Whitman Pioneer Fall 2012 Issue 8 Feature

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FEATURE

Oct

25 2012

PAGE

5

Artifacts fly under campus radar Whitman hosts a wealth of exhibits and collections, but they often don’t get the recognition they deserve.

Olin 110 houses the Asian Studies Art Gallery, one of many campus exhibits. Photo by Felt

Archives open worlds

from ARCHIVES, page 1

While most of the pieces are period pieces or recreations, the room does contain Napoleon’s surgeon’s writing desk from when he was in exile. “There’s a really cool cane that she showed us and it just looks like a walking cane, but if you look at it from the side, it’s Napoleon’s profile. When he was in exile but still had supporters, you could walk down the street and see who the fellow supporters were because only you guys were in on the joke, or in on the secret,” said Horwege. These pieces were donated by a Whitman alumna and her husband who acquired them while working in France. Surprisingly, there is not a lot of information on student life in the archives because students generally forget to submit things. However, the archive is

trying to turn that around and get more student and club involvement. Horwege says Salrin enjoys talking to people about how to get involved with the archives and what students can submit. “We’re only here for four years and it’s really easy to think that that’s your experience with it,” said Horwege. “It was really cool to see men and women have been involved in the same things for about a hundred years just at Whitman.” Whether stopping by the archives in order to get a peek inside the Napoleon room or browsing one of their collections, Horwege urges people to get involved. “I didn’t know [the archive] was a resource, so I’d say for student groups and just individuals on campus to contribute so that in another 100 years, there’s evidence of what we’ve contributed [to campus],” said Horwege.

by Hannah Bartman Staff Reporter

M

any of the exhibits on campus fly under the radar of many students, ranking as features of the college that people have heard of but not actually taken the time to see. Between the Penrose Library archives, the Maxey Museum holdings and many others, Whitman has much to offer in exhibits. That they go unnoticed is surprising—especially when there’s an entire room in the basement of the library devoted to Napoleon. The Stuart Napoleon Room was opened in 1974 and is home to roughly 35 artifacts related to the life of Napoleon Bonaparte. All of the artifacts as well as the funding for the room were donated by Elbridge H. Stuart, husband of alumna Evelyn Clark Stuart ‘28. The room is decorated by elaborate curtains, chairs and furniture that are from Napoleon’s era. Only three objects within the room are replicas of the time period; the rest are from the 19th century. The centerpiece of the room is Napoleon’s surgeon’s desk. “When you look at the room you’re not just looking at the text that people wrote about the past or wrote during the past; you’re also looking at what people were wearing and what the furniture was like and what the decorations were like. It says a lot about the kinds of things they were privileging or emphasizing during the time,” said Melissa Salrin, archivist and special collections librarian. While the Stuart Room seems inaccessible, it is still available for any student or community member who wants to explore Napoleon artifacts. The archivists are more than willing to open up the room to visitors. The only reason that the room is not permanently open is because artifacts must be kept at a certain temperature and humidity to be preserved, and constant supervision of the room is not a feasible option with the limited archivist staff. The Stuart Room is not the only impressive display the library archives have to offer. A library committee in connection with the archives has been formed this year to create two glass showcases that are placed at the entrance of the library. The two exhibits showcased now are “The Ages of LitADVERTISEMENT

erary Magazines at Whitman College” by senior Bo Erickson, which shows the transformation of the Whitman magazine blue moon over the years, and “This is Sunday the Day of Rest, but No Rest for Us: The Henry Canfield Civil War Letters” by senior Kate Kunkel-Patterson, which contains letters from the Civil War era that were available in the archives. The exhibits are new experiments this year to showcase the varied talents and interests of Whitman students. “We have not concretely defined what [the exhibits] are because we want them to be open,” said Salrin. “We are definitely open to students contacting us with ideas about things they potentially want to show off, because we want to showcase the kinds of amazing work that students are doing.” Also featured in the library as well as in Maxey Hall is the Maxey Museum, which is really an assortment of ten exhibits. Beginning its collection in 1899, the Maxey Museum archives are home to approximately 3,500 artifacts that have been donated by residents of the community. “It’s a hugely diverse collection; we have an unusual assortment of artifacts,” said alumna Brynne Haug ‘12, collections manager of the Maxey Museum. “It takes a lot of research experience and practice to figure out what artifacts are.” Currently on display in the Maxey Museum is an assortment of hats from different cultures and time periods. In another exhibit in Maxey there is a description of different rocks and their or-

igins within Palestine and Egypt. “Part of [the exhibit] is education; to arrange artifacts in a way that makes people think about ideas or history in a way that they have not thought about before,” said Haug. “It’s interesting to put those artifacts there and think about what was necessary and why.” Students who usually have an affinity for history or anthropology join the museum each year to sort through the hodgepodge of items collected over the years and form a cohesive theme for an exhibit. Haug has worked in the Maxey Museum for four years. She was appointed this year as the museum’s first collections manager. Along with creating written instructions for upkeep of artifacts, Haug has new plans for the museum. “When the museum was founded they had a goal and a plan for it and we’re just sort of coming back to that,” said Haug. “My job is to professionalize the way the museum is run and to get the word out into the community that it exists, which is hard because it’s so spread out, but certainly possible because the museum has a lot to offer Whitman.” Whitman has a wealth of resources, from written records to historical artifacts. These resources are always available to be viewed and accessed, but it’s a matter of personal imperative to get out there and check them out. “People need to see that we have a lot of amazing special collections at Whitman,” said Salrin. “These are the raw materials for intellectual pursuits and creativity.”

The knives above were part of the Maxey Museum’s ‘Weapons of the World’ exhibit, which illuminated the nature of weapons and violence around the globe. Photo by Felt


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