A Living Legend ISBN 978-1-63732-273-4© 2020 Volume 1

2020 Edition A Living Legend ISBN 978-1-63732-273-4© 2020 Volume 1

Devgro Media Arts Services Publishing ®2015

A Living Legend

© 2020

Volume 1

William Anderson Gittens

Author, Cinematographer,Dip., Com., Arts. B.A. Media Arts Specialists’ Editor in Chief Devgro Media Arts Services Publishing ®20155 License Cultural Practitioner, Publisher, CEO Devgro Media Arts Services Publishing ®2015

03

Abstract Rhythm brings together a unique group of global citizens…

The Statue of The Reverend Sir Wesley Winfield Hall,Kt.,GCM,HMB,LLD(Hons),JP My cognitive lens was stimulated because of the visual motion perception in the abstract while analysing the photos and the statue of A Living Legend© 2020William Anderson GittensAuthor, Cinematographer,Dip., Com., Arts.

B.A. Media Arts Specialists’ Editor in Chief Devgro Media Arts Services Publishing ®2015 License Cultural Practitioner,

of The Reverend Sir Wesley Winfield Hall,Kt.,GCM,HMB,LLD(Hons),JP located at Kensington Oval, Bridgetown Barbados.

A l l t h i n g s b e e n e q u a l a s a n A u t h o r, Cinematographer,Media Arts Specialists’ License Cultural Practitioner, Publisher, I also believe that Rhythm in culture also brings together a unique group of global citizens with a shared dream of creating a livelihood doing what they love.https://rhythmlivin.com/ Therefore when I juxtaposed the aforesaid information against the definition of Culture I interpreted it as the way of its members; the collection of ideas and habits which they learnt, are shared and transmitted from generation to another generation” a view espoused by Ralph LintonMichael Publisher, CEO Devgro Media Arts Services Publishing ®2015

Haralarmbos and Robin Heald and Robin Heald Sociology Themes and Perspectives Great Britain : University Tutorial Press Limited 1980p.177

Devgro Media Arts Services Publishing ®2015

04

Intro

The Statue of The Reverend Sir Wesley Winfield Hall,Kt.,GCM,HMB,LLD(Hons),JP November 29th, 2020–A striking eight-foot bronze statue of outstanding cricketer The Statue of The Reverend Sir Wesley Winfield Hall,Kt.,GCM,HMB,LLD(Hons),JP was unveiled at Kensington Oval, Bridgetown Barbados. The bronze idol was sculpted by Jason Hope a Barbadian. https:// www.thestkittsnevisobserver.com/bronze-statue-of-sir-wes-hall-unveiled-at-kensington-oval/

and unveiled by The Honourable Mia Amor Mottley,Q.C.,M.P..,Prime Minister of Barbados.

Sir Wesley Winfield Hall (born 12 September 1937) is a Barbadian former cricketer and politician. A tall, strong and powerfully built man, Hall was a genuine fast bowler and despite his very long run up, he was renowned for his ability to bowl long spells. Hall played 48 Test matches for the West Indies from 1958 to 1969. Hall's opening bowling partnership with fellow Barbadian Charlie Griffith was a feature of the strong West Indies teams throughout the 1960s. Hall was one of the most popular cricketers of his day and was especially popular in Australia, where he played two seasons in the Sheffield Shield with Queensland. https://en.wikipedia.org/wiki/Wes_Hall

Devgro Media Arts Services Publishing ®2015

05 Copyright

A Living Legend © 2020 Volume 1ISBN 978-1-63732-273-4 William Anderson Gittens, Author, Cinematographer Dip.Com., Arts.

B.A. Media Arts Specialists’ License Cultural Practitioner, Publisher, CEO Devgro Media Arts Services®2015,Editor in Chief of Devgro Media Arts Services Publishing®2015 First Edition © 2020 All rights reserved.

No part of this publication may be reproduced, stored in retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior written permission of William Anderson Gittens the copyright owner.

Typesetting, Layout Design, Illustrations, and Photography by William Anderson Gittens ISBN 978-1-63732-273-4 Published by Devgro Media Arts Services ® 2015 Email address wgittens11@gmail.com Twitter account William Gittens @lisalaron https://www.facebook.com/wgittens2 h t t p s : / / w w w . l i n k e d i n . c o m / i n / williamandersongittensauthormediaartsspecialistb1886b26 https://www.youtube.com/channel/UCxYWov8tzbe5rHzik528dAw William Anderson Gittens Bridgetown Barbados https://independent.academia.edu/WilliamGittens

Recognitions Special thanks to the Creator for his guidance and choosing me as a conduit to express the creative gifts he has given me and my late parents Charles and Ira Gittens. Thanks to those who assisted me along this journey namely my Beloved wife Magnola Gittens, my Brothers Shurland, Charles, Ricardo, Arnott, Stephen, Sisters Emerald, Marcella, Cheryl, Cousins Joy Mayers, Kevin and Ernest Mayers, Donna Archer, Avis Dyer, Jackie Clarke, Uncles Clifford, Leonard Mayers, David Bruce, Collin Rock. My children Laron and Lisa. Well wishers Mr.and Mrs. Andrew Platizky, Mr. Matthew Sutton, Mr.& Mrs. Gordon Alleyne, Mr. Juan Arroyo, Mr. and Mrs. David Lavine, Mrs. Ellen Gordon, Dr.Nicholas Gordon, the late Dr.Joseph Drew, Merline Mayers, Mr. and Mrs. Trevor Millington, Mr. and Mrs. Davidson Cox,Rev. Dr. Scofield Eversley and Rev. Dr. Margaret Eversley, Rev. & Mrs. Donavon Shoemaker, Ms. Geraldine Davis, Rev.Carl and Rev Angie Dixon, Mrs. Gloria Rock, Rev.Pauline Harewood, Mr. and Mrs. Stewart Russell, Mrs. Shirley Smith, Mr. and Mrs. Felton Ince, Mr. and Mrs. David Brathwaite, Mr.and Mrs. Ryan Miller Mr.and Mrs. Neilo Mascoll, Mr. and Mrs. Robert Quintyne, Special mentioned is given to Dr. Joseph Drew was my advisor, mentor, and teacher during my academic tenure as a Media Arts Major at Jersey City State College now New Jersey City University (NJCU). The focus of our parting conversation was about me honing my writing skills after I had graduated and returned to Barbados.

Between the period 1995 to 2016, I have discovered that the more that I practice this leisure pursuit profession it seemed to be infectious among other elements. The other elements such as being passionate and prolific combined together with the Creator’s help, made me a productive writer to the extent that I have now published 178 books.In light of the aforesaid, I have decided to dedicate my 66 Th publication “A Tribute to Culture” Vol 1 in memory of Dr. Joseph Drew.All of the above information contributed to my academic developmental journey.

William Anderson Gittens Author, Cinematographer, Dip., Com., Arts. B.A. Media Arts Specialists’ Editor in Chief Devgro Media Arts Services Publishing®2015 License Cultural Practitioner, Publisher, Student of Film, CEO Devgro Media Arts Services®2015

06 Table of Contents ABSTRACT

3

INTRO

4

COPYRIGHT

5

RECOGNITIONS

5

TABLE OF CONTENTS

6

HISTORY

7-8

NORMATIVE STATEMENT

9

The Statue of The

Reverend Sir Wesley W infield

Hall,Kt.,GCM,HMB,LLD(Hons),JP

10-21

PERSONAL CONCLUSIONS

22

CONCLUSIONS

23

AUTHOR WILLIAM ANDERSON GITTENS

24

WORKS CITED

35

07 History of Statues A statue is more than its material content; statues carry the power of symbolism. By placing a statue at a public site, viewers are expected to honor and respect the person represented in larger-than-life-size bronze.https://www.journalpatriot.com/opinion/symbolism-of-statues-matters/ article_f30ca8e0-919c-11e7-9176-c76e3e97c857.html

Throughout history, statues have been associated with cult images in many religious traditions, from Ancient Egypt, Ancient India, Ancient Greece, and Ancient Rome to the present. Egyptian statues showing kings as sphinxes have existed since the Old Kingdom, the oldest being for Djedefre (c. 2500 BC).

A statue is a free-standing sculpture in which the realistic, full-length figures of persons or animals or non-representational forms are carved or cast in a durable material such as wood, metal or stone. Typical statues are life-sized or close to life-size; a sculpture that represents persons or animals in full figure but that is small enough to lift and carry is a statuette or figurine, whilst one more than twice life-size is a colossal statueCollins online dictionary: Colossal "2. (in figure sculpture) approximately twice life-size."; entry in the Getty Art & Architecture Thesaurus® Online

Statues have been produced in many cultures from prehistory to the present; the oldest-known statue dating to about 30,000 years ago. Statues represent many different people and animals, real and mythical. Many statues are placed in public places as public art. The world's tallest statue, Statue of Unity, is 182 metres (597 ft) tall and is located near the Narmada dam in Gujarat, India.Ancient statues often show the bare surface of the material of which they are made. For example many people associate Greek classical art with white marble sculpture, but there is evidence that many statues were painted in bright colours.Archeological Institute of America: Carved in Living Colour". Archaeology.org. 23 June 2008. Retrieved 30 December 2012.Most of the colour has weathered off over time; small remnants were removed during cleaning; in some cases small traces remained that could be identified.Archeological Institute of America: Carved in Living Colour". Archaeology.org. 23 June 2008. Retrieved 30 December 2012.

Throughout history, statues have been constructed from

Prehistoric, Antiquity,Renaissance, Modern Era

https://en.wikipedia.org/wiki/Main_Page

07 History of Statues The Western tradition of sculpture began in ancient Greece, and Greece is widely seen as producing great masterpieces in the classical period. During the Middle Ages, Gothic sculpture represented the agonies and passions of the Christian faith.https:// en.wikipedia.org/wiki/Sculpture

A 35,000-year-old ivory carving of a busty woman found in a German cave may be the oldest known sculpture of the human form, according to archaeologists who unveiled it Wednesday.https://www.cbc.ca/news/technology/ivory-carving-may-beoldest-sculpture-of-human-form-1.791716

Sculpture has been used as a form of human expression since prehistoric times. The earliest known works of sculpture date from around 32,000 B.C. Early man created utilitarian objects that were decorated with sculptural forms.https://www.getty.edu/education/teachers/ classroom_resources/curricula/sculpture/background1.html

Over time, the use of sculptures evolved such that by the start of civilization, people used them as a representation of gods. ...

The Greeks too made use of sculptures, and a quick overview of their history reveals the use of statues to depict the form of human beings, in dimensions thought to be the ideal form of humans.http://www.skulpturhalle.ch/history/

The most enduring and, arguably, the greatest form of fine art known to man, sculpture has played a major role in the evolution of Western culture. ... Even today, although continuously evolving, sculpture is still the leading method of expressing and commemorating both historical figures and events.http://www.visual-arts-cork.com/sculpture.htm

The metal most used for sculpture is bronze, which is basically an alloy of copper and tin; but gold, silver, aluminum, copper, brass, lead, and iron have also been widely used.https://www.britannica.com/art/sculpture/Materials

Importantly,As archaeologists are all-too-well aware, especially after the pioneering work done by Ian Hodder in the 1980s, material culture – including statues – are not mere “symbols”. Material culture is meaningfully constituted: it plays an active role in social strategies.https://www.ancientworldmagazine.com/articles/statues-not-mere-symbols/

09 Normative Statement Francis Morrone said that Almost from the time that cities first arose, their inhabitants have filled them with statues and monuments, as if such adornments were an essential ingredient of civilised urban life. The pages of Homer explain why: the Homeric heroes do noble deeds in the hope of winning honour and glory, the praise of their fellows and of posterity, which for the greatest actions will take the form of "a marble monument," in The Iliad's constantly recurring phrase. For the ancients, statues are the repository of civic memory, commemorating the great and good deeds that built the society. For every new generation, they spur the ambitious to emulate such deeds, and they define the virtues that the community thinks worthy of honour.https://www.city-journal.org/html/statues-and-civic-memory-11980.html

Rhythm brings together a unique group of individuals with a shared dream of creating a livelihood doing what they love.The Rhythm © 2020 Volume 1 is a 54 page analytical conversation portrayed through my lens as an Author, Student of Film, License Cultural Practitioner and Publisher the sun influencing culture in Bridgetown Barbados in ISBN 978-1-63732-273-4.

Gittens. William Anderson Author, Cinematographer Dip.Com., Arts. B.A. Media Arts Specialists’ License Cultural Practitioner, Publisher, CEO Devgro Media Arts Services®2015,Editor in Chief of Devgro Media Arts Services Publishing®2015

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The Statue of The Reverend Sir Wesley Winfield Hall,Kt.,GCM,HMB,LLD(Hons),JP

Devgro Media Arts Services Publishing ®2015

Originally left out of the West Indies team to tour India and Pakistan in 1958–59, Hall was called into the team as a back up for the Trinidadian Jaswick Taylor after the all-rounder Frank Worrell withdrew from the team at a late stage.Goodwin, pp. 116—117Hall met with some success an early match against Baroda, taking 5 wickets for 41 runs (5/41) in Baroda's second innings. "Baroda v West Indians". West Indies in India and Pakistan 1958/59. CricketArchive. Retrieved 19 July 2011. This performance saw Hall overtake Taylor to become the first-choice partner of Roy Gilchrist in the Test team.Goodwin, pp. 116—117The pair had a highly successful Test series against the Indians with Wisden Cricketers' Almanack describing the duo as "two fearsome opening bowlers reminiscent of the days of [Manny] Martindale and [Learie] Constantine.""West Indies in India and Pakistan, 1958–59". Wisden Cricketers' Almanack – online archive. John Wisden & Co. 1960. Retrieved 19 July2011.

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2020 Edition A Living Legend ISBN 978-1-63732-273-4© 2020 Volume 1

Hall made his debut in the first Test against India at Brabourne Stadium at Bombay and met with almost instant success. He dismissed the Indian opener Nari Contractor for a duck and quickly followed than with the wickets of Pankaj Roy and Vijay Manjrekar. Goodwin, pp. 118–119. In what ended as a dour draw, Hall finished with 3/35 in the first innings and 1/72 in the second. "First Test Match: India v West Indies". Wisden Cricketers' Almanack – online archive. John Wisden & Co. 1960.

Retrieved 19 July 2011.India v West Indies". West Indies in India and Pakistan 1958/59 (1st Test). CricketArchive. Retrieved 19 July 2011.

When Gilchrist was dropped from the second Test at Modi Stadium in Kanpur, Hall—in only his second Test match—was given the responsibility of leading the West Indies bowling attack.Goodwin, pp. 118–119.Hall was equal to the task, playing "a decisive part in India's downfall" taking 11 wickets in the match. "India v West Indies". West Indies in India and Pakistan 1958/59 (2nd Test). CricketArchive. Retrieved 19 July 2011."Second Test Match: India v West Indies". Wisden Cricketers' Almanack – online archive.

John Wisden & Co. 1960. Retrieved 19 July 2011.

Over the entire five Test series—won by the West Indies three Tests to nil—Hall and Gilchrist terrorised the Indian batsman, who had neither the "experience or the physical capacity" to stand up to the West Indian fast bowling duo"First Test Match: India v West Indies". Wisden Cricketers' Almanack – online archive.

John Wisden & Co. 1960. Retrieved 19 July 2011.

The West Indies were not as successful in the three Test series against Pakistan, losing the first two Tests before winning the final Test—the first time Pakistan had lost a Test match at home. "West Indies in India and Pakistan, 1958–59". Wisden Cricketers' Almanack – online archive. John Wisden & Co. 1960. Retrieved 19 July2011.Hall bowled well in both the matches, however. In the second Test at Dacca, Hall relied on movement through the air rather than sheer pace and had Pakistan reeling on stage, five wickets down for only 22 runs made (22–5)Goodwin, pp. 118–119.In the third Test at Bagh-e-Jinnah in Lahore, Hall made history by becoming the first West Indian to take a hat-trick in Test cricket. His victims were Mushtaq Mohammad (aged 15 and in his debut Test match, at the time the youngest cricketer to play Test cricket), Nasim-ul-Ghani and Fazal MahmoodGoodwin, pp. 118–119. .

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2020 Edition A Living Legend ISBN 978-1-63732-273-4© 2020 Volume 1

In the third Test in a placid pitch at Bourda in British Guiana, Hall again broke the back of England's batting taking six wickets for 90 runs in the England first innings. This included bowling M. J. K. Smith out for a duck for the second Test in a row."West Indies v England". Marylebone Cricket Club in West Indies 1959/60 (4th Test).

CricketArchive. Retrieved 21 July 2011.

Goodwin, p. 120.

Hall played alongside his great partner Charlie Griffith in Test cricket for the first time in the fifth Test at Port of Spain. By this stage, Hall had "burned himself out" and he bowled only four overs in the England second innings as the West Indies pushed for a series-equalling win. Unfortunately for the West Indies and Hall, England held on for a draw and won the series one Test to nil. "M.C.C. team in West Indies 1959–60". Wisden Cricketers' Almanack. John Wisden & Co. 1961. Retrieved 19 July 2011.Goodwin, p. 120.

"West Indies v England". Marylebone Cricket Club in West Indies 1959/60 (5th Test). CricketArchive. Retrieved 21 July 2011.

In April 1960, Hall began the first of his three seasons as a professional with Accrington Cricket Club in the Lancashire League. Hall, pp. 105–108.Hall was first offered a contract by Accrington for the 1959 season, which he turned down through loyalty to his employer in Barbados who had provided him with leave to tour England. Hall, p. 54.Hall was a success in League cricket, capturing 100 wickets in the 1960 season, 106 wickets in the 1961 season (when Accrington won the Lancashire League championship) and 123 wickets in the 1962 season, falling just short of the then-League record. Hall also managed to capture 10 wickets in an innings on two occasions with Accrington, 10/57 against Burnley and 10/28 against Bacup. Champions again (1959– 1964)". History. Accrington Cricket Club. Retrieved 26 July 2011.Hall left Accrington in 1964 to take up a less restrictive contract with Great Chell Cricket Club in the Staffordshire League. Hall, p. 109.During the 1964 season, Hall married his childhood sweetheart Shurla in Liverpool. Hall, p. 110..

Remember, Wes, if you bowl a no-ball you'll never be able to go back to Barbados!

— Frank Worrell to Hall before the final ball of the Tied Test, "West Indies in Australia, 1960–61". Wisden Cricketers' Almanack – online archive. John Wisden & Co. 1962. Retrieved 21 July 2011.

The 1960–61 Test series against Australia is one of the most famous in the history of Test cricket and Hall played a major role in its outcome. "West Indies in Australia, 1960– 61". Wisden Cricketers' Almanack – online archive. John Wisden & Co. 1962. Retrieved 21 July 2011.The first Test in the series at the Gabba in Brisbane had a thrilling finish. The West Indies set

Australia a target of 233 runs to win the match. Hall broke through early, taking the wickets of Bob Simpson and Neil Harvey, followed, after some stubborn resistance, by Norm O'Neill. The West Indies captain Frank Worrell then dismissed Colin McDonald before Hall struck again for his fourth wicket, Les Favell caught by Joe Solomon. Australia were 57/5 and the West Indies seemed set to win the match.Smith, pp. 90–99.After the sixth Australian wicket fell with Australia having made only 92 runs, the Australian captain Richie Benaud came to the crease to join Alan Davidson.

Together the pair took Australia to 226/7 and now Australia looked assured victors with only 7 runs to get.Smith, pp. 90–99.Joe Solomon then turned the game again with a direct hit on the stumps to run out Davidson. Hall was entrusted by his captain Worrell to bowl the last over of the day with Australia needing four runs and West Indies needing three wickets to win the game. In one of the most exciting finishes in Test match history, Hall had Benaud caught behind, then dropped a catch and two Australian batsmen were run out trying to make the winning run. The match finished in a tie, the first in Test cricket.Smith, pp. 90–99.

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2020 Edition A Living Legend ISBN 978-1-63732-273-4© 2020 Volume 1

Exhausted volcano The picture of Wesley Hall in full flow as he ran towards the wicket is still treasured in the memories of all but the opposing batsman—and maybe in theirs as well— Clayton Goodwin, Goodwin, p. 125.

Hall had a magnificent, bounding approach, eyes bulging, teeth glinting, crucifix flying, climaxing in a classical cartwheel action and intimidating followthrough.David Frith, Frith, p. 140.Hall was a tall and muscular cricketer, 6 feet 5 inches (196 cm) tall and bearing the "physique and strength of a bodybuilder."Cozier, Tony (2008). "Never a cricketer of the year". Wisden Cricketers' Almanack – online archive. John Wisden & Co. Retrieved 16 July 2011.He had a graceful, classical action and one of the longest runups in Test cricket. A genuinely fast bowler, he was timed at 91 miles per hour (146 km/h).Martin-Jenkins, pp. 308–309Hall was able to sustain pace and hostility for very long spells—during the Test against England at Lord's in 1963 he bowled unchanged for over three hours on the final day.Martin-Jenkins, pp. 308–309.While Hall was an aggressive fast bowler, he was not one to set out to injure the batsman. The England cricketer Ted Dexter—himself hit several times by Hall—said "there was never a hint of malice in [Hall] or in his bowling"Dexter, p. 186.Hall himself said after one of his deliveries fractured Australian cricketer Wally Grout's jaw "It made me sick to see Wal leaving and it made me sicker to hear some jokers in the crowd ranting on as though I had intentionally hurt [Grout]".Hall, pp. 13–14.

While Hall could never be described as an all-rounder, on occasions he was an effective batsman. His one century in first-class cricket was against Cambridge University Cricket Club at Fenners—scored in 65 minutes, the fastest century of the 1963 English season. Wisden said of this innings, "[Hall's] batting promised so much ... [he] made his runs in the classic mould, not in the unorthodox manner usually adopted by fast bowlers."Gibbs, p. 13.With his characteristic humour, Hall said of this innings, "Ah, but it wasn't any old hundred, it was against the intelligentsia."Cozier, Tony (2008). "Never a cricketer of the year". Wisden Cricketers' Almanack – online archive. John Wisden & Co. Retrieved 16 July 2011 Hall was one of the most popular cricketers of his day. The Australian commentator Johnnie Moyes described Hall as "a rare box-office attraction, a man who caught and held the affections of the paying public."[66] Hall was particularly popular in Australia. When invited back to play for Queensland in the Sheffield Shield in 1961–62, Hall arrived in Brisbane to "scenes more in keeping with the arrival of a pop star, a thousand people jamming the old terminal building at Eagle Farm airport to welcome him."[36] Hall was fond of a bet and was a keen follower of horseracing.[96] Hall is known as a good humoured man; C. L. R. James observed "Hall simply exudes good nature at every pore." Tony Cozier states "[Hall] is renowned for his entertaining, if prolonged oratory, as well as for his tardiness."Cozier (2010), pp. 74–77.

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2020 Edition A Living Legend ISBN 978-1-63732-273-4© 2020 Volume 1 Exhausted volcano The picture of Wesley Hall in full flow as he ran towards the wicket is still treasured in the memories of all but the opposing batsman—and maybe in theirs as well— Clayton Goodwin, Goodwin, p. 125.

Hall had a magnificent, bounding approach, eyes bulging, teeth glinting, crucifix flying, climaxing in a classical cartwheel action and intimidating followthrough.David Frith, Frith, p. 140.Hall was a tall and muscular cricketer, 6 feet 5 inches (196 cm) tall and bearing the "physique and strength of a bodybuilder."Cozier, Tony (2008). "Never a cricketer of the year". Wisden Cricketers' Almanack – online archive. John Wisden & Co. Retrieved 16 July 2011.He had a graceful, classical action and one of the longest runups in Test cricket. A genuinely fast bowler, he was timed at 91 miles per hour (146 km/h).Martin-Jenkins, pp. 308–309Hall was able to sustain pace and hostility for very long spells—during the Test against England at Lord's in 1963 he bowled unchanged for over three hours on the final day.Martin-Jenkins, pp. 308–309.While Hall was an aggressive fast bowler, he was not one to set out to injure the batsman. The England cricketer Ted Dexter—himself hit several times by Hall—said "there was never a hint of malice in [Hall] or in his bowling"Dexter, p. 186.Hall himself said after one of his deliveries fractured Australian cricketer Wally Grout's jaw "It made me sick to see Wal leaving and it made me sicker to hear some jokers in the crowd ranting on as though I had intentionally hurt [Grout]".Hall, pp. 13–14.

While Hall could never be described as an all-rounder, on occasions he was an effective batsman. His one century in first-class cricket was against Cambridge University Cricket Club at Fenners—scored in 65 minutes, the fastest century of the 1963 English season. Wisden said of this innings, "[Hall's] batting promised so much ... [he] made his runs in the classic mould, not in the unorthodox manner usually adopted by fast bowlers."Gibbs, p. 13.With his characteristic humour, Hall said of this innings, "Ah, but it wasn't any old hundred, it was against the intelligentsia."Cozier, Tony (2008). "Never a cricketer of the year". Wisden Cricketers' Almanack – online archive. John Wisden & Co. Retrieved 16 July 2011 Hall was one of the most popular cricketers of his day. The Australian commentator Johnnie Moyes described Hall as "a rare box-office attraction, a man who caught and held the affections of the paying public."[66] Hall was particularly popular in Australia. When invited back to play for Queensland in the Sheffield Shield in 1961–62, Hall arrived in Brisbane to "scenes more in keeping with the arrival of a pop star, a thousand people jamming the old terminal building at Eagle Farm airport to welcome him.” Gibbs, pp. 10–11.Hall was fond of a bet and was a keen follower of horseracingGibbs, p. 13. Hall is known as a good humoured man; C. L. R. James observed "Hall simply exudes good nature at every pore." Tony Cozier states "[Hall] is renowned for his entertaining, if prolonged oratory, as well as for his tardiness."Cozier (2010), pp. 74–77.

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2020 Edition A Living Legend ISBN 978-1-63732-273-4© 2020 Volume 1

After the New Zealand tour, Hall joined the Barbados team for a short tour of England. Hall played two first-class matches on the tour, capturing two wickets at an average of 53.00. "First-class Bowling for Barbados". Barbados in England 1969. CricketArchive. Retrieved 26 July 2011.Hall then returned to Trinidad to complete his last season in the Shell Shield and his contract with WITCO.Henderson, Hugh (3 January 2011). "Credibility is king". Trinidad and Tobago Guardian. Retrieved 26 July 2011. Hall met with moderate success, taking 15 wickets for Trinidad at a respectable average of 22.46"Bowling in Shell Shield 1969/70 (Ordered by Average)". CricketArchive. Retrieved 26 July 2011. Hall's last first-class match was for Barbados against the touring Indians in 1971.Before Hall left Trinidad in 1970, Gerard Pantin—a Catholic priest in the Holy Ghost Fathers order—asked Hall if he would assist him in forming a humanitarian program to assist the poor and marginalised residents of the Laventille community. Hall agreed and together the two men walked through the dangerous neighbourhood, simply asking the residents how they could help them. This mission grew to become the SERVOL (Service Volunteered For All) voluntary organisation that now operates throughout Trinidad and Tobago and elsewhere in the Caribbean. While Hall returned to Barbados three months after the program started, he is recognised as one of SERVOL's co-founders.Pantin, Gerard (1 September 2010). "Reflections: The birth of Servol". Trinidad Express. Retrieved 29 July 2011.

Hall has served Barbados and West Indian cricket in a variety of roles since the end of his playing days including chairing the West Indies selection panel for some years.Cozier, Tony (7 November 2010). "Insular politics tearing West Indies cricket apart". Stabroek news. Retrieved 26 July 2011.Hall

also accompanied many touring West Indies teams as manager, including the ill-fated 1995 tour of

England, marred by player unrest.Croft, Colin (28 June 2001). "From legend to leader". BBC Sport. British Broadcasting Corporation. Retrieved 17 July 2011. “Few can forget the acrimonious West Indies cricket tour to England in 1995. [...] The manager of that team was West [sic] Hall.”In

2001 Hall was elected president of the West Indies Cricket Board. During his time as president Hall was instrumental in attracting the 2007 Cricket World Cup to

the West Indies. "Wes Hall to stand down as WICB president". ESPNcricinfo. 9 July 2003. Retrieved 17 July 2011.Hall also developed a system of collective bargaining with the West Indies Players AssociationDeyal, Tony (16 July 2011). "Live, learn and laugh". Trinidad & Tobago Express. Retrieved 26 July 2011. Hall Retrieved 17 July 2011 Hall

chose not to stand for re-election in 2003, citing health problems.

Wes Hall to stand down as WICB president". ESPNcricinfo. 9 July 2003.

was a member of the board of directors of the Stanford 20/20 cricket Hall, Wes (1 September 2010). "Servol and me". Trinidad Express. Retrieved 29

July 2011project. Deyal, Tony (16 July 2011). "Live, learn and laugh". Trinidad & Tobago Express. Retrieved 26 July 2011.

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2020 Edition A Living Legend ISBN 978-1-63732-273-4© 2020 Volume 1

After the New Zealand tour, Hall joined the Barbados team for a short tour of England. Hall played two first-class matches on the tour, capturing two wickets at an average of 53.00. "First-class Bowling for Barbados". Barbados in England 1969. CricketArchive. Retrieved 26 July 2011.Hall then returned to Trinidad to complete his last season in the Shell Shield and his contract with WITCO.Henderson, Hugh (3 January 2011). "Credibility is king". Trinidad and Tobago Guardian. Retrieved 26 July 2011. Hall met with moderate success, taking 15 wickets for Trinidad at a respectable average of 22.46"Bowling in Shell Shield 1969/70 (Ordered by Average)". CricketArchive. Retrieved 26 July 2011. Hall's last first-class match was for Barbados against the touring Indians in 1971.Before Hall left Trinidad in 1970, Gerard Pantin—a Catholic priest in the Holy Ghost Fathers order—asked Hall if he would assist him in forming a humanitarian program to assist the poor and marginalised residents of the Laventille community. Hall agreed and together the two men walked through the dangerous neighbourhood, simply asking the residents how they could help them. This mission grew to become the SERVOL (Service Volunteered For All) voluntary organisation that now operates throughout Trinidad and Tobago and elsewhere in the Caribbean. While Hall returned to Barbados three months after the program started, he is recognised as one of SERVOL's co-founders.Pantin, Gerard (1 September 2010). "Reflections: The birth of Servol". Trinidad Express. Retrieved 29 July 2011.

Hall has served Barbados and West Indian cricket in a variety of roles since the end of his playing days including chairing the West Indies selection

panel for some years.Cozier, Tony (7 November 2010). "Insular politics tearing West Indies cricket apart". Stabroek news. Retrieved 26 July 2011.Hall also accompanied many touring West Indies teams as manager, including the ill-fated 1995 tour of England, marred by player unrest.Croft, Colin (28 June 2001). "From legend to leader". BBC Sport. British Broadcasting Corporation. Retrieved 17 July 2011. “Few can forget the acrimonious West Indies cricket tour to England in 1995. [...] The manager of that team was West [sic] Hall.”

In 2001 Hall was elected president of the West Indies Cricket Board. During

his time as president Hall was instrumental in attracting the 2007 Cricket World Cup to the West Indies. "Wes Hall to stand down as WICB president". ESPNcricinfo. 9 July 2003. Retrieved 17

Hall also developed a system of collective bargaining with the West Indies Players AssociationDeyal, Tony (16 July 2011). "Live, learn and laugh". Trinidad & Tobago Express.

Retrieved 26 July 2011. Hall chose not to stand for re-election in 2003, citing health problems. Wes Hall to stand down as WICB president". ESPNcricinfo. 9 July 2003. Retrieved 17 July 2011 Hall was a member of the board of directors of the Stanford 20/20 cricket Hall, Wes (1 September 2010). "Servol and me". Trinidad Express.

Retrieved 29 July 2011project. Deyal, Tony (16 July 2011). "Live, learn and laugh". Trinidad & Tobago Express. Retrieved 26 July 2011.

July 2011.

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2020 Edition A Living Legend ISBN 978-1-63732-273-4© 2020 Volume 1

You think my run up was long. Now you should hear my speeches.— Wes Hall, after his appointment as a Senator, Hopps, p. 198At the end of his career as a cricketer, Hall reflected, "I realised that I’d been playing for ten years, and I was married with three children and I didn’t have any money." After working with SERVOL in Trinidad, Hall "knew from that moment on, [he] would commit [his] life to service." He studied Industrial Relations and Human Resource Management at the Industrial Society in London and then returned to Cable and Wireless in Barbados to take a role as Regional Staff Welfare ManagerHall, Wes (1 September 2010). "Servol and me". Trinidad Express. Retrieved 29 July 2011. As well as his role with WITCO in Trinidad, Hall also had high-profile roles in private enterprise with Banks Barbados Brewery and Sandals Resorts.Gill, Haydn (12 November 2010). "HOT SPOT Rev. Hall worthy of knighthood". The Nation. Retrieved 26 July 2011. Hall became involved in Barbadian politics, joining the Democratic Labour Party.Witts, Chris. "Wes Hall's Testimony". Morning Devotions with Chris Witts. Hope 103.2. Retrieved 26 July2011.

Nicholas, Derrick (5 May 2002). "Richie Richardson has decided to enter party politics". ESPNcricinfo. Retrieved 26 July 2011. First appointed to the Barbados Senate, Hall was later elected to the House of AssemblyNicholas, Derrick (5 May 2002). "Richie Richardson has decided to enter party politics". ESPNcricinfo. Retrieved 26 July 2011.Hall was elected as the representative for the Assembly constituency of St. Michael West Central in 1986 and re-elected in 1991. "St. Michael West Central". Caribbean Elections: Barbados. Retrieved 26 July 2011.In 1987 Hall was appointed Minister of Tourism and Sports in the Government of Barbados."

As Tourism Minister, Hall has been given credit for developing the sports tourism market in Barbados.Gill, Haydn (12 November 2010). "HOT SPOT Rev. Hall worthy of knighthood". The Nation. Retrieved 26 July 2011.On a visit to Florida in 1990, Hall attended a Christian religious service. Impressed by the preacher, during the service, Hall "made a very serious decision to give [his] heart and life to God." Hall attended Bible school and was later ordained a minister in the Christian Pentecostal Church.Cozier, Tony (2008). "Never a cricketer of the year". Wisden Cricketers' Almanack – online archive. John Wisden & Co. Retrieved 16 July 2011.Witts, Chris. "Wes Hall's Testimony". Morning Devotions with Chris Witts. Hope 103.2. Retrieved 26 July 2011. Notably, Hall ministered to fellow Barbadian fast bowler Malcolm Marshall while Marshall was dying from colon cancer.Symes, Pat (29 April 2008). "Memories o fHistory of the Ministry of Tourism". Ministry of Tourism (Barbados). Retrieved 17 July 2011. Maco". Cricinfo Magazine. ESPNcricinfo. Retrieved 26 July 2011.

Hall is a member of the West Indies Cricket Hall of Fame. "CTO award for Wes Hall". The Nation. 6 October 2007. Retrieved 27 July 2011.and the ICC Cricket Hall of Fame. "Wes Hall inducted into ICC Hall of Fame". ESPNCricinfo. ESPN. 11 June 2015. Retrieved 12 June 2015. For his work in tourism, Hall has been awarded the Caribbean Tourism Organisation's Lifetime Achievement Award "CTO award for Wes Hall". The Nation. 6 October 2007. Retrieved 27 July 2011. The University of the West Indies awarded Hall an honorary Doctorate of Laws in 2005. "6 to get UWI doctorate". The Nation. 21 October 2005. Retrieved 27 July 2011.Hall and fellow Barbadian fast bowler Charlie Griffith have a grandstand at Kensington Oval named after them—the Hall & Griffith Stand."Kensington stands renamed". 9 November 2006. Caribbean Broadcasting Corporation. Archived from the original on 3 February 2007. Retrieved 27 July 2011.Hall was knighted in the 2012 Birthday Honours for services to sport and the community. "No. 60175". The London Gazette (Supplement). 16 June 2012. p. 39.

Wes Hall knighted". Stabroek News. Retrieved 16 June 2012 .https://en.wikipedia.org/wiki/Wes_Hall

Despite being a genuine pacer Hall had the possession of mountainous level of energy and he could bowl long spells efficiently much to the demise of the already shivering batters. Hall had a very rhythmic action and his physique and run up complemented his game very well.www.crictracker.com › 17-facts-wes-hall

18

2020 Edition A Living Legend ISBN 978-1-63732-273-4© 2020 Volume 1 Despite being a genuine pacer Hall had the possession of mountainous level of energy and he could bowl long spells efficiently much to the demise of the already shivering batters. Hall had a very rhythmic action and his physique and run up complemented his game very well.www.crictracker.com › 17-facts-wes-hall

1. Family: He was born on 12 September 1937 in lebe Land, Station Hill, St Michael, Barbados to a teenaged mother. His father was a light-heavyweight boxer.

2. Schooling: Though he began his schooling at St Giles’ Boys’ School, later shifted to Combermere School where he got to play against grown up men in the elite Division 1 of the Barbados Cricket Association. His teammate and the school’s groundskeeper was the West Indian Test cricketer Frank King.

3. Early employment: He was employed in the Cable Office in Bridgetown where he got to play cricket for the Cable Office team.

4. From a wicket-keeper batsman to fast bowler: Hall was a wicket-keeper batsman in his schooldays but due to absence of the opening bowler in a club match he donned the role of pace spearhead of his side, scalped six wickets and then there was no looking back.https://www.crictracker.com/17-facts-wes-hall/

19

2020 Edition A Living Legend ISBN 978-1-63732-273-4© 2020 Volume 1

5. Struggles in early career: In 1956, Wes Hall was included in the Barbados team to play against E. W. Swanton’s XI but the relatively inexperienced bowler couldn’t take even a single wicket on his First-Class debut. But yet he was selected in the West Indian squad to tour England in 1957 in which he struggled so badly that he couldn’t even pitch the ball anywhere near the wicket.

6. Run-up: Those who have witnessed this fast bowler claims that he had the longest run-up in the history of game and the very sight of his run-up could send chills down the batters spine.

Also Read – 9 Most famous bilateral trophies in Cricket 7. Hat-trick: Wes Hall is the first ever West Indian bowler to take a Test Hat-trick, a feat he achieved against Pakistan in their den in 1959. He had dismissed Mushtaq Mohammad, Nasim-ul-Ghani and Fazal Mahmood on consecutive deliveries.https://www.crictracker.com/17-facts-wes-hall/

8. The famous tied Test match: Wesley was an integral part of the tied Test match against Australia in 1960 in which he bowled the last over in which Australia needed 6 runs while West Indies were 3 wickets away from the win. He took crucial wicket of Benaud who was playing on 52 runs and then there were two-run-outs in the over.

Somehow due to Hall’s heroics Australia couldn’t cross the victory line.https://www.crictracker.com/17-facts-wes-hall/

20

2020 Edition A Living Legend ISBN 978-1-63732-273-4© 2020 Volume 1 Wesley was an integral part of the tied Test match against Australia in 1960 in which he bowled the last over in which Australia needed 6 runs while West Indies were 3 wickets away from the win. He took crucial wicket of Benaud who was playing on 52 runs and then there were two-run-outs in the over.

Somehow due to Hall’s heroics Australia couldn’t cross the victory line.

9. Unbreakable stamina: In the epic Lord’s Test match between England and West Indies in 1963, Wes Hall bowled unchanged for three-and-a-half hours and claimed 4 wickets in the 2nd innings.

10. Wisden remarks on Hall: Wisden Cricketers’ Almanack had remarked Hall as the bowler “Possessing a long hostile run-up to the wicket, with an equally long follow-through, Hall bowled as though he meant to take a wicket with every delivery. Nobody will ever forget his famous last day in the Test at Lord’s when he bowled on and on, hour after hour”.https://www.crictracker.com/17-facts-wes-hall/

12. First-Class career: Hall played 170 First Class matches and grabbed as many as 546 scalps with 19 fifers.

13. Political connection: Hall was very active in Barbadian politics after his playing days. He served in both the Barbados Senate and the House of Assembly. In 1987, Wes Hall was appointed as the Minister of Tourism.

14. Administration: The lanky pacer has also served West Indies cricket as a selector and team manager. From 2001 to 2003, he was the President of the West Indies Cricket Board (WICB).https://www.crictracker.com/17-facts-wes-hall/

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2020 Edition A Living Legend ISBN 978-1-63732-273-4© 2020 Volume 1

15. Knight Bachelor: In 2012, the West Indian fast bowler was knighted in the Queen’s Birthday honours list and was made a Knight Bachelor for his services to sport and the community.

16. Hall of fame: In 2015, he was inducted into ICC Cricket Hall of Fame during the Sabina Park Test between West Indies and Australia.

17. Love affair with Horse racing: Wes Hall was an avid follower of Horse racing, a sport which involves two or more jockeys riding horses over a set distance for competition.https://www.crictracker.com/17facts-wes-hall/

22

My Personal Conclusions

All things been equal as an Author, Cinematographer,Media Arts Specialists’ License Cultural Practitioner, Publisher, I believe that Rhythm brings together a unique group of global citizens with a shared dream of creating a livelihood doing what they love.https://rhythmlivin.com/ For example Cricket is a bat-and-ball game played between two teams of eleven players on a field at the centre of which is a 22-yard (20-metre) pitch with a wicket at each end, each comprising two bails balanced on three stumps. The batting side scores runs by striking the ball bowled at the wicket with the bat (and running between the wickets), while the bowling and fielding side tries to prevent this (by preventing the ball from leaving the field, and getting the ball to either wicket) and dismiss each batter (so they are "out"). Means of dismissal include being bowled, when the ball hits the stumps and dislodges the bails, and by the fielding side either catching the ball after it is hit by the bat, but before it hits the ground, or hitting a wicket with the ball before a batter can cross the crease in front of the wicket. When ten batters have been dismissed, the innings ends and the teams swap roles. The game is adjudicated by two umpires, aided by a third umpire and match referee in international matches. They communicate with two off-field scorers who record the match's statistical information.https://en.wikipedia.org/wiki/Cricket Given the way that cricket is played there is a perception that rhythm is a natural flow of skills coming together through each of the stages of bowling.

Beginning in the run up, which then builds into the bound ( or jump), transfers into the bowling action and follow through.http://www.cricketlab.co/cricket-fast-bowling-tipsbowling-rhythm-and-improve-my-control.html The

Not to mention that the Googly is Test cricket's beauty is in its natural rhythm...https://www.thecricketer.com/Topics/opinion/

the_googly_test_crickets_beauty_is_in_its_natural_rhythm.html

Therefore when I analysed all of the aforesaid data in the context of Culture, I interpreted it as the way of its members; the collection of ideas and habits which they learnt, are shared and transmitted from generation to another generation” a view espoused by Ralph Linton

Michael Haralarmbos and Robin Heald

and Robin Heald Sociology Themes and Perspectives Great Britain : University Tutorial Press Limited 1980p.177

Overall, my cognitive lens was stimulated because of the visual motion perception in the abstract while I analysed the photos and the statue of A Living Legend© 2020William Anderson GittensAuthor, Cinematographer,Dip., Com., Arts. B.A. Media Arts Specialists’

of

Editor in Chief Devgro Media Arts Services Publishing ®20155 License Cultural Practitioner, Publisher, CEO Devgro Media Arts Services Publishing ®2015

The Reverend Sir Wesley Winfield Hall,Kt.,GCM,HMB,LLD(Hons),JP through my lens metaphorically as an Author, Cinematographer,Media Arts Specialists’ License Cultural Practitioner, Publisher, I also believe that there is Rhythm in culture since it also brings together a unique group of global citizens with a shared dream of creating a livelihood doing what they love.https://rhythmlivin.com/

23

Conclusions

All things been equal as an Author, Cinematographer,Media Arts Specialists’ License Cultural Practitioner, Publisher, I believe that Rhythm brings together a unique group of global citizens with a shared dream of creating a livelihood doing what they love.https://rhythmlivin.com/ For example Cricket is a bat-and-ball game played between two teams of eleven players on a field at the centre of which is a 22-yard (20-metre) pitch with a wicket at each end, each comprising two bails balanced on three stumps. The batting side scores runs by striking the ball bowled at the wicket with the bat (and running between the wickets), while the bowling and fielding side tries to prevent this (by preventing the ball from leaving the field, and getting the ball to either wicket) and dismiss each batter (so they are "out"). Means of dismissal include being bowled, when the ball hits the stumps and dislodges the bails, and by the fielding side either catching the ball after it is hit by the bat, but before it hits the ground, or hitting a wicket with the ball before a batter can cross the crease in front of the wicket. When ten batters have been dismissed, the innings ends and the teams swap roles. The game is adjudicated by two umpires, aided by a third umpire and match referee in international matches. They communicate with two off-field scorers who record the match's statistical information.https://en.wikipedia.org/wiki/Cricket Given the way that cricket is played there is a perception that rhythm is a natural flow of skills coming together through each of the stages of bowling.

Beginning in the run up, which then builds into the bound ( or jump), transfers into the bowling action and follow through.http://www.cricketlab.co/cricket-fast-bowling-tipsbowling-rhythm-and-improve-my-control.html The

Not to mention that the Googly is Test cricket's beauty is in its natural rhythm...https://www.thecricketer.com/Topics/opinion/

the_googly_test_crickets_beauty_is_in_its_natural_rhythm.html

Therefore when I analysed all of the aforesaid data in the context of Culture, I interpreted it as the way of its members; the collection of ideas and habits which they learnt, are shared and transmitted from generation to another generation” a view espoused by Ralph Linton

Michael Haralarmbos and Robin Heald

and Robin Heald Sociology Themes and Perspectives Great Britain : University Tutorial Press Limited 1980p.177

Overall, my cognitive lens was stimulated because of the visual motion perception in the abstract while I analysed the photos and the statue of A Living Legend© 2020William Anderson GittensAuthor, Cinematographer,Dip., Com., Arts. B.A. Media Arts Specialists’

of

Editor in Chief Devgro Media Arts Services Publishing ®20155 License Cultural Practitioner, Publisher, CEO Devgro Media Arts Services Publishing ®2015

The Reverend Sir Wesley Winfield Hall,Kt.,GCM,HMB,LLD(Hons),JP through my lens metaphorically as an Author, Cinematographer,Media Arts Specialists’ License Cultural Practitioner, Publisher, I also believe that there is Rhythm in culture since it also brings together a unique group of global citizens with a shared dream of creating a livelihood doing what they love.https://rhythmlivin.com/

24 2020 Edition A Living Legend ISBN 978-1-63732-273-4Š 2020 Volume 1

Devgro Media Arts Services Publishing ÂŽ2015

Author William Anderson Gittens

25 2020 Edition A Living Legend ISBN 978-1-63732-273-4Š Developing and growing in the context of excellence, professionalism and quality in Multimedia Services

Married

Children Lisa Gittens and Laron Gittens

2018 Produced an outside broadcast at Wesleyan Holiness Church the Barbados District for Retired Educator Mrs. Shirley Smithen

2018 Produced Multimedia Documentary Belmont Methodist Church Celebrating 180 Years in Barbados 2017 Produced Multimedia Trailer Codrington College Estate Committee

2017 Produced Centennial Multimedia Documentary & Murals Carrington Wesleyan Holiness Church

2015 CEO/Managing Director Consultant Devgro Media Arts Services

2011Project Manager Thorsby

EDUCATION:

20042006 Post Masters work at the University of the West Indies Cave Hill Campus Cultural Studies

2002 Management Course BIMAP

1995 Bachelors of Arts in Media Arts Jersey City State University special concentration pre and postproduction 1992 General Education Diploma (U.S.A.)

1992 pursued the Diploma Video Production at the Barbados Community College.

1991 Diploma in Communication Arts at the University of the West Indies the course concentrated primarily upon public speaking; Journalism techniques, Writing and speaking; Audio and video production, and the legal aspect of journalism.

26 2020 Edition A Living Legend ISBN 978-1-63732-273-4© Ministry of Health, requesting information of the countries that will require vaccinations to facilitate their at Conference; CEO at Grantley Adams International Airport Incorporated requesting passes for Liaison Officers and Transportation Officers in facilitating delegates.

Apple Podcasts

The Commissioner of Police requesting Police Officers to provide security and to serve on the Protocol Committee for the conference. Managed a budget of BDS$110,489.91the 21st Conference of the World Organisation for Animal Health (OIE) Regional Commission for the Americas held in Barbados November 2629, 2012 at two hundred and forty three thousand six hundred dollars (BDS$110,489.91) Barbados dollars;

Stitcher

PUBLICATIONS

Between the period 2000 to 2020 I have published 178 books

Between the period November 2019 to October 2020 my publications have impacted Global citizens,in 1,718Cities from 169 Countries, from 852 Universities,

My focus is culture.

In addition My podcast is over 1 year old.

and the first episode published was July 04, 2019.

Podcast Downloads 3,093

I have 83 Episodes podcast Published

which is now aired on 18 podcast platforms

Spotify

Google Podcasts

Amazon Music

iHeart Radio

Pandora

TuneIn + Alexa

Podcast Addict

Podchaser

Deezer

Player FM

Podcast Index

Overcast

Castro

Castbox

Pocket Casts

Podfriend

27

2020 Edition A Living Legend ISBN 978-1-63732-273-4© 2020 Volume 1

A Portrait of the Sun © 2020 Vol. 1 ISBN 978-976-96531-4-6 10/24/2020

A Novel Is Cliche A Paradox Footprint In Culture? © Vol.1 ISBN 978-976-96504-4-2, 4/23/2020 Pages878

13.75ISBN 9789769573147 2018 Video/DVDDocumentary

A Novel Is Tradition A Footprint Of Culture?© 2020 Vol. 1,ISBN978-976-96512–7-2, 9/16 2020,Pages862

PODCAST © 2020 VOLUME 1 July 19, 2020ISBN 97897696506577/19/2020,AudioVideo/DVDFile

A Novel Is Culture Eisegesis Or an Exegesis? © 2020 Vol.1 ISBN 978-976-96531-9-1

A Novel Culture Without Paper © 2020 Vol.1 ISBN 978-976-96531-1-5 Oct.9 2020

A Novel 24 Hours Condensed Into 15 Minutes© 2020 VOL.2 ISBN 978-976-96506-5-7, DVDVideo/Audio File

A Novel 24 Hours Condensed Into 15 Minutes© 2020 VOL.2 ISBN 978-976-96506-6-4, Pages174,22/7/2020

A Novel AI’s Culture Is Part Of Cognitive Science © 2020 Vol.1 ISBN 978-976-96531-3-9, 10/26/2020Pages605

A Novel Between The Period 2000 to 2020 Writing Is Time© 2020 Vol.1 October 3,2020

A Novel Cultural Lenses © 2020 Vol.1 ISBN978-976-96531-2-2,10/18/2020Pages703

A Novel Cultural Witnesses © 2020 Vol.1 978-976-96390-6- 52/1/2020,Pages 961

ISBN

A Novel Culture & Nature, A Phenomena © 2020 Vol.1 ISBN978-976-96504-7-3 ,6/19/2020,Pages725

A Novel Culture Is Staged And A Stage © 2020 Vol.1 ISBN978-976-96504-9-7,5/30/ 2020,Pages1233

A Novel Does Culture Matters? © 2020 Vol.1ISBN 978-976-96504-2-8 6/30/2020,Pages437

A Novel ls There Anything Abstract About Culture?© 2020 Vol.1ISBN 978-976-96531-8-4,11/25/2020Pages 378

A Novel ls There Anything Abstract About Culture?© 2020 Vol.1ISBN 978-976-96531-8-4,

A Novel My Commentary On Culture © 2020 Vol.1 ISBN978-976-96504-8-0, 6/ 14/ 2020,Pages694

A Novel Rhetoric An Aspect of Culture© 2020 Vol.1 ISBN978-976-96512-8-9,9/19/2020

A Novel The Classics Of Culture© 2020 Vol. 1ISBN9789769651296, 9/22/2020 Pages 898

A Novel The Effects of Nature On Culture© 2020 Vol.1 ISBN978-976-96506-0-2,6/1/2020,Pages953

A Novel The Silence In Culture © 2020 Vol.ISBN 9789769650671

A Novel The Silent Letter In Culture © 2020 Vol.ISBN 9789769650688

A Novel What About Hybriditisation and Culture?© 2020 Vol.1ISBN978-976-96506-4-0, 6/7/2020,Pages 332

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2020 Edition A Living Legend ISBN 978-1-63732-273-4© 2020 Volume 1

A Novel The Silent Letter In Culture © 2020 Vol.ISBN 9789769650688

A Novel What About Hybriditisation and Culture?© 2020 Vol.1ISBN978-976-96506-4-0, 6/7/2020,Pages 332

A Novel What Clouds Have To Do With Culture?© 2020 Vol. 1ISBN978-976-96504-0-4, 6/7/2020,Pages 302

A Novel Who Framed Culture? © 2020 Vol.1 ISBN 9789769651258,9/10/2020Pages 1192

A Novel, Children of Culture © 2020 Vol.1 ISBN978-976-96506-2-6, 4/15/ 2020Pages1192

A Novel, COVID19 Resets Culture © 2020 Vol.1 ISBN 978-976-96506-1-9, 7/12/2020,Pages1987

A Novel, Culture Reset © 2020 Vol.1 ISBN978-976-96504-1-1 7/7 2020,Pages2003

A Novel, Culture Without Paper © 2020 Vol.1 ISBN 978-976-96531-1-5, 10/09/2020 Pages 1247

A Novel, Lighting Culture © 2020 Vol.1 ISBN 978-976-96506-3-3 5/21/2020,Pages1309

A Novel, Mise en scene A Footprint In Culture© 2020 Vol.1 ISBN978-976-96504-5-9,5/16/ 2020Pages174

A Novel,The Power of Black and White and Colour A Footprint In Culture ISBN978-976-96504-3-5 5/24/ 2020 Pages544

A Portrait of Civilization © 2018 Vol.1 978-976-96220-9-8 1/ 3/ 2018,Pages245

A Sanctuary© 2020 Vol.1ISBN 9781649709226,6/20/ 2020,Pages73

A Singular Island Vol.1 “ISBN 9789769633759”. April 2018

A Slice of Culture © 2020 Vol.1 ISBN978-976-96313-4-2,4/ 2/ 2019,Pages297

A Tribute To Culture Vol.1 ISBN9789769633636 April 28 2019

A Writer’s Summit © 2020 Vol.1 ISBN978-976-96356-0-9,7/29/2019,Pages288

A. Novel Mise en scène A Footprint In Culture Vol.1 ISBN9781649217455 May 14 2020Pages174

Abstraction In Culture © 2020 Vol.1 ISBN 978-976-96512-4-1, 9/5/ 2020,Pages 386

A Living Legend © 2020 Volume 1Pages 42 December 2,2020

Andromeda Gardens Vol1 9789769629431 2019 Feb. 15.2019DVD VIDEO/DVD

Are There Rhythms In Culture?Vol.1ISBN 9789769634329

Are There Myths About Culture ? Vol.1 ISBN9789769633735 May 20 2019

Are There Protocols In Culture Vol. 1 ISBN9789769634305

Are We Complicit Because of Culture? © 2019.Vol.1 ISBN 978-976-96356-4-7, 8/ 29/ 2018Pages244

Barbados in Review Vol.1, © ISBN 978-976-95731-3-0, 1/18, 2018,Pages365

Belmont Methodist Church Celebrating 180 Anniversary © 2018 Vol.1 978-976-96220-8-1 2018,1Hr.DVD

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2020 Edition A Living Legend ISBN 978-1-63732-273-4© 2020 Volume 1

Beyond Cultural Boundaries Vol.1 ISBN 9789769634367 June 7 2019

Beyond The Call Of Duty A Cultural Discourse © Vol.1 ISBN 978-976-96342-5-1,6/ 23/ 2019,Pages299

Bridgetown Barbados © Vol.1 ISBN 9789769628625 Jan. 2019Video/DVD

Brownes Beach Is Part Of Barbados' Culture© 2020 Vol.1 ISBN978-976-96531-6-0 11/18/2020Pages45

Building for the Future Vol.1, ISBN9768078308 2000Pages29

Can Culture Affect PoliticsVol.1ISBN 9789769634374 June10 2019

Can Culture Be Read Like A Text ? Vol.1 ISBN 9789769633650 Jan. 2019

Can Human Rights Conflict with Longstanding Cultural Practices? A Cultural Discourse © 2019Vol.1 ISBN 978-976-96342-6-8,6/26/2019, Pages455

Carrington Village Vol.1 ISBN978-976-96286-3-2 Jan. 2019Video/DVD

Codrington College © 2018Vol.1 9789769628663 2018 Video/DVD

Colour Me Vol.1, ISBN9768079282 2000

Conduit © 2019Vol.1 ISBN978-976-96286-8-7 2019 Pages 221

Feb 16

Constitution & Culture © 2019Vol.1 9789769628670 Feb 12 2019,Pages 169

Context© 2020 Vol.1ISBN 9789769650695 August 3 2020

Cultural Convergence Vol1ISBN9789769633728 May 19 2019

Cultural Conversation Vol.1 ISBN 9789769635623

Cultural Identity Vol.1 ISBN 9789769634336 June 3 2019

Cultural Platforms © 2020 Vol.1 ISBN 978-9796390-5-8 1/12/2020,Pages1234

Culture Verbalised! Is it Explicit? Is it Implicit? or is it a Cultural Practitioners Narrative? Vol.1 ISBN 9789769635661 Sept. 10 2019

Culture Demystify A Cultural Conversation © 2019 Vol. 1ISBN978-976-96356-1-6,8/14/2019,Pages482

Culture! Is It An Emblematic Enigma © 2020 Vol.1 ISBN978-976-96390-2-7, 10/20/2020Pages562

Culture, Is It Codified? © 2020 Vol.1 ISBN 9789769639041 1/15/2020 Pages 737 https://www.buzzsprout.com/429292/ episodes/2466341

Cultures Evolve Over Time Vol.1ISBN9789769633773

Digital Insurgency © 2020 Vol.1 ISBN978-976-96220-4-3, 9/ 24/2018

Do All Cultures And Cultured Global Citizens Ask Philosophical Questions? © Vol.1 ISBN 978-976-96356-7-8,9/20/2020,Pages284

Established in Barbados Vol.1, ISBN 9768080248 2000

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2020 Edition A Living Legend ISBN 978-1-63732-273-4© 2020 Volume 1

Excerpts from Icons Vol.1 ISBN 9789769633759 April 2018

Expressions of a Century Vol.1 ISBN 9789769573178 Aug. 17 2018

Expressions of Culture Vol.1 ISBN9789769633711 May 17 2019

Focus Vol.1, ISBN9768080531 2000

Global Cultural Landmarks © 2020 Vol.1 978-976-96220-3-4, 12/31/2019,Pages235

Global Images © 2019Vol.1 ISBN 978-976-96342-2-0, 6/12/ 2019,Video/DVD Audio File

Global Landmarks © 2020 Vol.1 978-976-96220-0-5 (Part ABC),9/6/2018,Pages200

Have You Considered This Approach? Vol.1, 9789768233387 Jan 18 2018 Pages 89

If Culture Be Repositioned?1st edition © 2020ISBN 9789769639072

Illustrations © 2020 Vol.1 ISBN978-976-96220-1-2, 8/27/2018

Images of Yesteryear in Barbados Vol. 2,ISBN 976-8078308 2000Page 16

Images of Yesteryear in Barbados Vol.2, ISBN9768078413 2000Pages 52

In Pursuit of Global Cultural Landmarks Vol.1 ISBN 9789769639034 December 31 2019

Interpreting Culture Vol.1 ISBN 9789769639089

Is Culture And Mise en scène Correlated Vol.1

Is Culture & Religion Inextricably Linked? Vol.1 ISBN9789769633698 Jan. 2019

Is Cli·ché A Paradox Footprint In Culture© 2020 revised edition ISBN 978-976-96504-4-2 May32019 Pages 878

Is Culture Absolute? ©2020 ISBN 978-976-96512-6-5, 9/ 2/ 2020,Pages346

Is It Culture of The Ecosystems? Vol.1 ISBN9789769633667 Jan. 2019

Is Language And Culture Inextricably Linked? Vol.1 ISBN 9789769634381 June 10 2019

Is Semiotics An Unconscious Cultural Technique Of Culture? © 2019Vol.1 ISBN978-976-96342-0-6,6/12 /2019,Pages447

Is The Pen Mightier Than the Sword © 2020 Vol.1? ISBN 978-976-96220-2-9,9/5/2018

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Is There A Culture Of Poverty Vol.1ISBN 9789769633674

Is There A Dichotomy Linking Automation And Culture © 2019Vol.1ISBN 978-976-96390-0-3 10/1/ 2019,Pages591

Is There A Lack of Cultural Criticism Vol.1 ISBN 9789769634398 June 12 2019

Is There A Why In Culture? Vol.1ISBN 9789769634343 June 4 2019

Is There An Existential Threat To Culture? © 2019Vol.1 ISBN 978-976-96342-13,6/13/2020,Pages300

Is There Anything New Under The Sun? © 2018Vol.1, ISBN 9789769573123 Jan. 18 2018,Pages252

Narrative © 2019Vol.1 ISBN978-976-96286-1-8, 2/ 8 / 2019,Pages140

Novel, Footnoting Culture First Edition ISBN 9789769639096

Our Matriarch Vol.1 9789769573161 Jan. 2018

Pages 1054

People of Conversation Vol.1, ISBN9789769573109 Jan 18 2018,Pages142

People Vol.2, ISBN976-8080-59-0 Jan. 18 2018Pages92

It’s The Lens Vol.1 ISBN 9789769573185 Aug. 10 2018

Philosophically Speaking If Texture Verbalised Can It Become A Pluralistic Cultural Narrative © Vol.1 ISBN 978-976-96356-8-5,9/24/2020,Pages284

It’s The Lens © 2018Vol.2 ISBN 978-976-96220-3-6 9/24/ 2018,Pages 28

Photography Is Culture and Culture Is Photography © 2020 Vol. 1 ISBN 97897696351-0-8, 65 Pages 10/11/2020

It’s the Lens © Vol.3 ISBN978-976-96286-5-6,Oct. 2018Video/DVD

Profiles Vol1 ISBN9789769573147 Feb 15 2019

Land Marks Vol.1, 976-8078-81-2. 2002,Pages18

Reparations ! A Global Cultural Discourse © 2019 Vol.1 ISBN978-976-96313-1-1, 3/29/ 2019,Pages212

Language Is Culture© 2020Vol.1ISBN 9789769651210 August 17 2020

Matrix! A Global Cultural Discourse Vol.1 ISBN9789769631335 April 6 2019

Relics Vol.1 9789769629448 2018 DVD Video/DVD

Repositioning Culture Vol.1 ISBN9789769639072 February 24 2020

Mediterranean Memories.Vol.1 ISBN9789769573161 2017

Shades of Global Culture © 2018 Vol.1 ISBN978-976-96220-7-4,12/3/2018,Pages240

Mia the Leader Vol.1 ISBN9789769573192. Oct. 12 2018Pages 149

Social Psychology of Culture © Vol.1 ISBN 9789769629400 Feb. 28 2019Pages 413

Mise en scene Vol.1, ISBN9768079274 2000 Pages 17

Sticking To His Cultural Task © Vol.1 ISBN 978-976-96342-9-9 ,7/11/2019,Pages25

Monuments Vol.1, ISBN9768080221 2000Pages 16

Myths And Culture © 2020 Vol.1 ISBN 978-976-96512-3-4, 8/24/2020,Pages393

Technique Demonstration Vol.1, ISBN9768079-96-7 2002 Pages 42

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2020 Edition A Living Legend ISBN 978-1-63732-273-4© 2020 Volume 1

The Classics Of Culture © 2020 Vol. 1. ISBN 978-976-96512-9-6 9/22/2020,Pages895

The Connectivity of Culture: the construct of being relative.

First Edition © 2019.Vol.1 ISBN 978-976-96356-4-7,9/3/2019,Pages 227

The Conversation Vol.1 ISBN9789769573154 Feb. 16 2019

The Cultural Footprints We Leave Behind Vol.1 ISBN 9789769634350 June 4 2019

The Defining Moments In Culture © 2019Vol.1 ISBN 978-976-96336-3-6,7/1/2019,Video/DVD

The Economic History of Culture Vol.1 ISBN 9789769633629. April 2019

The Foreword of Culture © 2020 Vol.1 ISBN978-976-96313-6-6, 4/17/ 2019,Pages293

The Green Monkey & Sparrows © Vol.1 ISBN 978-976-96342-4-4 ,6/13/ 2019,Video/DVD/Audio File

The Humanity of Culture ©2019Vol1 ISBN9789769629493 Mar. 12 2019Pages 306

The Implications of Culture Vol.1 ISBN9789769633797

The Ingredients of Culture A Cultural © 2019 Vol1 1 ISBN978-976-96337-0-4, 4/ 19 /2019,Pages213

The Languages of Culture © 2020 Vol. 1 ISBN 978-976-96512-1-0 8/17/2020,Pages248

The Launch © 2018Vol.1 ISBN9789769628694 Nov. 2018,Video/DVD

The Law Versus Culture Vol.1 ISBN9789769633612 April 30, 2019

The Linkages of Culture Volume

The Matrix A Global Cultural Discourse © 2020 Vol.1,ISBN 978-976-96313-3-5, 4/6/2019,Pages325

The Optics © 2018 Vol.1 ISBN978-976-957316-3-7, 6/12/ 2018, Video/DVD/Audio File

The Relics of Culture © 2019 Vol.1 ISBN978-976-96313-73, 4/21/ 2019,Pages 345

The Scene Turtles Occupy Vol. ISBN 19789769629462 2019

The Soul of Culture ©2019Vol1 ISBN9789769629486 Feb. 25, 2019Pages 262

The Sound of Culture Is A Cultural Discourse © 2019Vol.1 ISBN 978-976-96342-7-5,7/24/2019,Pages462

The Space They Occupy © 2018Vol1ISBN978-976-96286-4-9 2018 DVD VIDEO/DVD Feb.19 2019

The Value of Culture ©2019Vol1 ISBN 9789769629479 2019 Feb.2019Pages 313

These Fields and Hills We Are On ©2019Vol.1 ISBN 978-976-96390-1-0 Podcast10/22/2019

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2020 Edition A Living Legend ISBN 978-1-63732-273-4© 2020 Volume 1

To Classic Or Not To Classic Vol.1 9789769629455 2018 DVD VIDEO/DVD Documentary Feb.2019

Why Artifacts Of Culture? Vol.1 ISBN 9789769633643 May 9 2019

What A Phenomenon © 2020 Vol. 1 ISBN 978-976-96531-7-7,11/10/2020Pages 54

Why Culture Vol.1ISBN9789769633780

What Cultural Practitioners Believe Vol.1 9789769631359 April 15 2019

What Is The Colour of Culture © 2019Vol.1 ISBN 978-976-96313-2-8, 4/2/2019,Pages310

What It Means To Be Cultured © 2020 Vol.1 ISBN 978-976-96313-9-7,4/25/ 2019,Pages348

What Practitioner’s Believe© 2019 Vol.1 ISBN978-976-96313-5-9,4/14/2019,Pages398

What’s That In Your Hand © 2018 Vol.1 978-976-96220-5-0, 11/ 1/2018,Pages 193

When The Sun Meets Culture © 2020Vol.1,8/22/2020, ISBN 978-976-96512-2-7,Pages336

Whether Culture & Science Are Inextricably Linked© 2020 Vol.1ISBN 978-976-96512-0-3,8/12/2020, Pages519

Who Framed Culture ? © 2020 Vol.1 ISBN 978-976-96512-5-8 9/10/2020 Pages1192

Who/What Holds Your Culture © 2019 Vol1 978-976-96313-0-4, 3/22/ 2019,Pages315

Who’s Culture Is It Anyway © 2020 Vol.1978-976-96220-6-7, 10/15/ 2018,Pages243

Why Document Culture Vol1 ISBN9789769634312 June1 2019

Why Little England? ©2019 Vol.1 978-976-96286-0-1, 1/ 30/ 2019,Pages490

William’s Podcast © 2019 Episodes 1SBN9789769635630 20/8/2019 Audio Files

© 2020 PODCAST © 2020 Vol.1 July 19, 2020ISBN 9789769650657

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2020 Edition A Living Legend ISBN 978-1-63732-273-4© 2020 Volume 1

NJCU Editor In Chief

19921994 Duties included setting up meetings to discuss tender proposals.

With prospective tenders of publishing firms and photography firms for selection.

broadcast, and shell umbra cup football Jazz festival, Aerial photography . Captured The British Airways Concorde Final Flight To Barbados 24 October 2003 and Evander Holyfield in 1990s

19781979 Supervisors at Barbados Knitting and Spinning

19722015 Member of the Barbados Regiment and the Barbados Boys Scouts Association

Managed a staff of ten students;

managed a budget of $35,000.00 to $50,000.00 in U.S. currency pages, laying out pages press ready.

HONOURS AND AWARDS

Taking photographs of students and activities on campus

➢ Inducted in the Hall of Professionals of St.Giles Primary

1992 1994 Member of the Judicial Committee New Jersey City University Duties included listening to student's complaints that contravened the institutions 'regulations.

➢ Recipient of the 12th International Prestigious Scout Award Arco Italy

1990 ~ 1991 Seconded to the Faculty of Education, University of the West Indies Cave Hill Campus. Duties included preparing workshops for CARNEID and UNESCO.

Teaching graphic arts, Video/DVD and still photography to teachers in the Dip Ed Programme and Masters programme Graphic Artist

1990 1991 Technical Assistant Ministry of Education, Youth Affairs and Sports Audio Visual Aids Department.

Duties processing black and white, colour film and Transparencies slide, graphic arts and illustrations.

19831988 1 Official Composite Artists of The Royal Barbados Police Force Duties included sketching composites of suspects, stolen items jewelry from written information,

1989 –2005 Freelance Photojournalist –Caribbean Broadcasting Corporation Duties field assignments, live

➢ Presented to Her Majesty Queen Elizabeth II of England for outstanding contributions in the field of art.

➢ Presented to His Excellency Governor General Sir Hugh Springer for outstanding contributions in the field of art and Scouting in Barbados.

➢ Received Special accreditation from Hackney England International Art Exhibition.

Designer of postage stamps commemorating 60 years of scouting in Barbados

35

Works Cited

"Baroda v West Indians". West Indies in India and Pakistan 1958/59. CricketArchive. Retrieved 19 July 2011

https://en.wikipedia.org/wiki/Sculpture

"First Test Match: India v West Indies". Wisden Cricketers' Almanack – online archive. John Wisden & Co. 1960. Retrieved 19 July 2011.India v West Indies". West Indies in India and Pakistan 1958/59 (1st Test).

CricketArchive. Retrieved 19 July 2011.

https://en.wikipedia.org/wiki/Wes_Hall

"Second Test: Australia v West Indies". Wisden Cricketers' Almanack – online archive. John Wisden & Co. 1962. Retrieved 21 July 2011.

https://rhythmlivin.com/

.https://en.wikipedia.org/wiki/Wes_Hall

.https://www.getty.edu/education/teachers/classroom_resources/curricula/sculpture/background1.html

"Wes Hall knighted". Stabroek News. Retrieved 16 June 2012

Archeological Institute of America: Carved in Living Color". Archaeology.org. 23 June 2008. Retrieved 30 December 2012.

Archeological Institute of America: Carved in Living Color". Archaeology.org. 23 June 2008. Retrieved 30 December 2012.

Collins online dictionary: Colossal "2. (in figure sculpture) approximately twice life-size."; entry in the Getty Art & Architecture Thesaurus® Online

Cozier (2010), pp. 74–77.

Cozier, Tony (2008). "Never a cricketer of the year". Wisden Cricketers' Almanack – online archive. John Wisden & Co. Retrieved 16 July 2011

Cozier, Tony (2008). "Never a cricketer of the year". Wisden Cricketers' Almanack – online archive. John Wisden & Co. Retrieved 16 July 2011

Croft, Colin (28 June 2001). "From legend to leader". BBC Sport. British Broadcasting Corporation.

Retrieved 17 July 2011. “Few can forget the acrimonious West Indies cricket tour to England in 1995.

CTO award for Wes Hall". The Nation. 6 October 2007. Retrieved 27 July 2011.

https://rhythmlivin.com/

https://rhythmlivin.com/

https://rhythmlivin.com/

https://www.ancientworldmagazine.com/articles/statues-not-mere-symbols/

https://www.britannica.com/art/sculpture/Materials

https://www.cbc.ca/news/technology/ivory-carving-may-be-oldest-sculpture-of-human-form-1.791716

https://www.city-journal.org/html/statues-and-civic-memory-11980.html

https://www.crictracker.com/17-facts-wes-hall/

https://www.journalpatriot.com/opinion/symbolism-of-statues-matters/article_f30ca8e0-919c-11e7-9176c76e3e97c857.html

https://www.journalpatriot.com/opinion/symbolism-of-statues-matters/article_f30ca8e0-919c-11e7-9176c76e3e97c857.html

https://www.thecricketer.com/Topics/opinion/ the_googly_test_crickets_beauty_is_in_its_natural_rhythm.html

https://www.thestkittsnevisobserver.com/bronze-statue-of-sir-wes-hall-unveiled-at-kensington-oval/

Kensington stands renamed". 9 November 2006. Caribbean Broadcasting Corporation. Archived from the original on 3 February 2007. Retrieved 27 July 2011.

Deyal, Tony (16 July 2011). "Live, learn and laugh". Trinidad & Tobago Express. Retrieved 26 July 2011.

Michael Haralarmbos and Robin Heald and Robin Heald Sociology Themes and Perspectives Great Britain : University Tutorial Press Limited 1980p.177

First Test Match: India v West Indies". Wisden Cricketers' Almanack – online archive. John Wisden & Co. 1960. Retrieved 19 July 2011.

Nicholas, Derrick (5 May 2002). "Richie Richardson has decided to enter party politics". ESPNcricinfo.

Retrieved 26 July 2011

Frith, p. 140.

No. 60175". The London Gazette (Supplement). 16 June 2012. p. 39.

Gibbs, p. 12.

Pantin, Gerard (1 September 2010). "Reflections: The birth of Servol". Trinidad Express. Retrieved 29 July 2011.

Gibbs, pp. 10–11.

Gill, Haydn (12 November 2010). "HOT SPOT Rev. Hall worthy of knighthood". The Nation. Retrieved 26 July 2011.

Goodwin, p. 120.

Goodwin, pp. 116—117

Symes, Pat (29 April 2008). "Memories o fHistory of the Ministry of Tourism". Ministry of Tourism (Barbados).

Retrieved 17 July 2011. Maco". Cricinfo Magazine. ESPNcricinfo. Retrieved 26 July 2011.

Wes Hall inducted into ICC Hall of Fame". ESPNCricinfo. ESPN. 11 June 2015. Retrieved 12 June 2015.

Goodwin, pp. 118–119.

West Indies in Australia, 1960–61". Wisden Cricketers' Almanack – online archive. John Wisden & Co. 1962.

Retrieved 21 July 2011.

Hall, p. 81.

West Indies in India and Pakistan, 1958–59

http://www.skulpturhalle.ch/history/

Who holds the record for most runs in Tests without being dismissed?". ESPN Cricinfo. Retrieved 15 September 2020.

http://www.visual-arts-cork.com/sculpture.htm

https://en.wikipedia.org/wiki/Cricket

Gittens,William Anderson,Author, Cinematographer,Dip., Com., Arts. B.A. Media Arts Specialists’ Editor in Chief Devgro Media Arts Services Publishing ®2015 License Cultural Practitioner, Publisher, CEO Devgro Media Arts Services Publishing ®2015

https://en.wikipedia.org/wiki/Main_Page

www.crictracker.com › 17-facts-wes-hall

Published -Devgro Media Arts Services Publishing My cognitive lens was stimulated because of visual motion perception in the abstract as I analysed The Statue of The Reverend Sir Wesley Winfield Hall,Kt.,GCM,HMB,LLD(Hons),JP A Living Legend©2020through my lens As an Author, Cinematographer,Media Arts Specialists’ License Cultural Practitioner, Publisher, I

believe

William Anderson Gittens

Author,

that Rhythm brings together a unique group of global citizens with a shared dream of creating a livelihood Cinematographer,Media Arts Specialists’

doing what they love.

License Cultural Practitioner, Publisher,

https://rhythmlivin.com/