mm (21 x 16-1/2 in) $1,500-$2,500
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299 After Norman Rockwell (American 1894-1978) County Agricultural Agent Chromolithograph, 1920, signed Norman Rockwell in pencil l.r.; apparently in good condition. Framed.* Sight size: 381 x 711 mm (15 x 28 in) $700-$900
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301
300 Jürgen Schadeberg (South African b. 1931) The Sharpeville Funeral, 1960 Silver gelatin print, 1978, signed Jürgen Schadeberg in ink l.r. and with artist’s blindstamp l.r., also with artist’s signature, date and personal inscription in pencil on verso; apparently in good condition. Unframed. Sheet Size: 393 x 279 mm (15-1/2 x 11 in) $1,500-$2,500
301 After Philips Wouwerman (Dutch 1619-1668) Grande Chasse au Cerf and Depart Pour la Chasse à L’Oiseau: Two Engravings Each an engraving, circa 1736, each published by Jean Moyreau (French 1690-1762); each with overall toning. Each framed.* Sight size of each: 445 x 546 mm (17-1/2 x 21-1/2 in) $600-$800
301
JEWELRY & WATCHES
302
302 Gentleman’s English 18-Karat Yellow-Gold Key-Wind Hunting Case Pocket Watch, T.F. Cooper, London 19th Century Case number 62523 The front cover having a floral chased border centering a cartouche opening to view a round white enamel dial with black enamel Roman numeral hour chapters and subsidiary dial. The back case with a similar floral chased border centering a textured yellow-gold body; attached by an 18-karat yellow-gold watch chain. The gold-filled cuvette signed T.F. Cooper. Gross weight of watch: 73.5 dwt. Weight of chain: 11.5 dwt. Diameter: 54.9 mm Length of chain: 15-1/4 in (38.7 cm) $1,000-$1,500
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303 Gentleman’s English 18-Karat Yellow-Gold Pear Case Open Face Key-Wind Pocket Watch, M. I. Tobias, Liverpool 19th Century Case number 4328 Having a round white enamel dial with black enamel Roman hour chapters and subsidiary dial. Each case with maker’s mark T.H/J.H. Gross weight: 97.3 dwt. Diameter: 55 mm $1,500-$2,500
304
304 Gentleman’s German 14-Karat Yellow-Gold Hunting Case Pocket Watch, Drusus Case number 100041 The polished yellow-gold cover opening to view a round white enamel dial with black enamel Arabic hour chapters and subsidiary dial; attached by a 14-karat yellowgold watch chain. Case and movement signed. Gross weight of watch: 57.1 dwt. Weight of chain: 19 dwt. Diameter: 50 mm Length of chain: 22-1/2 in (57.2 cm) $800-$1,200
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305 Gentleman’s 14-Karat Yellow-Gold Open Face Chronograph Pocket Watch, Swiss Case number 283180 Having a round white enamel dial with black enamel Roman hour chapters and two subsidiary dials. The back of the case centering a cartouche; attached by a tested 14-karat yellow and white-gold watch chain. Dial and movement unsigned. Lacking crystal. Gross weight of watch: 72.3 dwt. Weight of chain: 23.6 dwt. Diameter: 51 mm Length of chain: 24-/2 in (62.2 cm) $1,200-$1,800
306 Gentleman’s 14-Karat Tri-Color-Gold Hunting Case Pocket Watch, Waltham, American Circa 1901 Movement number 10615799 Case and cuvette number 15911 The chased front cover centering a cartouche surrounded by yellow, white and rose-gold flowers opening to view a round white enamel dial with black enamel Roman hour chapters and subsidiary dial. The back of the case with similar chasework centering an oval medallion with a figure of a moose surrounded by yellow, white and rose gold flowers; attached by a 14-karat yellow-gold watch chain and fob. Dial and movement signed. Gross weight of watch: 90.3 dwt. Weight of chain: 22.7 dwt. Diameter: 54.6 mm Length of chain: 20-1/2 in (52.1 cm) $1,500-$2,500
307 Gentleman’s 14-Karat Yellow-Gold Open Face Pocket Watch, Howard, American Circa 1914 Movement number 1247102 Case number 169177 Having a round white enamel dial with black enamel Arabic hour chapters and subsidiary dial; attached by a 14-karat yellow-gold watch chain. Dial signed Howard. Cuvette and movement signed E. Howard Boston. Gross weight of watch: 42.8 dwt. Weight of chain: 7 dwt. Diameter: 46 mm Length of chain: 16 in (40.6 cm) $800-$1,200
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308 Gentleman’s 14-Karat Yellow-Gold Hunting Case Pocket Watch, Waltham, American Circa 1909 Movement number 17738309 Case and cuvette number 463762 The polished front cover with a script monogram opening to view a round white enamel dial with black enamel Arabic hour chapters and subsidiary dial. The back cover with a plain polished yellow-gold body; attached by a 14-karat yellow-gold watch chain and fob. Dial and movement signed. Gross weight of watch: 60.1 dwt. Weight of chain: 17 dwt. Diameter: 49.5 mm Length of chain: 19-3/4 in (50.2 cm) $1,000-$1,500
309 Gentleman’s 14-Karat Yellow-Gold Hunting Case Pocket Watch, Elgin, American Circa 1884 Movement number 1576512 The floral chased front cover centering a cartouche with a script monogram opening to view a round white enamel dial with black enamel Roman hour chapters and subsidiary dial. The back case with similar floral chasework centering a cartouche with flowers; attached by a 14-karat yellow-gold watch chain with a tested 10-karat yellow-gold fob. Dial and movement signed. Gold-filled cuvette. Gross weight of watch: 76.2 dwt. Total gross weight of chain: 25.4 dwt. Diameter: 54.7 mm Length of chain: 14 in (35.6 cm) $700-$900
310
310 Gentleman’s 14-Karat Yellow-Gold Hunting Case Pocket Watch, Waltham, American Circa 1899 Movement number 9181541 Case and dust cover number 628235 The corrugated and floral chased cover centered with a monogram PA opening to view a round white enamel dial with black enamel Arabic hour chapters and subsidiary dial; attached by a tested 14-karat yellow-gold watch chain. Dial and movement signed. Case signed B.W.C. Co. Gross weight of watch: 92.6 dwt. Weight of chain: 12.6 dwt. Diameter: 52 mm Length of chain: 11-1/2 in (29.2 cm) $2,500-$3,500
311
311 Gentleman’s 18-Karat Yellow-Gold 17-Jewel Manual-Wind Wristwatch, Girard-Perregaux, Swiss Case number 62690171 Having a round cream enamel dial with raised gold-tone line hour chapters; attached by an associated black lizard band. Dial, case and movement signed. Diameter: 33.8 mm $700-$900
312
PROPERTY FROM THE CHARLES WEINER TRUST 312 Gentleman’s 14-Karat Yellow-Gold Quartz Wristwatch, Bulova Accutron, Swiss Case number 32189 The octagonal bezel having a round red enamel dial with raised gold-tone line hour chapters and date aperture; attached by the original 14-karat yellow-gold bracelet-band. Dial, case, movement and band signed. Gross weight: 53.3 dwt. Diameter of dial: 30 mm Length of band: 7-3/4 in (19.7 cm) $1,200-$1,500
313
314
313 Gentleman’s 14-Karat Yellow-Gold Automatic Wristwatch, Rolex, Oyster Perpetual, Swiss Circa 1965 Movement number D27231 Case number 1005 Having a round gold matte finish dial with raised goldtone line hour chapters and 25 Years Service / Coca-Cola. The back of the case inscribed and dated October 14, 1965. Dial, case and movement signed. Lacking band. Gross weight: 26.9 dwt. Diameter: 32.6 mm $2,000-$4,000
PROPERTY OF VARIOUS OWNERS 315 Lady’s 14-Karat Yellow-Gold Concealed Face 17-Jewel Manual-Wind Wristwatch, Wakmann, Incabloc, Swiss The mesh and wire-work bracelet opening to view a rectangular silvered matte finish dial with raised gold tone dot and triangle hour chapters. Gross weight without movement: 21.6 dwt. Length of dial: 11.8 mm Length of bracelet: 7 in (17.8 cm) $600-$800
314 Gentleman’s 18-Karat Yellow-Gold 17-Jewel Manual-Wind Wristwatch, Vacheron & Constantin, Swiss Circa 1950 Movement number 484346 Case number 316538 Having a round white enamel dial with raised gold-tone Arabic, triangular and diamond-shape hour chapters and subsidiary dial. Dial, case and movement signed. The back of the case with inscription Love Jacqualine. Lacking band. Gross weight: 22.1 dwt. Diameter: 35.8 mm $2,000-$4,000
315
316
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PROPERTY FROM THE CHARLES WEINER TRUST
317
316 Lady’s 14-Karat Yellow-Gold 17-Jewel Manual-Wind Wristwatch, Lucien Piccard, Swiss Case number 44247 Having an oval silver matte finish dial with raised gold and white enamel line hour chapters; attached by a 14-karat textured yellowgold bracelet-band. Dial, case and movement signed. Gross weight: 34.6 dwt. Length of dial: 23.9 mm Width: 15.6 mm Length of band: 8 in (20.3 cm) $800-$1,200 317 Lady’s 14-Karat Yellow-Gold and Diamond Quartz Wristwatch, Baume & Mercier, Swiss Case number 1230333 Having a rectangular gold matte finish dial with raised gold-tone line hour chapters, the bezel set with a pavé of round single-cut diamonds; attached by the original Florentine finish bracelet-band. Dial, case and band signed. Gross weight without movement: 35.5 dwt. Length of dial: 22 mm Width: 18 mm Length of band: 7 in (17.8 cm) $800-$1,200
PROPERTY OF VARIOUS OWNERS 318 Lady’s 18-Karat Yellow-Gold and Stainless Steel Quartz Wristwatch, Cartier, Panthère, Swiss Numbered 11202 and C18734 Having a square cream enamel dial with black enamel Roman hour chapters; attached by a stainless steel and a single-row yellow-gold band. Dial, case and band signed. Length: 6-1/2 in (16.5 cm) $1,500-$2,500
319
320
319 Pair of Georgian Silver-Topped, Yellow-Gold and Diamond Pierced Earrings First Quarter 19th Century Each set with seven rose-cut diamonds suspending a tassel pendant set with eleven rose-cut diamonds. Each with later 14-karat yellow-gold post. Gross weight: 4.3 dwt. Length: 1-1/4 in (3.2 cm) $700-$900
321 Pair of Victorian Tested 14-Karat Yellow-Gold and Diamond Pierced Earrings Last Quarter 19th Century Each tassel pendant set with one round old mine-cut diamond weighing approximately 2.05 carats. Total weight of diamonds: 4.10 carats $12,000-$15,000
320 Victorian Garnet Assembled Nine-Piece Ensemble Last Quarter 19th Century Consisting of: a necklace, a bracelet, a ring, two brooches and two pairs of earrings. One brooch and one pair of earrings tested 10-karat gold. Length of necklace: 14 in (35.6 cm) Length of bangle: 5-3/4 in (14.6 cm) Shank size: 6 Length of larger earrings: 2 in (5.1 cm) Length of larger brooch: 2-3/4 in (7 cm) $800-$1,200
321
322
322 Edwardian Tested 14-Karat Yellow-Gold, PlatinumTopped, Diamond, Blue Sapphire and Carved White Opal Cameo Brooch Circa 1910 The oval carved white opal cameo portraying a lady with braids measuring 34.3 x 27.1 mm, surrounded by fifteen round old European-cut diamonds weighing approximately .45 carats, six round faceted blue sapphires weighing approximately 1 carat and nine pearls. Gross weight: 12.8 dwt. Length: 2 in (5.1 cm) Width: 1-1/2 in (3.8 cm) $800-$1,200
323
323 Edwardian Tested 18-Karat Yellow-Gold, Angel Skin Coral, Pearl and Diamond Ring Circa 1910 The rectangular-form mount set with one round angel skin coral bead measuring 6.5 mm, flanked by one gray and one white pearl measuring 4.7 and 4.9 mm respectively, surrounded by thirty-one round old mine-cut diamonds weighing approximately 2.10 carats. Shank has been split. Length: 1 in (2.5 cm) Width: 1/2 in (1.27 cm) Shank size: 5-1/2 $600-$800
324
324 Art Deco Tested 18-Karat White-Gold and Diamond Ring Circa 1930 The top portion having a rectangular mount set with twentynine round old European, transitional and full-cut diamonds weighing approximately 1.10 carats. Shank size: 8 $600-$800
325
326
325 Art Deco 14-Karat Yellow-Gold, Platinum-Topped, Diamond and Apple-Green Jade Three-Piece Ensemble Circa 1930 Consisting of: a matinee length necklace having eighty graduated jade beads measuring from 9.72 to 4.50 mm, joined by a platinum-topped tongue-and-groove clasp set with two round single-cut diamonds weighing approximately .05 carats; and a pair of screw back earrings, each set with one round cabochon jade stone measuring 5.50 mm, suspending a seed pearl and a tear-drop jade stone measuring 16 mm. Length of necklace: 24 in (61 cm) Length of earrings: 2 in (5.1 cm) $600-$800
327 Tested 18-Karat Yellow-Gold, Blue Sapphire and Diamond ‘Agincourt’ Flexible Ring, Elizabeth Gage The flexible mount having eight triangular panels set with twenty-four round brilliant-cut diamonds weighing approximately .60 carats, alternating with twenty-four round faceted blue sapphires weighing approximately .60 carats. Signed. Gross weight: 12.8 dwt. Width: 16.6 mm Shank size: 7-1/2 $1,000-$2,000
326 Art Deco Platinum, Diamond, Emerald and Black Onyx Cocktail Bracelet Circa 1925 The geometric design mount set with approximately two hundred eighty-eight round and fancy-cut diamonds weighing approximately 17 carats, alternating with eight square faceted emeralds weighing approximately 1.60 carats and eight black onyx end caps. One round full-cut diamond missing. Gross weight: 22.1 dwt. Length: 7 in (17.8 cm) $8,000-$12,000
327
328
328 Opera Length 18-Karat Yellow-Gold Necklace Having twenty-one textured yellow-gold links, alternating with twenty-one polished and corrugated yellow-gold links. Weight: 117.7 dwt. Length: 28-1/2 in (72.4 cm) $4,000-$6,000
329
329 14-Karat Yellow-Gold and Diamond Pendant The polished and corrugated yellow-gold mount set with one yellow-brown pear-shaped diamond weighing approximately 2 carats, surrounded by fourteen round full-cut diamonds weighing approximately .25 carats. Total weight of diamonds: 2.25 carats Gross weight: 8.8 dwt. Length: 1-1/2 in (3.8 cm) Width: 1 in (2.5 cm) $2,500-$3,500
330
330 Tested 14-Karat White-Gold and Diamond ‘Corona’ Brooch The crown-form mount set with forty-three round brilliant-cut diamonds weighing approximately 1.30 carats. Gross weight: 4.9 dwt. Length: 3/4 in (1.9 cm) Width: 1-1/2 in (3.8 cm) $700-$900
331
332
PROPERTY FROM THE MARGARET S. HARPER TRUST
331 Tested 18-Karat Yellow-Gold, White-Gold and Diamond Bracelet The flexible bracelet centered with one hundred sixteen princess-cut diamonds weighing approximately 5.80 carats. Gross weight: 38.5 dwt. Length: 7 in (17.8 cm) $1,500-$2,500
332 Pair of 14-Karat Yellow-Gold and Diamond Stud Earrings Each four-prong mount set with one round brilliant-cut diamond weighing approximately 1 carat. Total weight of diamonds: 2 carats $1,000-$2,000
PROPERTY OF VARIOUS OWNERS 333 18-Karat Yellow-Gold and Diamond Eternity Band The contemporary yellow-gold mount set with twelve marquise-cut diamonds weighing approximately 2.75 carats and twenty-four tapered baguette-cut diamonds weighing approximately 2.40 carats. Total weight of diamonds: 5.15 carats Gross weight: 4.3 dwt. Shank size: 5-1/2 $4,000-$5,000
333
334
335
336
334 14-Karat Yellow-Gold Charm Bracelet Having nine 14-karat and 18-karat yellow-gold charms and a Credit Suisse 1 gram fine gold charm. Gross weight: 27 dwt. Length: 8 in (20.3 cm) $700-$900 335 Tested 14-Karat Yellow-Gold, Carved Angel Skin Coral and Seed Pearl Cameo Pendant The carved coral cameo depicting a Classical man, surrounded by seed pearls. Gross weight: 21.5 dwt. Length: 2-3/4 in (7 cm) Width: 1-1/2 in (3.8 cm) $500-$700 336 14-Karat White-Gold, Emerald and Diamond Three-Piece Ensemble Consisting of: a dinner ring, set with one emerald-cut emerald weighing approximately 1.30 carats, surrounded by round full-cut diamonds; and a pair of pierced pendant earrings, each suspending one emerald-cut emerald weighing approximately .65 carats surrounded by full-cut diamonds. Total weight of emeralds: 2.60 carats Gross weight: 11.1 dwt. Shank size: 7-1/4 Length of earrings: 1-1/4 in (3.2 cm) $1,000-$1,500
337
338
337 18-Karat Yellow-Gold Bracelet Weight: 26.4 dwt. Length: 7-1/2 in (19.1 cm) Width: 3/4 in (1.9 cm) $800-$1,200 338 European 18-Karat Yellow-Gold, Rock Crystal and Ruby Three-Piece Ensemble Consisting of: a brooch, having three carved rock crystal flowers with each stamen set with one round faceted ruby, above two carved spinach jade leaves; and a pair of French clip-back earrings, each with the stamen set with three round faceted rubies. Total gross weight: 22.1 dwt. Length of brooch: 2-1/4 in (5.7 cm) Width: 2-1/4 in (5.7 cm) Diameter of earrings: 1 in (2.5 cm) $700-$900 339 Tested 14-Karat White-Gold and Diamond Cocktail Ring The dome-shaped tiered mount set with approximately forty-one round brilliant-cut diamonds weighing approximately 2.25 carats. Shank size: 6-1/2 $700-$1,000
339
340 18-Karat White-Gold ‘Love’ Bangle Bracelet, Cartier Size 19, Numbered F71312 Together with a Cartier fitted presentation box, gift box and an associated gilt metal screwdriver. Weight: 22.1 dwt. Inner length approximately: 7 in (17.8 cm) $2,500-$3,500
340
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341 Princess Length 14-Karat Yellow-Gold, Diamond and Ruby Necklace The center portion have a rose-and-leaf motif set with one round brilliant-cut diamond and two round faceted rubies. Gross weight: 18.8 dwt. Length: 17-1/2 in (44.5 cm) $600-$800
342 Tested 14-Karat Yellow-Gold, Turquoise, Lapis Lazuli and Diamond Brooch Set with three graduated oval cabochon robin’s egg blue turquoise stones measuring from 17.8 x 13.1 mm to 9.7 x 7.5 mm and two oval cabochon lapis stones measuring 15.3 x 11.6 mm and 13.2 x 9.6 mm and a central row of twenty-one round brilliant-cut diamonds weighing approximately 1.60 carats. Gross weight: 22.5 dwt. Length: 2-1/2 in (6.4 cm) Width: 1-1/2 in (3.8 cm) $700-$900
343
344
PROPERTY FROM THE MARGARET S. HARPER TRUST 343 14-Karat Yellow-Gold, Blue Sapphire and Diamond Bracelet Set with nineteen round faceted blue sapphires weighing approximately 4.15 carats, alternating with seventy-six round brilliant-cut diamonds weighing approximately 2.15 carats. Gross weight: 15.6 dwt. Length: 7 in (17.8 cm) $1,200-$1,800
345 14-Karat Yellow and White-Gold and Black Onyx Bracelet Having six rectangular yellow-white-gold links alternating with six rectangular black onyx stones. Gross weight: 11.7 dwt. Length: 7-1/4 in (18.4 cm) $500-$700
PROPERTY OF VARIOUS OWNERS 344 Tested 14-Karat Yellow-Gold and Coral Three-Piece Ensemble Consisting of: a floral brooch, with carved angel skin coral petals centering one round brilliant-cut melee diamond and two spinach jade leaves; and a pair of pierced pendant earrings, each set with one oval cabochon white coral measuring 11.9 x 10.3 mm, suspending a teardropshaped white coral measuring 19 x 10.5 mm. Total gross weight: 36.7 dwt. Length of brooch: 2-1/4 in (5.7 cm) Width: 1-3/4 in (4.5 cm) Length of earrings: 1-1/2 in (3.8 cm) $800-$1,200
345
346
347
348
PROPERTY FROM THE MARGARET S. HARPER TRUST 346 Princess Length 14-Karat White-Gold, Tahitian Baroque Black Pearl and Diamond Necklace The single strand having twenty-six baroque teardropshaped pearls measuring approximately 12 x 10 mm, attached by a 14-karat white-gold ball clasp set with ten round brilliant-cut diamonds. Length: 18 in (45.7 cm) $1,000-$1,500
PROPERTY OF VARIOUS OWNERS 347 Choker Length Tested 14-Karat Yellow-Gold and Coral Multi-Strand Necklace The seven strand necklace set with angel skin coral beads measuring 3.9 mm. Length: 16-1/2 in (41.9 cm) $600-$800 348 French 18-Karat Yellow-Gold, Iolite and Diamond Ring, Mauboussin Numbered T48 A4690 The polished yellow-gold dome form mount set with one oval faceted bezel set iolite weighing approximately 2 carats, flanked by twenty-four round brilliant-cut diamonds weighing approximately .70 carats. Signed. Gross weight: 7.5 dwt. Shank size: 4-1/2 $1,500-$2,500
349 18-Karat Yellow-Gold and Aquamarine Dinner Ring The four-prong mount set with one rectangular-cut pale aquamarine weighing approximately 15.40 carats. Gross weight: 8.8 dwt. Shank size: 6-1/4 $600-$800
349
350 Tested 14-Karat Yellow-Gold and Coral Three-Piece Ensemble Consisting of: a matinee length double-strand necklace, having one hundred sixteen graduated salmon coral beads measuring from 5.9 to 15.7 mm, alternating with granulated yellow-gold spacers; and a pair of French clip-back earrings, each set with one carved salmon coral measuring approximately 20.6 x 14.2 mm. Length of necklace: 24-3/4 in (62.9 cm) Length of earrings: 1 in (2.5 cm) $1,000-$1,500
350
351 18-Karat Yellow-Gold, Star Ruby and Diamond ‘Serpent’ Ring The coiled serpent mount set with one round cabochon star ruby weighing approximately .80 carats and the eyes set with one round brilliant-cut melee diamond. Gross weight: 8.7 dwt. Shank size: 7-1/4 $600-$800
351
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353
PROPERTY FROM THE MARGARET S. HARPER TRUST 352 14-Karat Yellow-Gold, Amethyst and Cultured Pearl Bracelet The triple strand having eighty-four cultured pearls measuring from 4.5 to 4.8 mm, centering one oval cabochon amethyst weighing approximately 4.10 carats, twelve round brilliant-cut diamonds weighing approximately .35 carats and two polished yellow-gold spacers. Length: 7 in (17.8 cm) $500-$700
354
PROPERTY OF VARIOUS OWNERS 353 Platinum, Blue Sapphire and Diamond ‘Legacy’ Ring, Tiffany & Co. Numbered 18673096 Set with one round faceted bezel-set blue sapphire weighing 1.08 carats, surrounded by twenty-eight round brilliant-cut diamonds weighing approximately .15 carats and the shoulders set with fourteen princess-cut diamonds weighing approximately .35 carats. Signed. Total weight of diamonds: .50 carats Shank size: 6 $2,000-$3,000
354 Choker Length 14-Karat Yellow-Gold, Diamond, Emerald and Ruby ‘Leopard’ Necklace The facing leopards each holding a double-bar set with a pavé of round brilliant-cut diamonds, thirty-six round faceted emeralds and four cabochon marquise rubies. Gross weight: 25.6 dwt. Length: 15 in (38.7 cm) $1,200-$1,800
355
356
355 14-Karat White-Gold Solitaire Diamond Ring The six-prong mount set with one round brilliant-cut diamond weighing approximately .95 carats. Shank size: 5 $1,500-$2,500
PROPERTY FROM THE MARGARET S. HARPER TRUST 356 14-Karat Yellow-Gold, Tanzanite and Diamond Pendant Necklace The custom yellow-gold pendant set with one oval faceted tanzanite weighing approximately 4.15 carats and one round brilliant-cut diamond weighing approximately .15 carats, attached by a matinee length 14-karat yellow-gold braided necklace. Gross weight of pendant: 9 dwt. Weight of chain: 19.4 dwt. Length of necklace: 23-1/2 in (59.7 cm) Length of pendant: 1-3/4 in (4.5 cm) $1,200-$1,800
PROPERTY OF VARIOUS OWNERS 357 Platinum Solitaire Diamond Ring The four-prong mount set with one round brilliant-cut diamond weighing approximately 2.40 carats, flanked by two oval brilliant-cut diamonds weighing approximately .70 carats. Center diamond with possible laser drill hole inclusions. Total weight of diamonds: 3.10 carats Shank size: 8 $6,000-$8,000
357
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359
PROPERTY FROM THE MARGARET S. HARPER TRUST 358 14-Karat Yellow-Gold and Carved Black Onyx Cuff Bracelet, Maz The spring-loaded cuff with carved corrugated onyx ending in 14-karat yellow-gold end caps. Gross weight: 33.1 dwt. Length approximately: 6 in (15.2 cm) $600-$800
360
359 18-Karat Yellow-Gold, Blue Sapphire and Diamond Ring Set with one oval faceted blue sapphire weighing approximately 3 carats, flanked by fourteen baguette-cut and twenty-eight princess-cut diamonds weighing approximately 1.70 carats. Gross weight: 7.7 dwt. Shank size: 7 $2,000-$4,000
PROPERTY OF VARIOUS OWNERS 360 Princess Length 14-Karat Yellow-Gold, Silver, Diamond and Multi-Color Tahitian Pearl Necklace The single strand having thirty-seven graduated Tahitian pearls measuring from 13.4 to 10.2 mm, attached by a yellow-gold, silver and diamond ball tongue-and-groove clasp. Length: 18 in (45.7 cm) $1,200-$1,500
361 Pair of 22-Karat Hammered Yellow-Gold Pendant Pierced Earrings, Zolotas Total weight: 34.4 dwt. Length: 3 in (7.6 cm) $1,200-$1,800
361
362 Princess Length 14-Karat White-Gold, Aquamarine and Diamond Pendant Necklace The pendant set with one large emerald-cut aquamarine weighing approximately 33.75 carats, surrounded by four round brilliant-cut diamonds weighing approximately .60 carats and two baguette-cut diamonds weighing approximately .55 carats, suspending a horseshoe motif pendant centered with one round old mine-cut diamond weighing approximately 1.25 carats and surrounded by thirteen round brilliant-cut diamonds weighing approximately .25 carats. Total weight of diamonds: 2.65 carats Total gross weight: 12.3 dwt. Length of pendant: 1-1/2 in (3.8 cm) Length of chain: 18 in (46.4 cm) $4,000-$6,000
362
363 Platinum and 18-Karat White-Gold Solitaire Diamond Ring The six-prong mount set with one round brilliant-cut diamond weighing approximately 1 carat, flanked by approximately thirty-two tapered baguette-cut diamonds weighing approximately .40 carats. Total weight of diamonds: 1.40 carats Shank size: 7 $1,500-$2,500
363
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366
PROPERTY FROM THE CHARLES WEINER TRUST 364 18-Karat Yellow-Gold and Opal Bracelet The contemporary yellow-gold mount having six oval cabochon white opals weighing approximately 26.40 carats. Gross weight: 20.3 dwt. Length: 7 in (17.8 cm) $700-$900 365 Matinee Length 14-Karat Yellow-Gold, White-Gold and Diamond Necklace Having alternating yellow and white-gold panels set with eighty-five round brilliant-cut diamonds weighing approximately 4.25 carats. One diamond missing. Gross weight: 74.8 dwt. Length: 25-1/4 in (64.1 cm) $2,000-$3,000
PROPERTY OF VARIOUS OWNERS 366 14-Karat Yellow-Gold, White Opal, Diamond and Blue Enamel Dinner Ring The Victorian style mount set with one oval cabochon white opal weighing approximately 2.30 carats, flanked by a row of fourteen round brilliant-cut diamonds weighing approximately 1.15 carats, the outer row and shoulders with royal blue enamel. Gross weight: 5.6 dwt. Shank size: 6-1/2 $600-$800
PROPERTY FROM THE MARGARET S. HARPER TRUST
367
367 Princess Length 14-Karat Yellow-Gold, Ruby and Diamond Necklace The center portion set with one oval faceted ruby weighing approximately 2 carats, flanked by six round brilliant-cut diamonds weighing approximately 1 carat. Gross weight: 15.3 dwt. Length: 17 in (43.2 cm) $1,500-$2,500
PROPERTY OF VARIOUS OWNERS 368 18-Karat White-Gold and Fancy Light Yellow Diamond Ring The four-prong mount set with one cut-cornered rectangular modified brilliant-cut diamond weighing 2.04 carats, flanked by two half-moon-cut diamonds weighing approximately .80 carats and six round brilliant-cut diamonds weighing approximately .12 carats. Total weight of diamonds: 2.96 carats Shank size: 6-1/2 $8,000-$12,000
368
The center diamond is accompanied by a G.I.A. colored diamond report dated October 14th, 2014 and numbered 2165684457 stating the color is natural, fancy light yellow, even, clarity is VS1, polish and symmetry very good and no fluorescence.
PROPERTY FROM THE MARGARET S. HARPER TRUST 369 18-Karat Yellow-Gold, Ruby and Diamond Dinner Ring Set with one oval faceted ruby weighing approximately 1 carat, surrounded by twenty princess-cut channel-set diamonds weighing approximately 1.40 carats and twenty square calibre-cut rubies weighing approximately .80 carats. Total weight of rubies: 1.80 carats Gross weight: 8.7 dwt. Shank size: 7 $1,200-$1,800
369
370
PROPERTY OF VARIOUS OWNERS 370 18-Karat Yellow-Gold, Ruby and Diamond Brooch, Krypell The ribbon design yellow-gold mount set with twenty-five round brilliant-cut diamonds weighing approximately 1.10 carats and seventy-eight baguette-cut rubies weighing approximately 7 carats. Signed. Gross weight: 15.3 dwt. Length: 1-1/2 in (3.8 cm) Width: 1-1/4 in (3.2 cm) $2,000-$4,000
371
371 Platinum Solitaire Diamond ‘Lucida’ Ring, Tiffany & Co. The four-prong mount set with one cut-cornered square mixed-cut diamond weighing 1.63 carats. Shank size: 5-3/4 $12,000-$15,000 Accompanied by a G.I.A. Gem Laboratory report dated June 1, 2000 and numbered 11177141, and a Tiffany & Co. diamond certificate numbered D65675, each stating the color is E, clarity is IF, polish and symmetry good and medium blue fluorescence.
PROPERTY FROM THE MARGARET S. HARPER TRUST
372
372 14-Karat Yellow-Gold, Ruby and Diamond Cocktail Bracelet The track-link chain bracelet centered with sixty-six princess-cut channel-set diamonds weighing approximately 4.60 carats, flanked by two rows set with one hundred thirty square-cut channel-set rubies weighing approximately 9.30 carats, attached by a tongue-andgroove clasp. Gross weight: 23.1 dwt. Length: 7 in (17.8 cm) $2,000-$4,000
PROPERTY OF VARIOUS OWNERS 373 Platinum and Three-Diamond Ring Set with one round brilliant-cut diamond weighing 2.11 carats, flanked by two round brilliant-cut diamonds weighing approximately 1.20 carats. Total weight of diamonds: 3.31 carats Gross weight: 5.1 dwt. Shank size: 5-1/2 $12,000-$15,000 The center diamond is accompanied by a G.I.A. Gem Trade Laboratory report dated July 15, 2003 and numbered 12747340 stating the color is G, clarity is VS1, polish and symmetry are very good and faint blue fluorescence.
373
374
374 Platinum and Diamond Cocktail Bracelet The flexible mount having three rows set with one hundred sixty-two round brilliant-cut diamonds weighing approximately 8.10 carats. Gross weight: 33.6 dwt. Length: 7 in (17.8 cm) Width: 1/4 in (.63 cm) $5,000-$7,000
375
375 Platinum and Diamond Brooch The Art Deco style mount centered with one emerald-cut diamond weighing approximately 1.05 carats, flanked by four baguette-cut diamonds weighing approximately .40 carats and surrounded by approximately one hundred sixteen round transitional and brilliant-cut diamonds weighing approximately 3.45 carats. Total weight of diamonds: 4.90 carats Gross weight: 8.6 dwt. Length: 1-3/4 in (4.5 cm) Width: 1 in (2.5 cm) $3,000-$5,000
END OF SALE The next CAPITAL COLLECTIONS ESTATE AUCTION will be FEBRUARY 20, 2015 Consignment deadline: January 2, 2015
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INFORMATION FOR ABSENTEE BIDDERS As a convenience to clients who cannot attend the auction, Weschler’s will execute absentee bids without charge. Bids will be executed to purchase the lots requested as inexpensively as is allowed by other bids and/or reserves upon those lots. Absentee bids can be accepted over the telephone, but all verbal bid requests must be confirmed in writing prior to the auction, either with the Absentee Bid form in this catalogue, a signed letter, fax or telegram delivered to the Gallery. Bids should be submitted as early as possible, and should be dated with the date of submission. In the event of identical bids, Weschler’s has sole and complete discretion as to which to execute, but the first bid received normally will be preferred. Bids submitted for each lot should be in the amount you would bid if you attended the auction, exclusive of the 20 percent buyer’s premium. Weschler’s does not execute “buy” bids. If you are a successful bidder, you will receive an invoice detailing your purchase and requesting prompt payment and removal. Unsuccessful bids generally are not acknowledged. To avoid delay in removing purchases, buyers not known to Weschler’s and planning to pay with a personal or business check are advised to supply us a bank letter of credit prior to the auction, addressed to the attention of
INFORMATION FOR SHIPMENT OF PURCHASES Karen Weschler. If such arrangements are not made prior to the auction, purchases will be held by Weschler’s until the check has cleared our bank. Bids are subject to the “Conditions of Sale” which appear in the front of this catalogue. While every effort is made to properly execute absentee bids, Weschler’s will not be responsible for errors or failure to execute such bids. For additional information on absentee bids and purchaser payments, please contact our offices at (202) 628-1281 or by fax at (202) 628-2366.
BIDDING INCREMENTS The auctioneer generally advances the bidding in the following incremental amounts: $100-499 $25 increments $500-999 $50 increments $1,000-1,999 $100 increments $2,000-4,999 $200 increments $5,000-9,999 $500 increments $10,000+ auctioneer’s discretion
A premium equal to twenty percent (20%) of the successful bid price up to and including $50,000, and 12% of the successful bid price over $50,000 will be added thereto and is payable by the purchaser as part of the total purchase price.
If your bid is successful, Weschler’s can help arrange shipment of your purchases to you. We will be happy to recommend professionals with whom we have worked in the past, but assume no liability for their performance. Please note the Conditions of Sale in the front of this catalogue concerning prompt payment and clearance. In default of these conditions, lots may be transferred to a public warehouse at the risk and cost of the purchaser. As stated in the Conditions of Sale, Weschler’s assumes no responsibility for the acts or omissions of carriers or packers, whether or not recommended by us. All shipments are at the expense of the purchaser. For further information concerning packing and shipping of purchases, please contact our offices at (202) 628-1281.
Notes
AUCTION SCHEDULE
WESCHLER’S Auctioneers & Appraisers Since 1890
Sale Date
Adam A. Weschler and Son, Inc. has served the Nation’s Capital as fine art auctioneers and appraisers since 1890. The gallery is now owned and managed by fourth and fifth generation members of the Weschler family and is supported by a highly experienced administrative staff. 20
In our second century, Weschler’s renews its commitment to the highest level of professionalism in auction and appraisal services. Since its founding, Weschler’s has strictly adhered to the principle that the company own none of the items it auctions, acting solely as an agent for consignors.
Sale Title
Consignment Deadline
Dec.17, 2014
Metro Online Auction
n/a
Feb. 20, 2015
Capital Collections Estate Auction
Jan. 2
169
281
Adam A. Weschler (1874-1951) Ralph A. Weschler, Sr. (1897-1966) Ralph A. Weschler, Jr. (1921-1982) Benjamin E. Weschler (1922-1993) William P. Weschler, Sr. (1926-2006) John S. Weschler, Sr. (1956-2011) 375
192
373
CHAIRMAN OF THE BOARD William P. Weschler, Jr. Accredited Senior Appraiser American Society of Appraisers OFFICERS 100
Thomas M. Weschler President Accredited Senior Appraiser American Society of Appraisers 54 detail
67
Leonard J. Weschler Treasurer / Secretary 91 & 92
108
150
243 detail
WESCHLER’S
Friday, December 5, 2014
WESCHLER’S Since 1890
CAPITAL COLLECTIONS ESTATE AUCTION Sale 1419
Capital Collections Estate Auction Friday, December 5, 2014 10 AM