Ugd mag 7 print (full bleed) magzter preview by WilliamDAlford

Urban Grandstand t h e

d i g i t a l

m a g a z i n e

Calvin Richardson

The Soul Singer talks #IAmCalvin plus new recording home Jordan House Music

tahj mowry

ugdigital.com

volume 1 issue 7

CONNECTING THE WORLD

OF THEATRE THROUGH

CLASSICS IN

COLOR

nafeesa monroe & MORE

+ Plus, new releases from Ciara, Snoop Dogg, Jamie Foxx, Mariah Carey,

+Spring Clean your Fitness Routine with Nu Life Fitness

“Music’s New Powerhouse” exclusive coverage

STRENGTH OF LOVE WITH CHANDRA CURRELLEY + INTERVIEW WITH TRACI BRAXTON

what's inside new album reviews spring clean your fitness traci braxton

nafeesa monroe spring clean your fitness many more inside

Editor’s Notes Greetings to you readers! We are at a pivotal moment in our business. We have reached the one year mark of publishing Urban Grandstand Digital! It was this time last year that we released our first issue! Despite what you may hear or envision, publishing a magazine and SURVIVING can be a beast! It’s a known fact that most magazines fail in the first few years. We have definitely done a lot of maneuvering with our daily practices to maintain in the publishing world. While it hasn’t necessarily been the easiest task, I must say choosing to build this brand was one of the best decisions I’ve ever made. By far, it’s an exhilarating feeling to be following my passion. Having attended college for Journalism, I had easily fallen into the cycle that many do: working a job simply to pay the bills. I worked in a field that did just that. The money was decent, and the bills were paid, yet, I was unhappy. I’ve learned over the years that nothing is more important that my happiness. To now be successful at something that has long been a dream of mine has done so much for my spirit. In terms of career, I’m happier than I’ve been in a long time. Urban Grandstand Digital has done so much for me in this short time, and it’s proof that dreams do come true. As I’m sure you’ve noticed with many of our stories and features, we aim to push following your dreams. We give a little more focus to artists and the fact that they are living their dreams, whether that be solely entertainment, or being a nurse like Jules Nobles, who we had the pleasure of interviewing for our March/April issue. I’ll say over and over that if you do what you love, you’ll love what you do!!t

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ugdigital.com

“Just like we

“Spring Clean” our homes, I think it’s just as important to spring clean our fitness regimen especially after the winter as we head into th sunshine season.”

(NOT MIESHA BTW)

Miesha Wilson • Nu Life Fitness

SPRING CLEAN YOUR FITNESS ROUTINE Several times throughout the year, it’s good practice to re-evaluate your fitness goals, fine tune your eating habits and make some necessary changes to keep yourself motivated along this lifelong journey of fitness.

Spring Training Fitness Tip: Spring Training Fitness Tip: Spring Training Fitness Tip: Buy New Running Shoes

clean out your pantry

set a schedule but be realistic

If you’ve been hitting the gym (and the treadmill) all winter, chances are, you’re due for a new pair. Most running shoes last somewhere between 300 and 400 miles—but if you use them to walk around or do other parts of your gym routine, that wear and tear counts, too. Go to a running specialty store to get fitted, and have them look at your gait/pronation to find the best shoe for you.

Spring Training Fitness Tip: team up You’re more likely to stick with your plan if you’ve got a partner in crime. Choose someone who has similar goals who’s schedule fits with your own. Your best bet: Get together at the same time four days a week, whether it’s before work or just before dinner. Join your local Group Fitness Facility, YMCA, or Recreation Center where it’s possible to meet like-minded individuals with similar goals. (source: shapemagazine.com)

tuesdays at 9p/8c

the review

the avengers assembled... was it worth the wait? by Wayne Woodard

The disappointment isn’t so much in the

enough to leave too negative of an impression.

weekend box office at 191.3 million,

execution of this tried in true formula. There

The bottom line is the film delivered on enter-

Avengers shows just how strong Marvel’s

is clearly a need to up the ante in the stakes

taining me. It would have made a much better

brand is. Some suggest it’s something

these heroes face. Rumors surrounding the

rental than paying for a movie ticket, however.

of a disappointment when factoring it

third Captain America film has Tony Stark

Yes, like some reviews are saying it’s more of

couldn’t surpass its predecessor. Consid-

and Steve Rogers at odds, hence why it’s called

the same. The addition of new characters left

ering the sporting events this past week-

‘Civil War’. Age of Ultron toys with tensions

a little to be desired. The side stories this time

end, namely the much publicized bout

amongst these guys but it fizzles fast. Hulk

around were more flaccid then in its original

pening with the second highest

film. The comedic tone was a bit too over-

between Mayweather and Pacquiao, it’s no wonder there was a steep decline in its box office revenue Saturday. Sporting events aside, critics haven’t trashed the sequel, but they certainly aren’t gushing over it like the original. I wanted to check the film out myself before letting the critics skew my opinion. The first Avengers surprised the hell out of me. They were able to weave the heroes into a competent storyline. They successfully expanded the Marvel universe, prepping us for what’s in store and offering insane action sequences. It’s odd, because the sequel suffers a bit based on

“Everyone disappears into character very well and Ultron itself is convincingly deviant as a foe. ”

that formula.

and Black Widow share a budding romance,

Let’s get one thing straight. Avengers

forcing the green guy to make a tough choice.

Age of Ultron does not disappoint as a

Hawkeye has an elaborate backstory estab-

piece of pure entertainment. The insane

lished just to throw us off in a later crucial

action is there along with set up for even

scene.

more epic struggles to come. However,

Everyone disappears into character very well

from the original Avengers, Thor, Iron

and Ultron itself is convincingly deviant as a

Man 3, and Winter Soldier, the experi-

foe. The addition of the various subplots just

ence was somewhat muted. The pacing

didn’t have the same payoff as in previous

felt overly deliberate with certain parts

Marvel films. Personally I’m still trying to fig-

feeling contrived. It wasn’t as tightly

ure out the point of Rogers flashback. The fo-

strewn together as the original, instead

cus on planting obvious seeds for future films

hinting at more interesting character de-

takes the focus from what’s actually going on.

velopment and encounters in future film

Despite this, the only throwaway characters

outings.

forced on you were Scarlett Witch and Quicksilver. Thankfully they weren’t in the film long

played. But all in all, the Avengers themselves shined. Marvel’s shown why these characters deserve to continue on, no matter how long it takes to get to a final showdown with Thanos. With the second largest opening ever, they proved they have plenty of well deserved interest. With multiple properties stretching from Netflix, television, and film, they’ll get another crack at making the near perfect showcase the original Avengers proved to be. You don’t have to see this film right away, but it’s a definite must watch for any true fan. UGD

ug exclusive

T a h j m o w ry Actor Tahj Mowry is definitely no stranger to the world of situation comedy. Whether you grew up watching shows like Full House and Smart Guy, or you’re a fan of his new comedic masterpiece Baby Daddy, you’ve definitely been able to get a true sense of who he was from the roles he’s played. He’s also had the opportunity to take on a few film roles in his career, including 2007’s “Are We Done Yet”.

Tahj is taking on a new passion in singing. Having released several covers over the past few years of songs from artists including Nick Jonas, Adele, and John Legend, he’s been able to build a strong following, and his fans are now eagerly awaiting the release of his own music. Today is epic in the fact that his debut single, Flirt, has released to the masses. In this feature, Mowry talks openly, not just about the single, but the album that he plans to follow with. He also talks with us about the recent renewal of his show, Baby Daddy, for a 5th season, and his desire to do more films in the future. It’s definitely a thrill to spotlight all that he has going on. Mowry has the spirit and personalty of someone who truly loves what he’s doing, and he definitely helps us to drive the theory of following your passion and dreams. He’s a living example of what happens when you follow your heart, and you focus on what it is that you love to do. In this lifetime, nothing is worth comprising your happiness. This is definitely a Q&A worth checking out, and one that you’ll surely remember.

TM: I think it’s about

having time to take a break from it. I went to college, high school, and to my prom. I gave myself time to do that, because i realize that it is a job. I wanted to have that sort of “normal lifestyle” towards the end of high school. It gave people time to miss me in a sense, and living you life is so important. Then I came back, and I was ready to take it on as a job. I love to do this, and to be able to have done it for so long is truly a blessing.

UGD: How weird for you was it to step away for a little bit, and then come back to it?

TM: I mean, I always had

a good balance, even when I was younger and working heavily. I would take breaks and go to school, or go to football practice, or track practice. I was always in those real life experiences anyway, so it was just like taking a break. Obviously, for others, it was a little crazy going to school with me.

UGD: How exciting is Urban Grandstand Digital:

First and foremost, I want to extend my gratitude to you for the opportunity in talking today. Even with me bring ten years older, I grew up watching shows like Smart Guy, and now my son watches you on Full House. It’s funny that he watched the episodes and thinks they’re all brand new, even though that was more than twenty years ago (laughing)

Tahj Mowry: Oh wow (laugh-

ing), thank you so much. I appreciate that.

UGD: Now

you’ve truly come a long way since those shows, and your work on Seventeen Again, and Kim Possible. Many times, it’s difficult to make that transition from being a child star to doing more adult roles. You seemingly made a seamless transition in your career. How were you able to do so?

Check Out Tahj’s NEW Single “Flirt” on YouTube

it for Baby Daddy to be coming back at the top of June for a new season?

TM: Oh my god, well

the June 3rd premiere is the summer premier of season 4. It’s the second half of season 4, and then we start shooting season 5 around August or September. It’s a blessing to even get picked up from the pilot stage, so to be on for 4 seasons, and get picked up for a 5th, it’s really amazing.

UGD: I think it’s so awesome to see this happening for you because so many shows never make it this far, let alone even lasting for 1 full season.

TM: Exactly, and it’s a fun

show. I’m friends with the cast and crew on and off set. They are like my second family.

UGD: That’s what makes it even better, is when there’s a genuine chemistry.

TM: Right… UGD: What was it in the

beginning that really attracted you to the role?

TM: It’s a very well-round-

ed show. It has familial aspects to it, and real life situations. It has adult situations as well, and I think it’s cool to see a show where a guy isvvv bucking down and taking care of a baby. Normally, you see the female side, but to see a male perspective is cool. I think guys are liking the show as well. It’s just that whole family aspect of the show that I love. It has potential to last a long time. I can have fun with the character. It’s been fun to run with it and create something new.

UGD: I think it was put

together very well, and you can tell that everyone has a true chemistry.

TM: Exactly, and then we

talk about real life issue, but just in a funny way. I’ve been doing sitcoms my whole life, and being able to come back as an adult is really good for me. It’s like doing a stage play every week.

UGD: I believe there’s

a lot for you to be commended for in the fact that you’ve been in this business your entire life, but you’re extremely grounded. You’re easy to talk to, and you don’t come off as being a snob. Oh thanks man, there’s no need to be that way. I appreciate that.

TM:

UGD: So I definitely want to touch on your music because I know you have an album, but in terms of acting, are there any other roles approaching?

tweeted it out. It’s such a great song and I wanted to do my own version. I haven’t heard from Adele or anything, but that would be awesome.

TM: I’ve been wanting to get more involved in film, so you’ll definitely see me in more features and movies. Baby Daddy takes a lot of time, and I’m so focused on music. My single dropped today. People are listening to it, and it’s crazy to me.

UGD: Right, but you also covered John legend’s “Ordinary People”

UGD: It’s funny the way you say that people are listening to it, almost as if you’re shocked (laughing). You sing really good man.

TM: Yes, I saw him in his car once, and we totally spotted each other (laughing). It was like the coolest moment in my life.

UGD: So stepping backwards a little and talking again about transitioning to new things, it’s also difficult for actors to transition to music sometimes. Sometimes it’s not TM: Thank you so much... necessarily believable. How do you feel things UGD: Well obviously, have gone for you? Do you have your YouTube you feel like your fans are channel, and you’ve done accepting your decision a number of cover songs to do music? over the years, but you really have a true talent. TM: I think they are, and Do you ever hear back it’s one of the reasons I from the artists you’ve wanted to do it myself, covered? or independently. That’s how I wanted it because TM: I thought it was cool the i get artistic freedom that I did a cover of Nick and I can do it the way I Jonas’ “Jealous”, and he want.

UGD: So stepping backwards a little and talking again about transitioning to new things, it’s also difficult for actors to transition to music sometimes. Sometimes it’s not necessarily believable. How do you feel things have gone for you? Do you feel like your fans are accepting your decision to do music? TM: I think they are, and it’s one of the reasons I wanted to do it myself, or independently. That’s how I wanted it because the i get artistic freedom and I can do it the way I want. UGD: I’ve always said independent is the best way to go. TM: It is. Music is an artform for me, and a way for me to artistically get my feelings and emotions across through a song. I think it’s important to have artistic freedom in music, and you should be able to wear what you want, say what you want, and do whatever genre you want. I released some free songs first just for people to listen and get a feel for my sound. I’m going out and letting people know that this is one of my passions. It’s not just for a check... UGD: Now you’re connected with XL Beats, and he’s one of the best, given his track record. How did you two connect? TM: It started out with work first. He was the only one who “got” my music, and wasn’t afraid to be different. Now, he’s like a brother to me and one of my best friends. He’s like the other half of my music, and knows what I want. We know how to communicate in the studio. We work well together. UGD: Are you working with other artists on your album? TM: I definitely am. I can’t give too much away at this point, but I have a good idea of everyone I want to work with as well. UGD: What else is there to look out for with this album?

TM: I’m going to release an EP to follow this first single, and then the album will come out sometime afterwards. I’ll probably do a second single, another video, and so forth, but I’m taking my time to be sure it is spread out right. Overall, people will respect the fact that I’m doing something different. It’s the way that I choose to express myself artistically through my music, in hopes that they listen and feel some kind of way and relate to it. I write for people to relate. That’s what music is all about. The first single, “Flirt”, is fun and edgy and easily relatable. It’s all about how the “liquid courage” makes it a little easier for you to flirt. UGD: Obviously there’s not many who can’t relate to that (laughing) TM: Right, so I think people will have fun with it. UGD: The biggest thing I see is you’re following your passion. I can’t stress that enough for people reading this, and just in general. You have to do what makes you happy in life. I think it’s all awesome to see these things happening for you.

“It is. Music is an artform for me, and a way for me to artistically get my feelings and emotions across through a song.”

TM: Thank you so much, I appreciate that. UGD: So you’ve conquered acting, and now you’re conquering music. What is left that you feel like you still want to do? TM: Thank you for saying that, but I don’t feel like I’ve conquered anywhere close to what I really want to do. I’m always pushing forward, trying to challenge myself and do something new. At the core, I want to be an entrepreneur and have other aspects of my life that I can show to people and they can use or listen to or watch. I want to keep growing and striving higher and being able to do a movie, or go on tour. I definitely want to perform for the rest of my life. UGD: Are there any final comments at all? TM: Just go get the single man. I’m really excited for people to see the video and see me dancing in a way that they have not seen before. I’m a fan of real music and instruments, and of new and creative things. That’s what my music is, and I can’t wait for people to hear it. Don’t be afraid to tweet me and tell me what you think. I want to hear what people think. *

urban grand stand digital

Just RL A UG EXCLUSIVE One of the best parts of working in journalism is being able to talk to people who have inspired you in one way or another, or you simply enjoy what it is they have to offer. So is the case for the amazing opportunity we had to catch up with R.L., the voice of NEXT. As the lead of the R&B group, he was able to build a fanbase that has undoubtedly stuck by his side through the years. More importantly, as we talk about in a number of our features, he’s definitely doing what it is that he loves to do. That

This interview got a little more real than what I expected, and it was definitely refreshing. What I got from R.L. is that first and foremost, he has no problem opening up about the struggles he’s faced in this business. I got that he’s a lot stronger than most, in the fact that his struggles would make the average artist rethink their career. Above all else, you hear the passion in his voice as he talks, and you know that this is what he was meant to do. R.L. talks with us about his time in the industry and the things that have transpired, and how he’s now taking it all and rebuilding his solo career. I’m excited that this is hands down one of the best interviews I’ve had in while. I appreciate & respect the fact that he was willing to give us the real, all while being respectful to all parties. It’s definitely there reason why we opted to podcast this interview and offer you the full audio version. Click below to check out the full audio of our exclusive with R.L.!

alone has been inspiring not only to me, but to many others who have a dream of working in entertainment. Despite there many things he’s dealt with in this industry, ups, downs, and all that results, he’s still managed to keep at it.

Want to take our magazine with you everywhere you go? download the urban grandstand digital app! or go to www.magzter.com

a p p l e

a n d r o i d

w i n d o w s

d e s k t o p

The album starts of with the somewhat-shocking, yet pleasing ‘Jackie (B.M.F.) (Still wrapping my mind around Ciara saying she’s a back motherfucker). All jokes aside, it’s really a solid track, and the beat (provided by Harmony Samuels) pulls you in from the start, as the production does throughout the entire LP. She goes on, saying “can’t even hate cause you know this shit hot, yea I’m that bitch, like it or not, better get ready cause I’m not gone’ stop”… There’s a whole new level of confidence that I believe people will really like seeing and hearing.

Missy Elliott and Pitbull appear on “That’s How I’m Feelin’”. There’s been a bit of back and forth about whether this would be the follow-up single to “I Bet”, but it’s looking as though it Ciara is back with her new LP, titled “Jackie”. Named after

may be “Dance Like We’re Making Love”, which is produced

her mother, the album symbolizes the idea that now as a

by Dr. Luke, who has also produced for many of the biggest

mother herself, Ciara is able to see things through the ideas

acts in the industry. Honestly, I feel like that’s probably a good

of her mother.

move. “Dance Like We’re Making Love” just has this smooth groove about it that you can’t help but dance to.

As a fan of Ciara and her music, I have to say that I’m pretty impressed with Jackie, as I believe most will be. Obviously,

Ciara asserts her independence and strength on the Polow da

Ciara has been around for more than a decade now, having

Don - produced ‘Fly”. “I Got You” is a touching tune that is

released her debut “Goodies” in 2004. She has grown pro-

clearly inspired by motherhood.

gressively throughout the years, and this time around, she’s got an album that showcases that growth.

Overall, fans will be pleased with “Jackie”. Ciara has always appeared confident in her step, yet, there’s a newfound level

Producers throughout Jackie include Rehab, Polow da Don,

of confidence, freedom, and independence that exudes

Dr. Luke, and Harmony Samuels, who has provided the mu-

throughout this LP.

sical backdrop for such artists as Fantasia, Ariana Grande, Keyshia Cole, and Jennifer Hudson just to name a few.

what’s hot

new releases

Snoop Dogg Bush Doggystyle / Columbia Never one to shy away from trying something new, Snoop Dogg has released his latest effort, titled “Bush”. Produced in entirety by Pharrell Williams, the album boasts collaborations with Stevie Wonder, Charlie Wilson, T.I., Gwen Stefani, Kendrick Lamar and Rick Ross. The album has definitely received mixed reviews, but we think’s it’s surely worth a listen. You almost have an idea of what you’re getting, knowing that Pharrell is behind the controls in terms of musical landscape. Obviously, that has much to do with the success he and Snoop have already experienced with multiple releases over the past 12 years. The album is definitely a departure from the “expectation” of Snoop Dogg, but in essence, you want something that’s different and not the norm. Snoop is giving us hip-hop funk at it’s best.

mariah carey 1 to infinity epic/columbia/legacy Never one to shy away from trying something new, Snoop Dogg has released his latest effort, titled “Bush”. Produced in entirety by Pharrell Williams, the album boasts collaborations with Stevie Wonder, Charlie Wilson, T.I., Gwen Stefani, Kendrick Lamar and Rick Ross. The album has definitely received mixed reviews, but we think’s it’s surely worth a listen. You almost have an idea of what you’re getting, knowing that Pharrell is behind the controls in terms of musical landscape. Obviously, that has much to do with the success he and Snoop have already experienced with multiple releases over the past 12 years. The album is definitely a departure from the “expectation” of Snoop Dogg, but in essence, you want something that’s different and not the norm. Snoop is giving us hip-hop funk at it’s best.

chip believe & Achieve cash motto Never one to shy away from trying something new, Snoop Dogg has released his latest effort, titled “Bush”. Produced in entirety by Pharrell Williams, the album boasts collaborations with Stevie Wonder, Charlie Wilson, T.I., Gwen Stefani, Kendrick Lamar and Rick Ross. The album has definitely received mixed reviews, but we think’s it’s surely worth a listen. You almost have an idea of what you’re getting, knowing that Pharrell is behind the controls in terms of musical landscape. Obviously, that has much to do with the success he and Snoop have already experienced with multiple releases over the past 12 years. The album is definitely a departure from the “expectation” of Snoop Dogg, but in essence, you want something that’s different and not the norm. Snoop is giving us hip-hop funk at it’s best.

jamie foxx hollywood: a story of a dozen roses rca Never one to shy away from trying something new, Snoop Dogg has released his latest effort, titled “Bush”. Produced in entirety by Pharrell Williams, the album boasts collaborations with Stevie Wonder, Charlie Wilson, T.I., Gwen Stefani, Kendrick Lamar and Rick Ross. The album has definitely received mixed reviews, but we think’s it’s surely worth a listen. You almost have an idea of what you’re getting, knowing that Pharrell is behind the controls in terms of musical landscape. Obviously, that has much to do with the success he and Snoop have already experienced with multiple releases over the past 12 years. The album is definitely a departure from the “expectation” of Snoop Dogg, but in essence, you want something that’s different and not the norm. Snoop is giving us hip-hop funk at it’s best.

You donâ&#x20AC;&#x2122;t want to miss it

Nafeesa Monroe I’m quite excited at the opportunity of connecting with many of our subjects for each issue, but there’s something about Nafeesa Monroe that took that excitement to the next level. Going in, I had an idea of the what we would be talking about, and what questions I wanted to ask, but that changed once we really began to talk. Make no mistake; she’s done some pretty amazing things in Hollywood, but it’s what she’s doing right now in the world of theatre that brought us to running this as a cover story. Let’s talk a little about Nafeesa! Without giving too much away, I can say that she’s been a part of some of the biggest sitcoms on television, and this came about because of her strength, perseverance, and tenacity for making it on acting. She was also in the right place at the right time, which was also calculated. We often promote the idea of working hard, networking, and doing what you can to follow your dreams, and Nafeesa did just that. She met the right person, and through networking, and obviously working hard, it landed her amongst those she longed to work with. You’ll see how this worked out for her as you read our feature. This is all just the tip of the iceberg. In our conversation, I was introduced to the concept of Classics in Color, which I found to be stupendously exciting. As a newly founded theatre company, it has become an opportunity for Nafeesa to do some amazing things within the worlds of Theatre, art, and culture. It’s an opportunity to create more diversity, and to open the doors for all parties involved. As someone who enjoys theatre, plays, and such, it’s definitely something that’s much needed. In our feature, we talk about everything from the support along the way, to her survival job, and how that has impacted Classics in Color. You’re definitely in for a treat with this feature….

the feature

classics in color

Urban Grandstand Digital: I am so grateful for the opportunity to speak with you. I love everything that you’re doing . Looking at your history and all that you’ve done, you’ve been around for some time and done some cool things. You’ve been a part of so many shows that I’ve followed in the years; Sunset Park, Martin, etc. Nafeesa Monroe: Yes, I was there in the black show heyday, if you will. It’s coming back though through cable television. UGD: I almost feel like things are better through cable now. NM: Yes, they have more freedom. With Martin, I worked behind the scenes. I was on the show, but my first job with Martin was as a stand-in. Basically, Tisha and Tichina would do their roles, or rehearsal for a particular scene. The directors would direct them, and get their choreography as it was, then as they went back and completed make-up or hair, myself and another stand-in; Dennis Singletary, who was Martin’s standin, we would do the scenes a few times for the camera guy so he could get everything straight. One of the things that would happen is there would be a network run-through. The people at the network come down, watch the run-through, and discuss what was to be used, and not used. They have a certain level of power over the final product. With cable, there’s still a level of approval, but the shows, writers, and creators have a certain level of freedom because they’re not held so heavily to the advertisers. UGD: So you started as a stand-in, and then what? NM: It’s always about timing, and who you know. I got a job working at Universal Studios in the Park. I worked in one of the stores. In those days, you could eat lunch on the lot if you worked there. I got this job, and thought that worst case scenario, i would eat lunch there everyday and maybe I would meet someone who does something. I moved there to become an actor. UGD: Funny, but you think just like I do. I would probably have done the same thing. NM: So one day, I’m eating lunch in my silly uniform. We had these little bowties and striped shirts. It was painfully silly (laughing). Anyway, I meet Bentley Kyle Evans, and if you look him up… UGD: Oh, I know exactly who he is…

NM: Yes, so I met him, and he was just a writer at that time. He wasn’t a Co-Producer or Executive, but he was just writing at that time. I kept in touch with him on and off. One day, what happened was Tisha had gotten in an accident. It wasn’t a bad one, but they knew they needed someone to walk the part, and act in case they needed someone to work with Martin directly. So I had auditioned for this particular casting director for different projects, and she brought me in for this. I walked into the writer’s room, and there’s Bentley. He’s now the Co-Executive Producer. So I got that job. I say that to say it’s about who you know. So, the day I got the speaking role on Martin, it was last minute. They needed someone, and another executive producer; Samm-Art Williams, they tried to give into an extra, and she was not ready. At that point, the executive said to just put me in there. Then those writers, and even some the PA’s, they went to shows like In The House and The Parkers when that show went down. So if I ever went to audition, in most cases I knew one of the writers because I had worked with many them. They knew what I could do professionally so it was how I got a lot of roles. UGD: It all stresses the idea of networking. NM: Definitely, and also keeping in touch with people. That was another lesson that Bentley used to teach me. He would say “out of sight, out of mind”. If you’re gone for six months and someone else comes along, they may get the job. It’s not about love, but you may have been forgotten. I had an agent and manager, so I went out for other roles and got some things. I totally got cut from Gridiron Gang with The Rock, but I guess I’m still in a shot still. You only know because I’m still in a blur. If I told you I was the blue blur (laughing)...… UGD: But to me, it doesn’t even matter. You’re working hard to really get yourself out there. The fact that you had the opportunity, that’s what it’s about to me. UGD: But to me, it doesn’t even matter. You’re working hard to really get yourself out there. The fact that you had the opportunity, that’s what it’s about to me. NM: Work is work is work. The more you audition, the better you get and the more people will hire you. It’s sad for me to see young actors who complain about not having auditions or their agents not calling. Truth is, it’s harder in LA than New York, but there’s always some sort of class or audition. You have to keep it sharp. UGD: True, but it also goes back to that follow through, and diligence. If your agent isn’t calling you, then call your agent. Don’t just wait for someone to make the choices for you. NM: I have a friend who always said the agent gets 10% of the money because they do 10% of the work. That means the other 90% is your job. UGD: Thats true. So what has made you successful in your eyes? NM: I agree that I have had a certain level of success among those trying to do a certain thing. However, when I look myself, I don’t always see the success. UGD: But that’s all of us. Unfortunately, we never see our success for what it really is, unless we’re just naturally conceited (laughing).

NM: That’s true, but it also keeps me driving forward. There’s one thing for me that’s true. There is nothing else that I am as happy doing. I enjoy teaching, and it’s one of my “survival” jobs. I’m a teaching artist for Round About Theatre Co here in New York. I do private coaching for Shakespeare, and sometimes I teach in high schools. I do enjoy it. There’s a certain level of inspiration coming from young souls finding themselves, or Shakespeare, for the first time. But performing keeps me the most sane. Sometimes I wish it wasn’t the case because I could be very happy teaching. UGD: Somebody must have sent you my questions (laughing). I was going to ask you what has made you the most happy… NM: Oh (laughing). But that’s the only reason I can say i’ve had any success because it’s something I couldn’t give up. It’s that persistence. Sure, I go through times where I say forget it, and I don’t go out, but inevitably, the day I say that, I get a callback. UGD: I love it. I like that you say persistence, too. We push that in our content. Following your passion, doing what makes you happy. Being persistent, and professional! We really push that. NM: Especially for independent artists. We sometimes forget when we have lots of part-time jobs; if my creative job is what I want to be full-time, I have to put full-time hours in everyday. Even if I go to my other jobs for 2, 3, or 5 hours, I still need to put more into networking, acting, and sending out head shots. Researching! Whatever that work is, it has to be consistent. UGD: So you mention you’ve been teaching as your “survival” job. How did that happen? NM: It’s funny! It was by accident. In undergrad, I tutored one girl, but once I moved to L.A., I was a waitress. I hated it [being a waitress]! I was horrible. I knew I had to do something else. I found something on Craigslist looking for tutors, and I ended up getting it. It turned out I was really good at it. I tutor Math, English, French, and the standardized SAT tests. So, through that, I was working with the theatre company. They knew I was good with young people, so they offered an opportunity with the Drama class. It all came together, and because what helped me survive. Where other actors move to different cities and get waitressing or waiter jobs, I move and get teaching jobs. UGD: Has there ever been a thought of doing that full-time? NM: When I’m old-old, yes (laughing). What old-old is, I don’t know, because I want to be like Olympia Dukakis, who turns 84 this year. She’s still making movies and kicking butt. I worked with her 2 years ago in a play. Every once in a while, I sit down and pique her brain. She’s a little bit of a mentor to me. Half the time, I can’t catch her because she’s always working. I want to be 84 with my academy award statue, running all over the country.

UGD: I can’t say enough about how good it is to do something you love to do though. NM: Yes, it is a gift. One of the biggest reasons I can do this is that I have the support of my mom. My father is supportive, but he secretly wishes I was a lawyer (laughing). He has to be though, because he is a painter; an abstract expressionist. But my mom has supported me always. As a child, when I would do plays, most parents came to one or two shows, maybe three. My mom never missed a performance. Between the ages of 10 and 18. That’s 8 years, and not one show missed. I used to do 4-5 shows per year. She’s not a stage mom by any means, but she saw it was the place where I was most happy, and was allowed to be everything I was, in all the crazy bits and pieces of it. UGD: But there’s so many people who want to do it but don’t pursue it because they lack the support. NM: I say to my mom a lot, even though she’s not big on emotion, but I say how grateful I am, because I couldn’t do it without the support. I admire the actors and actresses who are able to do it and find support elsewhere. Truth is, every artist needs support. I just started a theatre company called Classics in Color. We have an indie-gogo campaign and we’re co-producing a play out here in NYC. When I created this, in my imaginary world, I said if I can get a thousand strangers to donate $10, I’ll be done. There hasn’t been one donation; now granted I’m nowhere close to $10,000, but every donation is from someone I know. Someone whose life I have crossed paths with at some point. Old high school friends, and people who I went to school with. It reinforces that saying that it takes a village. I think it takes a village to support the arts. We all need it. If you’re not getting it, my advice is wwto go support other artists, and they will support you right back. They will show up to shows, or at least send you emails and support that way.

classics in color

UGD: And it’s where? NM: It’s at the 4th Street Theatre in NYC. The tickets aren’t on sale yet. People can go to ClassicsInColor.com, or QuickSilverTheater.com UGD: I like that you’re pushing diversity, and then with the fact that I love seeing plays. and I love NYC, I just may be there. That’s all the reason I need to be there.

UGD: So are you working on any projects right now? NM: Yes, but mostly theatre. I always say I’m 24. As a woman who is no longer the next hottest thing, I made a decision to go from L.A. to New York because I know I have a career in theatre. Although I can have a career in film, it has to be more of an independent film career. Disney is not going to pick me up for Nickelodeon. So I have a couple projects coming up, but they are all east coast. I’m doing a stage reading with the Queens company. It’s an all women’s Shakespeare company. I’m also doing a reading series of new works at Portland Stage in Maine. I’m also working on the co-production of this play called Proof through my company, Classics in Color. My company focuses on inclusion. It’s not like the African American Shakespeare company, or the Asian Pacific company which has a couple of chapters, but I basically have a goal of everyone being included, especially with classical work. When we look at Shakespeare, most people feel it’s all white people. Sometimes they do an all-black version, but I envision everyone being there. I want people to go see Julius Caesar with one of the characters being in a wheelchair, or someone being deaf and using sign language. Our world is way too diverse to be singular. It’s like looking at Friends, where it took them 6 years to get a black character. It’s happening in theatre. Sometimes they cast a black King, or a Latino, but there’s a cast of 30 people where 25 people are white, and they’ll say it’s diverse. I just wrote a blog post about that, and I feel like it’s tokenism. Those people are tokens. So our goal is about inclusion. That being said, we are co-producing with a company called Quick Silver Theatre company, and the play is called Proof. it’s by David Auburn. I’m not sure if you’re familiar with it, and most people of color are not because it’s usually done with all white people. It’s about a young girl and her mentally ill father, or they think mentally ill, who also happened to be a math genius. Or the other way around, her math genius father who happened to be mentally ill. She is a caretaker for him. The plot twist is there’s a mathematical proof that one of her students found, and the student does not believe that a woman could have written the proof. The play speaks to questioning women and their abilities in math. Because it’s almost always done with caucasian people, it has never reached an audience of color. So we are doing it with a diverse cast. I play the elder sister, and I’m multi-ethnic. The younger sister is a Latina. The father is black, and one of the students is a Latino man. When you look at this play, through the eyes of women and math, and then you add color to it, it brings in the conversation of what women of color experience when trying to do anything mathematical. t This is going to be in September.

NM: You should. We’re doing it in a small theatre, but it’s a big production. We don’t want to do anything less than stellar. Lots of people start theatre companies, and they do things in certain theatres, and more power to them. I’m always happy for more to be out there. You still want the level of excellence to be high, especially when representing people of color. For me, that’s a huge thing, especially being multi-ethnic. I grew up in an all white neighborhood. I didn’t know how to be “black”, if that makes any sense, unless you got me angry then people would say “oh, there’s the black”. That didn’t make sense to me. UGD: I Know exactly what you mean. It’s just the same as when you speak proper english, people say you think you’re white. Why can’t it just be that you know how to speak proper english.

“The first black female to get a Ph.D was not that long ago, and even afterwards, it’s still only a handful every year. It’s not like all of a sudden, this area has opened up for women, or women of color.”

NM: Yes, so that being said, I want to be sure I’m aware that people see me as a person of color. They may not know if I’m Puerto Rican, Black, or whatever, but even if I don’t choose to represent “the people”, I know other people assume I do. I want to make sure Classics in Color, which by the way has several members who are caucasian because it’s about including everyone and being balanced. It’s about excellence. None of our members are people who are not up to par. I’m over-excited about the project personally. This is the first opportunity I get where I can bring everything I know into one project. UGD: Do you ever envision the project touring outside of Broadway?

NM: Ultimately, yes. It’s expensive to produce a play. The goal between Quick Silver and Classics in Color, is to do the show. There’s only 10 performances. it runs 5 times a week for 2 weeks. The dream would be to have a huge producer come to see the show, who would like to take it off-broadway and go around the country. It’s a matter of getting the financial backing and the right producer. UGD: It would be awesome. NM: Yes, it would be incredible. It’s in our vision. UGD: So are there any type of final comments at all? NM: My biggest thing for anyone learning about the arts, or looking to pursue this, is to not think that anyone has been an overnight success. Even though it’s represented that way, anything in life worth doing has a history of persistence, consistency, and excellence. That’s the biggest message as an artist that I can share with others. Always work on your art, even if you have to support it by other means. Every single actor has a story like that if you look into their history, regardless of how quickly you think it happened for them.*

Entreprenuerâ&#x20AC;&#x2122;s Corner

IAmPR Agency

The Entrepreneur’s Corner is a new column we’ll be running here in urban Grandstand Digital, which focuses on various businesses, and the process of getting started and sustaining. This month, we talk to Olivia Dikambi, who is behind one of the world’s most successful PR firms in recent years. Starting and operating a successful business can be one of the most difficult things to so; yet, Dikambi makes is look so easy. She has worked tirelessly at establishing IAmPR Agency since relocating to New York City from Paris, France. In a few short years, she has garnered the support of many of entertainment’s largest agencies, including companies like Viacom (MTV, BET, etc), ABC, NBC, and a wide variety of artists. She’s actually behind Joy Villa, who graced the cover of our last issue This article is great for anyone looking to work in entertainment, and start their own company. Dikambi offers some great lessons in the way of networking and building a solid portfolio. She shows what can happen when you follow your heart, even when people speak loudly at whether they feel it’s a safe move, or can be accomplished. Let’s talk IAmPR Agency!

Urban Grandstand Digital: Thank you so much for this opportunity. I’m honored for so many reasons. Obviously, you were behind our feature with Joy Villa, who is just phenomenal. Then to be able to speak with you regarding your success, it’s great. Having your own PR firm can’t be easy. How did you get into this? Olivia Dikambi: It was almost by accident. An acquaintance had a basketball tournament that he does every year, and I was very intrigued. He put me in contact with a publicist, and I was working with them. From that opportunity, it led to me traveling to New York City. Once I moved there, I wanted to remain in PR. At the time, there was a lot of talent, but no one was representing that talent. That was for multiple reason, and I saw a void that I decided to fill. UGD: When I look at your firm, it’s almost like a super firm. I see how much you are going, and all that you do, and I don’t see a lot of people or companies doing it the way you do. What gave you the idea of what you wanted to create? OD: When you really look at the industry, everyone chases the same opportunities. They don’t think outside the box. A lot of the big publicists told us we were crazy for going after the independent market. It’s funny because when you look at it, there are more artists who are not signed. It’s a smaller percentage of celebrities, and more artists in need of representation and assistance transitioning into superstardom. For us, we wanted to become that resource. A lot of other companies don’t treat artists right. We wanted to be that change in the industry. UGD: How have you been able to tailor your services to those who aren’t fully established, given they have smaller budgets? OD: First and foremost, IAmPR Agency is a global service provider, whether it comes to marketing, PR, advertising, and general promotional services, so it’s not always about getting those who are unsigned. We represent celebrities as well, and always will. So we cater to a broader audience. When it comes to independent artists, we are very affordable. At the end of the day, we have to review the content, and there has to be synergy. We don’t just sign or work with everybody. We want to be that platform where people realize they may not have a million dollar budget, but there are options open to them. UGD: A lot of people are getting that feel from your services. You do an excellent job with getting the names out there. I look through your site a lot, and to see the large number of people you represent is awesome. OD: Thank you so much! UGD: So in the beginning, was it just you? OD: In the beginning, my partner, David, wanted to be an artist, and I wanted to be a publicist. So I started by representing him. From there, we got a lot of traction, getting him on television, and getting him in rotation. We did things that unsigned artists weren’t doing at the time. We partnered with MTV and VH1. That drew the attention of other artists in NYC, and I was getting more clients from it. Over time, as the needs evolved, I brought in some help. Now, we have a full staff, but in the beginning it was just me. UGD: Was it difficult getting media placements? You’ve worked with the biggest and the best. OD: One thing I’ve done was build my portfolio. I had to let people know what was going on within the company. Once we got the placement on MTV, that let people know that if we could do that, we could do more. No unsigned acts were making it there, unless they had management. For a publicist to do it, it drew attention from labels and the industry as a whole. It was really more of a situation of relationship building. I say that to all of my clients. It’s just like dating. You have to court the other person. UGD: With so many other firms, established and emerging, what sets IAmPR apart from the rest? OD: We are the only company that measures results. We provide results weekly, and we track our data analytically. A lot of companies are not telling you how tangible you are, or what the return on investment is. They may say what they can get you placed in, but there’s no real data. It’s not quantifiable. We analyze, track, and provide statistical data and measurements on how effective our campaign is. The client can follow the flow of the campaign and see progress. UGD: That helps with client retention because they can see what’s happening.

OD: Absolutely. It’s really something where they are a part of the process. We back up what we say. A lot of others don’t know how to do that. We have experience in marketing, and the data is there. Numbers don’t lie. You can’t really debate it. UGD: So how do you keep it all together? You have so many people you represent, and you personally have your hand in it all.I see hundreds of emails from you about things your clients have going on, so you’re working extremely hard. OD: We actually partner with a project management app that allows us to maintain several projects at once. Everything is organized. Our clients have folders, and we keep the flow of conversation going that way. We can talk to our clients in real time. It’s very organized and there is a process to the madness. We have a full staff. They make a difference. I couldn’t do it all on my own and it is definitely a team effort. UGD: What is on the horizon to keep things progressing? OD: We have several projects that we will unveil over the next few months. One is IAmPR Pros. That’s a series that we’re already doing in our blog, but we want to separate the company from the IAmPR Pros, which will focus on highlighting independent artists and celebrity news. IAmPR Academy will be the knowledge base. We see that artists are not as knowledgeable about the industry and the business side. We want to provide a knowledge base for them to learn and be more versed in marketing and PR and how it helps them progress. We’re doing a number of projects. These are the main two things. There’s also a book coming out, called the Marketless Marketer. UGD: What are you most proud of in your journey? OD: I’m proud to see the vision come together. A lot of times, people can’t really see it. The fact that we have not moved away from that vision, and now it’s coming together. We’re also unveiling an app. When you see the fruits of your labor come together, it’s just like the universe bringing all the pieces together. That’s what I’m proud of. UGD: Great organizational skills and a great team makes it all possible. A number of people are thrilled to have worked with you. OD: I hope so (laughing). UGD: Are there any final thoughts at all? OD: I just would tell people that no matter where they start, it’s not about that in the end. It’s about where you’re going. It’s really about the journey. Through the journey, you realize new skills, and by meeting so many people, you get to share your story. It’s not about taking that one big step. It’s about taking the first step because then, you’ll know what to do next. There’s still things that are not perfect in the agency, but the fact that we continue to work at it, that’s what makes us better every day. If you want to do something, no matter if it’s being a publicist, or anything else, there’s many resources out there to help. I’m always willing to speak to anyone who has questions about getting started.*

urban grand stand digital

In our exclusive feature, she opens up about the show, her album, and her triumphs. She talks about her newfound opportunities as Ambassador of the United Negro College Fund, as well as her chance to spread the word about Juvenile Rheumatoid Arthritis, a disease that could have devastated get family, but has ultimately taught her so much and helped her family to grow and strengthen each other.

traci braxton

D E S T I N Y

F U L F I L L E D

We’re overly-excited about the opportunity to spotlight Traci Braxton in this new issue of Urban Grand Digital with the new feature, Destiny Fullfilled. We’re on the heels of the return of The Braxton’s Family Values, and as huge as that is in itself, her story is so much bigger than that! It’s a story of fulfillment indeed. We’ve watch for 4 years as her life has been put on public broadcast. We’ve seen the ups, the downs, and the in-between, as she has worked to define herself. She’s worked to find her happiness, and in this moment, she’s finally arriving at that place. One of her dreams has been to lead a successful recordings career, and with God’s grace, she’s finally achieved it. Her album, Crash & Burn, is her dream come true. She’s also been able to use The Braxton’s Family Values to build and strengthen her bin with her sisters, something that has been vital to her survival through the struggles.

Traci Braxton: Thank you so much for having me. Urban Grandstand Digital: There’s so much going on right now, with your album being out, and the return of The Braxton’s Family Values this week. It’s such a huge thing and it has o be overwhelming. How are you feeling in the midst of everything? Traci Braxton: I am on cloud nine! The Braxton’s Family Values is still running, and everyone still wants to know what’s going on with our lives and what they can learn. Then there’s my album and me doing different things. i was named the Ambassador of United Negro College Fund. I’m very excited for that. Urban Grandstand Digital: I think that’s amazing. You don’t hear much about stuff like that and the media doesn’t put a lot of focus on it, but obviously this is something people need to know. Education is obviously so important. Traci Braxton: Yes. I’m so excited about that, and I’ve always worked with kids. I’m a senior counselor, and I have been for 15 years, I also worked at Oak Hill, which is a baby jail. I love working with kids. Urban Grandstand Digital: There’s smooch behind education, and being able to go to school. I did a story with Angela Robinson, who has also done some things with UNCF. It’s really amazing, but what was it that made you want to do this? Traci Braxton: Making sure education is the very beginning of knowledge and wisdom. My son, I’ve been waiting him to go to college. He’s a young entrepreneur and he has vision, but I teach him that he still has to go to school. I hope it gets through to him that he still needs educational background to know what he’s talking about, so that he can be politically correct when he speaks. Then he can tell people why he opened his business, and why he is passionate about his business. The same thing goes with kids too. Anything they want to do in life, they need to go to school. Try it and see if it’s for you. Get some kind of knowledge.

Urban Grandstand Digital: That’s been my thing. At least try it. There’s so many opportunities come because of being in school. Love the fact that you push this idea, and who cares what everyone else is doing in entertainment, school is still important. Traci Braxton: I think everybody needs to go away to college. At least go for that one semester. You will understand, either you’re going to learn, or you’re a party person. Urban Grandstand Digital: I like how you say go away. Almost like you’re saying get out of my house (laughing) Traci Braxton: (laughing) Give the pad a break for a semester. Urban Grandstand Digital: Truthfully though, this topic just adds to your ability to relate to so many people. Of all of the sisters, I feel like you have been one of the more relatable figures. It’s not to shed any negativity on anyone, but I believe it’s because from the beginning, you’ve been very transparent. We know your struggles, and wanting to pursue entertainment but not being able to because of children and family. There’s so many people;e we know of, who would pick the fame route, and who have done so. To each their own, but I think it’s cool that we’ve seen that transparency in your struggles, and you have proven that you are just like us, Traci. You’re just like us. Traci Braxton: (laughing) I try to be. Thank you. I try to be, Lord Jesus. These people are trying it too. Urban Grandstand Digital: Do you get that a lot when you talk to people, and meet fans? Do they tell you that you’re really transparent, and relatable? Traci Braxton: I get some that, and I get some people who say just anything out of their mouths. I bite ‘em right back (laughing). It’s real strange and odd. I know don’t know. I’ve been working for such a long time. No I didn’t have the fame., Yes, I was with the sisters on “The Good Life”, the very beginning before Toni branched out. I was with the sisters again, matter of fact,

I was on “The Braxton’s” with “Who’s the Boss”. I did cowrite two songs on that album. That lets you know I was there. Urban Grandstand Digital: … and people need to know that. Traci Braxton: Yes, and when I wasn’t able to sign with the sisters, OK, I stayed with my profession, working with kids. I’m excited that people can relate to me. That’s all I’ve been doing is working my entire life, after I chose my family. So, it was something of the norm. I was from that same foundation, having both parents in the house, both of my parents being ministers, and working with the public. I fell back to what I knew. It wasn’t always singing and entertaining. That was being a productive citizen, having a family, and being working class. Urban Grandstand Digital: The one thing lot of people like about your family on television is obviously you’re doing reality, so there will be drama in some sense, but they compare you to their families. I can even do so. I’m one of two kids, so I don’t have many siblings, but the overall premise in your family was support, and being their for each other. Sticking together. There’s so much support in the background. Traci Braxton: All families go through a lot of the same things. I’m glad we can touch people who deal with the same problems. OK, maybe I need to do it this way, or maybe I need to talk to my sister. Maybe I need to mend this relationship with my sisters or my siblings, or my parents. You only get one family and you don’t choose them. Urban Grandstand Digital: But how difficult is it to truly mend fences, you know, when things hit that level. Obviously, we’re all watching the show, and we see the things that happen and how it heats up. Surely we’ve seen this season’s trailer, and I’m like “oh my god”. Traci Braxton: (laughing) Urban Grandstand Digital: (laughing) How do you come back from that? Is that difficult?

Urban Grandstand Digital: But that goes back to the reliability. I feel like I made that word up (laughing). But it goes back to people being able to relate to you and you being transparent enough for them to see themselves in you. Communication is a big issue with everyone. Nobody communicates well, but you’re there for each other no matter what. You show that you can rise above it all. Even with your mom, the thing that connected your mom and my mom was when she told Tamar she was going to slap the piss out of her (laughing). Traci Braxton: Yes honey, she used to say that to us all the time. I was just like, I don’t want to wear no depends and smell pissy all day (laughing). Who wants to do that (laughing) Urban Grandstand Digital: I was floored. That can be my mother all day long. Traci Braxton: So you have an Evelyn, too. Urban Grandstand Digital: Yea, but moving away from the show, you’ve been able to parlay this into a music career. You were able to show that yes, you can do this too, and you’re able to put an album out there; a GOOD album, and so well with it. I listen to “Stay Sippin” with you and Raheem DeVaughn, and I’m just like this girl can hang with the best and the rest! What is that like for you with your OWN album out there now? Your OWN baby! Traci Braxton: Ahh, it feels wonderful. I’m still on cloud nine. They still have me in the studio and I’m working on the second album. So, just to show my vocals. I don’t have to be all lavish or wear tennis shows. Sometimes i don’t have to wear tennis shoes all the time (I’m talking about doing a lot of runs on the track). Having a good R&B album and sticking to what you know. I’m not a spring chicken anymore.

Urban Grandstand Digital: Well you look like one…. Traci Braxton: Thank you, but this woman is grown honey, and been drinking milk (laughing). It’s wonderful. I can finally say I don’t have a should have, could have, would have. I can check that off my bucket list. I’ve fulfilled my dream. I have Tank to thank, and my brother. The next single will be his song, “Perfect Timing”. Urban Grandstand Digital: That’s so awesome, because he’s truly amazing. He’s done so much work, even in the past for people like Aaliyah. People don’t get the feel of his depth and all that he does. It has to sit high in your heart to work with him. Traci Braxton: Right, and he worked with Toni also. I’m like wow! People I did not think I would work with so early in my music career, I’m like wow! He has that much faith in me and the fact that I can deliver. Urban Grandstand Digital: Will there be a video treatment? Traci Braxton: I hope so. The record label is so tricky. They’ll say they’re going to dose things and then don’t do it. I didn’t even realize that would be the next single. I was trying to do “Holding On”. Urban Grandstand Digital: It’s almost like that middle child syndrome where there’s not a large amount of push put into it. You end up doing a lot yourself. I always say it’s better to be independent because although it’s a to of work, the reward comes stronger. It’s bothersome that it’s been out there, but a lot of people still don’t know. Traci Braxton: No, they don’t… Urban Grandstand Digital: I think it’s unacceptable in a sense because of the amount of celebrity you have. There’s no reason for people to not know. Traci Braxton: Yes, the industry is so crazy. I have to say this: the younger generation doesn’t know enough about R&B music. It’s dead to them. When they get older, they not going to always pop their booty and do the nay-nay everyday. I do the nay-nay sometimes (laughing) but I’m just saying. They don’t know about Aretha Franklin, Whitney Houston, Melba Moore, Chanté Moore, and Tina Turner. They don’t know the foundation. They only know jump off music. That doesn’t last though. Urban Grandstand Digital: But you’re teaching people that. You’re showing what it is to have a good quality album. Traci Braxton: Yes! think about it. Normally, someone has a banging CD and people sleep on it. Then after 5 years, boom! It happens that way sometimes.

Urban Grandstand Digital: Well I love Crash & Burn, I hope more people really learn about this because the songster great. We mentioned “Stay Sippin”, and “Perfect Timing”, “Last Call” was awesome. The song “Reasons”, it really reminds me of the Tony Rich Project Traci Braxton: Yes! Urban Grandstand Digital: It reminds me of “Nobody Knows it But Me”. It’s colt have those references back to music that was out there and what we were able to enjoy, and now we relive it. Traci Braxton: I have to say this though! My brother wrote therefor Toni 15 years ago, and it never made it on her album. I asked him if I could have it, and he said I had to ask Toni. I talked to her, and you know, she helped me out through the whole process, changing certain things. I’m blessed thatch let me have that song. That was written 15 years ago.

Urban Grandstand Digital: It puts me in mind of the people who suffer from Sickle Cell Crises. Traci Braxton: Yes! Seeing my son, when he was younger, having to sit in cool water and putting rubbing alcohol on. Making sure he takes his medicine. Yesterday, I had to make sure he was taking his medicine because he doesn’t want to take it. Him being alienated in school, and not being able to sit in class. Teachers would complain about him getting up, but he has JRA. He can’t sit for extended periods or he stiffens up. The kid has to get up. Then the medicine dries them out, and they have to keep going to get water. They’ll put them in special needs classes, but they don’t need that. They can’t help it. It’s a to going on with these kids, and people, even teachers, have to study it. Sometimes you can mess up a kids education because you don’t understand.

Urban Grandstand Digita;: It’s a testaUrban Grandstand Digital: That shows the ment, though, to your hard work. Your timeless quality of it. It’s a good song. son is older now, and has been able to maneuver through this life successfully, Traci Braxton: It is! Timeless! I’m proud of and is living a productive life. Will you my brother. It was for my mom and dad speak more about this? when they went through their divorce. Toni had it, but it never made it on the Traci Braxton: I do have some things album. scheduled. I love giving back. Just like “Women Below the Belt” with cancer, I Urban Grandstand Digital: That makes it can attest to that. I had cancer cells on better because of how it resonates in the my cervix. They had to remove that, I family. What are you most proud of with was pregnant during that time so they this album? had to remove the fetus. People have to open their eyes and stop thinking it can’t Traci Braxton: My emotion. How i was happen to them or their family. No one is feeling while making this album. Passion exempt to these things. is my favorite song. People think I’m talking about a love, or a man. I’m not. Urban Grandstand Digital: Definitely. It’s I’m talking about being alone in this pas- good to have someone like you to speak sion, trying to get me voice heard, I’ve on this, and show you can live a producbeen waiting song and music to come to tive life. me for so long. I did not understand why it wasn’t coming to me. Why don’t you Traci Braxton: I try James. I try (laughing) want me. Why am I not getting my gift? Singing this song filled my heart p. then Urban Grandstand Digital: So closing up, boom, it comes to me. That is my favorite what can everyone expect this season on song. The Braxton’s Family Values? Urban Grandstand Digital: So before we finish up about the show, I want to bring to light what you do for the cause of Juvenile Rheumatoid Arthritis. Your son was diagnosed with it. Why was it important to champion this cause? Traci Braxton: The reason I want to push this is that a lot of kids suffer from it. It is in the family of lupus. It comes back misdiagnosed all the time. They have high fevers, vomiting, and their joints bother them. Doctors call it growing pains, but it isn’t. They actually have screenings to look beyond the pains in their joints, and blood levels. It comes in the form of pain in their joints. They say give em Tylenol, or rest. It’s not just that. Sometimes kids have deformities, or bulging in their joints. It’s a painful disease. People need to be aware of it. You have to check up on that.

Traci Braxton: inn so many words, I don’t know what’s happening Thursday. I’ll be watching it with you guys. Urban Grandstand Digital: It’d be nice if you guys could do something like what Mary Mary has done and watch it with us at the same time. Traci Braxton: OK, that’s a thought. You hear that networks? That would be a good thing. Urban Grandstand Digital: What what’s to be expected? A lot of support. We argue with each other, but the support and love is there. I can’t tell you everything going on. It’s juicy. We’re trying to tell everybody. Stuff is about to be unveiled.

Urban Grandstand Digital: I knew you wouldn’t give me too much, but I had to try. Traci Braxton: You gonna try your hand! James is going to try his hand (laughing). Urban Grandstand Digital: Thank you again, so much. You mentioned bucket list before. You have been one of those people on my bucket list to talk to. Traci Braxton: Really?

Urban Grandstand Digital: I love what you do, and I tend to look a little deeper. I’ve been looking these last three seasons, and I wonder mores “wow, how is she dealing with that”. I also like to be able to spotlight the causes that you’re working on. I could care less about the drama and things that go on because all families fight and argue. That’s reality. I like to be able o push the bigger cause. Well thank you for having me and considering me.

Excitement doesn’t nearly express the feelings evoked when given the opportunity of speaking with Calvin Richardson. To say I’ve love his music would be an understatement. I’ve literally followed his music and craft since mid-nineties. He first was a part of the group Undacova. But eventually landed solo with Universal Records. His style is like no other. He safely blends multiple genres, including gospel, R&B & soul, It’s no wonder though, as he had many influences ranging from Bobby Womack and Donny Hathaway to Sam Cooke and Marvin Gaye. Listening to his music, you’ll here a lot of undertone from the rhythmic styles of the 60s and 70s eras.

#iamcalvin c a lv i n r i c h a r d s o n

n my mind, R&B has long gotten the short end of the stick when it comes to promotion, recognition, air play, and so on. I’ve always wondered why GOOD R&B music just doesn’t seem to live units. You have good artists who just don’t push the units. I’ve always felt that way of Richardson. He’d be making some of the best music ever, but it just wasn’t hitting where I felt it should be, given the crowd, and people behind it. With this new album, things are making quite a shift! New label, thanks to #EricBenet, two chart-topping singles out now, and so much more going. His music has been featured in both Empire and LHHNY! He’s recently performed at the Trumpet Awards, honoring musical legends The Isley Brothers. The train is definitely moving at full speed! Calvin slows down, just for a moment, to talk to us about his journey!

Urban Grandstand Digital: Thank you so much for your time today. As someone who has followed your music for so long, it’s a blessing to be able to talk. I appreciate you becoming a part of our movement with Urban Grandstand Digital and us being able to showcase good music and talent. Calvin Richardson: Most definitely. It’s my pleasure. Urban Grandstand Digital: So your current album, I realize it’s been out for just over 6 months now, but prior to that, you were away for 4 years. What has happened in that time? And what takes one away from something that is their passion, and what they love to do? Calvin Richardson: Honestly, I wouldn’t say that I was truly way from it. I just wasn’t working with a label at the time, but I was still out there, recording music and doing shows. That was actually how Eric and I connected. We had a show somewhere, and he ended up reaching out. Just because of the fact I was still active to let people know I was still able. Urban Grandstand Digital: I’m glad we’re talking about that. A lot of times, you hear of artists signing to another artist, and things don’t go as planned in terms of promotion, and getting the material out there. Was there any concern, or fear, of you signing to another artist? I’ve always said in my mind that one artist should not sign to another, based on the things I’ve seen in certain cases. Calvin Richardson: I don’t know that I had any fear, but I thought the same way. I had concerns, but once Eric and I met and talked about me signing to Jordan House Records, I saw how much he was into keeping real good music alive, and just looking at his history, we connected on a musical level. He put my concerns to rest. I was totally comfortable when it came time to put pen to paper. Urban Grandstand Digital: So again, it’s been a little over six month with this album out, and obviously, you want things to progressively get better with each album. It seems with IAmCalvin that things are getting more playback, more feedback, and so forth. You have two chart-topping singles. What’s different this time around? Calvin Richardson: Like you said, you want the last effort to outdo the past, and you don’t want to get to that point where things are declining. With each project, I focus on my delivery and growth. Obviously coming together with Eric, and him being such a quality artist, writer, and singer, it makes people pay closer attention. Aside from that, I’m proud of the work we came up with. Urban Grandstand Digital: People are really taking notice now. You’re being featured everywhere now, with things like Empire, and Love & Hip-Hop. How does that feel?

Calvin Richardson: It feels good man. I’d be lying if I said otherwise. When you’re working in any field and you get recognized, it’s a good feeling. You put it out there for people to gravitate to it and receive it. When you see those things happen, and get opportunities like having songs featured in big productions, and performing at award shows, it’s great. I performed at the Trumpet Awards back in January too. Urban Grandstand Digital: Not only was it good for you to perform there in general, but to give tribute to someone that’s been doing this for as long as the Isley Brothers. That had to be a good feeling. Calvin Richardson: Most definitely, and It’s true. To pay tribute to someone of that caliber. I have great respect for them. I was definitely honored to even have that opportunity. Urban Grandstand Digital: So What was the response from the Isley brothers, or did you even have an opportunity to get any feedback from them? Calvin Richardson: I had a chance to speak to them a little back stage, and they definitely enjoyed it. They said they were proud of what we did. Urban Grandstand Digital: That’s really good. Surely, you did good, but you always wonder how the artist really feels. Here and there, you see some tributes, and the artist is no pleased. Calvin Richardson: Right. Urban Grandstand Digital: I’m sure a lot of people don’t realize you co-wrote “There Goes My Baby” for Charlie Wilson. How did that opportunity come about? Calvin Richardson: That song, I actually recorded it for myself. It wasn’t originally going to be for Charlie Wilson. It was co-written with Babyface and Mike Phelps. I was still signed to Hollywood records, and it was going to go on my next album. As fate would have it, that record never came out, and we didn’t do anything with that music. Greg, the producer, was signed under Babyface productions. When Charlie was working on his album, he was looking for material, and Greg was able to present that to him. The rest is history. Urban Grandstand Digital: So you’ve released two singles already. Will you release more? Calvin Richardson: That’s something I would love to answer, but I don’t know just yet. I feel there’s more good singles, but there’s also business involved as well. We just have to stay tuned and see. What I do know is there’s a lot of good things in the works around IAmCalvin, and it’s good to be Calvin (laughing)

@iamcalvinrichardson

follow calvin on facebook instagram & twitter

and check his website iamcalvinrichardson.com

Calvin Richardson: I’m really proud, as far as this album is concerned, that I’ve gotten with a team who embraced my vision and believed in my destination. That goes from Eric, to every person at Primary Wave and BMG. They really are supportUrban Grandstand Digital: I’ve always ing the music, and it has already paid off. said that I would love to hear an album I’m proud because it hasn’t always been a with you, Angie Stone, and Raphael part of my situations in the past. To have Saadiq. I think you guys just have this re- that real support that’s needed to get ally strong chemistry together, which was the recognition that is required for you to evidenced by the song “Excuse Me” from become a force to be reckoned with. As Raphael’s debut, Instant Vintage. I’ve far as my career, it’s been so many differalways loved that song, and hell, that was ent things I’m proud of. I keep getting in 13 years ago. It probably sounds crazy, situations, and always get drafted, so to but has that thought ever come up with speak. I’m never sidelined to be sidelined any of you? for good. There’s always another situation, or something out there for Calvin. Calvin Richardson: You know what it is. I’ve stayed consistent enough to show It definitely is a really good chemistry. people that and prove that I should also Angie Stone is just one of the realest be taken seriously in this business. soul singers you’re ever going to get out there. Raphael Saadiq is so true to this Urban Grandstand Digital: That also thing, and he understands it so well. It’s a comes from the level of professionalism part of his DNA, and he gets it. I live and that you exhibit in what you do. When breathe it. I was raised up on it, from the you’re professional, even if you leave a dirt on up. So, our chemistry had to work. situation, if you do it the right way, peoit was automatic. It wasn’t forced, or con- ple are more willing to work with you. trived. I remember us being in the studio, and being able to meet him for the first Calvin Richardson: Absolutely... time with Angie Stone was amazing. He played me the song, and I remember we Urban Grandstand Digital: Before I hit were going back and forth. He wasn’t final comments, You’ve been connected really sure what he wanted to do with with so many other artists throughout the it, and asked me if I had anything. I just years, including K-Ci and JoJo. How was started to sing “Hey excuse me please, that for you to see them reunite with Joyou sure look good to me”, and he loved deci, and get this new album out there? it. Right then, we realized there was chemistry and magic. As far as an entire Calvin Richardson: I’m proud of them. album, I don’t believe the three of us ever We’ve remained close through the years. sat down collectively and talked about a I talk to them almost on a weekly basis. full album and capitalizing from it. Now They are very talented guys. People have Angie and I on the other hand, we’ve obstacles, but at the end of the day, no actually recorded a full album of material one can take away the talent or the contogether. Things just got off track, but we tributions they’ve made to the industry. I still have it. like how the album sounds, and I love the success they’re having. There was a void Urban Grandstand Digital: I think it’s that no one could fill except them. something you still could capitalize on. Even with you two, but to also have RaUrban Grandstand Digital: I think they are phael, because of the chemistry, it would a testament that regardless of what goes be great. That song alone was awesome, on you still can follow your dreams and so I can only imagine what a full album do what you want to do. would do. Calvin Richardson: That’s right... Calvin Richardson: I think it would definitely be something to be talked about. Urban Grandstand Digital: Any final comments at all? Urban Grandstand Digital: What else is new for you in general? Is anything else Calvin Richardson: I think we covered coming? Have you even thought of reeverything. We know the album is out. If cording more now? people don’t have it, they should not be the last ones to hear it. Continue to look Calvin Richardson: Now that, I don’t have for more things from Calvin Richardson, to think much about. I’m always making and I want people to know I am very new music. I have a studio in my house appreciative for the support I’m receiving where I write and record my ideas. There now, as well the support that I have had will definitely be more music in my future. for the years that kept me in the game to I deal with things as they come. I’m out get to this point. here performing and doing more touring. Trying to stay focused, but the music is Urban Grandstand Digital: I think it goes automatic. I don’t even have to be in the vice versa. People are appreciative for studio to make music. I live it. your professionalism and good music. Truth is, we don’t always get that with Urban Grandstand Digital: What are you everyone. So with that, I say thank you most proud of with your new album, and again for the opportunity to talk today * also with your career?

urban grand stand digital

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WHAT AN HONOR it was to connect with SoulJazz artist, Kenya. Admittedly, we’re just throwing that term out there and running with it. After all, it’s probably the best way to describe her sound, which is currently exploding on the scene in Europe. Listening to her music, you instantly attempt to categorize her with artists like Jill Scott, Maxwell, and D’Angelo, but she’s definitely in a genre all by herself with you really get the feel of it. Many are classifying her as Neo-Soul, but truthfully, it’s not quite that either. Truth is, that’s something that you have to decide for yourself. Either way, she’s got something worth talking about, and we’re happy to have an opportunity to talk with her.

In our feature, Kenya talks about her transition from working in healthcare to living her dream of music, releasing her product overseas, and all she has planned and in store to introduce her music to the United States.

the birth of souljazz

Urban Grandstand Digital: Thank you so much for this opportunity. Talk to me about what you have going on. I’ve seen the video, which is hot, and I think you know that. You have a great product

Urban Grandstand Digital: Not really because I work in Healthcare as well. I find it refreshing that we have that in common. I’ve done it off and on for about 15 years. I went to school for Journalism, but I’ve just always been in Healthcare. It was more of a situation where once I finished school, I had already moved into management so I was a little fearful of leaving. I ultimately did, but have since returned (laughing)

Kenya: Let me is from a new album I have called “My Own Skin”. It’s a project that has already been released in Europe, South Africa, and Japan. It’s under Expansion records, and they are based in London. We’re hoping to release here in the United States late summer or early fall. So, Let Me, and another single called “Be Here”, are the only two singles released here. We’re rolling it out a little slower here because it’s a soul album which touched Kenya: You sound like of Jazz. me. i did a lot of music growing up, and Urban Grandstand Digital: I everyone knew me as love how you merge soul and the “artsy” girl. I was Jazz. I think of people like Jill always good in math Scott, but it’s interesting be- and science. When it was time cause I saw somewhere you to go to college, my parents were labeled Neo-Soul. I hav- didn’t understand how I would en’t heard that phrase in like 15 have a regular job in music. It’s years (laughing). not that they didn’t want it for me, I think they just didn’t know Kenya: There’s such a strong how to articulate it to me. In my following for “Neo-Soul”, and brain, I thought music would people who follow Jill Scott, just be a hobby. I knew I needErykah Badu, Maxwell, and ed a real job. At 17, you’re so D’Angelo, and want so badly clueless, and I went to Howard. for that style of music to come I decided to major in Physical back and be as strong as it Therapy because I liked sciwas. I don’t categorize myself ence and fitness. I liked exeras Neo-Soul, but I think that cising and I did the research. I because we’re so limited here, was first a chemical engineerthere’s not a lot of room given ing major, because I was parfor soulful Jazz. In Europe, that’s ticularly strong in math. There a common genre. It’s very com- weren’t many black engineers, mon, and the album falls more but when I got to Howard, I saw in that space. It’s not traditional that it wasn’t me. As I looked Jazz, and not traditional soul. through the catalogs, I had an So that’s why we went with interest in Physical Therapy. So releasing internationally. On I’m a licensed Physical Therathe website, you’re also hear- pist, and I have practiced for ing songs from my two EPs. a long time. I got restless beThe first one is titled “Starting cause I thought i could keep Over’, and the second one is up music as a hobby, but titled Jazz Made Rhythm, and when you start a career, you that is actually classic R&B cov- have bills, kids, marriage, and ers and rearranged into Jazz I eventually wasn’t doing muarrangements. So, that’s defi- sic anymore. About 6-7 years nitely a Jazz EP, but because ago, I was restless, irritable, I took R&B covers, that’s what and frustrated. I was teaching gives it the soulful element. Physical Therapy and wasn’t enjoying that. My personal life Urban Grandstand Digital: was getting difficult to manNow I want to steer you away age. I decided to pick music up from your music for just a bit again, and the moment I did, because you’re also a Physical the opportunities that came Therapist, correct? were clearly God. I wasn’t necessarily trying and things were Kenya: (laughing) confusing coming into place. right?

“I decided to pick music up again, and the moment I did, the opportunities that came were clearly God. I wasn’t necessarily trying and things were coming into place.”

Urban Grandstand Digital: I think it’s awesome. I’m not sure if you’ve looked at our articles and interviews, but we put a lot of focus on following your dreams, and probably because that’s kind of where I am particularly. I do feel like things fall into place when you do what makes you happy. You kind of answered it already, but I was going to ask you what brought you back to music. You met your husband in healthcare as well, right? Kenya: Yea, he’s a General Surgeon Urban Grandstand Digital: That’s cool though. I also met my wife working at the hospital. Kenya: What’s funny is that he’s very analytical, and loves music. I’ve always made it clear to people that I love music, but a lot of people, there’s a whole decade where people never knew I played music, sang, or anything. I think he has seen me sing maybe once, and it was at my sister’s wedding. It was hard for him to get on board because he had never seen that. He questioned if I knew what I was getting into. I had done smooch training as a child. My vocal teacher growing up was the same coach for Diane Reeves. Once he saw the shift, he was on board. Urban Grandstand Digital: It’s hard though, for spouses to come on board sometimes, and it can be for multiple reasons. Sometimes it’s bills, and it can be other things. Kenya: Once I did my first EP, and the efforts it took to do that, I think it showed him I was serious. Also, seeing my mood changes helped him. As artists, we can have some special spaces, and to get to that space and have a freedom where you’re willing to share stories and things, it’s not an analytical brain. I think he knew me as an analytical person. To see me as an artistic person, I think it was difficult for him. What’s nice is that I’m independent. Urban Grandstand Digital: I think being independent is one of the best ways to go. So many people want the major deals, and there’s so much involved in it.

You stand to do better and make more money when you go independent. People just don’t know what it takes, so they don’t necessarily want to do all the work. Kenya: You’re right on target. One of the things I agree with is that nowadays, you have a lot of artists trying to do it independent. They understand how much you can gain. Urban Grandstand Digital: Less people to pay Kenya: You have to work though. Urban Grandstand Digital: I agree. When you put your career in someone else’s hands, you stand to get whatever it is that you get. If they don’t know what to do with you, then you sit on the shelf. I see so many artists get a deal with whomever, and they have however many albums out and decide to create their own label. They do this, but will never release their own material. That has always bugged me. Kenya: The machine of what a label does, it’s extreme. You are literally an employee. They have to manipulate you in a way that works for their business. It’s not personal, it’s just business. That’s the law of business. If you’re on the shelf, it’s because the manipulation wasn’t working for them. It’s less to pay, so the income goes straight to you. I’m working on an article talking about being an independent artist, and how financially it’s expensive, and it’s not realistic for the average independent artist to be able to pay the amounts of money because you have to compete with labels. That’s the purpose of it. The more ideal world would be that labels would switch their gears and be more collaborative with independent artists. You have the smaller labels that don’t have so much money, but they have a little. They could with artists who have their own teams so when you work together, you can lean on each other. They give you money to get things rolling, but then you have to handle things in a way to push it, and we share the dollars. I think that’s more of what you will see, and that can create more of a win-win. As an art

ist, you have someone to help you on the front end, and then on the back end you both make money. I think you’ll see more of it. Urban Grandstand Digital: I think we see it already. When you look at people like Beyonce, she’s in that position where when she came into this, she got signed to Columbia, but she had her own people behind her. That’s what has gotten her to the point where she can throw something together without anyone knowing, and decided release it at a moment’s notice. Kenya: She’s the exploded version of what I was saying. Avery Sunshine, who is really becoming more visible, she’s doing the same thing. She has her own management team and now she’s partnered with an independent label. She has her own people, but she has the financial backing of the label, and she has done beautifully with that. Urban Grandstand Digital: I’ve been following her, and definitely want to catch up with her as well. She works really hard and I see exactly what she’s doing. it’s a testament to work ethic as to whether you can manage that way. Still thinking of Beyonce, there are other artists who have tried that since she did it, and they haven’t been successful. Kenya: D’Angelo was probably the closest. I don’t know what his revenues were, but he created a nice buzz though. Urban Grandstand Digital: People were anticipating him though, so he’s a little different. I think as crazy as people say Lauryn is, I think if she did it, it would go through the roof, regardless of anything that has happened. Kenya: The tricky part as an artist is if you’re going to do that, you can’t ride on your fame. You have to invest in working hard. People talk negative about Beyonce, but she works hard. She could ride on perfume, but she works hard. Urban Grandstand Digital: Exactly. One of the best shows i’ve seen with her was with Destiny’s Child, and this

was nearly 15 years ago. She’s worked hard this way since the beginning. She’s been out there nearly twenty years. I think it’s something you will see as well because roy have a great product. Kenya: Thank you so much. Urban Grandstand Digital: So why did Europe get you first? Kenya: I know (laughing), it was business strategy more than anything. One of the main producers on the album was Kendal Duffy. He is kind of like a Babyface, because he’s a musician, performer, producer, and music executive. He also owns his own marketing branding company and does radio promotions. He’s very verses in music. His thing was that it’s difficult to penetrate the radio market in the U.S., and with no one knowing who you are, it’s difficult. In Europe, they’re more about music. The popularity is important, but the music is primary. He felt like I would do better much quicker in Europe. We released the first single here in the states, titled Be Here. it made Sirius XM, and peaked at number 28 on billboard. It got to number 2 on the UK Soul charts. Ito just shows you the difference. I have thing called “Wednesday Girl”, and I knew it would be hard to play on American radio, but figured it would do much better in Europe. It did very well, and so many people were asking who I was. I was able to get in touch with a promoter there in Europe, and he said it was really strong and he wanted to get me in touch with some labels for distribution. Expansion records jumped on it. They gave me a licensing deal, which is great for an independent artist because they get it out there. It’s moving very well. It’s been number 1 on the UK Soul charts for 4 weeks. We have more leverage now here in the states because of what it’s doing there. Urban grandstand Digital: I love the fact that you’re independent, and doing it on your own. When I saw the video, I said wow. To me, it looks better than what the majors put together. vvv

Kenya: One of the other things I’m doing is building more around artist development programs. I’m building an artist development nonprofit to help artists understand what they need to do to make themselves more competitive without spending all of your money. There are independent musicians, and independent filmmakers. The person I use for my videos, he is amazing, but he’s independent. He charges way less. What’s nice is it’s his own company and does;t have to pay a bunch of people. He has the same equipment as the big companies. Let Me was more simple to put together. We kept it simple so the money was used more in photography and making it move. He’s young and hungry. He has done very video I’ve had. I want to show other artists you have to get some money together. You can’t do this for $10, but you don’t need what you think you might need. You just have to be really smart about it.

Kenya: I try to be really honest with my music, and I believe that what is allowing it to translate to the audience. It’s not contrived. I’m not trying to figure out a formula for a hit. Urban Grandstand Digital: I can see in the video that you’re being yourself, and that,in my eyes, is what equates to success. You’re being genuine. Kenya: It can be hard though because there’s smooch going on. But because there’s so much happening, it’s a good opportunity to be yourself. People are hungry for that, and they gravitate to it.

Urban grandstand Digital: There’s a lot you can show people to get their careers going. Kenya: Thank you so much. I just talked to another artist about this, and I’m trying to network with ASCAP and the Grammy organization to collaborate to host certain things, but I need to be the one doing this. Urban Grandstand Digital: So what is next now with the singles out? Kenya: Right now, we’re focusing on getting it released here. With a release, you don’t want it to fall on deaf ears. We’re trying to do it the right way. We don’t want to rush and have an outstanding album but people don’t know. My publicity chain are pushing to get the video playing and get people to know who is Kenya. Right now, I’m heavy in promoting. I’m looking at planning a tour and getting that organized so that by the fall, we can have a schedule of performances. In the summer I’ll do some promotional tours. That is the plan. Urban Grandstand Digital: I’m always up to travel but it would be great to see you, even in Cleveland. Kenya: Yes. traveling is a big part. I just got back from London, and I’m in Chicago now. I know we will be in Atlanta, DC, New York, L.A., and I’m from Denver. I always go home and do a nice show there. We’re wanting to penetrate a little more. The song “Let Me” is being played on Terrestrial radio in the southern areas, so Columbus, GA, Charleston SC, and Little Rock, so those are the areas that will probably get the promo tours,but it’s a lot of work. I’m enjoying it. There’s more to me than being a performer. I’m an educator too, so that’s why I want to do the artist development organization. Are there any final comments at all?

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The Strength of

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You may recall that in our February issue, we featured the cast of the Baz Brothers stage production, “Strength of Love”. It tells

the story love, marriage, and the things that take place when the dust settles, and the “newness” wears away. The Baz Brothers featured an all-star cast, including Chandra Currelley, who is not only the lead singer of the legendary S.O.S. Band, but a main-

stay in many of Tyler Perry’s productions. There were also a number of other powerful names involves to make this production a success, including Paula Campbell, Sean Baker, Dwayne Cottle, Mignon Spencer, and Theo White. They all, of course, were just the tip of the iceberg.

We first had the opportunity of featuring exclusive interviews with Chandra, Paula, Sean, Dwayne, and Writer, Producer, and Production Manager Maria Bazile in our February issue of Urban Grandstand Digital. Obviously, the interviews were great, and it gave us some great insight into what the show would be about, but I must say there was nothing like heading down to Atlanta to see it all in action. Indeed, the story picked up as the “newness” was fading in Melody and Tony’s marriage. They seemingly has the good life, and all the things that most married couple feel like they aspire for; yet, they weren’t happy in so many ways. Feelings of resentment and heartbreak, along with lifelong secrets threatened to tear it all apart for them. The play chronicles not only their struggle, but the way they bring it all back together, but not before it’s all seemingly hanging by a thread. They have so many people on their side to help them through the struggles, like Melody’s parents, portrayed by Chandra Currelley & Theo White. There’s also Tony’s best friend Dave, played by Dwayne Cottle. Dave has his own storyline going in regard We’re definitely looking forward to the thought of Strength of Love touring, as it definitely would be a good show for the world to see. Below, check out the many pictures we were able to capture while at the amazing event.