African-American Fine Art by Weschler's Auctioneers & Appraisers

WESCHLERâ&#x20AC;&#x2122;S Since 1890

AFRICAN-AMERICAN FINE ART

featuring the Collection of Reverend Douglas E. Moore and Dr. Doris Hughes-Moore

Friday, February 26, 2016 - 10 am

WESCHLER’S Auctioneers & Appraisers Since 1890

Adam A. Weschler and Son, Inc. has served the Nation’s Capital as fine art auctioneers and appraisers since 1890. The gallery is now owned and managed by fourth and fifth generation members of the Weschler family and is supported by a highly experienced administrative staff. In our second century, Weschler’s renews its commitment to the highest level of professionalism in auction and appraisal services. Since its founding, Weschler’s has strictly adhered to the principle that the company own none of the items it auctions, acting solely as an agent for consignors. Adam A. Weschler (1874-1951) Ralph A. Weschler, Sr. (1897-1966) Ralph A. Weschler, Jr. (1921-1982) Benjamin E. Weschler (1922-1993) William P. Weschler, Sr. (1926-2006) John S. Weschler, Sr. (1956-2011) CHAIRMAN OF THE BOARD William P. Weschler, Jr. Accredited Senior Appraiser American Society of Appraisers OFFICERS Thomas M. Weschler President Accredited Senior Appraiser American Society of Appraisers Leonard J. Weschler Treasurer / Secretary

AFRICAN-AMERICAN FINE ART featuring the Collection of Reverend Douglas E. Moore and Dr. Doris Hughes-Moore AUCTION Friday, February 26, 2016 at 10 a.m. RECEPTION *Thursday, February 18 – 5 p.m. to 7p.m. EXHIBITION Saturday, February 20 – 9 a.m. to Noon *No Sunday Exhibition* Monday, February 22 – 10 a.m. to 5 p.m. Tuesday, February 23 – 10 a.m. to 5 p.m. Wednesday, February 24 – 10 a.m. to 5 p.m. Thursday, February 25 – 10 a.m. to 2 p.m. CATALOGUES $20 at the Gallery $25 by First Class Mail, $35 Overseas In absentee bids this sale may be referred to as 1424 Front Cover: Lot 55 Back Cover: Lot 85

All lots subject to 20% buyer’s premium* as part of purchase price. (See clause 6 of the Conditions of Sale)

WESCHLER’S Auctioneers and Appraisers Since 1890

909 E Street N.W. Washington, DC 20004 202/628-1281 FAX 202/628-2366 www.weschlers.com

SPECIALISTS IN CHARGE (202) 628-1281

FINE ART Danielle Isaacs

CUSTOMER SERVICE DEPARTMENTS (202) 628-1281 Fax (202) 628-2366

ABSENTEE BIDS & CONSIGNOR PAYMENTS Linda Niehaus

PURCHASER PAYMENTS Karen Weschler

FREE VERBAL ESTIMATES: Weschler’s experts will provide a free auction-value estimate by appointment in our gallery. Alternatively, photographs which clearly depict the items may be submitted in person, by mail or via email at info@weschlers.com, if accompanied

by descriptive information such as dimensions, condition, signatures, provenance, and other relevant data. Weschler’s experts will be happy to visit your location to view large collections for a nominal fee, refundable if the collection is consigned within one year.

WRITTEN APPRAISALS:

Weschler’s experts provide written appraisals for insurance, tax, estate or sale purposes. The cost is based on the time involved and the scope of the appraisal. Please contact William P. Weschler, Jr. or Thomas M. Weschler at (202) 628-1281 for further information.

SPECIALIST DEPARTMENTS SPECIALIST DEPARTMENTS

FURNITURE AND DECORATIONS

Manager of Capital Collections Leigh Snitiker 202-628-1281 1-800-331-1430

American Furniture and Decorations american@weschlers.com Leigh Snitiker

Asian Works of Art asian@weschlers.com William P. Weschler, Jr.

European Furniture and Decorations european@weschlers.com Leigh Snitiker

Jewelry, Coins & Watches jewelry@weschlers.com Mark P. Weschler

Assistant to the Specialists judy@weschlers.com Judy Acs FINE ARTS American and European Paintings, Drawings, Sculpture, Prints and Photographs fineart@weschlers.com Danielle Isaacs

20th Century Decorative Arts 20thcentury@weschlers.com Leigh Snitiker Rugs, Carpets and Tapestries rugs@weschlers.com Thomas M. Weschler

CUSTOMER SERVICE DEPARTMENTS CUSTOMER SERVICE & ADMINISTRATIVE MANAGER Karen Weschler 202-628-1281 1-800-331-1430 Fax 202-628-2366 APPRAISALS Furniture and Decorations William P. Weschler, Jr. Thomas M. Weschler Fine Arts William P. Weschler, Jr. Thomas M. Weschler Jewelry and U.S. Coins William P. Weschler, Jr. Thomas M. Weschler Mark P. Weschler BIDS DEPARTMENT Linda Niehaus SUBSCRIPTIONS Linda Niehaus

PAYMENTS Karen Weschler TRUSTS & ESTATES William P. Weschler, Jr. Thomas M. Weschler

ADMINISTRATIVE OFFICE Virginia Weschler Linda Niehaus Allison Mulholland Deborah Knott Megan Alderfer SHIPPING

CORPORATE AND MUSEUM SERVICES

Megan Alderfer Deborah Knott

William P. Weschler, Jr. Thomas M. Weschler

PHOTOGRAPHY

AUCTIONEERS Thomas M. Weschler Leonard J. Weschler Mark P. Weschler GALLERY ASSISTANTS Ronnie Lyon Gregory Janrhett Charles Johnson Sam Botsford

Terence D. McArdle CATALOGUE PRODUCTION Karen Weschler COMMUNICATIONS Megan Alderfer PRINTING Goetz Printing

INFORMATION FOR BUYERS AND SELLERS PREVIEW:

The preview will be held the Saturday preceding the sale from 9 a.m. to Noon, Monday, Tuesday and Wednesday from 10 a.m. to 5 p.m., and Thursday from 10 a.m. to 2 p.m. You are encouraged to attend the preview and to closely examine all lots of interest to you. Weschler’s staff will gladly assist you if requested.

CATALOGUES:

The catalogue for this auction is available at Weschler’s Gallery during the exhibition and auction for $20. A catalogue admits two people to the auction. Catalogues can be mailed for a cost of $25 and mailed overseas at a cost of $35. Annual catalogue subscriptions are available by category. Additional information may be obtained by contacting Linda Amigh at (202) 628-1281.

PRICE LISTS AND POSTCARDS:

Post sale price lists are available free of charge, approximately three weeks after the sale or online. Weschler’s postcards are automatically sent to catalogue subscribers prior to each sale.

PRE-SALE ESTIMATES:

As a convenience to bidders, Weschler’s publishes pre-sale estimates of the value of each lot in the auction. Estimates are intended as a guide and should not be considered a prediction of the selling price.

RESERVES:

The “reserve” is a confidential minimum price agreed between the consignor and Weschler’s below which a lot will not be sold. Lots that have a reserve will not be marked as such, but the reserves will not be in excess of the low pre-sale estimates. Weschler’s will execute all reserves on behalf of the consignor by bidding through the auctioneer and placing successive or consecutive bids for a lot. The auctioneer may open the bidding on any lot on behalf of the consignor up to the reserve amount. In the event the bidding does not reach the reserve, the auctioneer will announce “Passed.”

BIDDER REGISTRATION:

Each bidder must be assigned a bidding number before bids can be recognized. Bidding number registration will be available during exhibition hours and during the auction. Bidders already registered with an annual Weschler’s bidding number need not re-register for each sale.

ABSENTEE BIDS:

Bidders who cannot attend the auction may submit absentee bids using the Absentee Bid form at the back of this catalogue or available online. Absentee bids may also be placed through Weschler’s FAX number, (202) 628-2366, by telephone, (202) 628.1281. Bids placed by telephone must be confirmed by FAX, letter or email. Our facilities for telephone bidding are somewhat limited so it is strongly recommended that you make arrangements at least 24 hours in advance. Please contact Linda Niehaus at (202) 628-1281 for specific information on absentee bids. Absentee bidders are urged to read the Information for Absentee Bidders at the back of this catalogue.

CONDITION REPORTS:

All property is sold “As Is” in accordance with Conditions of Sale clause 3 and neither Weschler’s nor the consignor make any express or implied warranty or representation as to the condition of any lot offered for sale and no statement made at any time, whether oral or written, shall constitute such a warranty or representation. Weschler’s staff is available to answer any questions or to provide any additional information regarding property offered; however, such condition reports do not constitute warranty and are not intended to replace first hand inspection by a prospective buyer.

BIDDING INCREMENTS:

The auctioneer generally advances the bidding in the following incremental amounts: $100-499 $25 increments $500-999 $50 increments $1,000-1,999 $100 increments $2,000-4,999 $200 increments $5,000-9,999 $500 increments $10,000+ auctioneer's discretion

PURCHASER PAYMENTS:

Successful bidders are requested to make total payment for purchases by cash, wire, money order, Visa or MasterCard or preapproved check on the day of sale. Buyers not known to Weschler’s and planning to pay with a personal or business check are required to supply us a bank letter of credit prior to the auction. If such arrangements are not made prior to the auction, purchases will be held by Weschler's until the check has cleared our bank. The standard 20 percent* Buyer’s Premium is added to the purchase price of all items sold. District of Columbia Sales Tax is added to that total, except for bidders who hold a valid District of Columbia resale tax number. *Discount for Cash, Wire or

Local and or Approved Checks.

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Please Note: The District of Columbia does not reciprocate with other jurisdictions and Weschler’s cannot accept tax numbers from other jurisdictions. Tax numbers must be registered at the time a bidding number is issued. For further information please contact Karen Weschler at (202) 628-1281 or at karen@weschlers.com.

REMOVAL OF PROPERTY:

All purchases should be paid for and removed the day of sale, but in no event later than three days post sale. Weschler’s will advise you on the best way to transport large items, and will help arrange for packing, insurance and shipping. Weschler’s assumes no responsibility for the acts or omissions of carriers or packers whether or not they are recommended by us. For further information please contact us at (202) 628-1281.

EXPORTATION PERMITS:

Certain lots may be subject to the provisions of the Endangered Species Act of 1973, the Marine Mammal Protection Act of 1972, and the Migratory Bird Act of 1982. In order to export these items, the buyer must obtain special licenses from the Department of the Interior, United States Fish and Wildlife Service. Some items may not be exported, and others may not be resold once purchased. Prospective bidders who intend to export or resell such items are solely responsible for obtaining such licenses and Weschler’s cannot, and will not, assure that such licenses can be obtained.

COMMISSIONS:

Weschler’s receives the standard 10 percent consignor’s commission on the hammer price of each lot that sells for more than $10,001; 15 percent for lots selling between $4,001 and $10,000; 20 percent for lots selling between $1,001 and $4,000; 25 percent or lots selling between $51 and $1,000; and 40 percent for lots selling under $50. For items of exceptional value, the consignor’s commission is negotiable at the time of consignment. If property carries a reserve and does not sell, a “buy back fee” of 5 percent or $50, whichever is greater, is charged. A sample standard contract may be obtained by contacting Weschler’s office at (202) 628-1281.

CONSIGNMENTS:

If you have property to consign, please contact us at (202) 628-1281 or at info@weschlers.com. Generally, items must be consigned at least six weeks prior to the scheduled auction date, but consignors are urged to consign as early as possible. Visit our website, www.weschlers.com, to view upcoming auction and deadlines.

CONDITIONS OF SALE The property listed in this catalogue will be offered and sold by Adam A. Weschler & Son, Inc. (“Auctioneer”) as agent for the “Consignor” on the following terms and conditions. No employee is authorized to alter these conditions. All bidders and consignors acknowledge knowing and agreeing to these conditions.

1. REGISTRATION Prior to sale, all bidders must register with a Weschler’s representative and receive a bidding number. A bidding number will be required of the successful bidder at the fall of the Auctioneer’s hammer for each lot. 2. “AS IS” CONDITION The Auctioneer and the Consignor assume no risk, liability or responsibility for the authenticity or the authorship of any property identified in the catalogue (that is, the identity of the creator or the period, culture, source or origin as the case may be, with which the creation of any property is identified herein). All property is sold “As Is” and neither the Auctioneer nor the Consignor makes any warranties or representations of any kind or nature with respect to the property, and in no event shall be responsible for the correctness or any implied warranty or merchantability or any implied warranty of fitness for a particular purpose as it relates to description, genuineness, attribution, provenance, safety, reliability or condition of the property. If any implied warranties of merchantability or fitness for a particular purpose can be construed from the catalogue, auction, or bill of sale, such warranties are disclaimed by the Auctioneer and the Consignor. No statement in the catalogue or made at the sale or in the Bill of Sale or invoice or elsewhere shall be deemed such a warranty or representation or an admission of liability. 3. GUARANTEE Notwithstanding the preceding condition, if within 14 days of the date of the sale, on any lot, the purchaser must give notice in writing to the Auctioneer that the lot sold is a counterfeit and, if within 7 days after such notice the purchaser returns to the Auctioneer in the same condition as when sold, and gives written proof from a recognized impartial expert which establishes beyond reasonable doubt that the returned lot is in fact a counterfeit and that this was not indicated by a fair reading of the catalogue or the Auctioneer’s comments at the time of sale, the Auctioneer as agent for the Consignor will rescind the sale and refund the purchase price paid defined as the amount of the successful bid price, plus buyer’s premium. The guarantee is made only to the original purchaser of record (i.e., the registered bidder) and not any subsequent owners. The original buyer must have remained the owner of the lot without disposing of any interest in it to any third party. The term counterfeit is defined as a modern fake or forgery, and made with the intent to deceive.

4. WITHDRAWAL The Auctioneer reserves the right to withdrawal any property at any time before actual sale. 5. BIDDING Unless otherwise announced by the Auctioneer at the time of sale, all bids are per lot as numbered in the catalogue. The Auctioneer reserves the right to reject a bid from any bidder. The highest bid acknowledged by the Auctioneer shall be the purchaser. In the event of any dispute between bidders, the Auctioneer shall have the sole and final discretion either to determine the successful bidder, or to re-offer and re-sell the article in dispute. If the Auctioneer determines that any opening bid is not commensurate with the value of the article offered, he may reject the bid; and if, having acknowledged an opening bid he decides that any advance is not sufficient, he may reject the advance. 6. PURCHASER’S RESPONSIBILITY On the fall of the Auctioneer’s hammer, title to the offered lot passes to the highest bidder who, thereupon will pay the full purchase price therefore or such part as the Auctioneer may require. All deposits may be applied to any or all purchases made by the purchaser at this or any previous sale. All property shall be removed by the purchaser at his expense on the day of sale and, if not so removed, may be sent by the Auctioneer to a public warehouse for the account, risk and expense of the purchaser. Any damage to or loss of any item purchased which is left with the Auctioneer after the day of purchase is the purchaser’s sole responsibility. If the foregoing conditions or any other applicable conditions herein are not complied with, in addition to other remedies available to the Auctioneer and the Consignor by law, including without limitation the right to hold the purchaser liable for the bid price, the Auctioneer at its option, may either (a) cancel the sale, retaining as liquidated damages all payments made by the purchaser, or (b) re-sell the property on 3 days notice to the purchaser and for the account and risk of the purchaser, either publicly or privately, and in such event the purchaser shall be liable for the payment of any deficiency plus all costs, including warehousing, the expenses of both sales, and the Auctioneer’s commission at its regular rates and all other charges due hereunder, and incidental charges. No claims shall be allowed after removal of goods and no article shall be re-sold for purchaser at the sale where purchased.

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A premium equal to 20 percent* of the successful bid price up to and including $50,000, and 12 percent of the successful bid price over $50,000 will be added thereto and is payable by the purchaser as part of the total purchase price. The District of Columbia Sales Tax is computed on this total purchase price. The purchaser will be required to pay the Sales Tax unless exempted through possession of a valid District of Columbia Sales Tax number. *Discount for Cash, Wire or Local and or Approved Checks.

After five (5) business days and the failure to pay in full, the Auctioneer reserves the right to charge the Purchaser’s credit card on file ten percent (10%) of the entire amount due (including the hammer price, buyer’s premium, all applicable taxes and other charges). After fourteen (14) days, the Auctioneer has the right to charge the entire amount due (including the hammer price, buyer’s premium, all applicable taxes and other charges) to the Purchaser’s credit card on file. Please Note: The District of Columbia has no arrangement of reciprocity with any other jurisdiction and the Auctioneer cannot honor a Sales Tax number from any other jurisdiction. Buyers not known to the Auctioneer and planning to pay with a personal or business check are required to supply the Auctioneer with a bank letter of credit prior to the auction. If such arrangements are not made prior to the auction, purchases will be held by the Auctioneer until the check has cleared the bank. 7. RESERVES Unless the sale is advertised and announced as an unrestricted sale or sale without reserve, Consignors reserve the right to bid through the Auctioneer as agent on their own consignments. 8. ADDITIONAL CONDITIONS The Auctioneer reserves the right to cancel the sale or any portion thereof without prior or further notice, and to announce at any time additional conditions of sale.

GLOSSARY FOR PAINTINGS AND DRAWINGS The terms used in this catalogue have the meanings ascribed to them here. Please note that all statements in this catalogue as to authorship are made subject to the provisions in the Conditions of Sale printed in this catalogue. Elizabeth Catlett (American 1915-2012)

In our opinion, a work by the artist. Attributed to Elizabeth Catlett (American 1915-2012) In our opinion, a work of the period of the artist, probably in whole, or in part a work by the artist. Studio of Elizabeth Catlett (American 1915-2012) In our opinion, a work by an unknown hand in the studio of the artist, possibly executed under the supervision of the artist. Circle of Elizabeth Catlett (American 1915-2012) In our opinion, a work of the period of the artist, closely related to his style. Manner of Elizabeth Catlett (American 1915-2012) In our opinion, a work in the style of the artist, and of a later date. After Elizabeth Catlett (American 1915-2012) In our opinion, a copy of a known work of the artist. The terms signed, dated or inscribed mean that in our opinion, the signature date or inscription are by the hand of the artist. We also give the placement of signature on the canvas as follows: l.l. – lower left l.r. – lower right l.c. – lower center

u.l. – upper left u.r. – upper right u.c. – upper center

The terms bears a signature, bears a date or bears an inscription mean that the work has a signature, date or inscription which may have been added by another hand. Dimensions are given height before width, unless otherwise stated, and to the nearest 1/4-inch. Pictures are framed unless otherwise noted. An asterisk (*) at the end of the description indicates that the print(s) in the lot has not been examined out of its mat and/or frame. While we do our best to protect the frames, we will not be responsible for damage, regardless of cause.

AFRICAN-AMERICAN FINE ART featuring the Collection of Reverend Douglas E. Moore and Dr. Doris Hughes-Moore Friday, February 26, 2016 10 a.m. Lots 1-108

View items in the sale and leave bids online at www.weschlers.com Register to bid live online at www.invaluable.com, www.auctionzip.com & www.ebay.com

Reverend Douglas E. Moore was a leading figure in the emerging Civil Rights movement of the 1950s and is currently a prominent figure in Washington, DC industry and politics. In 1957, Reverend Moore organized the Royal Ice Cream sit-in in Durham, North Carolina, which proved the effectiveness of non-violent protests in the American South. He and his wife, Dr. Doris Hughes-Moore, amassed a collection of artwork focusing on African American history and culture in America. Their close friendship with Elizabeth Catlett and Francisco Mora enabled them to organize a comprehensive collection of her artwork as well as works by associated artists. Weschler’s Auctioneers and Appraisers is honored to offer their esteemed collection.

Dr. Martin Luther King, Jr. pictured with Reverend Moore (2nd from right standing). Photo courtesy of the Reverend and Dr. Hughes-Moore

Elizabeth Catlett (American 1915-2012) “I have always wanted my art to service my people — to reflect us, to relate to us, to stimulate us, to make us aware of our potential.” Elizabeth Catlett Elizabeth Catlett, born April 15th, 1915 in Washington, DC, made depicting African American strife and strength her life’s work. Her prints and sculptures illustrate the black experience both at home in the United States and in her adoptive home of Mexico. Her use of bold lines, dark shadows and even playful imagery serve to paint the timeline of African American history from the urban migration through the civil rights movement. Catlett also broke artistic and cultural ground in her depiction of black women, whether mothers, daughters or heroines Harriet Tubman and Phyllis Wheatley. A true daughter of the District, Catlett first honed her skills at Howard University under the tutelage of Lois Mailou Jones. She then received an MFA at the University of Iowa, where she developed her distinctive style and sculptural skills under famed American artist Grant Wood. After moving to Mexico in the 1940s, she married the artist Francisco Mora, whom she met at the El Taller de Gráfica Popular (The People’s Print Shop), a collective of sociopolitical artists in Mexico City. The prints in this auction present a chronological representation of Elizabeth Catlett’s career spanning over 50 years. Her work appears in major museum collections including the Smithsonian American Art Museum, The Metropolitan Museum of Art, The Studio Museum in Harlem and many others. Weschler’s is proud to offer one of the largest private collections of prints by Elizabeth Catlett and to celebrate the career of a great American artist.

PROPERTY FROM THE COLLECTION OF REVEREND DOUGLAS MOORE AND DR. DORIS HUGHES-MOORE

1 Elizabeth Catlett (American 1915-2012) Sharecropper Linocut, 1945, signed E Catlett and dated in pencil l.r. and numbered A/P 2 and titled in pencil l.l.; apparently in good condition. Framed.* Sight size: 216 x 203 mm (8-1/2 x 8 in) $5,000-$7,000 Exhibited: North Carolina Central University Art Museum, Elizabeth Catlett: Master Printmaker, February 11-April 6, 2001

Lots 2-13 are part of the Negro Woman series created between 1946-1947 2 Elizabeth Catlett (American 1915-2012) ...and a Special Fear for My Loved Ones Linocut, 1946, signed E Catlett and dated in pencil l.r., numbered 9/20 and titled in pencil l.l. and inscribed To Doug, Sincerely, EC in pencil l.c.; apparently in good condition. Framed.* Sight size: 305 x 229 mm (12 x 9 in) $3,000-$5,000 Exhibited: Brenau University Galleries, Elizabeth Catlett: A Voice for Social Justice, February 8-April 1, 2007 The Harold B. Lemmerman Gallery, New Jersey City University, For My People: The Art of Elizabeth Catlett, April 3-May 17, 2006 North Carolina Central University Art Museum, Elizabeth Catlett: Master Printmaker, February 11April 6, 2001

3 Elizabeth Catlett (American 1915-2012) ...Special Houses... Linocut, 1946, signed E Catlett and dated in pencil l.r. and numbered 14/20 and titled in pencil l.l.; apparently in good condition. Framed.* Sight size: 216 x 216 mm (8-1/2 x 8-1/2 in) $1,500-$2,500 Exhibited: Brenau University Galleries, Elizabeth Catlett: A Voice for Social Justice, February 8-April 1, 2007 The Harold B. Lemmerman Gallery, New Jersey City University, For My People: The Art of Elizabeth Catlett, April 3May 17, 2006 North Carolina Central University Art Museum, Elizabeth Catlett: Master Printmaker, February 11-April 6, 2001

4 Elizabeth Catlett (American 1915-2012) In the Fields Linocut, 1946, signed E Catlett and dated in pencil l.r., numbered 9/20 in pencil l.r. and inscribed to Doug Moore, with love, Elizabeth in pencil l.c.; apparently in good condition. Framed.* Sight size: 305 x 229 mm (12 x 9 in) $1,500-$2,500 Exhibited: Brenau University Galleries, Elizabeth Catlett: A Voice for Social Justice, February 8-April 1, 2007 The Harold B. Lemmerman Gallery, New Jersey City University, For My People: The Art of Elizabeth Catlett, April 3May 17, 2006 North Carolina Central University Art Museum, Elizabeth Catlett: Master Printmaker, February 11-April 6, 2001

5 Elizabeth Catlett (American 1915-2012) In Harriet Tubman I Helped Hundreds to Freedom Linocut, 1946, signed E Catlett and dated in pencil l.r. and numbered 15/20 and titled in pencil l.l.; apparently in good condition. Framed.* Sight size: 343 x 229 mm (13-1/2 x 9 in) $3,000-$5,000

Exhibited: The Harold B. Lemmerman Gallery, New Jersey City University, For My People: The Art of Elizabeth Catlett, April 3-May 17, 2006 North Carolina Central University Art Museum, Elizabeth Catlett: Master Printmaker, February 11-April 6, 2001

6 Elizabeth Catlett (American 1915-2012) In Other Folks Homes Linocut, 1946, signed E Catlett, dated and inscribed To Doug in pencil l.r. and numbered 9/20 in pencil l.l.; apparently in good condition. Framed.* Sight size: 241 x 165 mm (9-1/2 x 6-1/2 in) $2,000-$4,000 Exhibited: Brenau University Galleries, Elizabeth Catlett: A Voice for Social Justice, February 8April 1, 2007 The Harold B. Lemmerman Gallery, New Jersey City University, For My People: The Art of Elizabeth Catlett, April 3-May 17, 2006 North Carolina Central University Art Museum, Elizabeth Catlett: Master Printmaker, February 11-April 6, 2001

7 Elizabeth Catlett (American 1915-2012) In Phyllis Wheatley I Proved Intellectual Equality in the Midst of Slavery Linocut, 1946, signed E Catlett and dated in pencil l.r., numbered 9/20 in pencil l.l. and titled in pencil l.c.; apparently in good condition. Framed.* Sight size: 305 x 229 mm (12 x 9 in) $3,000-$5,000 Exhibited: Brenau University Galleries, Elizabeth Catlett: A Voice for Social Justice, February 8-April 1, 2007 The Harold B. Lemmerman Gallery, New Jersey City University, For My People: The Art of Elizabeth Catlett, April 3-May 17, 2006 North Carolina Central University Art Museum, Elizabeth Catlett: Master Printmaker, February 11-April 6, 2001

8 Elizabeth Catlett (American 1915-2012) I Have Special Reservations... Linocut, 1946, signed E Catlett and dated in pencil l.r., numbered 9/20 and titled in pencil l.l. and inscribed To Doug Moore, Affectionately, in pencil l.c.; apparently in good condition. Framed.* Sight size: 267 x 229 mm (10-1/2 x 9 in) $1,500-$2,500 Exhibited: Brenau University Galleries, Elizabeth Catlett: A Voice for Social Justice, February 8-April 1, 2007 The Harold B. Lemmerman Gallery, New Jersey City University, For My People: The Art of Elizabeth Catlett, April 3-May 17, 2006 North Carolina Central University Art Museum, Elizabeth Catlett: Master Printmaker, February 11-April 6, 2001

9 Elizabeth Catlett (American 1915-2012) I Am the Negro Woman Linocut in color, 1947, signed E Catlett and dated in pencil l.r., numbered 9/20 in pencil l.l. and titled and inscribed To Doug Moore - Elizabeth in pencil l.c.; apparently in good condition. Framed.* Sight size: 178 x 127 mm (7 x 5 in) $3,000-$5,000

Exhibited: Brenau University Galleries, Elizabeth Catlett: A Voice for Social Justice, February 8-April 1, 2007 The Harold B. Lemmerman Gallery, New Jersey City University, For My People: The Art of Elizabeth Catlett, April 3-May 17, 2006 North Carolina Central University Art Museum, Elizabeth Catlett: Master Printmaker, February 11-April 6, 2001

10 Elizabeth Catlett (American 1915-2012) I Have Given the World My Songs Linocut in color, 1947, signed E Catlett and dated in pencil l.r., numbered 9/20 in pencil l.l. and titled and inscribed To Doug Moore - Elizabeth in pencil l.c.; apparently in good condition. Framed.* Sight size: 305 x 216 mm (12 x 8-1/2 in) $1,500-$2,500 Exhibited: Brenau University Galleries, Elizabeth Catlett: A Voice for Social Justice, February 8-April 1, 2007 The Harold B. Lemmerman Gallery, New Jersey City University, For My People: The Art of Elizabeth Catlett, April 3May 17, 2006 North Carolina Central University Art Museum, Elizabeth Catlett: Master Printmaker, February 11-April 6, 2001

11 Elizabeth Catlett (American 1915-2012) My Reward Has Been Bars Between Me and the Rest of the Land Linocut, 1947, signed E Catlett and dated in pencil l.r., numbered 9/20 in pencil l.l. and titled in pencil l.c.; apparently in good condition. Framed.* Sight size: 229 x 254 mm (9 x 10 in) $3,000-$5,000 Exhibited: Brenau University Galleries, Elizabeth Catlett: A Voice for Social Justice, February 8-April 1, 2007 The Harold B. Lemmerman Gallery, New Jersey City University, For My People: The Art of Elizabeth Catlett, April 3-May 17, 2006 North Carolina Central University Art Museum, Elizabeth Catlett: Master Printmaker, February 11April 6, 2001

12 Elizabeth Catlett (American 1915-2012) My Right is a Future of Equality with Other Americans Linocut in color, 1947, signed E Catlett, dated and inscribed To Doug Moore, Sincerely, in pencil l.r. and numbered 9/20 and titled in pencil l.l.; apparently in good condition. Framed.* Sight size: 305 x 229 mm (12 x 9 in) $1,500-$2,500 Exhibited: Brenau University Galleries, Elizabeth Catlett: A Voice for Social Justice, February 8-April 1, 2007 The Harold B. Lemmerman Gallery, New Jersey City University, For My People: The Art of Elizabeth Catlett, April 3May 17, 2006 North Carolina Central University Art Museum, Elizabeth Catlett: Master Printmaker, February 11-April 6, 2001

13 Elizabeth Catlett (American 1915-2012) My Role Has Been Important in the Struggle to Organize the Unorganized Linocut, 1947, E Catlett and dated in pencil l.r., numbered 9/20 and titled in pencil l.l. and inscribed To Doug, Sincerely, Elizabeth in pencil l.c.; apparently in good condition. Framed.* Sight size: 229 x 305 mm (9 x 12 in) $1,000-$2,000

14 Elizabeth Catlett (American 1915-2012) Civil Rights Congress Linocut, 1950, signed E Catlett and dated in pencil l.r. and titled in pencil l.l.; apparently in good condition. Framed.* Sight size: 356 x 203 mm (14 x 8 in) $1,500-$2,500 Exhibited: Brenau University Galleries, Elizabeth Catlett: A Voice for Social Justice, February 8April 1, 2007 The Harold B. Lemmerman Gallery, New Jersey City University, For My People: The Art of Elizabeth Catlett, April 3-May 17, 2006 North Carolina Central University Art Museum, Elizabeth Catlett: Master Printmaker, February 11-April 6, 2001

15 15 Elizabeth Catlett (American 1915-2012) Black Maternity Lithograph, 1959, signed E Catlett in pencil l.r. and numbered 10/50 in pencil l.l.; apparently in good condition. Framed.* Sight size: 470 x 343 mm (18-1/2 x 13-1/2 in) $1,500-$2,500 Exhibited: Brenau University Galleries, Elizabeth Catlett: A Voice for Social Justice, February 8-April 1, 2007 North Carolina Central University Art Museum, Elizabeth Catlett: Master Printmaker, February 11-April 6, 2001

16 Elizabeth Catlett (American 1915-2012) Bread Linocut, 1968, signed E Catlett and dated in pencil l.r., numbered 13/35 and titled in pencil l.l. and inscribed To Doug Moore, Sincerelyin pencil l.c.; apparently in good condition. Framed.* Sight size: 457 x 356 mm (18 x 14 in) $1,000-$2,000 Exhibited: Brenau University Galleries, Elizabeth Catlett: A Voice for Social Justice, February 8-April 1, 2007 The Harold B. Lemmerman Gallery, New Jersey City University, For My People: The Art of Elizabeth Catlett, April 3-May 17, 2006 North Carolina Central University Art Museum, Elizabeth Catlett: Master Printmaker, February 11-April 6, 2001

17 Elizabeth Catlett (American 1915-2012) Black is Beautiful I Lithograph, 1968, signed E Catlett and dated in pencil l.r. and numbered EE 11/100 and titled in pencil l.l.; apparently in good condition. Framed.* Sight size: 254 x 356 mm (10 x 14 in) $2,000-$4,000 Exhibited: Brenau University Galleries, Elizabeth Catlett: A Voice for Social Justice, February 8-April 1, 2007 The Harold B. Lemmerman Gallery, New Jersey City University, For My People: The Art of Elizabeth Catlett, April 3-May 17, 2006 North Carolina Central University Art Museum, Elizabeth Catlett: Master Printmaker, February 11-April 6, 2001

18 Elizabeth Catlett (American 1915-2012) Rebozos Lithograph, 1968, signed E Catlett and dated in pencil l.r. and numbered 33/50 and titled in pencil l.l.; apparently in good condition. Framed.* Sight size: 432 x 305 mm (17 x 12 in) $1,500-$2,500

19 Elizabeth Catlett (American 1915-2012) Malcolm X Speaks for Us Linocut in color, 1969, signed E Catlett, titled and dated in pencil l.r. and numbered 33/35 in pencil l.l.; apparently in good condition. Framed.* Sight size: 940 x 686 mm (37 x 27 in) $5,000-$7,000 Exhibited: Brenau University Galleries, Elizabeth Catlett: A Voice for Social Justice, February 8-April 1, 2007 The Harold B. Lemmerman Gallery, New Jersey City University, For My People: The Art of Elizabeth Catlett, April 3-May 17, 2006 North Carolina Central University Art Museum, Elizabeth Catlett: Master Printmaker, February 11April 6, 2001

20 Elizabeth Catlett (American 1915-2012) The Torture of Mothers Lithograph in color, 1970, signed E Catlett and dated in pencil l.r. and numbered 30/35 and titled in pencil l.l.; apparently in good condition. Framed.* Sight size: 305 x 483 mm (12 x 19 in) $800-$1,200 Exhibited: Brenau University Galleries, Elizabeth Catlett: A Voice for Social Justice, February 8-April 1, 2007 North Carolina Central University Art Museum, Elizabeth Catlett: Master Printmaker, February 11-April 6, 2001

21 Elizabeth Catlett (American 1915-2012) Angela Libre Lithograph in color on silver foil, 1972, signed E Catlett and dated in pen l.r. and numbered 5/10 and titled in pen l.l.; apparently in good condition. Framed.* Sight size: 559 x 648 mm (22 x 25-1/2 in) $1,500-$2,500

22 Elizabeth Catlett (American 1915-2012) Madre and Hijo (Mother and Son) Lithograph, 1972, signed E Catlett and dated in pencil l.r., numbered 11/100 in pencil l.l. and titled in pencil l.c.; apparently in good condition. Framed.* Sight size: 292 x 393 mm (11-1/2 x 15-1/2 in) $800-$1,200 Exhibited: Brenau University Galleries, Elizabeth Catlett: A Voice for Social Justice, February 8-April 1, 2007 North Carolina Central University Art Museum, Elizabeth Catlett: Master Printmaker, February 11-April 6, 2001

23 Elizabeth Catlett (American 1915-2012) Blues Lithograph in color, 1973, signed E Catlett and dated in pencil l.r., numbered A/P III-XX and titled in pencil l.l. and inscribed To Douglas Moore, Sincerely in pencil l.c.; apparently in good condition. Framed.* Sight size: 711 x 457 mm (28 x 18 in) $1,500-$2,500

Exhibited: North Carolina Central University Art Museum, Elizabeth Catlett: Master Printmaker, February 11-April 6, 2001

24 Elizabeth Catlett (American 1915-2012) Which Way? Lithograph, 1973, signed E Catlett and dated in pencil l.r. and numbered 12/50 and titled in pencil l.l.; apparently in good condition. Framed.* Sight size: 330 x 457 mm (13 x 18 in) $1,500-$2,500 Exhibited: Brenau University Galleries, Elizabeth Catlett: A Voice for Social Justice, February 8-April 1, 2007 The Harold B. Lemmerman Gallery, New Jersey City University, For My People: The Art of Elizabeth Catlett, April 3-May 17, 2006 North Carolina Central University Art Museum, Elizabeth Catlett: Master Printmaker, February 11-April 6, 2001

25 Elizabeth Catlett (American 1915-2012) There is a Woman in Every Color Woodcut in color, 1975, signed E Catlett, dated, numbered 34/35, titled and inscribed To Doug Moore, in pencil l.l.; apparently in good condition. Framed.* Sight size: 559 x 711 mm (22 x 28 in) $4,000-$6,000 Exhibited: Brenau University Galleries, Elizabeth Catlett: A Voice for Social Justice, February 8-April 1, 2007 North Carolina Central University Art Museum, Elizabeth Catlett: Master Printmaker, February 11-April 6, 2001

26 Elizabeth Catlett (American 1915-2012) Lovely Twice Lithograph, 1976, signed E Catlett and dated in pencil l.r., numbered 76/100 and titled in pencil l.l. and inscribed To Doug Moore, Sincerely, in pencil l.c.; apparently in good condition. Framed.* Sight size: 483 x 635 mm (19 x 25 in) $1,000-$2,000 Exhibited: The Harold B. Lemmerman Gallery, New Jersey City University, For My People: The Art of Elizabeth Catlett, April 3-May 17, 2006 North Carolina Central University Art Museum, Elizabeth Catlett: Master Printmaker, February 11-April 6, 2001

27 Elizabeth Catlett (American 1915-2012) Double Profile Lithograph, 1978, signed E Catlett and dated in pencil l.r. and numbered 32/35 and titled in pencil l.l.; apparently in good condition. Framed.* Sight size: 406 x 660 mm (16 x 26 in) $1,500-$2,500 Exhibited: North Carolina Central University Art Museum, Elizabeth Catlett: Master Printmaker, February 11-April 6, 2001

28 Elizabeth Catlett (American 1915-2012) Portrait in Black Lithograph, 1978, signed E Catlett and dated in pencil l.r. and numbered 21/26 and titled in pencil l.l.; apparently in good condition. Framed.* Sight size: 521 x 381 mm (20-1/2 x 15 in) $1,500-$2,500 Exhibited: North Carolina Central University Art Museum, Elizabeth Catlett: Master Printmaker, February 11-April 6, 2001

29 Elizabeth Catlett (American 1915-2012) Two Generations Lithograph, 1979, signed E Catlett and dated in pencil l.r., numbered 75/100 in pencil l.l. and inscribed To our friend, Douglas Moore in pencil l.c.; apparently in good condition. Framed.* Sight size: 483 x 660 mm (19 x 26 in) $3,000-$5,000 Exhibited: Brenau University Galleries, Elizabeth Catlett: A Voice for Social Justice, February 8-April 1, 2007 The Harold B. Lemmerman Gallery, New Jersey City University, For My People: The Art of Elizabeth Catlett, April 3-May 17, 2006 North Carolina Central University Art Museum, Elizabeth Catlett: Master Printmaker, February 11-April 6, 2001 30 Elizabeth Catlett (American 1915-2012) Chile II Linocut, 1980, Signed E Catlett and dated in pencil l.r. and numbered 1/21 and titled in pencil l.l.; apparently in good condition. Framed.* Sight size: 330 x 229 mm (13 x 9 in) $1,500-$2,500 Exhibited: Brenau University Galleries, Elizabeth Catlett: A Voice for Social Justice, February 8-April 1, 2007 North Carolina Central University Art Museum, Elizabeth Catlett: Master Printmaker, February 11-April 6, 2001

31 Elizabeth Catlett (American 1915-2012) Roots Serigraph, 1981, signed E Catlett and dated in pencil l.r. and numbered 19/20 and titled in pencil l.l.; apparently in good condition, Framed.* Sight size: 406 x 559 mm (16 x 22 in) $4,000-$6,000

32 Elizabeth Catlett (American 1915-2012) Girls Serigraph, 1982, signed E Catlett, dated, numbered III/VIII A, titled and inscribed To Doug Moore in pencil l.c.; apparently in good condition. Framed.* Sight size: 1092 x 610 mm (43 x 24 in) $1,500-$2,500 Exhibited: North Carolina Central University Art Museum, Elizabeth Catlett: Master Printmaker, February 11April 6, 2001

33 Elizabeth Catlett (American 1915-2012) Madonna Lithograph, 1982, signed E Catlett and dated in pencil l.r., numbered 160/180 and titled in pencil l.l. and inscribed To Doug Moore who appears, with love- in pencil l.c.; apparently in good condition. Framed.* Sight size: 737 x 559 mm (29 x 22 in) $3,000-$5,000

Exhibited: Brenau University Galleries, Elizabeth Catlett: A Voice for Social Justice, February 8-April 1, 2007 The Harold B. Lemmerman Gallery, New Jersey City University, For My People: The Art of Elizabeth Catlett, April 3May 17, 2006 North Carolina Central University Art Museum, Elizabeth Catlett: Master Printmaker, February 11-April 6, 2001

34 Elizabeth Catlett (American 1915-2012) Virginia Lithograph and collage, 1984, signed E Catlett and dated in pencil l.r, numbered VII/X A/P and titled in pencil l.l. and inscribed To Doug Moore in pencil l.c.; apparently in good condition. Framed.* Sight size: 470 x 381 mm (18-1/2 x 15 in) $3,000-$5,000 Exhibited: The Harold B. Lemmerman Gallery, New Jersey City University, For My People: The Art of Elizabeth Catlett, April 3-May 17, 2006 North Carolina Central University Art Museum, Elizabeth Catlett: Master Printmaker, February 11-April 6, 2001

35 Elizabeth Catlett (American 1915-2012) Jackie Lithograph, 1985, signed E Catlett and dated in pencil l.r., numbered 33/50 and titled in pencil l.l. and inscribed To Doug Moore in pencil l.c.; apparently in good condition. Framed.* Sight size: 732 x 584 mm (30 x 23 in) $3,000-$5,000

36 Elizabeth Catlett (American 1915-2012) Pensive Lithograph, 1985, signed E Catlett and dated in pencil l.r., numbered 32/50 and titled in pencil l.l. and inscribed For our friend, Doug Moore in pencil l.c.; apparently in good condition. Framed.* Sight size: 483 x 343 mm (19 x 13-1/2 in) $1,500-$2,500 Exhibited: North Carolina Central University Art Museum, Elizabeth Catlett: Master Printmaker, February 11-April 6, 2001

37 Elizabeth Catlett (American 1915-2012) Cartas Lithograph, 1986, signed E Catlett and dated in pencil l.r., numbered 68/80 and titled in pencil l.l. and inscribed To Doug Moore-So happy you like this- in pencil l.c.; apparently in good condition. Framed.* Sight size: 750 x 559 mm (29-1/2 x 22 in) $3,000-$5,000 Exhibited: Brenau University Galleries, Elizabeth Catlett: A Voice for Social Justice, February 8-April 1, 2007 The Harold B. Lemmerman Gallery, New Jersey City University, For My People: The Art of Elizabeth Catlett, April 3-May 17, 2006 North Carolina Central University Art Museum, Elizabeth Catlett: Master Printmaker, February 11-April 6, 2001

38 Elizabeth Catlett (American 1915-2012) Celie Lithograph, 1986, signed E Catlett and dated in pencil l.r., numbered IV/VII A/P and titled in pencil l.l. and inscribed To Doug Moore, Sincerely, in pencil l.c.; apparently in good condition. Framed.* Sight size: 660 x 457 mm (26 x 18 in) $1,000-$2,000 Exhibited: The Harold B. Lemmerman Gallery, New Jersey City University, For My People: The Art of Elizabeth Catlett, April 3-May 17, 2006 North Carolina Central University Art Museum, Elizabeth Catlett: Master Printmaker, February 11-April 6, 2001

39 Elizabeth Catlett (American 1915-2012) Glory Linocut, 1986, signed E Catlett and dated l.r. and numbered AP/6 and titled in pencil l.l.; apparently in good condition. Framed.* Sight size: 419 x 279 mm (16-1/2 x 11 in) $2,000-$4,000 Exhibited: North Carolina Central University Art Museum, Elizabeth Catlett: Master Printmaker, February 11-April 6, 2001

40 Elizabeth Catlett (American 1915-2012) On the Subway Lithograph, 1986, signed E Catlett, dated, titled, numbered A/P 24 and inscribed To Doug Moore, with affection, E Catlett in pencil l.r.; apparently in good condition. Framed.* Sight size: 559 x 406 mm (22 x 16 in) $1,500-$2,500 Exhibited: North Carolina Central University Art Museum, Elizabeth Catlett: Master Printmaker, February 11-April 6, 2001

41 Elizabeth Catlett (American 1915-2012) Door Key Child Serigraph, 1987, titled and inscribed To our friend Doug Moore,/E Catlett in pencil l.r. and numbered 3/40 in pencil l.l.; apparently in good condition. Framed.* Sight size: 533 x 381 mm (21 x 15 in) $3,000-$5,000 Exhibited: Brenau University Galleries, Elizabeth Catlett: A Voice for Social Justice, February 8-April 1, 2007 The Harold B. Lemmerman Gallery, New Jersey City University, For My People: The Art of Elizabeth Catlett, April 3-May 17, 2006 North Carolina Central University Art Museum, Elizabeth Catlett: Master Printmaker, February 11April 6, 2001

42 Elizabeth Catlett (American 1915-2012) Prissy II Lithograph, 1987, signed E Catlett and dated in pencil l.r., numbered A/PII and titled in pencil l.l. and inscribed For our friend, Doug Moore in pencil l.c.; apparently in good condition. Framed.* Sight size: 457 x 356 mm (18 x 14 in) $1,500-$2,500 Exhibited: North Carolina Central University Art Museum, Elizabeth Catlett: Master Printmaker, February 11April 6, 2001

43 Elizabeth Catlett (American 1915-2012) For My People... Linocut in color, 1987, signed E Catlett, dated and inscribed To Doug Moore, sincerely in pencil l.r. and numbered 5/40 and titled in pencil l.l.; apparently in good condition. Framed.* Sight size: 496 x 33 mm (19-1/2 x 13 in) $1,500-$2,500 Exhibited: The Harold B. Lemmerman Gallery, New Jersey City University, For My People: The Art of Elizabeth Catlett, April 3May 17, 2006 North Carolina Central University Art Museum, Elizabeth Catlett: Master Printmaker, February 11-April 6, 2001 44 Elizabeth Catlett (American 1915-2012) Fiesta Lithograph in color, 1988, signed E Catlett and dated in pencil l.r., numbered 178/200 in pencil l.l. and titled in pencil l.c.; apparently in good condition. Framed.* Sight size:724 x 521 mm (28-1/2 x 20-1/2 in) $800-$1,200 Exhibited: The Harold B. Lemmerman Gallery, New Jersey City University, For My People: The Art of Elizabeth Catlett, April 3May 17, 2006 North Carolina Central University Art Museum, Elizabeth Catlett: Master Printmaker, February 11-April 6, 2001

45 Elizabeth Catlett (American 1915-2012 Waving Lithograph, 1989, signed E Catlett and dated in pencil l.r. and numbered 47/100 and titled in pencil l.l.; apparently in good condition. Framed.* Sight size: 660 x 483 mm (26 x 19 in) $1,500-$2,500

Exhibited: North Carolina Central University Art Museum, Elizabeth Catlett: Master Printmaker, February 11-April 6, 2001

46 Elizabeth Catlett (American 1915-2012) Dancing Embossed lithograph in color, 1990, signed E Catlett and dated in pencil l.r. and numbered A/P VII and titled in pencil l.l.; apparently in good condition. Framed.* Sight size: 508 x 660 mm (20 x 26 in) $3,000-$5,000 Exhibited: Brenau University Galleries, Elizabeth Catlett: A Voice for Social Justice, February 8-April 1, 2007 The Harold B. Lemmerman Gallery, New Jersey City University, For My People: The Art of Elizabeth Catlett, April 3-May 17, 2006 North Carolina Central University Art Museum, Elizabeth Catlett: Master Printmaker, February 11-April 6, 2001

47 Elizabeth Catlett (American 1915-2012) Three Women of America Serigraph, 1990, signed E Catlett, dated and inscribed To our friend, Doug Moore in pencil l.r., numbered A/P 2/10 in pencil l.l. and titled in pencil l.c.; apparently in good condition. Framed.* Sight size: 838 x 610 mm (33 x 24 in) $1,000-$2,000 Exhibited: The Harold B. Lemmerman Gallery, New Jersey City University, For My People: The Art of Elizabeth Catlett, April 3-May 17, 2006 North Carolina Central University Art Museum, Elizabeth Catlett: Master Printmaker, February 11-April 6, 2001

48 Elizabeth Catlett (American 1915-2012) Madonna II Serigraph, 1991, signed E Catlett and dated in pencil l.r., marked edition A/P 1/24 and titled in pencil l.l. and inscribed in pencil l.c.; apparently in good condition. Framed.* Sight size: 496 x 343 mm (19-1/2 x 13-1/2 in) $2,000-$4,000

49 Elizabeth Catlett (American 1915-2012) Madonna II Serigraph, 1991, signed E Catlett and dated in pencil l.r. and numbered 1/99 and titled in pencil l.l.; apparently in good condition. Framed.* Sight size: 496 x 343 mm (19-1/2 x 13-1/2 in) $2,000-$4,000 Exhibited: Brenau University Galleries, Elizabeth Catlett: A Voice for Social Justice, February 8-April 1, 2007 The Harold B. Lemmerman Gallery, New Jersey City University, For My People: The Art of Elizabeth Catlett, April 3-May 17, 2006 North Carolina Central University Art Museum, Elizabeth Catlett: Master Printmaker, February 11-April 6, 2001

50 Elizabeth Catlett (American 1915-2012) A Second Generation Lithograph in color, 1992, signed E Catlett and dated in pencil l.r. and numbered 48/99 in pencil l.l.; apparently in good condition. Framed.* Sight size: 572 x 457 mm (22-1/2 x 18 in) $1,500-$2,500 Exhibited: Brenau University Galleries, Elizabeth Catlett: A Voice for Social Justice, February 8-April 1, 2007 The Harold B. Lemmerman Gallery, New Jersey City University, For My People: The Art of Elizabeth Catlett, April 3-May 17, 2006 North Carolina Central University Art Museum, Elizabeth Catlett: Master Printmaker, February 11-April 6, 2001

51 Elizabeth Catlett (American 1915-2012) All the People Lithograph in color, 1992, signed E Catlett and dated in pencil l.r. and numbered 48/99 in pencil l.l.; apparently in good condition. Framed.* Sight size: 559 x 457 mm (22 x 18 in) $1,500-$2,500

52 Elizabeth Catlett (American 1915-2012) Harlem Woman Lithograph in color, 1992, signed E Catlett and dated in pencil l.r. and numbered 10/40 in pencil l.l.; apparently in good condition. Framed.* Sight size: 660 x 483 mm (26 x 19 in) $3,000-$5,000 Exhibited: North Carolina Central University Art Museum, Elizabeth Catlett: Master Printmaker, February 11-April 6, 2001

53 Elizabeth Catlett (American 1915-2012) New Generation Lithograph in color, 1992, signed E Catlett, dated and inscribed To Douglas Moore, our friend in pencil l.r., numbered A/P 18 in pencil l.l. and titled in pencil l.c.; apparently in good condition. Framed.* Sight size: 838 x 559 mm (33 x 22 in) $1,000-$2,000 Exhibited: Brenau University Galleries, Elizabeth Catlett: A Voice for Social Justice, February 8-April 1, 2007 North Carolina Central University Art Museum, Elizabeth Catlett: Master Printmaker, February 11-April 6, 2001

54 Elizabeth Catlett (American 1915-2012) Playmates Lithograph in color, 1992, signed E Catlett and dated in pencil l.r. and numbered 48/99 in pencil l.l.; apparently in good condition. Framed.* Sight size: 572 x 457 mm (22-1/2 x 18 in) $1,000-$2,000 Exhibited: Brenau University Galleries, Elizabeth Catlett: A Voice for Social Justice, February 8-April 1, 2007 The Harold B. Lemmerman Gallery, New Jersey City University, For My People: The Art of Elizabeth Catlett, April 3-May 17, 2006 North Carolina Central University Art Museum, Elizabeth Catlett: Master Printmaker, February 11-April 6, 2001

55 Elizabeth Catlett (American 1915-2012) Singing Their Songs Lithograph in color, 1992, signed E Catlett and dated in pencil l.r. and numbered 48/99 in pencil l.l.; apparently in good condition. Framed.* Sight size: 584 x 483 mm (23 x 19 in) $1,500-$2,500

56 Elizabeth Catlett (American 1915-2012) To Marry Lithograph in color, 1992, signed E Catlett and dated in pencil l.r. and numbered 48/99 in pencil l.l.; apparently in good condition. Framed.* Sight size: 559 x 457 mm (22 x 18 in) $1,500-$2,500 Exhibited: Brenau University Galleries, Elizabeth Catlett: A Voice for Social Justice, February 8-April 1, 2007 The Harold B. Lemmerman Gallery, New Jersey City University, For My People: The Art of Elizabeth Catlett, April 3-May 17, 2006 North Carolina Central University Art Museum, Elizabeth Catlett: Master Printmaker, February 11April 6, 2001

57 Elizabeth Catlett (American 1915-2012) Walking Blindly Serigraph, 1992, signed E Catlett and dated in pencil l.r. and numbered 48/99 in pencil l.l.; apparently in good condition. Framed.* Sight size: 572 x 470 mm (22-1/2 x 18-1/2) $1,500-$2,500 Exhibited: Brenau University Galleries, Elizabeth Catlett: A Voice for Social Justice, February 8-April 1, 2007 The Harold B. Lemmerman Gallery, New Jersey City University, For My People: The Art of Elizabeth Catlett, April 3-May 17, 2006 North Carolina Central University Art Museum, Elizabeth Catlett: Master Printmaker, February 11-April 6, 2001

58 Elizabeth Catlett (American 1915-2012) Homage to the Panthers Linocut in color, 1993, signed E Catlett and dated in pencil l.r. and numbered A/P 3/20 and titled in pencil l.l.; apparently in good condition. Framed.* Sight size: 914 x 559 mm (36 x 22 in) $3,000-$5,000 Exhibited: Brenau University Galleries, Elizabeth Catlett: A Voice for Social Justice, February 8-April 1, 2007 The Harold B. Lemmerman Gallery, New Jersey City University, For My People: The Art of Elizabeth Catlett, April 3-May 17, 2006 North Carolina Central University Art Museum, Elizabeth Catlett: Master Printmaker, February 11-April 6, 2001

59 Elizabeth Catlett (American 1915-2012) Children with Flowers Lithograph in color, 1995, signed E Catlett and dated in pencil l.r. and numbered A/P 1/20 in pencil l.l.; apparently in good condition. Framed.* Sight size: 686 x 508 mm (27 x 20 in) $800-$1,200

60 Elizabeth Catlett (American 1915-2012) Domestic Worker Lithograph, 1995, later edition, signed E Catlett and dated â&#x20AC;&#x2DC;46-â&#x20AC;&#x2122;95 in pencil l.r. and numbered 5/6 and titled in pencil l.l.; apparently in good condition. Framed.* Sight size: 686 x 483 mm (27 x 19 in) $10,000-$15,000 Exhibited: North Carolina Central University Art Museum, Elizabeth Catlett: Master Printmaker, February 11-April 6, 2001

61 Elizabeth Catlett (American 1915-2012) Door of Justice Lithograph in color, 2000, signed E Catlett and dated in pencil l.r. and numbered 34/100 and titled in pencil l.l.; apparently in good condition. Framed.* Sight size: 533 x 610 mm (21 x 24 in) $1,000-$2,000 Exhibited: The Harold B. Lemmerman Gallery, New Jersey City University, For My People: The Art of Elizabeth Catlett, April 3-May 17, 2006 North Carolina Central University Art Museum, Elizabeth Catlett: Master Printmaker, February 11-April 6, 2001

62 Elizabeth Catlett (American 1915-2012) Negro es Bello II Lithograph in color, 2001, later edition, signed E Catlett and dated â&#x20AC;&#x2DC;69-â&#x20AC;&#x2122;01 in pencil l.r. and numbered 23/100 and titled in pencil l.l.; apparently in good condition. Framed.* Sight size: 762 x 584 mm (30 x 23 in) $2,000-$4,000 Exhibited: The Harold B. Lemmerman Gallery, New Jersey City University, For My People: The Art of Elizabeth Catlett, April 3-May 17, 2006 Brenau University Galleries, Elizabeth Catlett: A Voice for Social Justice, February 8-April 1, 2007

63 Elizabeth Catlett (American 1915-2012) Ni単a Linocut in color, signed E Catlett in pencil l.r.; apparently in good condition. Framed.* Sight size: 279 x 241 mm (11x 9-1/2 in) $1,500-$2,500

Exhibited: Brenau University Galleries, Elizabeth Catlett: A Voice for Social Justice, February 8-April 1, 2007 North Carolina Central University Art Museum, Elizabeth Catlett: Master Printmaker, February 11-April 6, 2001

64 Charles White (American 1918-1979) Black Messiah Lithograph, 1941, dated in pencil l.r., signed Charles White in the plate and numbered 3/10 prints in pencil l.l. and titled in pencil l.c.; apparently in good condition. Framed.* Sight size: 343 x 254 mm (13-1/2 x 10 in) $3,000-$5,000

65 Francisco Mora (Mexican 1922-2002) Untitled Signed Mora and dated 89 l.r. Watercolor on paper; apparently in good condition. Framed.* Sight size: 42 x 28-1/2 in (106.7 x 72.4 cm) $1,500-$2,500

66 Francisco Mora (Mexican 1922-2002) High Heels and Untitled: Two Works The first a lithograph in color, 1988, signed Mora, dated and inscribed For Doug in pencil l.r., numbered 35/40 in pencil l.l. and titled in pencil l.c., and the second a watercolor on paper; each apparently in good condition. Each framed.* Sight size of first: 546 x 546 mm (30 x 21-1/2 in); Sight size of second: 28 x 20-1/2 in (71.1 x 52.1 cm) $800-$1,200 67 John Biggers (American 1924-2001) Untitled (Couple) Signed Biggers l.l. and inscribed Specifically for Rev. Doug Moore l.r. Conte crayon on paper; apparently in good condition. Framed.* Sight size: 30 x 16 in (76.2 x 40.6 cm) $4,000-$6,000

68 John Biggers (American 1924-2001) Twins of Fall Lithograph, 1975, signed John Biggers and dated in pencil l.r. and numbered 7/30 and titled in pencil l.l.; apparently in good condition. Framed.* Sheet size: 660 x 508 mm (26 x 20 in) $3,000-$5,000

70 John Biggers (American 1924-2001) The Seed Lithograph, 1983, titled and dated in pencil l.r. and numbered 81/100 and signed John Biggers in pencil l.l.; apparently in good condition. Framed.* Sight size: 584 x 762 mm (23 x 30 in) $2,000-$4,000

69 John Biggers (American 1924-2001) Three Children Lithograph, 1983, signed John Biggers and dated in pencil l.r. and numbered 90/100 and titled in pencil l.l.; apparently in good condition. Framed.* Sight size: 584 x 381 mm (23 x 15 in) $2,000-$3,000

71 John Biggers (American 1924-2001) Black Family Lithograph, 1986, signed John Biggers and dated in pencil l.r. and numbered 30/50 and titled in pencil l.l.; apparently in good condition. Framed.* Sight size: 610 x 711 mm (24 x 28 in) $2,000-$4,000

72 John Biggers (American 1924-2001) Star Gazers and John Biggers, 1988 Texas Artist of the Year Poster: Two Works The first a lithograph in color, 1988, signed John Biggers and dated in pencil l.r. and numbered A/P XXVII in pencil l.l., and the second a color print, inscribed Special thanks/for my partner, Reverend/Douglas Moore/John Biggers/Houston/March 1, 1988 in ink l.l.; each apparently in good condition. Each framed.* Sight size of each: 584 x 356 mm (23 x 14 in) $1,500-$2,500

73 Romare Bearden (American 1911-1988) Martin Luther King, Jr.-Mountain Top Serigraph, 1968, signed Romare Bearden and numbered 51/68 in ink l.l.; apparently in good condition. Framed.* Sight size: 756 x 496 mm (29-3/4 x 19-1/2 in) $2,000-$3,000

74 Romare Bearden (American 1911-1988) Sorcererâ&#x20AC;&#x2122;s Village Lithograph in color, 1972, signed Romare Bearden in pencil l.r. and numbered 116/125 and titled in pencil l.l.; apparently in good condition. Framed.* Sight size: 445 x 533 mm (17-1/2 x 21 in) $1,500-$2,500

75 Romare Bearden (American 1911-1988) Slave Ship Serigraph, 1977, signed Romare Bearden and numbered 73/144 in pencil l.r.; apparently in good condition. Framed.* Sight size: 838 x 597 mm (33 x 23-1/2 in) $3,000-$5,000

76 Romare Bearden (American 1911-1988) Roots Lithograph in color, 1977, bearing signature Romare Bearden and inscribed in pencil l.r. and titled in pencil l.l.; apparently in good condition. Framed.* Sight size: 660 x 508 mm (26 x 20 in) $3,000-$5,000

77 Romare Bearden (American 1911-1988) Burning of Troy Screenprint, 1979, signed Romare Bearden in pencil l.r. and numbered AP 11/30 and titled in pencil l.l.; apparently in good condition. Framed.* Sight size: 508 x 660 mm (20 x 26 in) $1,500-$2,500

78 Romare Bearden (American 1911-1988) Cattle of the Sun God Serigraph, 1979, signed Romare Bearden in pencil l.r. and numbered 43/125 in pencil l.l.; apparently in good condition. Framed.* Sight size: 496 x 584 mm (19-1/2 x 23 in) $1,500-$2,500

79 Romare Bearden (American 1911-1988) Girl in the Garden Lithograph in color, 1979, signed Romare Bearden in pencil l.r. and numbered AP 3/12 and titled in pencil l.l.; apparently in good condition. Framed.* Plate size: 559 x 406 mm (22 x 16 in) $2,000-$3,000 Provenance: Sothebyâ&#x20AC;&#x2122;s, November 6th, 1999, lot no. 1014

80 Romare Bearden (American 1911-1988) Untitled (Chicken) Lithograph in color, signed Romare Bearden in pencil l.r. and numbered 74/175 in pencil l.l.; apparently in good condition. Framed.* Sight size: 457 x 597 mm (18 x 23-1/2 in) $1,500-$2,500

81 Jacob Lawrence (American 1917-2000) The Builders Lithograph in color, 1974, signed Jacob Lawrence and dated in pencil l.r., numbered 190/300 in pencil l.l. and titled in pencil l.c.; apparently in good condition. Framed.* Sight size: 787 x 584 mm (31 x 23 in) $4,000-$6,000

82 Jacob Lawrence (American 1917-2000) Windows Lithograph in color, 1977, signed Jacob Lawrence and dated in pencil l.r., numbered 122/300 in pencil l.l. and titled in pencil l.c.; apparently in good condition. Framed.* Sight size: 457 x 559 mm (18 x 22 in) $3,000-$5,000

83 Jacob Lawrence (American 1917-2000) Celebration of Heritage Lithograph in color, 1992, signed Jacob Lawrence and dated in pencil l.r., titled in pencil l.r. and numbered 110/150 in pencil l.c.; apparently in good condition. Framed.* Sight size: 762 x 508 mm (30 x 20 in) $3,000-$5,000

84 Jacob Lawrence (American 1917-2000) On the Way Lithograph in color, 1990, signed Jacob Lawrence and dated in pencil l.r. and marked edition H/C/ in pencil l.l.; apparently in good condition. Framed.* Sheet size: 990 x 750 mm (39 x 29-1/2 in) $5,000-$7,000

PROPERTY OF VARIOUS OWNERS 85 Lois Mailou Jones (American 1905-1998) Monte Carlo Signed Lois M. Jones/Monte Carlo/France and dated 1955 l.r. Watercolor on board; apparently in good condition. Framed.* Sight size: 18-1/2 x 23-1/2 in (47 x 59.7 cm) $8,000-$12,000 Note: This work is accompanied by a copy of a letter from the artist Provenance: Bethune Museum Archives Auction, 1984

86 Anthony Watkins (American b. 1953) Hayfields in Brittany Signed Anthony Watkins l.l. Oil on canvas 16 x 21-1/2 in (40.6 x 54.6 cm) $1,000-$2,000

Provenance: William E. Tolley Fine Art, Washington DC

87 Anthony Watkins (American b. 1953) Landscape at Dawn Signed Anthony Watkins l.l. Oil on canvas 16 x 21-1/2 in (40.6 x 54.6 cm) $1,000-$2,000

88 Anthony Watkins (American b. 1953) Queen Anneâ&#x20AC;&#x2122;s Lace Signed Anthony Watkins l.l. Oil on canvas 18-1/2 x 28-1/4 in (47 x 71.8 cm) $1,500-$2,500

89 Richard Dempsey (American 1909-1987) Untitled (Urban Abstract) Signed Dempsey l.l. Oil on board 10-3/4 x 13-1/4 in (27.3 x 33.7 cm) $1,000-$2,000

90 Richard Dempsey (American 1909-1987) Untitled (Urban Abstract) Signed Dempsey l.r. Oil on board 10-3/4 x 13-1/4 in (27.3 x 33.7 cm) $1,000-$2,000

91 Richard Dempsey (American 1909-1987) Jamaica Signed Dempsey and titled l.l. Ink and watercolor on paper mounted on board; apparently in good condition. Framed.* Sight size: 31 x 41 in (78.7 x 104.1 cm) $1,500-$2,500

92 Richard Dempsey (American 1909-1987) Green Seascape Signed Dempsey l.l. Oil on canvas 20 x 25 in (50.8 x 63.5 cm) $2,000-$4,000

93 Manuel Hughes (American b. 1938) Untitled Signed Hughes l.l. Graphite on paper; apparently in good condition. Framed.* Sheet size: 22 x 29 in (55.9 x 73.7 cm) $1,000-$2,000

94 Manuel Hughes (American b. 1938) Ribbons Signed Hughes l.l. and on verso Oil on canvas 22 x 28 in (55.9 x 71.1 cm) $1,500-$2,500

95 Charles Sebree (American 1914-1985) Head of a Woman Signed Sebree indistinctly l.l. Casein on paper; apparently in good condition. Framed.* Sight size: 12 x 7 in (30.5 x 17.1) $1,500-$2,500

96 Charles Sebree (American 1914-1985) Head of a Man Signed C. Sebree l.r. Casein on paper; apparently in good condition. Framed.* 15 x 10 in (38.1 x 25.4 cm) $3,000-$5,000

97 Ulysses Marshall (American b. 1946) Sundayâ&#x20AC;&#x2122;s Best Signed Ulysses Marshall l.l. Collage on paper; apparently in good condition. Framed.* Sight size: 29 x 21-1/2 in (73.7 x 54.6 cm) $1,500-$2,500 Provenance: Barnett Aden Gallery, Washington, DC

98 Martha Jackson Jarvis (American b. 1952) Grandfatherâ&#x20AC;&#x2122;s Red Hot Chili Peppers Unsigned Mixed media sculpture 48 x 28 in (121.9 x 71.1 cm) $5,000-$7,000

99 Margaret T. Burroughs (American b. 1917) In School Linocut, 1995, signed MBurroughs and dated in pen l.r and titled in pen l.l.; apparently in good condition. Framed.* Sight size: 413 x 521 mm (16-1/4 x 20-1/2 in) $300-$500

100

100 Sam Gilliam (American b. 1933) Untitled Lithograph in color, signed Sam Gilliam and dated 5/1 in pencil l.r. and numbered 16/26 in pencil l.l.; apparently in good condition. Unframed. Sheet size: 610 x 826 mm (24 x 32-1/2 in) $500-$700

101

102

101 Jacob Lawrence (American 1917-2000) The Builders: National Urban 75th Anniversary League Poster Color print, 1985, signed Jacob Lawrence and dated 12/18/87 in pen l.r.; apparently in good condition. Unframed.* Sheet size: 902 x 584 mm (35-1/2 x 23 in) $1,000-$2,000

102 Jacob Lawrence (American 1917-2000) The Builders: National Urban 75th Anniversary League Poster Color print, 1985, signed Jacob Lawrence and dated 8/1985 in pen l.r.; apparently in good condition. Unframed.* Sheet size: 902 x 584 mm (35-1/2 x 23 in) $1,000-$2,000

103 Jacob Lawrence (American 1917-2000) The Capture: From the Toussaint lâ&#x20AC;&#x2122;Ouverture Series Serigraph, 1987, signed Jacob Lawrence and dated in pencil l.r., numbered 14/120 in pencil l.l. and titled in pencil l.c.; apparently in good condition. Framed.* Sheet size: 813 x 559 mm (32 x 22 in) $4,000-$6,000

104

104 John T. Riddle, Jr. (American 1934-2002) Civil Rights Serigraph, 1984, signed John T. Riddle, Jr and dated in pencil l.r., numbered 97/200 in pencil l.l. and titled in pencil l.c.; apparently in good condition. Unframed. Sheet size: 680 x 508 mm (26-3/4 x 20 in) $1,000-$2,000

103

105

105 John T. Riddle, Jr. (American 1934-2002) Civil Rights Serigraph, 1984, signed John T. Riddle, Jr and dated in pencil l.r., numbered 96/200 in pencil l.l. and titled in pencil l.c.; apparently in good condition. Unframed. Sheet size: 680 x 508 mm (26-3/4 x 20 in) $1,000-$2,000

106

107

106 Stephanie E. Pogue (American b. 1944) The Sun, The Moon and Me Screenprint in color, signed Stephanie E. Pogue in pencil l.r., numbered 4/8 in pencil l.l. and titled in pencil l.c.; apparently in good condition. Framed.* Sheet size: 362 x 533 mm (14-1/4 x 21 in) $1,500-$2,500 Exhibited: David C. Driskelll Center at the University of Maryland, College Park, Arabesque: The Art of Stephanie E. Pogue, October 16-December 13, 2008

108

107 Synthia Saint James (American b. 1949) With Honors Serigraph, signed Saint James in pencil l.r., numbered 54/100 in pencil l.l. and titled in pencil l.c., together with two poster prints; each apparently in good condition. Each unframed. Sheet size of each: 635 x 826 mm (25 x 32-1/2 in) $800-$1,200

108 Hughie Lee-Smith (American 1915-1999) Untitled (Head of a Woman) Monotype, signed Lee Smith in pencil l.r.; apparently in good condition. Framed.* Sight size: 330 x 254 mm (13 x 10 in) $1,000-$2,000

END OF SALE

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1424

NOTES

AUCTION SCHEDULE Sale Date

Sale Title

Consignment Deadline

Mar. 18, 2016

Capital Collections Estate Auction

n/a

May 13, 2016

Capital Collections Estate Auction

Mar. 25, 2016

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